#PLEASE TELL ME IT'S GOOD

[dreamonminecraft]

I bought Red White & Royal Blue yesterday at a book store and I'm enjoying it so far

[inkskinned]

i think a lot about exactly 1 thing from the roman empire: the concept of bread and circus. the idea was that if your population was fed and entertained, they wouldn't revolt. you are asking us to give up our one small life, is the thing - for under 15 dollars an hour.

what would that buy, even. i am trading weekends and late nights and my back health. i am trading slow mornings and long walks and cortisol levels. i am trading sleep and silence and peace. for ... this. for what barely-covers-rent.

life really is more expensive right now. you aren't making that up. i make almost 3 times what i did 5 years ago, and despite an incredibly equal series of bills - i am still struggling. the most expensive line item i added was to own a dog. the money is just evaporating.

we were okay with it because it's a cost-benefit analysis. i could handle the customer harassment and standing all day and the manager's constantly changing temperament - i was coming home to hope, and my life planned in a blue envelope. three hours would buy me my dog's food for a month. i can give up three hours for him, for his shiny coat and wide, happy mouth. three days could be a new mattress, if i was thrifty. if i really scrimped and saved, we could maybe afford a trip into the city.

recently i cried in the car about the price of groceries.

business majors will be mad at me, but my most inflammatory opinion is that people should never be valued at the same place as products. your staff should not be a series of numbers in an excel sheet that you can just "replace" whenever you need something at that moment. your staff should be people, end of sentence.

it feels like someone somewhere is playing a very bad video game. like my life is a toy. like someone opened an app on their phone and hired me in diner dash ultra. they don't need to pay me well or treat me alright - they can always just show me the door. there is always someone more desperate, always someone more willing.

but i go to work and know i could save for years and not afford housing. i am never going to own my own home, most likely. i have no idea how to afford her ring, much less the wedding. my dog doesn't have his own yard. everything i love is on subscription. if i lose my job, i have no "nest egg" to catch my falling.

this thin life - they want me to give up summer for it. to open my mouth and throat and swallow the horrible hours and counted keystrokes. they want me to give up mountains and any non-federal holiday. to give up snow days. to give up talking to my mom whenever i want. to give up visiting the ocean and hearing the waves.

bread and circus worked for a while, actually. it was the kind of plan that would probably now be denounced by republicans as socialist commie liberal pronoun bullshit.

but sometimes i wonder if we should point them to the part of the history book that says: it worked until it didn't.

[actual-changeling]

So, I was rewatching the kiss scene frame-by-frame, as one does, and I realized something. First I thought, well, Alex, you probably saw that wrong, let’s keep going. A minute later, however, I was confronted with the reality of no, not mistaken. 

Maybe I am late to the party and everyone has already seen it and knows about it, but in case there are people that haven’t: Aziraphale not only puts his hand on Crowley’s back, he puts his left one on his waist BEFORE that.

Not just that, he slides it up and also uses it as leverage to pull Crowley closer. I could go through those few seconds one frame at a time, but that would take forever, so I will give you the highlights in chronological order.

His hands flutter around at first and don’t settle anywhere, which is actually really useful since it shows us what the angle for that looks like.

Now, the next time his left hand moves up, look at the progression. It does not go down the same way as before. Instead, it moves inward and against Crowley’s waist. And it STAYS THERE right up until he moves both of his hands away.

Look at the angle!!!! Look at how it moves INWARD and towards Crowley instead of straight down like before.

Still moving towards Crowley with a slight downwards drift because he is aiming for his waist.

Now it is too low for us to see but I think it is very obvious where his hand has settled. Maybe I am going insane after only thinking about this show for almost a month straight. Maybe not. Call me crazy but the angle here is DIFFERENT. The second one very much looks like he is holding onto Crowley.

Aziraphale kisses back. Fully kisses back. Somehow, that wasn’t enough for Michael Sheen, no, he had to fully commit to it and *close his eyes* when he reciprocates, too. Look at this!!! The way his eyes flutter shut when Crowley first grabs him, then open, and then CLOSE AGAIN when he starts holding him in return. Kissing back with his eyes closed and his arms wrapped around him. The last picture is right before he moves his hand to his waist/the frame after the camera angle changes.

Anyone else losing it right now? No? Just me? That’s fine, although I most definitely am not. Fine, that is. Michael Sheen I’m sending you my fucking therapy bills.

[bittsandpieces]

come over?

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[dunmeshistash]

Okay, hang on, wait a minute, I was looking thru daydream hour, as I do, and I saw this page I usually just skip past

And at first I thought the left half was just random characters for some reason? But it's for the changelings, like that's dwarf Chilchuck and dwarf Laios bellow I think, and on top.... Is that elf Senshi???? That's Senshi's clothes right?? And the super round Senshi eyes, plus he's the only one with big wavy hair

Why did I just assume this was a random elf girl?? The first concept for elf Senshi was even more feminine???

I am shocked and delighted

[teaboot]

Social anxiety level: Chatting with someone experiencing a schizophrenic episode and becoming increasingly self-concious of how I'm just saying "That sounds really stressful", "I've never heard of that but it sounds scary", and "You must be pretty worried about that" over and over again

[fox-guardian]

[ID: A digital comic of Celia Ripley and Samama Khalid from The Magnus Protocol. Celia is a taller, slim, Korean woman with pale skin, short black hair, rectangular glasses, gold piercings, and dimples. She is wearing a coat, vest, scarf, trousers, and nice shoes, all in green and dark purple with gold accents. Sam is a shorter, fat, South Asian man with brown skin, short curly black hair, a mustache and small goatee, and black earrings. He is wearing a coat, turtleneck, cardigan, trousers, and nice shoes, all in brown, dark red, and green.

They are standing in a hallway in front of a closed door. Celia is spinning a set of keys, and they are smiling at each other.

Celia: Well, this is me. I had a really good time, Sam. Sam: Yeah, me too! Celia: We should do this again. Sam: Y-Yeah! I'd like that a lot, Celia.

She goes to unlock her door, peeking back to smile at Sam, who is standing awkwardly, looking away. She opens her door with a creak and gives him a shrug.

Celia: Thanks again for walking me home, Sam. I really appreciate it.

She pauses, looking at him with half-lidded eyes. Sam smiles, gesturing about sheepishly. The text as he speaks takes up the next three panels, partly obscured by the two of them and fading towards the bottom.

Sam: OH! Well, you know it was no big deal I just figured you know. It's polite and it gives us more time to talk and it's not always safe out there at night. Not that you can't handle yourself I just you know and I figured company would be nice on the walk back and we were already having so much fun so-

As he talks, Celia calmly steps closer, smiling, lifting her hands up near his face. He notices her hands, looks up at her, and then looks slightly downward towards her lips as she leans closer, his eyes going sparkly. A shadow falls over him as she blocks out the light.

Sam: It's really no.... problem....

She smiles, looking at him with intent and then looks down at his lips. A pink haze appears behind them in the background. She finally tilts her head and kisses him, knocking her glasses askew. The background is all pink with hearts surrounding them. There are two closeups, one of their lips touching and one after they've pulled slightly back, lips glistening and pink sparkles surrounding their faces.

She stands back up, smiling down at him, pink haze fading behind her, before startling slightly. She is still holding his face, slightly squishing his cheeks. His eyes are still shut and he is blushing severely, hair slightly mussed. He opens his eyes, expression vague, with tiny hearts in his eyes and sparkles around him, pink haze remaining behind him, before he suddenly tips back, surrounded by hearts, and giggles "hee-hee". The tail of the speech bubble forms a heart. Celia panics, leaning forward to grab him.

He snaps back, haze gone, with a "POP!" as she pulls him up, and they are chest-to-chest for a moment before Sam pulls back, blushing, looking awkward. He clears his throat before abruptly turning around and walking off.

Sam: OKAY BYE CELIA. (smaller bubble, an aside) Sleep well.

She watches him leave, amused and confused, and chuckles "heh-heh", a couple hearts around her. She waves, heading into her flat as he leaves, embarrassed.

Celia: See you at work Monday, Sam! Sam, in a thought bubble: FUUUUCK

end ID]

~~~~

I FINISHED THE THING YAY please enjoy ripsam being. silly geese <3 after a nice date <3

[skeletonthecreator]

btw anyone whos following the drake/kendrick thing but doesnt listen to rap music. this is a sign you should start listening to rap music. listen to some kendrick. you wont regret it i promise. listen to to pimp a butterfly. listen to good kid, m.A.A.d. city. listen to other rappers to, not just kendrick. if anyone wants recommendations feel free to message me/send an ask. rap music is awesome. this is your sign to get into it. rap is such a broad genre with so many incredible artists, there is something for you i promise.

[malmagmafr]

I finally got my cactus dragon!

[hailsatanacab]

"Well, this is a bad idea," Tim says, hands on his hips as he surveys the mess they’ve made in the cave.

"Nah," Danny replies, twirling his screwdriver in the air in what is probably meant to be an impressive trick to inspire confidence, except he fumbles it and it clangs to the floor loudly, "we good. If a younger version of myself hasn't come forward in time to stop me, how bad can it be?"

"Shouldn't it be the other way round?"

"What?"

"Normally, it's an older version of yourself going backwards in time to stop you, right?"

"Not in my experience."

Danny's grin is impossibly feral and a shiver runs up Tim's spine.

"This is definitely a bad idea."

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[mrghostrat]

BNF Chapter 17 • December 19th • [ ☕️ ]

[australet789]

"Alastor is a villain because he chained poor Husk 🥺"

I think you all forget THIS is the Husk that made the deal with Alastor:

The Husk that was so careless and selfish that was gambling SOULS, to the point he gambled his own soul away to save his powers.

[siriusly-the-best-bi]

guys the kiss was so important especially from a narrative and storytelling perspective because it was literally Crowley taking everything that's happened between them, every unsaid intention and every unspoken promise, and making it physical.

He's taking their arrangement and every other bullshit excuse they've ever used to hide how they feel about each other and throwing them out the window to put their feelings into an undeniable physical action that holds a lot of meaning to humans in order to be absolutely sure that Aziraphale knows exactly what he means when he says "we could have been Us." He wants to be absolutely sure that there are no misunderstandings between them and know that Azirphale will be committing to this decision with absolute reassurance that he's been understood and rejected anyway.

he's taking a human action with so much meaning and so much importance, and he's using it as a way to desperately make Aziraphale completely and undeniably aware of what he's stating. No more charades and no more lies or cover-ups. There's no denying this thing between them now, and Crowley did it the human way. Because he and Aziraphale love humanity and it's everything to them in their own ways.

There's a reason we saw a kiss between Crowley and Aziraphale, and not Gabriel and Beelzebub, despite them both being undeniable foils.

and really if you just think about that isn't it so god damned beautiful?

[bad12amcomic]

Drapery

cw unreality, scopophobia, injury, mind control

Summary: In his very first fight, Hotguy very bravely and with no problems whatsoever dispatches the terrible villains Gal and Guy! Except wait, maybe that’s not right—Hotguy edits the narrative as he goes, removing Guy and silencing Gal as needed to make himself look like more of a hero as he tells his story. Gal and Guy aren’t amused, but not to worry, they’re defeated! There’s no need to thank him!

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