#Mutant Vinyl Hardcore

[arcadebroke]

ヘドラ

[tenthousandyellowjackets]

Zug by Mutant Vinyl Hardcore (2024) Painted with multi metallics over clear purple with glitter vinyl. Comes with mawashi cloth and cord. Extremely limited edition of 10 pieces!

[spankystokes]

Mutant Vinyl Hardcore x UNBOX: Neo-LASH “Skeleton suit” edition announced! ( @unboxindustries @mutantvinylhardcore ) More info over on SpankyStokes.com - (Link in our bio) —> SWIPE for more pics!!! ••• Don’t miss anything I post... turn on your push notifications for @SpankyStokes. Go to our main page, scroll up to the top, and hit that BELL icon in the top right corner, then click on all that apply. Thanks so much ••• #vinyltoys #softvinyl #spankystokes #toyblog #toyblogger #designertoys #artistsoninstagram #artist #hype #hypebeast #limitededition #vinyltoy — #madebyunbox #mutantvinylhardcore #neolash #skeleton #skeletonsuit http://dlvr.it/Sx41Nw

[eucanthos]

MVH & Punk Drunkers

Mutant Vinyl Hardcore vs Punk Drunkers "Mutant Punks" at Death's Vault

[plastickaiju]

Name: Platform: Death Sludge Demon Artist: LASH (Rich Montanari) Manufacturer: Mutant Vinyl Hardcore Material: Sofubi

[chogokinjawa]

Six Eyes DX Sludge Demon par Stef Via Flickr : © Mutant Vinyl Hardcore

[thetoychronicle-blog]

Flying Freak By Mutant Vinyl Hardcore x SCIENCE PATROL

Lurking in the sofubi dungeon in JAPAN, SCIENCE PATROL 合同会社 teaming up with Rich Montanari Jr from Mutant Vinyl Hardcore and pulling out one heck of a beast! Flying Freak all marbled up and freshly pulled by SCIENCE PATROL. Judging by the reaction on SCIENCE PATROL and Mutant Vinyl Hardcore Instagram feeds you guys like it as much as we do. It’s driving us batty!…

Flying Freak By Mutant Vinyl Hardcore x SCIENCE PATROL was originally published on The Toy Chronicle

[nicholasfungvideo]

DC13 “Gulf Racing ” Hyper Viper by Mutant Vinyl Hardcore A powerhouse in the toy community, Mutant Vinyl Hardcore is a popular sofubi maker and artist. Returning to create another video showcase with the footage and graphics provided by Rich, I had full creative freedom to help exhibit the latest work of art by MVH. In addition to cutting to the music, footage needed a de-flickering treatment to address the fps not being aligned with light frequency in the raw footage. (2022)

[arcadebroke]

[tenthousandyellowjackets]

King Sam & Sam Heinous DX "Halloween Set" by Mutant Vinyl Hardcore (2024)

[spankystokes]

Mutant Vinyl Hardcore x UNBOX: Neo-LASH “Skeleton suit” edition announced! http://dlvr.it/Sx41BB

[futuresandpasts]

Futures & Pasts | MRR #420

I think this column might have marked my three-year MRR anniversary, or at least something close to that. Long-lost ‘80s DIY eccentricity from Portland & Pennsylvania, modern Swiss-German coldwave/minimal post-punk sounds & Swedish Messthetics disciples, readable in Maximum Rocknroll #420 (May 2018).

Portland underground art-punks RANDY and the RANDIES formed in 1979 and featured founding NEO BOYS guitarist Jennifer Lobianco in their original line-up, but the fact that they never released any proper recordings before their split in 1982 has meant that most traces of the group’s history have been primarily relegated to the digital simulacra of photocopied flyers from shows in the late ‘70s and early ‘80s, with their name mentioned alongside some of their more well-remembered local peers. A brand new anthology simply titled 12” Vinyl LP finally gives RANDY and the RANDIES the proper documentation that they deserve, pulling together a handful of live tracks recorded across 1980 and 1981 with a series of 8-track recordings conceived as the soundtrack to the fictional film called Beauty and then exhibited as an audiovisual installation with storyboarded photographs at the Portland Center for the Visual Arts in 1982. The collection starts with the group’s two earliest songs, the Lobianco-fronted “Bloating” and “Solar Myth,” which both mirror the raw beauty of the NEO BOYS’ sparse, shambolic jangle and obliquely poetic lyrics. Lobianco relocated to Los Angeles in 1980 and the boys of the RANDIES continued on without her, channeling the off-kilter primitivist skronk of fellow American DIY oddballs like HALF JAPANESE on “Tangled Nico” and the nearly-No Wave sonic collapse of “Big Blue Blade Car,” rounding out the remaining live takes. The LP’s second side is devoted to the songs written for Beauty, where RANDY and the RANDIES alternate between instrumental sound collages and single-song experiments in recreating various subgenre aesthetics—there’s a quick, thrashy hardcore track, a droning piece of dubbed-out mutant disco, a moody and chorus-saturated New Wave pop song, etc. A really wonderful documentation of a too-often overlooked part of Portland’s punk history, and if it were my call, everyone with a WIPERS T-shirt in their closet would be required to own this record. (Randiful Music, randyandtherandies.bandcamp.com)

Steve Krakow of PLASTIC CRIMEWAVE SOUND and the Galactic Zoo Dossier was allegedly in a Chicago secondhand store years ago when he found a cryptic homemade cassette by a mid-’80s Pennsylvania group called IN TIME, which turned out to be chock full of scrappy, psych-inflected DIY racket that sounded as if it had been recorded by Nikki Sudden and Dan Treacy while in seclusion in suburban Philadelphia. Krakow flipped out over it and managed to locate one of the members of IN TIME, in a series of events which ultimately led to the Inside Your Mind LP that came out late last year, collecting the songs from the thrift store-sourced tape along with some previously unreleased tracks. Maybe that whole backstory is true, or maybe it’s all an elaborate hoax (see: that “lost” MICK TROUBLE EP that surfaced last year), but if it is just a put-on, the attention to detail here is truly astonishing. Everything is cloaked in tape hiss and treble, the drums have that perfect basement-bashed cardboard box clatter, the guitar parts twist from jangly technicolor pop to severe, wiry post-punk fits, and the vocals manage to be charmingly off-key even when they’re talk-shouted in a Brit-accented deadpan that you wouldn’t really expect from a band supposedly from the outskirts of Philly. The Paisley Underground scene was thrown around as a reference point here, but IN TIME’s psychedelic leanings really owe more to the buttoned-up mod edge and pop art romanticism of the TELEVISION PERSONALITIES than any BYRDS-worshipping, post-Nuggets Californian garage jangle, with tracks like ”Many are the Tears” and “When I Change My Eyes” capturing the same balance between wide-eyed melodic wonder and darkly serious tension that made the TVPs so brilliant in their prime. Then there’s the art-punk sneer running through “Economic Injustices” and “On the Telephone” descended from the wobbly UK DIY template of SWELL MAPS or the DESPERATE BICYCLES, while the droning mostly-instrumental “Mideastifcation” sounds like IN TIME had some serious fantasies about traveling to where the pyramid meets the eye with the 13TH FLOOR ELEVATORS. Sham or not, the narrative surrounding this LP is utterly irrelevant, because it stacks up with pretty much any actual outsider post-punk classic from the early ‘80s. (Mental Experience, guerssenrecords.bandcamp.com)

Charlotte Mermoud’s one-woman post-punk outfit (and MARAUDEUR spin-off) PURPUR SPYTT is back with a new four-track EP called Nitpick, where she continues the process of subtracting elements from her songs until just the most minimal structure is left, threatening to collapse at any moment like a precarious structure of Jenga blocks. Vocals are recited with a flat emotional detachment bordering on spoken word, bass lines throb in repetitive and circular patterns, and a tinny and slightly off-beat drum machine rattles and clangs in the background, sometimes accompanied by brief flashes of sparse, single-note guitar cutting through the negative space. The austere, bass-centered rhythms of “Triangles” and “A Fake Vision of Me” suggest a downbeat bedroom interpretation of LIZZY MERCIER DESCLOUX’s fiery disco-punk grooves, while “Real/Not Real” lurks in the darkened shadows of early ‘80s Euro coldwave with subtle synth whirrs underscoring the mentronomic bass/drum pulse. A femme-led New Neue Deutsche Welle taking shape in 2018? I’m all for it. And heads up tape enthusiasts, because if you missed out on the really excellent MARAUDEUR/PURPUR SPYTT split 10” from 2016, the PURPUR SPYTT side is included on Vacant Stare’s cassette edition of Nitpick—don’t sleep this time. (Les Syndicats des Scorpions/Kakakids/Pouet Schallplaten, lesyndicatdesscorpions.bandcamp.com)

Following the precedent of their post-millennium compatriots in bands like the SUBURBAN HOMES, STRUCTURE, and SARCASM, PRIVATE SECTOR are yet another contemporary combo whose collective glances are fixed backwards at the ’78-’81 golden era of dole-line post-punk and UK DIY—if there’s not at least one person in this bunch sporting a MEKONS badge on their parka, I’ll be amazed. On their new Cost of Living EP, PRIVATE SECTOR make their allegiances to that particular scritch-scratch Messthetics aesthetic plainly obvious, from the recurring lyrical critiques of capitalist/consumerist drudgery to the great, falling apart cover of “Disco Pope” by teenage Rough Trade rabble-rousers the PRATS. The clear PRIVATE SECTOR anthem here is the blown-out, factory floor punk drone of “Survival (Is Killing Me),” which runs through a list of the dead-end ruts and mindless aspirations of modern society (small talk with colleagues, working out, dieting, domestic bliss, careers, so on and so forth) in tandem with the song’s title repeated endlessly in a resigned dual-vocal monotone, like a conceptual successor to GANG OF FOUR’s “At Home He’s a Tourist” stripped of any angular funk edge. Highly appropriate sounds for our current cultural and political hell-world. (Byllepest Distro, byllepestdistroofficial.bandcamp.com)

[plastickaiju]

Name: Platform: Berserker Artist: LASH (Rich Montanari) Manufacturer: Mutant Vinyl Hardcore Material: Sofubi

[thegreasypizzeria]

The Greasy Pizzeria Punk Rock Vinyl Club. : : Big Boys- “Frat Cars” released on June 5th, 1980 (Bootleg). ——————————————————— Not On Label / Vinyl / 7” / Bootleg : : 1979-84 hardcore punk-funk band Big Boys HAD to be from Austin, Texas - there’s nowhere else weird enough. They were so confidently playing this style of music at shows with much more “serious” peers. This might have been their first studio release? It was definitly the only one with Collier on drums. These songs would end up on the #SkinnyElvis collection. “Heartbeat” is sung by Kerr and has a Gang of Four riff - meets funk drumming style they’d be know for. This EP hits on a lot of their strengths and serves as a great introduction to #RandyBiscuitTurner and #BigBoys. Sorry this is a #bootleg. Standout Tracks: “Frat Cars” and “Mutant Rock.” : : #ChrisGates #BiscuitTurner #TimKerr #stevecollier #punkvinyl #punkrecords #punkrockvinyl #skatepunk #AustinPunk #MutantRock #punk #punkrock #fratcars #vinyligclub #vinyl #7inch #vinylcollection #recordcollection #vinylcommunity #skateforfun #texaspunk #godblessmeidontfitin (at New Jersey)

[thetoychronicle-blog]

Zug the Troll "Scrambled Eggs" custom by Zukaty

The infamous kaiju Zug the Troll by MVH makes a very special appearance courtesy of our boy Zukaty Toyz. This unique custom (one of a kind) is simply stunning, we wouldn’t mind having these kind of scramble eggs for breakfast; One of the highlights of this piece is without a doubt the head work, specially the eyes; Insane…

Zug the Troll “Scrambled Eggs” custom by Zukaty was originally published on The Toy Chronicle

[arcadebroke]