#SPNWIN 1x11

[becauseofthebowties]

THE WINCHESTERS | 1.11 You've Got a Friend

[happilyfeatherafter]

Dean’s VOs in The Winchesters (season one!)

(LISTEN ALONG WITH AUDIO HERE)

Dean episode 1: 

( Ten Years After's "I'd Love to Change the World" ) ♪ ♪ 

March 23, 1972. The day Dad came home from the war, and the day he met Mom. Now I know this story might sound familiar, but I'm gonna put the pieces together in a way that just might surprise you. And in order to do that, I have to start all the way at the beginning. 

[END OF EPISODE]

What they didn't know is that the Akrida weren't just a threat to Earth, but to all of existence. Now, like I told you, there's gonna be some surprises. Hell, I'm still trying to find all the puzzle pieces myself. But I'll explain everything. And until then, I'll keep picking the music. 

♪ ♪ Spread them wide ♪ ♪ Rich or poor ♪ ♪ Them and us ♪ ♪ Stop the war ♪ 

Dean episode 2: 

( punchy, percussive music ) ♪ ♪  The ties that bind a family together can be complicated. Parents raise you, teach you what's right and wrong, and in some instances, how to kill monsters. But no matter who you are, there comes a time when you have to break from them and make your own way. And if you're not careful, things can get pretty ugly. 

Dean episode 3: 

( dramatic music ) ♪ ♪ ( screams ) ( sizzling ) ( growling )  There's no map to being a hunter. No playbook. You gotta follow your gut. But that can only take you so far. Truth is, you can't do it all on your own. You need other people to help guide the way... Your friends, your family. Otherwise you just end up lost. 

Dean episode 4: 

( eerie music ) ♪ ♪  Fighting the battle between good and evil isn't easy, especially when the first monster you have to face is the one inside yourself. ( soft dramatic music ) 

Dean episode 5: 

( dramatic music ) ♪ ♪ Spending a lifetime of hunting monsters takes its toll. There comes the time when you gotta let out that pain inside you. If you don't, it'll eat you alive. 

Dean episode 6: 

(Lata) I am centered. I am at peace. I create my own path, and I walk in it fearlessly. (end Lata)

Hunting has a way of changing a person. After a while, right, wrong, good, evil, they all start to look the same. And then it makes you start to wonder, "Who's really the monster here--them or me?" 

[END OF EPISODE]

Hunting's not for everyone. You have to be strong, stay sharp, make tough decisions, and it's not easy, But then again, the righteous things never are. 

Dean episode 7: 

( birds chirping ) Comes a time in every hunt when the fightin' starts. And the difference between winning and losing isn't whether you have the holy water, the wooden stake, or the silver bullet. It's whether you've got the grit to get the job done. (Mary on radio)

Dean episode 8:

(John Moran’s “Rebel”) ♪ ♪ Being a hunter, it means living a life of sacrifice-- not a lot of room for dreams. But you open your heart and get a little lucky, you'll find you gain more than you lose. ♪ ♪

Dean episode 9:

( mellow bluesy music ) ♪ ♪ This isn't how I saw things going when I pushed over that first domino. Thing is, I've had more than a few dances with free will and fate, but as my dad used to say, "Fate is what you make it."

Dean episode 10:

Hunting and happy endings don't usually mix, so when you get your chance, you got to ask yourself, "How far will I go to get it?"

Dean episode 11:

Being a Hunter means always being on the move, No matter how hard you plan, no matter how hard you work, at a certain point, we all run out of road. It's what we do with those crossroads that defines us.

Dean episode 12:

♪ ♪ ( carnival music resumes ) ♪ ♪ ( giggling manically ) ♪ ♪ ( shrill giggling ) ( whispering voices ) ( strange sounds ) 🤡🤡🤡

Hunting's a dishonest business. You gotta lie all the time about who you are and what you do. But the hardest lies aren't the ones you tell other people. They're the ones you tell yourself.

(Mary to John) Another day looking for this mystery man and still nothing. It's like this guy's a ghost. (End Mary to John).

Dean episode 13:

*RECORD SCRATCH* HE’S HERE!!!!! We’re going in universe baby.

(Opening scene, dramatic music ) ♪ ♪ 

Dean: John Winchester. 

John: Sir, can I help you? 

Dean: This is for you. 

John: Where did you get this? Who are--  [...] One ticket for Lawrence, Kansas. 

Ticket lady: Okay.

BOBBY, IT’S FREAKIN’ BOBBY!!!: We're not supposed to meddle with things, ya idjit!

Dean: You always said if I was gonna be stupid, I might as well be smart about it. 

Bobby: Yeah, that does sound about like me. We're not even supposed to be here. 

Dean: Come on, the letter was meant for him. I just, uh, you know, gave it a nudge. 

Bobby: You keep an eye on things here. I'm gonna get the damn cavalry. 

Dean: How you gonna do that? 

Bobby: I got no freaking idea. One last hunt, huh? 

Dean: One last hunt. ♪ ♪

[Insert finale including lots of chat about the ‘ruggedly handsome' mystery man here. For Akrida!Queen exposition science: You're here to talk about the man with no name...he was digging around in things that should have stayed buried. ... The Akrida. You see, our mysterious friend isn't from around here. There's only so much he could do. His hands were tied. Credit where it's due... he did manage to stay ahead of me for a while, but... I can assure you that he's not going to be a problem anymore. ... Well, there's this portal. You see--I'm sure you've heard of it. It's not quite up to code yet, but I managed to pry it open just enough to toss a certain someone and his car into it. No human can survive that gateway, so his body will be torn to shreds for centuries. Anyway, this, um... this old journal... it's all that's left of him.]

Back to the end of the show:

( electricity crackling ) ( engine revving ) ( engine revving ) ( dramatic music )  ♪ ♪ 

John: Mary! ... How did you guys survive? 

Dean (gestures at Baby): She kept Mary safe... me too. Of course, there's not a lot that can tear me apart. I'm already dead. I was stuck in the world between worlds, so I stayed close to that portal, and as soon as I saw baby come through, I hopped in and grabbed the wheel. 

Samuel: So who are you? 

Dean: I'm a Hunter, just like you. But I'm not from this Earth. 

Ada: And how did you get here? 

Dean: When I died, I made it to heaven. And she was waiting for me. So I went for a drive, and then I took a little detour. 

Latika: Through the multiverse. (Dean points ‘bingo’.)

Carlos: S-so what were you looking for? 

Dean: That's a good question, Carlos. I was looking for my family. See, I come from a long line of Hunters. I guess I was hoping that somewhere out there was an Earth that had a version where my family had a shot at a happy ending. When I was driving, I caught wind of the Akrida. Turns out that they were one of Chuck's last creations. 

Millie: Who's Chuck? 

Dean: God. It's a long story, but, uh... basically, he's a real dick. He left the Akrida behind to wipe out all of existence in case he failed. Well... he failed. Eventually the Akrida were going to make their way to my world, and I got family there, so I couldn't let that happen. 

John: T-the letter, why did you-- 

Dean: I took my little detour. The rules were simple. Don't mess with anything. Well... I gave it a little nudge. Thought it might need a little help. Looks like it worked out pretty well. So now that the Akrida are gone, you all can choose your own destiny. You can write your own story. 

Jack: And you can get back to yours. 

Dean: It's all right. It's all right. They're--they're with me. This is Bobby. That's Jack. They're family. Excuse me. You okay? 

Bobby: I told you I'd figure it out. Didn't say I wouldn't get us in more trouble. Look at 'em. Man, this is all kinds of weird... seeing Samuel with a full head of hair. 

Dean: Right? ( chuckles )

Jack (~~or is he?~~): Dean. 

Dean: Yeah. No, I know. I know, Jack. 

Jack: When I restored things, I wanted mankind to make their own fate. That meant no interference from on high, anywhere... no exceptions. 

Dean: I couldn't let our world get destroyed. Sam's still down there, okay? He deserves a good, long life. Hell, they all do. ( indistinct chatter ) So, if you want to cast me out of heaven... so be it. 

Bobby: If we're taking a vote, I'd say you give the guy another chance. 

Jack: There's always another case with you Hunters... even in death. Well... if you're going to meddle in things, finish what you started. After this... it's time to get around to the... "there'll be peace when you are done"... part of the song.

Dean to John: Listen, um... b-before I go... I want to give you two something. My dad... he, uh... Kept a Hunter's journal, looked just like this. I lived my whole life by that damn thing. Well, this is my Hunter's journal. So if you're gonna stay in this game... This will help guide you through it. 

John: Thank you. 

Dean to Mary: I know you're thinking about quitting Hunting. Believe me, I understand. But you need to do me one favor. Keep an eye out for a yellow-eyed demon. And if you even catch a hint of that son of a bitch... I need you to use this. 

Mary: Your family... did you ever find a version where they had a shot of a happy ending? 

Dean: I think I did. 

John: You never told us your name. 

Dean: Hetfield... James Hetfield. (Hetfield is the lead vocalist, rhythm guitarist, co-founder, and a primary songwriter of heavy metal band Metallica.)

( Nick Drake's "One of These Things First" ) ♪ ♪ (Dean, Bobby and Jack vanish with baby). 

Transcripts from: https://tvshowtranscripts.ourboard.org/viewforum.php?f=1550

[shirtlesssammy]

The Winchesters 1x11 // You’ve Got a Friend

[minalblood]

I'm back and I'm so sorry! I won't make any promises for the last 2 ep of the Winchesters, but I will be reviewing/rewatching them anyways just ... who knows when, I dont!

But let's get started on You've got a Friend 1x11.

I hopefully will be a bit less rambly since O have a draft of my thoughts already written for this and its less... as Im watching (i can post that too if yall wanna but dunno if ull understand my handwriting)

We begin where we left off and I love that we have this scene of them needing to clean up, adds realism, adds dimension to the world. Love also that we begin with Lata being the Lata we all love - dejected in this case about her chimera paw was ruined. Queue Carlos with the teasing. The 2 of em banter a bit before Mary redirects us all to the matter at hand.

And Mary has come a long way in these episodes, because she may not join the banter (still closed off somewhat as opposed to Carlos and Lata's easy repartee) but she is going off of it and adding them into her area of interest.

But all stops when John come in blood soaked and in shock - Mary instantly worried he might be hurt, but nope, not this time.

I am so happy to see them portray the actual shock and numbness John is feeling, then the guilt and sadness, just all the reaction to Kyle's death really. And considering the survivor's guilt John is lugging around, it makes it even more heartbreaking. I also love seeing that Mary is the level headed one here - she,.imo, is clearly pushing down the grief to focus on John's issues here, hell we see very little of her grieving in this episode and everytime we do, she's quick to redirect that feeling into action - sometimes into violence point blank. She does it here, asking what the Akrida could want, she does it even moreso with Millie, where she does open up a bit since Millie is offering comfort, but then it turns into Millie coming with a plan which directly leads to Mary wanting to storm the police station guns blazing and the ep ends with Mary and John discussing Kyle (also god Mary looks absolutely exhausted here, fuck) but Mary derails it by saying they need to find Dean instead. She's def not allowing herself the moment to deal with Kyle's death which may prove relevant when discussing next episode.

I'd forgotten this ep was the Lata episode. Like ep 8 was Carlos', this one is Lata's. And god does it hurt.

1st, move the feather boa, Carlos!

2nd, I do genuinely believe Lata and Maggie were together. Everything in this episode points that way to me (but especialy the sweetpea nickname) We'll round back to this though.

The other thing we note in the sequence in Maggie's room is how close Carlos and Lata are to each other. Which we knew, but I always love seeing it again in action.

Before we continue with the emotional core of this ep, we have to get back to plot with Betty! I love Betty..I also can't blame her for being ....hesitant to say the least. Like imagine what she's seen so far: the guy who, before leaving to the marines illegally, proposed to her, is suddently interacting with, apparently, imfamous Mary Campbell, who is seen at several murder/investigation scenes suddenly appears ro have killed someone? And she already knows John had anger issues before hand. Like i get her here. And still shes trying to be nice while doing her job.

Which leads me to the next part, her job. So the detective... he's wording (even with him being really Akrida) echoes a lot of corrupt cop rethoric which only gets further emphasized when he later threatens to have John... killed 'accidently'. And, on top of them, speaking pf policw corruption even a 'good cop' like Betty becomes complicit simply because of the power the Akrida gained via the detective role cuz she was unwittingly helping them throughout.

But god, was John a bit too cocky here. (My notes have this marked as "this is why you let villains monologue, John!"). Especially since he actually doesn't have any info on Dean. (Love that we see the pic of Dean, missed him) l.

Meanwhile Lata and Carlos have found the bracelet and it's fucked them over. Also, I fucking hate the shadows thing, very creepy. Also also it reminds me of the daeva that Meg uses in s1 of SPN. I'm also reminded of SPN with the story the detective tells John about how they'll get rid of him - SPN's own crooked cop ep featured exactly this sorta plan too, but in killing Dean.

Really though, the main thing I found interesting upon rewatch is just how much Lata is our Dean mirror in this one. Specifically, in getting targeted by the bracelet she's forced to relive a trauma (Sania's death) via Carlos acting as substitute, only this time she succeeds where prior she thought she failed (which lemme make clear, no, Lata was at no point and in no way at fault, but she did internalize that guilt - much like Dean tends to internalize guilt) . Which Dean, much like Lata ends up doing when getting involved with this universe, ends up reliving a trauma (his parents death - Mary especially) of something he failed, in his mind, to prevent/save via rescuing this universe's Mary. And much like Lata, who can't undo what happened to Sania, but can "begin to make it better" (the Hey Jude line just hit me so I had to use it), so too can Dean. It won't change what happened in his life, wont save his mom, but it will help him heal nonetheless.

Adding to this Maggie? Who opperates as a Cas parallel here - she was Lata's person, who shared everything with Lata but Lata couldn't in turn for fear of judgement/shame, who notably is dead and thus Lata can't ever reveal her secret to. Well, it hurts is what it does.

But watching this I noticed another interesting thing though, for all that the bracelet seems to work like Osiris (pulling on the guilt the person feels is most agregious), the bracelet actually seems to want the wearer to get out. Carlos is taken just as Lata begins wondering which secret it's trying to make her face and is sent to Sania's room - direct answer. Then later,.even more blatant, using Maggie's face, tries to get Lata to disclose the secret, but Lata talks around it instead til the creature takes her too.

It seems like Erebus had a test for his warriors, one he wanted them to win.

Throughout all of Lata's story, I was seething. I truly hate her family and Carlos was 100% saying exactly what I was thinking.

Another thing I appreciated though, about Carlos, is the emotional maturity. Yes they were dying and yes it was urgent that Lata disclose her secret but Carlos made certain to reassure her throughout. Tried to give her as much space as possible.

In other thoughts, Lata's mom making that "vs family" distinction, uuuh it rattled sth in me only to them have Lata say "my parents would never look at m the same way"? In the Dean Winchester show? God, the echoes of John's shitty parenting were deafening. Bur yes to eveything Carlos said. It truly wasnt Lata's fault.

And I adore also the ending conversation between Lata and Carlos (both wearing blue and god I want Carlos' coat) because yes, this kind of stuff shouldn't be forced out on anither persons whim. Lata doesn't have to tell John and Mary anything, it is her story to tell, but also yes, Carlos is right to reassure her that if she wants to share it with them, they'll likely react well like he did. And yes the reason this particular scene hit so hard is partially personal, but because of that it drove me insane in SPN where there was a tendency for people to push other to open up at their own whim (and yes, Sam did it often to mutiple people, hounding them until they cracked and spilled whatever trauma they were trying to deal with but then have nothing to give in return, no comfort or even really reaction, and yes he most of all did it to Dean a lot and it did puss me off) So yea, love this episode for the Lata and Carlos of it all!

Also I have a few questions, when Millie was trying to convince Betty about the supernatural, at one point she said "it's not like-" and cut off. She was trying to defend against the accusation of 'playing make believe). Also, Betty says sth like "Mary, I expected.this from" with relation once more to her not believing in monsters soooo.... has Mary ever been taken in under suspicion of being delusional? Was Millie? Or John?! I've questions ok i need y'alls opinions on this one.

Also, I would've soo cracked if the Akrida asked about Dean, cuz I def miss him a lot and id fucking gush about him at that point.

Anyways, that's it for this one. See you guys next time where we'll be clowning (have I mentioned I hate clowns?)

@noybusiness thanks for push earlier this month, i needed that a lot and thanks for the support for this rewatch ❤

@shallowseeker thanks the new posts, been inspiring me to get back to writing this ❤

[postmodernmulticoloredcloak]

No but. What if Rowena is our Rowena, recruited by Dean to help him with his mission in the past, because they both have the same goal, i.e. getting someone they love from the Empty, and the Akrida mission in 1972 is the key to finding a way to get to the Empty.

After all, the demon inside the plant was just an excuse to get in touch with Ada and give her the crystal (c’mon, for a powerful witch there’s plenty of ways to get your hands on a demon to torture for information).

What I’m saying is, bring back my besties 2k23

[jesterofalltrades]

Oh believe me John, he will definitely give these akrida assholes hell. That is a fucking guarantee

[classycoffeecat]

Matika!!! am I right or am I right?!?!

(clocked it way before even the first "sweet pea")

[youchangedmedean]

Not Carlos being hurt by the shadows because of Lata's secrets.... why does that sound familiar.... 🤔🙃

[found--family]

someone just posted this on twitter and it's from 2018, but: 

[carryoncastiel]

SPNWIN 1x11 thoughts

New episode here we go!

Carlos’ outfit this episode *chef’s kiss* (it’s great every episode but this one is especially N I C E)

John with the very dramatic entrance lol

Poor Johnny boy is so rattled because of the Kyle thing :( Someone give him a hug

Lata remembering that Maggie had a bracelet that shows when someone has a dark secret...interesting. And for some reason Maggie only told Lata but not Mary. Double interesting

Listen to your meditation guru John *nods*

Mary is all “Hey if the Akrida are after you that means you’re doing something right”. True but also inconvenient

And there’s the hug for John <3

Maggie keeping secrets...

Just love Carlos and Lata together. They just have the best dynamic!

Of course Betty finds John and Mary before they can get out of town. “I’ve been following you for weeks”, well that’s not creepy at all

Side note: OMG the height difference between John and Betty. How did they kiss without him straining his neck haha

The special bracelet makes a shadow appear that blows out all the lights. Okay, okay, okay...

Millie wants to tell Betty about Monsters? Risky, but having a “cop on the inside” would definitely come in handy. And I do like Betty so she would be a cool addition to the team (as long as she doesn’t die ofc)

The bald cop is not too friendly...

Oh no he’s Akrida too >:o

*throws photo of Dean on the table* Who’s this very hot dude that helping y’all!!??

If the wearer of the bracelet is not pure of heart and harbors a dark secret shadow creatures will come and force the wearer to reveal that secret???  WHAT IN THE 15x18 CONFESSION SCENE IS THIS

Oh no Carlos got send to the shadow realm!

“Hey sweetpea” - Maggie is that you?

Betty gets the talk

...and she’s not taking it well. Expected.

Lata and Maggie though....there’s something queer going on here

Shadow Maggie “If you don’t tell your dark secret you and your friend won’t ever see the sun again”. (something something Cas and sun imagery)

That little lamp is not gonna warm him Lata please

The dark and cold room Carlos and Lata get locked in was part of Lata’s home? This does not sound good

Mary is meaning business. You go girl!

Dean is a threat to the Akrida because “He’s not of this earth”? Well what is that supposed to mean...

Lata hitting her abusive asshole father with a lamp but it’s not the darkest secret yet...

...and her mom is an asshole too.

Lata ;_______;

“The truth really does set you free” “In more ways then one”

Mary and Betty FIGHT

“Drugs should be legalized” LMAO CARLOS

Not the bad green CGI lights

Betty “You need a cop on the inside, right?”. Yes that’s my girl

“Make it quick, make it look good" Carlos really is the designated people hitter lol

“Well, sometimes doing the right means doing the wrong thing” I’ve heard that before but where?

Carlos and Lata are just the sweetest <3

Why does the car ride look so fake? CW give them more budget for season 2 please (Also give us a season 2!!!)

Carlos and Lata are just the sweetest I love them so much! And Nida got to act her heart out this episode... Only 2 more episodes 🥹

Bonus:

[fanofcas]

wait this is actually kinda freaky??? i love it

[gabavaldman]

Nobody is gonna mention the bi lighting? No one??!?!? Lata is bi.

[miss-chanandlershalamadingdong]

So like... are we gonna talk about that fact that Lata parents are evil sons of bitches?

Letting a lady FREEZE TO DEATH over what started out as eating a fucking lasagna!?

[shirtlesssammy]

The Winchesters 1x11: You’ve Got a Friend

“Being a hunter means always being on the move. No matter how hard you plan, no matter how hard you work, at a certain point, we all run out of road. It’s what we do with those crossroads that defines us.” 

After the show left us with a thrilling cliffhanger of Kyle getting Akrida-killed, and John getting framed for it, we start this week at the clubhouse. Mary, Carlos, and Lata are cleaning up after the Wilcox invasion (who left behind all his Akrida research). 

They hear a noise and find John, bloody and zombie-like, in the hallway. 

He later fills them in on his escape and the Akridas’ plans. The gang concludes that John and Mary need to get the hell out of Dodge. They can’t trust anyone since the Akrida are everywhere. Lata has a sudden inspiration for figuring out who’s an Akrida. Apparently Maggie had a bracelet that could “pinpoint anyone harboring a dark secret.” They can use it to suss out the Akrida! Lata and Carlos head back to Mary’s house to find the bracelet. 

While hunting for the bracelet, a sweet story of Lata and Maggie seeing Alice Cooper in concert reminds Lata that Maggie loved Toastettes, and she knows where to find the bracelet!

Meanwhile, Mary and John head out to stay at Samuel’s hunting cabin, but get as far as the car’s trunk before Betty finds them. Betty is HALF John’s size, but somehow he doesn’t fight the arrest and she takes him into custody. 

Back on the bracelet hunt, Lata finds a rat poison container (because everyone in the house loved Toastettes so Maggie had to hide them) and the bracelet is inside! 

Lata lets Carlos (and the audience) know that the bracelet was supposedly a creation of Erebus, the god of secrets and shadows, for his followers to discover the hidden secrets of their enemies. Lata makes a move towards the bracelet and then it snaps onto her wrist. WHERPS! The bracelet also comes with its own handy-dandy terror shadow! It locks the duo in the house and takes out all the lights.

Mille and Mary rehash what happened the prior night. Millie thinks they can trust Betty with their hunter/Men of Letters secrets. Listen Millie, the first rule of Hunter Club, is DON’T talk about Hunter Club. She argues they need a cop on the inside. 

At the police station, Betty brings John a coffee in the interrogation room and checks to see how he’s doing. A hold-over from the mid-century good-old-boy detective club, Detective Klett, arrives to bust John down a notch or two. He gives him grief about his ex arresting him, but then plays good cop and tells John he knows he didn’t kill Kyle. He did. HE’S AN AKRIDA, Y’ALL. He pulls out the photo of Dean and demands an answer to who he is. 

Back at the house, Lata reads that if whoever wears the bracelet has a dark secret, they will have to confess or the shadows will consume them. Carlos can’t quite process that his ray of sunshine has a dark secret. The shadow snatches him before they can talk more!

Carlos finds himself stuck in a dark, cold, sparsely decorated room. Lata can hear him calling, and he can hear her back. They call for each other until the shadow manifests itself as Maggie! 

At the clubhouse, Betty gets her first glimpse into all the studying John’s been doing in school. It’s a lot, folks, and Betty’s not having it. 

Before Betty completely storms off, Mary pleads with her to check for the three marks on Kyle’s neck.

Lata confronts the specter masquerading as Maggie, even as Maggie pulls her into soft reminiscing about the time they used to spend together. Maggie tells Lata that she’s harboring a dark secret - and that secret is the key to finding Carlos. Shadow!Maggie smokes out and hauls Lata into the cold room with Carlos. She finds him half frozen on the bed and barely responsive. She lights an oil lamp for some meager warmth - the same one Carlos failed to light. She claims that knowing the knack of lighting the lamp was “muscle memory” and as Carlos watches, Lata reveals that the creepy room was once a part of her home.

At the Clubhouse, Millie tries to talk Mary out of her jailbreak plans. “I was young and dumb once, too.” Lol. Convincing Mary is like talking to a wall. Millie ends up with an assignment to call for backup from Lata and Carlos, while Mary heads out to stake out the precinct. 

At the precinct, Klett, the Akrida detective, smirks. John’s cracked already - he promises to reveal all about Dean Bean. Instead of the man’s identity, John spills out a handful of rock aliases (sooooo accurate though) until Klett catches on. Klett reacts…poorly. But John’s confident that this Akrida framing push reveals something important: Dean Winchester, the man of mystery of the hour, is a threat to the Akrida. “Nothing of this earth can harm you, so if he’s a threat to you and nothing of this earth can harm you… Well. That would mean he’s not of this earth.” We all stroke our chins sagely over this. 

The Akrida cop declares that John’s now of little use to them. He threatens a staged car crash during the transport to state prison, which will kill everybody involved. John’s bravado deflates at that, and he’s left once again to stew in regret and other fun human emotions. 

Back with Lata and Carlos, we get the dime recap. Lata’s dark secret + bracelet = creepy cold room. Soooo the fix is easy! Carlos presses her to drop her secret. “Lata, you know I am prone to long, slow-build, catharsis-driven theater, but I don’t think we have time for a one-act play here.” 

She brings up her origin story as told in episode 6 “Art of dying.” There was something she didn’t say - someONE she didn’t bring up. Lata tells Carlos about Sania, her family’s housekeeper. Sania was like a parent to her, and one day Lata took some leftover food to share with her. When her father found out, he tried to beat Sania. That’s when Lata hit her father with the oil lamp. Carlos tried to declare catharsis between them, but the room holds fast.

We have to wait for the rest of story-time, because Millie is trying to call Carlos and Lata. They won’t pick up, though! It’s still forced-sharing hour.

Lata was dragged back to the house by her father, and her mother sided with him. Lata, angry, packed up her things and ran away. But Lata’s leaving only protected herself. Her father blamed Sania for what happened and locked her in the cold room one very cold night. Sania froze to death. Lata looks around the room and sees only the terrible ordeal that Sania went through. Carlos pulls her into an embrace and lets her cry. The dark room lifts from them like light and they’re back in the kitchen once more. The bracelet falls off of Lata’s wrist. 

They have barely a moment of breathing time before Millie bursts in. She finds them on the floor looking shocked but apparently being part of Monster Club means that some questions are just exhausting to pursue. Millie shrugs it off. They’ve got bigger fish to fry. After all, “Mary’s gonna need [the bracelet] if she’s gonna bust John out of jail.”

At the precinct, Mary is a COILED TIGER READY TO POUNCE, while the police prepare to move John. Betty confronts her and they fight. It looks like Mary’s doing her early season lone wolf routine, but she announces that she was just playing the role of Betty bait. Uh, Betty distraction? Carlos runs up, announces that “drugs should be legalized,” and helps hold Betty while Lata gives Betty the slap bracelet of doom. Fortunately for everyone present, Betty doesn’t harbor any dark secrets. Instead, she looks around and sees traces of magic everywhere. Green light streams up from every Akrida nearby. Betty’s disbelief falls in one giant domino. I’m impressed at her capitulation, but all she can think of is how to save John. 

As John gets hauled out, Mary holds Betty at gunpoint and orders the cops to let John go. While the cops are distracted, Carlos comes in swinging with the lead pipe. They quickly overpower the cops and activate part two of the plan: RUN! Betty promises John that they’ll catch up later. Before they all go, she asks Carlos to deliver a hit so they believe she was unwilling…and the cop-on-the-inside story is laid. (I switch from side-eyeing the ex-fiance dynamic to wondering if Betty’s going to fall prey to the Supernatural blood cannon someday. Hopefully not!)

Betty and Mary connect outside the Clubhouse as Betty returns the bracelet. She’s not too thrilled to learn the truth of the hidden perils in her world. But she’s adjusted remarkably well. She wishes John and Mary well on their second attempt to flee town. John gives her instructions for the magical anti-Akrida tattoo.

Inside, Lata tells Carlos that she wants to be more open. She tells him that she’s holding one more secret: her parents aren’t dead. Carlos says that Lata’s parents are dead to HIM. We agree! And he ALSO tells her that Mary and John will love her, just like he does. Lata’s story is hers to keep or to tell, and they’re ready to back her no matter what. 

For Snuggly Hug Science:

John and Mary drive out of town and reflect on Kyle’s demise. They vow to find DEAN WINCHESTER ALIVEGIRL EXTRAORDINAIRE!

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Quotes Quotes are No Fun, Quotes Quotes Hurt Someone:

Your past does not define you

People conceal things for all sorts of reasons, logical or not

Stubborness in the face of oblivion. Honestly, that’s one of the few traits I respect about humans

I guess the truth really does set you free

Sometimes doing the right thing means doing the wrong thing

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[minalblood]

@noybusiness since you were wondering, figured I may as well post them. Not really anything new I don't think, more my reactions live as I watched.

[postmodernmulticoloredcloak]

So what do we think about John’s line about Dean not being from this earth? Is the world of this show a parallel universe to the universe of the main one? A universe where the world is more saturated, more gentle, that allows for healing and growth, and that’s why Dean is interested in saving it?