#Story under
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wearenotjustnumbers2 · 10 months ago
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Remember the 6 year old girl who was surrounded by Israeli tanks and the red crescent couldn't reach her? Her name is Hind Hamadeh. Here you can hear the phone call her 15 year old sister, Layan Hamadeh, made with the medics. She was killed exactly a moment later including all people in the car, except for 6 year old Hind who was stuck in the car with the dead bodies of her family, Israeli tanks and IDF surrounding her, shooting, preventing anybody to reach her.
That was last night (29.1.24). Today, still nothing. The fate of Hind remains unknown.
palestine red crescent ambulance team went to rescue her yesterday evening, but they have not returned as of now. We lost contact with them about 18 hours ago, and we still remain unaware of their fate and whether they succeeded in evacuating her or not.
Please, share Hind's story as much as you can on any platform. We need to know what happened to her. Put yourself in her place, how terrified she must be. Don't scroll past this.
This is Hind.
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the-meme-monarch · 5 days ago
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was thinking abt how anya sleeps by the polle statue. which is motion activated to start talking.
+ i like drawing polle as a Character
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akanemnon · 6 months ago
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We didn't even get an answer, and we never will (at least it's not determination)
FIRST - PREVIOUS - NEXT
MASTERPOST (for the full series / FAQ / reference sheets)
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seventeendeer · 5 months ago
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ppl are too quick to point to laios' disability as the reason his friends think he's a freak sometimes. so many instances of laios getting yelled at are, in my eyes, a case of "this guy had to emotionally mature very early in order to be there for his little sister" combined with "much older friends who never had to learn to manage their own emotions to the same degree"
a lot of the time he's right about needing to be more direct/deal with things in a way that may seem scary/needing to put your gut reaction aside. he tries not to make his friends uncomfortable and he puts up with a lot because he's trying to keep the peace, but he also pushes the others out of their comfort zones purposefully to try to get them to think more constructively. everyone else in the party is prone to acting on their gut instincts and avoiding uncomfortable situations even when facing them head-on is very much necessary. part of what makes laios such a great leader is the fact that he knows from experience how to put his own feelings aside to help someone else grow.
yes, he does make a lot of social blunders by accident and he does struggle to connect with others, but not all of his positive influence on others is accidental or "despite" making people uncomfortable. a lot of the time, I think it's clear he knows exactly what he's doing and he's trying to help the people around him process emotions in a healthy way as they all go through some truly harrowing shit. all the main characters support each other as well as they can with their unique emotional skillsets. laios' skillset just happens to be "gently talk child into eating her vegetables"
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cuntylouis · 2 years ago
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I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently
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agentravensong · 10 months ago
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thinking about how the extra area added on to a pacifist run of undertale, the true lab, is about alphys's past mistakes. how it ends with the story reaffirming that, despite the pain she's caused, the thing that matters is that she has now made the choice to do the right thing. she's still worthy of her friends' love.
thinking about how undertale doesn't expect the player to get a pacifist ending for the first time. how it's more likely than not that the player will kill toriel the first time they battle her, how lots of players don't initially figure out how to end undyne's fight without killing her, etc. what it expects — not even expects, really, but hopes — is that the player, if they care enough, will use their canonically acknowledged power over time to make up for those mistakes.
no matter how many neutral runs a player has done before committing to the pacifist run, the thing that matters to the characters, to the story, is that you've chosen, now, to do the right thing.
compared to alphys, the player honestly gets off lightly, in that you're the only one (other than flowey) who really remembers any harm you might have caused. and any direct guilting the game could have done about it is long past at this point. instead, as undertale often does, it makes its point via parallels: alphys caused harm, and she knows it. she has committed to being better. in doing so, she has unlocked for herself a better ending to her story. and she deserves it. she's forgiven.
those structural narrative parallels are all over undertale, if you know where to look. and that's one of the things that makes it so fuckin' good.
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kociamieta · 4 months ago
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i made a little interactive story about a spaceship and its passenger, you can read it here: passenger9027 ^_^
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I decided to redraw one of my earliest Tintin fancomics! I've been drawing Tintin fanart for a bit before I started posting online.
I can imagine Tintin having a tumultuous relationship with his editor, hardly ever being in the office and having a very low rate of writing articles. Tintin's increasingly liberal politics also clash with the newspaper's conservative values. Tintin and his editor frequently argue over this but Tintin almost always wins out, as he is aware that it is his articles that sell the paper. His editor is reluctant to let go of his golden goose.
More headcanon under the Read More! It's background stuff and things about his editor.
Tintin started his journalism career at just 14, and seeing the dangerous situations he is sent into in his early stories suggests to me that whoever hired him didn't have his best interests at heart. I can imagine his editor taking advantage of Tintin's ambition and naivety, while styling himself as a sort of father figure to the newspaper he runs. I based him off of the editor we see at the very start of Tintin in the Land of the Soviets!
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His editor hires him after Tintin demonstrates remarkable skills in investigative journalism, uncovering local corruption for his school paper. He takes advantage of Tintin's naivety, sending him off to various countries to write conservative propaganda pieces for the paper. He hopes Tintin will be easy to groom into a conservative pundit, but after witnessing atrocities and coming into contact with people from different walks of life, Tintin finds himself unlearning a lot of harmful beliefs he was raised with. After he earns global recognition in Tintin in America, Tintin leverages his star power to ensure less editorial interference with his work. His journey away from conservatism is kickstarted upon befriending Chang, who directly challenges a lot of his preconceptions.
Tintin stays with the paper under the misguided belief that he can steer the publication in a better direction with his influence. Deep down he also feels he owes his editor, as it was him who gave Tintin a platform and an oppurtunity to escape his situation, being raised in an orphanage and being deeply unhappy in school. His editor also frequently points out that other papers will not be as lenient with his low turnover rate of articles, and that he's lucky he's still with them.
After Tintin gets Chang a job there as his photographer, Chang ends up befriending a lot of the staff. He's one of the few non white staff members there, which causes quite the stir. While Chang is grateful for the job, he becomes increasingly uncomfortable with working for them the more he learns about the paper. He tells Tintin that by staying there, he's only legitimising the publication.
Tensions at the paper start rising as political tension rises in Europe. Tintin, Chang, and a lot of staff notice their editor acting erratically and making strange demands...
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thestuffedalligator · 1 year ago
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I read Fat Face by Michael Shea last month and it was. Fine? It was a Cthulhu Mythos story written in the 80s, it was very edgy and it had a lot of tropes I’m not a fan of, I don’t really recommend it, but I have to talk about one detail I have not stopped thinking about since I read it.
So. I knew Fat Face through reputation because it was the story that inspired Shoggoth Lords from the Call of Cthulhu TTRPG, shoggoths that can control their cellular makeup to look like humans. And the twist in Fat Face is that shoggoths have been hiding amongst humans in Los Angeles, and at the end of the story one of them eats the protagonist.
The tone of the story is grit. It’s grime. It’s sleaze and sexual violence and drug abuse on top of cosmic horror. It wants to be taken seriously so bad.
But here’s the thing about the shoggoths: they have a business.
They have two businesses they run out of an office building in downtown Los Angeles. A shoggoth is a primordial blob of eyes and mouths and flesh and hunger, and the idea of one of them at the LA Office of Finance registering an LLC is already. Great. Perfect. No notes.
The business is a front — and again, that’s great, a shoggoth went, “I want to do some nefarious deeds and not get caught by humans; I know, I’ll register a fake business that’ll be a front, and no human will ever suspect” — because the actual interior of this office is a room of pools of water made from black and ancient Antarctic rocks so that shoggoths can relax in their original blobby forms and eat stray animals that they’ve caught.
So it’s basically just. A place for shoggoths to unwind after a long day of pretending to be human. It’s portrayed as cosmic horror, but it’s shoggoth Cheers. Sometimes you wanna go where nobody knows your shape.
Here’s the kicker. The front of the business is a hydrotherapy clinic and stray pet rescue.
When they decided to make a front for their secret lair in an LA office building where they hang out in pools of water and eat stray animals — the front they prominently display and advertise — they decided to go with a hydrotherapy clinic and stray pet rescue.
That is Goosebumps shit. The rest of the story reads like a tone poem about the sleaze and violence of Los Angeles, and the main twist of the story reads like R.L. Stine.
But that’s not even the detail I can’t stop thinking about. Because the story reveals that this business — which again, is a front made by alien blobs to eat stray animals like an ALF-themed buffet and hang out in jacuzzi tubs of Antarctic rocks in an LA office — has a flyer.
Which means there’s a shoggoth with a passion for graphic design
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wearenotjustnumbers2 · 1 year ago
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These two kids are Hamza (the oldest) and Qusai (the youngest).
Their mother shares this video and bids them goodbye. They were both killed by Israeli bombardment 5 days ago. She says:
[Two days before Hamza and Qusai were killed, hamza asked me: "mom, when we die, where will I go?" And I told him: "you will be a bird in heaven, my love." He said: "and Qusai?" "Just like you inshallah."
And indeed, two days later, he left and took his brother with him. It's like he was preparing me for saying goodbye to both of them. Heaven is more beautiful than any place on this Earth, habibi. We will meet and be reunited one day, me, your dad and you two].
Our kids don't deserve to die already thinking about what will happen to them, they don't deserve to die already terrified, anticipating their death because the world failed them and decided their lives mean nothing. We are not numbers. Remember their names and their stories.
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frogs-in3-hills · 24 days ago
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can i be real with yall i kind of hate fandom assigned siblingisms because often it’s just used as a signifier of closeness rather than an exploration of any of the things that make siblings narratively interesting imo. and i think a lot of that comes down to the fact that people enjoy the fantasy of relationships that are “naturally” eternal, ie, intimacy without having to do The Work. and i will never shame anyone for indulging a fantasy through fiction, this is just not something that really works for me. where siblings become compelling, imo, is within that unique “eternity” (whether societally imposed or genuinely forged in childhood and blood) and its power to trap and hurt. where the people involved don’t do The Work, or The Work they do isn’t enough. they’re tied together but some wounds take a long time to heal—if they ever do. wounds that they share, or wounds that they inflict on each other
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katabay · 27 days ago
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earlier this year I started writing a comic about the siege perilous-grail quest situation after finally finishing the didot perceval, and it started circling around kay and perceval. kay as gatekeeper, taboo anxiety vs chivalry, and perceval not doing things "correctly," arthur's enduring affection for kay. that general area. also the horror of the grail quest itself.
this is comic is part of that narrative arc, so with THAT in mind: this is an abridged scene of a longer arc revolving around kay associating camelot with a cage, perceval's associations with jewelry and knighthood and the color red, and arthur's relationship with kay.
[some other scene context: perceval has injured his hand and can't participate in the tournaments, so he's craving some kind of fight. kay is disinterested in replying to this challenge, but he's not above reminding perceval of their first meeting. it's just mean enough in a weird-intimate kind of way that perceval's like, ok so we're doing the antagonistic version of court romance rituals. he picks up hunting because kay can't leave the castle.]
on the subtext of jewelry:
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Clothes Make the Man: Parzival Dressed and Undressed, M.D. Amey
on the topic of kay, gatekeeping, and taboo anxiety:
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Cei and the Arthurian Legend, Linda Gowans
the whole Red Knight/Perceval Shows Up In A Dead Man's Suit Of Armor transgression-situation (which kay references through red jewelry) mentioned is told in both de Troye's and Wolfram's Perceval narratives :)
anyway! to close out all this out: the transgressions. incredible! what is camelot but a bunch of transgressions stacked on top of each other tbh.
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weirdlookindog · 9 months ago
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"Un de ces longs bras glissa par l’ouverture"
Alphonse de Neuville (1835-1885) - Long Arm Glided
Illustration from Jules Verne's "Twenty thousand leagues under the sea", 1870
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egophiliac · 1 month ago
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heeey guess what, I'm obsessed with this idiot flamingo now
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gcballet · 17 days ago
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Doctor Who as tweets/textposts pt.6
<- | DW | ->
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kjscottwrites · 1 year ago
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And, importantly, share some recs!
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