#Posted under read more because of length

[twinpeaksfireblogwithme]

very sorry to the nice person who sent me an anon about hotd like two weeks ago that i still haven’t answered i promise i will i’m not ignoring you it’s just taken me a lot longer than i thought it would 

[yueebby]

2 + 1 — gojo satoru

synopsis. two times megumi thinks gojo is a lost cause and one time he approves of the white haired idiot

contents. fluff, lovesick!gojo, ooc, misogyny (from the clan heads), he is so pathetic for his wife (nauseating!), slight yandere behavior, violence, in megumi’s pov, not proofread eep

notes. can you tell i've been obsessed with the apothecary diaries? >< also how long has it been since i've posted a fic? anyways... enjoy!

fushiguro megumi has always wondered how that blue eyed idiot managed to marry you. he must have resorted to underhanded tactics; or at least that's what the sea urchin suspects. though he's never voiced it, the question has bothered him since the day he first encountered the both of you.

nobara clicks her tongue. “this is borderline creepy.” her orange eyes are filled with nothing short of distaste.

“there’s more too,” megumi’s voice responded, carefully flipping the page. the delicate artifact in his hand is something that he should have not touched. perhaps he should have wrapped it with a talisman and destroyed it while he had the chance.

it was too late for that anyway, because not even a second later, gojo satoru bursts through the shoji doors of the classroom. 

with eyes blown wide as if they were caught committing a crime (they were), the first years who had pulled three seats up to a singular desk stare at him. satoru's eyes widen behind his blindfold as he catches sight of the object of their focus.

there lies in the middle of the wooden desk was the physics textbook that all first year jujutsu tech students were required to read. however, this wasn’t just any plain old textbook. it was gojo satoru’s former textbook. brimmed with doodles of their beloved [name] sensei and gojo himself when they were back in highschool.

any free space that was not filled with words were taken up by drawings of you inside of hearts and sometimes a depiction of a chibi version of the two of you.

a true testament to gojo satoru’s pining and devotion to you.

“sensei, we can explain–” yuji attempts to explain himself but gojo holds up a hand to silence the boy. 

unlike you, megumi finds it a lot more challenging to read the white haired sorcerer’s expression with the blindfold on. he wonders if his punishment will be a painful beating disguised as a sparring session (megumi will run to you, who will scare gojo into backing down). you have that effect on him.

it seems like the heavens have answered megumi’s prayers because gojo satoru doesn’t seem to harbor any anger at his shocking revelation.

“i can’t believe you guys found this old thing.” satoru dismisses his students’ personal space by leaning closely to observe the pages. the black haired boy makes a noise of disapproval, but was quickly cut off by his benefactor. “megumi, be grateful that i’m in a good mood today.” he doesn’t elaborate the ominous message, rather choosing to hum happily as he studies his own drawings.

megumi is smart enough to keep his mouth shut. 

“i never took you to be the pathetic type,” kugisaki continues to flip through the pages of the textbook. yuji nods furiously, as if to agree to her observation.

“you seriously never noticed?” megumi mutters under his breath.

gojo places a strong hand on megumi’s back, a languid smile on his face, “it was only natural, considering the lengths i had to go through to win her over.” he ignores the way megumi gasps for air.

“seriously?” itadori asks in disbelief.

“seriously.” gojo confirms wholeheartedly.

megumi shudders, recollecting memories of times before gojo tied you down for good.

2009

“sorry i’m late!” gojo bursts through the dingy apartment door with a convenience store bag in his arm. he was breathing heavily, an indication that he had run to the apartment. an uninterested seven year old megumi doesn’t bother leaving his place on the couch to greet his benefactor.

“they’re in the kitchen,” he says in his monotone voice, eyes never leaving the book that you had just gifted him.

“they?” gojo walks up to megumi to ruffle his hair aggressively. he receives a hiss in return.

“tsumiki and [name]?” the black haired kid says it like it was obvious. his sentence is accompanied with an eyeroll.

at the mention of your name, gojo immediately perks up. megumi imagines that if he were a cat, his ears would be swiveling and his nose twitching, attuned to pick up any trace of your presence. he had just learned that from the nonfiction book in his lap. 

“[name]?! here? now?” gojo’s eyebrows are raised all the way to his forehead. the white haired sorcerer immediately started fixing his uniform and hair. megumi thinks it was comical. he was a lost cause.

the snarky look on his face is quickly wiped off when he sees gojo leaning down, mouth wide open.

“oi brat, check my breath,” gojo opens his mouth wide for megumi to check. the black haired kid shrivels up into the couch the further gojo leans down. megumi considers summoning his newly discovered jujutsu technique, hoping to avoid his fate.

“—toru? what are you doing?” your voice, like a divine intervention, stops gojo from sending megumi to the depths of despair. a sigh of relief escapes his lips.

now it was his turn to watch gojo squirm. the older male’s face contorts to an awkward smile and all of a sudden gojo is reduced to nothing but a mess.

“don’t worry about it darling!” gojo slowly turns around to face you. “agh—?!”

megumi has to peek around satoru’s big frame to see what elicited such a response from the man.

he’s met with a wave of underwhelming familiarity. there you stand, clad in a frilly apron with a wooden spoon in hand, the essence of domesticity incarnate. the soft glow of the warm kitchen lights dances around you, casting a warm aura that seems to envelop the room.

“welcome home, satoru.” you give him your signature closed eye smile. “i mean, you probably don’t consider it your home but—“

you’re cut off by satoru banging his head on the nearest wall repeatedly. he’s muttering something under his breath that you don’t hear.

to his dismay, megumi's keen ears catch every syllable. satoru's voice, though hushed, carries a hint of longing, "what an angel," he whispers, his words laced with adoration. "just marry me already."

unamused, he watches while you try to desperately pry gojo from his strange outburst.

a lost cause indeed.

2009

in that very year, megumi learns that gojo’s efforts to win your affection had yielded no progress. it had become increasingly apparent that his frequent visits to megumi and tsumiki's humble home were motivated to immerse himself in the semblance of domesticity that your presence offered. megumi almost pitied the man, if it wasn’t for the fact that he knew you deserve someone more sensible.

me

[name]

[nameeeee]

i’m dying.

and it’s your fault t^t

[name] ⸜(｡˃ ᵕ ˂ )⸝♡

excuse me?

me

i’ll have you know that i worked the hardest that i have ever worked to finish all of my paperwork so i could see you tonight… only to find out from megumi that you’re on a date?!!?

i feel like my chest is caving in. 

i’m going to throw up.

[name] ⸜(｡˃ ᵕ ˂ )⸝♡

oh this is what you’re interrupting my date for?

me

i’m going to be sick.

please tell me, is he hotter than me? wealthier? funnier?

megumi quickly looks away from gojo’s phone screen when the white haired male slams it shut and mutters under his breath a couple of curses. he’s pretty sure half of them were death threats.  honestly, couldn't you have attracted someone with more dignity?

“change of plans,” gojo claps his hands together. “movie night’s off.”

“what?” megumi protests, confusion etched in his features.

“our beloved [name] is getting swept off of her feet. you wouldn’t want that to happen, right?” gojo continues, his tone light but his gaze sharp as it bores into megumi's soul. something unpleasant coils in the pit of his stomach.

megumi feels a chill run down his spine, his mind racing with the implications of gojo's words. if you choose to date this new guy, he realizes, you won't need him or gojo anymore. and that thought terrifies him. it pains megumi to feed into gojo's delusions.

but he can’t let this unnamed suitor steal you away.

a wolfish grin makes its way to gojo’s mouth when he realizes that he’s won.

“what's the plan?”

2016

it was only years later that megumi had seen the true monster that lurks inside of gojo satoru. 

on a hot summer evening, amidst a gathering of esteemed clan heads, he and satoru found themselves in a traditional chamber. while the finer details of the meeting escape his memory, the image of the room that altered his perception of gojo satoru is etched in his mind indefinitely. the wooden walls, adorned with subtle yet elegant designs, speak volumes about the room’s significance as a venue for the most influential members of jujutsu society.

throughout the meeting, he finds himself driving in and out of focus, content to let his mentor represent the gojo clan. however, his attention is abruptly seized by a particular remark that cuts through the haze of his thoughts.

“how’s that whore of yours, gojo?” a clan head jeered, clearly drunk on the sake that was constantly refilled by the servant on the side. his flushed complexion is scarcely discernible thanks to the dim glow emanating from the few lanterns scattered around the room. 

there was only one person he could have been referring to: you. underneath the wooden table, his fingers tightened painfully into fists. pretentious bastards, megumi thinks.

another geezer rubbed his beard thoughtfully, “she has a nice body. perfect to be a concubine, but i would marry a more submissive woman.”

megumi's gaze stealthily darts towards gojo, seated beside him.

he’s startled to find the white-haired man wears a wide grin that belies a hidden truth. unseen by the elders before them, lurking beneath gojo's outward expression, is a manic gleam in his eyes—a revelation that sends a shiver down megumi's spine.

“i’d hold my tongue if i were you.” gojo satoru’s voice was dripping with venom. he sounded downright murderous.

"i'm right, am i not? we can share her if you'd like- name the price." the drunkard continues loudly.

megumi senses an instinctive wave of primal dread washing over him, compelling him with an urgent, almost instinctual need to flee or die.

before he can move a muscle, the flames that surround the room flicker before extinguishing in succession by an unknown force. the metallic stench of blood fills the air and all he can hear is the sound of flesh mutilating and bones crushing accompanied by the painful shouts of the men that once sat in front of him. he doesn’t have to see it with his own eyes to be able to sense gojo’s strong curse residue that suffocates the room.

“stand up megumi. we’re leaving.” his voice carries a feral edge, leaving no room for objection.

on their way out of the compound, the two don’t utter a word at what had just transpired. 

megumi's gaze remains fixed on the ground beneath his feet, the images of the recent events swirling in his mind, leaving him unsettled and shaken. with each step, he grapples with the unsettling realization that beneath gojo satoru's charismatic facade lies a darker, more sinister nature.

the strongest sorcerer of today, riled up by the mere mention of your name.

megumi supposes he doesn’t feel much remorse for those clan heads anyway. he was never the type to mourn over people he didn’t know dying. especially not people who he knew would live on to do evil. it doesn’t help that they were blatantly disrespecting you. perhaps he could sympathize with the monster inside of gojo.

oblivious to the turmoil that stirs inside of megumi, gojo starts to smile.

“i know what you’re going to say,” gojo hums happily. “gojo sensei, you’re so cool! i approve of you marrying my beloved [name]! kyaa~’” he makes a pathetic attempt to imitate megumi. 

the black haired boy grunts. he was going to say something along the lines of his approval for his benefactor, but all desires of flattering the white haired sorcerer disappeared.

gojo watches the black haired boy intently before tutting.

“not that it matters.” megumi is startled to hear how his voice dropped an octave. “i was always going to marry [name] and i’ll be damned to let anyone stop me.” 

2018 – present day

after satiating his students with tales from his pining days, your husband comes home often clingier than normal (is that even possible?). the moment satoru enters your home, his arms envelop you, caging you in his hold.

you can't help but giggle as his hair brushes against the side of your neck, his embrace pulling you in close, as if he's inhaling your presence.  his muscles flex when you attempt to slip away, keeping you in his tight embrace.

“sato– what is going on?!” 

“is it a crime to show my wife some love?” he kisses your neck. when his flurry of kisses stop, he resorts to absorbing all of your features with those cerulean eyes of his.

you don’t bother pushing him away again, choosing to thread your fingers through his soft hair. even after all these years, you will never not feel the effect of satoru’s eyes on you.

“i was telling my first years about you today,” he says softly.

you smile, “is that so?”

he pushes his nose into your neck again, nodding.

“you’re so good to them,” you whisper. despite the initial shock behind satoru choosing to pursue education, you’re extremely proud of how far he’s come.

“mhm,” satoru inhales. “i’d be good to our little ones too.” one of his hands sneak to your stomach.

you delicately guide his face away from your form, your fingers tenderly urging him to meet your gaze. "is there something you want to tell me?" you inquire softly, your eyes reflecting the warmth of your affection.

satoru's smirk deepens, a glint of mischief dancing in his eyes. "perhaps," he murmurs, his touch light as he guides you towards the bedroom. without hesitation, you yield to his lead, eager at his sudden intimate gesture.

from outside your home, three first year students stand, waiting for their sensei’s cue to enter.

“do you think he’s forgotten about us?” yuji furrows his eyebrows, hands full of grocery bags that were going to be prepared for dinner.

extra notes. had the idea of gojo and megumi crashing your date in my drafts for so long. maybe ill elaborate on it if the ppl want to see :,)

[weirdmageddon]

i love these tags this person is so right

actually, can you imagine if dave was raised by B1 roxy?

i wanna get into this actually

(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)

even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie

but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"

im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,

don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity

dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor

(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)

despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him

rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said

and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol

roxy's even said rose "sounds like girl dirk"

side tangent here, but this is something i wanna talk about.

i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect

but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?

yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise

so, dave's environment

the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors

his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)

roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok

what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)

rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:

and in act 6 intermission 2 i think it's pretty clear

but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable

there two types of ironies at play here:

seems like a joke, is actually genuine (roxy)

doesnt seem like a joke, is actually a joke (dirk)

you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.

"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"

how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1

he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”

dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.

*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift

dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:

if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.

basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"

speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use

oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. ​she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”

btw dave lalonde would look like this to me

[suuooe]

-- Touch deprived boys

✧ or: touch- or not so touch deprived wind breaker boys ✧ featuring: Sakura Haruka, Suo Hayato, Umemiya Hajime, Hiragi Toma & Kaji Ren x gn!reader [separate] ✧ content: established relationship & fluff ✧ a/n: i dropped one suo fic and got busy the same week and fell ill the next week lmfao. hiragi may be a bit ooc - ya know when you know how the characters act and how they are in theory, but can't articulate that in your works? yeah. yeah. this is not proofread we post this without beta-reading like real men.

Sakura doesn't register the feeling at first. To be more precise, he doesn't know what the feeling is at all when it first appears.

I imagine Sakura having a significant other that's the polar opposite to him when it comes to physical touch - as in they would 100% at any given moment when they're together hold any part of Sakura that they come in contact with. (This boy cannot for the life of him shake off anyone he deems close away, grab his hand and lead him on and he will 100% complain the entire way, but he'll never shake off your hand)

Which means that ever since he did start to date you, he wouldn't even know the meaning of what touch deprivation even is - because not a day goes by when you're not touching him some part of him.

So when a day actually comes when you're not holding onto him, he feels genuinely put off. Something is wrong, but he can't put his finger on it. And oh boy does that clearly show on his face. Sakura is after all - an open book when it comes to his feelings.

He's moody, he doesn't snap and yell like usual - but he only mutters answers back whenever someone asks him something. Even to you - if anything, you would think he's mad at you. He's fidgeting with his hands, tugging at his sleeves and averting his gaze from you whenever you ask if he's okay.

He's an open book yeah, but he won't say a damn thing - pride and all.

It'll most likely be in a scenario where you're surrounded by more people than usual that you hold back a bit on showing affection. But still, you're mostly by his side, talking to him, handing him drinks and heck your shoulders brush against each other every time you laugh at something his classmate had said - you're that close to him.

And yet it feels wrong.

"Oh, Haruka your drink is empty. Want me to go grab another one?" you're not even waiting for an answer before you lean away from the wall behind you to head towards the refreshments table on the other side of the rooftop.

It's only when your presence once again leaves his side that Sakura springs into action, reaching out to barely grasp the fabric of your shirt to hold you slightly back. Puzzled, you turn around with a confused smile, only to be met with an equally confused, but frantic stare from your lover. "Everything okay, Haruka?" you ask again, ignoring the fact that Haruka's gaze is looking all over the place but at your own face.

"Y-yeah, why wouldn't it be?" although he says that, his hand is still grasping onto your shirt. A few seconds go by in silence before you feel a slight tug against them - and suddenly every dot in your confused brain starts to connect on his bizarre behaviour today.

Your eyes soften, and Sakura can hear your quiet chuckle when you turn around to face him, forcing his fingers to let go. But before he can ask what you're laughing about, he can feel himself being pulled into a hug, and he can feel your smile against his shoulders as you pat his back comfortably. "You're so cute, Haruka." he can hear you say through your quiet giggles.

You can hear a quiet "Shut up…" from him, but you can feel the way his posture drastically softens under your hug. But before your duo-coloured lover could wrap his arms around your waist, you hear a low whistle coming from behind you. "Naaw, Sakura-kun was missing [Name]'s touch for the day."

And in an instant you're yanked (gently) away by an arms length with Sakura yelling profanities at a laughing Suo. Well at least he's back to normal.

Suo's never "deprived" per say of your touch - because he's the one initiating it 90% of the time.

He's already physically affectionate. He's usually seen having an arm around your waist when you're peering at something, holding your hand when the two of you go for a walk or leaning over you when you're standing still to rest his chin on top of your head (if you're shorter, if not he'll bury his face into the crook of your neck).

And while you don't mind (in fact often times you lean most of your weight on him if he's standing behind you once you feel his presence) Suo does want you to initiate contact once in a while.

But alas those feelings is rarely shown on his face, always sporting a neutral smile to any situation he's put in - no one can tell that he's a bit more troubled than usual.

But what kind of lover would you be, if you weren't able to spot these miniscule changes in Suo? When he now only briefly holds onto your waist to silently announce his presence beside you before retracting his arm back and when he waits for your fingers to graze against his own before he tangles them together?

You do notice, and Suo also knows you've noticed the slight difference in your otherwise normal habits. How you peer up at him a bit longer than usual when he decides to sit next to you in the library instead of behind you like he usually does so you can rest against him. But he only gives you a wide smile in return to your confused glance.

"You know-" you say with a start, seating yourself down on Suo's lap the moment he seats himself down properly on the tatami floor of his room, your lover only wrapping an arm around your back to make sure you don't topple over. "This is a very elaborate way to tell me you want me to initiate physical contact more often."

"Hmm? Whatever do you mean?" he feigns ignorance, merely tilting his head slightly to the side when you twirl your fingers around the tassels of his left earring whilst resting your head against his shoulder. "Why can't you just ask like any other person for a hug or something?" you question.

"That wouldn't be fun. I wanted to see if you loved the physical touch as much as me, after all." he says, and you raise your eyebrow in confusion, "Me not reciprocating your touches was not an answer?" you inquire, raising your head to stare at him, Suo only giving you a smile that seems a bit too mischievous back while shaking his head.

"Initiating and reciprocating are two different things, dear. Initiating takes a lot more courage after all." you only hum in return, resting your head back on his shoulder before taking a hold of his hand to toy with his fingers, bending the appendages while admiring how smooth his skin was - even with all the fighting he does. "I like it when you initiate contact first though…" you murmur in the end. Suo, who had initially thought you had put the matter of his impromptu idea to the side hums in surprise at your quiet confession.

"Why?"

You shrug, deciding to intertwine your fingers together before resting them on your own lap, smiling softly at how Suo's thumb brush against the skin of your hand. "I don't know either. I just know that it's you whenever someone takes a hold of my hand, you do have the habit of grazing your fingers against mine before holding them after all. It's almost like your way of saying hello before we even make eye contact." you tell, "You always reach out for my hand first after all."

You're not staring at him, still busy looking at your clasped hands - but he still smiles down at your form, turning his head to press his lips on top of your head. "Well with such a sweet reason, who am I to not initiate it more then, hmm?"

He makes it known that he wants your touch before you can even tell he's deprived.

Which means he's never deprived, because when Umemiya feels that he needs a hug, he's making a beeline towards you to engulf you in his arms.

Which means there are two outcomes to this. If you're within his sights and he sees you as soon as he wants a hug, everything is A-OK! Umemiya gets his well needed hug to tackle the next set of duties and tasks he has set for himself for the next 3 hours.

If you're not in his arms within the next 10 minutes of him wanting a hug, he's going to talk to his plants like you've gone off to war and won't come back before the next year. Talking about how much he misses your presence, your favourite food, what kind of seed you would probably prefer, how he's found a new book that you love. At this point feel sorry for the person that has to sit through those 10 minutes of constant love declarations. (Hiragi)

And yes, Hiragi has you on speed dial because of this. It does not matter that you've recently been up on the rooftop spending time with him, it does not matter if you've just gone downtown to get some drinks - Hiragi does not get paid enough for this and he will personally escort you back to Bofurin's leader to make him shut up.

You better clear your schedule for the next hour because Umemiya will have you in his arms before making sure you're well fed and spend time with you. He doesn't necessarily have to constantly touch you then - if he can see you within his vision he's already beaming brighter than the sun in the sky.

"Hajime, you're about to squeeze my entire air supply out." you manage to wheeze out while laughing, Umemiya merely burying his face further into your hair while swinging you back and forth in the air.

"You could've told me that you were going to go shop for groceries for Kotoha! I would've helped." he exclaimed whilst putting your down on the ground again, though his arms were still snugly wrapped around your waist and still keeping you pressed against his front. Your own arms around his back when you noticed that he wouldn't budge from this position anytime soon.

"Last time you helped out, you crushed 2 dozens eggs remember? The townsfolk love you too much too, we would've needed more hands if you came along because of the amount of freebies they would give you. Besides she just wanted a few things and I was already out when she asked where I was, so it wasn't too much trouble to make another round through the town." you replied, stepping side to side while pushing yourself against Umemiya, a silent request for him to move backwards towards the wooden canopy so you both could sit down.

Once seated, you find yourself placed on top of Umemiya's lap with his arms still snugly wrapped around your waist, securing your body close to his own when you lean backwards to properly look at him while talking. At this point Umemiya has gone off tangent, eyes brimming with excitement over what had happened on the day you had mentioned the crushed eggs, only stopping his tangent when you bring a handkerchief up to his face to wipe away the dirt.

"… How long have you been in that position?" an exasperated gruff voice questions, and both you and Umemiya turn over to the entrance of the rooftop to see Hiragi leaning against the door.

"Hiragi! You want some water? Maybe some onigiri? Oh right, [Name] had also picked up some snacks!"

"It's been 15 minutes."

"Good grief, Umemiya, let [Name] go aleady, they're not your personal teddy bear."

Hiragi in general is not a physically affectionate person. He doesn't mind it, softens quite a bit when you grasp his hand whenever you join his group when they patrol the town and relaxes his posture while sinking further down the slope of the couch so that you can rest your head on his shoulder - even if the posture itself causes him a bit of discomfort after.

He's quite content just having you walk by his side - as long as he can see you from his peripheral vision or heck, just hear your voice speak from beside him or behind him, he's content.

He does however have his moments. Although it's incredibly hard to spot because Hiragi himself doesn't mind going days without getting a kiss even.

And even when you do initiate the first touch, he handles you like a porcelain doll - almost afraid you will break. You can hug him as tight as you can, he'll laugh and say he's not going to disappear anytime soon, but the hug you receive back is so gentle and full of love it almost brings you to tears alone.

Hiragi is aware of his position within Bofurin, and the fact that his name carries a lot of weight and is known beyond the town - as such he initiates the most contact when you're alone. And even that is a rare occurrence being that you're both busy most of the time.

As such, even though it's rare - Hiragi will show subtle signs that he wants to cradle you within his arms or hold your hand. A gentler gaze when he addresses you - a more carefree grin when you open your arms wide waiting for him to come to you, but even you can see the slight hesitation.

All in all, Hiragi is quite content and rarely gets touch deprived, but no one is immune to their lover asking for a quick hug, even when you yourself isn't much of a physically affectionate person.

"Can I have a hug? Please?" Hiragi blinks slowly in confusion, takes a look behind him before directing his attention to you. "… Did you have to ask me in a sketchy alleyway of all things?" he finally asks, which makes you laugh, hands still outstretched waiting for Hiragi to take the 2 steps to reach you.

"And here I thought I was going to get a lecture from dragging you away from patrolling." you say, now wriggling your fingers to emphasise your current need for a hug from your boyfriend. "Think of it like an energy boost for the day! I know you've been craving a hug from yours truly for a long time after all, it's been a while since your last recharge!" you add on, Hiragi quirking an eyebrow with a smile.

"You're keeping track of them now?" he scoffs, taking the two steps you desperately wanted him to take, reaching out his own hands to intertwine them with your own before holding onto your wrists to rest your arms on his shoulders. "Hehe, next time I should keep track on how many Gas-kun 10 you take." you can see the roll of his eyes as he wraps his arms around your waist while you lock your own arms around his neck, rubbing your face into his neck to breathe in the faint hint of cologne he dons each day.

The arms wrapped around your waist tightens a bit more than usual, and you can feel the stiffness of Hiragi's form loosen "You're on your lunch break?" he asks softly, to which you nod against his neck, "Mhm, have to go back within 10 minutes if I don't want my teacher to give me an earful again." he hums, giving you one last squeeze before stepping back.

He only pinches your puffed out cheeks, "Don't give me that look, I'll come pick you up after school okay? I think Umemiya misses talking to you as well." Upon hearing that, your eyes brighten immediately before skipping past him out of the alleyway, "Promise to not be late?"

"When have I ever been?"

Another boy who does not know how to function when he's touch deprived! But unlike Sakura, he does know when he is indeed needing for some more cuddles than normal.

But he's awkward, he doesn't know how to actually go on about asking for hugs. Yes in his mind it's logical to just straight up ask you for a hug, or if you can just sit in front of him so he can lean his forehead on the nape of your neck and just breathe in your fragrance. Very easy to do!

Easier said than done. Especially when he's the type to not do anything before you give him permission - yes he's still scared of hurting you even though when he's around you, he's fully in control of his emotions and reactions. But there's always a lingering feeling, you know?

Still jumps in surprise at times when you graze your fingers against any exposed part of his skin, but once he sees it's you - best believe he's holding onto you till someone calls him out.

He's more prone to initiate more contact when you're alone, being that in public he's prone to get teased (whether that's voluntarily by his classmates or involuntarily by Umemiya's comments on how soft he's gotten)

So as a compromise to his awkward self when you're in public, you'll get random visits from Kaji numerous times a week - which is a silent request to just have you in his arms.

Kaji's attention is taken away from his phone when he feels your fingers graze against his chin. Glancing down, he cocks his head to the side while pushing his headphones down to rest on the nape of his neck. "What's up?" he inquires softly, you don't say anything at first - merely directing your fingers towards his cheeks to graze against his skin there.

"Weren't you supposed to patrol today?" you ask, bringing your other free hand to push Kaji's hand that's holding onto his phone to your eye level. "In around 15 minutes yeah, I just left earlier." he answers, his fingers that were absentmindedly stroking your head grazing a few stray strands away from your forehead.

"It already takes 10 minutes from Furin to my house though? Shouldn't you leave soon?" you point out, but instead of rising from his lap to let him get up from the floor, you merely roll to your side to bury your face against his stomach before becoming still - leaving Kaji with both arms in the air, waiting for you to move.

"If you let me go, that is." he finally says after a second of silence, he can feel your slight nod before you plant your hands beside him to heave yourself up from his lap. And in the blink of an eye, you're at eye level with Kaji - his breath hitching at the close proximity.

"Don't come back with too many bruises, alright?" you remind, before slotting your lips briefly over his own. As you lean back you pull his headphones snugly over his ears again, mouthing something that makes Kaji roll his eyes. "You still let me inside regardless, so that threat doesn't work anymore."

[iholdwhatican]

reunions

pairing: art donaldson x reader x patrick zweig

read part 2 here!

length: 3.8k

tags: y/n is art donaldson's wife ; birthday party ; surprise visit from patrick ; art is down bad ; patrick wants y/n ; possessive!art ; the boys are fighting ; no use of y/n ; pining ; sexual tension

summary: you want to make your husband's birthday special, so you invite his attractive, charming, estranged childhood best friend in the hopes that they'll make amends. surely nothing will go wrong, right?

author's note: i can't stop thinking about them i am so ill. this is the first of presumably many challengers works. and yes i did make a new blog just for this, don't judge me. this is a drabble that was stuck in my head but I do have more for it should it be wanted! preferably something that leaves you sandwiched in between them :3

originally posted by iholdwhatican

You told yourself this whole thing happened out of the goodness of your heart. You’d just wanted to be a good wife and make your husband’s birthday the best it could possibly be. Because Art Donaldson was the most amazing person you’d ever known, and he loved you, and he deserved the world. There was nothing off limits when it came to him, no line you wouldn’t cross. 

You knew how much Patrick had meant to him, how much he missed his best friend. Your cheeks hurt from how wide the stories made you smile, how happy he sounded when he recounted the things he’d gotten into with the eccentric tennis player. And you knew how sad Art was that they didn’t talk anymore. 

So what better time to remedy that than for his birthday? That was a wonderful surprise, right? Right?

Upon meeting Patrick Zweig, your first thought was how the hell this man got along so well with your Art. Not to say he was a bad person, but he was just so… much. He was cocky, indomitable, the kind of person that knew what he wanted and what he was worth and wouldn’t settle for anything less. He was a force not to be reckoned with, no matter what. He was also unbelievably charming (and not bad on the eyes, which you would never admit), and you hated the way his sweet-talking got under your skin. 

He asked you how Art was. You told him he was fine. Retired, now. Making the most of a quiet life. You’d just celebrated 3 years of married life. He asked to see wedding photos and you didn’t miss the sadness in his eyes at missing the event. You happily obliged. It was the most romantic day of your life, after all. 

And you couldn’t help but internally pat yourself on the back. Patrick missed him too. You could mend the broken bridge between them, and your husband would be thrilled. He’d reward you for your good work. 

You asked Patrick to come to Art’s party. To make contact again. To come back into his world. He only hesitated for a moment, asked if Art knew and was okay with it. 

The lie slipped off your tongue easily. Of course, he’s wanted this for a long time. It’s a surprise, but a most welcome one. You didn’t have details on what happened between them- only knew of a falling out while Art was in college- but it couldn’t be that bad. Anything could be overcome, right? 

Patrick accepted and you hoped the lump in your throat was from excitement and not dread. You thanked him for meeting you, told him you’d forward him the details, and went back to your husband. 

The day of the party came, and you were so nervous you could hardly take it. You’d spent the last couple of days working yourself into a frenzy, convinced that this reunion was a terrible idea and your husband would hate you. You had no right to bring an estranged friend back into his life, on his birthday no less. And without saying a word to him. 

God, what the hell was wrong with you? 

You gripped the edge of the kitchen counter and downed your third glass of water. It did nothing to soothe the dryness in your throat. Or the pounding of your heart. You wondered how fucked you’d be at the party if you took a Xanax right now. Or five. 

Just then, Art peeked his head into the kitchen, donning a sweet smile when he spotted you. He looked as handsome as ever, sporting a well-fitting polo shirt and khakis. His hair was growing out again, starting to show those boyish curls you’d fallen in love with all those years ago. He made his way over to you, wedding band sparkling on his finger, and your heart melted. 

You loved him so much. Had you ruined his birthday with your stupid meddling? Maybe even ruined your marriage? 

“Hey, beautiful.” He greeted, sliding a hand around your waist and kissing your head. It was a familiar gesture, a normal one. He loved touching you, keeping you close. You loved it just as much, “The cake was just delivered. You went way overboard, as usual.” 

You pretended you weren’t overcome with dread and cupped his cheek, “Shut up. There’s no such thing as overboard. You deserve this, okay? You deserve to be celebrated.” 

Please, please don’t be mad at me for inviting him. For bringing him into our world. Please still love me. I did it for you. I’d do anything for you.

His eyes crinkled as he smiled- in that perfect way you adored so much. He leaned down to kiss you again, this time on your lips. It was gentle and caring and everything you were to each other. It made you want to cry. Art was everything. All you wanted was to give him the same. 

The doorbell rang, breaking you two out of the moment, and your husband pulled away. He tucked a strand of hair behind your ear. 

“Well,” He spoke, looking at you like there was nothing else in the world, “That must be our first guest.” 

You hummed happily, “Guess it’s time to celebrate you, Birthday Boy. Shall we?” 

“We shall.” He teased, doing a mock bow as he offered you his hand. You took it, laughing, and the two of you made your way to the front door. 

You took a deep breath and tried not to focus on the unhappy way your stomach was churning. 

The first hour of the party went by with a pleasant lack of reunions-turned-altercations. Patrick had yet to show his face, and you wondered if he might not come at all. Part of you was relieved at the idea, while the other couldn’t help but be frustrated. 

He said he would come. What if the surprise didn’t end up being a bad thing? How would you know if he never showed? 

God, you needed a cigarette. 

You’d spent the entirety of the party so far glued to Art’s side, being his doting wife as you made conversation with everyone. Your eyes continued to stray to the door, looking for a certain dark-haired man. Every single time, you were disappointed. Disappointed, yes, but not surprised. From what you’d heard, Patrick wasn’t really someone who could be counted on a lot. 

Maybe this whole thing was just a big mistake. And maybe the part of you that truly felt let down at not getting to see him again was something you should never, never look into. 

You patted Art’s chest and stood on your tiptoes to whisper in his ear, “I’m gonna check on the food. I’ll be back.” 

He nodded, smiled, and pressed a kiss to your temple. His arm released its grip on you and he continued his conversation with an old Stanford buddy without missing a beat. He was fucking incredible. At everything. You were crazy about him. 

The food didn’t actually need to be checked on. The caterer was high-quality, and they knew better than to fuck up one of your events for your husband. You had full trust in them- you honestly just needed a breather. This whole night had felt like a cold fist clenched around your heart. 

Instead, you grabbed yourself a large glass of wine and made your way to the patio to enjoy some cool night air. 

The area was blessedly empty, allowing you to slip out of the hostess facade. You were more than happy to do it, especially when celebrating Art, but the circumstances tonight were making it much harder than usual. Which was, of course, entirely your own fault. Way to go, you! Knocked it out of the park tonight, didn’t you? 

You sighed, leaned against the railing, and took a long gulp of your drink. The weather was slightly chilly, and it felt amazing against your heated skin. Already, you were finding it easier to breathe. And think, for that matter. 

“Shouldn’t you be at the party, Mrs. Donaldson?” A familiar, spine-tingling voice spoke, breaking you out of your peaceful moment. 

You whirled around, eyes landing on Patrick fucking Zweig leaning against the wall of your house. A lit cigarette hung from his lips, his hands nonchalantly tucked into the pockets of his dark jeans. They went well with the button-up shirt he wore, a stark contrast from the shorts and hoodie he’d had on when you first met. He looked good- really good. Enough to make a pit grow in your stomach. 

“I thought you weren’t coming.” You blurted out, thankful that the darkness was shrouding your red face. His face was just barely illuminated by the orange glow of the cigarette, and you watched as he looked you up and down, “Also, how’d you get back here? I didn’t see you walk into the house.” 

Patrick kicked off the wall and walked over to you, pulling the cigarette out of his mouth. His curls fell over his forehead, and you found yourself fighting the urge to brush them out of the way- the same way you always did to Art. You swallowed deeply. What the hell was wrong with you? 

“I told you I’d come, didn’t I?” He responded matter-of-factly, blowing a puff of smoke into the air. The smell made you nostalgic. You and Art had made a pact years ago to quit together, but God did you miss it sometimes. You licked your lips and tried (and failed) not to stare, “I snuck in through the back. Thought it’d be less messy that way.” 

You had no idea how he’d been able to get back here, but you decided you weren’t gonna ask. It didn’t matter in the long run, anyway. Besides, he was probably right. You had no idea how Art was gonna react, and it was smart to have it happen in an isolated area. 

“Probably smart.” You muttered, taking another swig of the wine. The feeling of his eyes stayed on you, burning into your skin, but you didn’t meet his gaze. You didn’t want to think too hard on why. 

“He doesn’t know you reached out to me.” It wasn’t a question, but you responded to Patrick’s words regardless. He’d find out eventually. 

“No.” The admittance came out with a heavy breath, like you were releasing the weight that had been on you all night. In a way, you were. You ran a hand over your forehead, “I don’t know what happened between you two, he doesn’t talk about it. But I just- I’m terrified he’ll hate me for bringing you.” 

Why the hell were you pouring your heart out to this stranger? What was it about him that drew you in so much and made you want to bring down your walls? How was this charming man already under your skin from one damn meeting? And how the fuck were you supposed to explain any of this to your husband, his estranged best friend? 

You needed another drink. Or ten. 

“You really love him.” Again, not a question. But you answered. You had to. 

“More than anything else in this world.” 

Patrick offered you his half-smoked cigarette and you took it without thinking. The sting of the smoke in your lungs was like coming home. It was so good it almost made you cry. But lots of things made you want to cry right now. You could taste mint on the cigarette, like he’d been chewing gum before lighting up. The same kind Art always chewed. 

It made something flip in your stomach. 

“Well, from what I can tell, you’re pretty great. Super caring, based on how far you went in an attempt to make him happy. Shit, you tracked me down, which is a feat in itself. And you’re gorgeous, obviously. I’m surmising that you’re basically the whole package.” He spoke calmly, as if every one of those words didn’t make your heart jump into your throat. You chugged your drink to use it as an excuse for your rosy cheeks, “So I don’t think there’s any way he could hate you. Even for inviting me here.” 

You were speechless for five long seconds as he took the cigarette back and inhaled. Then you finally got your brain to stop lagging, “You don’t even know me.” 

“I know enough.” He countered, continuing the pass back and forth of the cigarette, “And I know Art. He wouldn’t marry someone beneath him. The fucker somehow always gets the ones way out of his league.” 

You didn’t comment, but you knew what Patrick was referring to. Tashi Duncan. The now pro-tennis player that he’d had a thing with back in the day. You didn’t know the details, but you knew she was a point of contention between the two men. 

Honestly, you tried not to think about Tashi. She was gorgeous, super talented, and an overall seemingly great person. Art had passed up on that for you, and it got to your head a lot. You wondered if he regretted it. Or at least wondered what his life could’ve been like. 

You didn’t think you were out of his league. In fact, you thought the opposite. Not that you needed to tell Patrick that. Your insecurity and jealousy issues could stay yours alone. 

“Well, I don’t know about that.” You murmured.

The cigarette began to dim as you took the last drag, flicking it off the balcony and down into the grass below. With both the alcohol and nicotine gone, you started to think you probably needed to get back to the party. Your husband would be looking for you, and you didn’t want to keep him waiting. You just had to figure out how Patrick would fit into the equation. 

“If you weren’t taken, I’d be trying to charm the fuck out of you right now.” 

The statement caught you completely off guard. You looked over at him, eyes wide, and tried to keep your cool at the sexy smirk on his face. God, he was so fucking attractive. 

You blinked once, twice, a third time, “What?” 

His smile grew at your flustered state, “I have great taste in women, and I’d flirt with you if I could. So I’m saying you’re definitely a catch. And totally out of Art’s league.” 

You licked your lips. Subconsciously, “I’m pretty sure that was flirting.” 

“Was it?” He didn’t even have the decency to look ashamed, “Oops.” 

You ran your finger over the rim of your wine glass, trying to think of something to say. You came up empty. You were married- to this man’s childhood best friend. To the love of your life. He shouldn’t be flirting with you. And you definitely shouldn’t be enjoying it. 

“There you are! I was starting to worry.” Art’s voice broke the tense silence, and you turned around to watch him making his way to you with a smile. Then he spotted Patrick and his smile dropped as his face filled with recognition, “You- what the hell are you doing here?” 

You opened your mouth to speak, to explain and mediate the situation, but the dark-haired man beat you to it. 

“Your pretty little wife invited me.” He said, which was probably the worst thing he probably could’ve chosen. You internally buried your face in your hands. 

Art’s jaw clenched and his eyes lit up. It took you a moment to realize that the expression was anger. Honestly, it took you by surprise. It was extremely rare to see him angry, and never was it directed at you. And though he was looking at Patrick, you were terrified that in this instance it was. 

“Let me explain.” You immediately choked out, clutching your empty wine glass like a lifeline, “I really just thought that-” 

“She thought you missed me and wanted us to reconnect. As a birthday surprise. Isn’t that sweet?” Patrick butted in, throwing an arm over your shoulders. Art looked ready to murder someone (probably the tennis player holding you), “I doubt it was easy contacting me, but she managed. All for you.” 

You laughed nervously, ducking your head, “Well, that’s not-” 

“Let go of her.” Art demanded. His voice was cold and dangerous. Possessive. It made something twitch in your core. Oh, you liked that. 

The brunette didn’t hesitate to do as he was told, holding his hands up in surrender, “My bad, man. I just feel like we’re already such close friends from hanging out together. Don’t you think so?” 

The last part was directed at you, and Patrick nudged you. You gave him an incredulous look. 

The charming, sweet man you’d just been talking to was gone. He was replaced by a cocky, near-disrespectful antagonist who was trying to egg your husband into some kind of altercation. And he was using you as the bait. 

You couldn’t lie that you were frustrated, but it did feel a bit nice to be in an almost tug-of-war between the two men. You liked being an object of affection or desire. 

“You should head inside, baby.” Art spoke to you, though his furious gaze never left Patrick, “Our guests will wonder where the hosts went. I’m gonna talk to Patrick for a minute.” 

You’d be damned if you told him no. Even though this situation felt like a mess that was definitely all your fault. Damn you for inviting Patrick. Damn him for being so captivating. And damn Art for loving you so much that the sight of another man touching you made him see red. This entire thing was like a whirlwind. 

“Okay…” You whispered, moving towards your husband and the house. You gave Patrick a small smile, hoping to convey your thoughts to him. Please don’t hurt him- he’s my world. Then you stopped at Art’s side and placed a hand on his bicep, “I’m sorry if this was a bad idea. I just wanted to make your birthday special, is all. I didn’t mean to fuck it up.” 

He finally looked at you, just long enough to give you a loving smile and a shake of his head, “You didn’t ruin anything. I’m so proud of you for doing all this for me. Don’t worry.” 

Then he kissed you, only to stop and pull away, “Is that- were you smoking with Patrick?” 

You sucked on your teeth and nodded, “Yes, a little. I’m sorry. I just-” 

But then he was kissing you again, hard and needy. Like he wanted to fuck you right then and there. Your face burned bright red, and you could feel Patrick’s eyes on the two of you. Art had never acted like this in all the time you knew him. But right now, within thirty seconds of being around his old friend, he was putting on a show to prove that you were his. 

You belonged to him. And he wanted Patrick to know it. 

You really, really fucking liked this. 

When he pulled away, you felt dizzy. From both the kiss and the wine you’d downed. You barely had time to take a breath before he was lightly patting your cheek and sending you inside. You managed to take a look at the two men before rejoining the party. They just stared at each other, like they were in a standoff. 

It was unbelievably hot. 

As you went back to your guests, lips still tingling, only one thought was coming to you. 

You wondered how long you could keep Patrick around, just to see what it would do to your precious husband. 

[eph3merall]

. . . ( part 2 )

—

"nah, what the fuck is this— big bad wolf bullshit?" you can hear matt's voice falter for a second, your bare knees digging into the wood floor of his room. he decided to stream for a few hours tonight, both chris and nick away doing their own things.

for the first hour and a half matt just played some games until you got bored and snuck under his desk, his hand cupping your cheek to give it a light warning smack to whatever cheeky ideas that were brewing in your head.

deft hands slowly started tugging his sweatpants down, to which he just hummed and swiveled around gently in his chair for a second. settling back down, matt was leaning forwards a little to put some music on for the stream, shouting out names he was able to catch that were gifting.

he's fixing his headset and turning the music up a little, it's mainly just to hide any groans and sighs he lets out however. for a second, he steals a glance down at you to find you slowly lowering the hem of his boxers, and he responds by subtly lifting his hips.

matt didn't totally like this idea. one little mistake and the whole stream of.. fifteen thousand people would know what was going on, but he couldn't deny how painfully hard he was just by seeing you on your knees—a little cramped under the small space of his desk.

when you free his length to find pre already dribbling from his slit, your thumb reaches up to thumb at his tip and spread the bead of pre made lube down his shaft. you don't miss the way his thighs tense, hips twitching up a little as you listen to the way he scolds the chat for telling him to react to edits and read fanfiction.

one hand rests on his thigh while the other jerks up and down slowly, twisting your wrist up at the top as you lean forward. parting your lips, you let some saliva drip down the length of his dick and don't miss the heavy sigh he lets out.

soon you're hollowing your cheeks out and bobbing your head gently up and down matt's cock—one hand threading through your hair and digging blunt nails into the back of your head. you can't see his face—but you can hear the way his voice trembles once in awhile and how heavy he's breathing.

your nose presses into his skin, dick shoved all the way down your throat and you gag—only forcing matt to ball one of his hands up into a fist to pretened to cough because he was about this close to letting out a groan.

the noisy slurping and gagging noises of your mouth have him panicking for a second before he's quickly turning the volume of the music up, per chat's request and totally not because it put him just a little more at ease.

he keeps a hand casual over his mouth or on his face, pretending to cough or whatever. his other hand is leaving your head—fingers twitching to pull you off just so he can fuck your throat to his heart's content.

so far so good, right? the stream went pretty smoothly until you'd done something with your tongue and he felt his tip hit the back of your throat, and matt's head is tilting back against his gaming chair and a tortured groan is ripped from his lips.

oops?

notes. sorry if this has spelling mistakes / mistakes in general or anything doesn't make sense i am TIREDD... feel kinda insane w how good matt n chris looked on stream tho. anyways where the fuck did 75 followers come from? like? what??? thank u all i love u guys <3 know its not a lot but argghhb + i reached 100+ notes on a post like ugh <33

—

©eph3merall 2024

[marigoldenblooms]

That's a Wrap - One Shot

Pairing: Director!Natasha x Fem!Actor!Reader x Actor!Wanda (MINORS DNI - 18+)

Summary: You and Wanda can’t seem to get this scene right. With your director’s help, you manage.

MINORS DNI - 18+

Tags: Is Y/N in the room with us right now (They aren’t), Dom!Natasha, Switch!Wanda, Bottom!Reader. Dub-con, power dynamic (Director/Actor), voyeurism, degradation, praise, semi-public sex, semi-orgasm denial, light edging, objectification, oral (W receiving), fingering (R receiving), strap-on use(R receiving), some pet names (baby, sweetheart, darling, ma’am, Tasha(For N), Wan/Wands(For W), Mommy(For W, used loosely)), Nat calls her strap her dick, semi-previous established relationship? Porn with plot, clothed sex, sextape, light aftercare, fluff at the end. 

A/N: Welcome to the first issue of Smut Saturdays! Want to really create some good shit in this genre, so I'm posting at least one spicy fic every Saturday (if I can help it)! This came to me in a vision (called the five minutes before my math class)- After my last smut fic did well (An Important Lesson, Prof!Wanda x Reader, which you can read here), I thought I’d do some WandaNat practice! Not proofread, written in the span of an evening. This is a crime against intimacy coordinators, I’m so sorry. Asides over. Natasha wears a strap to her films and she can dick me down with it, please and thank you!

Word Count: 2.4k - Read Length: 8 minutes, 49 seconds.

~~~

It was never fun when the producers came by. 

They’d always arrive in droves of two or three, never the top dog- as if Natasha’s ‘avant-garde chick flick’, as they called it, wasn’t worth their time. They certainly treated it as much. Today was the worst day for them to arrive, in pressed jackets and always on a phone call, because today you were filming the sex scene. It was more of a ‘romance’ scene, with alluring cinematography and enough passion to make your eyes fall out, yet you hadn’t even gotten to remove any clothes from your beautiful costar- Wanda. You knew she was incredible, her previous films as a fem fatale showing her dominant streak, however the spark couldn’t burn when interruptions from the suits kept happening. You weren’t on a porn set, and yet sometimes you wish you were. Might’ve been faster, or at least more fun. 

“From the top,” A groveled voice muttered, Natasha’s steely gaze breaking into your skull-  though a part of you wished she’d break your back. The redhead had always been an inspiration, one of the leading reasons for your participation in her project, besides her being so fine. But now, she looked pissed, worn down by hours of appeasing the producer’s half-baked suggestions and guarding you and Wanda from their prying eyes. “Yes Ma’am,” you replied, earning a slight chuckle from your director, the twinkle in her eye not lost on you- she was on her last legs, but it was yours and Wanda’s compliance that kept her going.

You’d return to your blocking, centered in the middle of your ‘apartment bedroom’, with Wanda’s hand placed gently on your waist. Your roles were lovers, reuniting after a long day of hardship, slowing down after it all. You’d stare up at her, the mild exasperation in your expression making her smile. She’d send a wink down to you, muttering something about being ‘bored too’, but ‘not hating kissing you again’, or the like. She’d invited you out to coffee tonight, and especially after a day like this, you’d take it. Perhaps you’d even forget the paparazzi and really kiss her as you’d been wanting to do this whole shoot. Throw a bone to the fanfiction writers and make their canon comply with reality. Maybe. It was Natasha’s words which startled you from your thoughts, a look of tenderness overcoming your face as you’d sink into your character, “Action!” 

Within an instant, Wanda hiked her hands under the hem of your shirt, eyes darting down to your face. Her palms were warm against you, smooth against your soft skin, as your head rested gently on her shoulder. She’d tug at the fabric- and you’d send her a quick nod, smiling as you’d lean up to capture her lips in yours-

 “Well that’s not very marketable!” A producer would crow, scoffing with both his hands outstretched towards the two of you. You’d freeze, feeling all of the passion drain out from the scene, no more than a shell of itself. His bald head wasn’t very marketable, looking like a morally dubious Mr. Clean- and yet you didn’t comment on it. He’d look at Natasha, the woman pinching the bridge of her nose with a stern sigh, and you gulped. Oh, shit. She was going to lose it. “Can’t you get their clothes off faster? Our focus groups won’t wait around for-”

“Fucking Christ, get- out!” Natasha shouted, a growl in her tone bringing heat to your face. She scowled, roaring to the surrounding suits, “Leave, get off my set- it’s my fucking turn to direct them.” Her hands would fan away their deer-in-headlights looks, ushering them out before locking the door. Her fiery gaze would bore into you then, jaw locked as her heels would click towards you and Wanda, many feet apart. 

The two shared a knowing nod- And before you could speak, your director grabbed Wanda by her shirt collar and pulled her into a bruising kiss. Your jaw would drop as the brunette’s eyes widened, fluttering shut as Wanda moaned into the embrace- Natasha’s hands planted firmly on her tits. She’d squeeze them, earning a gasp from Wanda, your costar’s head swung back as Natasha swiped her thumbs across her nipples. Your director’s gaze would strike yours, and you understood why Wanda’s submission was so quick. You shuddered at the redhead’s gleaming smirk, her voice a husked whisper, “Get those clothes off and get on the bed for me, baby. Now.” 

“Yes, Ma’am.” Your reply was instant, Natasha’s grin only widening as you’d shed your layers, kneeling on the mattress’s soft sheets. They were cold, goosebumps settling up your spine yet you wouldn’t move, eyes trained obediently on Natasha. You were so perfect for her. 

Natasha’s mouth would return to Wanda’s, pressing her into the faux wall that had outlined the bedroom. Her hand would splay against Wanda’s stomach, and you saw how she hiked up the shirt there, continuing to palm her tits while unclasping Wanda’s bra with the other. She’d pepper kisses across the brunette’s neck, sucking hickeys the lower she’d go. 

They’d part only so Wanda’s top could come completely off, your director keeping a claiming touch on Wanda’s hip as she’d look back at you over her shoulder. Her hair was wild, mused from Wanda’s hands slung loosely around her shoulders while her expression remained flushed, dark eyes darting down to the slick that pooled between your legs. Wanda’s voice would ring to you, almost reverent as her hips would stutter against Natasha’s, “She’s fucking drooling for us, Tasha..” 

The redhead would bite back a smirk as she’d watch you twitch. You ached to touch them, yourself, anything- your hands already balled into fists on your thighs, legs rubbing together, desperate for friction. But neither had given the command, and you had an inkling from their hungry looks that they wanted you needy, right where they had you. Natasha’s rasp came second, “Then show her what I taught you.”

Wanda would reach you first, discarding the rest of her clothes in the process. Her hands trailed warm touches up your legs and to your chest, digging into your soft flesh as her lips would meet yours. It was explosive, sweet and tender yet with a ferocity that claimed you quickly, heating up your skin as her knee would slot between your thighs. You’d feel Natasha’s calloused fingers on the small of your back, the sinking of her weight in the mattress behind you, and her tone husked in your ear, “Stretch her out for me, Wan- like we practiced.” Your director’s words sent a buzz to your core, cunt grinding mercilessly into the sheets below as Wanda’s hand would trail there, dragging two fingers along your folds before arcing dazzling circles around your clit. 

You’d eagerly press your hips into her touch, moaning lowly as she’d chuckle, “So wet for me, sweetheart…bet I can just slip right in.” She’d coax her fingers inside, your pussy walls taking her gladly as Wanda curled her digits against that spongy spot. Your back would arch, head growing fuzzy as you’d feel your slick drip down her hand. Her thumb would press into your clit as you’d buck your hips against her, cursing a quick “Fuck-” which was quickly swallowed up by Wanda’s mouth. She’d bite your lip, dragging it with her teeth as she’d settle into her rhythm, spare hand palming your tits with a rougher grasp, “Been waiting for this, haven’t you sweetheart- pretty whore, just for us.”

 “Mhm, good girl just wants to be fucked, don’t you?” Natasha would grit, and you could see her stroking something behind your back. She’d unzipped her slacks- her strap heavy in her hand, glistening with the spit she’d gathered in her palm. Natasha bucked her hips against her hold, cursing as the cock’s base would rub against her clit. She looked incredible, sweat across her brow as her hand would clench around the toy, like she could feel it. “Keep going, Wands- want her perfect for my dick.”

 Natasha would pant, breathing ragged as her hand moved in time with Wanda’s fingers- curling into you almost torturously, feeling your cunt clench around her. The brunette’s kiss would claim you again, moaning into her warmth as her thumb would circle your clit. She’d sigh almost lovingly, fondness overtaking her expression as your head found the crook of her neck, “She’s already perfect, Tasha-” She’d coo, although her hand wouldn’t stop, gasping at the squelching sound of her fingers up your cunt, “This pussy was made for us, darling.” 

Their words and touch brought you so close, yet Wanda’s hands slowed down when she felt your legs quiver or your breathing seize up, never giving you what you needed. You’d squirm against Wanda, begging for more, a lingering touch, anything-  “Please, Wan- I‘m so close,” You whined, earning a tut from your costar. She’d devour your pleas, lost to time as her mouth would reach yours, softer than before. You felt her sympathetic smile against you as she’d shake her head, locking eyes with Natasha’s heavy stare, “Not yet, sweetheart..It’s not my turn anymore.”

The redhead groaned when Wanda slid her fingers out of you, her fingers shimmering with your arousal. Your walls fluttered around nothing, aching for anyone’s touch as you felt Natasha’s rugged grasp on your hips, pulling you up and back so your pelvis was against hers. The strap had warmed in her hand, dragging between your legs. You were dripping for her, soft sparks of pleasure seizing you as her tip would brush against your clit. Her voice would thunder through you, almost delirious with her own need, “Fucking finally..want this pussy all to myself…” 

Wanda would chuckle at that, your director kneading at your hips as Wanda’s thighs settled in front of your mouth, your arms propping yourself just above her soaked cunt. “We promised to share, Tasha..” She’d croon, face flushed and touch softer than Natasha’s as she’d cradle your face in her palms, “Such a pretty girl..are you ready for your reward, darling?” You nodded, a flurry of sensation hitting you all at once- Natasha’s strap sinking into you as the redhead would push your shoulder blades down, pressing your face between Wanda’s legs. 

The stretch was incredible, the woman behind you vicious as she’d drive her dick into you, bottoming out as your mouth would be smothered against Wanda’s cunt. Each thrust would drive Wanda crazy, your gasps and whimpers vibrating right into her core, especially as you’d flat your tongue against her clit, suckling on the sensitive nub. Her thighs would threaten to shut on you, her stretched words lost in your pussydrunk haze, “Yes, like that sweetheart- such a good girl..-” Natasha would rock her hips into yours, pace bruising as she’d pull your thighs flush to hers. You’d hear her muffled curses as she’d bottom out again, sighing as if she could feel you clench around her. “Baby..fuck, so perfect for us…” Wanda’s hands would thread into your hair, anchoring her hold on you as she’d press your face further into her cunt. 

The sight would echo a curse from Natasha’s mouth, her hips growing a little more erratic, “Fucking christ, she’s our perfect little whore, aren’t you baby-” You’d try to nod, moaning as Natasha’s hand would press further into your back, keeping you from moving an inch, “Don’t even think, baby- just fucking take it, fuck-” 

Time would seem to slow, your brain fuzzing into blissful static as you’d feel Wanda’s thighs tremor around your head, her grip tightening as she’d see your body tremble in Natasha’s touch. “Come with me, sweetheart- be a good girl and come for Mommy.” Her saccharine words spurred you into a blinding release, your tongue working Wanda through her orgasm as your body quaked with your own. You’d feel Natasha follow shortly thereafter, cursing aloud as she’d pull herself out of you, watching as you’d clench around nothing. Her hands would immediately find your waist, bringing you gently up to kneel with your back against her clothed front. 

Panting, your arms would shake as you’d catch your breath, leaning up to wipe your mouth with the back of your hand. You could feel both women’s eyes on you as you’d suckle on your fingers, cleaning up with an exaggerated moan, looking towards Wanda as you’d pop your hand out of your mouth, your words almost dreamy, “Mmm, so good, Wan..” You’d giggle as Wanda’s face would alight in blush, although the clink of metal and fabric drove you away from your teasing.

Natasha’s hands would be rushed as she’d pull her pants and harness down, eyes heavy with a lust that made you shudder, “Switch with me, Wands-” She’d grit, thrusting the strap in her general direction before settling calloused palms on your still quivering thighs, her gaze boring into yours, “It’s my turn for her mouth.” 

Wanda’s smirk was immediate, sending you another sly wink, “Gladly.” 

------------------------------------------

Unbeknownst to the three of you, the cameras had never stopped rolling. That film would never be seen by the public, kept hidden once you left the building. Not to say it couldn't be enjoyed by you three, though.

Natasha and Wanda took you out to coffee afterwards as the brunette had promised. They explained their prior agreement to ‘test the waters’ with you, Wanda working with Natasha on a plan to woo you both in and out of character. The date went well, although with much less lingering glances and more almost-fucking in the back of Wanda’s car afterwards. It was there that the public and paparazzi learned of your relationship, although their camera flash thankfully stopped any romance before it got good. You weren’t on a porn set, after all- and Wanda kept your half-nude form hidden while Natasha cursed out the press. All in a day’s work. 

Unfortunately, the day’s work began anew the next day. Filming the romance scene was no difficult measure now, but Natasha’s grin and Wanda’s wandering hands blurred the lines of professionalism. The film crew couldn’t care less, a few of them- such as Kate, a script supervisor- mentioned how they knew it would happen eventually (and won a bet with Peter, who said it’d take until the award show for you three to get together). 

However, once you three escaped into Natasha’s office for some ‘paperwork’ as she’d called it, it didn’t matter. They were yours, and that was enough.  ~~~

[dduane]

Hi Diane!

I promise this will end in an ask, but I have a story to share first, if you have the time.

I’m very new to Tumblr, in fact, I was moved to finally create an account to send you this message, but I’ve been casually poking around for a bit. A quick google last summer told me that Tumblr is the best place to get Good Omens news from Neil himself, but it didn’t do the courtesy of warning me just how magnetic this particular bastion of chaotic creative internet mayhem can be. This story is one example. Fun note, when I was composing this message my husband looked over my shoulder at the literal essay I’d typed out and suggested that I maybe, perhaps, might consider shortening it to the length of a conversation that could take place in an elevator. Or in line at the coffee shop. However, i’m not one sacrifice enormity for brevity.

Your post the other day regarding the cover for your novel, Stealing the Elf King’s Roses, got me thinking. First, that it was a very genuine thing to share, second, that I wasn’t entirely sure why I wasn’t immediately familiar with your work, and third, what a fun visual challenge. I was still thinking about it when I should have been sleeping, so I decided to dig in. I almost stopped reading your bio at the ‘blah blah blah’ because I was feeling quite bad about my media literacy at that point, but then I saw that you’re well-known for the Young Wizard series.

The Young Wizard series.

I said I’d try to keep it brief and this is my best attempt. I read books 1-5 of that series during the hardest, strangest, most heartbreaking time in my childhood when I desperately needed a different reality than my own. What I found in your novels was so much better than that. Your stories, your characters, your vision, helped teach me to ground myself in my strengths, frame my reality with hope and purpose, and how to build the spaces I needed within myself to find the compassion, forgiveness, joy and peace I so desperately needed. One of the things I built within myself on my healing journey was a beautiful jeweled box. It resides in my mind just off of I-335 in Topeka, Kansas. I was driving through the flint hills on a road trip from Milwaukee to Wichita when I finally finished the long process of constructing it, so that is where it stays, shining in the sun and twinkling under the stars. This box contains everything I experienced that couldn’t come with me as I grew. Crafting it was a lengthy, emotional, wrenching process, and it’s the best thing I’ve ever done to allow me to become the person I am today. I used visit it every now and again, to make sure the jewels are still bright, but I’m very careful to not jostle the lid.

I’m recounting all of this to you because two nights ago I quite suddenly found myself standing beside my box for the first time in almost a decade. I could feel the gravel under my slipper socks as I gently opened the lid to see my copies of your books resting at the very top. I wasn’t immediately familiar with your work when I saw your name because it is so inextricable from the very fabric of how healed myself, that I accidentally let your words fall under the closed lid of the very box they helped enable me to make. Nothing else clamored to be released as I carefully pulled them out, and once more closed the lid.

So, the ask. I will be brief here - I’m an artist. Not currently working professionally as I’m exploring a different career path, but I’m usually working on a personal project or two. I needed a new one and was still intrigued by the post that started this all, so to help me process the emotions described above I made a version of a cover for STEKR and wanted to ask if I could share it with you. It looks like I can’t attach here, but I’d love to post it on my new, very empty page. It truly might not be your style, but I once again found solace in a space you opened the door to and this time I have the opportunity to share it!

Also, from the bottom of my heart, thank you.

You're so very welcome! And I'm really glad the books were there for you when you needed them. (And plainly are there with you still.) 😊

And absolutely, post that cover! I'll be delighted to see it.

[highvern]

Endpoint TEASER

Pairing: Jean Wonwoo x f!reader

Genre: fluff/smut (teaser), angst (full fic)

warnings:  unprotected sex, facial, face fucking, oral (f & m receiving), fingering, simp wonwoo. more tbd

Length: ~1.6k (teaser)

Note: hiatus is is on hiatus because this is the first @camandemstudios fic. em and i went to marriage counseling to make sure we'd get this done. I cant wait for you all to read the amazing fics coming soon. take this as my penance for abandoning patterns

summary: Senior year of college is meant to be full of celebration and smooth sailing. Years of work culminating in the final semesters that will send you off into the real world where clubs, sports, and weekends packed with hungover volunteering to pad your resume no longer mattered. It’d be a piece of cake if it wasn’t for your fuck buddy turned coworker having the same plan. But only one of you can get the department’s most coveted recommendation that all but guarantees your acceptance. Tension rises and the nearly four year thing you’ve had with Wonwoo approaches its endpoint.

collab m.list || m.list

This blog is intended for 18+ only! Minors/blank blogs will be blocked.

Comment to be added to the tag list when the full fic is posted September 10th!

“What are you doing?”

“Nothing,” Wonwoo hums into your stomach, hands crawling up your thighs.

“That,” you inhale at the nip of his teeth on the curve of your thigh, “doesn’t feel like nothing to me.”

Wonwoo doesn’t answer but gives you plenty of time to brush him off while bruising your skin. You don’t. Instead you sink deeper into the blankets and let him push your shirt up until you're bare once more.

The fuzziness of alcohol lingers in his veins – just enough that he smiles into the strip of skin above your panties as you sigh and arch under the delicious weight of wandering hands and mouth at your nipple.

“Wonwoo,” you sigh and he’s up and kissing you with eager clumsiness.

A familiar prod at your core through his boxers crashes bubbles through your veins. You felt it in the bathroom but now is when you finally get to indulge with subtle grinds Wonwoo meets in his own search for friction. 

“Don’t you need to be up—ugh—early tomorrow?”

He kisses you slowly, tongue dragging along your bottom lip until your mouth opens under his. It burns you from the inside out. Mindlessly you shift your legs to frame his hips better but Wonwoo kisses deeper and all you can think about is giving in to whatever scheme he’s working up to have you both naked and panting.

He leans back a fraction to speak, giving in when you chase his lips before ducking to nip at your ear and mumbling a response. “Don’t worry about it.”

“I will worry about it when you snooze twenty alarms and your team hunts me down because I smothered their star player with a pillow,” you snort but heat under a squeeze of his fingers at your sides.

“Sleep when I’m done with this.”

“And what is ‘this’ exactly?”

A harsh suck at your jaw has your stomach tight. heavy and thick until need drips down your spine to coil in your gut and the emptiness between your thighs becomes unignorable. He hides pleased groans in the curve of your neck until you force a hand under the band of his underwear. Eyes opening, you watch the muscles of his back tense and flex as he rocks against you, fucking your fist greedily.

It doesn’t last long. Wonwoo gets antsy under the taunting pressure of your thumb and descends back down your body with burning lips. “Take your shirt off.”

“It’s cold,” you complain but do as he asks. 

He traces your figure clad in nothing but your glasses and a soiled pair of panties; damp at the crotch from his attention and Wonwoo slips a finger under the hem to tease you that inch closure to depravity.

Wonwoo laves against the hickey on the inside of your thigh from a week ago, it’s yellowed and perfectly shaped like his mouth. It’s tender under his attention, even the gentle tracing on his nose forcing you to wince in discomfort. 

He coos, kissing it before skating back to the hem of your panties, lips vibrating against your skin. “Sorry I didn’t come earlier.”

Why he brings it up now is a mystery. Or the fact he brings it up at all. 

“It’s fine,” you sigh as he tugs the last scrap of fabric off your body and pushes your knees up to display you like a meal.

Spreading you apart, he lands a wet kiss at your entrance before teasing with the heat of his tongue. 

In a beg for sanity you twist a tight grip in his hair; a tangled mess from his drunk endeavors. Wonwoo pushes harder, drowns in your taste with enthusiasm as you moan and sigh. 

“F-fuck.”

He won’t ask if it’s good. He knows it is. Nearly four years of hook ups attunes him to your pleasure, a well rehearsed routine that has you both ache in the best way. 

You lose yourself in shaking breaths, feet planted to drive up into his mouth for more. He sucks your clit and nearly gets his head crushed by your thighs. It doesn’t take much and he knows it. 

You chant ‘gonna cum’ in choked groans that almost die at the edge of your teeth but Wonwoo hears and takes it as permission to pull out the stops, hand at your thigh with a harsh grip and fingers sinking home.

He’s memorized all the signs of your want; the wrecked echo of your throat and the sounds he pulls from you a clear tell. He flattens his tongue, holding steady as grind straight into mindless bliss. Spit pools and drips and slips down onto the sheets. Wonwoo hums praise, unintelligible but you vaguely know it’s something that’d make you blush if you could hear it over the pounding of blood.

Back arching, your vision flares white at the edges and when Wonwoo realizes what's happening he makes it last until your fist ball up and you’re floating.

Wonwoo backs down as you twitch through the tail end, sloppy kisses to your clit that could knock into another fit if he isn’t careful. But even as you tremble the only thing you want is the weight of his cock in your mouth, or inside you. You aren’t picky as long as you get to feel him cum too.

You finally manage to pry Wonwoo from between your legs with an ankle to his ribs. You’re not done with him despite the fatigue hanging around your shoulders like dead weight. He angles over top of you for a kiss that tastes too much like pussy for your liking but it’s hot knowing he’s covered in you so you push until his shoulders meet the sheets and you can claim his lap.

His dick strains through his underwear, preening when you rock back into the heat. His nostrils flare when you grab for it, stiff enough to sink onto easily. 

“Oh god,” he groans, head digging back into the pillows to watch you like a goddess.

His fingers web across the tops of your thighs, a harsh grip keeping you flat as he grinds up into the wet heat of your pussy. You whimper and sigh for him; all the sounds he loves to hear. You squeeze your chest, taut nipples framed between the slants of your fingers to entice him until he reaches around and knocks you forward for the sole purpose of taking one in his mouth.

Your eyes roll back, jaw locked open, drowning in the stretch and the bite of his mouth and the hands squeezing your ass so hard it hurts. Wonwoo groans, throaty and desperate. “Gonna cum. Wanna cum in you. Holy shit.”

He gets you on your back. Too absorbed in his own end, he’s dead weight with his tongue between your lips and harsh thrusts that take him right to the edge. It gives that grit against your clit that means you’ll cum too, soaked in cum and spit and sweat.

You wish he’d flip you on your front and fuck you with a hand between you shoulder blades and the other tangle in your hair. That’s the kind of fuck that’d leave you satisfied the entire weekend he’s busy but he’s running out of steam just doing this, picking up speed in his thrust,the clap of bodies filling the room.

Chanting his name like a broken record, ‘Wonwoo, Wonwoo, Wonwoo’ breathy but loud enough your neighbors will leave another passive aggressive note on your door come morning, all you can think about is his cum. On you, in you. A sick part wants him to pull out and cum on your face – he hasn’t, not in a long time because priorities and responsibilities and you're usually lucky to have even five minutes alone before someone needs either of you. But you want it. God do you want it.

“Cum on my face,” you whimper. There’s drool on your lips and sweat in your hairline. Even if he doesn't, you'll need another shower anyway.

A strangled noise escapes from between his teeth at your neck. Then he’s driving forward so hard you burn; painfully so, mouth locked in a silent choke. Your orgasm rips through your insides, jagged at the edges where Wonwoo fucks himself into your guts. 

“Fuck yeah,” he grunts, pulling away and replacing the grip of your pussy with a tight fist as he straddles your chest. 

The taste of cock floods your tongue, heady and intoxicating. You get one, two drags against the stiff head and then he’s cumming, dripping his spend over your lips, then your cheek, then your glasses because he’s a sick freak. You open your mouth and replace his hold, moaning as more comes to the surface. You swallow down as far as he’ll go which isn’t much in this position but it’s the thought that counts.

Wonwoo grinds to halt with an occasional kick of his hips that leaves you choking – rigid limbs locking in place until he melts with sticky satisfaction. 

He’s up and off, your glasses in hand for a thorough cleaning, not even bothering to flick on any of the lights but you hear the sink running in the bathroom before he comes padding back.

“God,” you whimper in disgust. “That’s so gross.”

“You’re the one who asked for it,” Wonwoo snorts, soft passes of a damp cloth on your skin focused on getting you clean enough to sleep.

“Because it’s hot but you aim for shit.”

Wonwoo tosses the rag somewhere, flopping down and pulling you close as possible with a kiss on your forehead. “Next time I’ll aim for your hair.”

“Bitch.”

The sound of music from upstairs pulses through your head as you drift off, Wonwoo asleep on your chest, fingers laced together on the sheets beside your intertwined bodies.

FULL FIC POSTED HERE

Taglist: @tomodachiii @cvpidyunho @miniseokminnies @ddaengpotate @arycutie

@gaebestie @primoppang @gyuguys @mine-gyu @doremifasire

@missminhoe @toplinehyunjin @crvs4vldtn @prettygyuuu @sliceofwoozi

@writingbarnes @dokyeomkyeom @christinewithluv @minwonfairy @idkjustlovingbts

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@scoupsjin @isabellah29 @luvseungcheol @crisle19 @iamawkwardandshy

@lukeys-giggle @aaa-sia @tinkerbell460

[linkspooky]

PITY VS. EMPATHY

Jujutsu Kaisen Chapter 265 quickly surpassed Gojo's death chapter as my favorite chapter in the entire manga. It's a high point in both Yuji's character development and the Sukuna fight, a notion most of the fandom agrees with. That being said, it's once again time for me to take a stance contrary to most of the fandom opinion. I was going to make this post two weeks ago but I'm glad I waited, because this week's chapter helps me illustrate my point in the contrasting way Yuji treats Sukuna and Megumi.

As you can probably tell by the title, my hot take of the week is that what Yuji is showing Sukuna isn't true empathy. It's not atn attempt to understand Sukuna's worldview, but rather condescending pity from a place looking down on Sukuna, which is why it infuriates him so much. This is illustrated in Yuji's atual actions this chapter, which is to go at great length to show memories from his past to make Sukuna understand HIM and not the other way around.

Whereas, what Yuji shows Megumi is compassion, because he's not telling Megumi what to feel or imposing his own views on him but rather accepting the fact that Megumi might be suffering too much to keep living on.

I'll explain more under the cut:

Guanyin, Goddess of Mercy

Yuji is, not as far along in his character development as he might seem. I don't want to undervalue his growth, this chapter shows definite progress, and I understand why it would seem that this is the completion of his arc of being a cog in society because he straight up says people don't need roles, and it seems like the manga is quickly coming to a close.

However, sometimes characters words don't exactly match their actions. Sometimes characters aren't self aware. People often call characters multi-layered and complex, but what does that mean exactly? For me, a mutli-layered character is the embodiment of "people are never what they appear to be."

A story has multiple layers when you're not supposed to take everything the author says at face value. Every time you read a story, whether you are aware of it or not you engage in some level of personal interpretation. You're not supposed to automatically accept everything the author feeds you without question. Therefore characters are not exactly what they are stated to be, and good character writing allows room for interpretation for what is going on in a character's head beneath the surface.

In a jungian sense this would be the ice berg model of consciousness. There's the persona, or the ego, which is what the person presents to the world and the people around them. Their own-self conceived image. Then there's the part of the ice berg that submerged, which accounts for all of their internal mechanisms and facets of their personality they aren't aware of. This could range from anything to like, how trauma can affect people's actions without them realizing it, things they are in denial of and don't want to admit to themselves or just like someone who's bossy but not self-aware about that trait until someone else points it out for them.

Everyone's have that friend who you try to call them out on their bad behavior, but no matter how hard you try they just won't admit it. That alone illustrates there's a difference between self-perception, how we view ourselves, behavior - how we actually interact with the world, and pther people's perception of us. Somewhere in between these multiple points of view there exists a vague outline of a person, and personality, whatever "personality" means exactly.

To step away from Jung, in a character writing sense this means a good character's motivations, personality, and actions can be viewed from multiple angles. There is conflict between how Yuji views himself, his actual actions in the story, how other characters might view him, and how he's framed in the story. The first two, Yuji's self-assigned roles, and what his actual actions amount to is a conflict that's run over the entire story.

It starts from chapter three, where Yuji's answer for why he wants to become a sorcerer is that he wants to fulfill his grandfather's dying wish, and Yaga immediately says "Is that what you really believe, or are you just using your grandfather as an excuse?" The story shows us Yaga was right to point out the discord between Yuji's stated motivation and his actual desires because Yuji changes his answer.

This stated motivation, "To do something that only I can do", or have a role as another way of putting it is Yuji's central motivation for most of the manga. Of course as I said people have multiple layers, so he can also have multiple motivations. Yuji's desire to have a good death, him wanting to be surrounded by people when he dies, his belief that fulfilling his role as a sorcerer will save other people from curses, all of these things are equally true but that one desire to have a role to play in the grand scheme of things is at the center of it.

The role Yuji has chosen is to kill curses so people can have more natural deaths, and also to stop more victims of curses from piling up. He's also resolved from the start to die with Sukuna in his body, to also spare victims of curses Sukuna might attract, and also kill Sukuna for good.

Even these stated motions are challenged right away, and then again continually through the comic.

I'm not going to go over Yuji's entire arc here, but the fact that Yuji is someone constantly interrogated for his motivations and even punished in story for his altruism is a constant pattern in his character arc.

It extends deeper than just the fact that Yuji is a selfless person in a world where selfish people like Mei Mei, and Sukuna get ahead while people like Nanami die young. A world where it is in your best interest to stick out your neck for others.

For me a lot of the harsh consequences Yuji's conflict in the story also centers around the fact that he can never live up to the role that he has assigned himself. Not only is Yuji mistaken in his perception of himself, but the fandom in general is as well, because most people tend to take Yuji's stated desire to guide people to good deaths and save them at face value.

For example, people were excited to point out the Guanyin symbolism directly referenced this chapter, and also the significance of the seal for Yuji's domain.

There is much speculation, but it seems certain that this hand sign is an invocation of Ksitigarbha, a revered bodhisattva in East Asian Buddhism. Ksitigarbha is also known as Jizo Bodhisattva in Japan. His name can be translated as Earth Womb, Earth Matrix, and Earth Store. These translations evoke the image of a vessel, which seems relevant to Yuji's role as Sukuna's vessel.

While I agree the symbolism is well suited for Yuji's goals, someone who wished to guide people to a more peaceful death, and also the way Yuji opposes Sukuna right now determined to kill him who lingers in this world as a parasite for a thousand years finally back to the cycle of reincarnation. It even alligns with his desire to try and make Sukuna understand the value in one individual's life by showing him his memories. In that way Yuji is fitting the role of someone guiding others to enlightenment.

However, Yuji is not a bodhivista in the end. He is a normal teenage boy. In fact this is the crux of Yuji's character to me, he is a good kid, but he's not as good as he thinks he is. If anything this is what this chapter goes to great length to demonstrate, that Yuji despite being a science experiment to create the perfect vessel for Sukuna for Kenjaku's 1,000 year plan, had a normal childhood. All of the things Yuji says in this chapter are for the most parts the musing of a normal kid his age.

This isn't me criticizing Yuji. I'm just trying to state the message I believe Gege is getting across in this chapter. It's similiar to the conclusion Yuji himself comes to, the conclusion that the value in life lies in the memories you make on a day to day basis, even if you're not living a life full of adventure.

Yuji's conflict is that he pursues the role of a bodhisvatta, and he holds himself to the standard too of someone who exists to be a sorcerer because by doing his job as a sorcerer people will get saved as a result. However, Yuji as a person will always fall short of this ideal, because ideals by the nature of them being IDEAL and therefore not compatible with reality.

To use an example for another media, it doesn't matter how hard Shirou Emiya strives to save others, or how selfless he tries to be, he will always fall short because the ideal of saving absolutely everyone is impossible. However, in most versions of Fate's story Shirou absolutely refuses to compromise on this and in the future, Shirou will continue to strive towards the ideal of saving everyone until his inability to achieve that ideal and the number of people he's failed to save eventually breaks him.

So Yuji may genuinely hold onto an unbreakable ideal, but is his inability to let go of that ideal necessarily a good thing? His ideal might break but what about Yuji as a person? Yuji will in the end always fall short of that ideal because of his humanity, especially since Yuji is the most human character in the story and practically the only one with a normal background.

There's also as I stated above Yuji might not be aware himself of the ways he falls short of his ideal, because he has a flawed self perception. Yuji is getting closer with his revelation in this chapter of looking at reality instead of trying to have a role like a character in the story, but that doesn't mean he's finished (since the story's not finished) or he's become a fully realized character.

One of my favorite quotes from my favorite Yuji video helps describe the point I'm getting at with Yuji's lack of self awareness and the way he sometimes falls short of the savior he sees himself as.

By assigning himself the role as heroes, and the other characters as victims to be saved Yuji sort of condescends to the people he endeavors to save. I describe this as condescending because this way he doesn't see the people he saves as fully fleshed out human beings who are separate individuals from himself.

Yuji is alligned with Higuruma of all people, someone who shares Yuji's savior complex and becomes disillusioned because the people he decided of his own free will to protect as a defense attorney are not perfect victims.

Someone who becomes disillusioned when looking at flaws in other people, and also cannot deal with his own guilt when he too, becomes like the crimminals he once defended after becoming a murderer.

In fact Yuji sees himself in Higuruma's inability to live with his guilt, and only being able to see himself atoning with his death. Yet, despite Yuji seeing himself Yuji also seems uneasy with Higuruma being unable to see one other way forward in life.

Also, remember that Higuruma is a defense attorney. The whole point is he's supposed to defend crimminals even if he knows they did the crime and try to get them off their sentence and win the trial. Therefore at this moment Higuruma has failed to live up to his ideal.

There's another character Yuji is paralleled to constantly, who also shares Yuji's symbolism of being associated with a divine, and benevolent figure.

Geto's ears, his dressing as a monk in a Gojo-gesa, this official art all connect Geto to be Budha and yet it's quite obvious that Geto has failed entirely to live up to his role as the budha.

There's so much symbolism aligning Geto as a divine figure bringing salvation to others, and this corresponds to his original ideal as a sorcerer who belived that sorcerers had an obligation to use their powers to protect others, because in a just society the strong protect the weak.

Geto is an outsider who wasn't born into the Jujutsu World who entered in with an attitude different from most sorcerers by trying to become a sorcerer for altruistic reasons. However, Geto, like Higuruma grows disillusioned when he's confronted with the fact that the people he wants to save are flawed.

However, Geto's ideal was mistaken to begin with because much like Yuji, by distinctly separating people into the weak and the strong, he's separating them into two categories where the former is inherently inferior to the latter. Other people existed to be saved by Geto. He couldn't cope with the fact that the people he wanted to save were people and not victims.

So we finally circle back to chapter 265 where Yuji is attempting to relate to Sukuna and see some humanity in him... or is he?

Yuji shares the same flaw of both Geto, and Higuruma where he sees the people he wants to save as existing in a separate category than himself. So, is what Yuji is offering Sukuna understanding and an attempt to emotionally reach out to him, or is he attempting to show Sukuna the mercy of a conqueror.

Even if Yuji wins the battle and spares Sukuna's life in the end, it won't be Yuji's compassion or empathy that won him the fight. If Yuji wins against Sukuna it's simply because he's stronger. Yuji only feels confident trying to offer Sukuna in the first place because this time he's finally confident he's stronger. It's mercy, offered at a threat with the same time. Yuji, like Geto, is still separating people in categories of strong and weak, he's just showing mercy to someone he now considers weaker than him which is why Sukuna reacted the way he did.

As I said above, Sukuna begins by just assuming that Yuji had just let go of his anger, and was now trying to reach out to him on some other way. He calls him weak for being unable to keep hating his worst enemy, because in Sukuna's world view Yuji should keep hating him and wanting to defeat him with all his strength to the end. Sukuna mistakenly believes for a moment that Yuji is the kind of person who, cannot sustain his anger even towards his worst enemy.

It's when he realizes that Yuji is just showing him simple pity that he snaps. Yuji doesn't care for understanding Sukuna's worldview or seeing the humanity in him, in the same chapter he says he can't forgive people who act like lives are worthless.

To Yuji's credit he admits he doesn't really know which side of the fight is truly human, or whether or not he's right, he admits it's his own personal belief. A lot of Yuji's wisdom this chapter, I'd argue, comes from admitting the things he does not know, and acknowledging that there's no objective truth or "meaning" to the world. However, he still separates people into "good guys, and bad guys".

Yuji isn't actually that interested in considering the perspective of those he considers the "bad guys" he just still had a faint hope that he could somehow convince Sukuna to see worth in his life by sharing memories, therefore convince Sukuna that an individual's life can have value.

He doesn't want to understand what Sukuna thinks, he wanted to change the way Sukuna thought so it was more like himself. Yuji doesn't ask Sukuna any real questions about himself while exploring his memories. Kind of ironic, because for some reason Sukuna of all people was patiently listening and even engaging Yuji in conversation while he went through the most mundane memories of his childhood.

Irony on top of irony, Yuji's worldview does resemble Sukuna's in some ways. They're supposed to mirror each other after all, Yuji is literally the son of his identical twin brother reincarnated. First and foremost Yuji's offer of mercy isn't really breaking away from Sukuna's ultimate ideal of "Might Makes Right." Yuji isn't seeking some other way of settling this besides fighting Sukuna, he's going to make Sukuna submit because he's stronger.

Maybe there was no hypothetical "third way" for Yuji to put down Sukuna other than fist fighting him into submission. There probably wasn't, Sukuna's pretty up front what he's about, and what he's about is being the strongest and nothing more. He lives and dies by violence, a Sukuna who isn't the strongest is nothing more than a corpse so can that person be reached? However, I just wanted to point out that Yuji wasn't interest in solving this in any way other than a fist fight to begin with. As opposed to say, the way that Takaba handled Kenjaku taking a third route by making Kenjaku feel entertained for the first time in 1,000 years.

In the middle of that fight Takaba even APOLOGIZES to Kenjaku, for saying that it doens't matter if he doesn't understand his audience and he fails to make 1% of them laugh as long as the other 99% of them are laughing and states it's his duty to make everyone laugh otherwise he's failed as a comedian.

Yet, another reason why this is the greatest fight in the manga. Yuta even remarks in the end that Takaba isn't someone who can kill people. Not only does his cursed technique negate most damage to him by turning it into cartoonish antics, but Takaba's comedy is also all about understanding his audience and trying to get his audience to understand him because his comedy began when he clowned around as a kid when he was lonely. All of this to say we've been shown more points of view than just "Might makes Right" and there are characters who've resolved conflicts in other ways. Kenjaku is also, probably as monstrous as Sukuna, and yet Takaba engaged him right from the start by asking him about his motivations and if there was some other way he'd be happy than the merger.

You could argue that maybe Sukuna can't be understood. Characters in the story certainly try to and all they amount to doing is projecting their own ideas onto Sukuna. Yorozu projects her obsession with love onto Sukuna and we get the idea that Sukuna must somehow be lonely at the top, but in the end Gege subverts this expectation by showing us that Sukuna was never lonely, rather characters like Kashimo and Gojo projected their feelings of unresolved loneliness onto him. They are strong, and he is strong, ergo he must feel the same crushing loneliness as them. Gojo himself demosntrates not understanding Sukuna as he expresses regret in the afterlife that he was unable to make Sukuna go all out and that he related to that guy's loneliness only for Sukuna's response to be a very gratified "You cleared my skies."

Sukuna: Others love us for our strength, and we respond to that love.

The twist of that is Kashimo and by extension the audience assume that Sukuna must not understand love, and therefore he's lonely. However, Sukuna all along had his own definition of love, that people express their love and admiration for him by trying to fight him and he receives their love by facing them at his full strength and giving them the chance to prove themselves. Sukuna's habit of toying with his opponents is an extension of this he wants to see them realize their full potential in their fights with him. Sukuna does understand love, he just REJECTS our understanding of love. Sukuna does not think in the way that we do, but that doesn't mean he doesn't have things he values, or is devoid of positive traits. Respect for his opponents, honoring strength, these are all values they're just not Yuji's values.

As stated above, the irony of all this is that Yuji does buy into "Might makes Right" to an extent. To reiterate, following Geto's "the strong exist to protect the weak" still divides people into two categories strong and weak and implies the weak are helpless. A benevolent might makes right, as you might say. Yuji wants to show compassion to the weak, but he also loathes weakness, he loathes himself for being weak.

"There still may be lots of people who are weak like you."

Higuruma even points out the flaw in his mindset, well if you loathe yourself for being weak, then what about other people who are weak do you loathe them too? I think it's no coincidence that Yuji is paralleled not one, but two (Geto, Higuruma) people who tried to use their strength in benevolent ways only to start out loathing the people they were trying to help. I'm not saying that Yuji secretly hates weak people, but his mindset of black and white, weak and strong, a mindset that can't accept the greys of reality is a dangerous mindset to have and Yuji has the potential to become like those two.

However, these parallels exist for us the audience to see just how close Yuji was to repeating the cycle, because it makes it that much more meaningful when Yuji grows in ways that Geto and Higuruma doesn't to move one step forward towards breaking that cycle instead.

Yuji is someone who experiences the same loneliness as Sukuna and Gojo for being the strongest, though to a lesser extent because he wasn't born into the realm of sorcerers. At the start of the manga we're introduced to Yuji a kid who despite being someone friendly to everyone he meets and incredibly social, has a friend group consisting of two friends. Two friends who hang out with him because they need a third member for their occult club. Yuji for the whole manga excluding one exception really only knows how to form relationships based on someone else needing him.

Noritoshi Kamo: Itadori why did you become a Jujutsu Sorcerer? Itadori Yuji: It just sort of happened. i'm a loner. I wanna help a lot of people so when I die I'll be surrounded by people.

Yuji has also appeared in flashbacks in early culling game as someone who doesn't really understand, or even take notice of weak people. Yuji in Amai Rin's flashback is beating up bullies, a heroic notion, but from the perspective of somone spineless like Amai who was just going along with the bullies so he himself wouldn't be bullied because he didn't have the strength to stand up with them, and wasn't born with the body of an MMA fighter at fifteen, Yuji looks scary.

The reason why reducing people to labels like strong and weak is reductive is that humans are complex and contradictory creatures. Let's take Amai Rin for example, an incredibly minor character. In the real world, Amai Rin would be someone as equally complex as Gojo Satoru. Amai Rin a middle school bully would have just as many layers to his personality, inconsistencies, contradictory behavior, different sides of himself as Gojo Satoru himself.

Humans are complex in the first place because we can't see inside their heads, we can only see inside our own heads and know that we're complex and sometimes say things we don't mean, behave differently depending on the situation, do things we're not proud of, but we also usually don't perceive others the same way because we are not inside their heads like our own. Amai Rin is just as complex and multifaceted a human being as Gojo Satoru, he is a person with his own memories and life experiences that shape him, but from Gojo's worldview Amai Rin is a minor character. By reducing him into someone weak, Gojo doesn't care to try understanding him.

So Yuji for the longest time does not try to see the humanity in weak people (except for his big moment with Junpei) he just sees them as people to be saved. Which is why his real moment of progress to me comes the next chapter, with the way he shows empathy to Megumi.

Yuji begins when speaking to Megumi by relating his frustration with his grandfather for not wanting to go through chemo and accepting his own death in old age. Yuji is now mature enough to understand that just because his young body is tough enough to endure chemo, doesn't mean an old man's body can withstand that pain. When he was young Yuji had a very immature viewset of "Well, I can endure it, so why can't they?"

Yuji then compares the situation with his grandfather to Megumi. Yuji wanted his grandfather to keep living, so he couldn't understand why he wouldn't even try the chemo. Yuji wants Megumi to keep living, but he now understand why Megumi wants to give up. Yuji' fe elings of wanting Megumi to live are not more important than Megumi's own feelings of despair and wanting to escape pain.

Yuji is no longer imposing his feelings onto Megumi. Yuji is respecting Megumi's feelings, because in the end he can't FORCE Megumi to live. It has to be Megumi's choice whether he wants to live or not.

Yuji is no longer pushing Megumi away, or acting protective of him, while disregarding his feelings. He has gone from "as long as I'm around you'll suffer" to "I'll be lonely without you." Yuji doesn't ASK Megumi to live even though he wants to, because he knows he can't tell Megumi to keep on living. What Yuji does is just an honest expression of his own feelings. He's sharing his own feelings after listening to Megumi's ideal life with Tsumiki and Yuji, because that's what empathy is, an exchange, a conversation.

People often jokingly use the term "yap sessh" on Twitter, but yeah that's the different between a conversation and a "yap sessh" in the former you actually care what the other person has to say, in a latter it's only about expressing your own opinion.

That's why this panel, is such a perfect contrast with this panel.

One is Yuji offering Megumi a choice. The other is Gojo taking Megumi's choices away by giving him the false choice of "go to the Zen'in Clan and be a sorcerer and your sister will be abused, or come with me and be a sorcerer." Gojo railroaded Megumi into being a sorcerer and never let him decide for himself if he wanted a normal life. Gojo didn't see Megumi as his own person either, he, just like the Zen'in Clan just saw Megumi as the holder of the Ten Shadows Technique.

This is entirely different to Yuji who respects Megumi's feelings. Yuji expresses that he'll be lonely without Megumi, but that's just laying the cards on the table. In the end Yuji leaves what happens next entirely in Megumi's hands. Yuji cannot tell Megumi to live, even though he wants him to live so badly, he cannot tell Megumi to just get stronger and keep on trucking because he's not Megumi, he's not experiencing Megumi's pain right now.

Yuji does not tell Megumi to live and therefore becomes the first person in Megumi's entire life to give him a choice. This choice is the most important choice of all, a choice we make every day of our lives. The choice of whether we want to keep on living in this world.

Hopefully, Megumi chooses yes.

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[yourheart-inmyhands]

Hello friend!

Would it be alright if I request some angst content with the Archons + Neuvi + Arlecchino where the darling is injured to a lethal extent, where they are hanging by a thread (your choice if it was self-given or otherwise).

Maybe some of them took darling's company and time for granted so having them be so close to gone is like a wake up call to them, and they become 10x more overbearing, and perhaps a little loving? Thank you!!!

🍌anon

Hi thank you so much for the request! Unfortunately I don't really do more than 3-4 characters in one post anymore so I did half the characters you asked for, but you are 100% free to send in another request for the others <3 I hope you enjoy :D

Warning: this post contains yandere-themes, including mentions of violence, mentions of delusional behavior, mentions of reader being sick, hurt, and otherwise injured, and other potential topics. Please read at your own risk.

Arlecchino:

Arlecchino might be a bit cold and standoffish, but she was never a cruel lover. She just didn’t trust herself to get any closer to you than she was. She’d sleep in the same bed as you at night, buy you gifts, and eat meals with you, but affection was a difficult thing to get from her. Arlecchino has feared being close to someone not because she doesn’t want to be loved, but because she doesn’t want to experience any more loss in her life.

She thought that by keeping you at arm’s length she could protect you, but in fact, she had been wrong. Sitting by your bedside, ears blocking out the dull beeping of your monitors as she stares. Not at your face, she can’t bring herself to look at your gorgeous features after letting you get this hurt, but instead, she stares at your hand. It lays limp on top of the bed sheets, and as much as Arlecchino hates to admit it, she wants nothing more than to hold it right now.

It’s almost as painful as the first time she saw you all bandaged up, wires all over you as you lay on the bed, looking more so asleep than in the coma the doctor said you were in. The desire to hold your hand, it made her fingers twitch, her nose scrunch and her heart hurt. Arlecchino loved you, undoubtedly, but she just couldn’t bring herself to be affectionate with you on this level. Against her will though, her hand seems to move on its own, creeping up the side of the bed and gently scooping up your limp one. Arlecchino was never one to cry, a barely audible curse leaving her lips as she bites them, trying to steady their trembling as she turns her head, blinking away the building tears. She hated crying, but she hated even more that this was the first time she’d ever held your hand, a time when you couldn’t even return it, couldn’t even be awake to feel it.

Neuvillette:

Neuvillette is distraught, both because of how long it took him to notice how bad your cold had been getting and because he didn’t even notice till a small hoard of angry melusines stormed his office. It wasn’t like he was trying to be ignorant, he had just been busy and figured that you’d get over your cold soon. Humans are strong and resilient, a mere cold shouldn’t be that difficult, especially with some melusines caring for you.

He had rushed home immediately, finding you curled up under a mass of blankets and yet still shivering, a gathering of melusines around you fussing and frantic over your continuous decline. While Neuvillette wanted to reassure them that you’d be alright, looking at you in this moment, he couldn’t even reassure himself of that.

A week had passed since Neuvillette had rushed home, refusing to return to his office until you had made a full recovery. He spent most of the day laying in bed with you, helping to keep you warm by holding you close, his natural body temperature being higher than humans helped greatly with this. He wasn’t worried about catching your cold, dragons had much hardier immune systems, but he was worried about your slow recovery rate. Even with the gracious help of the melusines, you had rapidly declined before he came around to ensure you were recovering. A small part of him wonders what it was that was making you worse, he knew the care the melusines provided was above and beyond what he could do himself. The small part of him that doesn’t know hides the smaller part that does know what was wrong, that small bit of denial that his ignorance was making you worse.

Zhongli:

It had been a long time since Zhongli last felt the warm, sticky feeling of blood on his hands, the front of his suit splattered in it and his polearm drenched in it. Despite having once been the war god, it was never something Zhongli enjoyed, which was why he made the change to the god of contracts. Yet in this moment, he couldn’t refrain from the violent nature that lurked within him. 

Seeing you crumpled on the ground, an ever-growing puddle of blood beneath you as a gathering of treasure hoarders laughed and stalked off, hands holding belongings stolen from the innocent citizens of Liyue, you included. It left a gross feeling in his chest, a sickening, growing rage that he couldn’t dismiss. His first move was to evaluate your condition, making sure you were stable before demanding Xiao, his most treasured Adeptus, take you to the Bubu pharmacy. His second course of action was to summon his polearm, following the obvious trail the attackers had left behind.

Zhongli didn’t even bother to clean up before going to visit you, his once pristine image now stained as he stalked into the pharmacy. He was covered in dried red, yet not a spec was his. He didn’t even need directions to know where you were, silently walking over to the cot you were laid on, pulling up a chair to sit beside you as he nodded in regards to the doctor himself, Baizhu. There weren't many in Liyue that Zhongli trusted to treat his beloved well, but Baizhu he knew was a capable doctor. Looking at Xiao, who stood silently in the corner, watching over you till Zhongli arrived, the tall man dismissed the Yaksha, who knew exactly what mess he was being asked to clean up. It was in this moment, watching skilled hands drag a needle through your delicate skin, stitching up wound after wound, that Zhongli swore he’d never leave your side, not even for a moment. He couldn’t lose you.

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[bamsara]

So about chapter lenghts and editing - I'm someone who "writes to completion", so to put it (I write the whole fic, edit it, then post chapter by chapter). How do you go about it when you are writing as you post it? Do you do set word count targets for each chapter or is it more by plot beats?

I write for flow and 'how much information can I give in this chapter until it starts to overwhelm the reader'

How I write and post the chapters is based off my own reading preferences, so I try to post chapters at a 'digestible reading length' which is a good enough bite size to satisfy but not too much that I feel like it's flooding too much information to process all at once without being able to retain it all. For me, this mark is around 10k-13k words, but can go under that or over that because ✨flow✨ is more important than word count.

I draft bullet points for the fic but I don't write the whole thing (some scenes def get written beause they're important or bigger, wayyy ahead of time though, like the Drunken Gods chapter was drafted 7-8ish months before it was finalized/posted, abiet with changes cause the original file got corrupted) but I usually draw/draft things months beforehand and then come back later and polish it up for final draft.

[babyjakes]

〈 disclaimer: this blog posts content not suitable for individuals under the age of 18. minors are strictly prohibited from viewing, sharing, or interacting with this blog. for more information on this blog's commitment to protecting minors, read our full statement here. 〉

event | kinkmas 2023

prompt | knotting

pairing | alpha!steve rogers x omega!reader

warnings | omegaverse elements: knotting, mating press, breeding (and me not knowing like anything about the omegaverse.) unprotected p in v. clit rubbing. multiple orgasms. overstimulation. crying kink. breeding kink (like fr he wants her pregnant lol.) he comes in her. some brief aftercare. alpha!steve is so hot and powerful it's ruining my life.

word count | 859

an | i've wanted to write something substantial for an omegaverse au for sooo long but i've just been so hesitant to bc i don't feel super well-versed in the genre. shoutout to @starksbabie, ao3, and my google images search for teaching me everything i know about knotting LOL. and @brandycranby for teaching me about the mating press lol. if i got anything wrong, please let me know!!

imagine being alpha!steve's prized omega and mate, being fucked and bred by him during your heat 🤤 (nomad!steve is what comes to mind first, but i've also had a soft spot for endgame look for the longest time, so i'll let you take your pick 😉)

steve's the kind of alpha that doesn't let you lift a single finger (in or out of heat); everything's always done for you because duh!! you're his baby!! this is especially true when it comes to sex during your heat. your only job is to be pleasured and bred. your alpha will do everything for you, no need to worry your pretty little head 💕

thinking about him spreading you out on your back, bringing your bottom up to the edge of the bed so he can stand over you and pound into you as you lay there and take it. he gets you nice and comfy, laying a blanket down beneath you and positioning a pillow under your head to make it easier for you to look up and keep eye contact. of course, he knows you'll spend much of the ordeal with your eyes closed or rolled back in bliss 😏

the number one thing you crave during your heat is the feeling of being filled up, and by now steve's fucked you enough to make you crave being filled by him specifically. he's massive, even for an alpha. long, thick, and unbelievably powerful. because of his overwhelming size and strength, he has to maintain a good balance of fucking you hard enough to satisfy you both, but not too hard to prevent injury

the look on his face as he's ramming into you is a mixture of such pure love and authority. he absolutely talks you through it 😔🙏 you're so overcome with pleasure, he understands it's hard for you to do much talking back

sliding in and out of you at a steady speed, watching as your face is washed over with relief as you finally get what you need. "there you go, honey," smiling as he sees your tummy trembling as it's filled up, "gonna keep fucking this pretty little pussy, just keep being my good girl and taking it. let me give you what you need, doll"

bringing his thumb up to swipe over your quivering clit, always a little eager and impatient with how much he loves to see you come. crooning as you whine and wriggle at the burning feeling he's creating, "i know, baby. i know- so sensitive there, aren't you? look at this pretty little clit. so needy for me"

"nng... n-nnn," he loves the soft, weak little noises you're making. and he loves it even more as they gradually grow louder and more desperate, signaling your building climax

he's working his thumb quicker over your slick button to help keep the pressure rising, "c'mon baby, almost there. you gonna come for me? let's see if we rub a little faster-... oh-" he gasps almost mockingly with a smug smile, praising you heavily as you clench down on his swollen length

and god he could never get tired of seeing you coming. watching as your little face scrunches, your toes curling up in delight, your tummy spasming helplessly as you stammer through a string of angelic, breathy whimpers

"goood, so good for me, baby. keep coming for me, that's it," he draws out his words as you're coming down from your first high. your big, watery eyes and soft little squeaks, paired with having just seen you come, and knowing how sensitive and overstimulated you feel now?? it all makes steve's eyes burn as the heat and primal urges within him rise

it doesn't take long for him to near the edge himself. his large hands come down to manhandle you into position, grabbing under your thighs to force them up, your feet splaying out in the air as he leans himself down over you, his speed and forcefulness bringing tears to your eyes

"gonna come, sweetheart. you want me to fill you up? wanna carry my pups in that pretty little tummy of yours? come on, baby-... shit, that's it-.. f-fuck-"

the feeling of his base rounding out inside you has you crying out weakly, your entire body bracing as you feel the pressure in your core reaching its limit. as the heavy band snaps, your poor, helpless form seizes and spasms beneath your alpha. steve's heavy load shoots into you, the tight mass bulging just inside your entrance locking him inside, forcing you to take what you're given

seconds feel like hours. eventually everything fades to soft tingles as the silence is filled by your and steve's heavy breathing. as soon as he's able, he's shifting so delicately hold you against him, his thick knot still pulsing inside you hard enough to let you feel his heartbeat. "shhh, shhh," he's wiping away the tears that escaped down your cheeks, letting you rest your face in the crook of his neck to breathe in his familiar scent. "i got you, doll. just rest now. close your eyes, i'll take care of you"

[trikaranos]

TRIKARANOS CHAPTER I: S·T·T·L

TRIKARANOS is a dramatized narrative based on ancient events following Crassus (and Pompey and Caesar) through the years 87-48 BCE. Intended for an adult audience.

⭐ Trikaranos will always be free to read. In the near future, you’ll have the option to support this comic & my ability to spend time making it (I Am Extremely Fucking Broke And Have Bills To Pay etc etc) through Patreon! currently, I have a tip jar!

⭐ There is no set update schedule (chapters vary in length and will be posted as I finish working on them)

⭐ alternative places to read it (coming soon!)

CREDITS all additional art used are in the public domain, and the specific images used are open access, etc

🍊the first collage panel is combination of: Plate 113: Greeks Battling the Trojans (from Ovid's Metamorphoses), Antonio Tempesta / The Trojans pulling the wooden horse into the city, Giulio Bonasone (after Francesco Primaticcio) / Terracotta hydria displaying Achilles waiting to ambush Triolos and Polyxena 🍊the second collage panel is: The Lictors bringing Brutus the bodies of his Sons, Jacques Louis David / the paint over of Brutus executing is own sons is my own work based on the composition of this relief of Brutus and condemning his sons to death. 🍊I also used my own art: a panel from the Prologue, and my own illustration of Brutus with the bodies of his sons

📖 PREVIOUS CHAPTER | START HERE | ToC (under construction!)

UNDER THE CUT creator’s commentary, ancient citations, whatever else seems relevant. ideally, this is optional! you shouldn’t need the citations for it to make sense as it unfolds since it’s a comic and a story first and foremost, but it’s here if you’re curious about something or want to see where the inspiration is coming from!

I'm so fucking normal about Crassus and his family (<<< this is a lie)

Marcus Crassus was the son of a man who had been censor and had enjoyed a triumph; but he was reared in a small house with two brothers. His brothers were married while their parents were still alive, and all shared the same table, which seems to have been the chief reason why Crassus was temperate and moderate in his manner of life. When one of his brothers died, Crassus took the widow to wife, and had his children by her, and in these relations also he lived as well-ordered a life as any Roman.

Plutarch, Crassus

like, it actively fucks me up that this is something that's survived about him for over 2,000 years. they all ate together at the same table. Jesus Christ.

so! Crassus' dad! Publius Licinius Crassus (consul 97) fought on the side of Cn. Octavius (consul 87) in the Bellum Octavianum, and it didn't go great for him.

Crassus: A Political Biography, B.A. Marshall

also. currently, if you look Publius Licinius Crassus up on wikipedia for an overview, his page lists his son (and also my main character for this comic) with the cognomen Dives, which is in-fucking-correct.

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

and to circle back to houses and meals shared with family, some citations that made me feel some kind of way when I read them

Marcus Crassus and the Late Roman Republic, Allen Mason Ward

finally, there is discourse or whatever on the placement of the sons of Publius Licinius Crassus. Crassus is the baby brother here simply because I'm writing this story and I get to pick the themes, but also because no one has provided a solid enough argument for him being the second eldest son that I'm willing to buy into with enthusiasm, and I'm more inclined towards G. Sampson's conclusion on the matter.

Defeat of Rome: Crassus, Carrhae, and the Invasion of the East, Gareth C. Sampson

and while I'm just kind of talking about stuff that I read that I enjoyed, this article by Martin Stone lives in my head rent free

A Year of One's Own: Dating the Praetorship of Marcus Crassus, Martin Stone