I will be sad forever because what am I supposed to do when confronted with the tragic homosexual story of Tom “Iceman” Kazansky and Pete “Maverick” Mitchell
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"Our legs begin to break
We've walked this path for far too long
My lungs, they start to ache
But still we carry on
I'm choking on my words
Like I got a noose around my neck"
"I'll save you from yourself"
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Learning to internalize the message above, but art is in all of our bones. If you feel afraid to create art because it won't be "good enough," it's worth it to explore why you feel that fear. Creating art is one of the basic impulses of people, and if you want to create art, then you absolutely must.
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so the good place is widely lauded on this site for its takes on morality and capitalism, which i totally agree with
but i think it should get more recognition for the line "all humans are aware of death. so we're all a little bit sad all the time. that's just the deal. we don't get offered any better ones. and if you try and ignore your sadness, it just ends up leaking out of you anyway. i've been there, and everybody's been there. so don't fight it. in the words of a very wise bed bath and beyond employee i once knew - go ahead and cry all you want. but you're gonna have to pay for that toilet plunger."
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It still irritates the hell out of me how well Sylvie seems to have accepted Loki's absence. I mean, come on, Loki SACRIFICED himself so that in the end she could come back and live her happy life the way she wanted. But in this scene she seems to be talking about the fucking wind, they ruined her so much in this second season.
While Mobius seems SAD AS HELL. ALONE in a new life that he still doesn't know how to deal with and that he didn't ask for, without the presence of the person he liked most. He looks so devastated, like someone came and destroyed his favorite jetski, when in fact the only thing destroyed was his and Loki's chance to ride that damn jetski TOGETHER.
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For your consideration: Jason has a sketchbook filled with architectural sketches for Temple Hill, probably including sketches for statues and stuff like that, meaning he likely knows how to draw people.
Jason also has a second sketchbook he keeps under his bed. And it’s just pages upon pages of Leo. The way his brows furrow when he’s deep in thought. The way he looks when he’s smiling. The way he looks when he’s really, sincerely laughing with his whole body. The way his eyes sparkle when he’s rambling about a project he’s passionate about. The way he looks mid-battle, fierce and brave and like he’s unstoppable. The way he looks when he’s tired and the way he looks when he’s content and the way he looks with oil down his shirt and fire in his hair.
All these little aspects of Leo that make up the whole. All these little things Jason has seen so many times and that he’s terrified he might forget because Leo is gone and the few pictures they have don’t capture all of him.
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