#Olivia and Curtis

[myghanimationspage]

Feel free to use just give me (Linda) the credit for the animation if you use elsewhere…thanks

PLEASE dont use my animations to make other animations or banners with it. I work hard on my animations  and I dont want people to use them to make other fanarts

[sydcarmy]

WHOLE SQUAD EATING!!!

[whenmemorydies]

Lessons of a mentor: every second counts

The Bear brainrot continues unabated and a character that has been sitting at the back of my mind since I first watched 2x07 Forks has been Chef Terry. Her influence is felt in a multitude of ways throughout season 2, most notably via the impact she's had on her former chefs, Carmen and Luca. What fascinates me more about Chef Terry though are the parallels between her and Syd and the home truths that both these powerhouse women keep dropping (and which many a loudmouth dude on this show keep missing...*womp*).

Lots more under the cut. This is a long post but this show is so bloody juicy I couldn't help myself!

Who is Chef Terry?

So quick recap: Chef Terry is the Executive Chef at Ever, a 3-Michelin starred restaurant in Chicago, loosely based on and shot on location at the actual Ever. In the show, the restaurant opened in 2012 and was awarded "the best restaurant in the world" that same year.

In 2x07 Forks as Richie walks past portraits of Ever's alumni, we learn that both Carmen and Chef Luca (now based in Copenhagen, Denmark) both worked at the restaurant together, under Chef Terry. This is previously hinted at in 2x04 Honeydew when Luca talks to Marcus about working with a chef who worked "harder and faster than [Luca] ever could," and who inadvertently pushed Luca to get "better than [Luca] possibly could be, just from trying to keep up with him."

Chefs Carmen and Luca at Ever.

In 2x07 Forks, we get Chef Terry's origin story as she recounts it to Richie, who Carmy has sent to Ever to stage for a week. We learn that:

Chef Terry, like Richie and Syd, is an only child. She likely had a tense relationship with her father (who we learn was a Corporal in the military) before he passed, but is incredibly close with her mother, her only living parent.

Carm getting Richie a spot to stage at Ever was not a favour because Chef Terry doesn't do favours:

Chef Terry is quick to praise folks who try to learn. Note when she asks Richie if he'd like to peel mushrooms with her and she tells him that his first attempt is great (despite the fact that process-wise, he peels them in the exact opposite direction she does):

She had previously tried to open "a giant place" years ago when she was younger, and by her own description, "was on fire [and was] arrogant." Chef Terry then says she moved too fast and couldn't keep the place open.

She later opened Ever after coming across the building's "For Lease" sign while walking.

Its clear from her conversation with Richie about Ever's beginnings that Chef Terry is a firm believer in it never being too late to try again:

But for me, the most important thing we learn about Chef Terry in the 5 minutes she's on screen with us, is her belief in time being well spent. When Richie first sees Chef Terry, she's quietly peeling mushrooms by herself in the kitchen. When Richie asks her why she's doing this work, instead of a stage, we get this lovely bit of dialogue:

Chef Terry then goes on to tell Richie about her father and how he kept pocket notebooks in which he made hundreds of entries about different experiences while he was on military tour.

While Chef Terry never tells Richie how her father signed off on each of his pocket notebook entries, its implied by the end of the episode, that The Bear's mantra of "every second counts" originates from those very notebooks.

This was revelatory to me. Up until Chef Terry and Richie's conversation in 2x07 Forks, "every second counts" in this show was synonymous with Carmy's "sense of urgency", taped to the pass in 1x02 Hands and tattooed across his knuckles in the form of "S O U".

Prior to 2x07 Forks, "every second counts" was wrapped up in the frenetic pace of a restaurant's back of house, with Mikey dying well before his time and by his own hand, with the panicked need to fix the regret and broken-heartedness that accompanied years of estrangement, with Donna's litany of cooking timers going off every other minute in a kitchen covered in chaos and passata. It had to do with time slipping away and the persistent, but always losing battle to try and steal it back.

But in Chef Terry's conversation with Richie, it is made clear to the audience that the lesson in "every second counts" is not about speed or clawing anything back. Those notebook entries were not made for any other reason than to describe, remember, and step into a moment. Chef Terry peels mushrooms at first light in her restaurant because it attaches her to her work and connects her to those whose bellies she fills with her food. "Every second counts" is about savouring every second that we have, while we have it, and being present in each of those moments, as much as we can.

Its about realising that every second does count because every second has meaning.

Time spent informed by this knowledge, is time well spent.

Lessons and Parallels with Sydney

Like Chef Terry, Sydney also tried to run her own business, Sheridan Road, but it "got too big too fast", and she was unable to keep up with its demands. As she tells Carmy in 1x05 Sheridan,

My credit got destroyed. I mean, my whole shit got rocked.

The failures of both of their respective businesses pushed both women into the depths of existential crisis. Chef Terry tells Richie how she had been "unemployed, angry, depressed", and "blaming everybody else for all the time I'd lost."

While Sydney never makes an admission like this about the fallout of Sheridan Road, the depth of the impact of that failure on her is clearly apparent in the show, most notably in 2x09 Omelette. In this episode, Syd's father Emmanuel asks her why she is putting so much pressure on herself to be successful with The Bear. Syd responds, its because she doesn't know if she could start another business.

Later in the same episode, we hear Syd's even more vulnerable admission to Carm about her fear of failure, under that pretense for intimacy table.

Like Chef Terry, Sydney does not do favours. Recall when she fixed Tina's bouquet garni-infused cream in 1x04 Dogs after the latter kept ignoring Syd's advice on how to prep the mashed potatoes and ended up ruining her first batch of cream in the process:

Also, bonus Fak attack (lol) from the same episode:

But also like Chef Terry, Syd is generous with her praise when folks try - as opposed to only praising those who succeed. The praise is for the attempt in the moment to grow, not in the growth itself. Recall in 1x02 Hands as Syd calls out orders to Ebra, he falters and says back the wrong count. Syd gently corrects him and Ebra tries again, after which Syd says,

Gorgeous. Thank you, chef.

Its a small moment, but its one of the first times we hear the word "gorgeous" used inside The Beef. You can literally see Carmy's shock at the utterance, at the firm kindness of the exchange between Syd and Ebra. I personally like to think this might also be a moment of recognition for him, where he sees an echo of his mentor, Terry, in the woman he's about to hire as his sous chef.

And finally, of all the characters on this show, the one who seems to best understand that every second counts because every second has meaning, is Sydney. To me this is epitomised by her omnipresent notebooks in which she's always writing, clearly echoing Chef Terry's father and his will to remember the detail.

Sydney's question to her father in 2x09 Omelette is also indicative to me of a person who understands that each moment we have on this tiny blue dot is precious. When Emmanuel tells her that he doesn't think she needs to make everything "the thing" because she will always have his support, Sydney asks him,

Why can't we put everything that we have into everything that we can?

I've no doubt that Sydney's ethos, embodied by this question, is the result of the passing of her mother when she was a child. With that loss, Sydney would have learned from a young age that every second is important. She knows that you can't get more time, so you make the most of that which you have. Or in her words, you put everything you have, into everything that you can.

Its striking to me how differently Syd and Carm have interpreted the intention behind "every second counts" in the context of death and bereavement. Sydney moves through life with a drive borne out of knowing that our lives are finite and so every second contains the potential for possibility. Its why she had the guts to start her own business, had the optimism to apply to work at The Beef under a culinary hero, and had the hope to take a punt with The Bear.

In contrast to this, Carmy rails against time: at the time that he lost with Mikey, at the seconds that he might lose with each hiccup that delays a plate on the pass. For him, there's never enough time because it is constantly being snatched away.

He tells us in 2x03 Sundae that he struggles with being present in the moment and open to the world because he is always waiting for "the other shoe to drop",

I have to remind myself to breathe sometimes. I have to remind myself to be present, you know. Remind myself that the sky is not falling, that there is no other shoe. Which is incredibly difficult because there is always another shoe. I dunno, I think, you know maybe if I could provide more-more-more amusement or-or enjoyment for myself, it would be easier to provide for others, you know.

This isn't to say that Carmy isn't trying. Throughout the show, we've seen glimpses of him stopping to sit within a moment: his making time to talk to Richie about purpose in 2x01 Beef, his constant beckoning to Sydney to "say more" in both seasons 1 and 2, his return to art and drawing in season 2 - an act that physically forces you to slow down and observe detail, his repeated attempts to check in with Natalie about how she's doing despite his discomfort at the question, and most obviously, taking the time to softly, intentionally and unhurriedly comfort a worried Sydney with less than 25 minutes to open on the opening night of their restaurant.

To me, there are a number of reasons why its no surprise that Carmy is drawn to Sydney. I've mentioned a few here in this reply to @mod-doodles. Chief among them though are her consistency, her stability, and her integrity, all informed by Sydney's ethos of putting everything she has into everything she can; into making every second count, just like Carm would have seen his mentor Chef Terry do while he was at Ever.

I reckon Carmy's ultimate challenge in The Bear is going to be getting to the realisation that Chefs Terry, Sydney and even Luca (recall his chat about "openness" with Marcus in 2x04 Honeydew) have already reached: that because every second counts, happiness and peace - indeed amusement and enjoyment - are to be found in the doing, in the process, in the getting there, together. I'm sure by the end of our journey with these lovingly crafted characters, Carm will get there too.

Author's note:

Incidental to the above is this show's God-tier level casting. Storer and Calo have made it a point to cast famous and immensely talented actors in some of the smallest parts on this show...why? I'm thinking specifically of the casting of Jamie Lee Curtis as matriarch/walking emotional vortex Donna Berzatto and Olivia Colman as Capo/Chef Terry. Jamie Lee Curtis appears in The Bear throughout one full episode (2x06 Fishes) and in one scene (with everyone's favourite unproblematic king, Pete) in 2x10 The Bear. Olivia Colman appears in the show for just under 5 minutes, at the end of 2x07 Forks.

I reckon that, while the speaking parts for these characters are relatively small compared to other roles in The Bear, the casting choices here are reflective of the impact of these two characters on Carmen (in particular) and others on the show. The showrunners needed to cast folks whose reputations would precede them in order to instil in us, the audience, the same gravity of their presence as would be felt by the characters in the world of The Bear.

Donna Berzatto:

Donna's impact on the psyches of her children is huge. For evidence of this, watch the faces of Carmen, Natalie and Mikey whenever they're in proximity to their mother in 2x06 Fishes. They are constantly watching her, gauging her reactions and her levels. This is most clearly the case for Natalie who spends most of Fishes in a state of panicked fear, anticipating her mother's every move. Who better to cast as the anxiety-inducing-word-slurring-flirtatious-alcoholic Berzatto matriarch than scream queen, 80s/90s sex symbol and survivor of intergenerational substance abuse, Jamie Lee Curtis?

Chef Terry:

In contrast to Donna, Terry is a stable, consistent force of nature who has mentored successive waves of chefs that have walked through Ever's halls. She's overcome setbacks and had to relaunch herself, doing so with great success, while remaining grounded. While Olivia Colman's been plugging at acting on screen for over twenty years, she didn't reach the height of fame that she's currently enjoying until much later in her career and her life. By many public accounts, she's an incredibly talented, kind and down to earth A-lister. Also this interview with her is so Chef Terry coded I wouldn't be surprised if Calo and Storer read it and offered her the role the next day:

“There’s some amazing actors who don’t get asked back because they don’t behave very nicely,” she said. “Learn your lines, try and know everyone’s name, be on time … There’s a million people who would have your job in a second and more … who are better than you. Take your job seriously and not yourself.”

Without naming names, Colman said: “We all have actor stories of people who were unpleasant, unkind, ungenerous – and it goes around.”

Nor should actors ever become too grand to take on even a short film, she suggested: “Some people might think: ‘I don’t do that any more.’ I think that’s exciting to do. You’re going to meet new people or a new writer who might remember you later on … [Do] not get too up yourself, too grand. Work is work. If I now decided: ‘Oh, I will only do feature films,’ I might not work again.

“If you get accolades for something, enjoy it for a bit, but put it aside and pretend that hasn’t happened a week later. You still need to work and no one else will remember it either after a week. So crack on.”

Yes, Jamie Lee Curtis and Olivia Colman are fantastic actresses who could have acted the pants off their respective roles without their own personal backstories and filmographies doing any lifting...but given the limited time that they're on screen, having actresses who can bring all of that history and shorthand to the role is GOLD for quickly creating meaning and depth for the audience.

As soon as Donna first turned that corner in the kitchen in 2x06 Fishes chaotically balancing a tray of branzino in one hand and a cigarette in the other, yammering about spilling shit everywhere, I knew I was in for a ride. Likewise, as soon as Chef Terry gently suggested where Richie might find the polish he was looking for (instead of biting his head off because he was a mere stage and she was Capo), I knew I needed to be seated for the lesson that 2x07 Forks had been building up to all episode (and indeed that Richie's entire character arc had been building up to for almost two seasons). And phew...did these two brilliant women absolutely deliver.

K that's the end. If you made it this far, DM me because you are probably incredibly patient, kind and like to read and I need more of that energy in my life LOL. Thanks for spending some of your precious time with me <3.

[from-here-from-me]

Congratulations to the cast and crew of "The Bear," for a record-breaking 23 Emmy nominations!

THE BEAR — Season 2

[spiltsoup]

Happy pride month!! I am a proud lesbian!

Now you will all look at my vast collection of middle-aged women who have something Wrong With Them

[bruciemilf]

SPIDER-MAN VILLAINS + FACECLAIMS

[expectiations]

Just finished listening to the audio play version of The Weather in the Streets (which is as old as I am lol). As soon as I realized it was going to be an affair, I knew it wouldn't end well. Affairs never do.

One thing I have found to love about it though (other than the audio play starring Eve, duh) is the parallelism at play. I do love a good parallelism at the start and at the end.

I did find it remarkable though how from her voice alone, I could tell it was starring a young Eve. I hadn't noticed the year, just chose the audio at random to help me get through the laundry. I marveled at how young she sounded, how her voice had always had this raspy(?) quality to it. One that I can immediately tell belongs to her.

All this brought me back to my unanswered question on whether one's voice deepens with age. Well, more on the female part. Is it true that childbirth deepens a woman's voice? Can't exactly remember who fed me that tidbit but that has always stuck with me. But well, Eve doesn't have children. So does that mean that childbirth would not be the only reason a woman's voice goes lower as she ages? Is it only a phenomenon experienced by some women and not all? Questions, questions, questions.

You can always ask Google or something. And you betcha I will. I just want to jot my brain rot down and then be reminded of this years later lol

[wexler]

Behind the scenes of The Bear via Duccio Fabbri

[come-along-pond]

OC HALLOWEEN CHALLENGE 2024. day eight - october 8th. MULTIVERSE.

Olivia Cooke plays 10 of my Original Characters. Esme and Megan were her first castings and over the years I've used her for many more. She's just PERFECT, and STUNNING and has the acting range to go wherever I put her. All these characters are so different and distinct despite sharing a face claim and I think that's so cool.

Maybe you have multiple ocs with the same faceclaim, maybe you have a friend(s) who have ocs with the same faceclaim that you've wanted to do a crossover with, or maybe you want your oc to meet some of the actual characters their faceclaim has played. No matter what it is, it's time for your ocs to meet their multiverse counterparts!

gif credits: 1, 2, 3, 4, 5, 6

taglist:  @arrthurpendragon @bravelittleflower @ginger-grimm @dancingsunflowers-ocs @foxesandmagic @shrinkthisviolet @wordspin-shares @oneirataxia-girl

Send an ask/message if you wish to be added or removed!

[inezthefish]

My hot outsiders take.

I DONT SHIP JOHNNYBOY (pony and johnny)

not proofread

before you crucify me, wait. hear my logic. Ponyboy has been 14 for a month. Johnny is 16, almost 17. Johnny still thought Pony was 13, or maybe it slipped his mind (the church scene where he calls pony a ‘13 year old kid’). That’s quite the age gap, mentally and physically. Johnny is nearing the end of puberty and Pony is just starting puberty. Hormonal differences would be crazy. A freshman and a junior in my school dated, and let’s just say it ended in almost a damn court case.

Also, it says in the book, and I’m reading and writing this from my of the book.

“I don’t like going [to the DX] on weekends, because usually there’s a bunch of girls down there flirting with Soda. I don’t care much for girls yet. Soda says I’ll grow out of it. He did.”

By this, I’m assuming Ponyboy hasn’t really had the hormonal changes that make you have crushes. I’m no brain surgeon but there’s some sort of chemical reaction. By this logic, he has no romantic interests WHATSOEVER. not for girls, not for boys, not for ANYONE. I think that kinda makes the relationship pretty unimaginable.

Also, the people that use the excuse of “well they were cuddling in the church!” really falls flat as well. My best friend and I cuddle when she comes over, but that does not automatically mean we are romantically interested in each other (she doesn’t even swing that way.)

“The way Pony described Johnny in the book was so gay!” The only time he really goes into depth explaining him was this time:

“Johnny Cade was last and least. If you can picture a little dark puppy who’s been kicked too many times, and is lost in a crowd of strangers, you’d have Johnny. He was the youngest next to me, smaller than the rest with a slight build. He had big black eyes in a dark tanned face; his hair was jet black and heavily greased and combed to the side, but was so long it fell in shaggy bangs across his forehead.”

Now, I’m bi, and i have a great gaydar. that is more straight than a raw spaghetti noodle.

Now, i don’t care if y’all don’t agree but those are my reasons i don’t shop JohnnyBoy.

thanks for coming to my TED talk

[myghanimationspage]

Feel free to use just give me (Linda) the credit for the animation if you use elsewhere…thanks

PLEASE dont use my animations to make other animations or banners with it. I work hard on my animations  and I dont want people to use them to make other fanarts

[moraent-keys]

There are just.. so so many songs I need to see on more Radioapple playlists

[firsttarotreader]

https://youtu.be/sng6JT-QoGU?si=1QC_oTFXT4FAbYUG

Pedro with no PR training was the best 😂

This one isn’t even that bad! 😅 He just says his first celebrity crush was Olivia Newton John and mentions that basically porn scene with Jamie Lee Curtis and John Travolta in the gym. 🤣🤣🤣

[mikesapienza]

“The Bear” is and all is right and stressful. My poster is now available in my shop:

https://www.etsy.com/shop/MikeSapienzaDesigns

[filmmarvel]

I’ve seen a lot of people talking about The Bear Season 2 and I just want to add something- the CAMEOS. Cameos are a bit of a slippery slope- sometimes they work and sometimes they don’t. I think cameos are pretty overdone, and nowadays the term ‘cameo’ can really refer to anything from ‘they showed up for two seconds in the background and you have to pause it and zoom in to notice them’ to ‘a decent amount of screen time and an actual role in the story.’ In other words, I’m just talking about celebrity guest stars (and don’t want to have to type that out every time).

But for me, what it all comes down to (ie the correct/incorrect way to do a cameo) is whether or not it’s all about the celebrity. When cameos are more about watching a famous person than the actual character they play or the story they’re in, it’s distracting. It takes away from the material. A recent example of this? The Mandalorian. When Jack Black and Lizzo showed up, it was all about watching Jack Black and Lizzo. No hate to either of them, I’m a huge Jack Black fan, but it was distracting. It wasn’t necessary for the story, nor was it interesting, or impactful, or brief enough to be fun without taking too much away from the episode.

But this season of The Bear was a PERFECT example of how to do celebrity guest stars right. It was ABSOLUTELY FANTASTIC. It’s always fun to see famous people pop up, but once you get over the initial burst of excitement, that’s when it can get dicey. But in this season, there was never an instance where I felt like I was simply watching a celebrity for the sake of watching a celebrity. Each role (from bigger ones like Jamie Lee Curtis as Donna, to single scene roles like Olivia Coleman’s brief appearance) had a part to play. Each character was interesting, well thought out, well fleshed out, and just to state the obvious, incredibly well acted. Every actor was given the chance to perform really wonderfully written material- something that benefits the story, impacts the other characters, and leaves a mark on the viewer beyond simply enjoying getting to see them. I’m still in awe of Episode 6. Every actor simply nailed it. Even John Mulaney, who’s character wasn’t 100% necessary to the story, and who didn’t have any intense acting to do. It still went without a hitch- his acting was believable, his character fit in perfectly, and he left a mark.

Anyways all that’s to say is that I have so much respect for the writers, actors, and everyone who was involved in the casting process. If they wanted to, they could’ve gone the cheap route and simply tossed a bunch of celebrities in there for no reason, but instead they created something meaningful! This is such a fantastic show and I can’t wait for Season 3.

[stuff-diary]

The Bear (Season 3)

TV Shows/Dramas watched in 2024

The Bear (Season 3, 2024, USA)

Creator: Christopher Storer

Directors: Christopher Storer, Duccio Fabbri, Ayo Edebiri & Joanna Calo

Mini-review:

I'm honestly surprised by the amount of hate this season has been getting from fans. Was it as good as the previous two? Maybe not, but it's still miles ahead of almost everything else on TV these days. I guess the problem is the first two had specific endpoints in mind (saving The Beef and building The Bear, respectively) and this one doesn't, which is what makes it feel rather adrift. Still, I don't think that's a bad thing, per se. This shift means plot takes a step back to focus almost completely on the inner workings of the restaurant and the characters, which in turn helps us learn so much about all of them. Seriously, how can you say it's a bad season when we get episodes like the one about Tina or the one about Natalie and her mother? And sure, the plot might not advance too much, but we get a true acting masterclass in every episode. So yeah, this season of The Bear might be slower and more contemplative, but in my opinion it's almost as momentous as the first two.