#Only because I think it's a Very big difference when you go from one to the other as compared to every other model

[woso-dreamzzz]

Foxes III

Jenni Hermoso x Child!Reader

Summary: You don't like touch

Spain loses to Japan.

A four nil defeat that leaves everyone a bit depressed.

Football's a boring game to you so you didn't really watch it despite sitting on the bench. Football is Mami's whole life though. You know that and you know this defeat will make her feel a bit sad.

You think that's kind of stupid because it's just a game but maybe it's different when you play a game as an adult. You don't know why it would be different but you decide that it must be because the whole team seems a little depressed about it.

"It's like when you lose a fox toy," Tia Ale says to you on the ride back to the hotel.

"I don't lose my toys," You reply, staring out the window.

"Well, if you did-"

"But I don't."

"What about when you left Roja at home?" Alexia says," Your Mami said you were sad about that. This feels like that to everyone else."

You were very sad when that happened. You missed Roja like crazy for ages after you first moved to Mexico. That must be how everyone is feeling now.

You head bobs up and down in agreement. "Okay."

You don't ask anymore questions on the ride home and Mami takes you straight up to your room for bath time. She wraps you in a nice fluffy towel before helping you into your pyjamas.

Dinner will be soon though so she throws a jumper on top of your pyjamas to keep them clean so you can go straight to bed after you've eaten.

Your hand closes around one of your foxes before leaving the room.

The girls are still a little sad, even you can tell that and you're not very good at working out what other people's feelings are.

You're the only one that's enjoying dinner which is seriously saying a lot because the food here is weird and you're very picky with what you're eating.

"Mami," You say," You still sad?"

Jenni's a little shocked at being addressed so openly. You don't like doing that in public. You're fairly silent around other people. She frowns.

"A little, osita," She says," Why? Are you feeling sad too?"

"I'm not sad," You reply. Your fork scrapes the plate wrong and you cringe, a whole body shudder going through you as you set down your cutlery.

Slowly, you shift in your chair before standing to approach Jenni.

Like your speaking, you're not big on touch either, at least in public. Jenni's used to you hanging out by her legs at home because she always wears the softest trousers and you like touching them but skin on skin had never been a big desire or need of yours.

Jenni has a hard enough time getting you to accept affection at home. She's already ruled out touching in public apart from hand holding and that was only because the alternative was a leash and you felt that was too restricting and made you breath funny.

But you curl into her lap now and give her a quick squeeze that bore some semblance of a hug. Jenni's too shocked to hug you back, jaw slack as you slip off her lap.

You go to Tia Ale next, clambering up into her seat with her and giving her a quick hug that's so fast that she doesn't realise what's happening until it's over.

Irene is next and, after seeing Jenni and Alexia go through it, she's fully prepared. But the moment her arms curl around to hug you back, you're wiggling away and already on your way.

Just because you're giving out hugs doesn't mean you need to be hugged back.

Codi's after Irene and then Mario, who both know now to allow their arms to go limp when you hug them. You go through all the Barcelona girls you know before coming straight back to Jenni.

You tug on her hand and she very gently takes yours in hers. She's slow and careful just in case you want to pull away but you let her hold your hand.

"Mami," You say.

"Yes, Osita?"

"With me...please."

Jenni stands and you lead her over to the girls in the team you've missed out, the ones that you don't know as well as the Barcelona girls. You drop Jenni's hand to hug each girl before squeezing Jenni's hand the moment you can hold it again, you other hand coming up to run your fingers over her comfortable trousers.

"That was a very nice thing you did at dinner," Jenni tells you as she tucks you into bed that night.

"Yes. Tia Ale said so," You reply, getting all snuggly and comfortable with a fox under each arm.

"Tia Ale is right," Jenni says," Your cuddles really cheered everyone up."

"Not sad anymore?" You check and Jenni nods.

"No one's sad anymore."

"Good."

Jenni presses a soft kiss to your forehead and pulls your covers all the way up. "Night, Osita. I love you."

"Love you too."

[aro-absol]

[ID: A digital comic with a simple drawing style. It consists of long text that is accompanied by small drawings, matching what is said in the text. The text reads as follows: "I've always been a big reader. I was treating earlier and faster than most of my peers my whole childhood. [Three books: one is titled "Magic treehouse" and has the caption "kindergarten", one is titled "Harry Potter" and has the caption "first grade" and the last one is titled "Percy Jackson" and has the caption "third grade".] and my tastes have alwaystended towards the magical. fairytales, myths, and fantasy have been longtime favourites as far back as I can remember.

As I got older, my tastes didn't change all that much. They did expand, to being ok with things like horror, violence (and mild gore), death... As children's tastes tend to do. But I still loved fantasy stories just as much. When I hit eighth grade, however, they noticed a bit of a problem. I was getting a bit old for a lot of the middle-grade fiction books I liked. I thought: "Okay, sure! I've read adult-level books with no problem before, I'll just head for the fantasy section!" I asked a couple of friends for book recommendations, and culture reading except… [A drawing of many different scraps from books, all clearly from romantic and/or steamy scenes] ... All of it was just so stuffed with sex and romance. [A drawing of a person shaking their heads in disbelief and saying "ew" while reading the book, with an arrow pointing to them saying, "14 and very aro/ace"]

Needless to say, I did not want to read those books (and haven't to this day.) Thought bubble of the person just described continuing: okay, this is probably just my friend's stuff. I know they like these kinds of things. I'll just look for myself! [A drawing of a person standing in front of a big bookshelf that is labeled "young adult and teen fantasy". There are many different phrases pointing to the box on the shelf. The phrases read: "sex scene on the first page", "sex", "twilight", "romance "' subplot'", viscerally upsetting description of making out", "fade to black sex scene", "no sex but only technically", "sexy elves", essentially a romance really", "insane amounts of kissing".]... you gotta be kidding.

Over the years since then, I've tried to find fantasy stories that I can actually enjoy. [A drawing of a list titled "typically good". The bullet point read: D and D based (sex jokes but party focused), comics, fanfic, older media (pre-90s), MG fiction (last resort)] I've had some success at finding patterns that work for me, but a lot of these categories are very digital. (At least for me.) And because of that, all the time I once spent reading is now on my phone.

I don't really know where this is going, or what the solution is. Most people do like sex and romance, and reading about them. And this is just a thing for making a terrible comic day. I think it's pretty common for aro and/or ace people to feel left out, since so often these are treated as universal ideals. But to anyone feeling that way: I promise you are not alone. Also, allos: get better writing material, seriously. And better friends, since yours are apparently so terrible you can't write deeply meaningful relationships without kissing. (Half joking.) / End ID]

Note: this image description is not fully complete, as I left out some smaller drawings that I couldn't add into the text in a way that makes sense and weren't crucial for understanding. Also, I apologize if this description isn't clear to people who use screen readers but I do not know how to make it any better. If you have any suggestions, tell me please.

My (late) contribution for Make A Terrible Comic Day! I've been going to the library more often lately so this has been coming up a lot, cause I want something to read but have had trouble finding anything that I'm comfortable with.

If anyone has recommendations please please let me know because I am struggling.

[keferon]

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

[novamariestark]

I Can See You [Spencer Reid]

Summary: You've been dating Spencer for almost a year and you are yet to tell your big brother, Aaron

Warnings: bad writing 🤣. fluff, some angst

Word count: 1764

Fandom: Criminal Minds

Pairing: Spencer Reid x Hotchner!Reader

You hadn’t meant to keep it a secret this long. You didn’t want to. But when it came to you dating, your brother was way too overprotective. You loved him to death for it but it also pissed you off to no end.

Spencer freaked when he found out that you were Hotch’s baby sister and even broke it off for a while because he felt as though he was betraying him. But you had crept into his heart and you weren’t planning on vacating any time soon.

Even when you weren’t together, you were the only thing on his mind. You’d be there constantly whilst he was on a case. He couldn’t concentrate and it was painfully obvious to everyone. Even Hotch. The latter pulled him aside and told him to fix what was going on before he got someone or himself killed.

That counts as his blessing, right?

As soon as they touched down in Washington he rushed over to your apartment to see you. Throwing quick goodbyes to everyone and not looking back.

“Pretty boy has a girl. I’m calling it,” Morgan called out, pointing at the quickly retreating Spencer.

That was almost 11 months ago. 11 months of sneaking around behind your brother’s back. Which wasn’t too much of an issue when you first started dating but now you were an agent in the Criminal Investigative Division of the FBI. That meant both you and Spencer had longer work hours and often different schedules. So sometimes you two decide to see each other at the office. You knew it was risky and quickies in the car doesn’t compare to the bedroom but you both took what you could get.

However, recently, Spencer had been arguing that maybe it was time to tell your brother. You assumed he felt guilty. Not guilty enough to stop the sex in the FBI garage but guilty enough.

He did feel guilty but there was another reason he wanted to tell your brother.

You wanted to tell Aaron too. Really you did. But you’ve put it off so long that you know that he’s gonna be disappointed you didn’t tell him sooner. Anger you could take but the one thing you never wanted to do was disappoint him.

He was your idol. Your hero. The person you’ve always looked up to. The one you wanted to make proud. That’s why you joined the FBI. You wanted to make him proud. And he was, he just wished you’d picked a safer occupation.

He was concerned and worried every time you and your team left the office and was finally able to breathe when you arrived back. If he was away on a job when you came back you went to see Penelope or Peach as you called her. It was a deal you made with Aaron so he knew you were okay. Spencer didn’t oppose to this arrangement either because all he had to do was look at Hotch and he’d know that you were okay.

But one day, that call from Penelope was a little different. The team had come back... without you.

The simple arrest of Washington’s newest drug kingpin had turned into a kidnapping. Yours.

The BAU team couldn’t do anything but wait for the plane to land in Washington. In four hours time. Hotch hadn’t said a word. Neither had Spencer and the moment he didn’t make his move on the chess board, everyone took notice.

He just stared out the window and waited. Images of what you were going through at that very moment flashed though his mind. Were you hurt? Were you scared?

Were you alive?

Even your brother had snapped out of his thoughts and took notice of his lack of presence inside the jet. Sure he’d noticed your closeness but he didn’t think anything of it. You were close with Penelope and JJ too. But as he started to think back, he starts to see all the little signs. Small things.

But one thing in particular was how comfortable Spencer was with you. So easily comfortable. It all started to become clear. Aaron had figured you were seeing someone but you wouldn’t tell him who and as you’ve grown older you’ve become more adept at covering your tracks. Morgan also speculated on multiple occasions that Spencer was seeing someone.

What should he feel? Anger because you didn’t tell him or betrayal because you’re his sister and Spencer was one of his agents? His baby sister. And no matter how old you were, that’s what you were always going to be.

He would’ve been completely pissed. Shouting, demanding answers and an explanation if it wasn’t for what he was seeing in front of him.

Worry, fear, pain and helplessness. The same thing he’d see if he looked in the mirror right now. He didn’t have to ask. He knew.

When the plane finally landed, the team wasted no time in getting back to the office. Aaron inserts himself into the operation to get you back, not taking no for an answer and Spencer is right there with him.

Even when he was ordered not to interfere because he was too close, he did exactly that. You were in trouble, no way was he not going to tear up the entire state looking for you.

He told the team to stand down, not wanting them to get into trouble for defying a direct order but none of them budged. At this point, you were their family too.

The longer you’re missing the more it takes it’s toll on Spencer. So much so that he’s the first one to lash out at your boss when it’s found out that there has been a ransom made in exchange for your return to no action had been taken to do that.

“We’re not going to hand over all the evidence for his trial,“

”The hell we won’t,“

“We can’t—”

“—leave her there”

“Reid,” Aaron spoke, his voice loud to get his attention but no anger was in it. He reached a hand out and placed it on his shoulder, gently pulling him away from your boss “so,” he started, stepping forward to take his place, “What exactly are you doing to find my sister?”

“I don’t tell you how to run your team Hotchner, don’t tell me how to run mine,”

“Alright listen here,” Aaron stepped closer, right in his face, “if one hair on her head is out of place, I swear I’ll—”

“Hotch!”

“What?!”

“Maybe we should just give them some space to work and—”

”they’ve had five hours and they barely know where she was snatched from,“

Gideon gave him a look. One that told him to play along. He did and the team followed him to their usual conference room. Each of them branching off to do what they do best, working tirelessly to get you back.

And they did this for hours until Morgan got a text from Penelope, who conveniently was lounging at your desk.

They received a video

Aaron and Spencer rushed out of the office and down to yours. Your brother had tried to stop him from going, not wanting him to see you in a possibly horrific state but he couldn’t stop. He had to see you and he did.

He tried to ignore the blood, the wounds and focus on your hands, that to your captors, were wriggling due to the ache of them being tied up for hours but to Spencer and the others it was a message.

Trains... every 12 minutes... the only clue you knew about your whereabouts, and you knew that maybe it wouldn’t be enough so you added a little something to prepare for that.

I love you

With the reminder of their demands, the video fades to black, much like your vision.

Your eyes only opened again when you heard gunshots and shouting. The voices sounded familiar but muffled, far away. Perhaps you were imagining them and you were convinced you were until a door clanged open.

Someone called your name, followed by the sound of running footsteps, that got louder with each step. It wasn’t long until the footsteps stopped and a figure knelt down beside you.

”Angel?“ he spoke softly, his hands moving to cup your cheeks. His thumbs wiping the tearstains away.

”you found me“

”Yeah, Angel, we did,“ he replied, moving to untie your hands. As soon as you were free, you threw your arms around him, holding on so tight because you were afraid that he’d disappear. He moves his head slightly to the side to press a kiss to your temple, ”I love you too, Angel“

”I love you more,“

You smile, pulling away. He got your message. The smile faltered slightly when you looked up and your brother came into view.

Uh oh. Did he know?

You didn’t know what to expect. The thought of losing your brother was worse than the pain you had been through the past god knows how long.

You had thought about him finding out so often and he was angry, disappointed, betrayed. None of your playthroughs of this moment ever ended happily.

”I’m so glad you’re safe, (y/n),“ he smiled, leaning down to press a kiss on your head like he had always done.

”you’re not mad?“

Spencer looked up at him too, curious about the answer himself.

”of course not,“ he said, okay a little lie but you’d been through enough and he’d be stupid to ignore what was right in front of him.

Your eyebrows scrunched as you lift you head from Spencer’s chest, moving closer because you were sure you misheard him, ”you’re not,“

He sighed opening his arms for you to hug. You didn’t waste any time, tears falling as you sob into his shoulder, ”I thought you’d be mad, and I’d lose you,“

”I was mad at first,“ he admitted, one of his hands stroking your hair in a soothing rhythm, ”because you didn’t tell me,“ he added and you started apologising profusely but he stopped you, ”I’m not anymore because the truth is—“ He patted Spencer on his shoulder ”—you couldn’t have chosen a better man“

You smiled so much of the way home. So much so, you thought your cheeks were stuck like that.

You had asked Aaron if he wanted to join you two for dinner and after you giving him that look you always gave him to get whatever you want, your best puppy dog eyes, he said yes.

[maxarchive]

Listen to the full interview here.

Now, just as the championship was starting to get to a really tense point around Austin, there was this big controversy about driving ethics between you and Lando. The drivers had a big conversation with the FIA after that race about the guidelines and it felt in some ways that it was a consequence of what had happened in Austin. How did you feel about that? Did you ever feel like they were singling you out?

You know, honestly, I don't, even if they would have done or did, I, first of all, I don't care because I drive to what I think is possible and what is allowed in the rules. And if the rules are written like that, I will use the rules. I'm just not the type of person that I think, if that would have happened to me the other way around, you know. There is then other people commenting on, other drivers commenting on that were not involved in that whatever incident or whatever you call it. I don't think I would have been the person then to complain so hard because I would just think to myself that, okay, if that's the rules, that's how we do it instead of screaming that we need to change the rules. Because the problem is, if you make less rules and then something happens, then they will start screaming for more rules. Now we have the rules, maybe not perfect, but it will never be perfect. Because if we get to a certain rule set, there will be another incident where someone is not happy about and then they start screaming that the rules are not correct again. It's the same in football. If there's a foul and there are some clear rules about certain things, it's not always that the right decision is made on it, or is it a penalty given or not? Or was it offside or not? That's why you can never, at the end of the day, do it right. Do I think that consistency in the penalties can be better? Yes, for sure. But that only comes with, I think, stewards that are paid, you know, professional stewards. Not that I think that the stewards that we have right now, you know, they're doing their very best to what they have, you know, but I do think that, you know, in a sport like this, like you see in other sports as well, that when you have a paid board of stewards, I think it just works way better.

You said something very interesting there about the rules that you were always driving to the rules. And that's the fundamental point. I think no one said in Austin or thought that you'd done anything against the rules. But there was this particular kind of defense, you know, the kind of race to the apex, trying to be ahead and all the rest of it that people are talking about now. Do you think that just taking a step back from that particular incident, do you feel that that's the right way to go racing? Would you choose to do it that way if those weren't the rules? How would you like to do it?

Like I grew up with go-karting, where it's not about who is ahead of the apex or not. I think every driver is anyway a little bit different. I remember from go-karting as well with some, you just knew that if you went around the outside, you could hang it around the outside. And with some others, you couldn't because they would push you off. And I think you need a little bit more freedom on that. Because when... When it's that clear rule that you need to be ahead or alongside fully to the apex, you will create other issues with that, right?

So would you naturally want to give someone room on the outside on the exit if you were racing?

Well, me personally, I don't race like that.

You don't... What, sorry, what do you mean?

Well, it's like when I... So when I race with someone, I would... Well, he will not be able to overtake me around the outside.

Okay. Why?

Because that's how I grew up racing.

Okay. So you always think it's okay to go to the edge of the track and force someone off?

Yes, but I've raced against other people in go-karting that would give me space. You know, it's like, it's just a driver-related thing, that some drivers are just a bit more passive, you know, in racing. And that's just how they are. And some I know that even in F1 I can't hang it around the outside because they will push me off. It's just, it's like a bit more of like a racing, I would say, instinct.

So I think if you were to play the devil's advocate, how would someone ever overtake you? Because you will always go to the inside to defend.

It depends on the track layout. I think the main problem is that when you have so much tarmac on the outside, you, even if you lock up a little bit, you just run a little bit wide. But on old-school tracks, you normally never really have these kind of issues because it just doesn't happen because people are a little bit more tentative on the brakes. Also, the guy that is trying to overtake knows that if he makes a mistake and locks up, he's in the gravel and his race is done. You know, so that's what I think is the problem is the track layout is letting us do these kind of, like, you then have questions with some moves. Where if you go to, like, Suzuka or even Red Bull Ring in turn four, the downhill right-hander, where sometimes, you know, it's very rare that there is any, like, question mark move that has been done there because if you make a mistake and you brake too late, you go off in the gravel and you're penalized anyway. And I think we have to try and go back to these kind of things that when a driver goes off the track, there's a harsher penalty with just natural, like, track limits.

So you would never give someone in the outside room on the exit of the corner if you were racing?

Well, that's just normally the case, yeah.

Yeah, okay, cool.

And, of course, when the track is naturally the limit with the gravel being there, then no one even want to go around the outside because they know that. So you then try to go for a cutback or, you know, set yourself up in a different way.

[sunnie-angel]

Sunnieeee babyyy what do we think about femjay and marriage? Yay or nay? Does she even want to get married? Is she wife-ing you up or is she waiting for you to pop the question? Elopement or ceremony? WHERE does she take you for your honeymoon 😼

ooooh so i've been sitting on this ask for a bit (mostly because i start thinking about fem!jay in a tux and my brain stops working) but i love this question so much.

the question, of course, depends on when you ask her. at 15, it's an emphatic no. she hates the way that the question gets asked by the upper crust busybodies because she knows it's always with some strange faceless man in mind waiting for her at the altar. never mind that jay's never shown interest in a boy but her best friend, the assumption is there and she hates it.

at 21, fresh out of the pit and off a revenge streak, she'd laugh in your face (and riddle you with bullets, depending on who's doing the asking). she's the big bad red hood, you think she's gonna settle down? think she'd hand over her empire for a little ring and a bit of paper? fat chance. marriage didn't save her mother from a husband that was never around. talia's still pinning her hopes on a one day maybe. jay's got plans and none of those include marriage. who'd want her anyway?

you ask her when she's 23 and happily in love for the first time, well that's a different story. she's still got her hangups - the past doesn't let go so easily - but she wants to know why you want this. you start with the practical, legal reasons first. you're a vigilante and yeah you might get most of your medical treatment from secret facilities but i want to be allowed in the room for all the times you end up in the hospital. i might be under the hood's extra legal protections but there's a comfort in being legally tied to you too. then you move on to the emotional ones. i want to bring our families together to celebrate us. i want to stand up in front of the world and declare that i'm yours and you're mine. and well, it's everything that jay didn't know she wanted. answers the greedy, grasping parts of her hindbrain at the thought of publicly branding herself as yours and whoops suddenly the apartment is full of wedding planning materials. spring you said?

you asked, but she proposes. applies all her tactical knowledge to planning the perfect, meaningful proposal. she enlists the help of all of her many siblings, and thankfully it all goes to plan. she still manages to surprise you, jolts you into happy tears when she gets down on one knee and pulls out two matching rings.

the engagement goes off without a hitch, but the wedding? that very quickly spirals out of control. everyone has an opinion and your head's spinning with tablescape designs and flower arrangements and jay wants to help but she's worried about being just another opinion shouting in your ear. so jay calls in some favours from clark to borrow a photographer and gets you to clear the rest of your weekend. she takes you shopping with bruce's credit card, a fun little white cocktail dress she has you wear out of the store and into the courthouse. the two of you get married right there, with only the courthouse judge and two random witnesses you kidnap from the corridors. it's done! you two are married, and it's like this great weight is lifted from both of you. Mrs. and Mrs. Todd. The ceremony, the great tentpole party, that's for everyone else but this bit is just for the two of you.

your public ceremony is the event of Gotham society's year. even the daily globe over in metropolis prints a feature on it. but jay doesn't care because her wife - her wife! - is holding her hand and kissing her to the cheers of both of their families.

(tbh i don't think the honeymoon location matters so much because she is not letting you leave the bed for three days straight after 🤭)

[thecoffinsys]

Slay the Princess is the perfect demonstration of trauma, dissociation, and systemhood.

I NEED MORE PEOPLE TO TALK ABOUT THIS. And it's NOT just for the reasons you may think. Yes, it is due to the multitude of voices, but that isn't all there is to systemhood. Slay the Princess dives into almost every fundamental stage of grief, trauma, stress, and body sensations regarding traumatic events that we as a collective have ever experienced. Stay with me.

SYSTEMHOOD

Not only does Slay the Princess display systemhood through the multitude of voices, inability to come to a conclusion on outerbody decisions, and having different methods of how to survive specific situations— it also displays systemhood through loss of time, depersonalization, loss of identity and sense of self, alters having abilities over the body that others do not, looping the same trauma over and over again, and rapidly splitting due to traumatic experiences — even down to not being believed by family members when you tell them something horrible happened to you.

The entire idea of jumping from one alternative world to the next after dying or making the incorrect choice perfectly displays a repetition of the same traumatic memory over and over again, the mind trying to logistically think of what could have been done differently as a means of coping with what really happened. When you fail to save the world in one reality, your mind restarts the entire scenario again, trying to find a better option to the mistake you've already made.

The Stranger rout perfect displays depersonalization, dissociation, loss of self and identity, and confusion regarding time. The second you step down a staircase, you completely and utterly forget yourself in the mundane action. Forgetting who you are, where you are, what your purpose truly is - and sinking deep within your own mind, until suddenly you're right where you are meant to be and have no memory of how you got there. It's so perfect in how it shows the confusion and distress.

This game is about becoming. whole. Gaining. A sense. Of self. And purpose. Gaining more perspectives, more understandings of what it means to be a person. (Oh my god I'm screaming)

In The Nightmare, the voice of the Paranoid displays perfectly symptoms of not only paranoia regarding trauma, but symptoms of OCD due to trauma. He has an ability that no other alter has, which is to keep their organs running by participating in his own compulsion. Which really displays how some alters have abilities that other do not, because to be a system, you must be fragmented. Several shards of glass attempting, to the best of their ability, to be a functional mirror- but never having the exact strength. And different shards will hold different capabilities than those who are smaller, weaker, and carry smaller and/or more specific burdens. Paranoid is a very big shard, I think.

Following that — mirrors are a huge motif of the game. Not only do you continuously see them in every rout, but you end each rout by finally looking at yourself and seeing you for you. And the more perspectives you gain, the less "you" you truly feel. You become tired, withered. But it is all in the efforts to "become whole". To make this being of perception finally understand what it means to be more than just broken worlds creating branching understandings.

In A Moment of Clarity, dozens of voices begin to cloud our understanding due to the very traumatic thing we experienced in the last world. A rapid split because of trauma! We become more broken; "losing ourselves". Now there are even more conflicting thoughts, feelings, and opinions regarding how we should go about surviving- and it displays our further descent from our sense of self. Which is ironic given the name of the ending!

And finally (but most definitely not finally, I could keep going on and on but no one would want to read all of that), The Narrator never believing you when you tell him you've been here before, have experienced horrors that he could never imagine, and have been through countless nightmares. But not only does he not believe you, he will also ridicule your idea, and go on to say "you failed because you didn't listen to me" or "you damned another world because of what you did". Puts the blame on us, once again. It's the same thing a lot of systems do experience in the real world. You try to reach out, you try to explain to someone you trust that something horrible happened to you, but you're met with disbelief and shamed for your own trauma. Made to feel like the guilty one when you are in fact the victim- the survivor. That one stood out to me very personally.

. . .

I really want to go on but this is already a billion paragraphs and I worry no one will even get this far. But this game means a lot to us as a system and as someone who experiences things very similar to what is displayed in the game on a daily basis. Slay the Princess might be one of our all time favorite games as of right now, especially considering the guy who traumatized us for 200 episodes straight is the main guy voicing the entire thing- that also helps with sentiment-

Uhhhh thank you for reading if you made it this far :]

[drdemonprince]

Hi Devon, you’ve said in the past that you don’t mind being challenged so I guess I’m going to test that theory.

I totally agree with what you have said re trans men and cis men being Men but just arriving at that place from different routes.

You talk in your latest Insta post about women not seeing trans men as men as the problems with that.

However you in the past have talked openly about not feeling safe with cis women, and in fact have written a whole article on it. Outlining your past bad experiences with cis women. In that you clearly outlined a view that cis women specifically were more dangerous feeling to you, implying more so than trans women.

By your own account then are you not saying that you see trans women and cis woman as different and not as equal “women” because of your own experiences.

If that’s the case why can’t women differentiate between cis men and trans men and also say that they don’t feel safe with cis men because of past bad experiences but are ok with trans men because they haven’t had those same experiences.

For the record I’m a gay man so not coming at this from a defensive point of view but seeking to genuinely understand as there seems to be some possible cognitive dissonance or hypocrisy going on.

I say that with respect. I’m just wondering how you reconcile those two seemingly opposing views.

I think what you may be missing here is a differentiation between the descriptive and the prescriptive. The piece "I Don't Feel Safe Around Cis Women" is descriptive of my experience -- if you read through to the end, you'll see that I affirm that one day I hope that I will feel safe around cis women, and a lengthy exploration of the many many ways in which equating a person's identity to their safeness (or dangerousness) is unhelpful. That piece is far from an argument that cis women are categorically less safe than any other group, or a prescription that anyone's politics should be centered around the idea that cis women are uniquely dangerous. There is a very big difference between describing one's emotional feelings and making political pronouncements about how the world is or how people should be treated.

This same distinction applies in the opposite direction, too -- I think people have reasons for feeling uncomfortable or unsafe around cis men that obviously make a huge amount of sense. Frankly I don't care one way or another what somebody's feelings are. I have no intention of changing those. What I care about is a person's behavior, and the politics they advance -- and a politics that deems cis men as inherently more dangerous as individuals goes down a pretty troubling road when it's divorced from an understanding of structural power dynamics. The same thing is true of the cis woman discussion -- cis women aren't dangerous to me because they're women, or because of any innate quality to who they are; they're only more dangerous within a specific power differential. Similarly, cis men aren't all more dangerous to everyone who isn't a cis man -- we must take into account class, race, immigration status, ability level, and a number of other factors.

tldr; there's a big difference between someone feeling unsafe and someone having a politics that declares members of a group are actually inherently suspect, no matter the situation or their other positionalities.

[laswells-ashtray]

Your writings are so good that I’m entrusting you with this simple prompt: Dragon Hybrid Price and (Any Hybrid) Nikolai.

Do what you will dear wizard writer.

For the sheer sake of you never implied how silly I could get with this, I'm sillying it up:

Bear hybrid Nikolai [because it's too fucking good] and dragon hybrid Price standing about one day, the two sergeants and the lieutenant are training together while the older two men watch. They're on someone else's base, a hybrid-less base but they're making do with what the have.

John's leaning back against the wall, wings pressed up against the brick in a way that has to be uncomfortable or at least that's what everyone assumes. He's rubbing at the base of one of his horns as if trying to soothe a headache and he looks quite frankly exhausted when another Captain appraoches.

John decides that in comparison to this man, he looks like Marilyn fucking Monroe.

"Captain Givens, you look about as good as I feel." John is at least trying to keep a good relationship with the other team even if they have a habit of pissing off each of them.

"Too fuckin' right. Just got off the phone with the Missus and had to help her convince my little boy not to shove his Batman figure up his nose. It's exhausting." The man complains, running a hand over his face tiredly.

John makes a sympathetic noise but doesn't hide his amused look. "Oh, I'm all too familiar with that feeling." The other day he'd had to convince a group of rookies that Soap is indeed a liar and that oil paint is in fact not edible just because it has oil in the name.

"You have kids?"

"Yes." John should've been smarter than to think that Nikolai's silence was a good thing, he doesn't get a chance to correct the bear hybrid before the other Captain asks:

"How many?"

"Three." Nikolai tells him while watching the boys train in the distance.

For a brief moment, John wants to tug on one of his fluffy ears and tell him to quit it. On the other hand, fuck it, why not?

"Yeah, three over there are mine. Different mums but I was a bit of a tart back in the day." He's reliant on the fact the human knows nothing about hybrids, specifically dragon hybrids for it to work. It's no secret that dragon hybrids can live a lot longer than the average human if they're careful about it but to those types of hybrids, John is still a toddler, horns still in one piece with wings that are still vibrant and healthy.

He can see the amusement in Nik's big brown eyes, he likes it when John sinks down to his level of teasing humans. The only one exempt was Kate, they respected her too much and she wasn't an idiot, she'd never believe half of the stupid shit they've all told people throughout the years. Besides, Kate is family. She has five hybrids protecting her back and the average CIA agent is still more scared of her.

"Riley, MacTavish and Garrick? They're yours?" The human asks in disbelief. Simon was going to kill him for this later, Kyle and Johnny would inevitably laugh themselves hoarse.

"Aye. Didn't find out about Riley until he was a teenager and his Mum got in contact. Looks fuck all like me but he's certainly mine. Lad certainly wasn't a chipper wee thing but I managed to win him over, SAS was his choice, I just put him on the task force because I owed it to his Mum to keep an eye out." He's talking out of his arse now and he knows it but the captain seems to be hanging on his every word. Nikolai is making the conscious decision to look away from him but he can see the faint shaking of the bastard's shoulders, he's laughing.

"MacTavish was from an eventful night up in Glasgow one evening, we didn't know if he was mine or Nik's until we saw the little blighter's eyes."

Good on Nik for how quickly he sorts himself, turning around and nodding approvingly. "Ah, but young MacTavish has always favoured me. Would've been a good bear cub, very grizzly."

The captain looks over to the three men training with wide eyes, tilting his head as he stares at them all, surveying them before he looks back to John.

"And Garrick is yours too?"

Kyle had been ripping on him for being old earlier so maybe he plays it up just that little bit more.

He nods, looking over at Gaz with the most proud look he can muster, it's real but he can pretend it isn't just for the bit. "He was an angel when he was a tot, good sleeper and learned to talk quick. Was always a little grumpy that he didn't have horns too but he got over it eventually. Got him a blanket with a dragon on it when he was two and he didn't get rid of the thing until he was fifteen. Big Mumma's boy though, spitting image of his mother and more than proud of it."

It almost saddens him that the interaction ends when a sergeant whose name he can't remember calls over the captain about something but the sound of Nik's deep, gruff laughter is anything to soothe his short-lived annoyance.

Truthfully, he forgets about the entire interaction within a few hours until Soap barges into his temporary room on the base with a positively gleeful look.

"Price, I don't know what the fuck you did but Gaz is due to kick yer heed in."

"Excuse me?"

"Givens won't stop asking him about his dragon blankie."

Shit.

"And what's this about you and Nik playing who's the daddy when I was born?"

Shit.

[esmereldapearl]

Random head-cannons for PJO (again):

- Nico loves music videos— like Lady Gaga’s Paparazzi MTV performance he would love. (Maybe too because if Lady Gaga played during his stay at the casino, it might remind him of good memories with his older sister.)

- Hazel has met Bianca. I like to think that Bianca sat with her before leaving because Nico was coming to save Hazel. Like Bianca knew that was her sister the same way Nico knew— but Bianca sort of knew it would happen but wanted to meet Hazel— have a sibling relationship with Hazel. (This is leading into AU stuff) I feel like Hazel wouldn’t know until she found a random photo of her when going through some of Nico’s stuff he had as a kid.

- I feel like Will is the type of character for when something insane happens this is his reaction:

Percy: Hey man, so uh, during Harleys maze, I may or may not have broken like- two bones? One is my arm, the other is Annabeth’s ankle.

Will: *one eye twitches as he sort of half glare, half not yet still shocked* Mkay Percy.

(Like just imagine Will on his last straw, that’s how I imagine this)

- Kayla and Michael were really close. Lee and Will were also very close.

- Michael hid a safe in the infirmary that had files and stuff that he wanted hidden— also like random possessions and letters/ stuff from Lee except nobody could find it and then when they did find it nobody knew the code. Kayla did some digging and found the code. (They refused to let anybody try to break the safe or have Hermes cabin try to pick the lock)

- I have quite a few headcannons for Kayla even though she hasn’t been seen much throughout the books. I feel like one of the bigger ones I have is that she has two older siblings who are twins- very random, but she doesn’t really have a cannon backstory (yet?).

- Once the Apollo cabin realizes that Nico has not seen like— a lot of pop culture stuff and Disney movies, they force him to watch a lot of them.

- Everyone, including Nico, forgets that Nico was born in like the 1930/1940s until they bring up some big historical fact and he’s like:

Will: Ya’ll up for watching this rocket take off? You can see it from our cabin, it’s gonna go to the moon.

Nico: What do you mean to the moon?

Will: ??? Wait do you not know about the moon landing?

Nico: PEOPLE HAVE GONE TO SPACE???

(This is the only historical event I could think of for some reason)

- Nico would 100% love video games and love like a 3DS

- Hazel cusses— like a lot— mostly when she’s annoyed/angry though.

- Frank is good with younger campers. He likes to reassure them that it’ll be okay and try’s to make them laugh

- Nico is less emo/dark and more just- random? I don’t think he has a set style, nor do I think he’s gloomy— I think of him more like a combo of Sam and Sebastian from Stardew Valley.

- Nico likes to hangout in the infirmary and goof off with Kayla and Austin. Will’s glad they get along

- Lee or Michael had set a rule where you can’t hang from the beams in the ceiling— Kayla disregards the rule quite a bit.

- Will 100% has a southern accent— not like a full blown accent but it mixes with his daily speech. Like specific words and phrases bring the accent back.

- Hazel and Nico like to draw— both have completely different styles though, and Nico draws more often while Hazel experiments with art.

- Hazel (and Nico) likes to visit Nico and talk to her brother often- so they hangout like once a month and talk very often. I feel like after Leo would create some device/adapter to make it so monsters wouldn’t attack every time you sent a text, they’d text more often than Iris message. (Ik not everyone has the best relationships w/their siblings but my sister and I are like this so I promise I’m speaking from experience lol) like every piece of gossip/major event, every “what would you do in this situation”, etc

Hazel: OMG NICO

Nico: WHAT???

Hazel: PERCY AND ANNABETH ARE ENGAGED— YOU’LL NEVER BELIEVE HOW.

Nico: OH GODS.

[buubonita]

dear buubonita,

it's gotten to the point that i'm running out of ask ideas so now i have to resort to my trump card: MTT ASKS!!!! what are you,,,,,r favorite,,,,, mtt hcs that you have for them,,,,,,,, even if its worlds most basic hc IDC (devours the mtt content)

denied from the pearly gates, triglycercule

MTT headcanons! here we go. They're not that big of a deal though.

Dust is the one who's been replaced the most times out of the group, Killer being the detail-oriented guy that he is, is able to tell the slight differences, starting with the fact that Dust doesn't know them, but their tastes tend to vary a bit.

Like the old Dust likes bourbon and the new one prefers vodka instead. Very insignificant things that serve as a reminder that the Dust they know is gone. Horror has a bad memory, but not when it comes to remembering his teammates' antics. He feels baffled, not just because Nightmare took Dust from them one day and shoved another in their faces as if they couldn't possibly know what's going on.

A shorter hc is that Horror has fed Killer and Dust human parts before. It was on a "date". Dust felt a bit uneasy, Killer took it for what it is; something new. Killer never stops trying something new. (We get it, stfu with the joke)

Whether or not they enjoy human flesh, I'll leave to your own amusement.

Dust had his eye ripped out once, Killer took it to dissect (but he wasn't the one who pulled it out) and Nightmare asked him to go get a replacement. Horror had to be the surgeon on duty from experience and put the new thing in its place.

I personally don't see any of the three smoking weed 😭, Dust may have tried but let's just say it's not a good additive to his degraded mind. I don't see Killer smoking anything at all, though he might be willing to try too. I'd say it's not something he'll pick up as a habit in the end.

Horror doesn't consume anything at all.

Killer, Dust and Horror can play the trombone. Though I like to think Horror is the only one still playing it.

Killer likes cats

Horror likes dogs

Dust likes bunnies (and rodents)

Killer sleeps with his eyes open (and his little hands on his soul) Horror and Dust gave him a sleeping mask so they wouldn't have to see him.

Their methods for getting out of dissociation;

Dust has a tendency to bite others, but he mostly bites his hands. Horror sticks his hand in the hole and scratches a lot, and Killer pinches others in the face (although this seems to be canon, I love it)

Horror is the only one who still makes puns, but neither Dust nor Killer usually laugh with him when that happens... (difficult audience)

[naehja]

Beefleaf prompt Au where the real Ming Yi manages to escape from Black Water Manor and returns to Heaven. He's terribly weak but he goes directly to the most importants officials to tell that the one they thought to be the Earth Master since years is actually Black Water.

He Xuan is discovered and must escape from Heaven after have been revealed.

He escaped a trap set by the most experimented gods, who even put Qingxuan in danger in this trap (Shi Wudu was pissed when he realized that his brother was in danger in the trap and that it's Black Water who saved him).

Shi Wudu realizes who is Black Water after a short confrontation between them. He quickly erases all the proofs who could reveals he exchanged the fate of He Xuan with the fate of Qingxuan. Nobody know what he did and Black Water can't proove it. And who would believe a supreme ghost who has pretended to be a god for years?

The Heaven investigate and destroy Black Water manor. He Xuan manages to go away with the funeral urns of his family.

Qingxuan is confused. He didn't live the trauma of Black Wter Arc, the betrayal, the death of his brother by the hands of the one he thought to be his best friend…his heart has not be crushed. But he doesn't understand. He feel a little betrayed because he can't stop wonder if he didn't have been used.

If Black Water is so bad, why did he spend all this time with him? He wasn't forced to be his friend, to share so much things with him so why did he do it? Why did he save him from the trap set by those gods?

Why his brother forbid him to search him for answer.

"He's dangerous Qingxuan"

"He'll kill you if you go to meet him"

"Yes he didn't hurt you before but he has no reason to wear a mask now."

Shi Qingxuan didn't understand "But Ge, he saved me"

Shi Wudu tries to convince him like "It's not because he has some morals that he really cares. Don't forget he pretended to be a god for years, pretened to be someone else. The Real Earth Master could have died in this manor, alone and forgotten by everyone since nobody would have knew his fate. He probably used you to make his cover better."

Qingxuan also realize that the real Ming Yi is very different of Black Water when he was pretending to be him. Somewhere it's relieving him because he think "he was himself with me, right?

Shi Wudu doesn't let him get out of Heaven alone anymore. Which annoy him a lot. like A LOT. But he manages to do it. And arrives on a beach. He doesn't know how contact Black Water. A little part of him is afraid.

But he decides to use their private spiritual array. The one between both of them. That only them could use to speak with each other. They had created him years ago. Ming Yi (or rather Black Water) was annoyed but still used it.

"Ming…Black Water? I want to speak with you, i want to see you. Please? I…we spend so much time together. not everything was a lie, right?"

At his big surprise…Black Water answers.

"Qingxuan?'

He doesn't have the time to say anything that he feel a presence behind him and two arms catching him.

"you brother didn't tell you to not leave Heaven alone?" say a cold voice at his ear. "Didn't he tell you i'm dangerous?" He's tall, taller that when he was Ming Yi. He was sharp teeths. His hands, his skin, are so cold. But his breath burn Qingxuan's skin. He shivers to feel this body against him.

"Yes he forbid me to leave Heaven alone. but i wanted to speak with you"

"ho didn't he tell you WHY i was dangerous for YOU?"

"What do you mean?"

Black Water starts to laugh, bitterly "of course he didn't tell you. He's probably not very proud, and he knows how much you'll be pissed if you knew"

"What….do you mean. What Ge did to you? Why i have something to do with that?"

Black Water bites her earlobe, before purring "why don't you come to my new home so i can explain that to you" He smiles "well it sound just like a proposition, but it's not. You don't have the choice."

"Black Water, what….what do you want?" His cheeks are burning, his heart was beating faster.

"Your brother took my most importants persons of my life. I'll take his most important person from him." He catches Qingxuan's wrist, stopping him to use his fan "I planned to kill him but taking you away of him is a lot better, right?" A laugh "And for answers to your question. Not everything was a lie Qingxuan. That's why i want to keep you."

All the events of TGCF form Xie Lian's third ascension to the final fight happens while Qingxuan is He Xuan's prisonier guest. He Xuan let him do his god's job but under his surveillance, so no god would know where he is. Xie Lian meets him to Ghost City and all the gods lost it when they know. Especially Shi Wudu.

They probably got married shortly near of the end or after.

At a point Shi Wudu has to face the consequence of what he did to He Xuan, except that He Xuan will not kill him.

(prompt free for adoption)

[white-collar-cannibal]

@glsneeg-enthusiast when i say unedited. well folks many of these sentences are completely unconnected from each other or unfinished. line break with ellipsis for different scenes, ellipses inline for same scene but cut up lines. anyway have a Snack i'm never ever finishing this (it straight up has no plot.)

The first time he met Frank, Sneeg was dying, which was terribly usual. Niki was dead already, having crawled over to lay her head on his lap, and bled out from the throat and the chest and the stomach until she was still. 

[...]

He scoffed a little, and laughed a little, and he said, with half of a smile in his voice, “God.” 

He probably was making an expression of some kind, but Sneeg could not summon the energy or the will to look away from the knuckle of his hand. His face was probably doing the thing where his eyes got too big and he looked very strongly and scarily at something, because he was thinking too much to remember the rules about eye contact and about not staring. It was becoming a problem lately. 

[...]

Everyone made a big deal of Frank having quite a lot of tattoos, but Sneeg very rarely saw them at all. It had only really been one time. [...] It was a bit hard to tell, since it was said mostly for the enjoyment of saying it and not for other people to hear, but he thought it started out, “Motherfucking goddamn piece of shit capitalists can’t pay for air conditioning nasty bastards weren’t making enough already not paying their goddamn workers I swear,” 

With the jacket off, Sneeg could see that each of his arms were marked over with drawings which ran the gamut from crude drawings of various small animals and sigils and skulls, the lines bleeding out into the surrounding skin in inky aurora, to the fine scales of what seemed a very well done snake, which wrapped the circumference of a heavy arm before disappearing up the sleeve of the shirt.

Sneeg looked away a bit quickly — the back of his neck felt hot and red and embarrassed — but then Niki was looking at *him*, first with no expression at all, then at seeing him returning eye contact, she pinched her lips together slightly, and raised both eyebrows together in a movement that could have been categorized on the scale of glaciers. Her eyes, nearly gray as slate rock in the corridor dimness, were rimed with humor. Sneeg tried to pinch his eyebrows together in the same kind of miniature, dollhouse expression, to say *What? Huh?*, but all Niki did in return was a kind of U-turn of the eyebrows, up and down, back into her resting *a bit pissed off* aspect, and opened her hand outwards so that Sneeg could see the inside of her palm, then closed it again. 

From beside them, a thick voice said, “If you two have developed telepathy without me, I’m going to be so pissed.” The two withered slightly, like they had been caught eating worms or something equally difficult to explain, at the reminder that Frank was, in fact, still in the room with them. 

Niki blinked once. “Too late. We’ve already synched our mental illness frequencies.” Then she added, “*And* our cycles.”

Frank gave her a perfect jigsaw-puzzle smile, and went back to tying the jacket about his waist, which was good since Sneeg felt he might simply explode if anyone else acknowledged that he existed at the moment.

[...]

They sat in triangles, but when they walked Sneeg and Niki would stand on either side of Frank, which was half borne from respect and half to make sure that someone could always help him if his bad leg acted up again. He was always the center of both their orbits, because he was the only one who remembered anything.

Frank remembered because Austin remembered, and they had been Taken at the same time. Niki and Ethan remembered very little, and Sneeg and Charlie remembered nothing at all. He tried to hide this at first, but there was only so far you could really get with knowing when to nod your head, and when to go *mhmm* and *wow* conversationally before people started to notice that you did not know at all what they were talking about.

[...]

Niki liked *right hand* and *second-in-command* much more than she had liked *pumpkin*, but she still tolerated *string cheese* most days. When she was doing very badly, she would sit next to Frank, and lean her head on his shoulder, and he would put his arm around her, or in her hair, and go, *Aww, Kalashnikova, grenade, my favorite landmine, you’re okay* and she would feel better, even if it embarrassed her a bit afterwards. 

Sneeg loved *pumpkin* very much, and he extended the same affection to each and every other term his friends deigned upon him — even the ones in different languages, because he could trust that they meant something good and nice, and that was such a great relief.

Niki only ever called the two of them their names, or *boss*, which Frank had resented at first, but she said “If everyone calls everyone else boss, then it’s good and communist again,” and he relented. Sneeg had not processed enough about communism to argue, even though her maths didn’t seem to add up.

Frank talked a lot about communism, and Niki listened intently, but unless he was willing to sit down and really think about it, and interrupt way too often by asking about what *capital* was again, or *landlord*, or *materialism,* all Sneeg really got out of it was to hear the sound of Frank’s voice. It was a good voice though, which sounded a bit like he had eaten gravel, which was from the smoking, and forgot often that there were R’s in words, which was from the being raised in New York, so it was not a bad deal at all. 

All of Frank’s characters smoked, because Showfall thought it looked cool, so he did too. He’d toughed it out for two entire months, but they were still making him on set, so he couldn’t actually quit and then he got a migraine so bad he was worried he was going to go blind, and gave up.

“It’s not like they’re gonna let me get *lung cancer,*” he said, “I’m an *asset.*” He only did it once or twice a day, unless something exceptionally bad had happened, and Niki always took the opportunity to step away for five minutes, because the smell was intolerable to her, and look over her map, or lay on the ground like a starfish, and do her breathing exercises. She came up with long, prime number in-hold-out-hold sequences, because she had to be thinking about something at all times or she’d lose it. She said there was never any empty space in her mind, and if she didn’t fill it with something, the horrors would start crawling out of the little boxes she’d put them in.

Neither of them ever touched Niki without her asking anymore, since Frank had tapped her on the shoulder in passing and she worked herself up into such a fit that she spat up blood. 

Niki knew perfectly how to ask, though. She would tilt her head, very lightly, so the long strands of her uncut hair — often brown, sometimes blonde, rarely another color — would fall over her face, and either of the two could see this, and know to take the side of her head in their hand and to kiss the edge where the hair began on the forehead. 

[...]

Sneeg knew which of the cameras worked, and which didn’t, and which you could pass by if you walked by them at a calm pace with your face turned away, and he knew when the break rooms were full, and when you could pass through certain alley-paths. He had spent his entire childhood learning this, and now it made up for the fact that he was dreadfully, interminably, fucking stupid.

Sneeg did not know most of what an adult person was supposed to, on account of the everything, and he hadn’t even known it until he had began talking to the two of them. 

[...]

Frank and Niki were both pretty, but in different ways, like how a pretty painting might look nothing like a pretty tea kettle. No one else thought so, but Sneeg knew Frank was pretty. Showfall didn’t think so, because they only ever made him a side character, and none of those side characters ever had anyone kiss them. Austin said that he looked like a mobster, and Charlie had said that Frank had the face of a bulldog that had been at the business end of a sledgehammer, and Niki only said that he had a face that was perfectly adequate since it did all the things it needed to, but she was secretly jealous of him. 

Sneeg had eyes that worked though, and Frank had a face that was very nice to look at, with a big, crooked nose, and a lot of thin lines around the eyes and the mouth, and very interesting teeth. Everyone else only ever had teeth like white plastic ice trays, but his seemed to be arguing with each other about which should be where, in a way that made you want to put your hand in his mouth to figure out exactly what was going on three-dimensionally. 

[...] Her face did not find itself naturally upset, which made her near-permanent furrowed brow and curled lip intentional, a prolonged muscle contraction in service of worry and fury and disgust.

Everyone knew Niki was pretty. She loathed it. She treated pretty like an unfortunate congenital condition she was afflicted with, and only ever talked about other people in flat, neutral terms, like an anatomist. This hatred was not entirely unjustified, because Showfall loved you more if they thought you were pretty, and they cast you as love interests and romcom protagonists.

[...]

She had, nearly instantly, been sick on the tile.

He put his hand out, flat, eye-level, and she bit into where the meat of his thumb met the meat of his palm so hard she drew blood. The metacarpal made a bad noise, and she shook her head, side to side, very quickly, with instinctual zeal, and then let go. 

“Why did you do that?” she had asked, after a moment, and “Why did it *work?*” [...] She was worrying at her arm, and said, “Just tell me if it gets worse. I can live with this, just tell me if it’s going to get worse.”

“It’s not going to get worse. You know how they are with this.”

“You promise? On your life, you promise?”

“On my life, I’ve never seen them do worse, on set or in any of the tapes.” It had made her feel a little bit better, but not much.

[...] , and all she would say was “It’s *my* skin. It’s *my *fucking* skin.*”

[...]

...and, graciously, Niki had said, “Oh God, what’s *butch* again? It’s fallen out of my brain completely,” which was the euphemism she preferred for it.

Frank said, “Masc. Masculine. Like a guy.” and that was such an idea that Niki lit up, immediately. 

[...]

He’d found her once sitting at the edge of an unused fountain, staring into the green and chemical water.

“I got startled the first time they put a mirror on set,” she said, in lieu of a conversation opener, “I couldn’t recognize that it was me.”

He did not know how to answer this, and so didn’t, and in the silence, she turned, and went “When you get out, are you going to try and find your family? Your old family?”

“It would be nicer, neater, I think, if they just thought I died. If I didn’t have to tell them what I’d actually become.”

“You think letting them believe their kid got abducted and murdered is the best idea?”

“Probably. I mean, it’s been years, they’ve gotta be at least a little adjusted to it. The dead kid’s a better story than the miserable adult.” and then, “And why’d you ask? You’ve been thinking about it?”

“Yeah, well.” “Your family has to get that you’re not the seven-year-old they lost, like, in the slightest. But I was like, a *person* when they took me, no offense, and they’ll want me to be that.”

“Sometimes, all I can muster is *I just want to die where they can’t find me*. But I don’t really want to *die*, you know? I just don’t think I know how to live.”

“You’ll figure it out.”

“I just. I just can’t see it. Me. Having a real, actual life.”

“Then take it on faith. In yourself. In your own continuity.” and then, “You really don’t have to have it yet. Lord knows I don’t— Nick, I don’t remember what the Sun looks like, I have zero clue what I’m going to do. But I’ll find out, you know? I trust my future.”

“Just like that? Has anything good *ever* happened in your life?”

Sneeg thought a bit. “I used to have a dad. That was good. And I met you two, didn’t I?”

[...]

Niki wanted to be his sister very badly, but Sneeg couldn’t do that to anyone else.

[...]

Frank had called him a masochist, and Sneeg had to ask what it meant.

“Somebody who likes getting hurt,” Frank said, and then, in the interest of diligence, “Sometimes it’s a sex thing.” 

If Showfall was prudish otherwise, they were down-right puritanical when it came to sex things, so they always had to specify, even though Sneeg could catch a crass joke with 80% accuracy now, and could make one that was legible if the opportunity presented itself. It had been very embarrassing for all of them at first, but just like every other thing he was supposed to know and didn’t, Frank and Niki had gotten used to explaining things in clear, unfazed terms, and to pretend like it was fine that he didn’t know.

This was probably the best blessing of the manifold blessings that Niki and Frank had granted him: the simple fact that they had gotten quickly over that he did not know shit about fuck, and they explained things to him like he was an equal, instead of a kicked dog following them around. 

[...]

“Written messages. Very good sign” he had said, at about the second or third note they found “Means they’re not having regular meetings. Or casual meetings.”

“Not *that* good.” Niki said, “The ones in the masks have always been the big issue. Doesn’t really matter whether the real ones are walking around.”

“Yeah, right, but it means they’re not *talking.* Less minor information getting through, more arguments. More confusion.”

[...]

“- and, well, Marx thought,” and Sneeg wanted to groan, because Marx never thought anything that did not require at least fifteen minutes of explanation to understand.

[bugsbenefit]

Even leaving aside the rest of that ask about Karen, how are the show runners "glazing Cara" according to st twitter now lmao. I swear no one on there understands the concept of just liking the people you work with...

very good point. tbh 'glazing' really lost it's meaning. that's just the thing you say now about characters showing up in the show or marketing that you don't care about that much

but looking at how fandom treats certain characters it is kind of apparent how Karen isn't really seen as big of a deal as the show actually makes her in general. (at last in hyper invested fandom spaces. more regular viewers see her as much more of a main character) which i think causes a bit of dissonance when the show keeps promoting her. because if you think she's as unimportant of a side character as say, Dustin's mom, then you probably would think her constantly showing up on posters and bts footage is undeserved glazing

the thing is that Karen is actually kind of important. she's absolutely not a background character

you have the primary mains like Joyce, Hopper, the kids. more secondary mains that don't really have the hard hitting plot points of the show happen to them but are fleshed out and who the writers still take care writing like Steve, Robin etc. and then Karen falls in somewhere between a secondary and tertiary protagonist

she actually gets things to do each season. she has character arcs. from actually meeting and being suspicious of Brenner in s1, to her worry about Nancy in s3, the Billy situation, even s4 ends with her and Holly at the window looking out at the spores

actual side characters in the show, like Ted, the Sinclairs, Claudia Henderson, don't have any arcs to their characters. they're background decorum when their children (the actual protagonists) are home or need to talk to someone

but Karen falls much closer to actual protagonist status. which also explains why she's consistently featured in the marketing alongside the other mains

which is how the Byers and Wheelers turned into the two big families the show kind of revolves around to begin with. we know the most about them because almost all family members are protagonists in their own right. you have the kids Mike and Will, Nancy and Jonathan. and then the moms. the only difference being that Karen is kept in the dark about the UD plot and Joyce got thrown directly into it in s1 because it was her son that went missing

and the thing that people seem to get stuck on about Karen is that she's the only protag that doesn't explicitly know about the UD

which, honestly, makes her kind of interesting. especially with where they'll take that in s5, because she'll have to be confronted with what's been going on eventually. and what has been tormenting both her children for years. hell, she had such a close encounter with Billy in s3, she would have been in Heather's place that season hadn't Billy still had some semblance of control at that point. and she isn't even aware

Karen has been involved in the UD plot for seasons, there just wasn't any payoff to it yet because she doesn't know

Karen Wheeler, tight rope walker when it comes to getting as close as humanly possible to the supernatural plot without having to actually confront it

but it really boils down to, Karen is, and always has been an important character and the marketing has always reflected that

side note but what i've also seen cause a lot of the 'they're just needlessly glazing xyz' complaints is that sometimes it's just people being pissy their favourite characters aren't getting a singular spotlight on them. i've mainly seen it from solo El or Will stans (still exist in the year of the lord 2024) who don't care about the rest of the cast or plot outside of one character. so when Karen who, 'doesn't even know about the UD' gets so much s5 marketing that's hype that could have gone to someone more important in their minds. again, glazing entering the pantheon of words that lost all meaning on social media

[rememberingliampayne]

Dear Liam,

I first found out about 1D in late 2011 when a friend told me about 1D and wanted me to listen to the music and watch the music videos. I liked Gotta Be you the best back then and even then when I had no idea who any of you were i was drawn to your voice the most.

Then she made me watch the Up All Night DVD and what I can say: it was you from the very first minute. I cant say for sure what it was today, but I think it was your beautiful brown warm eyes and your big genuine smile that got me. And it never changed, you were my favorite from the beginning and you will always be my favorite.

I just realized in retroperspect that I was so drwan to you because i could relate to you: your perfectionism, the way you made sure everyone was fine (the fans, the band…) and also some of your mannerism. It helped me so much to see someone perceived as mature as you also show your joy and your playfulness because I did not have to be only mature – I could also be a kid at the same time. You got a lot of backlash when you slowly started to break out of the 'Daddy direction' role and it always felt unfair to me to burden you with that role. I think a lot of the last 10 years would have been different for you if that role had not fallen onto you.

I just want you to know that I appreciated you publically breaking out of the role more than you could ever known. You helped a girl that surpressed her own feelings for years to try to ease her familys burden, that tried to play grown up when she wasnt and had to deal with the consequences from all that for a long time to break out of this cycle. I dont think I would have been able to do that if not for you showing me that you dont have to play a role to ease others burden.

I still have to deal with some of the consequences of that and I dont think I will ever fully overcome it but I got a lot better and am in a mental place I never could have imagined. I will forever be sad that you did not get the help to overcome your struggles. You deserved it so much.

It makes me so angry that you never got to show us the music you were so proud of, that you never got to go on a proper tour. You were made to sing and to perform, your stage presence was one of the best I ever experienced. Your voice was so angelic, I would have listened to anything you would have sung. You helped so many people get better but never got the chance to get better yourself.

Liam, it was you from the very first time I heard a 1D song and watched any videos of you and it was you during your solo adventure till the end. It will always be you. I always rooted so hard for you and wished you everything you wanted, especially happiness. I will carry the sadness that you never got your happy end til the day I die. I am not religious but I believe in an afterlife and I am so absolutely sure that you got all the happiness and everything good you ever deserved up there. I hope you can see that despite you receiving so much hate there is also so much love for you.

At the moment the grief is too strong form me to listen to your music. But I know that once the grief is not as raw anymore I will happy bop to your voice again until I will hear it again in the afterlife.

Sleep well Liam, you deserve the peace.

[kkcauseway]

Hurry Home

Husband Joel Miller x pregnant f!reader

Summary: Your due date is fast approaching and the last thing you expect is to go into labour when Joel isn't home, meaning you have to call him out of work. Even more so, you don't expect that Joel will end up delivering your daughter in the truck on the way to the hospital. Content/warnings: TW-Childbirth. Joel being the cutest most supportive husband. Accidentally giving birth in Tommy's truck on the way to the hospital. So much fluff. No outbreak/ no use of y/n. Word count: 3.4K A/N: Another cute pregnancy fic because I am obsessed with making them! Hope you enjoy!

Main Masterlist I My other pregnancy fics

It’s 6am and you’re not usually awake but in the final stages, final days of pregnancy you’re finding yourself restless so you’re awake usually before Joel’s alarm is anywhere near ready to go off.

This morning is no different.

He’s only just got up himself when you walk into the kitchen. “Mornin’ baby” he utters sat at the table sipping at his coffee. He observes how sunken in on yourself you are, and you only give him a small smile in response. “S’wrong?” He sits straighter immediately noticing something’s amiss.

“Just real tired and achy” you moan as you move over to grab yourself some coffee “please don’t lecture me about coffee today I need it” you speak over your shoulder before turning back to pour.

“Baby m’not gonna lecture you.” He chuckles “you know I only do that as a joke about you sendin’ the baby crazy, you know I don’t mean it. S’goin on? I can tell somethin’s up.”

“Like I say I’m just really tired but no matter what I can’t sleep. And my backs absolutely killing” you utter back still to him as you add sugar. With your coffee made you turn to face him leaning on your elbows against the kitchen island.

He can see just how tired you are so doesn’t want to push anymore. Changing the subject seems the right port of call. “Shall I pick up some takeout for dinner on my way back?”

You could really go for eating your body weight in spring rolls right about now…

After taking a sip of your coffee which perks you up instantly you reply “yeah sounds like a plan. Chinese?”

“Whatever y’want baby.”

“I’ll let you know if baby changes her mind but right now it’s Chinese for the win.” You laugh taking another sip of your flawless coffee. Joel always makes it so perfect and it’s one of the very first things you bonded over when you met. Strong black coffee. You know after a few more sips you’ll have had enough and you know that your midwife advised against it, but being as exhausted as you are you rely on that morning coffee boost.

“Which job are you working on again today I keep forgetting?” You chuckle cursing your baby brain for making you forget literally every single thing of importance. The only things you remember now are which shops supply your favourite snacks, most of which you feel bad for eating but then say fuck it and eat them anyways because the baby wants them, and calories most definitely don’t count when you’re pregnant.

He takes a big swig of coffee, and you watch the way his throat moves as he swallows it. Fuck… it should be illegal how sexy he is. As he toys with the mug he replies “workin’ at the Stevenson’s again. We’re behind schedule ain’t we and I don’t think the weathers gonna hold out on us again today so that’s probably gonna fuck it all up.” Great which most likely means he’s gonna be late back tonight. You huff as he continues. “N’Tommy hurt his back yesterday so that’s gonna slow us down, plus I still haven’t heard back from the suppliers and without them I can’t fin- baby?” He stands and instantly runs over to your side.

Whilst he’d started droning on about his day which you are genuinely interested in no matter how boring a pain had begun washing over your body and from that point on you weren’t able to hear what he was saying. You just leant against the island as you held the underside of your bump groaning softly. The second he noticed he jumped into action.

“Baby what’s wrong?” He rubs at your back waiting on a response.

You take a deep breath as you stand up straight “I don’t know, that wasn’t nice.”

He keeps rubbing at your lower back as he stares at you. He knew something was wrong he could sense it the moment you entered the room.

“Do I need t’have the day off? You know I will baby just say the word.”

“No I’m sure I’ll be okay, just a bit crampy today. Maybe it’s them Braxton hicks the midwife was telling us about?”

Joel’s eyes keep flicking between your bump and your face, nerves evident. You chuckle softly as you stare at him “look I promise I’ll call you if I need you, but you’ve got a busy day you said it yourself you’re behind.”

“Yeah, but you’re more important than work you know that clients will understand if-”

You smile up at him jumping in placing a hand to his chest. “Joel, I promise I’ll be okay.”

He nods definitely reluctant to leave placing his hand over yours and stroking it “Fin, but I want you restin’ up today, okay?”

“Promise.”

“Good girl.” He kisses your forehead as he moves his hand to stroke over your bump.

—-

It’s a few hours later whilst he’s at work that his phone begins vibrating in his pocket. With the noise going on it’s impossible to hear anything so with the worrying morning you had he made sure vibrate was switched on. When he takes it out and sees your name lighting up on the screen, it’s like he knows instantly that something’s wrong. You’d never just call unless you know it’s his lunch break so it’s serious. And he’s sure he knows what’s going on before he’s even hit accept.

He quickly removes himself from the house to a quiet place and rips off his gloves.

“Baby you, okay?”

“She’s coming, this is for real.”

“Shit baby really?”

“Yeah, they’re getting worse. I thought I’d be able to get through it till you got back. I thought it was just Braxton hicks, but I just had a really bad one a few minutes ago, it’s happening I’m sure of it.” You pant heavily down the receiver.

“Okay baby, it’s okay you’re okay, you’re okay.” He repeats and isn’t in hundred percent on if the words are actually for you or for himself. And he’s pretty sure if you tell him your waters have gone that he’s going to have an aneurysm. “Have your waters broke?”

“No” you pant “not yet.”

He can’t help the slight sigh of relief that leaves him. “Okay baby m’comin’ just gonna tell Tommy n’I’ll be on my way, okay?”

“Oh god I’m having another one!” You begin moaning down the phone, it’s agonising and it’s even harder having to do it alone.

“Just breathe. Just breathe that’s it, I’m on my way baby I won’t be long.” He reassures as he runs through the house to find where Tommy is.

“It really hurts Joel!”

“I know baby I know, m’comin’ I promise, sorry m’not there but m’comin’.”

Having found Tommy outside on a what he’s calling a ‘cigarette recharge break’ he runs over to him.

“You best not be comin’ here t’scold me again I told you they help with stress.”

“Tommy I couldn’t give a flyin’ fuck about you smokin’ right now. I gotta go babies comin’” he utters quickly moving the phone to press against his shoulder as he speaks to him.

“Really?” His shocked expression making Joel chuckle as he freezes cigarette millimetres from his mouth.

“Yeah, m’serious I gotta go.”

“Shit.” He takes a quick puff before throwing it to the floor putting it out with his boot. Puffing out the smoke. “I’ll drive you. I’ll tell Bob t’hold the fort, I’ll leave and come back.”

“Sure?”

“Definitely.”

He nods moving the phone back to his ear. “Baby y’still there?”

“Yeah m’here, shit they’re getting close Joel. I can’t talk through them anymore that’s when the midwife said it’s getting serious!” 

“S’okay, Tommy’s gonna drop me to yah okay, is the bag still ready?” He’s out of breath as he questions running to Tommy’s truck.

“Yeah, it’s by the door and the- ugh- the car seat. I’m so glad we planned ahead.” You’re breathing heavily still recovering from the pain.

“Okay, good that’s good.” You can hear the truck door slamming in the background “we’re in the truck we’re comin’, okay? Did y’call the midwife?”

“Yeah, I called earlier. When I called, she said they were still too far apart to go yet either wait till they’re closer together and lasting longer or if my waters break and they’re getting closer so I don’t think it’s gonna be long till we can go.”

“Okay, okay baby m’comin, I’ll be there soon baby I love you. You get yourself ready and call me again if y’need me.”

—-

When Joel makes it home, you’re trying to put your shoes on but are instead struggling through a pain. He rushes to you rubbing at your back as you pant through it. “You’re okay baby I’m here I’m here.”

“We need to go! They’re so close now they’re basically on top of one another, I called triage again the midwife said to go now.”

“Okay baby. Tommy offered t’take us save me drivin.’ You get ya shoes on I’ll get all this in the truck.”

You nod watching as his flustered figure leaves with the bag and car seat. When you’re able to move again you slip on your slippers and he’s back to help you walk towards the truck.

You’re leaning on him as you walk and when he gets to the truck, he releases you to open the door. That’s when you feel something major change below and you gasp as you hold onto the underside of your bump.

“What? What is it?” He looks back at you.

You look down at the floor the puddle now growing surrounding your feet. “My waters Joel!”

“Okay it’s okay it’s fine means it’s definitely happenin’, but we are gonna go now, okay?”

“Oh fuck Joel!” Your body keels over as another pain rips through you. “Fuck holy fuck…” Joel’s quick to be rubbing at your back, hoping to help if only a tiny bit.

He’s so beautiful when it comes to helping you through the pain, he’s exactly what you need. “You’ve got this baby.” He whispers as he holds you close whilst still pushing on your back. It’s agonising, but slightly more bearable now he’s at your side.

Once you straighten, he looks into your eyes with a smile brushing shine hair out of your face. “Okay?”

You nod, and with the all clear he helps you climb into the truck. You can’t help the way you groan uncomfortably at the movement.

“Hey sugar.” Tommy looks back to you.

“Hi” you groan as Joel shuts the door when you’re in. “I’m sorry you had to come out of work.”

“I’m glad of the break don’t worry yourself sugar, you’re more important than work. This niece o’mine is so much more important.”

Joel climbs in the other side groaning as he pulls the door to.

“I’m not strapping myself in I’m too uncomfortable” you groan as you move to sit leaning against the door, kick off your sodden slippers and put your legs over Joel’s lap. He rubs your shins gently with his hand as he studies you. “That’s fine baby.”

The journey is agony every pothole and bump in the road moving you in ways they shouldn’t. Causing extra spasms in your back.

After ten minutes of driving your pains still getting worse with hardly any space between them anymore you can’t help but work yourself up. “Fuck it wasn’t supposed to be like this.” You groan as you squeeze onto the hand Joel’s given you.

“Baby, you know that this baby don’t ever do anythin’ by the book how long did it take f’us to find out she was a girl cus of the way she was dancin’! And how many times has she scared the shit outa us by goin’ quiet. She likes to do her own thing that’s all.”

You just huff struggling as another pain begins to take over. “But I need everything to be okay, what if it’s not okay!”

“Hey, no no do not start doin’ that, calm down and just breathe take it easy, she’s comin’ in her own time and she’s gonna be just fine.”

It’s when you’ve been going another fifteen minutes or so and the hospitals another ten minutes away that you suddenly feel like you need to push. When you think on how fast that seems to be you don’t believe it, but the pressure tells you it’s time.

You reach the hand that isn’t squeezing Joel’s into your leggings and that’s when you realise what’s going on “oh god.”

“What baby?” He turns to look at you worried as your eyes bug. He notices where you’ve put your hand, and it sends his heart racing.

“I can feel her head. I need to push!”

His body jolts. “Shit really? We ain’t too far from the hospital now.”

You nod eyes wide. “Joel she’s coming!” You scream as another agonising pain takes over.

He unbuckles his seatbelt as he turns to face you fully. “Hey shhhh, It’s okay baby don’t panic we’re here to help. If y’need t’push an’ get her out just do it okay? Tommy’s gonna keep drivin’ we ain’t too far away now, but if y’gotta get her out just push darlin’.”

“But I don’t want you to look at me down there like this you’ll think I’m gross. You’ll hate me!” You groan tears welling everything feeling way too much right now.

Fuck… You’re about to have your baby in Tommy’s fucking truck…

He chuckles softly “I’d never think that ever when it comes to you darlin’, you’re brinin’ my baby into this world I could never think that’s gross.”

You’re not a hundred percent on if you trust him, but you don’t have time to dwell on it as that wave begins taking over again. Rendering you unable to focus on anything but that feeling, it consumes you as it rips through you. Like absolute fucking torture. “Oh god there’s another one coming I need to push!”

“S’okay baby just do it, lemme get your leggin’s off you just push if you feel like y’need to okay?”

You nod before taking a deep breath and begin pushing before your leggings are even down. Making the most of pushing with the pain whilst it’s there. Joel quickly takes off your leggings and panties. He then spreads your legs so he can watch what goes on.

Whilst the thought of it has you more embarrassed than you’ve ever been. You don’t even bat an eyelid on him looking down there now. You’re in too much pain to care, are too determined to bring your child into this world to focus entirely on the fact that your husband is watching you basically split into two.

You push for what seems like eternity trying your best to put as much energy into it as possible before taking a deep breath.

“I can see her head” he looks from between your legs to your red sweaty face. “She’s really comin’ baby; you were right she’s right there!” He explains in praise as you pant. You don’t miss the way his eyes go misty; he’s really trying to hold himself back from getting emotional.

“I don’t wana wreck Tommy’s truck!” You utter through pants, your chest heaving like never before as you cry softly.

Joel’s lips part and he places his hands to your knees as he’s obviously about to scold you for even thinking that, but Tommy beats him to it.

“No problem sugar I wana meet this niece o’mine I don’t care. My truck should not be a concern o’yours right now honey.” He utters through a chuckle eyes still focused on the road.

Joel nods, “let’s just get her out okay, no one’s gonna be mad if y’ruin the seats in his truck, they can be cleaned, heck replaced if necessary. Just go with what your body is tellin’ yah and push if y’need to.”

You nod. Okay it’s time to do this.

You continue pushing with the next few pains that hit you which at this point with them practically on top of one another it’s a case of push, breath, pant repeat.

“Okay her heads gonna be out on this next one baby, I got a feelin’, keep goin’!” He exclaims and that’s all you need to hear to push again screaming the truck down as you do, you grab your thighs pulling them towards you as you put all your energy into pushing down, and with that her head pops out. You gasp releasing your thighs throwing your head back as you swallow and pant.

“God baby she’s so beautiful, almost there now come on let’s get her out.” He chokes.

“Wait, I just, I wana…” you struggle to get the words out so instead just move your hand so you can feel her. You chuckle wetly as your hand makes contact with her head. You look down between your legs mesmerised by what you’re seeing. You can’t see her face, but her tiny head is covered in brown hair identical to that of her fathers. “Oh my god she’s got you hair.” You cry looking to Joel who is very clearly still fighting back tears of his own.

“Yeah, she does baby. Now come on push and get her out, okay?”

You nod psyching yourself up ready to push with the next pain. It isn’t long till you’re pushing with all you might, grasping your thighs to help you push, having full understanding getting the shoulders out is even harder. You feel her slowly making an appearance and after a final push she’s here!

You cry out as she leaves your body crying instantly and when Joel picks her up to hand her over to you, you sit up slightly and take her against your chest. Crying uncontrollably in cries that match your newborn tiny daughters.

“She’s here, she’s finally here!” You weep as Joel moves closer to you brushing a hand over her tiny head.

“You did it baby m’so proud of you.” He chuckles through cries as he leans over to kiss your forehead. The second she was here he couldn’t keep the tears in any longer. So here the three of you are in Tommy’s truck crying your eyes out.

“Oh my god I did it!”

The shock is so real. It’s all official now…

Parents for life.

“Shit did I ruin the truck?” You quiz trying to look down at the seats.

“Fuck the truck sugar you just had my niece I couldn’t care less.” You can hear the wetness in Tommy’s voice as both you and Joel look in his direction. You meet his eyes in the centre mirror, and you can see they’re red.

“Tommy miller, are you crying?” You chuckle wetly.

“You know I am sugar. How could I not be she’s here!”

“She’s here!” You exclaim again looking down at her kissing the top of her head as you wrap your jacket around her to keep her warm till you make it to the hospital.

“She’s so beautiful baby m’so proud of you.” Joel sobs with a smile.

“Look how tiny she is” you chuckle moving one of your fingers to brush over her forehead to her nose and then over one of her tiny ears. “She’s absolutely beautiful.”

When she stops wailing and is content wrapped in your jacket you pull her away from your body holding her cradled in your arms so you can study her.

“Babe, she looks just like you.” You chuckle as he moves nearer to admire the other most important woman in his life.

It hurts how much you love her already.

When she scrunches her face obviously not happy and wanting food you can’t help laughing. The way her eyebrows furrow, her face goes red, it’s miniature Joel. “Look it’s angry Joel! She’s your twin!”

He sniggers wetly watching the way she wails softly and hating seeing her that way he brings a hand to brush over her head as you bring her back to your chest. The way he shushes her is beautiful to listen to, how attentive he is with her already is something to be admired. As you both try to soothe her Tommy pulls into the hospital.

Thank god you finally made it.