#Marcello Garcia

[fidjiefidjie]

🎩 Marcello Mio 🎩

BA du film 🎬 de Christophe Honoré avec Chiara Mastroianni, Catherine Deneuve, Benjamin Biolay, Fabrice Luchini, Nicole Garcia ....

👋 Bel après-midi

[kurgy]

trying to break art block with New Harbor guys

[byneddiedingo]

Daria Halprin in Zabriskie Point (Michelangelo Antonioni, 1970) Cast: Mark Frechette, Daria Halprin, Rod Taylor, Paul Fix, G.D. Spradlin, Bill Garaway, Kathleen Cleaver. Screenplay: Michelangelo Antonioni, Franco Rossetti, Sam Shepard, Tonino Guerra, Clare Peploe.��Cinematography: Alfio Contini. Production design: Dean Tavoularis. Music: Jerry Garcia, Pink Floyd. It sometimes seems as if every bad movie eventually finds an audience, even if only as fodder for wisecracks on Mystery Science Theater 3000. Makers of bad movies even have movies made about them, like Tim Burton's Ed Wood (1994) or James Franco's The Disaster Artist, his film about Tommy Wiseau, the auteur of The Room (2003), a film whose badness turned it into a cult movie. Things get a little more complicated when the filmmaker is a director of the stature of Michelangelo Antonioni. Zabriskie Point is certainly a bad movie by any usual standards of plot or performance. Its endorsement of the revolutionary fervor of the young felt naive at the time and now seems at best simplistic. It was a critical and commercial flop: Roger Ebert called it "silly and stupid," and it banked only $900,000, against a cost of $7 million, on its initial theatrical run. But like another major flop, Heaven's Gate (Michael Cimino, 1980), it has been the subject of a continuing reassessment, attracting defenders and even a small coterie -- not to say cult -- of admirers, especially for its ending: a spectacular demolition of a desert house, with interpolated shots of the contents of a refrigerator and a closet being lofted in the air in slow motion. The fact remains, however, that Zabriskie Point really has nothing to say except that capitalist consumerism is bad and being young is good -- especially if you're hot. Neither point is made subtly and persuasively. The most glaring weakness is in the casting of its two young leads, Mark Frechette and Daria Halprin, who give almost hilariously inept performances as lovers drawn together in their rebellion. We never learn, for example, why Daria becomes so destructively disillusioned with her boss, real estate developer Lee Allen (Rod Taylor), that she imagines the cataclysm that ends the movie. It seems to have been inspired by her improbable encounter with Mark, who has stolen a small plane and, seeing her driving far below, decides to buzz her automobile. When he lands and they meet, they wander out into the desert, where they have sex. Their coupling is multiplied by a fantasy sequence of perhaps a score of couples rolling around in the dust. Incredible as the meeting of Mark and Daria is, it's perhaps more incredible that Antonioni, who had worked with actors of the caliber of Marcello Mastroianni, Jeanne Moreau, Alain Delon, and Monica Vitti, should have found anything to work with in Frechette and Halprin, whose lack of affect and stilted delivery verge on the ludicrous. Still, the film always gives us something to look at. Cinematographer Alfio Contini has an especially keen eye for the absurd and ugly jumble of billboards and signs that clutter Los Angeles, but he's equally skilled at capturing the beauty of Death Valley and the high desert in Arizona. Too bad that the visuals only serve to reinforce the banal contrast between civilization's corruption and nature's purity.

[gwdoodlez-blog]

Marcello Garcia ✨️

Meet Marcello Garcia!!!✨️

Marcello has been a work in progress oc of mine for awhile now who's been slowly wrapping me around his fiddly little finger. ALSO I GOTTA MENTION YESTERDAY WAS HIS BIRTHDAY (December 18th) 🥳🎊🎉 I was gonna wait to introduce him, but it would have been a sin for me to not introduce him around his birthday hrngsnsksk

I have no context for the last picture... happy birthday Mar😂🎉

☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆

ANYWAYS a smol blurb: Marcello is the second-born child of Theodore (aka Bruno's best friend) and his wife Sara. Being born just months after Bruno's triplets, Marcello was an unexpected but beloved arrival. He is a mini more hyper version of his papa and spends his days training to take over his business. Marcello is hyperactive, confident, charismatic and lucrative making him quite the character to be around. Although he has the slight reputation of being annoying, Marcello loves helping people and is always looking for ways to make his environment more lively (plus, he's one heck of a cook). He has ADHD and carries a pocket watch to keep track of the time. His ADHD also hurts his ability to pick up social cues as well as given him a fair amount of verbal and tactile stims such as humming, swaying, tapping and fiddling with objects such as his watch. Despite his differences, Marcello works hard to serve his family and community. He's full of laughter and contagious energy

More on Marcello soon! I'm gonna make an official, more detailed ref for him soon. His ADHD makes me love him so much, you have no idea. He's my little neurodivergent spicy boy😚✨️

[burpenterprisejournal]

NEWS - FALL 2024

top news upcoming events / concerts   /   dj sets   / jd zazie   /  wjm  /  mat pogo  / sistemi audiofobici burp / jealousy party   / muscolaria   /  burp publications  

The horrendous autumn that cloaks us at least compels a push for renewed activity. Meanwhile, a first handful of info on the main ones. Below is a list of dates. JD Zazie, Roberta WJM, Mat Pogo are all mainly focused on solo material.

JD Zazie presents DISCO ROTTO, a new project in development that will manifest itself with two first Berlin dates, October 3 at Liebig12 and October 24 at Ausland. Developments soon. She will also musicalise a collection of Marie Menken's short films for the Sentimental Punk series on 11 October.

The series also hosted WJM on its last date in September. WJM has since been playing solo material that will be part of his pre-announced new album MY GARDEN. She is available for booking right now!

Mat Pogo will present MUMBLE RUMBLE, a new solo vocal project at the Eavesdrop Festival on November 7 in Berlin. A few preparatory concerts will be held to develop some solo parts, including a duo with WJM on October 17 for the Dissidents series.

Despite all this individualism, there is also news for the bands. We are still celebrating the release of Fuchsia Fever, the first album by HIC UP. The Tropicalist anarchist abstract glitch impro quartet consisting of JD Zazie, Marina Cyrino, Matthias Koole and Tony Elieh. The album was released by Al Maslakh. The band will be seen live in Spring 25. On the other hand, Temporal Relief Keeper, the first album by PEEPHOLES, who are Liz Albee, Mat Pogo, Antonio Borghini, Steve Heather, is about to be released by Trouble In The East Records. Mat Pogo's new trio with Marcello Busato and Mathias Koole, is also recording material and may be called MMM at the moment. No news instead from Jealousy Party, which was last seen in a trio line-up with WJM, Pogo and Jimmy G at PAS Berlin last August. Pogo and WJM will however play as a duo right there on 17 October, but it is not announced as JP.

FALL 2024 - first dispatch

2024/09/25 SISTEMI AUDIOFOBICI BURP Il Melograno Firenze - IT 2024/09/26 PEEPHOLES Sowieso Berlin - DE 2024/09/28-29 Survival Kit Contemporary Art Festival Workshop by MYRIAM VAN IMSCHOOT and MAT POGO Gallery Smilga Riga - LV 2024/10/03 Disco Rotto: step I JD ZAZIE Liebig 12 Berlin - DE

2024/10/3 Amorphq #12 LFZ / DELZANT / MEA BERTHEAU / PITSIOKOS / TAVIL WJM IZQUIERDO / POSSIDENTE PAS Berlin - DE 2024/10/05 ROBERTA WJM ANDREUCCI LIZ ALBEE / BILLY ROISZ / JD ZAZIE Galiläakirche Berlin - DE

2024/10/10 BUSATO / KOOLE / POGO Richten25 Berlin - DE

2024/10/11 Sentimental Punk #74 LIZ KOSACK / ANDREA PARKINS JD ZAZIE Kotti-Shop Berlin - DE 2024/10/17 Dissidents WJM / POGO NECROPHILIA STRAßE NOVOLINE PAS Berlin - DE 2024/10/24 Disco Rotto : step II JD ZAZIE SISTEMI AUDIOFOBICI BURP Liebig 12 Berlin - DE

2024/10/26 Anima Mundi#5 RAILROAD CONCRÈTE AUGUSTE VICKUNAITE Kunsthalle Lausitz Cottbus - DE 2024/11/1 DIENSTbar MAT POGO ZARA PAZ TATSUMI RYUSUI Nachbarschaftshaus Helmholtzplatz Berlin - DE

2024/11/7 eavesdrop ILPO VÄISÄNEN NINA GARCIA MAT POGO NIMA AGHIANI DJ JESSICA EKOMANE Silent Green Berlin - DE

2024/11/9 Vestival 3 Bolzano - IT some recorded music

a list of recordings that we of the 𝗕𝗨𝗥𝗣 𝗘𝗻𝘁𝗲𝗿𝗽𝗿𝗶𝘀𝗲 collective have been involved in, kind of recently and that are still on the Bandcamp platform. Catch them before it's too late! 2nd batch of news soon BURP No Score just LOVE JD ZAZIE

𝗝𝗗 𝗭𝗔𝗭𝗜𝗘 - 𝗠𝗲𝗺𝗼𝗿𝘆 𝗟𝗼𝘀𝘀 𝗝𝗗 𝗭𝗔𝗭𝗜𝗘 𝘅 𝗕𝗡𝗦𝗨 𝗦𝗽𝗹𝗶𝘁 ��𝗜𝗖 𝗨𝗣 - 𝗙𝘂𝗰𝗵𝘀𝗶𝗮 𝗙𝗲𝘃𝗲𝗿 𝗥𝗘𝗔𝗡𝗜𝗠𝗔𝗧𝗜𝗢𝗡 𝗢𝗥𝗖𝗛𝗘𝗦𝗧𝗥𝗔 - 𝗦𝗼𝗹𝗰𝗵𝗶 𝗖𝗵𝗶𝘂𝘀𝗶 𝗥𝗘𝗔𝗡𝗜𝗠𝗔𝗧𝗜𝗢𝗡 𝗢𝗥𝗖𝗛𝗘𝗦𝗧𝗥𝗔 - 𝗥𝗲𝗮𝗻𝗶𝗺𝗮𝘁𝗶𝗼𝗻 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝘀 𝗧𝗛𝗘 𝗣𝗢𝗡𝗗 - 𝗥𝗘-𝗪𝗼𝗿𝗸𝘀 𝗝𝗗 𝗭𝗔𝗭𝗜𝗘 - 𝗟𝗶𝘃𝗲 𝗮𝘁 𝗟𝗮𝗚𝗿𝗶𝗻𝗱 𝗡𝗼𝗶𝗿𝗲 𝗙𝗲𝘀𝘁 #𝟭𝟮 𝗝𝗗 𝗭𝗔𝗭𝗜𝗘 / 𝗛𝗘𝗡𝗥𝗜𝗞 𝗠𝗨𝗡𝗞𝗘𝗕𝗬 𝗡Ø𝗥𝗦𝗧𝗘𝗕Ø - 𝗧𝗵𝗿𝗲𝗲 𝗽𝗶𝗲𝗰𝗲𝘀 ROBERTA WJM

𝗪𝗝𝗠 - 𝗡𝗼 𝗦𝗘𝗠𝗘𝗥𝗦𝗦𝗨𝗔𝗤 (𝗪𝗝𝗠 + 𝗝𝗗𝗭) O⅁OԀ ⊥∀W

𝗟𝗔 𝗩𝗘𝗥𝗚𝗘 𝗥𝗢𝗦𝗘 - 𝗟𝗶𝗺𝗯𝗼 𝗟��𝗻𝗴𝘂𝗶𝗱𝗼 𝗝𝗢𝗞𝗘 𝗟𝗔𝗡𝗭 & 𝗠𝗔𝗧 𝗣𝗢𝗚𝗢 + 𝗝𝗗 𝗭𝗔𝗭𝗜𝗘 - nihilist tape JEALOUSY PARTY

almost a complete discography

[detournementsmineurs]

"Marcello Mio" de Christophe Honoré avec Chiara Mastroianni, Fabrice Luchini, Catherine Deneuve, Benjamin Biolay, Melvil Poupaud, Nicole Garcia, Hugh Skinner et la participation de Stefania Sandrelli, juin 2024.

[alexlacquemanne]

Mai MMXXIV

Films

Les Trois Jours du Condor (Three Days of the Condor) (1975) de Sydney Pollack avec Robert Redford, Faye Dunaway, Cliff Robertson, Max von Sydow, John Houseman, Addison Powell, Walter McGinn et Tina Chen

La Loi du silence (I Confess) (1953) d'Alfred Hitchcock avec Montgomery Clift, Anne Baxter, Karl Malden, Brian Aherne, Roger Dann, Charles Andre, O.E. Hasse et Dolly Haas

Bon Voyage (2003) de Jean-Paul Rappeneau avec Isabelle Adjani, Virginie Ledoyen, Yvan Attal, Grégori Derangère, Gérard Depardieu, Peter Coyote, Jean-Marc Stehlé et Aurore Clément

Complot de famille (Family Plot) (1976) d'Alfred Hitchcock avec Bruce Dern, William Devane, Barbara Harris, Karen Black, Ed Lauter, Cathleen Nesbitt et Katherine Helmond

Elvis: That's the Way It Is (1970) de Denis Sanders avec Elvis Presley, Richard Davis, Sammy Davis, Jr, Joe Esposito, Felton Jarvis et Red West

Reivers (The Reivers) (1969) de Mark Rydell avec Steve McQueen, Sharon Farrell, Will Geer, Rupert Crosse, Mitch Vogel, Juano Hernández, Michael Constantine, Burgess Meredith et Diane Ladd

La Belle Espionne (Sea Devils) (1953) de Raoul Walsh avec Yvonne De Carlo, Rock Hudson, Maxwell Reed, Denis O'Dea, Michael Goodliffe, Bryan Forbes, Jacques Brunius et Gérard Oury

L'assassin habite au 21 (1942) de Henri-Georges Clouzot avec Pierre Fresnay, Suzy Delair, Jean Tissier, Pierre Larquey, Noël Roquevert, Odette Talazac, Marc Natol et Louis Florencie

Une aussi longue absence (1961) de Henri Colpi avec Alida Valli, Georges Wilson, Charles Blavette, Amédée, Jacques Harden, Paul Faivre, Catherine Fonteney et Diane Lepvrier

Le Procès Goldman (2023) de Cédric Kahn avec Arieh Worthalter, Arthur Harari, Stéphan Guérin-Tillié, Nicolas Briançon, René Garaud, Aurélien Chaussade, Christian Mazucchini, Jeremy Lewin, Jerzy Radziwiłowicz et Chloé Lecerf

La Vendetta (1962) de Jean Chérasse avec Louis de Funès, Francis Blanche, Marisa Merlini, Olivier Hussenot, Jean Lefebvre, Rosy Varte, Jean Houbé et Christian Mery

Messieurs les Ronds de Cuir (1978) de et avec Daniel Ceccaldi et Claude Dauphin, Raymond Pellegrin, Evelyne Buyle, Roger Carel, Roland Armontel, Bernard Le Coq, Jean-Marc Thibault et Michel Robin

Marcello mio (2024) de Christophe Honoré avec Chiara Mastroianni, Catherine Deneuve, Nicole Garcia, Fabrice Luchini, Benjamin Biolay et Melvil Poupaud

Opération Opium (Poppies Are Also Flowers) (1966) de Terence Young avec E. G. Marshall, Trevor Howard, Angie Dickinson, Gilbert Roland, Yul Brynner, Eli Wallach, Georges Géret, Marcello Mastroianni et Anthony Quayle

Viva Maria ! (1965) de Louis Malle avec Brigitte Bardot, Jeanne Moreau, Paulette Dubost, George Hamilton, Claudio Brook, Carlos López Moctezuma et Gregor von Rezzori

Séries

Kaamelott Livre V

Le Phare

Maguy Saison 4

Retour de France - Retour à l'occase départ - Rimes et châtiment - Fugue en elle mineure - Mise aux poings - Vote voltige - St Vincent de Pierre - Courant d'hertz - Un médium et une femme - Retrouvailles, que vaille ! - Parrain artificiel - Infarctus et coutumes - Soupçons et lumières - Dakar, pas Dakar - Impair Noël - Maguy Antoinette - Otages dans le potage - Piqûres de mystique - Nécropole et Virginie - Nitro, ni trop peu - Assassin-glinglin - Le nippon des soupirs - Pas de deux en mêlée - Main basse sur Bretteville - Ski m'aime me suive - Des plaies et des brosses - Polar ménager - Une faim de look - Le bronzage de Pierre - Transport-à porte - En chantier de vous connaître - La fête défaite - Câblé en herbe - L'enjeu de la vérité - Déformation permanente - En deux tanks, trois mouvements - Postes à galère - Prince-moi, je rêve - Science friction - Démission impossible - Lis tes ratures ! - L'infâme de lettres

Affaires sensibles

Apollo 13 : Les naufragés de l’espace - La vraie arrestation du faux Xavier Dupont de Ligonnès - L'assaut sur le Capitole - Trésor de Lava : embrouilles corses - Secte, clonage et soucoupes volantes : voyage aux frontières du Raël - Ils ont enlevé Fangio ! - Guerre du Golfe et fake news - "The Crown", une série royale ou la royauté selon Netflix - La catastrophe de Beaune - Concorde, la Lune et l'ovni - USA-URSS 1972, Guerre Froide sur parquet - Amityville : 28 jours avec le diable - L'affaire Athanor - Coupe du monde 1966, les Nord-Coréens sortent du vestiaire - La véritable histoire de Rabbi Jacob

Coffre à Catch

#155 : Les débuts historiques de Sheamus ! - Hors-série : WWE One Night Stand 2007 - #51 : Randy Orton ≥ Charles Ingalls - #50 : Tommy Dreamer, représentant Decathlon et Jean-Louis David - #52 : Lashley Récupère son Titre ! - #53 : RIP Vince McMahon - #54 : Qui a fait exploser la bagnole de Vince ? - #55 : JOHN CENA EST DANS LA CE-PLA ! - #56 : Le Poison du Catch vu par CM Punk & John Morrison - Hors-série : ECW December to Dismember - #166 : William Regal : un maître du micro !" - #167: Buckle up, Teddy: Chris Agius nous parle de Backlash 2024 ! - #168 : L'épisode des 1000 likes + Tony Atlas" - #169 : Tiffany est de retour et William Regal est fabuleux!

La croisière s'amuse Saison 5

Merci, je ne joue plus - Le Parfait Ex-amour - Enfin libre - L'amour n'est pas interdit - L'amour n'est pas la guerre - La Fête en bateau : première partie - La Fête en bateau : deuxième partie - Une expérience inoubliable : première partie - L'Amour de ses rêves - Les Victimes - Vive papa ! - L'Amour programmé - Ça, c'est une fête ! - Que dire de l'amour ?

The Hour Saison 1

Une heure, une équipe - Une heure de vérité - Une heure, une tentation - Une heure sous haute tension - L'heure de la révolte - Une heure qui change tout

Castle Saison 5, 6

Le Facteur humain - Jeu de dupes - Valkyrie - Secret défense - Pas de bol, y a école ! - Sa plus grande fan - L'avenir nous le dira - Tout un symbole - Tel père, telle fille - Le meurtre est éternel - L'Élève et le Maître - Le Bon, la Brute et le Bébé

Commissaire Moulin Saison 1

Choc en retour - L'Évadé - Marée basse

Totally Spies! Saison 5, 6, 7

Totally Mystère ! - Totalement Versailles : première partie - Totalement Versailles : deuxième partie - Pandapocalypse - Quand c'est trop, c'est Troll !

Meurtres au paradis Saison 13

Face à face - Le troisième passager

Doctor Who Season 1

Space Babies - The Devil's Chord - Boom - 73 Yards

Commissaire Dupin

Le trésor d'Ys

Spectacles

WWE Backlash France (2024) à la LDLC Arena de Lyon-Décines

Chocolat Show ! (2007) avec Olivia Ruiz

Les Faux British (2024) de Henry Lewis et Henry Shields avec Francis Huster, Cristiana Reali, Gwen Aduh, Aurélie de Cazanove, Renaud Castel, Lionel Laget, Jean-Marie Lecoq et Miren Pradier

Jamiroquai : Live in Verona (2002)

David Bowie : Glass Spider Tour (1987)

Livres

Détective Conan, tome 22 de Gôshô Aoyama

Dis-moi ton fantasme de Léa Celle qui aimait

Kaamelott, tome 5 : Le Serpent Géant du Lac de l'Ombre d'Alexandre Astier, Steven Dupré et Benoît Bekaert

Une enquête du commissaire Dupin : Péril en mer d'Iroise de Jean-Luc Bannalec

[lemagcinema]

Marcello, Mio - Honoré en mode plaisir

Un film de Christophe HonoréAvec: Chiara Mastroianni, Catherine Deneuve, Fabrice Luchini, Nicole Garcia, Benjamin Biolay, Melvil Poupaud, Hugh Skinner, Stefania Sandrelli, Marlène Saldana, Harilay RabenjaminaC’est l’histoire d’une femme qui s’appelle Chiara. Elle est actrice, elle est la fille de Marcello Mastroianni et Catherine Deneuve… Notre avis: * *(*)

Retrouvez l'article complet ici https://lemagcinema.fr/microcritique/marcello-mio-honore-en-mode-plaisir/

[leblogdemarinaetjeanmarie]

SAMEDI 25 MAI 2024 (Billet 4 / 5)

« MARCELLO MOI » (2h01)

Un film de Christophe Honoré, avec Chiara Mastroianni, Catherine Deneuve, Benjamin Biolay, Melvil Poupaud…

Attirés par une bande-annonce alléchante, nous sommes allés le voir pas plus tard que hier en fin d’après-midi.

Vous connaissez maintenant notre méthode pour vous parler d’un film : nous épluchons toutes les critiques qui ont été écrites à son sujet (critiques « Pro » mais aussi celles des « Spectateurs sur le Site AlloCiné ») jusqu’à ce que nous trouvions celle qui se rapproche le plus de ce que nous en avons pensé. Ensuite, nous relevons quelques points plus personnels et nous lui attribuons pour finir un nombre de « cœurs », de 0 à 5.

Pour « Marcello moi », c’est cet article que nous avons choisi. Voir ci-dessous.

____________________________

« Sois plus Mastroianni que Deneuve ! » Cette injonction, prononcée avec autorité par la cinéaste Nicole Garcia lors d’essais pour un prochain film, précipite Chiara Mastroianni dans cette fantaisie cocasse, mélancolique, poétique et cinéphile où la comédienne, lasse d’être sans cesse ramenée à sa condition de fille de…, choisit de se glisser dans la peau de son père. Au grand dam de Catherine D., sa mère, qui trouve ce jeu de transmutation cruel et douteux.

Pour son nouveau long-métrage, Christophe Honoré part d’un postulat de comédie transformiste (« Victor Victoria » n’est pas très loin) pour glisser vers une réflexion douce et amère sur le métier d’actrice, l’implication du jeu et ses répercussions intimes. En choisissant de « devenir » son p��re version jeune et fringante, Chiara parcourt sa filmographie et écorne son empreinte.

Dans ce jeu de piste farfelu et puissamment émouvant, Benjamin Biolay, Melvil Poupaud et Catherine Deneuve jouent leur propre rôle dans une version décalée, joyeusement exagérée mais profondément sincère et juste. Sans oublier Fabrice Luchini, plus gourmand que jamais, que la décision de sa partenaire Chiara Mastroianni ravit, ayant toujours rêvé de partager l’affiche avec l’immense Marcello. On redoute parfois que le film se prenne les pieds dans son dispositif et se résume au seul hommage fétichiste. C’est sans compter sur l’intelligence et l’impertinence de son auteur. Le scénario ne navigue jamais à vue, porté par une écriture imaginative et trépidante. Sensuelle et complice, la mise en scène accompagne ces corps bien-aimés dans ce dédale, hommage au 7e Art dans lequel il est si doux de se perdre. Acmé finale, une magnifique chanson d’Alex Beaupain à vous faire monter direct les larmes aux yeux.

(Source : « nouvelobs.com »)

___________________________

Ce film est avant tout un merveilleux hommage à Marcello Mastroianni. Conte initiatique, parfois onirique, souvent nostalgique, à la fois drôle (très drôle parfois) et émouvant, « Marcello Moi » se révèle un vrai petit bijou de cinéma. Pas réservé qu’aux cinéphiles, c’est un film chaleureux sur la transmission.

Nous avons particulièrement apprécié l’interprétation de Chiara Mastroianni, qui joue en 3 langues, « une actrice hors père et hors pair » (une expression très juste, trouvée dans un article) à qui, si nous étions maîtres du Palmarès, nous donnerions volontiers ce soir une Palme à Cannes.

Touchés (nous avons eu les larmes aux yeux à plusieurs moments… l’italien, quelle langue !) par la poésie qui caresse tous les épisodes de cette histoire, c’est sans aucune hésitation que nous offrons tous les deux ❤️❤️❤️❤️ sur 5 à ce film.

Pour finir, le choix des musiques est excellent. Nous nous sommes amusés à vous les retrouver. Certaines « n’apparaissent » que 30 secondes, d’autres sont plus présentes. Mentions particulières au "Grand Sommeil" d'Étienne Daho, à toutes les musiques italiennes et à "Words Don't Come Easy" de F.R. David (qu’on entend lorsque Chiara est en moto, d’abord à Paris puis à Rome).

CHANSONS DE BENJAMIN BIOLAY :

"La Ballade du mois de juin" "Comment est ta peine"

CHANSONS ET MUSIQUE D'ALEX BEAUPAIN :

"Di, Marcello, perché ridi" "Toccata Tromba"

MUSIQUES PRÉEXISTANTES :

"Mi sono innamorato di te" de Luigi Tenco "Dardanus : Sommeil" de Jean-Philippe Rameau "Le Grand Sommeil" d'Étienne Daho "Clair de Lune n°3" arrangé par Isao Tomita, composé par Claude Debussy "Una Storia Importante" de E. Ramazzotti, P. Cassano, A. Cogliati "Sung (After Brahms)" composé par Christian Badzura "O mio babbino caro" de G. Puccini, interprété par Maria Callas "Symphony No. 6 in D minor, Op. 104 - Allegro molto moderato" de Jean Sibelius, interprété par Berliner Philharmoniker "Words Don't Come Easy" de F.R. David "La Walkyrie, Acte III : La Chevauchée des Walkyries" de Richard Wagner "Se piangi se ridi" de G. Marchetti, Mogol, Bobby Solo "Le Notti Bianche" composé par Nino Rota "A Dean Martin" écrit, composé et interprété par Fabio Concato "Underlands" paroles et musique de Andrew Wegman Bird, interprété par Andrew Bird

[lucianarodriguezdiaz]

Esta obra teatral está inspirada en el histórico juicio que tuvo lugar en Italia en 2015, en el que se enjuiciaron a los represores implicados en la infame Operación Cóndor. Tras su exitoso estreno en Italia en 2017, la obra fue aclamada y posteriormente reestrenada en Chile en 2023. Ahora, con el apoyo de Crysol y las madres y familiares de detenidos desaparecidos, la obra llega a Uruguay en el mes de mayo, coincidiendo con el Mes de la Memoria. Idea original: Liliana García Sosa Dramaturgia: Daniella Lillo Traverso Sala: Atahualpa 2 Únicas Funciones: JUEVES 16 Y VIERNES 17 DE MAYO 20:30hs. Sinopsis: “El 9 de julio del 2021, el Tribunal de Casación italiano emitió una sentencia definitiva en la que condenaba a 14 represores latinoamericanos como responsables de la muerte y desaparición de ciudadanos italianos.  Los condenados formaban parte del Plan Operación Cóndor, puesto en marcha en los años 70 y 80 por las dictaduras de Argentina, Chile, Uruguay, Brasil, Bolivia, Paraguay y Perú. El objetivo de este plan de terror era silenciar a quienes se oponían a estos regímenes. La sentencia de condena dictada por la justicia italiana por homicidio voluntario pluri – agravado constituye un importante hito internacional en el ámbito de la justicia. Con esta sentencia, Italia ha dado un importante ejemplo de justicia hacia América Latina, donde en varios países aún no se ha atendido la petición de las víctimas y sus familiares, que llevan años luchando por verdad, justicia, memoria, reparación y garantías de no repetición: por el “Nunca más”. La importancia internacional de esta sentencia de la justicia italiana nos motiva a reponer el espectáculo “Operación Cóndor: El vuelo de Laura”, estrenado en el Teatro Marcello de Roma en 2017, y luego en el Festival Quartieri dell’Arte de la ciudad de Vitorchiano (VT) y en gira internacional en el Festival Teatro a Mil (FITAM) de Santiago de Chile y en el Teatro El Galpón de Montevideo/Uruguay en enero de 2018. La inspiración del espectáculo fue el juicio que tuvo lugar en 2015 y 2016 en Roma contra estos criminales culpables de crímenes contra la humanidad, muchos de los cuales estaban en libertad. La obra está basada en hechos históricos acaecidos bajo las alas del terror de la así llamada Operación Cóndor, que involucró entre otros, ciudadanos ítalo-latinoamericanos. La investigación fue llevada a cabo durante unos quince años por el Ministerio Público italiano, a raíz de las denuncias de los familiares de las víctimas y de los sobrevivientes. El trágico resultado del Plan Cóndor, es de alrededor de 50.000 personas asesinadas, 30.000 prisioneros desaparecidos y 400.000 detenidos. Según las denuncias de las “Madres y Abuelas de Plaza de Mayo”, muchos de los niños raptados estarían en Italia, como botín de guerra y bajo mentiras camufladas.“ Liliana García Sosa: “La obra está inspirada en el juicio “Processo Condor” (2015/2016) al cual asistí por razones personales encargando la dramaturgia en Chile a Daniella Lillo. La obra se  estrenó en Italia en 2017 con equipo artístico y técnico italiano y con el financiamiento del “Ministero Della Cultura” de Italia y de la Alcaldía de “Roma Capitale”. Juicio que en Europa fue considerado un Núremberg del siglo XXI con respecto a América Latina y los crímenes cometidos contra civiles en toda la región bajo las alas de la “Operación Cóndor”. En el 2023 en el marco de la conmemoración de los 50 años del Golpe Civil_Militar, se presenta en el Centro Cultural Gabriela Mistral (GAM) con equipo artístico y técnico chileno y en coproducción con el “Ministerio de las Culturas, Artes y Patrimonio” (MINCAP), el “Istituto Italiano di Cultura Santiago” (IIC) y la “Universidad Tecnológica Metropolitana” (UTEM).” Elenco: Liliana García Sosa – directora y actriz Daniela Lillo Traverso – dramaturga Shlomit Baytelman – actriz Agustin Moya – actor Ingrid Isensee – actriz Mercedes Garcia Navas – diseña...

[themomsandthecity]

DJ VRYWVY on the Noche Buena Traditions She Holds Near and Dear

When Spotify released its end-of-year data for the most streamed artists, songs, and albums this year, one thing was very clear: Latin music held its place at the top of the charts. Bad Bunny, Peso Pluma, Feid, Karol G, Junior H, Shakira, Rosalía, Ana Castela, and Kali Uchis were among the most streamed artists in the world. While major stars dominated the charts, other Latine entertainers like DJ VRYWVY, whose real name is Val Garcia, were at work, uplifting Latin music in venues throughout the nation. For DJ VRYWVY the shift in mainstream attention to Latin music raises feelings of pride. "You know, seeing Karol G, she just did her "Mañana Será Bonito Tour" in Medellín, and everyone is just taking everything back home and it makes me so proud," she says. "They came from there, but they took it everywhere. What are the odds of that? I started thinking to myself, what are the odds of me doing this? I wasn't supposed to be here. I was born in Mexico City." It was in Mexico that her fondness for music came to be. DJ VRYWVY spent hours watching music videos of Britney Spears, Pharrell, and Nelly on MTV. When her family moved to Dallas when she was in second grade, her love of hip-hop grew as she began to listen to mixes on the city's hip-hop stations like 97.9 The Beat. Unbeknownst to her, her mind was already at work fusing the two worlds. Years later, when she began to teach herself how to DJ, her love of hip-hop and Latin music began to mold into one. "I call it VRYBILINGUAL," she says. "Mixing those two worlds together: reggaetón and hip-hop, cumbia and R&B. I take you to those two worlds and mesh them to create a one-of-a-kind experience." It's an experience that led Buchanan's Whisky to feature DJ VRYWVY in their "We Are The Spirit Of The 200%" holiday campaign. The campaign highlights Latine creators such as "Saturday Night Live" cast member Marcello Hernández, Debbie Gonzales, and Daniel Buezo of the clothing brand Kids of Immigrants. "It's celebrating people that are 100 percent American, 100 percent Hispanic. I feel like it's such a thing, especially people like myself who are immigrants that come to this country, and we have such a hard time kind of being like, we're not from here, but we left home, so we're not from there," she says. "I feel like the new term we are taking as 200 percenters is ni de aquí, ni de allá (not from here, nor there)." DJ VRYWVY spoke with POPSUGAR about the importance of celebrating Noche Buena and Christmas, her favorite Mexican Christmas dishes, and setting boundaries with family around the holidays. --- POPSUGAR : We are a few days away from Noche Buena, or Christmas Eve. What are you looking forward to doing with your family to celebrate? DJ VRYWVY: Christmas, like Noche Buena, is my favorite holiday because I feel it's such a big part of our culture. I love how we're able to blend both of the worlds together. We get the food, the tamales, we get our Buchanan's to celebrate. I'm excited about this year because the [Dallas] Cowboys are playing on Dec. 24. You already know we're going to be watching that, so that's the perfect day to show how those two worlds collide. It's like, we're so Mexican, but we're going to be watching the Cowboys game because we love the Cowboys. PS: Around the holidays, especially for us in creative arts professions, family members often ask, "What do you do? Is this a real career?" How do you personally balance your mental health while also having to have conversations? DJ: Over the past few years, it's gotten a lot better. At first, trying to explain to my immigrant parents what I was doing, they didn't get it. I'm like, "Mom, look at this Instagram post that I put out!," and they're like, "Okay, like, I don't get it." This campaign with Buchanan - because Mexicans know Buchanan, that's our drink. When I told my parents, "I'm working with Buchanan," they're like, "What? Like, Buchanan?" They were… https://www.popsugar.com/family/dj-vrywvy-talks-noche-buena-traditions-49323442?utm_source=dlvr.it&utm_medium=tumblr

[classicalmusicdaily]

Zoltan Nagy started his international career as the youngest ensemble member of the Vienna State Opera. Recognized by opera critics for his strengths in both dramatic and comic roles, he is regularly invited to perform as a guest artist in many of Europe’s leading opera houses. Zoltan’s most requested role is Escamillo (Carmen), a role he has performed in over 12 productions in theatres like Bilbao (ABAO), Teatro Massimo di Palermo, Teatro Grande di Brescia, Teatro Ponchielli di Cremona, Teatro Sociale di Como, RTE Orchestra in Dublin, Romanian National Opera Bucharest and Cluj, the Shaanxi Grand Opera House in China, the State Theatre of Nuremberg, among others. As a permanent guest soloist of the Hungarian State Opera, Budapest, Zoltan has been invited to perform the role of Guglielmo (Cosi Fan Tutte), Silvio (Pagliacci), the title role in Kodaly’s Hary Janos, and Schaunard (La Bohème), a title he has performed at Oper Leipzig, Opera de Nice, Singapore Symphony Orchestra (in concert), Vlaamse Opera Antwerpen, and Opera Ghent among others. Zoltan made his Bolshoi Theatre of Moscow debut with the role of Count Almaviva (Le Nozze di Figaro). He has sung Haraschta (The Cunning Little Vixen) at the Hamburg State Opera, Dr Falke (Die Fledermaus) at Teatro Verdi Trieste, Calchas (Iphigenie en Aulide) in Athens, Schmied (Egk’s Peer Gynt) in Theater an der Wien, where he also had the privilege to join Edita Gruberova for her gala concert. Zoltan made his debut as Alberich (Siegfried) at Teatro Campoamor in Oviedo. He sang Marcello in a new production of La Bohème at Teatro Comunale di Sassari, portrayed the role of Dulcamara in a new production of L’Elisir d’Amore at the Romanian National Opera, and was invited to give masterclasses at the Xi’an University of Music in China. Count Tomski was a role debut in a new production of Tchaikovsy’s Pique Dame at the Opera Festival Heidenheim accompanied by the Stuttgarter Philharmoniker. Zoltán returned to Oviedo for a new production of Götterdämmerung where he performed the role of Alberich. He sings the role of Theseus in the Essen Philharmonic’s CD live recording of Bohuslav Martinu’s Ariane directed by Czech conductor Tomas Netopil, released in 2016 on Supraphon. Zoltan has worked with conductors such as Marco Armiliato, Pinchas Steinberg, Ulf Schirmer, Renato Palumbo, Fabio Luisi, Marc Minkowski, John Wilson, Alejo Perez, Tomas Netopil, Guillermo Garcia Calvo, Leo Hussain, Marcus Bosch among others. Some of the stage directors Zoltan has collaborated with are: Peter Konwitschny, Damiano Michieletto, Inga Levant, Stefano Poda, Calixto Bieito, Paris Mexis, Thorsten Fischer, Georges Delnon, Maurizio Scaparro, and Immo Karaman. He has collaborated with the Vienna Philharmonic, Robert Schumann Philharmonie, RSO Vienna, Vienna Symphony Orchestra Singapore Symphony Orchestra, National Taiwan Symphony Orchestra, Orchestra of the Romanian National Radio, Hungarian National Philharmonic Orchestra among others. Zoltan studied at the Gheorghe Dima Music Academy in his hometown Cluj-Napoca under Professor Gheorghe Roşu. Upon graduation, he received a full scholarship to study at the prestigious Mozarteum University in Salzburg for a Masters degree in voice performance with Professor Boris Bakow. He has won prizes at various singing competitions including the Romanian National Song Competition, the Hariclea Darclee International Voice Competition, and “Debut”, the European Opera Singing Competition in Germany. In 2012 Zoltan participated in the Salzburg Festival’s Young Singers Project, and was then selected to sing in the Festival’s production of Das Labyrinth. Recent engagements included two new production of La Wally and Jenufa at Theater an der Wien, a new production of The Raise and Fall of the city of Mahagonny in Parma. Future higlights of his saison include a debut at Regio Torino as Escamillo, a ROH debut in La Bohème as Schaunard and a debut at Komische Oper Berlin in the Love of the three oranges as Leander.

Dear Zoltan, I’m so glad to meet you, this time in Italy! And I am very much looking for- ward to your house debut at Teatro Regio di Parma! What has been your relationship with the Italian theatres throughout your career and what does this event mean to you? In my nearly 15 years of international career I have been lucky enough to be part of some wonder- ful productions all over the world starting with Vienna until Singapore, but singing ocasionally in Italy, becomes each time on of the highlights of my season. My first ever concert accompanied by an orchestra abroad was actually in Palermo when I was 22. Since then I was dreaming about singing one day at Teatro Massimo which was closed for renovation those years. Several years later my dream came true and I was indeed portraying the role of Escamillo in that amazing opera house… I always used to say, that a part of my heart is in Italy. I’ve also worked on several occa- sions at Teatro Verdi in Trieste, one of them was a very funny production of Die Fledermaus (Dr. Falke) with the late Gianluigi Gelmetti conducting who I was very fond of. I have beautiful memo- ries of Sardegna where I’ve done a new production of La Bohème as Marcello, and later a Pagliacci as Silvio. Singing at Teatro Regio in Parma is an absolut honor for me not only because of the enormous tradition that surrounds this opera house but also because of the fact that I am a guest artist in a very unusual production that should make history in Parma. Tell us more about this opera, about the role that you’re about to perform and the produc- tion that will be on stage at Regio di Parma this month (April)? Rise and Fall of the City of Mahagonny is an opera, although I like to call it rather music theater/ music play… composed between 1927-1929 by Kurt Weill on Bertold Brecht’s libretto, where I will interpret the role of Trinity Moses. When I first saw the score, I said to myself… “oh, I’ll deifinitely need some time to learn this music and get used to certain rhytms“. I’ve seen it challenging but I ended up having great fun singing this part and enjoying Weill’s geniality. The opera was a scandal on its premierere in Leipzig in 1930, presenting the decandece of the society which is more then actual nowadays where money is everything. I hope the audience will be receptive, of course, one should not expect a coservative staging for this type of music. I’m sure everyone will leave the the- ater whistling the Alabama song at the end of the performance… and realizing hopefully how en- joyable this music is. reposted from https://opera-charm.com/

[freelance-informatique]

OM : Marcelino, un coach pas ordinaire ! Voici son palmarès

Marseille, France - L'Olympique de Marseille a annoncé hier l'arrivée de Marcelino Garcia Toral en tant que nouvel entraîneur de l'équipe, suite à la fin du contrat d'Igor Tudor plus tôt cette année. Marcelino, un technicien respecté dans le milieu du football, est bien connu pour son passage réussi dans des clubs espagnols tels que Séville, Villarreal et l'Athletic Bilbao. Marcelino : Un entraîneur expérimenté à la tête l'OM Marcelino Garcia Toral, plus communément appelé Marcelino, apporte avec lui une expérience considérable en tant qu'entraîneur de l'OM. Avec Valence, il a remporté la Coupe du Roi en 2019, ce qui a été considéré comme une grande réussite pour le club. https://twitter.com/LaMinuteOM_/status/1671382421239889921 Il a récemment ajouté un autre titre à son palmarès en remportant la Supercoupe d'Espagne avec l'Athletic Bilbao en 2021. Ces succès témoignent de son talent et de sa capacité à obtenir des résultats au plus haut niveau. Lire aussi :  Pablo Longoria a identifié son favori pour coacher l'OM ! Une approche tactique solide axée sur la défense Marcelino est connu pour son utilisation du système de jeu 4-4-2, qui met l'accent sur une défense solide tout en offrant une attaque agressive lorsque l'occasion se présente. Cette approche tactique a été couronnée de succès dans ses précédentes expériences en tant qu'entraîneur et pourrait apporter une nouvelle dimension au jeu de l'OM. Les supporters attendent avec impatience de voir comment Marcelino mettra en place son style de jeu à Marseille. Un parcours professionnel diversifié pour Marcelino, le nouveau coach de l'OM Avant de se lancer dans une carrière d'entraîneur en 1997, Marcelino a également connu une carrière de joueur professionnel. Il a évolué sur les terrains de football de 1985 à 1994, acquérant ainsi une compréhension approfondie du jeu. Cette expérience en tant que joueur a toujours jouer un rôle clé dans sa capacité à comprendre et à communiquer avec les joueurs. Voir aussi : Marcello Gallardo très direct face à l'offre de l'OM ! Un choix en accord avec la vision du club Le choix de Marcelino comme nouvel entraîneur de l'OM est conforme à la vision du club telle que décrite par Pablo Longoria, le président du club. Longoria a exprimé son désir de trouver un technicien qui partage la culture du travail, la rigueur, la discipline et le style de jeu souhaités par le club. Marcelino correspond à ces critères et est donc perçu comme un choix judicieux pour mener l'OM vers de nouveaux succès. Les attentes sont élevées pour Marcelino et son équipe, alors qu'ils se préparent à affronter une saison pleine de défis et d'opportunités. Les supporters espèrent voir un jeu solide et attractif, avec l'espoir de retrouver les sommets du football français et européen. ________ Pour retrouver toute l'actu foot, rendez-vous sur notre page Facebook ou sur notre page Twitter ! Read the full article

[tomorrowedblog]

Friday Releases for June 9

Friday is the busiest day of the week for new releases, so we've decided to collect them all in one place. Friday Releases for June 9 include Transformers: Rise of the Beasts, The Crowded Room, Prisoner of Circumstance, and more.

Transformers: Rise of the Beasts

Transformers: Rise of the Beasts, the new movie from Steven Caple Jr., is out today.

Returning to the action and spectacle that have captured moviegoers around the world, Transformers: Rise of the Beasts will take audiences on a ‘90s globetrotting adventure with the Autobots and introduce a whole new faction of Transformers – the Maximals – to join them as allies in the existing battle for earth.

Dalíland

Dalíland, the new movie from Mary Harron, is out today.

Directed by acclaimed filmmaker Mary Harron (I SHOT ANDY WARHOL, AMERICAN PSYCHO), DALÍLAND stars Ben Kingsley as the titular Salvador Dalí, one of the most world-renowned artists of the 20th century and focuses on the later years of the strange and fascinating marriage between Dalí and his wife, Gala (Barbara Sukowa), as their seemingly unshakable bond begins to stress and fracture. Set in New York and Spain in 1974, the film is told through the eyes of James (Christopher Briney), a young assistant keen to make his name in the art world, who helps the eccentric and mercurial Dalí prepare for a big gallery show.

Flamin' Hot

Flamin' Hot, the new movie from Eva Longoria, is out today.

FLAMIN’ HOT is the inspiring true story of Richard Montañez (Jesse Garcia), the Frito Lay janitor who channeled his Mexican American heritage and upbringing to turn the iconic Flamin’ Hot Cheetos into a snack that disrupted the food industry and became a global pop culture phenomenon.

Scarlet

Scarlet, the new movie from Pietro Marcello, is out today.

Shortly after World War I, veteran Raphaël (Raphaël Thiery) returns home from the frontlines to find himself a widower, and father to an infant daughter. Raised by her father in rural Normandy, the child Juliette (Juliette Jouan) grows into a lonely young woman who dreams of greater possibilities. She seeks refuge in the nearby woods, where she meets a witch who promises scarlet sails will one day take her away from her village. Reckoning with her future and swept away by a rakish young pilot (Louis Garrel) who literally falls from the sky, Juliette never stops believing in the witch’s prophecy. Tracing Juliette’s journey throughout the 20 years of great invention between the world wars, Scarlet delicately weaves together music and fantasy, history and folklore, realist drama and ethereal romance, to craft a timeless story of a young woman’s emancipation.

The Angry Black Girl And Her Monster

The Angry Black Girl And Her Monster, the new movie from Bomani J. Story, is out today.

Vicaria is a brilliant teenager who believes death is a disease that can be cured. After the brutal and sudden murder of her brother, she embarks on a dangerous journey to bring him back to life.

Unidentified Objects

Unidentified Objects, the new movie from Juan Felipe Zuleta, is out today.

An uptight dwarf and his free-spirited, alien-obsessed neighbor hit the road on a border-defying search for their place in the universe.

The Crowded Room

The Crowded Room, the new TV series from Akiva Goldsman, is out today.

The Crowded Room follows Danny Sullivan (Tom Holland), a man who is arrested following his involvement in a shooting in New York City in 1979. A captivating thriller told through a series of interviews with curious interrogator Rya Goodwin (Amanda Seyfried), Danny’s life story unfolds, revealing elements of the mysterious past that shaped him, and the twists and turns that will lead him to a life-altering revelation.

Bloodhounds

Bloodhounds, the new TV series from Kim Joo-hwan, is out today.

Two young boxers band together with a benevolent moneylender to take down a ruthless loan shark who preys on the financially desperate.

This World Can’t Tear Me Down

This World Can’t Tear Me Down, the new TV series from Zerocalcare, is out today.

An old friend returns to the neighborhood after several years away and struggles to recognize the world in which he grew up. Zerocalcare would like to do something for him but realizes that he is unable to help him feel at home again and make the right choice to find his place in the world.

Prisoner of Circumstance

Prisoner of Circumstance, the new album from Boldy James and ChanHays, is out today.

The Age of Pleasure

The Age of Pleasure, the new album from Janelle Monáe, is out today.

[eunannirocha]

A Pan Produtos Nacionais, conhecida por fabricar os "cigarrinhos de chocolate", pediu autofalência à Justiça na sexta-feira (10), além da aprovação da continuidade das atividades em até seis meses após a decisão para pagar os débitos com os trabalhadores ativos e os custos pós-recuperação judicial. Um terceiro pedido é o de que a companhia seja autorizada a funcionar por mais 90 dias para tentar quitar dívidas aproveitando o período de Páscoa e Dia das Mães. A extensão de três meses pedida é relacionada ao prazo que tinha no plano de recuperação judicial, que já acabou. Em setembro de 2020, a Pan apresentou o pedido de recuperação judicial para a negociação das contas, mas não cumpriu. Entre os produtos mais tradicionais da companhia, estão, além do cigarrinho, o "chocolápis" (lápis de chocolate) e as moedas, também de chocolate (leia mais abaixo). A empresa afirmou que o faturamento sofreu queda com a reestruturação de 2017 e que, durante a pandemia de Covid-19, houve uma redução ainda maior. “A pandemia instalada no país provocou a implementação de diversas restrições e o fechamento temporário do comércio, reduzindo o público consumidor dos produtos fabricados pela companhia, diante da mudança significativa do habitual padrão de consumo do mercado, que se voltou para os produtos essenciais da cesta-básica”, escreveu a defesa. “A redução da economia foi extremamente terrível para o mundo e com a requerente não foi diferente, vez que já havia sofrido um terrível golpe em seu fluxo de caixa, quando da cassação de sua inscrição estadual por quase 30 dias”, completou. Os débitos tributários deverão ser pagos com parte do maquinário e imóveis avaliados em cerca de R$ 182 milhões. Atualmente, o quadro de funcionários é de 52 pessoas. O juiz Marcello do Amaral Perino, nesta segunda-feira (13), deu 48 horas para que o administrador judicial e o Ministério Público se manifestem sobre o pedido. O administrador Fábio Rodrigues Garcia afirmou nos autos que há necessidade da decretação da falência e foi contra a extensão do prazo suplementar de 90 dias para quitar débitos. O MP ainda não se manifestou. A Justiça ainda irá analisar o pedido para que... Fonte: G1 https://www.instagram.com/p/CooDhxPrWIb/?igshid=NGJjMDIxMWI=

[gazeta24br]

Carnaval não é só para adultos e jovens se divertirem nos blocos de rua. Crianças também têm lugar garantido na folia. Bloquinhos infantis constituem uma brincadeira saudável, que aproxima as crianças umas das outras, e têm a vantagem de afastá-las das telas de computadores e celulares, afirmam especialistas. Segundo o psicólogo Marcello Santos, doutor em psicossociologia de comunidades e ecologia social pela Universidade Federal do Rio de Janeiro, o carnaval e os blocos de rua para crianças representam um resgate lúdico associado a uma tradição cultural brasileira. Santos considera esse tipo de diversão muito positivo para a garotada. “Além do resgate cultural e da brincadeira, há também a possibilidade de meninos e meninas estarem juntos fazendo farra, jogando, brincando, dançando, pulando e cantando. Há uma série de fatores aí, que são bons para a saúde mental. É importante, é uma expressão”, disse o psicólogo à Agência Brasil. Além da alegria, os bloquinhos infantis trazem de volta o chiste (gracejo, dito espirituoso), “que parece que o brasileiro perdeu um pouco, ou não está usando muito”, disse Santos, que considera muito importante para a criança ter o bloquinho de carnaval como uma brincadeira sadia, sem uso de sprays que possam causar danos aos olhos e mucosas da boca. “Pode ser uma batalha de confete, de serpentina, dançar, cantar, usar uma fantasia de super-herói, pirata, monstro, anjo. Tem “ene” situações que podem ser cumpridas de forma bem bacana no bloco de carnaval”, acrescentou. Também o psicólogo Luiz Guilherme Pinto recomenda a participação de crianças nos blocos de carnaval. Como profissional e como pai, ele disse à Agência Brasil que é uma experiência positiva para a criança. “Eu vejo de maneira muito legal, muito saudável, por conta de pais e filhos estarem juntos”. Para os mais novos, em especial, o psicólogo considera a experiência ótima. Segundo Luiz Gulherme Pinto, a brincadeira nos bloquinhos de carnaval tem outra vantagem, que é afastar os pequenos das telas do computador e do celular. “É maravilhoso. Até mesmo a coisa do brincar, de vestir e curtir uma fantasia é muito legal.”   Festa pela cidade   No Rio de Janeiro, mais de dez blocos prometem agitar os próximos fins de semana da criançada até o carnaval. Neste sábado (11), por exemplo, estão programados cinco bloquinhos infantis: o Sá Pereira se reúne a partir das 8h, na Rua Capistrano de Abreu, 20, em Botafogo; o Blocão da Tijuca, às 9h, na Praça Saens Peña, 54, na Tijuca; o Bloco da Pracinha, às 10h, na Praça Pio XI, no Jardim Botânico; o Bloco da Mamadeira, atrás da Rua Lauro Muller, 66, em Botafogo, às 16h; e o Gigantes da Lira, às 17h com baile no Shopping Downtown, na Barra da Tijuca, animado pela Banda Gigante de batuques e metais do maestro Edimar Lima. O Gigantes da Lira, os blocos da Mamadeira e da Pracinha e o Blocão da Tijuca voltam a se concentrar nos mesmos locais, no sábado seguinte (18). No domingo (12), fazem a festa o Blocão de Copacabana, a partir das 8h30, na Rua Joaquim Nabuco, Posto 6; o Gigantes da Lira, às 9h, na Praça Jardim Laranjeiras, em Laranjeiras; e o Sementes do Samba, no Boulevard 28 de Setembro, 382, em Vila Isabel, às 16h. No dia 18, o Blocão da Barra se concentra às 9h na Praça do Ó, na Barra da Tijuca; e o Bloco dos Palhacinhos, às 15h, na Estrada do Quitungo, 1354, em Brás de Pina. No dia seguinte (19), domingo de carnaval, os bloquinhos Que Caquinha é Essa?  versão infantil do Que Merda é Essa? reúne-se na Rua Garcia D’Ávila, 173, em Ipanema, das 9h às 12h; e a Banda do Lidinho de Copacabana, na Praça do Lido, às 15h. Na segunda-feira de carnaval (20), a animação tomará as ruas de Ipanema com a Banda de Ipanema Infantil, que reúne a turma às 15h, na Rua Visconde de Pirajá, 61. O bloco Algodão Doce encerra a folia para a garotada, às 14h do dia 22, na Ladeira do Faria, 95, no bairro da Saúde.   Edição: Nádia Franco - Agência Brasil