#Only 1/12 of it is horny. I genuinely just enjoy learning about this stuff

[brainwashboy]

Sorry I infodumped about sex toys when you pulled one out. It reminded me of a Wikipedia article I just read. Do you still think I'm mysterious and cool?

[piercebaron]

anime and manga differences: episode 12

Think of this as a sequel to this post, though there’s going to be less meta on adaptation and more chatting about what got cut. There are some allusions to spoilers from later in the manga (chapters 40 and 46, specifically!), so be warned.

I’m slowly working my way through the official English releases and was bemoaning earlier about how some of my favorite bits from the whole academy arc got cut. I also realized that a number of people following this blog have maybe only seen the anime, so! I wanted to dive into what was changed. 

Up until episode 12, which is the episode that kicks off the whole academy arc and really digs into the meat of the story, the anime didn’t really cut that much from the manga. Episode 7 was filler, with Hina and Lynn meeting for the first time and having their great cook-off, though that incorporates elements of Hina’s character that actually show up later in the manga. They also make some changes to Sonohara’s entrance, including showing the pilot of the chopper (which. I won’t spoil, if you’re not familiar, but it’s shocking to say the least). 

Episode 12 is where they really start to cut and make changes, subbing in some characters for others and folding arcs together. It covers chapter 13 up until halfway through chapter 15, so it has a lot of ground to cover.

Big change #1: Jail fights with Tokikaze, not Douan.

In the manga, Tokikaze encounters the group outside, just after they see Sonohara and Rihito walk inside. He and Jail get into it, and this spurs the rivalry they have throughout this arc. This is where Jail first realizes he can’t use his ballot.

The anime has Jail scuffle with Douan instead, and Tokikaze later intervenes. This honestly does wonders for Douan’s character, especially with how the anime has been structured where it’s ending with his big battle. We’re immediately introduced to Douan as an antagonistic force and his connection to Sonohara. Originally, the first time we see Douan is when he steals Sonohara’s stars in chapter 16.

This scene is in the anime! We get it in episode 13. But unlike the manga, it's just a continuation of Douan being a bully whereas in the original, it's our first real look at Douan. And instead of bumping into girls and picking fights with Jail, he's just straight up antagonizing Sonohara right out the gate. It's interesting! I feel like the anime allows us to have more time with Douan early on and builds up the emotional gut punch that is his relationship with Licht. 

(a small note: the anime does later have Douan be way more antagonistic, especially towards Sonohara, but that's scattered throughout the arc and as of writing this, I haven't gotten to those chapters in my review, so. you know.)

What we lose out on, though, is Tokikaze stuff. Jail and Tokikaze's rivalry is never really established beyond a brief bout of bickering before the enrollment ceremony in the anime, so his actions later on when it comes to giving his stars to him don't quite have the same punch.

In fairness though, their relationship hasn't really been a focal point since that arc ended, so uh. Maybe nothing was really lost? It was just nice seeing the nuances of these two characters as they bounced off of each other.

Big change #2: When we first really see Rihito.

Here's my big confession: I'm really not into the ecchi parts of Plunderer. I joke a lot about how horny Minazuki is and how GeekToys are even more so, but also it detracts from what is a genuinely compelling story with a lot of heart and some really, really great characters. It's just not my cuppa! I try not to critique that part too much because it's very much an opinion thing, but.

But hoo boy does it factor in here.

This is when we first really meet Rihito Sakai in the anime! And he's . . . staring up Hina's skirt. This is a parallel to the first chapter / episode, yes, where our first introduction to Licht is him looking up Hina's skirt. Full circle storytelling-wise and whatnot!

It plays out differently in the manga. We don't see Rihito again until he interrupts the chaotic enrollment ceremony, holding Schmerman "hostage." And it's one hell of an entrance, especially with how Minazuki lays out his panels. I'm going to paste the rest here, because words don't really do it justice.

How can someone so efficiently reintroduce their main character in just a few pages? Rihito is immediately endearing and foolhardy while still being the same dolt we know and love at heart. This is the first time we really see him, so it's the first taste we get of Rihito's good nature, despite the fact that he's, well, a perverted moron.

My own personal eyerolling aside, you don't get quite the same "oomph" from the anime's introduction.

Big change #3: Pele.

look, you all knew I was gonna be biased as hell in writing this.

Sonohara's introduction is the first glimpse we get of Pele maybe not exactly being who he says he is, what with him instantly reacting to the Secret Service agents about to shoot Lynn. Throughout the academy arc, he starts stepping up more and, in the process, there are more subtle hints that he knows more than he says he knows. A lot of his stuff got cut/streamlined for time.

In the anime, he does some off-screen investigating and then leads Jail and the others to a computer where he does a brief info dump. In the manga, this plays out a bit differently in that he appeals directly to Alan, immediately feeding him a story about the four of them being from the boonies and gosh, where could they get some more information?

and then this leads to what is the funniest exchange and what sold me on this manga entirely.

Pele controls the computer from then on -- he's reading through a computer how-to book in that last panel above, for the record. And he's pretty careful, all in all! It really does seem like he's learning along with the rest of them and doesn't know a thing. But this is really when we start getting blatant hints that there's something up with Pele.

Some of that makes it in, like his brief exchange with Tokikaze in episode 13 asking him who he'll steal stars from. There's something darker about it in the manga, though.

. . . though I really do love this scene in the english dub, especially with how his voice darkens at that line. 

Most of Pele’s stuff from this arc gets cut for time, though. Later, after Jail leaves young!Nana’s room, he doesn’t run into Alan. Instead, he reconvenes with Hina, Lynn, and Pele and the four of them watch Nana’s video together -- at which point Alan busts in and holds them all at gunpoint.

And he’s ultimately foiled by Pele.

This then leads to the Jail-Alan confrontation that is seen in the anime. This is really why Lynn, Hina, and Pele are with Jail, though! After all, they were in the room with him and Alan marched off with all four of them. 

But it’s later revealed that Pele didn’t delete the files on Nana’s drive; they were different files entirely, and Pele bet on Alan not even bothering to check. How Nana’s video plays out is another essay entirely, though.

Chapters 13 through 15 are the first real hints we get that maybe there’s more to Lynn’s subordinate than meets the eye, and maybe his little stunt with disarming the Secret Service wasn’t just a fluke. Minazuki is very good at laying seeds for things to come, which is also why I’m hesitant to write off the Jail-Tokikaze relationship / rivalry just yet.

also the animation quality in episode 12 is, uh. It’s not good, my dudes.

. . . okay, okay, I feel like I’m picking on the anime a little bit (reminder that animators work under a lot of pressure and aren’t given a lot of time and resources to produce quality!), but the animation is really noticeable in this episode. 

Anyway, if you enjoyed the anime, please support the official releases in your country and read the manga! It’s interesting to see all the little shifts and tweaks that were done to the story in the process of taking it from page to screen.

[manifestoonmoralmanlove]

Soulless Riffing: Brainless Wrap-up

I got a supernatural action/romance book series as a gift that’s just riddled with stuff that I hate….and as a steampunk Victorian London action romance story filled with werewolves and vampires…it’s yeah gonna be easy to poke fun at.

I just want to say, it’s totally cool if you like this story or ones like it!  It’s certainly a better caliber than a lot of what I make fun of…however…I can’t help but want to make fun of it.

Over here for the 1, 2, 3, 4, 5, 6, 7+8, 9, 10+11, 12, 13, 14, and Epilogue.

So here are my final thoughts on the book Soulless for those interested in such things:

It’s not good quality but hell, you’re probably not reading magical woman in Victorian times bangs hot werewolf while hitting zombies with an umbrella cause you want really deep themes and tight prose.

Despite my grumblings on Alexia’s Italian prosecution complex and supernaturals as an oppressed race, it’s not really that problematic.  I think it’s a pinch ignorant and unintentionally glib, but dang I’ve seen way worse.

I think the book’s greatest strength and weakness are kinda one in the same, it just depends on your perspective. 

That would be the abiding and consistent frivolousness of it all.  I personally feel as if it hurts the story cause it feels as if there’s no stakes and that the conflict doesn’t matter.  But you can see the appeal.  Even when shit is really going down, it’s not properly stressful or scary.  Humor is never far away, it’s just straight up fluff!

The plot contradicts itself for no apparent reason, it has giant holes, and what sense it does make is highly dependent on every single character (even ones meant to be smart) not having enough brain function to make sentences by themselves.

This is more subjective but the relationship at the center wasn’t great if you ask me. The conflict is all childish, with no suspense that it’ll be a more than chapter long hindrance. The main differences in their personalities are basically on gendered lines, with a little werewolf vs. human culture for color.  Alexia has lower self-esteem, gets sad sometimes, is more likely to be polite, and is more reluctant about a sexual relationship.  Besides that they’re incredibly similar to one another. They’re antagonistic, strong-willed, self-righteous, frivolous, stupid, short-sighted, not self-aware, and have similar politics. They’re so similar when they have an argument they just circle the drain.  Nobody adds anything or learns because they’re just vomiting the same unprocessed, inept perspective at one another.  You’ll never be short on conflict, but it’s all non-arguments about petty bullshit that don’t even manage to be funny.  

For something that’s meant to be fun and frivolous there’s a surprising lack of action and sex. The story wants to both be kinda that virginal ravishment and female empowered libidos at the same time and it just...doesn’t mesh. I honestly feel they should have leaned more on having a horny protag, and just played up feigning confidence, clumsiness, with a bit of uncertainty.  Instead Alexia both wants to both spend a week locked in a cabin fucking this man, but also IS THIS AROUSAL????? WHAT DOES IT MEAN!?!?!?!?!  There is 1 page of a sex scene, the make out scenes were frankly underwhelming and froze the pacing, and Alexia only has 1 proper fight in it all and that’s over by what page 5? LAME!

I feel as if she should’ve leaned more into the cheesy ridiculousness of it all.  Like her umbrella is actually a living familiar (her father’s) who’s perhaps at first begrudgingly working with Alexia.  The umbrella is sarcastic and dramatic but ends up being deeply loyal to Alexia. Named Parry or Saul for parasol?

Her evil family, or maybe a higher up in government is actually connected to the genocide club? DUN DUN DUN!

Queen Victoria seems like a delicate older woman, but in a climactic battle it turns out she can take care of herself and says some dumb nonsensical one liner like, “JUST LIE BACK AND THINK OF ENGLAND!” when she blunderbuss’ the antagonist out a grand window in her castle.

Well…to be fair… I haven’t read the whole series so who knows if that last one happens.

But let me give you a proper Too long; Didn’t read:

On the good side:

It’s easy to read frivolous fun that indulges in the Victorian aesthetic with a supernatural flavor. The opening of the story, I still contend is good. There is genuine friendship tenderness in this story that is lovely.  It doesn’t take itself too seriously, and sprinkles humor throughout.   The lead has sexual agency, women’s libidos are celebrated, and there’s an implication that sex outside of marriage is fine.  It does follow a sensible (if could be improved) pattern of intrigue, romantic development, climax, and conclusion. It’s also written in a particular voice that many would probably enjoy.  The voice is horny, juvenile, and superior both in the respect that Alexia is NOT LIKE OTHER GIRLS but also a snotty kinda British superior attitude for being witty enough that your backhanded compliment seemed polite enough that it wasn’t recognized for what it really was.

…Okay so maybe that last line was in itself a backhanded compliment.  I found the voice irritating, but I can understand why it’s attractive to so many young women.  What does any reasonable person want from a young adult novel aimed at young women?

For it to be sexy, silly, that the protagonist is better than the average person and by extension YOU ARE for enjoying her adventures.  And hey listen, young women are shit on ALL THE TIME for all sorts of bullshit.  Women should have these outlets to just briefly, BRIEFLY feel as if they’re smart, powerful, and sexy!  I give a hearty fuck yeah to that!

On the bad side:

There is a caveat I have with what I just said above. Some of the superior tone of Soulless (and it’s not exclusive to this title I assure you) is that some of the superior tone comes down to misogyny, classism, and even a little of what’s appropriate for a GOOD MAN (beyond yanno don’t be shitty.)  I cannot abide by that.

The story’s frivolousness when it comes to serious topics is a disservice.  

It could have easily been more fun.

The story could have also been EASILY molded into a plot that made more sense.

The story has no idea how to be subtle…which helps it feel as if it’s a YA novel.  This novel books itself as adult, but it’s really really, really, really, REALLY a young adult book and it should have been labeled/marketed/etc as such.  I came in expecting a fun saucy novel, but left feeling condensed to by a 16 year old. Like honestly, I feel as if she wrote a young adult novel, her editor wanted a sex scene at the end, so she quick pushed out a page of a tame one, and because of that they felt weird labeling it YA.

But what the hell do I know?

If you want turn your brain off fun and like supernatural Victorian hooey? Go for it!

If you don’t like those things? Be a butthead like me and hate read things for a masochistic thrill.

Did you know there’s a sequel? THIS BAD BOY IS A SERIES AND YOU’RE GOING TO HAVE TO SUFFER THROUGH SCROLLING PAST MY RIFFS ON THE SEQUEL TOO SOON BUCKO! WOOHOO!

[rieshon]

Winter 2020 Power Rankings

Time to catch up on writing some good old Power Rankings.

1. Eizouken ni wa Te wo Dasu na!: It's hard not to fall for Eizouken's infectious love for all aspects of the art of animation. They even pay respect to the people who make sound effects. I respect Yuasa, but most of his works don't really appeal to me--but Eizouken can be appreciated by anyone who's ever loved a piece of animation. ★★★★☆

2. Oshi ga Budoukan Ittekuretara Shinu: The first law of idol anime is they're always better than you think they will be. I had high hopes for Oshibudo and it still managed to exceed them. Idols and yuri are not an uncommon combination (even if it's usually just subtext) but Oshibudo manages to mix lesbian themes with the purest and most genuine depiction of idol fandom possible to make a truly delicious gay idol smoothie. ★★★★☆

3. 22/7: Speaking of idol anime always overperforming... I thought this would be a 'so bad it's good' show based on its first episode but instead it's just so good its good. A compellingly weird frame story that plays with criticism of idols just enough to be interesting props up an impeccably well done anthology series about several girls and their disparate paths to the idol industry. Some of the eps are magical, some are relative duds, but the sum of it all is an incredibly endearing series. ★★★☆☆

4. SHOW BY ROCK!! Mashumairesshu!!: Speaking of gay idols... The original Show By Rock was an okay series with yuri subtext that I mostly liked because Ayaneru was in it, but this spinoff trims all the fat from that series and delivers pure gay band girls and it's brilliant. No weird sci-fi drama, no laser fights between CGI gerbils, just some extremely gay girls starting a band. ★★★☆☆

5. Itai no wa Iya nanode Bougyoryoku ni Kyokufuri Shitai to Omoimasu.: At the risk of sounding like a broken record, Oonuma Shin always fucking delivers. Boufuri comes off as a boring MMORPG anime at first, but as a truly admirable "commitment to the bit" sees our protagonist Maple grow to literally God-like strength, it starts to worm its way into your heart. There's some great moments like Maple turning into a mech or a fluffball or fucking around and breaking sidequests, but for the most part it's just an extremely competent anime made by, still, the most underrated director in the business. ★★★☆☆

6. Koisuru Asteroid: It's a shame for a Kirara anime to ever be described with the term "disappointing" but Asteroid just doesn't deliver enough astronomy or geology and has way too much melodrama. The girls are still cute as fuck and it definitely hits most of the good Kirara anime notes, but it's decidedly a second-tier Kirara series. Also I'm still mad at them for ruining Suzu's hair. ★★★☆☆

7. Rikei ga Koi ni Ochita no de Shoumei Shite Mita: This is definitely a funny premise, but it's also one of those comedy shows where they really only have one joke that they do over and over. Still, it's hard not to enjoy Amamiya Sora as a cool and standoffish science babe, and by the time the gag is getting old the show wraps up with a surprisingly strong resolution to the romantic tension in the series. ★★★☆☆

8. ID:INVADED: This is the kind of show I almost never actually watch, but every so often I stumble upon one of these male-led action-thrillers that really manages to tickle my fancy. ID takes a compelling premise--it's like Minority Report except the detectives have to solve weird metafictional puzzles in scenarios derived from the psyches of the killers--and spins it out into an enjoyable science fiction action-adventure romp. As a piece of sf it doesn't say much more than "me am play gods," but it manages to be genuinely cool in premise and execution and also has a cute loli BBA. ★★★☆☆

9. Kuutei Dragons: CG anime conspiracy continues with this well made adventure story about whaling but it's in the sky. Unfortunately its addressing of the ethics of whaling is too wishy-washy to be interesting and it has some weird tonal stuff like setting up a "dude saves girl from prostitution" plot arc and then just not doing it so we just have to assume she like... goes back to whoring herself I guess? But this is never even addressed? It's weird, but the show has some pretty beautiful visuals for a CGI show and the ending arc is pretty satisfying. It queerbaited me with that Za-san character though. ★★★☆☆

10. Magia Record Mahou Shoujo Madoka Magica Gaiden: Madoka is probably in my top ten anime of all time, so just the existence of a shitty cash-in mobile game based on it pains me, much less seeing the entire franchise pivoting to selling it instead of more actual Madoka. Magia Record is bad in multiple dimensions; not only is it a poor imitation of the original masterpiece in both style and tone, the writing takes some truly disastrous turns with respect to the original series's canon. But I'mma be real with you... Yachiyo is the hottest anime girl of the year and she's hard gay for Iroha. So two stars. ★★☆☆☆

11. Murenase! Seton Gakuen: It feels like there's A LOT of "animal people" shows lately... This is another one. The girls in this are enjoyable thanks to great character designs from Sasaki Masakatsu who always manages to impart a very understated but tangible lewdness to all his characters. ★★☆☆☆

12. Kyokou Suiri: I really like 'talking anime' and I really loved listening to Kitou Akari talk for almost the entire runtime of this whole series. She's definitely a real one. It was also nice to see a romance with a cute disabled character whose disability is only really there in the background. Kotoko was just cute as fuck with an impeccable fashion sense. The story is kind of meh, especially once it gets into the meat of the Koujin Nanase arc, but it's worth it just to see Kotoko and Kurou's cute interactions. ★★☆☆☆

13. Nekopara: I wish Nekopara was better, and lewder, especially given that the franchise literally has its origins in porn doujinshi, but it still has lots of cute cat girls. Even if they do live in Saudi Catrabia. Maple is best cat. ★★☆☆☆

14. Ishuzoku Reviewers: The fact that this show became such a sensation is truly a testament to the power of anime tiddies. Unfortunately the character designs in this show do very little for me even when the characters are ones that aren't objectionably weird (which is infrequent) which is pretty much a fatal flaw for an anime that's supposed to be all about getting horny and nutting. Too thicc for me, man. I admire its gumption but in the end I didn't actually enjoy the show that much. I did learn the Japanese word for "cloaca" though. ★☆☆☆☆

[graysongraysoff]

1, 3, 12, 15, 19, 24, 30?

1. favorite fic you wrote this year

to be honest??? after a storm comes a calm.

it might be the cleanest/tightest thing i wrote this year, and i honestly think it’s because i wrote it for no shame november and i just let myself enjoy writing for once. i posted the most self-indulgent ask meme of all time and i put having fun above doing a good job, and maybe that’s not a good attitude to have all the time, but when you’ve got a tendency to get your head stuck up your own ass it’s not only liberating but it actually does result in some fresh, genuinely good stuff.

3. favorite line/scene you wrote this year

i don’t know if this is cheating since technically it is just one scene but also technically it is an entire drabble, but anyway i would like to submit this exchange between tres horny boys and ango mcdango because i think?? i did a really good job with Character Voices in this one. my number one top favorite thing about writing fanfiction is slipping on voices -- author voices, character voices, you name it -- and taz is an utterly delightful challenge in that regard, and i think i really nailed it in this little thing.

12. favorite character to write about this year

i love writing julia burnsides. for a lot of reasons, some more self-indulgent than others. i love knowing just enough about her that i have a structure to work with, but just little enough that i can really be flexible within said structure.

15. something you learned this year

well, per question #1, i guess i learned that i need to loosen the fuck up.

i was actually genuinely surprised going back through my blog at how much fic i managed to write this past year, because when i look back on Fanfic in the Year 2017 the feeling i remember the most strongly is that of being stuck. i spent so much time agonizing over the fact that what i was writing wasn’t good and then freezing up over it instead of bucking up and writing through it, and there were a lot of times last year when writing wasn’t fun for me at all. with no shame november i let myself enjoy what i was doing, and i think it’s great that i got some good writing out of that, but what i think is important is that i had fun writing it. i need to start prioritizing my own enjoyment instead of everyone else’s opinion of my work again. this year i need to find my way back to that place.

19. any new fics to start next year

next on the chopping block is valentine’s day #4, in which valentine lives to see the age mercutio was when he died. i still haven’t decided whether or not this will be my last valentine’s day, but hopefully it’ll be a pretty big one either way. i promise to work real hard!!!

24. favorite fic you read this year

god there was so much fucking good shit coming from you and from @takethewatch and from @pyrrhlc and @mordredoforkney i was sifting through my fuckin bookmarks and just in awe of the shit i got to read from y’all this year i’m like reluctant to pick a favorite because so much of what y’all wrote was so fucking good

i really, really did love overwhelm from you, though. i’m skimming over it now and just fucking floored by the amazing work you did on every bit of that damn thing. you knocked it out the fuckin park.

30. favorite fandom to read fic from this year

there was a LOT of good taz shit this year holy shit