#PICKED ANOTHER ONE OVER ME!

[jockpoetry]

[jamiethebeeart]

Lineart by @ovytia-art which was such a blast to color - I love the entire vibe of all of them hanging out together so much @green-with-envy-phandom-event

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.

[grey-wardens]

[annabelle--cane]

I do think there's an alternate universe out there where claudia and armand team up and take over the world. claudia's got the initiative, armand's got the power, they've both got the deep seated loneliness from lifetimes of being devalued and passed over. would either of them be happy? no 💖. but there would be some freak matching, at least.

[melooooo17]

@openphrase123 your fanfic(s but i mainly made art of the mira and siffrin one because i cant remember words for the life of me for i do not speak french) IS???? ? SO GOOD. SO GOOD IM FOAMING AT THE MOUTH finally something to look forward to in the week fr

Mild spoilers for it ig!! But nothing too explicitly groundbreaking i dont think it'll kill your mom to look at these without having read the ff first

Don't mind the shit quality i??? I drew all these so fast theyre kinda shit and i have yet to fully acclamate isat to my artstyle so it's mid

Teehee me when i make shitty rushed fanart to show my appreciation that i cannot put into words for my faovorite games and also authors

peep the rant in the tags

[gxlden-angels]

Do not let the Protestant Work Ethic Beast in your head win!

You are not alone! You are not the sole difference between death and life! You are a person who will at some point need to take a break!

That is why there is community! That is why there is organizing! Do not despair because you, alone, are not currently boots on the ground fixing things! Do something, but do not let that something be collapsing!

[samanthamulder]

THE X-FILES (1993-2018)

SEASON EIGHT — I will go on record to say this: that I have seen things that I cannot explain. I have observed phenomena that I cannot deny. And that as a scientist and a serious person it is a badge of honor not to dismiss these things because someone thinks they're BS.

[royalarchivist]

Amouranth: ...What happened to the dumpy? Oh, I guess that was Carrera (Carre).

Amouranth: Ruben, why do you– why do you look like Shaggy mixed with Peter Pettigrew? What happened? [She keeps going back to the picture and staring at it with growing concern] This is a pass– this picture is a pass! Wtf...

Rubius only has 3 looks: magazine model, cosplayer, or gamer shrimp.

[clockwork-carstairs]

jem and tessa moodboard ⋆ ˚ ✿ ˖ / the infernal devices

“Come with me,” she said. “Stay with me. Be with me. See everything with me. I have traveled the world and seen so much, but there is so much more, and no one I would rather see it with than you. I would go everywhere and anywhere with you, Jem Carstairs.”

[msommers]

just a wild rambling rose seeking mysteries untold no regret for the path that I chose when a flower grows wild, it can always survive wildflowers don't care where they grow

GHILETH'ELRA OF CLAN VENALAS; lorehold bard ↳ the vigilant campaign, secondary pc [ templates: 1, 2, 3 ]

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[sukibenders]

Look, I enjoy the Targaryens as much as the next person and think that their house, their family mess, all of it is very interesting. I want a dragon so bad and they are one of the reasons, I get it. But, on the same hand, it gets annoying when people say/act like they are the only interesting house within ASOIAF (this rhetoric is mainly on Twitter, from what I've seen) and it primarily has to do with them having dragons (to which, for a time many Targaryens didn't have after the dance and until Daenerys came into the picture). Look, having dragons is cool and all, but if that's all that makes a house interesting then maybe that house is boring. And, could be just me, but by saying that I feel like it's lowkey disrespecting all the work GRRM put into the other houses and their characters. If the Targaryens are your favorite that's fine, but there's no need to act like the lore behind other houses also isn't just as important. I'm new to this fandom, but there are so many aspects that have pulled me in and it's sad that people ignore it just because it's not a part of one particular house.

[quietwingsinthesky]

how much of your writing is ai generated

ngl anon kind of fucking rude to come here and accuse me of that. i don’t make fic just to rack up some arbitrary numbers, be that wordcount or idk, kudos. i make fic because i fucking care about what i’m writing about. if i didn’t, i wouldn’t write it, i certainly wouldn’t post it. AI fic is a plague on fandom for plagiarism reasons, obviously, but also because why should anyone give a shit about your writing if you didn’t? I don’t care if one day we have AI that makes stuff identical in quality to what people can, or better, even, because the words on the page aren’t the point, it’s always about the reason behind putting them down.

So, to answer your question, none of it. And it never will be. I’d rather never write again than stoop to that. And I certainly think less of anyone who does it themselves.

[patricidemutual]

sorry just sick to my stomach again thinking of claudia. she is a fantastic reflection of a child living amidst a complicated family dynamic/domestic abuse. i was created to mend your broken relationship and i feel it everyday. i never feel chosen or heard. i am controlled and picked and pulled apart every which way. i loved life even if i had no stomach for it.

[imthursdaysyme]

stali ft. anger issues