#Paul/Islam
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I can't even begin to wrap my head around the loss of the beautiful Alexandra Paul.
I had the privilege of watching Paul & Islam skate many, many times at events in the Ontario area. They were absolutely stunning together. I was also lucky enough to meet them once at an event, and they were so kind and friendly.
The tragedy that Mitch and baby Charlie are faced with is unfathomable.
A GoFundMe has been set up for Mitch and Charlie. Please donate if you can.
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Proudly Jewish: Paul Newman, from Shaker Heights OH, but lived most of his life and died in Westport CT, the town over from me. He was said to have burned his tuxedo on his 75th birthday because "I was done with formality."
#israel#secular-jew#jewish#judaism#israeli#jerusalem#diaspora#secular jew#secularjew#islam#paul newman#Westport ct#Westport#NEWMAN's own
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Thoughts on Dune Part 2
All right, friends. Dune Part 2. I absolutely picked the wrong time to start wanting to return to Tumblr, since I'm currently in the thick of Ramadan, but c'est la vie. I'm a bit worried that if I don't review now that I might forget my specific impressions of the movie, though I have to say that if this weren't Ramadan that I absolutely would be going back to see it again in the cinema, which says a lot considering that it's been at least ten years since I've actually wanted to go back and repeat a film instead of just waiting for it to come out on streaming/DVD.
So the movie is good. It is in fact very, very good. It's the Empire Strikes Back of the Dune duology (possibly trilogy), and (much like Empire) in terms of cinematography, music, scripting and acting it's nearly flawless. There are, however, issues, things that might not occur to a majority-Western audience but which are immediately clear to anyone who either comes from an Arab or Muslim background.
What follows here is a deep dive into some of the historical and cultural sources of Dune and some of the ways in which the movie producers, and in some cases fans, have failed to acknowledge those sources.
First of all, it's obvious that the Fremen are meant to be based on the Arabs, but of the the entire main cast there is only ONE actor with an Arab background, and that is Souhaila Yacoub, the half-Tunisian actress who plays Shishakli, the female Fremen warrior who is executed by the Harkonnens. Now, I have to say that this woman was fantastic. Her attitude is completely on point for an Arab, especially a North African Arab: forceful, loud, a bit brash and mocking even under fire. Nicely done. Points to the producers there, but I have to take that point away again because she is literally the only Space Arab who is actually Arab. Javier Bardem, the Spanish actor who plays Stilgard, does have some interesting moments and one of the reasons why I feel that the screenwriters were advised on Arabic traditions/culture. The incident during which he warns Paul about the Jinn in the desert like it's a joke but then immediately turns extremely serious when Paul starts smiling is so in character for an Arab and honestly just a brilliant bit of scripting, but much of the time he also acted more or less like what people *think* a fanatical religious Arab acts like--loud, frantic and unstable.
Not only this, but the "Muslim" behaviour/traditions in the film are at best...vague. People are praying, but in any direction at all. I do realize that this would be a complicated issue on another planet, where the Ka'aba couldn't be pointed to, but there are Islamic rulings for EVERYTHING. Check out the one about praying in space:
Even if they had as a society simply picked a random direction for prayer, they should all be praying at the same time and in the same direction (they seem to do this in larger crowds, but not in the smaller group where we first see people praying). They also definitely shouldn't be talking during prayer or trying to make other people talk to them during prayer (as Chani does), since talking breaks your prayer and you have to start over all over again (during obligatory prayers).
Language, too, is an issue, and a big one, because while I do understand that a conlang was developed for use in this movie, the linguists consulted did know that the language was meant to be heavily influenced by Arabic. Consequently, they've included a lot of fragmentary Arabic in their work. Unfortunately this Arabic is poorly pronounced at best, to the point where I was looking words up and laughing at what they're meant to be based on. For example, "Shai Hulud," the word for the Worms, is based on the Arabicشيء خلود, which means "immortal thing," and should be pronounced with "shai" rhyming with "say" followed by a glottal stop, and the 'h' in "Hulood" is actually a guttural sound like the infamous "ch" in Bach, followed by a long U. Another example is Mua'dib مهذب , a real word in Arabic that means "teacher," but is is actually pronounced with a "th" sound instead of a d and emphasis on the second syllable, not on the last as in French. (Note: I made an error here. There is a word مؤدب , pronounced mostly the same in the movie, but with a glottal stop after the 'u' sound and a short 'i' after the d sound rather than a long vowel, that is usually used to mean polite, urbane, gentlemanly, etc. but which can also mean teacher, although I have never heard it used in this context) "Usul", أصول, Paul's other Fremen name, was likely not, as I had previously guessed, based on the word "Rasool," meaning Prophet, but on أصول الفقه the Principles of islamic Jurisprudence, which also ties directly into a religious/prophetic them. Again, this is pronounced on the long vowel, so with a short first U and a long second U.
I've included the Arabic spellings in here, by the way, so that you can drop them into Google translator and hear how they actually sound.
Now, I do realize that the story itself is set 8000 years in the future and that spoken Arabic as a language would have changed considerably in that time, if it existed still at all, but Arabic is a liturgical language as well as a vehicle for conversation, and Muslims all across the world today use it as a tool for worship. Muslims who have no cultural connection with Arabic often still learn it in order to connect more deeply with religious traditions and simply to perform prayers and other religious duties. Religious scholars consider it to be a necessary duty of the Muslim to learn at least some Arabic:
And keep in mind that the Arabic spoken today across the MENA region is very different (and different in different places) to the Arabic spoken 1400 years ago by the Prophet Mohamed (peace be upon him). Given Islamic traditions, the chances of the Fremen using liturgical/classical Arabic for their worship would be quite high, even if their spoken language had evolved past the point of being recognizably Arabic.
Keep in mind, also, that Dune as a whole is an allegory for colonialism, economic exploitation of poorer nations (or making rival nations poor through the same), as well as dehumanization of the views and needs of native peoples in order to make that exploitation palatable to the occupying forces (I thought that this was done quite smartly in Jessica's part of the story; although she is sympathetic to the Fremen, she feels that manipulating their religious traditions is the best way to protect her son, and in doing so she allows herself to dehumanize the people who come to rely on her).
It is, therefore, incumbent upon us not to distance ourselves too much from the intended message by claiming that Dune is fiction and need not too accurately reflect the culture and religion of the people that the Fremen are so clearly based on. The fact that the producers have done little to hire Arab actors or induced any real effort to accurately pronounce the Arabic words or accurately portrayal Islamic practices seems to indicate that they are concerned about identifying too closely with the economic and cultural struggle between East and West, properly because they fear the potential economic backlash, and this despite the fact that Frank Herbert clearly wrote his book to illustrate the fallout of that struggle.
Here is a wonderful article written by a culturally Arab woman:
There are numerous other articles addressing the same issues, but I like this one because it's written by a Muslim woman, who also addresses the "hijab cosplaying" in the movie. I didn't get into that much, but I definitely recognize that it's a problem when Muslim women worry about potential violence while wearing hijab in the streets of Western nations, but the same article of clothing is fetishized in movies and fashion.
I've also seen some comment about the Mahdi mention in particular. This is a saviour-figure in Islam who will come near the end of the world. There is no emphasis on this figure in Sunni Islam, but Shias seem to have a significant body of literature concerning this figure and, from what I understand, believe that he may perhaps have already come, and so there has been some poor reception in that community to applying the label of Mahdi to Paul. Criticisms ranging from insensitivity to outright blasphemy have been levelled regarding this usage. Now, there was some tip-toeing around the prophetic theme in Dune, and rightly so, I believe, since the Prophet Mohamed is the "seal of the prophets" in Islam, meaning the last and final. The fact that Paul was essentially set up as a false prophet by the Bene Gesserit does avoid some of the potential fallout from this, and also makes sense of Chani's rejection at the end of the film, since she felt strongly about Paul acting as a false Prophet.
Again, I am aware that there is internal cosmology within the series itself, and that some fans object to the religion of the Fremen being referred to as Islam, but when the inspiration for the entire ethnicity, religion, and the natural resources at stake are as clear as they are in this series, it's also futile to expect that people will not draw those associations, nor that people belonging to the religion or ethnic group in question may not acknowledge the beauty of the movie, the gorgeous cinematography, rousing music, and tightly plotted story, but still take exception to what is clearly Orientalism.
And it is frankly such a shame that we have to place this movie under that header, because the story of Dune is so sympathetic to the Middle East and its peoples, and as I said in the beginning I actually loved the film and found it very beautiful. It was also exciting to see Islamic themes used creatively in mainstream media, but while Frank Herbert clearly wrote the story as an exposition on the exploitation of natural resources, particularly oil, in the MENA region, the truth is that the racism and exploitation that he was protesting are very much alive today and contribute to the oppression of millions. It's particularly disappointing to see the message of the movie sail over the heads of people watching it when Arab Muslims in Palestine are being dehumanized and obliterated at this very moment, and while Libya was one of the latest Arab nations to be targeted for its oil resources, only a decade ago, with European oil companies moving in directly after the downfall of Ghadafi (which makes the timing extremely suspicious, one might say):
And even after the US finished their occupation of Iraq, Western oil companies remained en mass to continued drilling:
Egypt to this day remains economically destabilized while Western nations exploit its oil stocks, to no benefit at all of its peoples:
I'm sure I could cite dozens of other cases, but it's clear that there is a one-on-one parallel between spice melange and oil, making any protests of apoliticism in an inherently political story utterly vain.
I could go on, but I needn't. In short, this beautiful movie could have done so much good even beyond its obvious artistic merits, but instead it is still towing the political line. Much as was the case for Jessica and Paul, sometimes you can be a Harkonnen and not know it.
#dune#dune part 2#meta#islam#arabic#history#orientalism#paul atreides#lady jessica#chani kynes#oil drilling#colonialism#arrakis#north africa#the middle east
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#This dude talked so much shit about islams wrestling but was scared to go to the ground with Paul Craig UFC#MMA#Khabib Nurmagomedov#Conor McGregor#Jon Jones#Israel Adesanya#Wrestling#Brazilian Jiu Jitus#Boxing#Karate#Kickboxing#MMAgifs#MMA news
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hey, someone i follow here on tumblr recommended me this blog for questions about abrahamic religions, so one thing i always wondered is why is pork a big no for jews and muslims, but seems to be totally ok for christians, afaik they worship the same God and follow a lot of the same teachings, and i know theyre different in a lot of stuff but this one just stands out to me
(also sorry for getting in your askbox with this demonic themed looking blog i swear i just like creepypasta)
Hey! No worries about the blog theme, I'm always happy to interact with anyone interested in genuine dialogue. :)
So, I'm going to put Islam off to the side for now, because with few exceptions (Ibn Barrajan comes to mind), Muslims did not use the shared Judeo-Christian texts to explain their prohibition against pork. Most Islamic authorities would cite verses like Surah al-An'am, verse 145, which calls "the flesh of swine" either "loathsome" or "unclean," depending on your translation. When the issue is discussed among Jews and Christians, on the other hand, they would both cite Leviticus 11:7-8, which specifies that pigs cannot be eaten because any animal that does not both (a) have cloven-hooves, and (b) chew the cud, is ritually unclean. (Pigs have cloven hooves, but they don't chew their partially digested food a second time like cows do)
There are modern Orthodox Jewish perspectives (and very early Christian perspectives, such as that of the author of The Epistle of Barnabas) that explain this prohibition in allegorical terms. The consumption of animals that have both of the traits above are symbolic of traits that the Jewish community is supposed to emulate. But that doesn't explain why Jews who follow kosher laws follow the literal interpretation of the Leviticus verses while most mainstream Christians do not. So let's talk a little about the context in which early Christianity developed.
Christianity started as a movement that developed in a Jewish cultural context, but it did not remain a primarily Jewish movement for very long. The Book of the Acts of the Apostles depicts both Peter and Philip as integrating non-Jews into the nascent Christian community, but the mission of Paul of Tarsus seems to have been a turning point in Christian history. And as more and more non-Jews became involved in the Jesus movement, there was a question of to what extent they were expected to become Jewish in order to be Christian. Paul's answer was: not at all. But this would be an issue for the Christian community for a while, even with councils like the one held in Jerusalem around the year 50.
That council declared that non-Jewish Christians did not have to follow most of the laws listed in the Hebrew Bible / Old Testament, but it didn't really give a systematic explanation as to why that was. So from very early on it was understood that large sections of the Old Testament were not applicable to non-Jewish Christians, but it took a few centuries for Christian thinkers to articulate why that was not the case.
In its most mature form, we see the argument as follows: the laws of the Old Covenant (as Christians referred to the Covenant at Sinai) could be broken up into three broad categories.
(1) The Moral Law, which was binding for all people everywhere and for all time, laws that are pretty self-evident like "thou shalt not murder" or "thou shalt not steal." These are laws that are "written on their hearts," in the words of Saint Paul.
(2) The Ceremonial Law, laws God commanded Israel to follow because they had a symbolic meaning that in some way foreshadowed Christ in an allegorical way. These laws are "fulfilled" rather than "abolished" by Christ, but in common parlance that distinction doesn't seem to matter much, because either way Christ's life is believed to have ended their necessity.
(3) The Judicial Law, which were civil laws to be maintained by the Kingdom of Israel. Since the Kingdom of Israel has been non-existent since either 587 BC or 63 BC (depending on whether you count the Hasmonean dynasty as a legitimate successor state to the Davidic kingdom), these laws are essentially defunct.
Among Christians who believe the Law can be divided into these categories, they believe that the prohibition of pork is part of the Ceremonial Law, which has been fulfilled with the coming of Christ and is thus no longer binding on Christians. As such, Christians can eat pork. That's also why they can eat shellfish, wear clothing made from mixed fabrics, and cook meat and dairy together.
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(x, September 16 Story)
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I’ll never get over the fact that Frank Herbert said I’m gonna steal everything from Islam and give it to a white manchild of the age of 15.
#I like dune don’t get me wrong but every time I read it I get a tiny bit angry how it’s a ripoff of Islam#they have celebrate Ramadan and Eid like????#and Paul is literally imam mehdi who is the promised leader talked about in the Quran#like??? ugh white ppl forever stealing things#dune
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this is sweet and thoughtful and touching😭❤️
from this article
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On Tuesday, our ice dance community suffered a tragic loss as 2014 Olympic ice dancer Alexandra Paul died in a car accident.
I don't know what to say...this is so heartbreaking and unfair. 💔
Devastating doesn't describe the loss for this wonderful family and for our figure skating community. 💔
Sending thoughts, condolences and so much love to Mitch, their baby Charlie, and their family and friends.
https://barrie.ctvnews.ca/former-figure-skating-olympian-from-barrie-ont-identified-as-new-mom-killed-in-melancthon-crash-1.6534881
❤️🕊️
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Devastating loss as Canadian former ice dancer Alexandra Paul was killed in a car crash earlier this week. My condolences to Mitchell Islam and their family
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Rest In Peace Alexandra Paul. Here is the link to the gofundme set up for Alex and Mitch’s son: https://www.gofundme.com/f/supporting-baby-charlie-loss-of-mother-alex-paul
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watched dune 2. i was surprised to see some good takes on tumblr. amongst some very bad takes, of course. the most fascinating thing about the audience reception here is that people wanna fuck the bald guy more than timothee
#gabbering#9 feyyd rautha x reader fics and ONE paul atriedies#baldfuckers coming out in droves for this#i have nothing new to say about the film.#i'd love to see what an analysis focused on its connections to islam and what that means#i quite enjoyed it
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There is a Go Fund Me if you would like to share. How tragic.
https://www.gofundme.com/f/supporting-baby-charlie-loss-of-mother-alex-paul?utm_campaign=p_cp+share-sheet&utm_medium=copy_link_all&utm_source=customer
💔
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I ask this every month or two but what have you been reading lately?
•True West: Sam Shepard's Life, Work, and Times (BOOK | AUDIO | KINDLE) by Robert Greenfield
•The Oswalds: An Untold Account of Marina and Lee (BOOK | AUDIO | KINDLE) by Paul R. Gregory
•Wahhabism: The History of a Militant Islamic Movement (BOOK | KINDLE) by Cole M. Bunzel
•The Madman in the White House: Sigmund Freud, Ambassador Bullitt, and the Lost Psychobiography of Woodrow Wilson (BOOK | KINDLE) by Patrick Weil This is a really interesting new book about one of the more unique Presidential biographies ever written. William C. Bullitt was a longtime American diplomat and former supporter of Woodrow Wilson who blamed the failure of American ratification of the Treaty of Versailles following World War I on the worrisome personality changes he witnessed in President Wilson after Wilson suffered a stroke and serious health issues in the final years of his Presidency. Bullitt was close to Sigmund Freud and he teamed with Freud to write a psychological biography about Wilson several years after Wilson's death. The book they wrote (Thomas Woodrow Wilson: A Psychological Study) was very controversial and wasn't even published until nearly 30 years after Freud himself died. It's a really fascinating story and Weil's book -- as well as the original book by Bullitt and Freud -- reveal the potential dangers behind Presidential disability.
•The World: A Family History of Humanity (BOOK | AUDIO | KINDLE) by Simon Sebag Montefiore
•Knowing What We Know: The Transmission of Knowledge from Ancient Wisdom to Modern Magic (BOOK | AUDIO | KINDLE) by Simon Winchester I try to read every book that Simon Winchester writes. It seems like he's written books about basically every subject under the sun, and I can't think of a single one that I didn't find interesting.
•The Sergeant: The Incredible Life of Nicholas Said: Son of an African General, Slave of the Ottomans, Free Man Under the Tsars, Hero of the Union Army (BOOK | KINDLE) by Dean Calbreath The subtitle of this book alone makes it pretty clear that this is one hell of a story about a man who lived quite a life.
#Books#Book Suggestions#Book Recommendations#Reading List#Simon Winchester#Knowing What We Know#Simon Sebag Montefiore#The World: A Family History of Humanity#The Madman in the White House#Patrick Weil#Wahhabism: The History of a Militant Islamic Movement#Cole M. Bunzel#The Oswalds#Paul R. Gregory#True West: Sam Shepard's Life Work and Times#Robert Greenfield#Sam Shepard#Crown#Diversion Books#Princeton University Press#Knopf#Harvard University Press#Harper#The Sergeant: The Incredible Life of Nicholas Said#Dean Calbreath#Pegasus Books
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In memory of Alexandra Paul, 1991-2023.
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Alexandra Paul and Mitchell Islam skating to music by Franz Liszt for their free dance at the 2016 Skate Canada.
(Photos by Danielle Earl Photography and David W. Carmichael)
#Alexandra Paul#Mitchell Islam#Paul Islam#Liszt#Liebestraum No. 3#Hungarian Rhapsody No. 2#Concerto Paraphrase#Ice dance#Figure skating#Canada#2016–2017#2016 Skate Canada
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