#Santoro London

[warmcappuccino45]

my favorite outfit 🦄💗

[pink4chocolate]

Sugar And Spice

The wait will be sweet if you learn to take things as they come. So that's why you'll share your candy, to also share your joy in life.

Waiting will be sweet if you learn to accept things as they are. Therefore, you will share your bonbons - to share your joy from life.

May Santoro London Gorjuss

[dont-let-me-be-mistunderstood]

[avatarkindermaxi]

I’m a complete santoro gorjuss girl

[mariesrbouipochodian]

https://www.santoro-london.com

[lady-stormwind]

Happy Easter

Gorjuss Santoro London The Hunt

My Gorjuss Santoro dolls here

[dollect-net]

Doll of the Day! September 5, 2024!

Today’s doll of the day is School Girl, a Santoro London Gorjuss doll released in 2022. To nominate a doll for DOTD, please click here! You can check out past Doll of the Day entries here!

[lauraschofielddesign-products]

Complete collection design of all bags, accessories and stationery for ‘Gorjuss Elements’ 2023, ©Santoro London.

[kiccacakes]

Ladibird Gorjuss Doll Suzanne Woolcott Santoro Cake #DollCake #SuzanneWoolcott #GorjussDoll #SantoroDoll #SugarSculpture #BirthdayCake #caketrends #cakeart #KiccaCakes #cake #illusioncake #realisticcakes #sculptedcake #cakedecorating #cakestagram #instacakes  #edibleart #cakemaker #londoncakemaker #edibleart #birthdaycake #weddingcake #buttercream #London #cakedesign #cakelondon #londonparty   #cakedecorating  #bespokecake  #londoncakes  #presentideas #bespokegifts @cake_trends @cakemasters @londonist_com (at Little Venice, London) https://www.instagram.com/p/CnPp_vjI8GA/?igshid=NGJjMDIxMWI=

[thequeendomhq]

hello ! a bit curious on what fcs you'd recommend for the river and the honor as i am torn between the two at the moment.

Hello!

The River

Sophia Brown, Olumide Olorunfemi, Jason Gotay, Jai Courtney, Kyle Gallner, Alex Høgh Andersen, Frida Gustavsson, Valentine Zenere, Travis Fimmel, Pedro Pascal, Brenton Thwaites, Fivel Stewart, London Thor, Wentworth Miller, Donald Glover, and Jessica Green.

The Honor

Bradley Freegard, Nathalie Emmanuel, Robbie Ammel, Alfonso Herrera, Anna Sawai, Alexander Ludwig, Glen Powell, Lucien Laviscount, Nikolaj Coster-Waldau, Rodrigo Santoro, Katie McGrath, and Lee Pace.

[warmcappuccino45]

new santoro bag💗🥨

[dalt20]

Tooning In 16. Craig Clark part 3 of 7

DL: In 1983, you worked at a Company called Tigerfly.

What was that?

CC: That was and is Arnie Wong's company. I met him at Duck Soup in 1974. Arnie now lives in Hawaii. Tigerfly was in Santa Monica. We did commercials, development on a Möbius feature, Internal Transfer, Automan VFX etc. Superman director Peter Ramsey worked theirs as well as Disney FX sup. Marlon West. Also surf artist Rick Griffin.

DL: how was the environment at the studio?

CC: Creative , hip, funky , family of westside surf artists

He sends me a teaser of an project which ultimately never got made which was the collaboration with French comic artist Moebius, Internal Transfer, which he worked as an animator

Also some Sunkist and G.I. Joe commercials he sends me, also worked on as an animator. I’m surprised the latter one wasn’t done by Sunbow.

DL: You were on The

Philadelphia Experiment as a special effects animator, how was that?

CC: Cool, that was at New World in Venice at Roger Corman Studio......later became Digital Domain. hand drawn electro fx. There was a lot of work west of Sepulveda at the time. The guy on the bed with the electro fx https://youtu.be/WAmpXDi53YQ?si=vrhhlmW1wD0-u5n9

He sends me a trailer for The Philadelphia Experiment (1984)

DL: What was My Science Project, as you were

Special effects animator.

CC: My Science project was done at Namebrand FX in Santa Monica off the lot. John Scheele produced the FX, we shot the elements at his studio. The T rex at the end was my shot sequence.... https://youtu.be/nB2ToxVtoc4?si=21cPOJqje2orJAuX

He sends me a trailer for My Science Project (1985).

A bunch of electro fx not pictured there. Boy that was some cheesy 80's synth music on there lol!

DL: Well I guess you’re the electricity guy who drew the electric on paper than scan them into the film.

CC: Exactly. I would do the same over at Boss Film on Poltiergiest 2, Big Trouble in Little China, and SolarBabies. But it was all 70mm. Huge 22 field paper, later hand inked.

DL: You were special effects director for the TV series, Misfits of Science for NBC. And How did you felt being moved to

VFX director and what role does

he or she does.

CC: That was a Namebrand again, that was my day job, the night job was at Boss film from 6pm to 1am. Universal trusted me since I did a good job on Automan. So much so I was on call for other Universal shows like Miami Vice. The fx producer were David Garber and John Green. David Garber was famous for Battlestar Galactica so he was in good standing at Universal. I still love that show. Misfits was part of the Universal power line up on Friday Nights. we got good numbers but Knight Rider was already 3 seasons in and was closer to Syndication so we lasted one season. We did some cool stuff like slitcan stretching high speed fx with the characters. When ever my hand drawn electricity came on the the ratings went up, so they called for more of it. The Producer was James Parriot who later did Grey's Anatomy, It was also Courtney Cox's first show before Friends.

He sends me a compilation of the series where one of the main characters uses his electric powers.

DL: Ah, thought it was Mac and Me but I remember that was Jennifer Aniston!

I send him a laugh out loud emoji 😂

DL: You Worked as FX Assistant Animator for Boss Film company, did you felt like that was a downgrade from your previous Title?

CC: Yeah, but it was a feature with some IlM guys so that was cool. I met Wes Takahaski who helped me get into ILM later in 1994. Boss had just finished Ghostbusters at the time.

DL: How was the environment of Boss Film company?

CC: Fun, like an fx nightclub. Music playing, free popcorn. The day crew was more serious I think, but we just had a good time and did great work. Some Disney guys were there too like Scott Santoro, who I later worked with at Amblimation in London on Fievel Goes West.

DL: That's awesome!

CC: We were nominated for a VFX Oscar on Poltergeist 2. https://youtu.be/mjhr8EdGyD0?si=RldZcwzw_9-rMM0V

He sends me the trailer for Poltergeist 2 (1986)

DL: You was assistant special effects animator for Poltergeist 2.

CC: Yes, Following up of Mauro Maresa who later worked with me on Bill and Teds Excellent Adventure.

Sends me a clip from the film featuring all the times the characters use the iconic phone booth.

I did fx on it, phone booth.

DL: You were an

Special effects animator on Big

Trouble in Little China. How was that?

CC: Yeah , I think we already went over the Boss film stuff, part of the night crew when I was working on Misfits of Science during the day. Mauro Maressa, Scott Santaro, Kevin Cachaver, Ed Coffee, Wes Takahashi all on the show. There were Ghostbusters fx model sheets sitting around ....

He sends me the climax to Big Trouble in Little China (1986)

DL: So as we talk about previously, how worked

at Dream quest Images.How was

the enviroment at the studlo before the

company got bought by Disney in 1997?

CC: Dream Quest was a small but active studio stated by 5 UCLA students in Culver City. They did Vistavision work as well as 35mm work. They got all the fx shots that Boss Film could not do since they were all 70 mm.  The first Predictor movie was done there as well as Nightmare 3. I animation directed a few commericials, Taco Ball ,Golden Grahams, etc. https://youtu.be/aFwKhPnBs3Y?si=OtpjisO0bot3et6_

He sends me a commercial for Golden Grahams which he animated on.

DL: Is that supposed to be sonny? The Golden Grahams mascot?

CC: he didn't have a name....just called him dollop. I animated it solo. no assistants.

DL: Wow! That’s impressive!

CC: Thanks. I think I was 26 with a few credits so they gave me a shot.

DL: So, personal thoughts, I

Wanna spill on you that I find it strange that Disney would go on to buy Lucasfilm, which owns ILM, which you worked for later in 1994. Why did Disney bought the studio only to shut it down and buy Lucasfilm? (That’s a question for you, I forgot to mention.)

CC: Disney is a corporation looking for quarterly profits for their shareholders. It is no longer a company run by their family as you know.

DL: Yeah, I mean they own ILM now, so they own all the great special effects in the world! But anyway, you worked on Nightmare of Elm street 3 as a special effects animator, an upgrade from storyboard artist. How was the experience?

CC: Good, hears the shot do your stuff. This time we finished the plasma animation using watered down inks that were shot and comped. We went over that as well.

DL: What’s your thoughts on the Elm Street franchise ?

CC: Surprised it lasted. I've outgrown it but my kids love it. The horror genre has exploded over the years. There was a crew fan based  meeting at Notre Dame high school in the Valley in the 90's. Kids asked questions to the old crew. I forget most of it.

DL: You worked on My Demon Lover as a special effects animator, what was that about?

CC: That was through Chris Cassady's Roto FX of America studio. Quick fx job, I remember some faces or masks exploding. I did the animation over at Chris' studio, he shot the elements over at his place. I think he sent it our for opticals some were else. The studio was a Saward in Hollywood behind the old Bob Clampett building where we did the first Simpsons series. There were lots of Film labs there , CFI, Glenn Glenn sound. Old Republic Pictures and the Columbia Cartoon studio was there a long time ago. Historical street for film. Seward st.

DL: Your claim to fame, Bill Melendez Productions, how was the environment of the studio?

CC: Wow I'm famous for that? I'd like to work on the new ones in Canada... I worked directly under Bill Melendez for a week in studio. Then I just worked at home animating four Peanuts specials for him, as well as Cathy and Frosty Returns. And later another Peantuts one in the 2000's.

DL: What was the studio like? Was it magical?

CC: It was like a little house, actually two houses together. Folks were very nice. I love working there.

DL: Ah, so I think it was the only studio besides filmation who were doing TV animation in the US. And I believe the last.

CC: maybe so, but a few months later I started working on the first season of the Simpsons down the street in totally in house. 1989. Melendez was 1988 during the last bad writers strike.

DL: Ah, did you met Bill or Lee? The other guy who owns the studio. Lee Mendelson?

CC: Never saw Lee, just Bill. Shep Menkin also did voices but I did not know it at the time. (Forgive and Forget movie 1968)

DL: Ah, ok, so your friend was also on Peanuts.

CC: This is America Charlie Brown,yes.

DL: Did he did the adults? The “waa waa” voice?

CC:no?

[matchalovertrait]

Things between these two somehow got worse.

Transcript:

Dulce: So, listen. I got accepted to the London Cookery Institute and the Santoro Academy of Culinary Arts.

Alex: Dulce, that‘s amazing! No surprise there. Those people would be insane to not recognize your talent.

Dulce: Yeah, and if I pick the school in London, we‘d be able to get back together again! It‘s close to Henford-on-Bagley.

Alex: Wait? What? Back together again? Dulce, what did you think this was?

Dulce: A romantic prom night.

Alex: Oh, no.. Dulce, it’s not anything like that. I took you as a friend. I wanted to do something nice for you.

Dulce: Then what was all this? The slow dancing? Playing in the water under the moonlight? That gaze into my eyes just now?

Alex: A mistake. That’s what this is. Look, I’m really sorry. I didn’t mean for this to happen. The last thing I wanted to do was to hurt you.

Dulce: You should have made things more clear then. I‘m out of here.

[literarytourist-blog-blog]

Sir Tim Waterstone on Building a Bookselling Empire

Sir Tim Waterstone revolutionized bookselling in Britain and changed the country's cultural landscape. He also wrote a memoir, called The Face Pressed Against a Window (Atlantic, 2019). We met at The Garrick Club in London to talk about the book, and about how he accomplished what he accomplished.  Topics covered in our conversation include Tim's troubled relationship with his father, his eight children, the creative strategy behind growing the Waterstones empire (starting in 1982); an epiphany in Cambridge’s Heffers Bookshop; Waterstones' "happy" family; W.H. Smith, James Daunt, author support, a combative attitude; offering a huge range of titles for sale and staying open longer hours; Miss Santoro's bookshop in Crowborough; seeing a market and making accessible an unprecedented selection of literature; the brilliance of the John Sandoe Bookshop in Chelsea; the "perfect stock, perfect staff, perfect control" mantra, bookstores as literary festivals, and the importance of book sales per square foot. 

Check out this episode!

[mardelivros]

Começa em Campos do Jordão o maior evento de música clássica da América Latina

Reconhecido como o maior e mais tradicional evento de música clássica da América Latina, o Festival de Inverno de Campos do Jordão chega à sua 53ª edição em 2023 – ele não ocorreu apenas em 2020, devido à pandemia do coronavírus. A programação artística acontece de 1 a 30 de julho, conta com recursos de acessibilidade e está distribuída entre as cidades de Campos do Jordão – com três palcos – e a Sala São Paulo – com dois palcos. O Festival é realizado pela Fundação Osesp e pelo Governo do Estado de São Paulo, por meio da Secretaria da Cultura, Economia e Indústria Criativas. São mais de 60 concertos, todos eles com entrada gratuita, divididos entre três locais da cidade da Serra da Mantiqueira: o adorado Auditório Claudio Santoro (apresentações de sexta a domingo); o popular Parque Capivari (sábados e domingos); e a bela Capela São Pedro, localizada no Palácio Boa Vista (sábados e domingos). A Sala São Paulo também tem uma agenda de apresentações, distribuídas entre a Sala do Coro (de terça a quinta-feira, com ênfase em performances de Artistas do Festival) e a Sala de Concertos (aos sábados e domingos). No módulo pedagógico, o Festival recebe ao todo 136 alunos e 42 professores. Os bolsistas terão, nesta edição, duas semanas de prática orquestral e duas de música de câmara, ao longo de aproximadamente 1.000 horas-aula. Convidaremos dois grandes nomes camerísticos do Reino Unido: o Brodsky Quartet, que toca a integral dos 15 Quartetos de Cordas de Shostakovich com os estudantes; e o quinteto de sopros London Winds, que permanece por uma semana participando de atividades educativas e artísticas. Os maestros convidados serão o alemão Henrik Schaefer e a indonésia Rebecca Tong, que encerra a programação à frente da Orquestra do Festival com a estreia mundial de uma obra de Rafael Marino Arcaro, e tocando também a Quinta Sinfonia de Mahler. PRIMEIRA SEMANA DE FESTIVAL Ao longo dos próximos dias, destacam-se na agenda as apresentações de bolsistas e professores do Festival nos dias 06, 11 e 12/jul, como a que a soprano Eliane Coelho e o pianista Gustavo Carvalho apresentam nesta quinta (06/jul) na Sala do Coro; da Orquestra Filarmônica de Minas Gerais comemorando seus 15 anos (07/jul, Auditório Claudio Santoro; 08/jul, Sala São Paulo); os primeiros concertos da Orquestra do Festival, regida pelo alemão Henrik Schaefer (08/jul, Auditório Claudio Santoro; 09/jul, Sala São Paulo, com transmissão ao vivo no YouTube do Festival); uma apresentação da Orquestra Parassinfônica de São Paulo – Opesp, formada por músicos com deficiência (08/jul, Parque Capivari); da Orquestra Jovem do Theatro São Pedro (09/jul, Auditório Claudio Santoro); e da soprano Marília Vargas com a harpista da Osesp, Liuba Klevtsova, (09/jul, na Capela São Pedro). Toda a programação é gratuita, e os ingressos podem ser retirados a partir de 5 dias antes de cada apresentação, às 10h, limitado a 4 ingressos por pessoa (haverá distribuição de remanescentes no dia das apresentações, na bilheteria, 1h antes do início, conforme lotação dos espaços). A programação completa pode ser acessada no site oficial. PRÊMIOS E BOLSAS O Prêmio Eleazar de Carvalho contemplará o/a bolsista que mais se destacar nessa edição, concedendo a ele/a uma bolsa de US$ 1.400 mil (um mil e quatrocentos dólares) mensais para estudar por um período de até nove meses em uma instituição estrangeira de sua escolha, além de ter cobertas as despesas de translado entre o Brasil e o exterior. A Fundação Osesp poderá premiar outros bolsistas que se destacarem durante as atividades com bolsas na Academia de Música da Osesp. SOBRE O FESTIVAL DE INVERNO DE CAMPOS DO JORDÃO Criado em 1970 pelos maestros Eleazar de Carvalho, Camargo Guarnieri e Souza Lima, o Festival de Campos do Jordão combina, com excelência, uma programação de música de concerto a um trabalho pedagógico amplo e qualificado. Ao longo de suas 52 edições, o evento, atualmente realizado no Inverno e também no Verão, se consolidou como o maior e mais importante festival de música clássica da América Latina, oferecendo aos bolsistas a vivência com importantes nomes da música nacional e internacional e, paralelamente, uma programação cultural de qualidade, que beneficia não somente a cidade de Campos do Jordão (SP) como todo o seu entorno, ampliando as oportunidades de acesso à música erudita. REALIZAÇÃO A 53ª edição do Festival de Inverno de Campos do Jordão tem o patrocínio de Sabesp e Instituto Cultural Vale, copatrocínio de Itaú e apoio de Astra e Montana Química Ltda, por meio da Lei Federal de Incentivo à Cultura e ProAC ICMS. Parceria: ACE Campos e Fritz Dobbert. Promoção: Folha de S.Paulo, 29Horas e Band Vale FM 102.9. Apoio Institucional: Prefeitura de Campos do Jordão. Realização: Fundação Osesp, Governo do Estado de São Paulo, por meio da Secretaria da Cultura, Economia e Indústria Criativas, Ministério da Cultura e Governo Federal – União e Reconstrução. AMIGOS DO FESTIVAL Desde 2013, a Fundação Osesp conta com a colaboração de uma rede de estabelecimentos comerciais da cidade de Campos do Jordão, que contribui para a divulgação de informações sobre a programação de concertos. Esses estabelecimentos recebem um selo que os identifica como Amigos do Festival e mostra engajamento com um dos mais tradicionais projetos culturais da cidade. | PROGRAMAÇÃO DE CONCERTOS – 05 A 12 DE JULHO | _____ 6 JUL quinta 19h00 Sala do Coro ELIANE COELHO soprano GUSTAVO CARVALHO piano Sergei RACHMANINOV 6 canções - Op. 4: Não Cante, Minha Beleza Você Se Lembra da Noite? 12 Canções, Op. 21: Como É Bom Aqui (Dedicada a Feodor Chaliapin) 6 Canções, Op. 38 6 canções - Op. 4: Há Quanto Tempo, Caro Amigo 15 Canções, Op. 26: À Minha Janela 14 Canções, Op. 34: A Musa e a Tempestade 6 Canções, Op. 8: Lírios D'água e o Sonho 12 Canções, Op. 14: A Ilha 15 Canções, Op. 26: Noite Lúgubre 12 Canções, Op. 14: Águas Primaveris e Não Me Creia, Amigo _____ 7 JUL sexta 20h30 Auditório Claudio Santoro 8 JUL s��bado 20h30 Sala São Paulo ORQUESTRA FILARMÔNICA DE MINAS GERAIS FABIO MECHETTI regente VIKTOR UZUR violoncelo Édouard LALO | O Rei de Ys: Abertura Camille SAINT-SAËNS | Concerto para Violoncelo nº 1 em Lá Menor, Op. 33 Sergei RACHMANINOV | Sinfonia nº 3 em Lá Menor, Op. 44 _____ 8 JUL sábado 11h00 Parque Capivari ORQUESTRA SINFÔNICA JOVEM DE MOGI DAS CRUZES LELIS GERSON regente TATIANE REIS soprano Dmitri SHOSTAKOVICH | Abertura Festiva, Op. 96 Claude DEBUSSY | Petite Suite: Seleção (Orquestração Henri Büsser) Pyotr Ilyich TCHAIKOVSKY | A Bela Adormecida: Suíte, Op. 66a (Valsa) Johann STRAUSS JR. | Vozes da Primavera, Op. 410 Pyotr Ilyich TCHAIKOVSKY | Capricho Italiano, Op. 45 _____ 8 JUL sábado 16h00 Parque Capivari ORQUESTRA PARASSINFÔNICA DE SÃO PAULO MARCOS ARAKAKI regente José Carlos Amaral VIEIRA | Entrada Festiva, Op. 135 Wolfgang Amadeus MOZART | A Flauta Mágica, KV 620: Abertura Pyotr Ilyich TCHAIKOVSKY | Andante Cantabile (Arranjo do 2º Movimento do Quarteto de Cordas nº 1) Alexandre GUERRA | Paisagens Brasileiras Giacomo PUCCINI | Gianni Schicchi: 'O mio babbino caro' Franz SCHUBERT | Ave Maria Georges BIZET | L'Arlesiénne: Suíte nº 2 Oscar Lorenzo FERNANDEZ | Reisado do Pastoreio: Batuque _____ 8 JUL sábado 17h00 Capela do Palácio Premiado FICJ THIAGO SANDOVAL clarinete ROSANA DINIZ piano Francis POULENC | Sonata para Clarinete e Piano Robert SCHUMANN | Três Romances, Op. 94 Claude DEBUSSY | Primeira Rapsódia para Clarinete e Piano  _____ 8 JUL sábado 11h00 Sala São Paulo 9 JUL domingo 11h00 Parque Capivari Gala Lírica ORQUESTRA SINFÔNICA JOVEM DE GOIÁS ELIEL FERREIRA regente PATRÍCIA MELLO soprano MERE OLIVEIRA mezzo soprano HÉLENES LOPES tenor JADSON ÁLVARES baixo Antonio Carlos GOMES | Il Guarany: Abertura Giuseppe VERDI La Traviata: È strano! È strano! E Sempre Libera (Violetta) Don Carlo: “Dio che nell'alma infondere" Camille SAINT-SAËNS | Sansão e Dalila, Op. 47: Mon coeur s'ouvre à ta voix Léo DELIBES | Lakmé: Duo des Fleurs Ruggero LEONCAVALLO | Pagliacci: Vesti la giubba Gerónimo GIMÉNEZ | La Boda de Luis Alonso: Intermedio Pablo SOROZÁBAL | La Tabernera del Puerto: No Puede Ser (Leandro) (Libreto de Federico Romero e Guillermo Fernández Shaw) Georges BIZET | Carmen: Habanera Giuseppe VERDI Falstaff: “È sogno? O realtà?” Rigoletto: Bella figlia d'amore _____ 8 JUL sábado 20h30 Auditório Claudio Santoro 9 JUL domingo 11h00 Sala São Paulo – Concerto Digital ORQUESTRA DO FESTIVAL HENRIK SCHAEFER regente ELIANE COELHO soprano Richard WAGNER | Tristão e Isolda: Prelúdio e Morte de Amor Dmitri SHOSTAKOVICH | Sinfonia nº 10 em Mi Menor, Op. 93 _____ 9 JUL domingo 11h00 Auditório Claudio Santoro ORQUESTRA DO THEATRO SÃO PEDRO IRA LEVIN regente DENISE DE FREITAS mezzo soprano Jan Václav VORISEK | Sinfonia em Ré Maior, Op. 24 Max REGER An die Hoffnung, Op. 124 Maria Wiegenlied, Op. 76 nº 52 Johannes BRAHMS | Sinfonia nº 1 em Dó Menor, Op. 68 _____ 9 JUL domingo 11h00 Capela do Palácio Mulheres na Música MARÍLIA VARGAS soprano LIUBA KLEVTSOVA harpa Hildegard Von BINGEN | Caritas Abundat in Omina Francesca CACCINI | Da Ópera la Liberazione di Ruggiero: Per la Più Vaga e Bella Fanny MENDELSSOHN | Schwanenlied Maria MALIBRAN | Le Retour de la Tyrolienne Pauline VIARDOT-GARCÍA | Hai luli! (Texto de Xavier de Maistre ) Frédéric CHOPIN | Tristesse Ekaterina WALTER-KÜHNE | Fantasia Sobre Temas da Ópera "Eugene Onegin" Eva DELL’ACQUA | Villanelle: J'ai Vu Passer L'hirondelle Cécile CHAMINADE | Mots d’amour Nadia BOULANGER | Chanson Emilia de BENEDICTIS | Nuvens Juliana RIPKE | Canção com Palavras nº 1: Caixinha de Afetos Chiquinha GONZAGA | Lua Branca _____ 9 JUL domingo 15h00 Parque Capivari BANDA SINFÔNICA JOVEM DE GOIÁS GUSTAVO APRÍGIO regente ANDRÉ MARTINS trombone Gustav HOLST | Segunda Suíte, Op. 28b Nikolai RIMSKY-KORSAKOV | Concerto para Trombone em Si Bemol Maior Alexandre TRAVASSOS | Rapsódia Sefaradi PIXINGUINHA | Carinhoso (Arranjo de Duda) Joaquim NAEGELE | Janião Waldir AZEVEDO | Brasileirinho (Arranjo desconhecido) Moacyr FRANCO | Goiás É Mais (Arranjo de Emanuel Ferreira) _____ 11 JUL terça 19h00 Sala do Coro Premiados FVCJ 2023 TERNOAR CAUAN ROQUE violão JARDER RYAN clarinete TALITA FELÍCIO contrabaixo e voz DORIVAL CAYMMI | Vatapá/Acaçá Medley Gilberto GIL & Luiz GONZAGA | Assum preto e Lamento Sertanejo Medley  Luiz GONZAGA & Caetano VELOSO | Luar do Sertão e Sampa Heitor VILLA-LOBOS | Melodia Sentimental PIXINGUINHA | Rosa Medley Chico BUARQUE & Heitor VILLA-LOBOS | Apesar de Você, Roda Viva e O Trenzinho do Caipira Agustín BARRIOS | Maxixe Medley DOMINGUINHOS & Luiz GONZAGA | Sanfona Sentida e ABC do Sertão SIVUCA | Feira de Mangaio Jacob do BANDOLIM | Santa Morena Egberto GISMONTI | Água e Vinho DJAVAN | Lambada de Serpente SEXTETO AURUM ANDRÉ KUSMITSCH piano GUILHERME CARVALHO saxofone GUSTAVO FONSECA contrabaixo LUIZ GABRIEL trompete RENAN SALDANHA trombone VINÍCIUS TEIXEIRA bateria João DONATO Bananeira (Arranjo de Guilherme Carvalho) Flor de Maracujá (Arranjo de Guilherme Carvalho) Milton NASCIMENTO | Milagre dos Peixes (Arranjo de Renan Saldanha) Moacir SANTOS | Sou Eu (Arranjo de Feldeman Oliveira) _____ 12 JUL quarta 19h00 Sala do Coro ARTISTAS DO FESTIVAL Programa a ser anunciado. | SERVIÇO | 53º Festival de Inverno de Campos do Jordão Data: 1 a 30 de julho Ingressos: Entrada gratuita, com retirada de ingressos neste link a partir de 5 dias antes de cada apresentação, às 10h, limitada a 4 ingressos por pessoa (Parque Capivari: entrada livre. Haverá distribuição de ingressos remanescentes no dia das apresentações, na bilheteria, 1h antes do início, conforme lotação do espaço. Locais (Campos do Jordão e São Paulo): AUDITÓRIO CLAUDIO SANTORO – Av. Dr. Luís Arrobas Martins, 1.880, Alto da Boa Vista, Campos do Jordão, SP. Tel. (12) 3662-2334. 814 lugares. Gratuito. Horário de funcionamento: somente em dias de concerto, a partir de 2h30 antes do início da apresentação. Concerto acessível – recursos de acessibilidade: audiodescrição, interpretação em Libras (concertos com Coro). É necessário confirmar presença até 2 dias antes do evento pelo número (11) 94333-2923 ou pelo e-mail: contato@vercompalavras.com.br. PARQUE CAPIVARI – R. Eng. Diogo José de Carvalho, 1291, Capivari, Campos do Jordão, SP. Gratuito (entrada livre, sem necessidade de retirada de ingressos). Horário de funcionamento: diariamente, das 9h às 20h. Concerto acessível – recursos de acessibilidade: audiodescrição, interpretação em Libras (concertos com Coro). PALÁCIO BOA VISTA – CAPELA SÃO PEDRO APÓSTOLO Av. Adhemar Pereira de Barros, 3001, Jardim Dirce, Campos do Jordão, SP. 90 lugares. Gratuito. Horário de funcionamento: de quarta a domingo, das 10h às 12h e das 14h às 17h. Concerto acessível – recursos de acessibilidade: audiodescrição, interpretação em Libras (concertos com Coro). É necessário confirmar presença até 2 dias antes do evento pelo número (11) 94333-2923 ou pelo e-mail: contato@vercompalavras.com.br. SALA SÃO PAULO – SALA DE CONCERTOS Praça Júlio Prestes, 16, Térreo, Campos Elíseos, São Paulo, SP. Tel. (11) 3367-9500. 1.484 lugares. Gratuito. Horário de funcionamento: de segunda a sexta, das 9h às 18h. Concerto acessível – recursos de acessibilidade: audiodescrição, interpretação em Libras (concertos com Coro). É necessário confirmar presença até 2 dias antes do evento pelo número (11) 94333-2923 ou pelo e-mail: contato@vercompalavras.com.br. SALA SÃO PAULO – SALA DO CORO Praça Júlio Prestes, 16, 2º andar, Campos Elíseos, São Paulo, SP. Tel. (11) 3367-9500. 150 lugares. Gratuito. Horário de funcionamento: de segunda a sexta, das 9h às 18h. Concerto acessível – recursos de acessibilidade: audiodescrição, interpretação em Libras (concertos com Coro). É necessário confirmar presença até 2 dias antes do evento pelo número (11) 94333-2923 ou pelo e-mail: contato@vercompalavras.com.br. Read the full article

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“Then the dove flew out the door, and she followed it. Every seven steps a drop of red blood and a little white feather fell to the ground to show her the way. And so she went farther and farther into the wide world, never looking back and never pausing, and the seven years were almost over.” The Singing, Soaring Lark by the Brothers Grimm Here is a closer look at the Santoro London Girls With Birds and Flowers Quilt, on sale now in our shop! 🌼🕊️Our sale runs through the end of March, so take advantage of the free shipping! Follow the birds to our Etsy shop at VictoriaGDesigns or www.victoriagleasuredesigns.com 💛 Hashtags: #singinglark #soaringlark #brothersgrimm #santorogorjuss #fairytale #classicreads #victoriagdesigns #victoriagleasuredesigns #booksandquilts #fabricinspiration #bookish #bookstagram #quiltstagram #quiltsale #etsy #etsysale #bookrecommendations https://www.instagram.com/p/CqYI8WRrwbZ/?igshid=NGJjMDIxMWI=