#Samantha Griffith

[lindsayerins]

SOPHIA BUSH as SAMANTHA GRIFFITH GOOD SAM — 1.04, Attachments

[noxsylvania]

Dude is that your fursona? That’s BADASS!!!

[chronicas]

draw sam as a venom/spider-girl i dare you

What the fuck... they made this Spider-Man in a lab. The S in Experiment s-072 has actually ALWAYS stood for Symbiote. She was always a spidersona.

[khaoscontrol]

Punk lab rat girls with varying opinions on the oldies.

[mastermicd-arch]

@fyrewalks ♡’d for a starter (still accepting) !

coffee in each hand, the doctor had a brown paper bag swinging from her wrist as she approached the other, smile stretching the corners of her lips. "now this isn't bribery ––" she began, eyebrows raising knowing that her next words were going to sound much like the very thing she was confirmed it wasn't "–– but i got given an extra down at the coffee cart. purely an accident." as accidentally as deliberately ordering adriana's coffee order could be, of course. "got time for a quick break?"

[mastermicd]

@cardiosurgcn liked for a starter (still accepting).

"i asked you for breakfast because i need your help." she wasn't about to beat around the bush if she could help it. sam knew that it was likely obvious that there had been more to her invitation than she had let on from the outset. everything these days felt like it had an ulterior motive. but she'd been pushed to her breaking point, and the one person that she could count on to truly be on her side was patrick. "i want us to take my father down as head of the cardio department. and i want us to run it. together."

[nyx-lyris]

Cobra Kai (VERY LONG POST)

so... y’all are probably going to hate me for this post, but i’m tired of feeling like i have to stay silent or risk being bullied off social media just for my beliefs, so i’m just going to say it and endure the potential onslaught. 

i have always had a bit of a problem with the way this fandom appears to view the show in general, and daniel in particular - especially relating to his relationships with the other characters (as well as other similar relationships among the younger characters). this is not to say i have a problem with people fantasizing and joking about the characters and their relationships - everybody is of course free to ship whoever they want, and it is certainly not my place to tell anyone what to (or not to) ship or fantasize about. anyway, i digress.

this fandom appears to view daniel as a female-coded character and see his story - as well as the entire karate kid/cobra kai franchise in general - as commentary on toxic masculinity. many also see the story as having a great many queer themes. as you may (or may not) have guessed, i do not entirely agree with these assessments of the story. i would like to preface the rest of my argument by saying that this is merely my interpretation of the movies/show and the above-mentioned issues, and i am not taking into account the creator’s or the actor’s comments on the story as i have not looked into much relating to that. 

first, daniel as a female-coded character. 

i have never seen daniel as a female-coded character. he is small and lean, making him appear weak to those around him - like he’s the runt of the bunch, if you will. he is underestimated because of this and because his style of karate is defense-oriented, as opposed to the more aggressive style of cobra kai. to an outside observer with no knowledge of the history of karate and its origins this appears rather strange, as most people associate fighting with aggression. 

the only time i ever see him as anywhere near “female-coded” is in cobra kai season five during his scenes with terry silver. they have an abuser-victim relationship and many people have understandably linked this to toxic sexual male-female situations. 

aside from that, i believe daniel is simply a different sort of masculine than say johnny lawrence or mike barnes. both of those men, as well as john kreese, are traditionally masculine - aggressive, dominant, blunt, and unafraid of getting their hands dirty, literally or figuratively. 

daniel is much softer - not submissive, just more reserved and gentler than his counterparts. he is still very masculine - he is still a fighter, very much a knight in shining armor type of character, and he can put his foot down when he needs to. he simply prefers to use more peaceful methods to defuse and deal with situations whenever possible. his gentleness does not make him more feminine - in fact, truly masculine men know how to do both. true masculinity puts a brave face to the world and to those they love, and acts as a pillar for others to lean on. masculinity can be aggressive and blunt, but it can also be softer, as is the case with daniel larusso. 

now to my next point: daniel larusso’s story being commentary on toxic masculinity. 

this is where you guys are going to hate my guts. 

i do not believe that daniel’s story is commentary on toxic masculinity because i do not believe that toxic masculinity exists. now, before you rip me to shreds, let me explain. i dislike the term toxic masculinity very much because it is extremely difficult to define - and from my observations many people simply associate traditional masculinity with toxic masculinity, implying that there is something inherently toxic about men who are more aggressive, dominant, etc. 

i believe that toxicity exists. anyone can be toxic, though there are differences in the ways in which men and women are toxic due of course to inherent behavioral differences in the two sexes. men are typically very dominant and aggressive with their toxicity, while women are much slyer and more backhanded, typically becoming passive-aggressive with their attacks. traditional masculinity by itself is not a predeterminer for toxicity and to imply such is blatantly sexist. 

case in point: johnny lawrence is a traditionally masculine man - however, he is not toxic. neither are any of his old friends. they have all made mistakes in their lives and the mantra of “no mercy” definitely made things harder for them as they got older. however, it was not the aggression and the toughness that they learned from cobra kai that was toxic - it was the no mercy aspect of the training, the idea that mercy is for the weak, the lack of nobility. 

we see this in how johnny teaches cobra kai verses how john kreese teaches cobra kai. johnny actually emphasizes fair play, while still reinforcing traditionally masculine traits such as aggression and dominance. kreese on the other hand teaches them to be merciless and without nobility, acting as if there is no difference between showing mercy and backing out of a fight out of cowardice. kreese, too, is a traditionally masculine man, but it is not these aspects that make him toxic - it is his ruthless and manipulative tactics that make him toxic. he is traditionally masculine and as such these traits show themselves as he is acting toxic, but they are not what makes him toxic. 

traditionally masculine traits are not what makes any man toxic. this difference is key, and it is this difference that cobra kai is attempting to convey - that one can be traditionally masculine and not be a ruthless, manipulative asshole. put more simply, masculinity is not the problem or a contributor to the problem - toxicity and a lack of properly dealing with trauma is. 

how does this relate to daniel? well, many have naturally compared the methods of cobra kai to daniel’s miyagi-do methods, as well as the fact that he is generally smaller and apparently weaker than his opponents. this toxic-masculinity-narrative viewpoint partly stems from the idea that daniel is a female-coded character which, as i said earlier, he is not in most scenarios. 

and finally, my third point: the supposed queer themes in cobra kai. 

if you guys didn’t hate me for the last point, you’re definitely going to hate me for this one. 

there are no queer themes in cobra kai - at least none that i can see. i have seen many people attempt to take situations in both the movies and the show and interpret them as queer-coded but when i actually go back and watch the scenes, i don’t get the same message. i have come to the conclusion that many people are letting their own fascination with sexuality, gender, and identity overrule their rational mind when watching different elements of the franchise and simply see what they want to see between the characters. 

i would like to again emphasize that i am not in any way saying you can’t have fun with the characters and their relationships on the show or in the movies - obviously i have no authority over what you do (nor would i want to) and i think people should be able to ship whatever they want. hell, i have plenty of my own gay ships - i have no issue with that. i simply have an issue with people saying that those relationships are there on the show - or could be there - but the writers are simply too cowardly to let them become a reality. the truth is the writers aren’t putting them in there because that does not logically follow the story and is, despite popular belief, not in line with the characters’ personalities and previous actions. 

i will address the ships with daniel first - johnny, chozen, mike and terry silver, in particular. 

johnny, chozen, and mike all used to be daniel’s enemies. we haven’t seen as much of mike yet, but both johnny and chozen have done complete 180s with regard to daniel, now defending him instead of fighting against him. they are dedicated to him. they care about him. they have deep bonds and shared trauma, relationships that, though only recently rekindled, go back years. yes, this can be construed as johnny and chozen having closeted romantic feelings for daniel. 

but what this also looks like - and what the show has been trying to emphasize this entire time - is brotherhood. they went from being staunch enemies to being brothers, to being family. and family is loyal to each other, family cares about each other, family crosses oceans and takes beatings for each other. this is not exclusive to romantic relationships. 

now to daniel and terry. contrary to what i’ve seen some people mention in their posts, there was never any sexual tension between daniel and terry in the karate kid III. only die-hard simps of terry silver would ever say such a thing, and they are the only ones who can truly fantasize about them as a faithful and loving couple. personally, i believe people who ship them have some problems they probably need to sort out with a therapist, but what do i know. yes, i am shaming this ship - if you can ship it, i can criticize it. 

anyway, i digress. daniel and terry have an abuser-victim relationship. and, though there are references to terry as a sexual predator on the show, in the movies daniel was a barely an adult when terry came into his life, making their relationship mirror more that of a child abuse situation than an abusive romantic relationship. in the show, as i said, they have given their relationship a bit more of a sexual tinge, but it is still not the primary focus of their connection. the point is that terry is an abuser and daniel is the victim - and terry, like any abuser, is working his way back into daniel’s life, grabbing onto his mind, bashing in his heart, and not letting go. 

terry and daniel’s relationship in the show is honestly the closest thing i can find to queer-coding in the franchise - and honestly, it’s barely that. 

now i will move on to the kid’s relationships - particularly sam and tory, both as individuals and as a couple. 

samantha is a disney princess, and i mean that in the best way possible. she is loving and caring, but a feisty go-getter - she’s got a smile that could light up the room, but a fury that would make even the bravest of men tremble. she has also never shown any evidence in the show of being anything other than straight. 

tory is the posterchild for lesbian characters. she’s fierce, she’s tough, she’s a fighter, and she doesn’t take shit from anyone. she’s the archetypical warrior lesbian character - and of course sam is the perfect opposite to her, the archetypical little spot of sunshine to offset tory. except, tory is also straight - she outright rejected the one advance from a girl she got on the show and, though it’s a small moment, i believe it shows that she isn’t even remotely interested in that. (as a small aside, i am honestly grateful the show didn’t take the lesbian route with her. as i said she is the posterchild for that type of character, and they easily could have done that - but they didn’t. and i am so relieved because it is such an overused trope.) 

sam and tory’s relationship mirrors that of daniel’s relationship with his ex-rivals. tory has caused sam a great deal of trauma and pain, sam is aggressively opposed to tory being anywhere near her, but eventually tory redeems herself and comes to the right side (though we haven’t actually gotten an apology scene yet, as tory’s joining of the miyagi-fangs is still new) and sam begins to soften towards her. 

people like the enemies-to-lovers trope and i completely understand that - but there is no objective implication of this sort of chemistry between them on the show. this goes for both sam and tory, and the daniel x ex-rival ships listed earlier. 

to conclude...

this story is much more realistic and down to earth than most of what hollywood has been releasing up to this point - it’s not posturing and virtue signaling every five minutes; it’s not placing “diverse” characters in the plot for the sake of diversity alone; and it addresses issues that are relevant to all people no matter what boxes they may or may not check. it’s a show that tries to appeal generally to everyone - giving us characters that are defined by who they are rather than what they are; giving us a plot that makes sense and is (mostly) in keeping with its own rules and logic; and graciously not lecturing its audience about their supposed prejudices, rubbing things in our faces that at the end of the day do nothing for the story and simply make the audience feel like garbage. 

daniel is not female-coded but instead expresses masculinity differently than johnny does; the story is not a commentary on toxic masculinity because it can’t be a commentary on something that does not exist in the first place; and the queer themes people claim to see are more a result of certain audience members’ own fascination with the subject of sexuality, gender, and identity. 

this show is much better than a lot of people on tumblr will give it credit for and i find it very sad that most people on this site can’t look at anything without somehow applying identity politics to it and judging it based on how much the creators include or don’t include said identity politics in the media they are consuming. there is more to media than the superficiality of identity. not every piece of media needs to be filled with and catered to leftist ideology. 

put simply: entertainment is not required to be political. 

i rest my case. 

[apegobush]

More some photos of Sophia on Samantha’s wedding in Italy - October 04, 2022 💐👰🏼‍♀️🤍

[lindsayerins]

SOPHIA BUSH as SAMANTHA GRIFFITH GOOD SAM — 1.07, Chronic Insult

[noxsylvania]

Slowly making her real.

[chronicas]

Okay Dark Urge run is really fucking funny I gotta hand it to this game.

[theartofangirling]

part 3 of the 2023 version of this post: adult books!

part 1: middle grade books | part 2: young adult books

this is a very incomplete list, as these are only books I've read and enjoyed. not all books are going to be for all readers, so I'd recommend looking up synopses and content warnings. feel free to message me with any questions about specific representation!

list of books under the cut ⬇️

yerba buena by nina lacour

if we were villains by m.l. rio

everyone in this room will someday be dead by emily r. austin

i want to be a wall by honami shirono

portrait of a thief by grace d. li

the thirty names of night by zeyn joukhadar

on earth we're briefly gorgeous by ocean vuong

love & other disasters by anita kelly

take a hint, dani brown by talia hibbert

boyfriend material by alexis hall

almost like being in love by steve kluger

the charm offensive by alison cochrun

something wild & wonderful by anita kelly

red, white & royal blue by casey mcquiston

something to talk about by meryl wilsner

honey girl by morgan rogers

one last stop by casey mcquiston

once ghosted, twice shy by alyssa cole

kiss her once for me by alison cochrun

a spindle splintered by alix e. harrow

finna by nino cipri

every heart a dooryway by seanan mcguire

the starless sea by erin morgenstern

under the whispering door by tj klune

space opera by catherynne m. valente

light from uncommon stars by ryka aoki

dead collections by isaac fellman

the city we became by n.k. jemisin

light carries on by ray nadine

an absolutely remarkable thing by hank green

feed them silence by lee mandelo

summer sons by lee mandelo

upright women wanted by sarah gailey

lavender house by lev a.c. rosen

fried green tomatoes at the whistle stop cafe by fannie flagg

the seven husbands of evelyn hugo by taylor jenkins reid

a master of djinn by p. djeli clark

witchmark by c.l. polk

a marvellous light by freya marske

a restless truth by freya marske

when women were dragons by kelly barnhill

plain bad heroines by emily m. danforth

a lady for a duke by alexis hall

infamous by lex croucher

passing strange by ellen klages

even though i knew the end by c.l. polk

the chosen and the beautiful by nghi vo

whiskey when we're dry by john larison

wake of vultures by lila bowen

silver in the wood by emily tesh

the once and future witches by alix e. harrow

the kingdoms by natasha pulley

a tip for the hangman by allison epstein

she who became the sun by shelley parker-chan

the song of achilles by madeline miller

spear by nicola griffith

this is how you lose the time war by amal el-mohtar and max gladstone

gideon the ninth by tamsyn muir

some desperate glory by emily tesh

all systems red by martha wells

a psalm for the wild built by becky chambers

the mimicking of known successes by malka older

winter's orbit by everina maxwell

fireheart tiger by aliette de bodard

empress of salt and fortune by nghi vo

legends and lattes by travis baldree

the house in the cerulean sea by tj klune

other ever afters by melanie gillman

the priory of the orange tree by samantha shannon

a day of fallen night by samantha shannon

a strange and stubborn endurance by foz meadows

the unbroken by c.l. clark

real queer america by samantha allen

fun home by alison bechdel

in the dream house by carmen maria machado

better living through birding by christian cooper

why fish don't exist by lulu miller

[mastermicd-arch]

@ricochetingtears​​  ♡’d for a starter (still accepting) !

“don’t you hate these things? spending hous sucking up to people. there are lives to be saved.”

[marleneoftheopera]

Holiday Audio/Video Gifts!

For the holiday season, here are some audio gifts from various shows and one Phantom video! The link to them is here and the info is below the cut:

Happy holidays and I hope you are all having time for some rest!

Audios

POTO

Jon Robyns, Paige Blankson, Joe Griffiths-Brown, Kelly Glyptis, Matt Harrop, Adam Linstead, Francesca Ellis, David Kristopher Brown, Maiya Hikasa August 22, 2023; London

Tim Howar, Harriet Jones, Nadim Naaman, Lara Martins, Nicholas Garrett, Arvid Larsen, John Ellis, Valerie Cutko, Kelsi Boyden March 19, 2023; Greece

Josh Piterman, Corinne Cowling (u/s), Danny Whitehead, Katy Hanna (u/s), Ross Dawes, Kris Manuel (u/s), Sophie Caton (u/s), Paul Ettore Tabone, Georgia Ware October 17, 2019; London ​Matinee.

Jeremy Stolle (u/s), Samantha Hill, Greg Mills (u/s), Michele McConnell, Richard Poole (u/s), Tim Jerome, Ellen Harvey, Christian Sebek, Kara Klein, Scott Mikita (u/s) March 9, 2013; Broadway Matinee performance.

John Owen-Jones, Deborah Dutcher, Matthew Cammelle, Bruce Montague, Charles Shirvell, Margaret Mary Kane (u/s), Janet Murphy, Jeremy Secomb, Lucy Middleton January 5, 2002; London

Love Never Dies

Tam Mutu, Celia Graham, David Thaxton, Daniel Dowling August 25, 2011; London Tam Mutu's last performance.

Les Miserables

Christopher Jacobsen (u/s Jean Valjean), Stewart Clarke (Javert), Katie Hall (Fantine), Will Callan (Marius), Lulu-Mae Pears (Cosette), Amena El-Kindy (Eponine), Luke Kempner (Thenardier), Claire Machin (Madame Thenardier), Dejan Van der Flyert (Enjolras), Alex Shaw (Gavroche), Clohe Sullivan (Little Cosette), Tom Hext (Grantaire/Majordomo), Adam Pearce (Bishop/Claquesous), Ellie Ann Lowe (Factory Girl), Jordan Simon Pollard (u/s Foreman/Bujon), Matt Dempsey (Bamatabopis/Lesgles), Annabelle Aquino, Hazel Baldwin, Emily Olive Boyd, Ben Culleton, Matt Hayden, Sam Kipling, Anouk Van Lake, Harry Lake, Ben Oatley, Jonathan Stevens, Phoebe Williams, Ollie Wray September 28, 2023; London 15,000th show in London and the 5th show for the new company.

Sunset Boulevard

Nicole Scherzinger (Norma), Tom Francis (Joe Gillis), David Thaxton (Max von Mayerling), Grace Hodgett Young (Betty Shaefer), Ahmed Hamaad (Artie), Tyler Davis (Sheldrake), Charlotte Jaconelli (Johanna), Jon Tsouras (Cecil B. de Mille) September 28, 2023; London

Rebecca

Laureen Jones (I), Richard Carson (Maxim de Winter), Kara Lane (Mrs Danvers), Sara Harlington (Beatrice), Neil Moor (Giles), Piers Bate (Frank Crewley), David Breeds (Ben), Alex James Ward (Jack Favell), Shrley Jameson (Mrs Van Hopper), Nicholas Lumley (Colonel Julian) September 27, 2023; Off-West End

POTO Video

Ian Jon Bourg, Olivia Safe (u/s), Kyle Gonyea 2001; Hamburg, Germany VOB files. One of the most legendary Phantom's opposite one of the youngest Christine's!

[undead-twenty-five]

LGBTQ+ Book Recs

Most of these are sapphic. If they are part of a series I just put the first book. I'll probably keep updating as I read more.

Fantasy

All of Us Villains by Amanda Foody and Christine Lynn Herman

Belle Révolte by Linsey Miller

Faebound by Saara El-Arifi

The Final Strife by Saara El-Arifi

Girls at the Edge of the World by Laura Brooke Robson

Girls Made of Snow and Glass by Melissa Bashardoust

Girls of Paper and Fire by Natasha Ngan

The Invocations by Krystal Sutherland

The Jasmine Throne by Tasha Suri

Mask of Shadows by Linsey Miller

The Midnight Girls by Alicia Jasinska

The Never Tilting World by Rin Chupeco

The Priory of the Orange Tree by Samantha Shannon

The Song of Achilles by Madeline Miller

These Feathered Flames by Alexandra Overy

This Poison Heart by Kalynn Bayron

We Set the Dark on Fire by Tehlor Kay Mejia

The Winter Duke by Claire Eliza Bartlett

Sci-Fi

A Memory Called Empire by Arkady Martine

Ammonite by Nicola Griffith

Architects of Memory by Karen Osborne

Aurora Rising by Amie Kaufman and Jay Kristoff

Crier's War by Nina Varela

Gearbreakers by Zoe Hana Mikuta

Gideon the Ninth by Tamsyn Muir

The Long Way to a Small, Angry Planet by Becky Chambers

The Salvation Gambit by Emily Skrutskie

Some Desperate Glory by Emily Tesh

The Space Between Worlds by Micaiah Johnson

This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone

[spiritintheinkwell]

Happy Pride! Featuring my nine favorite wlw books.

Mahit/Three Seagrass from the Teixcalaan series by Arkady Martine

Catherine/Lucy from The Lady's Guide To Celestial Mechanics by Olivia Waite

Kath/Lily from Last Night At The Telegraph Club by Malinda Lo

Zanja/Karis from the Elemental Logic series by Laurie J. Marks

Jude/Síle from Landing by Emma Donoghue

Ead/Sabran from The Priory Of The Orange Tree by Samantha Shannon

Emi/Ava from Everything Leads To You by Nina LaCour

Thenike/Marghe from Ammonite by Nicola Griffith

Red/Blue from This Is How You Lose The Time War by Amal El-Mohtar and Max Gladstone

Ordered by theme, not by preference.