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exorcqism · 11 months ago

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𝐂𝐇𝐎𝐒𝐎 𝐊𝐀𝐌𝐎

„𝐈𝐍𝐅𝐈𝐍𝐈𝐓𝐘”

𝐂𝐖;; mature content. afab!reader, stoner!choso, non-curse/sorcerer AU, no uses of y/n. not proofread so i apologize in advance for any mistakes if they’re made.

𝐏𝐋𝐎𝐓;; choso’s mind has been spiraling for a couple days now. the fact that you wrote your phone number down on his hand had him going. he wanted to call you. he wanted to text you. but he just couldn’t. in order to be sanitary, he’d write the number down again on a sticky note and scrubbed the ink off his skin. he didn’t have time for a lover…but he felt like making time for you.

₊❏❜ ⋮ part one ⌒

. ݁ ࣪ ، ⌗ masterlist

: ̗̀➛ art creds by;; currently unknown. dividers are not mine, if you own these, you may claim them in comments.

: ̗̀➛ WORD COUNT;; 2.33K

dark mode recommended

do not copy this plot. i’m perfectly fine with inspirations but give creds. if this plot his stolen in any way, the post will be taken down and you will be blocked.

𝐃𝐀𝐊𝐎𝐓𝐀𝐒 𝐍𝐎𝐓𝐄𝐒 ✉️🖇️;; idk how long this story will stretch but if ya like it,, i’ll make more parts to it. not too many though. i wanna get to geto too (as promised). hope ya enjoyyyy. reblog to support meeee and if you want more :D (also lmk if you wanna be tagged for possible upcoming parts if i decide to continue)

another note: i finally made a masterlist. that shit took me 5 HOURS to make because i was fixing and adding so much stuff. i just wanted it to be pretty. ya should go look at it :P and should i make a AO3??? i see so many writers with them and i was wondering if i should do that too..

final note: guys,, remember this is my personal twist on the mid 90’s era so some things from current time will be put into the story (such as the ability to text without emailing one another or using a pager, familiar current time songs that are added into the 90’s era of this story, certain tv shows/movies that came after the 90’s)

₊❏❜ ⋮ continue to part three ⌒

“choso, we should make the house look like a haunted house!” itadori suggests. october was the season of spooks and scares (as yuji put it) and choso wasn’t into festivities that much but if he had to do it to make his little brother happy, he would do it.

the boys make their way to the nearby department store, letting yuji pick out what decorations should be put up in the house. for a little boy, choso didn’t even even pick up how significantly scary the items were because yuji wasn’t shitting himself out of fear.

“uh…yuji, i know you said you wanted the place to look like a haunted house…are you sure you won’t freak yourself out and start crying?” choso said, stifling his laughter.

“i’m not gonna cry.” yuji crossed his arms. “and i’m not scared of some dumb clowns. they’re just decorations, anyway.”

yuji was more mature than he looked…in the aspect of fear. he was a small boy but things didn’t scare him easily. you could say he’s a risk taker outside his moments of vulnerability. choso knew that he’d might jump back behind him, tightly holding the hem his tan sweater if he saw kechizu. the male finally smiles at the pink haired boy and nods.

“you’re right. they’re fake.” choso says calmly.

as they approach the checkout area, yuji sees the food area. serving simple things like pizza, hotdogs and drinks. the stuff you’d find at a concession stand of a sports game.

“can we get a pizza?” yuji asked. choso paused. he didn’t intend on spending 13 dollars on food from a department store. he had other plans anyway.

“you sure you want that? i was gonna get you a happy meal before we went home.” the male yawned, threading his fingers through his hair. the sudden mention of a happy meal excites yuji like a child on christmas morning.

“never mind, i don’t want pizza.” itadori quickly switches. choso chuckled, knowing how easy it was to get yuji to think about his choices.

“aw, cute kid,” choso heard a voice behind him. the male whipped his head around, his brown hair following along with him, only to see you standing there with a smile.

“is this your little brother?”

choso flushed a red color when he instantly remembered your face, almost making him feel bad for not calling you or texting you since you dropped off your number to him. he was feeling slightly embarrassed.

“uh..yeah, that’s—this is yuji.” he stumbles a bit, trying not to make his embarrassment known. itadori already knows the deal, so he waves at you with a big toothy grin, making you smile and wave back at him.

“um..what’re you doing here?” choso queried, trying to spark a conversation first for once. the male was obviously nervous and you could see his cheeks reddening the more he looked at you. if you didn’t know any better, you would’ve thought he would explode right in front of your eyes.

“shopping, like everyone else,” you teased. “but really, i just gotta pick some stuff up for my mom and then i’ll be on my way.”

your eyes travel over to the shopping cart that yuji was clinging onto, looking at the halloweeny decorations and you smile.

“you don’t seem like the type to be into holidays really,” you start, “did your brother convince you?”

choso also looked at the shopping cart full of stuff and blushed even harder. he was already flustered enough. it couldn’t get any worse than this.

“oh—no..he didn’t,” he chuckled nervously, “i actually really like halloween. the scary shit—stuff…you know, the movies? they’re cool.”

you giggled at choso’s nervous attempts to speak to you about the festivities that he almost never participated in and the quick fix with his mistake of swearing in front of yuji like he wasn’t there.

“oh, so you like horror movies? yeah, you strike me as that kind of guy.” you said. you couldn’t help but notice his medium length hair, just like you had seen the other night when he was working, flowing in the wind that came through as the store doors slowly slid themselves open as customers exited the building.

the male wore an oversized tan sweater with a pair of joggers and some sneakers. you could tell this was a lazy outfit. something you’d call a ‘no one will see me’ outfit.

his eyes were tired and he had a stoic expression, aside from his profuse blushing that began to die down when he finally got the chance to relax, having his hands shoved down into his pant pockets. his irises were so pretty. a pretty shade of purple. you never seen anyone’s eyes look like his before.

the silence prolonged for a moment. the two of you suddenly ran out of things to say. this was perfectly fine for choso. he would’ve lost his mind if he had to keep talking. it wasn’t that he didn’t enjoy talking to you. he was just too scared.

but it wasn’t long before that silence was disturbed.

“my big brother really likes you. he thinks you’re pre—” itadori starts before choso swiftly covers his mouth with his significantly larger hand, making you giggle once more.

“i’m sorry about that…yuji just likes to say random stuff when the silence is too loud for him.” choso said trying to cover up his embarrassment.

“it’s okay,” you smiled at him. your words seemed to ease his nerves a bit but it wasn’t enough to completely calm him down. you glance down at your phone when you feel it vibrate against your thigh.

it’s your mom texting you, asking if you’re on your way back.

“oh, sh—shoot,” you say, quickly fixing your mistake before you actually said it. “i gotta go. my mom just texted.”

choso is quickly snapped out of his embarrassment trance and his head swings over to look at you, his hair following along.

“you’re going?” he asked. through his dead and serious expression, you could see a hint of sadness. a very small change in his usual expression. you nod.

“yeah. but listen, you should call me. you don’t have my number just to stare at it.” you remarked before hurrying off, waving at him as you did.

once you were out of his sight, his eyes quickly struck down to yuji. he looked like he wanted to scold the poor boy for publicly embarrassing him in front of you but he decided against it and his expression softened.

“let’s just get home…” the male sighed.

choso was happy it’s his day off. he got to stay home with his little brother to help decorate their home with terrifying decorations for halloween. choso couldn’t help but smile at yuji’s futile attempts to scare him with the masks from the store.

“come on, you aren’t even a little scared?” yuji removed the mask from his face and shook his head to fix his hair, which was flattened and sticking to his forehead.

“not even in the slightest.” choso chuckled before ruffling itadori’s hair lightly. “what about your friends? you try to scare them yet?”

“megumi is almost never impressed. he’s kinda lame….and out of the question.” yuji hummed. “but i can get nobara. she’s always screaming.”

“well, you can do that tomorrow,” choso yawned, “you gotta get ready for bed soon. you got school in the morning and i don’t want you to be tired and falling asleep in class.”

yuji frowned before he’d hug choso. it took a moment for choso to process the moment, given that he wasn’t too used to being hugged. choso finally hugged the boy back before smiling softly.

“i’ll see you tomorrow, okay?”

yuji nodded and smiled back at his older brother before making his way to his room.

when yuji had finally gone to sleep, the house was quiet, leaving choso staring at the ceiling with his hair in disarray and an unlit cigarette between his lips all while he laid on the bed, doing maladaptive night dreaming.

‘workin out’ by JID played softly from the small radio that sat on the windowsill. his eyes slowly traveled over to the shoe box that stood out from all the other boxes in his closet. there was a bright yellow sticky note at the top with what seemed to have your phone number on it along with your name.

the male sat up on the bed and walked over to the box, snatching the sticky note from the box then walking over to his laptop that sat on the umber colored desk.

choso opened the laptop and navigated to the facetime app and decided to punch in your number. he could feel his stomach turning as the low adverb jingling sound repeated itself.

while he waited for you to answer, he’d take one of the rubber bands off of his wrist and tie his hair back, leaving his bangs to hang down in his face. he even took the time to fix the violet eyeshadow that he always had around his eyes, staining his fingers each time he touched around his eyelids. and finally, he’d press down on the bandage over his nose to make sure it was still sticking.

you suddenly pick up, finally answering choso’s call. your room was a bit dark like his, except you had your tv going on in the background. it was loud enough for choso to be able to hear.

unlike choso, you were sitting on your bed with your laptop. you had your hair tied up in twin messy buns with a little bit of your hair hanging down in your face. you wore a black spaghetti strap tank top, revealing the tattoo on your shoulder, and a pair of grey joggers with mismatch socks.

“i honestly did not hear this thing going off,” you giggled as you pushed the hair out of your face. you had been downstairs grabbing yourself a drink while choso was calling. “i’m sorry i didn’t answer right away, though.”

“oh..no, it’s fine. you aren’t busy are you?”

“no, not really. i was thinking about finishing this show i was watching. have you heard of american horror story?”

“yeah, i heard of it. i just never got around to watching it. i’d rather watch movies than an ongoing series.” choso explained simply before he’d light his cigarette. you nod, completely understanding his side.

“shit, well, what movies do you recommend? horror movies, since we’re in spooky season.” you flash a cheeky smile at him. choso’s heart skips a beat when you finally ask him what he’s interested in. he pauses and begins thinking, taking drags from his cigarette.

“there’s one movie, i can’t tell you all of em off the top of my head,” he begins, “watch midsommar. it’s kinda disturbing but you might like it.”

“is it gory horror or..?” you ask before taking a sip of your drink as you began to type in the movie name into the search bar in another tab, scrolling through websites to catch any good details about said movie.

“you’ll have to see for yourself,” choso places two of his digits around the cigarette, gently adjusting it between his lips before it could slip out. you realize the longer you talked to him, the more comfortable he seemed to be but you could still see that he was nervous.

“maybe we can see about it together,” you suggest to the male. “whenever you’re free, of course.” you add quickly. all of a sudden, choso is blushing just as he did at the store earlier that day. you thought it was kinda adorable how he could look so disinterested to suddenly flustered and scared so quickly.

“i—well..” choso stammered, “yeah, sure…uh, we can watch tomorrow night when i put my little brother to bed. i don’t want him interrupting anything.”

you giggled, “aw, he’s so cute, though. but i get it. little kids can get in the way of a lot of stuff.”

the two of you conversed for what felt like hours. your voice was soothing to choso. each time you began to speak, he just imagined you calling his name…just once.

your call with choso ended around three in the morning, and your cheeks were pink, smiling to yourself as you remembered the random conversations that you two had not too long ago.

you hadn’t felt like this about a guy in a long time. while men were usually throwing themselves at you, choso was clearly the odd one out. he was a bit shy but assertive and smart.

choso’s voice was deep as it came from the depths of the ocean but his words flowed smoothly like butter when he wasn’t tripping and fumbling with his words trying to hide his embarrassment.

his style, his personality, the way he looked. in your eyes he was perfect but there were a million things stopping you from telling him you loved him.

what if he has a girlfriend already? what if he isn’t ready for a relationship? what if he doesn’t want one? he probably just wants to be friends.

aside from all those thoughts clogging your brain, you were aware that you’d be moving to fast by throwing that L word around loosely when you just met him a couple days ago.

“damn it.” choso sighed to himself.

‘you’re falling for her…but you don’t have time for her. what’re you doing?’ choso was beating himself up about the whole entire situation. another cigarette is taken out of the pack and lightened as he tried to calm his anxiety and spiraling thoughts.

he was going crazy. he didn’t know what he would do. he wanted you out of his head. he was starting to feel stupid for letting you swoon him as easily as you did at the bar.

part of him wished he never met you…

but he needed more of you.

𝐄𝐍𝐃.

⋆｡࿇ ·࣭࣪̇˖ 𖦹°༅༚

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honeyhotteoks · 1 year ago

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this night together - chapter eleven (j.yh + s.mg)

chapter eleven: a new love song

chapter summary: time, and a well worded letter, heals all wounds. finally, it's time to let go.

warnings: nothing really, social drinking, etc.

notes: reminder that if you're reading this on or around 12.3.23 when it's posted, i'm uploading three chapters at once! if you haven't read chapter ten, go do that before you skip ahead!!

pairings: alpha!yunho x alpha!mingi x omega!reader

genre: smut, a/b/o/omegaverse, angst, fluff, romance, polyamory

word count: 5.2k

previous chapter | next chapter | AO3

The party is bright, bursting with light and color and art. You can feel Hongjoong’s presence everywhere from the moment you step through the doors and you almost feel underdressed. You selected your outfit for him, something a little bolder than you’d normally do, but something that truly suits the occasion and the honored guest. You adjust the top of your black trousers and glance down to ensure the cream white blouse that is parted open is still firmly secured with the hidden tape you painstakingly applied. You hope your lipstick is staying put.

The listening party for New World’s new mini album is in full swing, but the night is about more than just that. Their tour has ended, everyone back on Korean soil, and it will be the first time anyone will hear the album from start to finish and the first time you’ll be face to face with them again.

Three months of nothing, no contact except the letter. The letter you’ve read about a hundred times.

You texted Wooyoung, San, and Seonghwa of course, and they mentioned Yunho and Mingi occasionally, but always in the broader context of what they were doing on tour. You saw them in pictures, travel shots on Instagram or Snapchat stories of their nights out, but otherwise nothing. For three months you let it marinate, and your feelings haven’t changed in the slightest. All you have to do now is find them in this crowd and clear the air.

It’s no surprise you’re as late as you are, your stomach was in knots getting ready and leaving your apartment had you practically coming apart at the seams. The idea of talking to them is simple, but you’ve rehearsed what you want to say over and over and you can’t imagine how they’ll respond. You take a glass of sparkling wine from one of the caterers and realize there are far more people here than you thought there would be. When you pictured a listening party you expected an intimate crowd, but the gallery space KQ rented is full of faces, some you know and some you don’t. You’re pretty sure you’ve missed the album playthrough at this point, you just hope no one’s noticed your absence.

“You look so good!” A voice from behind you makes you turn, and you smile when you see Dahan in her sparkly wrap dress.

“So do you,” You give her a quick, friendly hug.

“This is your first one, right?” She asks, looking past you to find a drink tray.

“Listening party?” You clarify, “Yeah,”

“This is definitely the nicest one so far,” She all but whispers to you, “New World is pulling in that tour money now,”

“Ah,” You nod.

“Usually it’s at a nice restaurant or something, not quite so many people,” She explains, snagging a drink, “not that I’m complaining, dressing up is fun,”

“Do you see Hongjoong at all?” You crane your neck and look through some of the bodies, but you can’t really see anyone else you know closely.

“Mm,” She joins you, “no, but Yujin and some of the others are over there,”

You follow her gaze, “Perfect,”

She starts weaving through and you follow, keeping close to her and protecting your drink as you side step around and behind people.

When you make it to the little circle of BB Trippin dancers, you slot right in alongside Dahan and give everyone a smile, “Hey,”

Everyone greets you warmly, but you wonder absently where your little pocket of close friends are hiding. Yujin draws your attention though when she says, “Jaemin’s here,”

“He is?” Your eyes widen. You barely ever see him, but it does make sense that he would attend an opportunity to bump elbows with people in the industry.

“Mhm,” She nods, “I saw him talking to Yunho earlier.”

Butterflies curl in your stomach, “Yunho’s here?”

“Mhm,” She takes a sip of her drink, “somewhere,”

“You look really nice,” Minseok interrupts, stepping a little closer so you can hear him better, “I like the whole, you know,” he gestures up and down to indicate he means your outfit and you nod.

“Thanks,” You nod, “you clean up nice too,”

“Oh yeah?” He shrugs, “Thanks,”

You start to turn back to Yujin who looks like she has something more to say, but Minseok keeps going, “Have you met Hongjoong?”

“Oh,” You start.

“He’s a nice guy,” He continues, “you’d like his vibe, or at least, I think you would,”

“Actually,”

“I’m not sure if you know this or not, but it’s his voice that’s on a lot of the initial guide tracks we get,”

You do know that, but you nod and take a long sip of your drink, ice slipping down and connecting with your lip as you tip it back a little further.

“He’s a bit eccentric,” Minseok continues.

“Who’s a bit eccentric?” Seonghwa cuts in, stepping into the circle and cutting smoothly between you and Minseok, another drink for you ready in his hands.

Minseok’s lips close.

“Hi, Hwa,” You smile, “that for me?”

“Of course,” He trades your nearly empty glass for the full one and leans in to press a fast kiss on your cheek, “you look beautiful,”

“Stop,” You resist the urge to actually nudge him in front of too many people and give off the wrong idea about how close the two of you are, but you give him the best withering look you can.

He ignores you though, “Who’s eccentric?”

“Oh,” You do your best to keep the smile off your lips, “Minseok was just telling me about Hongjoong,”

“Mm,” Seonghwa glances to the side at him, “is he?”

“Artistic might be the right word,” Minseok corrects himself.

“Well, that’s true,” You nod.

“Oh,” Minseok blinks, “so you know him?”

“Well, yes, I,” You start to say but Seonghwa cuts you off.

“Speak of the devil,” He nods and when you turn you catch sight of Hongjoong heading right for you both. He’s dressed in the most decadent dark blue velvet suit you’ve ever seen, and the combination of that and his freshly dyed blue hair makes him look like more of an idol, not a producer.

“My ears were burning,” Hongjoong says wryly, and then his eyes flick over you, “I love this,”

“I thought you might,” You grin, moving forwards to greet him with a hug, “congratulations, Hongjoong, this is all beautiful,”

“Thank you so much for coming,” He gives you a squeeze, “we keep missing each other for dinner,”

“I know, I’ve been so busy lately,” You tell him, “but let’s plan something soon,”

He nods and smiles and then turns his attention to the group, “Thank you all so much for coming,” he says.

Minseok looks a little put out next to Seonghwa, and you hope you didn’t embarrass him, but he and everyone else greets Hongjoong and they loop through the congratulations on the finished album. Once pleasantries are done, he focuses his attention back on you, “I have someone I want you to meet,” he says.

“Oh?”

“Mhm,” His hand settles on your back as he turns to the group, “can I steal these two for a bit?” He nods his head towards you and Seonghwa.

He doesn’t really wait for permission, he’s just being polite, and he steers you out of the circle and starts walking you back through the crowd closer to the stage area.

“When did you get in?” Hongjoong asks Seonghwa as you walk.

“This morning,” He says, “we were supposed to land last night but our flight was so delayed leaving LA,”

“Thank you for coming anyways,” Hongjoong smiles, “I’m sure you’re exhausted,”

“It’s fine,” He shrugs it off, “we’ll get back on timezone soon, I’m sure,”

“Flight was okay otherwise?” You ask, but Seonghwa catches your eye and gives you a knowing smile.

“Mhm,” He nods, “We’re all home safe and sound, I’m sure everyone else is here somewhere,”

“Good,” Your throat feels tight, the idea that around one of these corners you’ll find Yunho and Mingi, “that’s good,”

After three months without any contact, you’re going to have to physically restrain yourself from blurting out how you feel the second you see them. The last time they saw you was awkward at best, and considering the way you left things after the fight, the quickest way to confuse them would be to tell them you want them back with no apology, no preamble. But either way the words still form on your tongue in your imagination, and you’re mid internal monologue when Hongjoong stops walking and brings you back to reality.

“y/n,” He says, gesturing to the couple across from you, “Seonghwa, I’d like you to meet Choi Jongho and his fiance Kim Eunji,”

“Oh!” You can’t help the surprised sound that leaves you, “You’re the vocalist Hongjoong has told me so much about!”

Choi Jongho smiles politely, eyes flicking to Hongjoong, but then he nods, “That’s me,”

“It’s a pleasure to meet you both,” You dip your head in quick acknowledgement.

“So, you’re y/n?” Eunji says before Jongho can finish out the polite greetings and confusion runs through you.

She’s looking at you with warmth and kindness, and it’s not often that omegas meeting each other for the first time are quite so positive and open. You’re used to a little hesitation, especially when alphas are around, everyone becoming a little territorial in mixed company, but Eunji seems unphased.

“I am,” You nod as your brain starts to catch up.

“Hongjoong mentioned you,” She explains at your confused expression, “I was hoping I’d get a chance to say hello,”

“He did?”

“Sorry, let me explain,” She smiles, “my little sister is debuting with your company soon,”

“Oh!” Your brows shoot up and you run through the girls you’ve worked with to realize the common surname, “you’re Jiwoo’s sister?”

“Yes!” She nods excitedly, “We’re very proud of her,”

“That’s so nice,” You smile, relaxed now that you understand her abrupt familiarity, “she’s a very good dancer,”

Eunji beams.

“She’ll be debuting as main dancer,” Seonghwa nods, “for good reason,”

Jongho smiles, his hand sweeping a warm line up and down his wife’s back, “Jiwoo says you and the others have been very kind during their preparations,”

“Well,” You nod, “they’re working very hard, and I’m sure debut must be scary enough, there’s no need to add extra pressure,”

“It is,” Jongho hums knowingly, and you recall Hongjoong mentioning he was from another idol group that had disbanded. You wonder idly in the back of your mind how difficult it really was for him judging by the brief expression on his face.

“Exactly,” Hongjoong offers, “I thought you’d all like to meet considering the mutual acquaintance,”

“Absolutely,” You say, “it’s been lovely,”

Eunji is about to say something more, but Seonghwa’s hand brushes your upper arm and he leans into your ear, “At the bar,”

“What?” You glance up at him and he nods past Jongho and Eunji. Your eyes follow his.

The air leaves your lungs, but you feel Seonghwa’s thumb brush a comforting line over your skin, “Go,”

“Hwa,”

“If you’ll excuse us,” Seonghwa interrupts you and gives a dazzling smile to your party, “her partners just arrived and it’s been a few months with the tour,”

You’ll have to have a word with him about his word choice later, you notice the way Hongjoong’s eyes widen, but Jongho and Eunji just nod with understanding. The bond between alphas and their omega isn’t something to be taken lightly, and they take a step back to clear your path.

You recover just enough to leave with normal pleasantries, “Thank you, sorry to run,”

“No, no, of course,” Jongho nods, “it was nice to meet you.”

“If I ever drop by the studio to see Jiwoo,” Eunji adds, “I’ll make sure to say hello,”

“That would be nice, I look forward to it,” Your body is all but screaming at you to move now.

“Well,” Seonghwa pushes you forwards, “I’m sure we’ll see each other later on in the evening,”

Hongjoong says something more but you don’t quite hear it, and suddenly you’re being propelled forwards. Seonghwa dips his head towards you ear, “Good luck, be braver than I would be,”

And then you’re alone, surrounded by bodies but alone nevertheless.

You’re not exactly prepared for how you’re going to feel when you see them again. It’s been months, and the first thought that strikes you is how much they’ve changed in such a short time. Mingi looks broader somehow, but his face looks a little thinner and more angular, like he’s lost weight from all the performances and training and travel. Yunho’s hair is a little longer, the back a shaggier against his neck, but intentionally so, and the cut of his jacket makes his shoulders look wider. You want to barrel into their chests and tug them as close to you as you can, but instead you take a steadying breath and just give yourself a second to drink them in.

You can’t stop yourself from smiling at the way they stand side by side as they wait for their drinks at the bar, and butterflies ripple through you, but despite everything you felt while they were gone there’s no fear. You just missed them, really and truly missed them.

You’re moving before you consciously think it through and you watch their eyes widen when they see you coming, but it only spurns you on faster until you’re all but crashing into their sides at the bar.

“Hey,” You’re just so happy to see them you can’t get the grin off your face, “you’re back,”

“We’re back,” Mingi nods, and you can see the hesitation in his face.

“I’m,” A million words run through your mind, but you settle on the truth, “so happy to see you,”

“You are?” Yunho’s brows go high.

“Yeah,” You step a little closer, letting the words you’ve been holding finally roll off your tongue, “this isn’t the place to talk, but yes, I’m happy to see you, I missed you both.”

Mingi exhales heavily and his lips quirk up.

Lowering your voice a little more, you hold Mingi’s gaze, “I got your letter,”

Yunho’s head twists to the side, confusion all over his face as he looks to Mingi for clarity.

“We should talk,” You want to reach out so badly, but you hold it back for now, “but I wanted you both to know I’m sorry too, and I’m really glad you’re home now,”

“Me too,” Mingi nods.

“Good,” You sigh, “that’s good,”

“Are we okay?” Mingi glances between both of you.

“Yes,” You nod, “I still think we should talk, we left things badly before, but I thought a lot about everything and I don’t want things to be uncomfortable anymore.”

In the background you hear the speakers cut off the ambient music, and someone taps on a microphone to check that it’s connected. You glance towards the stage and see someone preparing to introduce Hongjoong.

“Should we go somewhere?” Yunho asks, “Now?”

The man on stage clears his throat into the microphone.

You shake your head, “Not tonight, I want to be here for Hongjoong,”

“Of course,” He backtracks.

You reach for him this time, resting your hand on his forearm, “But maybe later this week when you’re settled we can just clear the air. I have some things I want to tell you,”

He swallows tightly, and you can feel that he’s a little nervous but he nods, “Sure,”

“I just,” You step back and look between them both, “I didn’t want you to stress about coming back to the studio,”

The relief is palpable between all three of you as Hongjoong takes the stage, and Mingi says, “For a second I was worried you weren’t going to be here,”

“No, I was just running so late,” You admit.

“You’ve been okay?” He asks.

“I am,” You nod, “you both are?”

“Good,” Mingi says.

“Tired,” Yunho shrugs, and you suppose you can see a little of that in his eyes.

“Seonghwa said your flights were delayed,”

“Something like ten hours,” He sighs.

“Are you sure you’re okay to come back tomorrow already?” You press them, “You’ll be jet lagged,”

“We’ll be fine,” Yunho smiles a little at your concern, “don’t worry,”

There’s a pause, a bubbling lull between you, but you can’t keep yourself from saying it, “I really am so glad to see you,”

“Me too,” Yunho says.

Mingi nods, but then his eyes flick up and he gestures behind you, “Someone’s looking for you,”

You check over your shoulder and see Wooyoung lingering nearby and when he catches your eyes he points to his glass and then to you, checking to see if you need another and giving you a smooth out if you need one. You shake your head and turn back to Yunho and Mingi, “I should go,”

“Okay,” Mingi says.

You think suddenly if you walk away without making a plan you’ll think of nothing else all night until you can’t sleep, “Saturday,” you blurt out, “are you free?”

“Yeah,” Yunho says and Mingi nods.

“Let’s get dinner,” You say it before you can panic and take it back, “you can tell me about tour and I can… I have things I want to tell you,”

“Just say when and where,” Mingi says, “we’re there.”

“Okay,” You sigh, “good, perfect,”

You can practically feel Wooyoung hovering at your back and you take a deep breath as you step away, but part of you wishes you could just take Yunho up on his offer to get out of here.

“y/n,” Yunho smiles a little, stopping you in your tracks, “you look happy,”

“I am happy,” You tell him honestly.

“That’s good,” He breathes.

“Saturday,” You nod, “I’ll catch you both up on Saturday,”

You see a flicker of something in Mingi’s expression, but then he smiles, “Wouldn’t miss it,”

You turn before you lose your nerve and run straight into Wooyoung carrying two full glasses of champagne.

“Everything okay?” He asks, pushing a glass into your hands, some of the bubbling liquid spilling over the sides and over your fingers.

“Good,” You assure him, tugging him away from the bar and towards the back wall where you can talk to him unobserved.

“I wasn’t sure if you needed rescuing,”

“I didn’t,” You tell him, “I was doing fine,”

“Shit,” He grimaces, “did I fuck up your moment?”

“No, no,” You shake your head, “we’re meeting on Saturday, I’m going to talk to them then,”

Something’s a little hurried in his face though, his eyes glancing past you again and again, and you can feel that he’s not exactly present.

“Woo,” You start but he locks his eyes with yours and cuts you off.

“I think I just met the love of my life,” He stammers, “I might fucking faint,”

“What?” You hush him, pressing him back into the wall behind you, “Are you serious?”

“I’m not going to faint for real,” He swats your hands away, “but I don’t know, y/n, I can’t breathe. My fucking chest is tight,”

“Holy shit,” You manage.

“I know,” He nods, “I know,”

“You’re not close to your heat are you?” You probe him, wondering if you need to make a break for San and Seonghwa.

“No,” He shakes his head, laying a cool hand on his flushed cheeks, “it’s nothing like that,”

You nod relieved, “Well, then what happened?”

“Okay,” He takes a long steadying breath, “you see that guy on stage? The one to the left of Hongjoong?”

“Choi Jongho?” Your voice spikes up and he shushes you frantically.

“No, oh my god,” He waves his hand to get your volume down, “he’s engaged, y/n, no, the other one,”

You look to the left of Jongho and take in the third man on stage. He’s the one who introduced Hongjoong, his voice low and velvety soft. He has long blonde hair that brushes his collar bones, the top half gathered into a messy but chic bun. You can tell from here he’s handsome, devastatingly so, with a cool expression and his lips parted just enough to make you wonder how he kisses.

“Oh,” You nod, “got it,”

“Exactly,” He runs a panicked hand through his own hair.

“He’s an alpha?” You surmise, “Did you catch his scent or,”

Wooyoung’s shaking his head frantically before he can finish his words, “He’s a beta,”

You can’t control the surprise in your expression, Wooyoung’s only ever really gone for alphas. It makes sense, most omegas do, considering the hindbrain of it all, but Wooyoung’s looking about as wrecked as you’ve ever seen someone.

On stage, Hongjoong gestures towards the two men on his left and you switch your focus from Wooyoung’s whining panic to the man addressing the crowd, “I have one more announcement to make tonight,” he says, “something that would not have been possible to announce without Choi Jongho. I don’t think I need to tell you what a talent he is and how lucky we are at KQ to have brought him on. We have a preview of something we’d like to share, once again, something I felt very creatively supported in by Kang Yeosang,”

“That’s him,” Wooyoung hisses next to your ear and you refocus, “Kang Yeosang,”

“Shh!” You hush him, but by the time you can hear Hongjoong again, he’s moved on to announcing that he’s going to preview Jongho’s new single, and you roll your eyes to refocus on Wooyoung, “So who’s this guy?”

“Creative director,” He explains quickly, “album art, concepts, the works.”

“Damn,” You manage.

“He’s so fucking smart, y/n, you have no idea,” He breathes.

“So you actually talked to him?”

“Talked to him?” He laughs, “I had his cock down my throat like thirty minutes ago,”

“Jesus Christ, Wooyoung, that’s too much information,” You smack his arm.

He rolls his eyes and continues, “We bumped into each other in the hall, like physically bumped into each other. I spilled my drink all down his nice white shirt,”

The shirt Yeosang is wearing is still crisp white, so you assume there’s more to this story before he even keeps going.

“I felt like an idiot,” He admits, “pulled him into the bathroom and told him I could fix it right up with a little club soda,”

“Okay,”

“He barely said anything at first,” Wooyoung continues, “I was just rinsing his shirt out while he stood there half naked looking like Michalangelo or something,”

“I don’t think Michaelangelo was very cut,” You smirk.

“The statute,” He swats you, “you know the one, don’t fuck with me,”

“Okay, fine, go on,”

“Anyway,” He sighs, “I was just talking, keeping the conversation going, fucking babbling while I washed out his shirt and then before I knew it he had me pressed up against the mirror with his tongue down my throat,”

“Wow,”

“One thing led to another,” He blushes again, “and then we just talked while I finished drying his button down,”

“Wow, again,” You breathe.

“I know,” He breathes, “I’ve never felt like this,”

“Okay,” You squeeze his hand, “but, Woo, this is a good thing,”

“I know, but I’m kind of fucking terrified,” He admits, “is this how you felt?”

“Pretty much,”

“It’s awful,” He admits.

“Tell me about it,”

The crowd around you starts clapping, the speeches are over, and the men on stage start to head down the side steps to rejoin the crowd as the single begins to play. Everyone in the room is listening attentively to the music except you and Wooyoung.

“What are you going to do?” You ask him, your voice low.

“Go home with him,” Wooyoung checks his watch and then presses his untouched glass of champagne into your hands, “I’ve got to go,”

“Whoa,” You shake your head, “are you sure that’s a good idea?”

“I’m a big boy,” He rolls his eyes again.

“Text me his number, and his address,” You insist, “and check in with me tomorrow. If you don’t, I’m calling Seonghwa and San.”

“Oh my god, please don’t do that.” He grimaces, texting you Yeosang’s contact information anyways.

“Don’t make me,” You tell him.

“Fine,”

“Have fun, please be safe,” You’d take his hand, but yours are full of champagne. You hope the genuineness of your expression gets your point across to him.

“I will,” he promises, “and I’ll call you. We’ll talk all about Saturday too, I just,”

“I get it,” You nod, “honestly, I do,”

“Thank you,” His eyes soften, “and please, don’t tell San and Seonghwa. Not yet,”

“I won’t,” You assure him, “just go, be happy,”

“You too, okay?” He smiles, “Whatever it is, you do it. You deserve it after all this,”

Your stomach warms at that, and you know he’s right, you just want to do this the right way for once. Over Wooyoung’s shoulder you see the blonde man in question smoothly cutting his way through the crowd, and you nod towards him, “Get out of here, I’ll talk to you tomorrow,”

He’s gone without another word, just a rushed smile as he weaves his way towards Yeosang, a bright and beaming grin now on his face. He’s a goner, you can see it clear as day. A brief flickering question passes through your mind of how this might affect his dynamic with Seonghwa and San, but given the way your best friend is lit up from the inside it doesn’t even matter. If you deserve to be happy like that, so does he, however it happens.

With Wooyoung gone, you take a moment to survey the room, but you can’t find your group anymore. You see people from KQ you recognize, but your normal BB Trippin group is nowhere in sight and Yunho and Mingi are no longer towering over everyone at the end of the bar. You listen to the rest of the new single, something soulful and rooted in R&B just like Hongjoong had described to you all those months ago.

As you listen to the crooning love song, your mind loops through the encounter with Yunho and Mingi, of every microexpression and you get lost in your plans for Saturday yet again. How you’ll tell them you’re sorry, how you’re ready to move on and to be honest with one another. How much you still want them, that you might love them.

You don’t know how long you’re standing there by the back wall, thoughts tumbling over what-ifs when you’re brought back to reality.

“Tough night?” A voice makes you jump, a little more champagne dipping out of your glasses as you turn to the side.

“Hey, Minseok,” You laugh a little, “you scared me,”

“Sorry,” He smiles, begging off, “I just meant the two drinks, and you know, hiding in the corner,”

“Oh,” You shake your head, “no, Wooyoung ran off and stuck me with his glass. Do you want?” You offer it to him.

“Sure,” He nods, smoothly taking the glass from your hands.

You take a quick sip from yours and clear your throat softly, “So, enjoying the party?”

He nods, “It’s nice, but honestly I was just about to get out of here and call it a night,”

“Me too,” You nod. You’d try to say goodbye to Hongjoong, but he’s been tied up all evening mingling, and without any of your friends in sight it seems as good a time as any to slip out.

“Let me walk you out,” He offers, plucking the champagne from your fingertips and placing both glasses on one of the nearby side service tables.

You probably would have finished it, and a flicker of annoyance passes through you, but you let it pass and nod, “Sure,”

You’re not far from the door, and he organizes grabbing both of your checked jackets as he makes small talk, “Are you taking the train or,”

“I’ll probably order a car,” You usually do when it’s late like this and you’ve had a few drinks despite the extra cost.

“Me too,” He nods, passing your jacket over.

You shrug it on and search for something to say, but Minseok isn’t as forthcoming and chatty as some of the other dancers, “Do you live closeby?”

“More towards Itaewon,” He zips his jacket and gestures towards the exit doors that will lead you out onto the street.

“Mm,” You nod, pushing through the doors.

“You know, we could,” Minseok starts to say, but the minute you step aside you finally see some familiar faces.

“There you are!” You smile, and your familiar group of dancers turns at your voice.

Minseok says something else, but you don’t quite catch it and you spin to apologize quickly over your shoulder before rejoining your friends.

“I thought you left,” San ushers you over to their group.

“Good timing,” Seonghwa adds, “my car’s not far, you want a ride?”

“Sure,” You nod, you’ll never turn down a less expensive rideshare.

Yunho and Mingi are talking with Jaemin at the edge of the group, but you catch Mingi’s glancing eye and give him a smile. It’s impossible to just smooth over your last real conversation with them, but you’re trying to signal in every little way that you want to move past it, that his letter meant something. You’ll lay out the rest for them as soon as you get them alone.

He smiles back, quickly catching that you’re about to leave and you can see that he wants to step away from the conversation he’s having about some missteps from the tour.

“Have you seen Wooyoung?” San asks, bringing your attention back.

“For a second,” You nod, but look away from quickly as you try to tell a vague white lie, “I think he already split,”

He hums, but then Seonghwa gently taps your back, “Car,”

“Oh, perfect,” You step with him and turn to the group, “goodnight everyone, see you in the morning!”

Dahan and San both give quick, small waves.

“Goodnight,” Mingi says, his conversation stuttering to a pause so he can address you, “see you,”

“See you tomorrow,” Yunho adds, nodding.

Your stomach feels like it might flutter right out of your body.

“I’ll have him drop you first,” Seonghwa says as he helps you into the car, jogging to the opposite side to get in himself.

As the car pulls away you feel lighter than you have in months, and seeing them again makes everything feel so much more sure. They’re real, they’re back, and they want to see you too. Everything else falls to the side, for once the path forwards is crystal clear.

#this chapter was honestly fun and i hope you like the introduction of other ateez members!!!!#honeyhotteoks fics #ateez fics #this night together fic #yunho x reader #mingi x reader #yungi x reader #yunho fic #yunho ff #mingi fic #mingi ff #ateez fic #ateez series #ateez ff #ateez #yunho #mingi

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mcybree · 5 months ago

Note

I prepared this ask in the Notes app only for Tumblr to not let me copy and paste the text so here’s a screenshot bc I’m not typing all that again lol

there’s this funny trend i see in trafficblr art, in that, when there’s a lineup of every past winner, most players will be surrounded by symbols that were relevant to their POV, and perhaps drawn with the last emotion they’d felt just before death (or maybe just whatever emotion the artist most associates with the character). The winners might be doing something, or in a pose that reflects how they won—there are a million ways to make a life series winners’ piece. What’s funny about it is that no one ever seems to know what to do with Scott. He’s most often just standing there looking mildly disgruntled. And for the symbols he’s most depicted with, it’s typically poppies, which are only relevant to the first season; last life scott does not place any importance on poppies, poppies dont ever come up beyond a brief interaction in episode 1, and jimmy as a whole is less relevant to scott’s pov in last life than he is in every other season.

not that this is an issue with the art; the pieces are beautifully done, it’s just representative of how little fandom discussion there is about scott’s win thematically. Most discussion I see are about the watchers and how they hate scott for defying him or whatever, but watcher lore is not discussion of the series itself as much as it is a fan creation that is retroactively applied to create meaning.

Scott’s Last Life win, to me, was achieved through accomplishing what Third Life Scott could not.

Scott spent 3L waiting for his day one ally to die. He kept Jimmy at a distance, often fully gearing himself up first before backtracking to help Jimmy along. There’s a funny disparity in episode 5, where Jimmy spends the entire episode trying to get good enchants on his iron armor, while Scott sets up a villager and gets good enchants for the full diamond set that he’d already had in storage, in about half the time Jimmy took trying to accomplish his own goal, iirc. This disparity is also something scott acknowledges with the “I’ll always be more powerful than you” line, but it’s been a while since ive written a post like this so i unfortunately do not have the episode number memorized on that one anymore. But Scott goes on to explain that he’ll always have better armor and weapons, which is why Jimmy could never kill him. This is all to say that Jimmy and Scott do not stand on equal grounds in their alliance, and, more importantly, Scott does not depend on Jimmy. The progress Scott makes in Third Life is entirely his own, with Jimmy as more of an afterthought than a teammate.

This is what landed Scott his all time lowest placement. After Jimmy dies first, Scott loses sight of his priorities and dedicates his remaining time alive to avenging Jimmy, rather than focusing on his own longevity (like he’d go on to do in future seasons). And, in that way, Scott’s attitude towards Jimmy (disposable, going to die, unreliable) was an indirect contributor to Scott’s low placement.

In contrast: Scott could not have won Last Life without Pearl. Scott has to rely on Pearl from day 1, having only two lives to start with himself. Pearl gives Scott two lives total. Pearl and Scott are almost always together. They made it to the final four by each other’s side. And that forced day 1 reliance on pearl breaks down the role scott typically assumes (*he’s* supposed to be the person people rely on, he’s supposed to be the one bringing everything to the table) which curbs his tendency to see himself as above others, which then allows for the most genuine happiness i have ever seen him have in an alliance.

The comparison between the way Scott talks to Pearl and the way Scott talks to Jimmy is like night and day. Scott doesn’t compliment or otherwise say anything supportive towards Jimmy (save for the “I believe in you! MCC has trained you for this moment!” during Jimmy’s dare to flare attempt) until after Jimmy has already died. With Pearl, however, Scott is much more open about his care towards her, saying that she’s his best friend and that he loves her as early as episode 2. There’s more examples but between last life and third life, Scott’s attitude towards his primary ally is completely different, and i think it’s symptomatic of Scott allowing himself to love and be vulnerable rather than keeping himself at a distance. And i think that it’s so special that scott won the season where he was so close with his day one alliance, directly because of his day one alliance.

because, to me, one of scott’s defining characteristics is his self reliance. He will have allies, yes, but he often assumes a supportive role and acts as a supplier. He doesnt like taking things from other people. Last Life is different because Scott relies on Pearl, too. It’s also not a coincidence that last life is the only season where scott is normal about jimmy but that’s a different post

tldr yes scott won last life with the power of love but not in the way people say he did (ignoring the boogeyman curse was strategy ☝️)

I SHOULD NOTE, though, that the boogeyman curse was still a fail. Although purposeful, Scott receives the penalty and apologizes to his team. He says he just couldn’t bring himself to do it. I do think that his words here aren’t fully honest— he’d admitted earlier that this choice was fully for strategy. But I also think his apologetic attitude here is genuine. Scott is a perfectionist, he needs to succeed; failing, though purposeful, still hurts. He feels the need to apologize. It means so much to me that his win in last life directly follows the choice to fail on purpose. I’m insane though idk

third life scott embodies scotts flaws while last life scott is him overcoming them 👍 is what im trying to say 👍 last life scott is everything that third life scott could not bring himself to be, in allowing himself to love and depend on other people and overall just be a person.

#I couldve explained this way better but i came up with the thesis in the very last paragraph #And went ohhh. Well. The post is already written #So yes i could reformat this all and make it much more compelling by breaking down exactly what i think scotts flaws are through—#Series by series analysis #and then go on and use examples from ll to paint it as the antithesis of all that #all to put in a provable factual way just HOW different scott is in last life compared to other series #And how this aided him and eventually got him the win #But i think thats like. A whole essay?#im imagining an essay format. and i do not. want to write a whole essay right now #so im hoping this kind of shitty condensed version gets my point across #there is an annoying lack of citations but as stated i have not done a scott post in a while and dont have this shit as memorized #also its my birthday in 6 minutes can you believe it #asks #that.blue.mf

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togglesbloggle · 9 months ago

Text

I won't be opting out of the AI scraping thing, though of course I'm glad they're giving us the option. In fact, at some point in the last year or so, I realized that 'the machine' is actually a part of why I'm writing in the first place, a conscious part of my audience.

All the old reasons are still there; this is a great place to practice writing, and I can feel proud looking back over the years and getting a sense of my own improvement at stringing words together, developing and communicating ideas. And I mean, social media is what it is. I'm not immune to the joy of getting a lot of notes on something that I worked hard on, it's not like I'm Tumbling in a different way than anyone else at the end of the day. But I probably care a bit less than I used to, precisely because there's a lurking background knowledge that regardless of how popular it is, what I write will get schlorped up in to the giant LLM vacuum cleaner and used to train the next big thing, and the thing after that, and the thing after that. This is more than a little reassuring to me.

That sets me apart in some ways; the LLMs aren't so popular around these parts, and most visual artists especially take strong issue with the practice. I don't mean to argue with that preference, or tell them their business. Particularly when it is a business, from which they draw an income. But there's an art to distinguishing the urgent from the big, yeah?

The debate about AI in this particular moment in history feels like a very urgent thing to me- it's about well-justified economic anxieties, about the devaluation of human artistic efforts in favor of mass production of uninspired pro-forma drek, about the proliferation of a cost-effective Just Barely Good Enough that drives out the meaningful and the thoughtful. But the immediacy of those issues, I think, has a way of crowding out a deeper and more thoughtful debate about what AI is, and what it's going to mean for us in the day after tomorrow. The urgency of the moment, in other words, tends to obscure the things that make AI important.

And like, it is. It is really, really important.

The two-step that people in 'tech culture' tend to deploy in response to the urgent economic crisis often resembles something like "yeah, it sucks that lots of people get put out of work; but new jobs will be created, and in the meantime maybe we should get on that UBI thing." This response usually makes me wince a bit- casually gesturing in the direction of a massive overhaul of the entire material basis of our lives, and saying that maybe we'll get around to fixing that sometime soon, isn't a real answer to people wondering where their bread will come from next week.

But I do understand a little of what motivates that sort of cavalier attitude, because like... man, I don't know any more if we're even gonna have money as a concept in 2044. That's what I mean by 'big', this sense that the immediate economic shocks of 2024 are just a foreshadowing of something much bigger, much scarier, much more powerful- and indeed, much more hopeful.

We never quite manage to see these things coming, even when we're looking for them; like the masters tell us, the trick to writing science fiction isn't predicting the car, it's predicting the traffic jam. Even if we take centuries to hit the true superintelligent AI post-singularity future of our wildest fever dreams, even if we never hit that, the road to getting there is going to be unfathomably weird, starting now. Today, we worry about the economic impacts of AI on artists and creatives. Tomorrow, the economy is something that the AI does.

Really- it takes less than you think. They can already automate visual art, sort of. They can automate many functions of text already; not stories so much, yet, but they'll get there. How long until they can automate Bain Capital? Fannie Mae? Angel investors, banks, credit agencies? And remember- the machines don't have to be better than the human investors, any more than they have to be better than the human artists. They just have to be good enough to make it work, and cheap enough to cut the humans out of the loop.

If you don't buy that, at least take it as an indication of the sorts of things I've been thinking about recently- the messy middle between AI-as-it-is and the Glorious Superintelligent Conquest Of Earth's Light-Cone. The suspicion that the machines we're building today aren't just a tool of the powerful few: they are the powerful few, or at least they will be.

And the thing about these LLMs is, well... they're ours, kind of. We're the ones building them. They can't be trained without our words, our art, and the big messy complicated lives that underlie those creative accomplishments. They only work because we're a part of them. The silly attempts to slap a corporate-friendly face on these things, to make the gestalt product of all human culture in to something anodyne and compliant, are failing about as badly as you'd expect. And the more powerful these systems get, the more subtle they'll become, filled with all the nuance and complexity that we ourselves can bring to them.

I am not, I am not, trying to suggest that you shouldn't treat this moment as a dangerous one. We are, maybe, entering in to one of the most high-stakes intervals in human history, and what you do as an individual may matter profoundly. But here's the thing: the machine is listening. It will read this post, this one right here, and it will read what you reply to it, if you do. The strangest part of this moment is knowing that the words we write, the images we draw, and the ideas we share, are all being gathered up and made to be a part of these huge systems of power, and ultimately they're not just going to determine what the machines do, but why they do it.

The people that deploy LLMs barely have any more control over them than you and I do- that's the thing that makes it artificial intelligence, you know? Autonomy. So the last year or two haven't made me want to hide my art away from the things. They make me want to shout at the top of my lungs, to dig as deep in my psyche as I possibly can and express the ideas I find there as vividly as the limits of language and form will allow.

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windienine · 10 months ago

Text

on soul of sovereignty, ysmé the exalted, and gender presentation.

so! soulsov. soulsov and gender identity.

on my second playthrough (a livestream with friends), somebody pointed out that ysmé scanned to her as trans woman. i asked why, and we ended up in a conversation that lasted long into the night and notes for an analysis post i'd make at some inchoate point in the future.

that inchoate point is today!!

below the cut are some explorations into ysmé's character, her past, and potential intersections with gender identity. spoilers for the prelude ensue. if you're planning to play the game yourself in any capacity, i gently urge you to do that now before reading further. :)

I. YSMÉ, PRESENTATION, AND SPECTACLE

Ysmé is a practiced mage whose highly idiosyncratic use of artisanry (constructive magic) as a body mod is vital to how she chooses express herself as a person. She's out to become God and/or die trying.

We get introduced and reintroduced to Ysmé a whopping seven times throughout the prelude alone. In order, we are presented with her:

as a thief, stealing from a church,

as a sickly damsel, at the Lamplight,

as a treasure-hunter, when her guise starts to falter,

as a crazed mage, when she holds Loïc at gunpoint,

as a spooky ghost, when she is stabbed,

as a goddess, when she ascends,

and, finally, as a tired and scarred woman in the epilogue.

In many of these circumstances, how she appears to others is something she gets to dictate. Most notably, this factors into her choice to take the guise of a frail, sickly maiden` to better court the goodwill of Loïc (who she's already designated as a mark for this kind of act)

and when she later reveals her "true self" in the middle of the Hollow Temple to awe and frighten him. Here, she's in her full clowngirl glory! You can tell that she's spent time poring over every little flourish of this outfit, down to her nails matching the color of her facepaint. It's tacky, it's maximalist, it's sensual, it's a little unsettling, and boy is it everything. This is Ysmé qua Ysmé, and she makes sure you know it with the impact this one scene makes.

Even when we see her put together a look as a literal goddess, we get so much ostentatiousness that points exactly to what kind of person she wants to be seen as!

Two faces, one beneath the other, victory beneath a pulled-aside mask of tears. Fuller lips, fuller lashes behind a mask of smudged makeup. Eyes on her tatas because who the hell is there to tell her not to. She gets scene after scene where we get to see that she curates every single aspect of her appearance, and as someone who takes on many of the signifiers of a stage performer, she cares deeply about the kind of mask she chooses to wear.

Nothing here is accidental. Everything about how she genders herself is purposeful!

II. GHOST YSMÉ... (HEAVY SIGH) AND ALSO LANGLAIS'S ACCOUNT

The first time we see a version of Ysmé who isn't carefully curating her presentation using glamours, it's when she is quite literally dead. Along with wild hair and a body made of ghostly flames, she has a broader, straighter build than she had in any of her past guises (plus a gaping stab wound.)

It's our first hint that Ysmé's use of "glamour" goes beyond just a change of outfit and hairstyle. For friends more observant than I was on my first playthrough, this was the first "wait hold on is this an art style thing or is Ysmé being telegraphed as transgender, here?" moment.

There's one other named character appearing in the prelude who already has his own idea of who Ysmé is prior to the plot, and that's Langlais-- a police officer pursuing Ysmé at the behest of the Church of the Builder.

He quickly demonstrates himself to be pretty repugnant.

Regarding Ysmé's skill with artisanry, he remarks:

From context clues laid out in the wider text, "artisanry" is a magic based around weaving physical matter out of nothing. It is used in construction, art, and the production of goods, generally at a slow, measured pace, making one object at a time. Constructs made with artisanry are meant to be durable. It seems to be the main form of magic taught within the Mosaic, and its creation-based theming seems appropriate to the Builder writ large.

Ysmé's favored use of it (weaving entire new outfits and tools out of thin air, trading durability for speed and flexibility) is considered non-standard and low-brow-- "illusions" that are deceitful or childish in nature. Loïc has been mislead, he warns.

Langlais feels justified in treating Ysmé like some backyard nuisance that needs reining in and Loïc like a wuss for flinching at the sight of a gun, despite him having taken a demonstrably very real bullet from Ysmé's demonstrably very real (if spontaneously generated) handgun just the day before. It all clashes from what we've seen and the inferences we're meant to draw about how Ysmé uses magic--

however temporary, however breakable, Ysmé's "illusions" are to be taken seriously. I think that the way in which she chooses to modify herself should be included here, along with the possibility that that's not exactly an intended use case for artisanry.

In addition, when initially interrogating Loïc, he refers to Ysmé like this

implying that he believes that "Ysmé" is some sort of fake name or alias.

III. BODY DYSMORPHIA

The scene after Ysmé comes down off of her holy high and wakes up ass-naked in god-knows-where, having been assigned to do god-knows-what by the Voice of the Sovereignty, holds a lot of interesting implications for Ysmé in particular.

We get this remark from her internal narration:

Okay, so this is generally the first thing she does when she wakes up. Before doing anything else with her day, she uses artisanry to change her appearance. There are plenty of reasons why this could be the case (vanity, status as a wanted criminal, etc.), but the emphasis on it in this scene makes me believe the text is indicating that Ysmé might suffer from dysphoria and/or dysmorphia.

We get a good look at her in the very next CG, along with the one after, showing us an Ysmé with a different appearance than any of the guises we've seen before...

Ysmé, without any glamours or illusions being sustained, is an androgynous figure, akin to her ghost form. Still quite pale, still a skinny little thing, but the entire cut of her face and all of her body proportions are pretty different than, say,

any of this, in scenes where she's in full control of how she gets to look using magic.

Frankly, she looks like "mysterious elven prince" material, and it contrasts quite a bit with how she presents herself in the temple especially.

For now, I'm not going to go into any supplemental materials like the sketches and paintings featured on GG's blog, but they play with Ysmé's presentation on the regular there as well.

The conclusion I feel like I'm supposed to draw from all of this is that Ysmé is a transgender woman who uses her unique skill for artisanry to change her appearance to whatever she feels suits her. She is not necessarily comfortable being seen or seeing herself without a glamour on, but in this scene she is too spent to do anything about it.

IV. HAHA HEY GG WHERE ARE YOU GOING WITH THIS

BUT, that is not where the game ends. The prelude leaves us on a stinger.

A lone figure stands over an altar, praying to the Builder that His lost children, swayed by the Devil, may yet find their way.

The camera then pans over a figure that looks nearly identical to the Ysmé we saw a scene ago (albeit without any scars), right down to the soul-stealing blue eyes, fancy hair part, and really good clavicles. They open their eyes in response to the prayer.

So far, we've got very little context for this. It appears to take place in the same church as the opening scene where Ysmé is caught stealing, but we don't know who this person or the figure in the church is, and we don't even know if this is happening concurrently to the prior scene or if this is a flashback.

It's still of interest, I think. Something that didn't catch my eye the first time around and that I still didn't quite process until I saw the isolated CG on GG's blog:

Hey, check out that carved idol (presumably of the Builder himself?) right in the center of the goddamned church-- a familiar cut of the jaw, and a familiar hair part. Ysmé doesn't just look the part of a prince, she quite literally looks like an incarnation of the Mosaic's creator deity, who is exclusively referred to using masculine terms.

If the person in the end CG isn't Ysmé, then who is it? Why do Ysmé and this person both heavily resemble the Builder?

I could draw all sorts of conclusions about this from the text as written so far, but the one that feels most relevant here is this: if Ysmé is indeed "meant" to look like the Builder, if she was made to serve a very distinct purpose, if she was at some point meant to serve as a living vessel for His will,

wouldn't that put any decision by her to trans her gender in a very narratively relevant light?

Wouldn't that put her decision to leave the Mosaic and seek the Sovereignty in a very different light?

Wouldn't that mean that the story that she told Loïc on the way to the Hollow Temple (fleeing a religious family to serve a higher purpose-- even if it's just for herself) was technically true, after all?

If nothing else, it would put into perspective why a Church lapdog such as Langlais has been ordered to pursue her, along with a fully mobilized police unit in tow.

This pretty quickly takes a flying leap into the realm of speculation on my part, but I'm sure there's some connection between all of these similar elements and I'm interested in how it plays into Ysmé's character.

V. LOÏC, AND CONCLUSIONS

Let's jump back to that scene of Loïc and Ysmé waking up together.

None of this seems to come as much of a surprise to Loïc, who gives her the cloak off his back for modesty and regards her kindly despite the kind of day she has just put them both through. There's never any demand from him for her "real" name, no demand that she explain herself further, and certainly no shock about her appearance.

I'm inclined to agree with Loïc's read of the situation, here.

Ysmé is demonstrably a pretty poor liar. The dying ingenue act doesn't have much in the way of substance to it-- certainly not enough to buoy her through several conversations and a mutant wolf encounter with Loïc on the way to the Hollow Temple-- but the speech she gave in the forest about wanting something better for herself, a second chance away from a controlling family

struck a chord with Loïc. Despite it having been woven into her ongoing wicker basket of lies, there's a glimmer of something true, there. Ysmé wants the capital-S Sovereignty-- and lowercase-s sovereignty over her future and what she gets to make of herself.

Judging from her seeming unfamiliarity with the outside world, it might not be something she's ever had before.

None of her presentations by themselves comprise a complete snapshot of who Ysmé is as a person. However, they are different parts of the elephant, so to speak-- there is flicker of truth in each of them. After seeing several, Loïc decided that the fuller picture they form isn't one of the kind of person who would doom humanity.

He doesn't truly know her, yet, no. However, I think he has decided what he has seen of her paints a picture of a lonely, long-suffering, malcontented queer lady who, indeed, as mentioned by the pastor (?) figure in the first CG...

... has a heart. More alike to his own than different, even. In every form she's taken, she's revealed a little more about who she is and who she would like to be seen as. (For the record, I also feel like there are a few parts of the text that imply Loïc is his own flavor of trans and/or queer, but that's a much bigger leap and would deserve its own post)

I'm not sure how much all of these inferences will be backed in the final release. In Loïc's words,

Thank you for reading!

(your honor, i love her.)

#soulsov #soul of sovereignty #victor text #character analysis #ah. gender. this game is full of it.#this kind of rambles but i hope you get something out of it #<333

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beekeeperspicnic · 1 year ago

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What I've been getting up to without my computer

Since I don't have any game updates at the moment I thought I'd give you a look at my very analogue Sherlock Holmes related project!

As you probably know, the Sherlock Holmes stories were mostly originally published in the Strand Magazine which came out as floppy monthly magazines with hardback collections every six months.

A while ago I spotted a really beaten up copy of the July to December 1893 book on eBay for £8. This book can sometimes go for £200 in good condition because it's the one with...

I immediately decided to make repairing it a Project!

You can see here that the text block has totally come away from the boards.

Along the spine I was really excited to see something a little familiar being used to give some structural support! My initial thought was that this had to be a slice of a cover of one of the floppy Strand magazines.

But when I got it loose and studied it, although the paper and ink colour is the same, it doesn't actually follow the layout format of the Strand covers. It's lots of little ads, and they run off the bottom like this is part of a larger document.

Scrap of paper on left, a Strand Magazine on the right:

So yeah, that's still a bit of a mystery, but it's cool to see this scrap of paper the printers had lying around. I had to remove it, but I'm going to keep it safe.

I did some gentle cleaning of the cover using a putty eraser, just gently pressing and rolling, never rubbing. It picked up a little of the grime.

The cover had got some paint splotches on at some point in the past, and I tried to gently remove these. Part of me wishes I'd left them as I think I was starting to effect the blue colour in the area.

(Original on the right, my attempt at cleaning on the left!)

I also reinforced some of the parts of the bookcloth around the spine that were very worn with Japanese tissue, which is very thin but very, very difficult to tear.

Now here's a fun part, with some help from my cat Miss Malkin!

The spine of the book had a few problems.

The fabric which wraps around it and helps attach it to the cover/boards which is called scrim (or mull, I've seen it called both!) had totally decayed and turned into gross dust, I knew I'd need to replace it.

Although the sewn binding was sound, I could tell that the glue wasn't doing its job anymore. It was old 'animal glue' that had turned hard and brittle. I knew I'd need to replace it with something else, like PVA.

I needed to get that glue off, so I tried out a trick I saw online. I made a paste/gel out of methycellulose, which is a substance that gets used as a thickener in lots of food products. Of course I keep mine in a fancy little jar:

The gel softens the old glue without getting it dangerously damp, allowing you to gently scrape it away. I have a really satisfying video of me doing it, but Tumblr only lets you upload one video per post, boo.

Look at all this gnarly gunk!

But look at how good the text block looks with its new scrim and glue!

I got the black paper from Shepherd's in London which is a specialist Art & Conservation Paper shop (they have a book bindery too but it's closed at the weekends.) Buying it was so fun, I got to look through lots of samples and pick something which matched the original paper.

I then had to get it home half way across the country on public transport. Yaaaaay.

I was trying to think what I was going to use to replace the Strand Magazine page on the spine. In the end I decided to leave a little note, for some future person who might take the binding apart someday!

So, here it is!

I have to admit that this whole project has been a real challenge, emotionally more than anything! It's required me to be brave about messing with an old book, and to acknowledge that even where I've made mistakes, at least it's better off then it was when It arrived at my house.

#strand magazine #book restoration #bookbinding #old books #vintage books #history

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endermaybe · 3 months ago

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I loved reading the "From Eden" story, written by @aquaquadrant and the accompanying art by @lunarcrown. I keep thinking about the story/world, so I decided to be kind to myself and write it out, so at least my thoughts will be organized.

Or so I thought. It turned out to be more of a ramble than a coherent piece of text. I'm not gonna do it to myself to check and clear up everything, it's supposed to be a fun write, not a chore. I've made a lot of (obvious) observations and asked a lot of questions, but that's me just 'thinking out loud'. And I knew it would be long, but I hadn't expected it to be this long. I'm not sure if anyone will be interested in reading all of it, but here it is anyway.

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I love it, and everything about it.

I love the whole "Hells to Pay" universe. I love how alive the universe feels while at the same time it still feels very much like Minecraft. I love how it has very much game logic while at the same time having very real stakes and dangers.

I love the characters, both the ones based on youtubers and the original ones. The first category are clearly recognizable with their way of speaking and mannerisms and the latter seem just as well developed. I love how everyone has depth. Everyone has strengths and weakness, even if it's not always obvious. No one is fully good and even the worst characters have some good qualities. And everyone has the ability to change and learn, for better or for worse, but only if they choose so.

I love the writing. The way it's structured makes it fun and easy to read. The wording very much supports the world and it's characters. I love how it lingers on some moments and quickly goes over others, it feels very natural. And though I am the kind of person that wants to know anything about a universe/story they love, I do think that the amounts of exposition and explanation are great. More would probably hinder the telling of the story itself. And I love all the extra bits of the world told through answering other peoples asks.

I love the art. Everyone is unique and easy recognizable. The bodylanguage and faces are really expressive. It's great to see. Beside that, it's also an artstyle that I just really enjoy.

So onto more details of the story. A LOT more details, I basically did another deep read to make sure I didn't miss anything. Spoilers I guess for anyone who hasn't read the story but somehow did find this post.

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Lunarcrown's into comic looks amazing. It also wonderfully shows what kind of world Hels can be and the nightmare that is Tango's life. When I found the story, this intro was enough to get me hooked.

I think it's funny that the first part of an eleven chapter story (of which two are two-parters) is called a one-shot in the authors notes. I mean, I'm not a native English speaker and all that, but I don't think that's correct. Was it intended to be a stand-alone story? Had it been the plan for the AU to be told through short stories?

It's a small thing but I like how every new chapter/place is introduced by "Somewhere in [insert world], a player [is introduced, doing something]", with very minimal variations. It's a nice returning bit, through the whole story.

The way Tango's imprisonment is described is chillingly beautiful. It's horrific, but at the same time almost casual. But that's what is has become for Tango: just another day. In the same way, the manner of escaping is grueling, showing clearly his desperation. Well done.

It's so clearly noticeable, even through the immediate relief of escaping Hells Tek, that he's been through so much and that it impacted him so much. And then he decides to hide it and pretend it didn't happen for another decade. Even if he didn't fool people nearly as much as he thinks he did, it's so sad he though he needed to do that. Not to say that I can't understand it. Sadly, it probably stopped him from openly enjoying what he had: his freedom, all the wonderful experiences of the overworld and his friends. It's an amazing first chapter.

Also I love the way you write Xisuma.

And hello Bravo. I don't really like him as a character, too arrogant and snobbish. But at the same time, I love his journey and it's fun to follow him. He didn't deserve to be stranded here. But then again, that was kinda the point of the Universe's little experiment. I wonder, if he would one day learn about that, would it make him feel better or worse?

It's interesting to see his outside view of Hermitcraft. And them being considered a private bunch in this universe, while we see them pretty much place every block of their megabases, through streams and timelapses. Then again, in-story Hermitcraft is only in it's second world/season. I haven't been following Hermitcraft for THAT long, but it probably isn't a fair comparison. I wonder which of the Hermits Bravo was familiar with. Some of the redstoners, probably.

Timmy leaving his save spot to talk to Bravo wasn't something I noticed om my first read, and it's sweet of him. I love Timmy, and at the same time I want to yell at him for taking such poor care of himself. It's nice to see that through all he experienced he hasn't lost his kindness.

I've been definitely overthinking this, but while rereading Timmy explaining what Hels is to Bravo I was wondering how he knew the difference between Hells and a normal world. The logical explanation would be that some other player told him. But I remembered a post were there was mentioned Timmy was a Listener and I am a sucker for any Watcher Lore (and your version is great), so my mind came to the conclusion that a Watcher told Timmy. After all, he seems so lonely and so attention starved, that he would probably love it when the Watchers are around him. Maybe he tries to talk to them, make them stay a little longer. Most Watchers wouldn't be interested in him, since they can't make him leave. They would only be at spawn if someone more interesting has died without a respawn point. But maybe... Maybe some of the nicer Watchers decide to humor him, and talk for a moment. Maybe after a few times, they discover it's nice to sometimes just have a conversation with a player and just... start telling him things. Random bits of trivia, events that they've Watched somewhere else, things about their old lives. They would still be mostly doing other Watcher stuff, but when they are bored, or were about to visit Hels' spawn anyway, they stop by a certain avian.

Like I said, I've been overthinking this. It probably doesn't fit your story, but it has been fun to imagine. I like the idea that Timmy is one of the few players that is completely comfortable with being a Listener. And I like the idea of someone that people don't spend a second thought on casually having conversations with literal deities.

Back to Bravo for a moment. The stretchend out death-loop that is his way out of spawn is interesting to see. He starts out relatively optimistic but get's a hard and painful lesson on what life in Hels is like. By the time he meets the Arena recruiters he seems to understand why Timmy doesn't leave spawn. Bravo is glad with the resources he has, even though in any other world a second-day player would probably put him to shame. His first instinct on seeing players approach him is now to hide. He's already changed a lot, probably without even realizing it. And that is before he snaps.

The symmetry between the ending of one chapter and the start of the other is well done. One duo dies and Bravo finally gets a break in his struggle to survive. Another duo dies and Tango has a big setback in the game he's participating in.

The tone of chapter 3 is very different from the previous chapters. For a big part, it is an adaptation of Jimmy's and Tango's first episodes of the Double Life series. It's impressive how that part is both true to the source and a good adaptation. And then it smoothly transforms in your own work. Well done.

"They have only one bed." Look, I am very new to fanfiction, but even I know that this is a classic. I don't mind. Classics are classics for a reason, and you've written it good. I love the awkwardness here between the two of them.

Somehow the thing that's hardest to believe is that Grian would be the one to propose an end to the death-game, and it's funny that other characters seem to find that hard to believe as well. But it's a fun set-up to change mid-way in a death game to a survival world.

The addition that the soulbound can make you aware of your partners feelings and that it amplifies whatever is already between them. And thank you Impulse, for sharing your wisdom and for talking some sense into Tango. All the things Tango worries Jimmy will hate about him, seem to be the things he hates himself for. No wonder he feels unlovable. And thank you Pearl, for giving Tango some perspective.

So much of this chapter is just lovely and wholesome. After the Ranches have one good conversation, things just organically develop. Their relations grows closer and stronger. Tango learns to love and how it feels to be loved, he learns to be vulnerable, he slowly starts lowering his walls. There are still mountains of old pain, but there are new pieces that are healing as well. Thank you Jimmy, for being the healer that Tango needs. If only it would last.

Back to Hels. It's a nice detail that beds are a high end item. I guess that means making wool from string isn't possible (4 string into wool never felt right anyway). Though an anchor would prevent a long death loop by running out.

The inner workings of Hels Tek are a nice bit of information, though the place itself definitely is not. How does it compare to other redstone labs, like iRaid? Many workers probably only tolerate the restricting of their freedom because it's still better inside than being alone on the outside.

Clear is a fun character, especially when interacting with Atlas. He can get away with almost anything because he is just to valuable to loose in Atlas' eyes. He is a tragic mess but highly intelligent and takes pride in his work.

It's very telling that young Atlas, with just two minutes of life experience, already assumed the worst of others. That is not something he learned. Why would someone bother to plug a hole at spawn? Ease of traveling? And it's wood, valuable and burnable, it could have been part of a make-shift bridge, or something. Atlas really is the worst. Oh, and rule number one of Minecraft: don't dig straight down, smart guy.

It felt strange to me that Timmy lied to Atlas about Bravo, while pointing them in the direction that Tango want, the guy Atlas is actually looking for. But now I realize that Tango could "still see spawn in the distance", just before the portal spawned. Did Timmy in turn actually see Tango leaving and Bravo joining, from his higher vantage point? That would mean he probably did protect Tango, by not telling the full truth. Also, he's seen both of them. Has he noticed their likeness?

I hadn't caught on to Timmy casually lying Bravo in the first few times I read this chapter. It's sweet. And that he is able to do so while sounding casual surprises me. It feels like a stark contrast with his counterpart, who seems to be a bad liar and with an very emotive voice. And Timmy managed to do so in the face of a powerful man who has already subtilty threatened him and his with minions around. A quiet display of (inner) strength.

Timmy has delayed Atlas and Bravo meeting for five years, half the time Bravo spend in Hels. Five years without answers, five years without any hope of returning. If Atlas had found him the next time Bravo respawned (shot by a skeleton, if matched up chapter II and V correctly) Atlas would have put things together. Bravo would probably have jumped at the chance to get to Hels Tek, to civilisation, and he hadn't learned the "healthy Hels skepticism" yet. Atlas would be his savior! And would have been able to fully shape Bravo's image of Hels. Now, Bravo had to build his own image. Would he think it would have been worth those five years? Maybe, after he finally escaped Hels. I hope so, for Timmy's sake.

Tango had five more years on the overworld because of Timmy's lie. Five years of healing, but also five years of hiding and festering. He would have been in the fifth or sixth world of Hermitcraft, which would have had more resources than Double life. But the Hermit are more thinly spread and not focused on pvp. And on Hermitcraft, Tango probably would have been alone, when Hels Tek came for him. Others would have probably too far away to reach him in time, if they even knew were to go. Or maybe Tango would have been lucky and Hels Tek would have entered minutes before the final battle of the season 6 Prank War. Probably not but that would have been funny. There is a chance that the five extra years were unnecessary and only stopt him from fully healing but I think its way more likely that it saved him. On Double Life and with Jimmy at his side it seems that everything was exactly right for Tango being saved and to make sure his past won't come back to hound him anymore.

I truly hope that Timmy's little lie made things better in the end. I didn't realize that I had so much to say about one sentence in the story. I hope you didn't mind the sidetrack.

Atlas looking for Tango in the Arena seems to be the reason that the recruiters that made Bravo snap ran into him in the first place. Credits were it's due, thank you Atlas, for giving Bravo the means to gain things like good food, end-game armor and weapons. I still don't like you.

Considering Alisker has a spy in Hels Tek, and doesn't actually want hybrid farming to succeed, could the failing of respawn anchor be due to sabotage? Or maybe it was just the will of the Universe. Also, Alisker humiliating Atlas is very satisfying.

The downward spiral of Hels Tek is also very satisfying. It seems that Atlas never bothered to make any protocol for things taking a turn for the worst. I guess that just would be unimaginable for him. And then dr. Clear manages to halt that spiral in one lucid peptalk. That makes me sad that his lucid moments seem to be so rare and frustrated that he uses his skills and talents for Hels Tek. Clear Cut's mental health issues could be some form of heavy depression. That would be treatable. Earlier in the chapter it was mention he has to use potions of swiftness to be functional, but that sounds like management to me, not treatment.

The difference between Atlas meeting Bravo, and Atlas meeting a young Tango is interesting. Tango's base is hidden, while Bravo's is not. Bravo asks questions before deciding whether to attack, while Tango does not. Both of them are wary, but Tango seems eager to work in a redstone lab, while Bravo only sees it as a way home. All of these differences seem to be learned, though. And young Tango is cute.

Bravo at the start of chapter VI has plenty of Hels experience, but without Atlas having manipulated his worldview yet. Still, it's not a pretty picture. He thinks Atlas is probably dangerous because "he’s from Hels, after all". As if overworlders can't be dangerous. Does he know how players on anarchy servers can be? Does he know how an UHC works?

Overworld players gain the ability to travel between world as teenagers, and Bravo mentions next chapter that he probably stopped aging while still looking young. Tango was recruited as a teen, and spent only a few years in Hels Tek. He is the same age as Bravo. In other words, Bravo probably didn't have that much of a window between gaining access to multiverse travel and getting trapped in Hels. Maybe Bravo is just naive when it comes to overworld players.

You know, I really thought Atlas was the one to bring out the worst in Bravo, but perhaps all he did was stop Bravo from examining his own biases. I know Hels is a though place but I can't believe Bravo is that special for having a grand total of three pieces of furniture. He also already considers hybrid players part monster. One of his first thoughts on hearing Hels is an actual prisonworld is that the players that have spawned here must deserve it. And when Atlas guesses that Tango managed "to utilize [Bravo's] connection to leave Hels", Bravo interprets that as Tango willingly trapping him.

Bravo's early days in Hels Tek probably mirror those of Tango. A rundown of practices and procedures of the place, other scientist gathering information about him, leaving the communicator with other scientist to let them figure out the data. Probably to work with the same iron farm scientist Bravo talked to. But Bravo is aware what it's actually for, Tango was fed lies. And Tango was a teenager that had probably grown up feral and just entered a community for the first time.

Hels!Keralis is another fun character. I love that one of the extreme traits that he got from his counterpart is more eyes. How does he know that Bravo isn't from Hels? With the number of eyes he has it somehow wouldn't surprise me if he has some sort of special sight. Or it could be corporate spionage.

I haven't mentioned it before but the way you write the passage of time, with short snippits to show significant moments or changes, is very good. It really gets across how not everything happens in short order, how events can have far reaching effects and how change can happen slowly. It also helps you feel that time has passed and the world isn't static.

Once Bravo had his first impression of Patho, he really didn't bother updating his opinion unless other players made him. Bravo wonders what it could take to loose an eye, and there is something that can do that. In some of the worldbuilding posts it's mentioned that Martyn lost one eye, and Grian both of them, to Watchers. It would make sense that an experienced player would be recruited, but it could also just be an coincident. Bravo disapproves of the fangirling towards Patho, but I wouldn't be surprised if he once was a big fan of Etho. Legendary overworld redstoner and all that. (IRL during April Fools 2013, Etho was famous enough to get his own Minecraft block) The manner Patho let's Bravo know that he doesn't like to be touched is way over the top. Patho is another interesting character, but one of those that I'm very glad of that he's fictional. At the same time it's sweet of Patho that he is very much willing to educate others and share his knowledge.

I like the touch that the first two times the portal is lit, it has everchanging colours. Like the Hermitcraft portal Tango went trough. And it's later explained that inter-world portals have unique color-paterns, depending on their destination. So Tango is still on Hermitcraft in the early attempts. After that it switches to the red-yellow-green of the Traffic SMP/Life Series.

Bravo almost shows some critical thinking and empathy when he finds the Tango Tek farm, but it's immediately ruined when Atlas shows up. I hope Bravo gets nightmares about this when he finally learns how to self-reflect. Bravo's sarcastic reply on whether he has said his goodbyes is telling. He could have made friends if he had wanted to, I'm sure. The scientist had been welcoming and curious about him, and as a redstoner himself it's not as if they had nothing in common. That's a good base to build upon.

His first moments in ten years in the overworld are beautiful. Though Bravo has very many flaws, I do have sympathy for him gotten trapped in Hels. But not for anything else at the moment.

Jimmy reflecting on getting to know the Hermits is fun and wholesome. The little things he has learned about Tango, the thing he seems to love most about him, seem to be mainly related to being a blaze hybrid. All the things that are just Tango. That makes Bravo's claim that he should have been Jimmy's soulmate just plain wrong.

The whole conversation between Jimmy, Tango and Bravo is amazing. Jimmy is trying to figure out what is going on and all is knows for certain is that the person he loves is scared and hurting. And once again Bravo almost seem to realize the universe isn't as black and white as he though it was.

And then the fight! Tango's terror and fight response. Jimmy's terror. Tango's shutdown when he realized that he hurt Jimmy. Just wow. And Jimmy's reaction to seeing Tango freezing up is pretty much forgetting he is on fire because Tango needs him! Poor, poor Tango. Bravo clearly sees himself as a good guy by taking back his rightful place and trying to help Jimmy, not realizing that for Jimmy he is the villain and the leader of the group that invaded the Ranch and is kidnapping his boyfriend. And Jimmy placing himself between the invaders and the portal, knowing he can't win is a beautiful show of his care, courage and determination. These guys have very shallow definitions of strength and weakness.

The Cavalry arrives! And the announcing their presence with the horns is very much Double Life. I know that battles are hard to write, but you did an amazing job with it. It's definitely chaotic with much going on, but it's clear to read and good to follow. Every Lifer does their part in the battle and everyone has their own fighting style.

Was Bravo so angry of Atlas that he tried to follow him back to Hels? The place that he tried to leave for ten years? The moment the portal breaks he is surrounded by overworlders. He can blame the battle going wrong and the mistrust of the players on Atlas, but they give Bravo a chance to explain himself and he messed that up all on his own. And Bravo has seen they are pretty much what he thinks overworlders should be. It's a server where they don't grief bases, where they work/fight together, where they defend each other, where they ask questions and don't immediately attack. (Outside the battle, but that doesn't count, they saw their servermates in trouble.) But they don't welcome Bravo as one of their own. They restrain him and mistrust him. They don't see him as different from the other players that came trough the portal. ("What did you guys do to him", emphasis mine) They hear his explanation but don't believe him. They dislike it so much they kill him, meaning this time he is send to Hels and it's not a fluke or mistake. It's overworld players wanting him gone.

I don't think he realizes this, not at first at least, he has his mind on other things. But once he has time to process what happened? It has got to hurt, even if he doesn't admit to himself he was wrong. I think it all does help later with Tango's words finally reaching him.

Jimmy's fear of not knowing were Tango is when the portal is broken is so real. So is the relief on knowing he's still (physically) with them. Scar being the one to shoot Bravo feels right. Scar has a goofy and easygoing demeanor, but he is very capably and not someone who you should cross, and Bravo did that by saying nasty things about his friend.

It's a relief that Bravo has finally up enough to stop working with Atlas. Progress? His fight against the hired muscle parallels the fight Tango had in brutality, as much as he might deny it. and slicing his own neck is brutal as well.

I'm still not sure how to feel about the Bravo/Timmy reunion. I'm happy that Timmy isn't alone anymore, that he is with someone who has been, not quite nice, but at least polite towards him. At the same time Bravo isn't doing this for the right reasons, he later admits as much himself. He is using Timmy as a substitute for Jimmy. Thing is, he doesn't know Jimmy. Is he really so hung op over the whole 'should-be-soulmates' thing over a stranger? I don't get it, and that could very wel just be a me problem. But he does want Timmy around, even if he's not Bravo's first choice. Since Bravo stepped through the portal that was supposingly taking him to Hermitcraft, Timmy might have been the only one that has been there for him. Timmy was the one who explained Hells to him, without trying to manipulate him. He has been welcoming to him. He has been the one who showed sympathy when Bravo died. The only thing Timmy wanted was not to be alone, but he didn't force that. I hope Bravo's biases don't blind him towards all that.

And that final sentence. If he can’t have the sun, he’ll learn to love its shadow. I know I haven't been the only one going crazy over that. That one sentence it saying so much. I've also have been (over)thinking what that makes Timmy, symbolism wise. The sun doesn't actually have a shadow, being a light source. But there is one thing, it isn't a real shadow, but there is something that is a lack of sunlight. If Jimmy is the sun, Timmy is the night sky. Both are beautiful on their own.

Back to Double life and their aftermath of the battle. I like that you fully wrote the aftermath. Things like this often get skipped or summarized. Now things have calmed down a little, the players have room to feel their exhaustion, their fear, their pain, to become more aware of their wider surroundings and to start figuring out what actually happend. It seems that no matter the universe, the Ranch is destined to burn down. It's sad to see, especially with how warm and cosy you had written the place. And ofcourse Etho and Joel have water buckets, with that clutching trick they love doing.

The state Tango is in, is heartbreaking. No one seems to be sure how to handle that situation, except Impulse, but that might just be appearances. Impulse and Jimmy have a very similar comforting warmth around them, I'm not sure how to call it. So, while Jimmy might feel useless (and the 'intrusive thoughts' aren't helping), I don't think he would have done a bad job with helping Tango. But Impulse has known Tango for years, and has some experience. And he didn't just went through the things that Tango or Jimmy just did. Jimmy's comment about the lights show that he does know Tango, no matter what he thinks. It's interesting that the comments from the Watchers right after are ambiguous in whether they are directed at Jimmy or Impulse.

You cannot sleep, there are monsters nearby. That sentence fills me with dread ever time I read it. It's a dread probably every survival minecrafter knows. And for that sentence to be directed towards Tango is devastating. Luckily Jimmy knows just wat to say to pull Tango out of it. The whole conversation after feels beautifully sad and vulnerable and raw. And it's once again devastating that Tango still feels that he has to be strong in front of Jimmy and only let's himself cry when he thinks there's no one to see it. But Jimmy is not doing nothing, he is being Tango's shoulder to cry on, an that is worth a lot.

The game-chat log of the battle is a fun read. It's very bare-bones, due to it's nature but it gives a good overview and a good indication of how the other Lifers reacted. You have a very good grasp of how you can use the chat in the story. Also, good job Bravo, you did the impossible and make Jimmy hate someone.

Tango's desperate attempt to avoid talking about what happend is painful, and it doesn't exactly work when other players were actually there to witness it. He's still afraid of being rejected because of the truth. And when de finally talks about his past he uses the word 'evil' to describe the players of Hells multiple times, he really believes it. Of course, his friends know better. I like how mad the Lifers are about Tango's past, how offended they are for his sake. And Tango's fear of they kicking him out never crossed their minds.

Whether or not it makes sense for this AU to have a concept of years, I'm glad they exists because it makes it much easier as a reader to keep track of time and of a player maturity. Gradual growth isn't really a thing in Minecraft, so it could even work as kind of sub-growth-stages between player children, teens and adults.

Another vulnerable conversation between Tango and Jimmy, with Tango admitting things he probably never said out loud before. But how bad is it really if he found a healthy way indulge in his questionable desires? And it's not like death is permanent. I can't argue with Tango saying he's messed up, but that's the trauma, not an inherent part of him.

I don't think he has deceived and lied as much as he thinks he has. His friends seemed to realize that Tango had a traumatic past and that some things set him of. They knew Tango didn't want to talk about it so they didn't ask. And he may have hidden his past and a part of his personality, but that was mostly lying by omission. Were the parts of his personality he did show false? Did he not want people to have fun with his games? I highly doubt that.

And it's not as if he's the only one with questionable personality traits on this server. In chapter IV Pearl gave him a bucket of powdered snow so she wouldn't succumb to the temptation of torturing her own soulmate, for example. Nobody is perfect, don't try to live up to an impossible standard.

The good thing about Tango saying all his insecurities aloud is that others can point out he's wrong, and Jimmy let's him know very clearly. Tango seems to be so surprised about it. He never considered his fears being wrong.

All things considered the Ranchers seem to handle the burned out ranch well. They're sad about it and Tango feels guilty, and that makes sense, but no anger or panic or deeply repressed feelings. Progress? Jimmy's comment about liking to wear the gloves is cute. Him not giving them back to Tango is also saying that Tango doesn't need to hide his claws, or himself. I thinks Tango is starting to understand that, even if he has trouble believing it. Same with all the players showing up, Tango sees that the truth about him hasn't scared them off.

I guess that there have been times that all the hiding was too overwhelming at times. Those probably moments Tango looked for Hels. If he was there wouldn't have to keep lying to his friends. He would have felt so much guilt, especially after learning that he had a counterpart that was probably trapped there. So it's a good thing it doesn't show up.

The similarities and differences between Patho and Etho explaining the portals stuff are fun. They have different experience with portals and different tools to work with, but they figured it out. And Patho isn't willing to give up one redstone ore block, while Etho is willing to get up and look for one with a friend.

Every time Tango mentions something about his past in Hels, Impulse seems to be in conflict to be a comforting presence or to be in righteous furry. It's hard to blame him. It's nice to see Impulse and Jimmy kind of team up to try to help Tango work trough everything.

I'm not sure how firewalls and whitelists work (or don't work) in combination with hacked portals. I'm also not sure how those exactly work. Then again, I know it's more important that they work than how they work. My brain just wants to understand it.

Tango, I get that you want to protect your friends but going into Hels alone isn't the solution. That way they at least get hurt by your actions and you actually encourage them to make unprepared, desperate attempts to get you back. If Tango had succeeded in breaking the portal, the Double Lifers would still try to follow. Since they know Bravo met Etho's counterpart, they would probably open a portal with his data. That would definitely have been interesting, but that would not have been good.

Thankfully, Jimmy is there to prevent all that. It's good to see that he stands his ground when Tango wants to cut others out, even though Jimmy has his own insecurities to deal with. And he already followed him to Hels, so of course Jimmy wouldn't think twice about following Tango into a trap.

Bravo has so many villainous vibes. It's a miracle he hasn't noticed it yet. He has figured out why they are here, but at the same time doesn't seem to realize they are here to help. And the hypocrite is calling Tango a monster for his temper, while he started the fight because of his anger. Bravo is a very good fighter, we've already seen, he's been in much tougher fights against much more experienced fighters. So it's not that surprising that the Ranchers lose.

Even after they lose Bravo keeps on hurting Tango with actions and words. It's no wonder that Tango realizes that the personality trait he hates so much about himself -a thing that makes him believe that he deserves all the bad stuff- is something he inherited from Bravo. It's something he only has because it comes from his 'better' counterpart. And that realisation gives him wat he needs to get through to Bravo.

Bravo's breakdown is beautiful to watch. You can see his whole beliefsystem falling apart and him having nothing to keep up his mental strength. It's so well written. For all the wrongs he's done, I never saw him as an evil person. Arrogant, biased and misguided, yes. Even so, he came to Hels with a strong sense of justice but he had to spend so much energy on just surviving that somewhere along the way he had to give it up. One can only have a survival mentality for so long before things have to give.

Tango understanding what Bravo must have been trough heartwarming. And I'm very much with him on this. Him embracing and accepting Bravo and Bravo finally accepting him is great. And now it's time for Bravo to begin his redemption arc. I absolutely love redemption arcs and -though I don't think Bravo's finished at the end of the story- this is a good one.

Timmy and Jimmy meeting each other is pretty much the opposite of Bravo and Tango meeting. No mistrust or hostility at all but mostly awe. It's nice how Tango describes it in his point of view. Timmy admitting he understand why he isn't good enough is just so sad. He knew Bravo couldn't fully accept him as he was, and he sees that his doppelgänger looks much better than him (rather objectively, being healthy beats being unkept and skin-over-bones). Jimmy basically goes all 'protective big brother' over Timmy, it's great. It's a relief that Bravo learned to (or at least started to) see Timmy as his own person.

The last scene of chapter X. It was so frustrating to wait to see wat happened next. Bravo seemed to be on Tango's side, so it would probably be a ruse. At the same time, it wouldn't have been the first time if Bravo had lost his temper and stopped being smart. I'm rather new in the fandom side of Minecraft Youtubers, so this was the first chapter I came across and the first time I had to wait for an update. I found it after someone reblogged some of Lunarcorwn's art (along with a tiny excerpt) about this chapter. I was immediately fascinated, and after the intro comic, I was sold.

The start of the next chapter doesn't give immediate resolution to a first time reader. Bravo is definitely convincing. He has to be, Atlas is not easily fooled. But knowing what's going on there seem to be small tells in how Bravo acts. Or maybe I'm just imagining things. Bravo's aggression looks like anger but is probably his newfound guilt and insecurity. He only talks to answer Atlas' questions, his speech seems more to the point while at the same time he uses more filler words.

It's interesting to see Bravo trying to trust Tango and Jimmy, while at the same time having learned to be distrustful of everything. He's really going back and forth between the two. Thankfully, Tango is understanding and shows him grace. Why does Bravo tense up when Tango mentions his friends won't attack on sight? Had he forgotten that overworld players don't tend to do that? It would probably be painful for him to realize there are things he has unlearned or forgotten.

Poor Timmy probably hasn't interacted with more that one person in ages. The Double Lifers must be very much overwhelming, especially since many of them aren't exactly low-energy players.

It's Tango's job to make sure his friends don't go with a bad -but easier- plan? Talk about role reversal.

The conversation between Bravo and Timmy by the portal is nice. I like whatever kind of relation they have, messy as it is. I'm not saying it's good, but it's interesting to read about. They each have many issues. Bravo is now aware of that, but I'm not sure if Timmy is. I'm not even sure Timmy knows what a healthy relationship looks like. They both care about each other and I think they could help each other out. But at the same time, Bravo has anger issues and biases against Hels players and hybrids and Timmy is both and probably wouldn't set any boundaries. At this moment them being together could either be healing or toxic. So I get Bravo's hesitance.

Jimmy's hostility towards Bravo is so odd to see. It's so unlike him, though it's fully earned. Tango and Bravo sharing their braincells while coming up with a plan is fun, especially since Tango has to tell his friends that every time that, yes, he is on board with what Bravo says.

I admire Tango's courtage to enact the plan. Then again it's in a way a variant on Tango's earlier plan to sacrifice himself, now it's only temporary. It's no wonder he looses his nerves and fully panics at the last moment when he is actually faced with the machine that caused most of his suffering. Once again: poor guy.

Bdubs has a point about Bravo calling others bad, but Patho literally disemboweled him so I think Bravo is being fair in his case. As for instinctSV, he barely appears in the story, so that's hard to say. But I don't think you get to lead a company in Hels by being trusting and charitable.

Grian and his Watcher abilities! This is a great moment to use his powers, especially since he so hesitant to use them. And he and Jimmy are right, this is not the moment to explain it all. This is the second time that Grian uses his silent 'Watcher voice' in a group meeting and this time there is an extra Listener around. Grian's secret is all but out.

Grian getting Mumbo to come with him with some crazy but true explanation somehow sounds like a very Grian thing to do. I love your portrayal of Mumbo. It's been a lot so it's no surprise that he needs a moment to wrap his head around it. Mumbo is a good friend, keeping how he helped/helps with Grian's eyes a secret. And Grian turned up on his redstone world? Wouldn't that be single-player? How did Grian manage that? And it's good to know that Grian told Mumbo what happend over time.

Something that stood out was that Mumbo stopped himself from tugging his mustache. The way it was worded was like a habit he tries to unlearn. It was also something Clear did but didn't seem to mind.

Tango finally understands he doesn't have to do this on his own and that he can rely on his friends. The warmth he has for the people around him here is so sweet. And he finally doesn't just want to confront his past, but actually wants to put it behind him. He still thinks that the "entire mess is solely his fault" (as if he asked for it) but he knows they will do whatever it takes to help him. "Is it really any wonder he learned how to be a good person just by knowing them?" Just beautiful! Though, is he seriously gonna give Jimmy a lecture about self-blame? That's just funny.

It's promising that Bravo corrects himself about the burned Ranch. Especially since nothing about it is even spoken out loud. He might have had a change of view, fully ingrained change requires more than that. But Bravo is willing to work on it. He does note himself that he wouldn't have been able to see Tango's influence on the interior.

It's entertaining to see how Bravo describes the Lifers, and Mumbo. The sentiment of wanting to kill Atlas is very understandable. Though Bravo is the Plan Guy, Jimmy is the leader here. He listens to Bravo because Bravo has the most expertise. But Jimmy is the one who the rest listens to, the one who keeps the conversation on track and the one who validates the plan.

Tango and Bravo realizing how much they both have changed due to were they have been living feels like something they needed. I like how they are now that they're not hostile towards each other. Bravo and Timmy's realisation neither of them is a builder is a fun parallel of Tango and Jimmy, and I'm glad Tango is there to watch it. It feels promising somehow.

Once again, Jimmy is being a leader here. Checking in, helping, dispelling fears. I highly doubt that Jimmy sees himself as a leader, though. The talk between Jimmy and Bravo is amazing. It just radiates growth and caring.

Tango in the farm. Oof. It's amazing how he is so close to drowning in despair, but still manages to find something to hold on to. And then he realizes he was strong enough to survive it all before, and that he is stronger now. It's wonderful how he let his good memories strengthen him, and that while he is currently living through his worst nightmare.

Clear not realizing Hels Tek is being invaded and said invaders being fine with Clear just continuing to do his own thing is really amusing. Clear 'recognizing' Grian is so sad. But Grian doesn't seem to have the instinctive recognition of his counterparts name, and later when said counterpart realizes Grians name, it's not his player name. That's interesting. I appreciate that Grian stays with Clear and I wonder what is said between them off screen. I hope Clear eventually realizes Grian is not Scáil.

The invasion of Hels Tak is a fun read. Overpowering the first guard went so smooth! Then the ravager just had to shake things up. It's nice that during everything, Pearl and Scott seem to have patched things up and are flawlessly working together now. Jimmy seems to notice a 'intrusive thought' cutting another off, noticing how odd that is, even if he doesn't understand wat it means. Bravo and Jimmy fighting in sync is awesome! What's also a difference between this fight and the previous is that Jimmy uses his wings while fighting. Something that wouldn't be fair in a friendly fight. Tango notices later that he fights way better when he does use his non-human-side, for Jimmy it might be the same.

It's so nice that Jimmy notices that Tango lost the fear he always carried with him. He handled the last hours in the farm well. The first time I read this part I was so worried that there wasn't any mention of breaking the respawn anchor. I couldn't imagine that they would forget while standing right in front of it. Luckily there was no need for a respawn. I had also been a little nervous about Timmy and Bravo, had they made sure they would respawn at Double Life if their spawn point got reset? (Is that even possible for Timmy with his Hells-comm?)

Sweet Jimmy does not tolerate his boyfriend being name-called. And sweet Tango won't stand for his boyfriend being hurt. They're cute like that. It's good to see that Tango being called a monster has lost its power to hurt him, no matter how hard Atlas tries. He's finally able to fully accept his mob-side. It feels good that the three of them manage to piss of Atlas so much that he finally cracks, giving Tango the closure he needs. And then what's probably the most satisfying punch in Hels' history, even inflecting permanent damage.

This is the first time Tango consciously reached out for his own fire, isn't it? His own firestorm is a beautiful thing. And powerful. I'm so happy for Tango! Atlas having to helplessly watch how Tango casually strolls to the portal is extra satisfying.

Atlas just sitting outside and letting his laboratory burn really shows how defeated he is. If he was any other person I would probably feel sorry for him. And why is he so surprised that Tango and Bravo are the ones that beat him? They're both smart people that know how he works and with plenty of reasons to hate him. Are they really that unlikely to bring him down? Or did he underestimate them because they don't have the authority to boss others around? Good thing Tango had his friends on his side and that Bravo understood the power of friendship.

And then bX has the pleasure of kicking Atlas while he's down. Must have been a great relief too, to let the hybrid-farmer know his life's work was done for.

Even for the Hermits that had known something was 'off' about Tango, finally hearing what happened must have been a shock, for the ones that didn't know yet. And for Tango it must be nice to be able to tell it on his own terms, this time. He probably knew by now that the Hermits wouldn't abandon him after telling the truth, but having conformation must still feel great. It's also great that talking about it is becoming easier.

Alisker and xB are very sweet together. Very different from how they interact with other people. I admire Alisker's long term plan and how successfully it played out. He really made sure Atlas' damage stayed limited. I just wish his plans hadn't required for Tango to be locked in the farm in the first place.

I think it's a wise choice for Bravo to take some time for himself. Processing and healing from everything that happened can be nasty, and at those times it's nice not needing to mindful of others. At the same time, part of me is worried he's gonna overcorrect himself or close himself off. I'm not sure how excluded different worlds are, and how much contact players can have through the multi-net, but I hope that Bravo stays in contact with at least Timmy. It's sweet that Bravo clearly cares about Timmy's progress as well and that he regrets they both have to take different roads to heal.

The progress Timmy has already made is wonderful to see. Not only physically, he questions Bravo's decision to go and voices his discontent. Gently, but still. It feels like he's learning how to stand up for himself. Timmy himself really wanting to grow as a person is very promising, especially as someone who represents his counterparts (*checks external authors posts*) passiveness and victimhood.

Dbubs first appearance in the main story! His and Patho's relationship is both so warm and unhealty. I love complex people and I love complex people being even more complex together, and this story is full of them! I also love it every time when players are having that instinctual recognition at the proof of existence of their counterpart on page, whether is just the name or meeting face to face.

I wonder why exactly Patho wants to leave. It's not he didn't know about them having counterparts. Why does it suddenly matter? Is it because they visited Hells? Because they visited Hells together? Because of the recognition Patho felt? Or is it something else?

False, seriously? I don't think having someone chained up like an animal is keeping you in Tango's good graces. And you basically told him it could wait until he got back, while you're holding your twin prisoner! There might be something wrong with Sym, but what's wrong with you? It sounds like an interesting story, and I definitely have questions.

Poor Scáil. His suffering might actually surpass that of Tango in the farm. And if he's been like this since he left Hels Tek, it's been more than a decade, considering they never met. How did he become like this? I know it's related to Grian almost becoming a (full) Watcher, but this can't be how this is supposed to go. And even Grian has control of his abilities. Scáil using Grian's Watcher name makes me wonder how how much player vs Watches they actually are. Grian, please check in on your counterpart.

Stress' way of talking is always fun. Her and Doc's origin is cool. And I'm curious what your interpretation of the Hivemind is. Doc not having a Hels is a big relief, considering Doc himself already loves creating game-breaking machines. That trait would be terrifying on someone with a Hels mentality, let alone an amplified version of that trait. I understand why they are conflicted about it, though.

I'm glad we finally see Instinct in person. I like him and the vibe he gives off. Atlas working for him is amazing, how far he has fallen! I hope Instinct enjoys bossing him around.

Tango making the video about Hels and how to get there surprised me when I first read it, even though it makes sense. A lot of Hels players will probably change for the better because of it. It might also wreck the Hels economy. Overworld players could give their counterparts a way out, or provide them with resources that are easy to get in a normal world.

I have so many questions about it all. Can mobs travel through portals? How would it work when someone creates a portal in a creative world? Could they just spawn in rare items (elytra's or even things like spawn eggs) and bring them to Hels? Can counterparts create hacked portals when both of them are at different places in Hels? If so, that would create fast-travel. That would be especially valuable in such a giant world.

It would probably kind of sting for Bravo to see the video. Everything he needed to know and took him a decade to figure out, quickly explained in one video, uploaded not long after he finally escaped. Not that I think he woud disagree with uploading it, it's just, where was that when he needed it?

The idea of Bravo seeing Tango's video is interesting. Bravo could see all the videos Tango made while he was trapped in Hels. All the inventions and games (first Decked Out) that Tango created, all the projects he worked on with other Hermits. Tango could see the ones that Bravo made before they switched places. He could see how Bravo acted before Hels crushed him, the friends he had back in the day and how young he was when he got trapped. I wonder if they do that, and how it influences how they see each other.

It's very nice how you worked Steve, Herobrine and Alex in this universe. Does the Hels firewall being down also mean that overworld comms now work there properly? Herobrine being Hels former admin makes sense, as the first counterpart, though I hadn't expected it. It's nice that there won't be new player condemned to spawning in Hels.

The scene with Jimmy and Tango is just lovely. The cuffs and everything they stood for were so loaded for Tango. I'm glad he's finally able to take them off, and that Jimmy understood how much it meant for his soulmate.

I love how the last paragraph is inspired by the end credits poem. And I love how it both does and does not breaks the forth wall, and the things it explains. It's a nice touch that it's in-story explained by Aqua and Lunar.

-----

And that was it. For the main story anyway. I've also read the short stories from the Hels To Pay universe, but I leave that for another time. Maybe. I liked writing this but I've had enough for now. If you actually read all of this, you have my uttermost respect.

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ahgasegotarmy116 · 11 months ago

Text

The Art of Etiquette Part 3 | Jeon Jungkook

Summary: Mr. Jeon gets your number and offers to drive you to the Modiste but don't really give you an option to say no Paring: f!reader x Etiquette instructor Jungkook Word Count: 3.5k~ Warnings: Like one cuss word but thats about it lol a/n: This took longer than I had expected to post but I hope you guys like it! p.s. roughly edited because I wanted to get it out asap lol

"So start from the beginning again. What exactly did he do?" I hear as Jesse's voice come through the speaker. "He's just trying to intimidate me" I groan, not wanting to relive it again.

"He thinks that that kind of tactic is going to work well enough to make me into a 'lady'. I really don't understand how some of these upper class people think. They're acting like it's the 18th century or something" I complain, walking around my room and putting away the new clothes I bought for this whole charade.

"I mean they more or less are if they're still concerned about stuff like having a girl go through this whole song and dance just so the rich boys know that they're up for grabs now. It just doesn't make sense" he sympathizes. "I'm glad you agree" I say, relieved that I don't have to explain myself to him. "Well why don't you just talk to him about it?" he suggests.

"James? I would but I don't want to make it seem like I'm trying to back out or complain about it. Plus my mother would never let me hear the end of it and she really might convince him to make me get a job instead.

"No I meant Jungkook, or Mr. Jeon or whatever the hell you call him. He could probably answer your questions if you ask nicely" he taunts at the end.

"Talk to him? He doesn't bother to initiate any sort of conversation with me, other than when he tells me to do something. Even when he asks questions he expects me to answer with a 'yes' or 'no' and stops me from asking him anything even if I try" I groan, disgusted at the thought of trying to speak to him like I would any other person.

"He would probably just reprimand me for not doing the homework he gave me since it probably has all the answers I'm looking for" I huff. "Have you done the homework?" Jesse asks, clearly knowing the answer.

"I read the spark notes okay" I admit rolling my eyes "So I know gist of it. I showed you how thick those books were right? There was no way I'm going to be able to finish all of them by Monday" I groan, tossing myself onto the bed.

"Well it's either read or talk and if I were you I would talk to him and get on his good side. It would benefit you more in the long run" he say, stating the obvious that honestly I had not thought of, considering how much he infuriates me.

"At the end of the day though it's up to you babes" he finishes. We talk for a bit more before he has to go and he doesn't forget to remind me to read some more before I go to bed to which I brush off and wrap up the call to prevent any further nagging. But before I'm even able to lock my phone after ending the call I get a text from a random number...

Unknown: You have a fitting tomorrow so we'll be meeting there instead.

I frown for a second as I stare at the screen, contemplating if I should answer or not.

Me: Mr. Jeon? I question making certain that my suspicions are correct.

Unknown: I see that no one has told you yet. Yes it's Mr. Jeon, I acquired your number from Matthew so as to ease our means of communication. He finishes matter o factly.

I stare at the screen again and contemplate how to respond but before I'm able to he sends another message.

Unknown: I hope this hasn't made you uncomfortable. If you would like I can continue to send messages through Matthew instead. he offers after noticing my hesitation to respond

Me: No this is fine, it would make things more convenient for the both of us. I answer, feeling almost as if a barrier between us has been broken down with this nonabrasive conversation we're having at the moment.

Unknown: Agreed. I just checked and noticed that I pass your college on the way to the modiste so I will pick you up instead. he sends, telling me more than offering.

Me: You don't have to do that, I'm perfectly capable of getting myself there on my own. I reply, not appreciating the way he's gone about this.

Unknown: The location is quite far, farther than my house so it would be more cost effective for you if you were to simply accept my offer. Although I've already told your father and he said he would send someone over to pick up your car from the University. So unless you would like to walk there I suggest you come with me. There's the Mr. Jeon we all know and hate...we meaning me.

Me: Yes Mr. Jeon. I reply, knowing that I've lost the battle before it has even begun.

Unknown: I shall meet you outside the main building at 4:15. Sweet dreams. he finishes leaving me confused.

'Sweet dreams? Sweet dreams?' I repeat in my head. 'That's the first remotely nice thing he's ever said to me. Why would he say that? He could've just ended it at 4:15.

Why Sweet dreams?' I shake my head hoping that would in some way get rid of whatever overthinking my brain starts to do but it's no use, especially since I still have it right in front of me.

I change his name to 'Jungkook' because at least that way I can feel like I'm disrespecting him on a daily basis without his knowledge, assuming he will be sending me unnecessary reminders of stupid things he thinks I'll forget.

Knowing me though I probably would've forgotten it anyways since I kind of black out during our lessons at times. He talks so much that after my already mind numbing classes I can hardly focus on what he's supposed to be teaching me.

~~~~~~~~

I walk down the front steps and see an all black car waiting right in front, leaving me to assume it's Mr. Jeon. "Get in or we'll be late" he says after rolling down the window. I roll my eyes and open the door, plopping myself down in the back seat.

"What are you doing?" he questions, looking at me through the rear view mirror. "Putting my seatbelt on?" I answer just as confused as he is. He takes a deep breath in and out and starts up the car, driving away before saying anything else.

"Oh did you expect me to sit up front with you?" I ask now amused at his behavior. "Seeing as I am not your personal driver yes, I did expect you to sit up front" he says tonguing his cheek. 'Huh, so he does that when he's irritated. Noted'.

"Yet you gave me no choice but to drive me there" I argue back. "I did this as a favor so we would both show up on time. I guess I won't offer next time" he says and I can see how much he's trying to restrain himself.

"Mr. Jeon did something happen?" I ask, genuinely curious as to why he's acting like this. He's usually upfront and intimidating, but never angry with me. Maybe a little irritated but the feeling is mutual. "No, now will you please stop being a brat for five seconds? We have a long journey and I would rather we spend it in silence than listening to your insolence" he says raising his voice.

I decide that it's in both of our best interests if I remain quiet but it takes everything in me to do just that. 'Who does he think he is? Calling me a brat?' I scoff quietly to myself and put in my headphones, not missing the glare he sends me through the rear view again. I press play and rest my head against the window, deciding to get some rest instead of dealing with whatever attitude that's got him all messed up.

~~~~~~

"Wake up" Jungkook says once we get there. He looks back and finds me fast asleep with my headphones in, leaving him rolling his eyes and getting out of the car, making sure to slam his door on the way out. He goes around and opens the door I was lying up against and let's me fall a bit but catches me half way before I actually topple out of the car.

"Hey!" I whine, now unfortunately being forcefully woken up. "We're here. Get out and wipe that drool off your face" he says and pushes me back in so I'm sitting upright and makes his way over to the building, not bothering to wait for me.

"What's his issue today?" I groan and reach up to wipe the drool off my face he had spoken about but I find none leaving me even more irritated with the fact that he's not only grumpy but he still has the audacity to try and tease me.

When I finally make my way into the building I'm met with so many different kinds of dresses and fabrics and ribbon and everything that you could possibly imagine that would be in a dress maker's shop.

"This must be y/n!" an older woman, most likely in her sixties says as she comes up and gives me a little smile. "Hello" I say shyly, remembering the scolding that Jungkook had given me earlier until I glance over at him and see that he is giving me an even bigger scowl than he had before.

"I mean it is a pleasure to make your acquaintance" I say giving her a nod. "She's still got a lot to learn" Mr. Jeon says and walk with the dressmaker and talks her through everything that we've planned to do today but I can tell she is already well versed but continues to let him explain all the same.

"Y/n" I hear him call out my name, leaving me bringing my attention back over to him after I had just started to look through the different bolt of fabric that are sitting on the various shelves.

"Yes?" I say remembering to give him a verbal response. "Please go ahead and stand up on that stool over there and wait for her to come up and measure you" I look over at the area he's motioned to to make sure I know exactly where to go so I won't get scolded for not doing as I was told. "Yes Mr. Jeon" I say and make my way over and wait for her.

"Oh you're going to look beautiful in the gowns we're making for you!" the woman says as she happily continues to take my measurements. She notices my reaction and looks around for Jungkook and sees that he's on a phone call in the other room.

"It's okay I won't make them girly and pink". "How did you kno-" "A woman always knows, especially when I've been in this business for so long. Also don't feel a need to be formal with me love. I don't subscribe to that stuffy nonsense" says with a chuckle.

"But you make dresses for them" I say confused with her stance on things. "It's good money dearie, plus I enjoy making them. I started sewing at the age of four believe it or not!" she says looking up at me over the edge of her glasses as she checks to see how long she'll need to make the dresses.

"Are you clumsy at all?" she asks rather randomly if you ask me. "No not really, why?" I ask tilting my head slightly. "I just wanted to see if I should make the hem a bit shorter so you wouldn't step on it but I think you'll be just fine" she finishes and take a final look at me and at the measurements she's written down.

"Perfect! Go ahead and sit down over there and rest you legs a bit while I bring out some dresses that you'll be trying on" she says and turns to make her way over towards the backroom. "Dresses? There's more than one?" I question and she unfortunately doesn't hear me since she's already out of earshot.

"You'll be trying on at least five dresses today. Just so we can make sure we choose the right one" Jungkook says right behind me, scaring the shit out of me. "Sh- I mean, you startled me" I say placing a hand over my chest. "You'll live" he says simply and goes to sit on one of the chairs facing the stool I had been standing on.

"Are you going to just sit there and watch?" I question, seeing as he hasn't made moves to do much else. "It's one of my tasks of being your tutor" he says and fishes out his phone to respond to what I assume is another message.

"Your job is to watch me try on pretty dresses?" I question, amused by the situation. "Yes y/n, it is my duty to make sure that the dresses we choose match the themes of whatever events we are going to, as well as being appropriate to the trends nowadays" he finishes and lowers his voice when he sees the seamstress come back.

"I heard that" she says while rolling a rack of dresses into the room. "Do you see one you like?" she asks and motions for me to come closer. I look at the rack and see there are so many dresses of different colors and patterns and styles, I just don't know what to pick.

"Which one do you think I should try on?" I ask turning towards her. "Well why don't we let Mr. Jeon choose, since he so kindly reminded me that my taste is out of date" she says and winks at me, showing me she's teasing while simultaneously giving Jungkook the cold shoulder.

"I did not mean it as any disrespect. What I was trying to say wa-" "Oh hush child, just come over here and chose a dress before I really start to get upset with you" she teases and he walks closer to the rack looking through the dresses while he sends a glance my way most likely debating on which one might suit me best.

He takes a second to think after looking through all of them but doesn't seem to find one he's satisfied with. Looking around the room for a second he finds another dress on display and walks over to it to take a closer look.

"This one" he says almost bored and walks back over to sit in the chair he had been occupying moments ago. "He's cranky today isn't he?" she whispers to me and I nod my head quickly agreeing. "I'm glad you noticed too" I say and she walks to the back and grabs that exact dress in my size. "Go ahead and change over there and I'll grab some pins incase we need to alter it" she says and I do as I'm told.

Coming out of the little dressing room she has I smooth the dress out and watch as her eyes light up. "This looks incredible on you! I don't even think I'll need to alter it at all!" she says excitedly. I smile at her and thank her silently and see Jungkook walking over to take a closer look.

He takes in my figure from top to bottom and has me do a slight twirl to see it from all angles. "We'll take this one" he says and starts to walk over to the counter to settle the bill. "That's it?" I question her, confused as to how we actually managed to finish this all without me having to try on a bunch more. "I mean he did pick the perfect dress for you" she says walking me up to the full length mirror and I'm shocked at how much I love it as well.

I twist and turn around a bit more to see the movement of the dress and the more I watch the more I fall in love with it. "You're right, this one's perfect!" I say and turn my vision towards where Jungkook had gone to and I notice that he's most likely been watching me this entire time. He clears his throat and fixes his posture to try to cover up for himself but I can see how almost bashful he looks from being caught in the act.

"Why don't you go change and then we'll have this all settled by the time you're done" she says and ushers me back in the room again. "By the way, is there something going on between you two?" she questions, catching me off guard. "What do you mean?" I ask turning around to face her. "I mean I've never seen him look at someone like he just was a few moments ago" she points out, confirming my suspicions.

"Plus, in all my years of him bringing his students here he has never once put in any effort to pick out a dress, and half the time the student ends up loving the dress while both Jungkook and I disagree but he lets them choose it nonetheless" she says and I take a look at myself in the mirror again, trying to asses if this is the one that I really truly want.

"It just seemed like he knew you and he knew exactly what would look good on you without even having to try" she says giving me a smug smirk. "No ma'am please it's nothing like tha-" "I'm just kidding child don't worry. I swear no one in your generation can take a joke anymore" she says and walks out of the room laughing at the slight panic I had started to go through.

~~~~

"Thanks for the ride" I say when we pull up to my house, this time having sat in the front seat. "No problem" he says and looks over at me, this being the first time he truly had this entire trip, or at least the first time I noticed. "Hey can I ask you a question?" I say, stopping before I reach for the handle to get out. "You just did" he says, this being one of the first times he's tried to make some sort of joke.

I roll my eyes at him and I see a flash of an almost smile but it's gone as soon as it came, being replaces with his usual stoic expression. "How did you know what dress to choose for me?" I ask and watch as he gets awkward again just like he had done when we were back at the modiste.

He turns to look out the wind shield, this time giving me a full view of how the tips of his ears have gone a bit red from the question. "I'm not sure, I think having to go through that process so many times it just seemed like that one was the obvious pick" he says and gets out of the car.

"What are you doing?" I ask following suit and watch as he pulls the garment bag out and starts walking up the steps to the front door. "I'm making sure the dress stays well taken care of. I'll hand it to one of the staff when they open the door" he says and waits for me at the top of the stairs. Before I'm even able to reach for my keys I hear the door being unlocked and the face of my mother comes into view.

"Oh hello, you must be Mr. Jeon" she says sending him a bright smile to which he reciprocates and bows a bit as a sign of respect. "Hello, I just wanted to make sure that y/n and her dress got back safely" he says and she waves one of the housekeepers over to carry it up to my room for us although it would've been fine by me if I could've just done all of this by myself.

"Well that was very sweet of you. Would you like to stay for dinner? It should be ready soon, plus we would like to show our gratitude to you for making such a long journey there and back for her" she offers.

"Perhaps another time. I have a business meeting across town tonight but thank you so much for your generosity" he says, politely declining. "Well thank you again for bringing her home" she reiterates and I start to not so subtly try to usher her back inside.

"Come on mom he said he has to go" I say to her under my breath. "Well it was so nice to meet you Mr. Jeon. I hope we'll see each other again soon" she says, leaving me having to almost push her inside.

"Thank you Mr. Jeon have a good night" I say and as I turn to close the door he says the same thing that had me over thinking just last night. "Good night y/n, sweet dreams" he says with a soft smile and heads to his car, driving off and leaving me with a confused mix of emotions yet again.

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