#Man with a van melbourne | Explore Tumblr posts and blogs

ahundredtimesover · 2 years ago

Text

Untitled | KNJ

Pairing: Namjoon x (f.) Reader

Genre/Tags: idolverse (no explicit mentions of BTS), strangers au; angst, smut

Warnings: foul language, inexplicit smut (making out, non-descriptive penetrative sex) (18+)

Word count: 16k

Summary: For years as a sculptor, you felt detached from your own work - unable to title them, describe them, name the most basic emotions that artists should be in tune with. A chance encounter with a man one winter night finds you in a journey of finding your own meaning. And as you slowly discover what it means to create and to feel, you find out that this might also be what pulls both of you far apart.

A/N1: It’s been tough being on a writing slump and not being able to come up with something new, but then Indigo happened. I’ve been so into Closer and been wanting to write something that would encapsulate the song’s emotions, but the more I listened to NJ talk about his album (especially Yun), the more I got to reflect on so many other things. So here we are. This was a quick write (and an experiment, too!) filled with my own ramblings and questions that only one Kim Namjoon would prompt me to have. Please enjoy.

A/N2: I’m not an artist, but I’m fascinated by them and what they create (Van Gogh’s Digital Art Exhibition in the LUME, Melbourne from last September just blew my away). In another life, I probably would’ve been a collector. But the essence of humanity in my professional work links to my own appreciation of art in that sense. All the things that I wonder about life and the essence of being human are reflected here. I’ve taken from Namjoon’s reflections and insights as well, and once again, I was reminded of his brilliance and his heart.

2020, early winter

A little boy with a bucket painting stars in the sky.

That’s what this season’s artwork on the side of the building is. Just this fall, it was a girl raising a paper airplane on this exact spot; in the summer, it was another kid on a swing, and in spring, it was a child with an opened suitcase, their toys falling out and drifting into a stream.

Lost childhood, perhaps. That’s what happens when the world stands still, Namjoon thinks. He’d written a song about it - the things we lost during the time when time froze, and maybe just like these paintings, life continued to go on. The yearning remains, though, and he can see it on the piece that he’s been looking at for minutes now.

Maybe the artist is young, mourning their own youth that slipped from their fingers. Maybe it’s someone a little older, mourning it for others. Maybe it’s just a person who’s trying to understand the situation through a child’s eyes - with innocence, confusion, trust. Maybe it’s—

The sound of footsteps disrupts Namjoon’s thoughts. It’s 2AM and he’s a little surprised that someone is in the area at this time. It’s a busy street during the day and the crowd falls away early. It’s completely deserted by this hour; it’s why he likes taking this route from the office to his apartment. He’s always liked walking home regardless of the distance, but it’s at night when he feels most free, and it’s become something he looks forward to everyday.

He’s about to turn away when he notices a figure run up to the small building where the painting he was just admiring is. The individual lays their bag on the floor and retrieves a paintbrush and a pail, seemingly about to continue their work that Namjoon didn’t even realize was still unfinished.

“Fuck,” the voice curses out. “Fuck fuck fucking shit. Why do I always forget my hot packs!”

The person removes their mask and blows into their cupped hands, rubbing them after in hopes of sustaining the heat from the friction.

“Just a bit more,” they continue, gloved hand now pointing ripples by the boy’s legs as he stands in a body of water. “Just a bit more.”

As chattering teeth and the blowing of air on hands continue, Namjoon decides to make himself known. The stranger is clearly trying to finish their work - and he’s curious to see this all unfold, finding amusement in watching an artist in action - but the cold air is quite uncomfortable.

“Hey,” he says, as the figure stops their movements. “I’m not a creep, I promise. I was just looking at your work but you’re freezing and I… I’ve got some extra hot packs with me.”

You slowly turn around with furrowed brows. This is the first time you’ve come across another person during the early mornings you paint on this specific building. You’ve gotten used to the emptiness of this street at this time, but somehow, hearing this man’s deep, rough voice is giving you comfort. Especially since he’s offering something you need.

“Sure, that would be great,” you say, blowing into your hands again.

He slowly walks forward - clad in a thick hoodie and beanie, his mask covering half of his face. He looks familiar, but you don’t have much time to place where you know him from. You take the hot packs he offers, squeeze one with your free hand while the other continues on with the piece that you want to finish tonight.

“Will it take much longer?” He asks, his voice kind. “I didn’t know it was unfinished and it’s quite interesting to see an artist complete their work. So, uh, can I watch?”

You turn towards him. On a normal day, you’d turn him away. You’re not too keen on anyone on your ass while you finish something, but he doesn’t seem like a creep and he was kind enough to give you hot packs at a time like this, so you nod.

It doesn’t take long. It’s just some ripples and a few strokes left anyway; you were freezing too much last night so you put off the final details for tonight. And then the last bit. You sign your name on the bottom corner, and a gasp leaves the stranger’s mouth.

“Wait, you’re Blue…” he says, the realization dawning on him. “

“Surprise,” you reply, standing up from your squatting position.

“I mean, I figured since you’ve been painting children and their lost youth this past year but… the man in the rain, the distorted face on the mirror, the hand on the neck… those were you, too.”

Namjoon can’t believe he’s finally face-to-face with the artist whose work has been haunting him since he first came across one on an electric post 3 years ago.

They were in other parts of the city. He remembers seeing them on walls and buildings during his walks home or when he was in the car, and then some weeks later, they were gone, either replaced with a new piece of work or just painted over, as if it never existed. He’d seen the signature a few times, and seeing it again reminded him that it was you, too. The one who’d created those masterpieces that got him thinking, feeling, wondering.

“You have a good memory,” you simply smile at him, realizing at this point that you’ve left your mask off. You put it back on and take in his domineering form. “Those were years ago; I’ve almost forgotten about them.”

“I haven’t. I mean, sort of.”

“Good. That was the point,” you reply. “I mean, sort of.”

“The point being? That I find something that speaks to me and then the next minute, they’re gone?” He says, quite defensive. It bothered him for a time that he never got to see those pieces again.

“What did they make you feel?”

“Desolate? Alone? Confused? Desperate?”

“Then you forgot about them, didn’t you?”

“The paintings, sort of. Not the feeling, though,” he frowns. “I still think about them but… I think I’ve forgotten exactly what they look like. Is that what you wanted?”

“Pretty much,” you hum, starting to pack your things. “The stuff I leave on for a few weeks are mostly sad, and I paint over them because I don’t want people to dwell on them. I want people… to forget, to move on.”

“But they don’t, not really. I’m sure they’ve taken photos if it spoke to them so much. At least I did, but then I deleted them because…”

“Because you got over the sadness,” you smirk, knowing that somehow, he proved your point, and he lets out a chuckle at the realization. “It may be on their phones but it’s not the real thing. The image may be distorted, the colors different, the strokes a lot smoother. It’s not the same.”

“They should be preserved,” he voices out. “It’s art. Those things are meant to be immortalized, no matter how they make people feel.”

“Not always,” you counter. “At least for me, I make those to forget. The feelings fade once the art does. I created them that way.”

“Hmm,” Namjoon hums, taking this time to observe you, as you’d rendered him speechless.

There’s this softness in your eyes that contrasts the words you say. He doesn’t want to imagine what you might’ve gone through to create hauntingly beautiful pieces inspired by feelings you want to forget.

Whatever those are, he truly does wish you’ve let those go. He knows he has. But he still disagrees - he doesn’t think art ever fades. Perhaps feelings do, but he’s come to learn that visual art is eternal.

“So how long will you keep this up?” He asks, wondering when he’d see you again; the allure and intrigue from your words makes him want to know more.

“Until the next season,” you say, picking up your bag now. “It’s been a tough year and I hope the spring brings more hope.”

“But you also don’t want them to dwell on this… the loss of childhood, of youth,” he continues. “You want them to move on from this, focus on what’s to be gained after losing something important.”

“You’re a fast learner,” you wink, and Namjoon surprises himself by the way his heart jumps at the sight. “You must be a genius or something. Or an artist yourself.”

“Neither,” he lies. “I mean, I’m barely anything, really.”

“I doubt it. A guy like you being affected by all this means you’re something, whatever it is.”

There’s something validating about your words, and he smiles behind his mask, something you see, as you smile back.

It’s odd, feeling a sense of connection with a stranger like this, something he’s never really experienced, most times because he’s always wary of who he meets, especially at this time of the night. But you don’t seem to know who he is. And if you do, you don’t seem to mind or want to make a deal out of it, something that he appreciates.

There’s comfort in your smile, and he wants to discover what other things cause it. There’s a dearth of experience in your words, and he wants to know more. There’s a tenderness in your eyes that he wants to mirror; he wishes he can give comfort to someone just by looking at them.

Maybe it’s the cold breeze. Maybe it’s the fact that it’s the end of the year and he’s spending it alone again. Maybe it’s spending an entire day cooped up in his studio only to go home to an empty apartment. Maybe it’s knowing what a year it was and what’s about to come. He didn’t think that a stranger in a yellow puff jacket who cursed so crisply would be the one to make his walk back home not feel so lonely. That the woman who’d casually painted some ripples and splashes on the wall was the one who’d make him feel a little less alone.

“So, uh, do you usually paint at the start or end of the season?” He wonders.

“Are you trying to ask when you’re gonna see me again?” You look at him with an arched brow.

“Maybe,” Namjoon chuckles. He’s also just trying to delay your departure, seeing as you seem to be ready to leave.

He doesn’t want to ask your name, not ready himself to share who he is. But perhaps the next meeting won’t be as serendipitous as this.

“It depends,” you tease. “But maybe I’ll see you again, either here, or elsewhere.”

“I hope it’s soon,” he confesses. He’s being bold, but his eyes light up when you reply.

“I hope so, too.”

Namjoon walks the opposite direction of where you are headed, turning back once to look at you, and catching your eyes when he does.

Winter passes. His busy schedule doesn’t permit him to take this route for a while, and it’s mid-spring when he sees a new painting that’s been completed - a young girl looking through a glass window to a world outside, her fingers holding onto the latch as she readies to open it. A small smile forms on his face; he at least sees something of you, even if it isn’t you.

The next time he’s able to pass by, it’s the end of summer, and all he sees is a gray wall - empty, undisturbed, as if there was nothing there to begin with.

2021, autumn

The bell rings as Namjoon enters the building, an art gallery that he’s been frequenting the past few months. There are new pieces, he’s been told, and one of the curators that he’s become friends with informed him that some of the artists are in town.

He nods in greeting at familiar faces - employees, artists, casual visitors. He walks around, taking in the new paintings and sculptures displayed. As he turns towards one of the smaller rooms, a piece catches his eye.

It’s something he’d seen before, a piece of ceramic sculpted in such a way that it looks like a flower in one angle, a seashell in another. And, dare he say, a vulva from a little farther away.

He reads the label. Untitled 56, Samantha Lee.

Namjoon goes through the photos on his phone, knowing it was a trip to LA over 2 years ago where he’d encountered something similar.

And there it is. Untitled 48, Samantha Lee.

He took the photo from an angle that looked like flowers, thinking about the simplicity and beauty, the choice of colors, and how they hung on the wall as part of the installation. It was one of many pieces he documented, but was the only one he didn’t get much story from. There was no description, no background. He wasn’t quite sure what to feel.

“Find something that interests you?”

Mr. Hong is one of the founders of this gallery, and he spends much of his time getting to know the regular visitors and the artists. He’s definitely someone who knows when something strikes Namjoon, like right now.

“Samantha Lee,” Namjoon responds. “Are they a local artist? I think I saw their work in LA some time ago.”

“Ah, yes Ms., uh, Ms. Lee. She’s a local and has her pieces displayed in several galleries. She’s here, actually,” Mr. Hong excitedly shares, noting how important it is for the Kim Namjoon to meet one of the artists. “She was supposed to come yesterday but decided to drop by today instead. Would you like to meet her?”

“Ah, that would be great,” Namjoon smiles back. “If she is fine with that, of course.”

Mr. Hong is never sure if the said artist is, but Namjoon is a special guest, he thinks, so the older man nods. “I’ll lead you to her.”

Namjoon is led up a small flight of stairs and out to a patio with more installations displayed. He spots several people outside, and he tries to determine which one of them is the artist he wants to meet, perhaps ask why she’d untitled all her pieces, and why there’s nothing of her at all that she chooses to share.

He stops in front of two women as instructed by Mr. Hong.

“He’s a fucking asshole, that’s what he is,” a familiar voice spits out. “The next time he harasses you, I’m going to impale his dick with my heels and—”

“Ehem,” Mr. Hong clears his throat, prompting both women to look at him. “Ms. Lee, one of our patrons would like to meet you.”

He shares a look with the woman before she nods and smiles. She turns to Namjoon where he’s met with familiar tender eyes, eyes he’s been yearning to see since that cold winter night.

“Blue?” He asks, surprised.

“My favorite color, yes. How did you know?”

You look at the man in front of you, tall and broad with caramel skin and a smile that could melt even the coldest of hearts. You’ve seen this smile before. Even behind a mask, you could tell it’s him, the man who’d saved your ass that one cold winter night with his extra hot packs and his calming voice.

You thought you’d see him again, seeing as he seemed to want to, but he never came that spring. You even left a small, ridiculous note at the corner where your signature usually is, asking when he’d come, thinking he’d communicate with you there. But the response never came.

The universe is tricky sometimes. You passed up on coming to the gallery yesterday because you felt dizzy when you woke up. And of all days that your winter night man visits, it’s the one where you’re here.

“I just figured,” Namjoon smiles, picking up your hints. “It’s one of mine, too.”

“Perhaps we should talk about the complexities of the color, then,” you smile back, nodding towards one of the sections in the large patio.

You lead him there, leaving Mr. Hong and his warning gaze and your assistant, whose smirk and teasing laughter makes you glare at her.

“I’m guessing they don’t know about you being Blue?” Namjoon asks, feeling a little jittery standing next to you again and being able to see your face much more clearly, your hair tied loosely in a bun and your clothes a nice fit for the cool weather.

“Minji does. She helps me find materials,” you respond. “Mr. Hong doesn’t. He’s not much of a fan of street art.”

“That’s a bummer, especially since one of the artists creates amazing pieces on buildings and posts and then signs them, then abandons them, and leaves spectators like me to wonder where they’d gone,” Namjoon replies, hoping you don’t find offense with his tiny jab.

Your chuckle tells him you don’t. “You never came.”

“I didn’t know when to,” he defends. “Well, more like, I stopped having the time. That place is so far from where I live and I only walk from my office because I like that time alone and I haven’t had that, but then I came back in the summer but you—”

“You don’t have to explain,” you assure him. “That was a chance meeting and I didn’t really expect I’d see you again in the same spot weeks later.”

“Did you expect to see me this time?”

“Oh, not at all,” you shake your head. “Why are you even here?”

“Why are people ever in art galleries?” He counters. “To check out the art. Maybe chance upon the artists if they’re here.”

“I guess,” you shrug, turning a corner to a small maze of an installation. “You wouldn’t have known it was me, though.”

“I didn’t. I was staring at Untitled 56 and realized I took a photo of Untitled 48,” he reveals, earning him a shocked look from you. “It was in LACMA. I saw it a while back. The name rang a bell because I don’t know anything about you. You leave so much to the imagination, Ms. Lee. There’s nothing about y—”

“It’s Han,” you correct him, feeling comfortable now. “I mean, Han ___. Samantha Lee is another pseudonym. Or like a stage name. You know, like you?”

You bite your lip at the slip-up, not wanting him to be uncomfortable at the thought that you clearly know who he is. But he just nods, affirming that he now knows that you know who he is, but he smiles right after, his eyes turning into the smallest, prettiest crescents and his dimples framing his strong-featured face that makes him even more handsome.

“I suppose you’re right,” he hums. “But why blue? And why Samantha Lee?”

“It’s the simpler version of my favorite color. Aegean blue is too complicated to sign every time,” you chuckle. “And Samantha Lee… Well, she was my roommate back in college and she once told me she wanted to be famous and the only way that could happen is if I used her name as a pseudonym. I had a crush on her so I agreed.”

There’s a long pause before Namjoon realizes that you’re not joking, and he comments that it’s interesting but he doesn’t ask again.

“I’m Kim Namjoon, by the way,” he reaches out his hand. “It’s a pleasure to meet you.”

“Likewise,” you say, internally melting at the feel of his warm and large hand. “So why did you take a photo of Untitled 48?”

“It looked like a clam.”

At this, you burst into laughter.

“I don’t mean it in a bad way, just to be clear!” He insists. “It was beautifully made. It was of a neutral color but it somehow stood out the most to me in that section. And it was the 48th; I wondered why they didn't have titles. And your 56th, which looks like—”

“A vulva,” you snort.

“Yes,” he chuckles, “and a flower, yeah - something I’ve been into lately. And well, it was interesting. And seeing your piece here reminded me of that,” he goes on. “And I just wanted to know… why.”

“Why what?” You furrow your brows at him.

“Why those pieces? Why are they untitled? What prompted you to create them that way?”

“We’d probably have to tour the gallery 4 more times if you want to know,” you chuckle.

“I have time.”

“Do you?” You ask, eyeing the phone in his pocket that's been vibrating for the last 5 minutes.

He smiles shyly and excuses himself. When he returns, he has a disappointed look on his face. “Turns out, I don’t have time. But I want to. I… uh, will you be here again anytime this week?”

“I will. I’m just not sure when.”

There’s something alluring with these coincidental meetups. Somehow you want more of those, perhaps to let the universe tell you that you’re meant to constantly meet this man whose time you know you’ll never have enough of, even if he makes it for you.

“Let me see you again?”

“You will.”

You catch his eyes when he turns back as he walks away. There’s a sparkle in them, and you’re afraid to want to see it once more.

The walk to the site of the lost youth is a long one, but not knowing when you’d see the tall man with the prettiest smile again, you head there.

Your last piece was of a child at the brink of freedom, about to take the step outside the cage she’d been in for the past year and a half. You painted over it once autumn started; maybe the next time you’d paint over a building, you’re no longer yearning for lost things. Maybe you’d paint something about finding something new.

“I’m gonna start believing in a higher power if we continue meeting like this.”

The raspy voice is familiar, and you turn around to see Namjoon, clad in a hoodie and a baseball cap, leaning against one of the streetlights across the empty wall of the building you’d been staring at. It’s been 2 days since you saw him at the gallery, about 7 months since the first time you’d encountered him here. You’re unsure what this all means.

“Maybe you should,” you head towards him. “I missed the last bus so I decided to walk home. I’m still far away but this is on the way. Why are you here?”

“Stayed up at the studio,” he replies. “I’m incredibly exhausted but I don’t know, I got the energy for the long walk. Then there you were.”

“There I was, appearing so suddenly again, yeah?” You chuckle, leaning on the opposite side of the pole.

Namjoon merely hums before he nods towards the direction of his apartment. “I’m heading there.”

“Me, too.”

With his hands in his hoodie pockets and yours crossed against your chest, you try to match his long strides.

“Painting came first,” you say, as if answering the question that he’s been thinking of asking. “Painting was everything. We had so many pieces in our home, and it’s as if they spoke to me. I mean, in a not creepy way, it felt like all of my parents’ own pieces spoke to me. And they always told me I wasn’t good enough.”

Namjoon turns to look at you with empathy in his eyes. He lets you speak, and he finds out that both your parents are the artists he’d been researching lately. Your father is a classical painter, and your mother does contemporary. He can’t imagine living in gigantic shadows like that.

“When I was 15, my parents pulled strings to get some of my pieces displayed with theirs,” you sigh, recalling the mixed emotions then. “It was exciting at first, but the patrons wouldn’t mention my name unless they mentioned my parents’. And then one of my favorite pieces that I made was sold to a man who wanted it as a decoration in his summer home’s living room.”

Namjoon slows his walk and you match his pace. You meet his comforting eyes, and there’s that warmth you feel from, technically, a stranger that you didn’t expect.

“I made that piece at a time when I was frustrated living in my parents’ shadows,” you continue. “Someone once told me that art is meant to be shared, that there’s humanity in the community we create when it’s shared, that the meaning deepens when others make their own. That piece had so much of me in there; I felt like the meaning of that piece was stripped away from me the moment that stranger took home that canvas for a select few to look at. It wasn’t mine anymore, it was his; it was theirs. I stopped painting after that.”

There’s a certain kind of pain in giving up something that matters deeply to you, in losing meaning in the thing that’s given your life meaning for most of your life. Namjoon knows a bit about that pain. Many times, he’d found himself questioning all that he does, what he stands for, and what the world expects him to be.

He sees that pain in your eyes, of losing a part of you as the art stopped meaning what you wanted it to. But he doesn’t think that all is lost.

“But your street art,” he reminds you. “That’s still you. That still has meaning. And that’s something that you share.”

“That’s Blue, though,” you manage a smile. “She’s just a part of me.”

“She’s still you,” he insists. “Can you tell me about her?”

And so you tell him - how you argued with your parents about quitting painting, how you were going to turn down the scholarship in a prestigious art university to take up sociology instead, so they shipped you to a foreign country to fend for yourself, and that’s when you learned what loneliness felt like. But that’s also when you learned about people in their rawest sense, what it meant to struggle to survive, what it meant to lose something that mattered, because you studied them - you studied how humans grieved and how they persisted. You studied how they lived and how they died.

“Blue wants meaning, and she still struggles in finding it,” you explain.

“Does she?” Namjoon questions. “I’m in my late 20s but your lost youth series resonated with me. All those paintings of the man in the rain, the distorted face… they’ve inspired me in ways I can’t explain. That’s meaning, ___. That matters.”

No one outside of Minji knows all these versions of you. Except Namjoon, the brightest star you never thought you’d ever meet. Hearing him speak about your work this way makes you feel something - a first in a long time.

“Thanks, I guess,” you say shyly.

“It’s a shame they’re not displayed in galleries and museums, though.”

“I don’t want them to,” you say, surprising him. “People intend to go to museums, but they pass these streets out of necessity. I want them to stop and look, to feel, to think for a few seconds before they go back to their routinary walk. And then I remove them, so they can forget what pain and sadness feel like.”

“Looks like you found your meaning, then,” Namjoon smiles, comforted by the fact that someone as talented as you had found purpose again, something he relates with at a deeper level than he imagined.

“The painter in me did,” you reply. “The sculptor, not so much. “

“Untitled,” he hums.

“Yeah. I don’t think I can name something I understand, or at least, feel,” you say.

“That’s a lot of untitled works for you to not understand what you do,” he chuckles.

“I’m prolific because there’s not much of me I lose when I create them,” you explain. “I just sit in my stool, craft something, then call it a day. Not to brag or anything, but it comes easy. They’re shallow pieces, Namjoon. They don’t even deserve to be in galleries but Mr. Hong insists they do for some reason. I wish this version of me, Samantha Lee, understood why it matters, why someone like him would believe in my pieces, why a Kim Namjoon would think that 48 stood out to him enough to keep a photo.”

Namjoon processes your words. As an artist himself, he believes in the meaning of the pieces that he creates, whether it’s a song or a poem or an album or a concert. There’s effort put into them even if it’s something created in 30 minutes. Your pieces are beautiful, and he wants to explore more - you and your meaning, you and your value.

“Then why do you keep making them? What about it makes you keep sculpting?”

“The feel of the clay on my skin, the way my fingers get to mold and create the details,” you explain. “I get to touch it. I don’t get to do that with painting, you know? It’s the paintbrush and the canvas I feel but with sculpting, I get to mix the materials, I get to shape it, hold it.”

“There’s that intimacy,” he offers.

“Yeah. And it’s addictive because it’s closeness I’ve never felt before.” You turn to him before speaking the next words. “It's an intimacy I’ve never experienced before with anyone or anything.”

“Isn’t that your meaning, then?” He questions. “The piece itself might not have a story on its own but all these untitled works, the process of creating, of it being easy because you can’t get enough of the intimacy you get from creating… that’s meaning. That desire for closeness, for meaning… that’s meaning.”

No one’s ever put it that way for you, probably because you’ve never let yourself be this honest with someone about your art. All your friends aren’t artists because you wanted that world separate, you didn’t want to have to talk about it feeling as insecure and lost as you are.

But Namjoon - he’s one of your generation’s greatest artists. He weaves words and sounds so beautifully to create masterpieces that people consume and hold so closely. He understands.

“I’ve made songs that took me 30 minutes,” he shares. “But I’ve also made songs that took me to dark places, that broke me as I wrote them. But once they came out, once I’ve shared them to others who’ve shared what it meant to them… slowly, I started becoming whole again. Isn’t that an artist’s burden? To break to create, to feel whole after that, and then to break all over again?”

“You are truly one of a kind, Kim Namjoon,” you tell him. “I’ve lived with artists my whole life and they never let me understand art in that way.”

“I’m still figuring it all out,” he shrugs. “I still feel lost sometimes, but I think it’s natural to feel that way, to be unsure or confused. I guess what matters is that we’re still walking on some road to somewhere, even if we don’t know where we’re heading.”

“Is that where you are right now?” You wonder. “On a road to somewhere you don’t quite know yet?”

More than you know, he wants to say. He’s in this period of experimentation, of figuring out his signature style, of figuring out who he is and what he means to his teammates, to the industry, to the world.

“Sort of,” he shrugs. “It’s hard sometimes. Walks like this give me a reprieve. Consuming other people’s art lets me understand things a bit more.”

“Yeah, I get it. I mean, conversing with strangers gives me time to breathe, too.”

“Ooh, so I’m still a stranger, huh?” He chuckles, shyly looking at you. “Our third unplanned meeting, an hour of walking home… and I’m still a stranger.”

“What would you want to be, then?” You turn to him, a little teasing smile on your face.

“A friend, for starters.”

“My nighttime friend?”

“Not just,” he shakes his head. “I would like to see you again, actually. And I don’t want to put this up to chance this time. Like, something planned or—”

“And how exactly would that work?”

“I, uh…” he thinks. “I’d invite you to my apartment. And you can invite me to yours?”

“Why?”

“Because I want to get to know you more, if that’s okay.”

“Are you always this bold?” You giggle, not missing the way your cheeks start to feel warm at the mention of visiting each other’s homes and him wanting to get to know you.

He’s obviously handsome - you’ve known of him since his band made it to your TV screens, being young men who were around your age, singing songs that resonate so deeply with you. But he’s more than that, as you’re learning. There’s this passion for creating that's refreshing, something you seem to lack.

“Not always,” he looks away, the dips in his cheeks something you’re sure you won’t get enough of.

“You should be. It makes a girl flustered but it makes it so difficult for her to say no,” you smirk. Sometimes, you also don’t know where your own boldness comes from.

“You? Flustered? That’s quite hard to believe,” he teases.

“That’s true. But it happens, believe it or not, when a gorgeous, brilliant man asks me over.”

Your heart stops for what feels like a minute, but his sweet, child-like laughter melts away your worry.

“Did I make you uncomfortable?” You ask.

“Surprisingly, no,” he replies. “I appreciate your honesty. About everything. I hope we can give that to each other.”

“Okay then, your turn,” you challenge.

“Hearing you curse was kinda hot.”

You try to hold off your laughter, your defense to your true reaction, which is to smile like an idiot and feel like floating.

“That’s interesting. I would’ve thought it’s something to do with my looks or my talent, you know?” You arch an eyebrow teasingly.

“It is. I think you’re beautiful. And I’m usually a forgetful person but I haven’t forgotten your sweet smile since I first saw it last winter,” he says, catching you off guard. “And your talent… there’s a reason why I have 48 saved on my phone, and why I sought out your street art these past years. I want to know what intimacy in art is like for you. I guess I’ve sort of lost that in creating my own.”

“Intimacy,” you repeat. “I think we both lack it in certain ways.”

“Maybe we’ll find it,” he says more confidently now, holding your gaze as your eyes trace his face.

“Maybe we will,” you respond, feeling your whole body warm with embers of fire.

He insists on taking you home, another 20-minute walk away from his. But you claim to enjoy that time on your own, assuring him that you do this all the time and the streets are safe.

“Let me know when you get home safely?” He asks, and you give him your phone for him to input his number.

“I will.”

It’s 30 minutes later when you do. It’s 1AM, but you and Namjoon spend the next 2 hours talking some more - about his songs and your pieces, about his plants and your collection of wind chimes.

You didn’t expect to make him laugh as much as you did, and he said he didn’t expect you to think his ramblings are adorable and amusing. You most definitely didn’t expect your heart to beat as fast as it did when he told you, in his deep, raspy voice, that he’s glad he took that long walk that winter, that he visited the art gallery when he did, that the hopeless romantic in him pushed him to go to the place you first met.

“I think I’m crazy but somehow I feel like I’ve known you for so long,” he muses.

“I feel the same way,” you assure him, as you hug your pillow and slowly surrender to sleep.

“Good,” he hums. “That’s all I wanted to know. Good night, ___. And I’ll see you soon.”

2021, winter

There’s a warmth in Namjoon’s home that’s hard to replicate. Filled with his favorite art pieces of all forms, he said he curated it to reflect his emotions just as much as his tastes. It’s clean and well-organized, with books on shelves and stacks on the floor, and an entire area full of liquor - his new interest, he’d said.

He’s had you over several times already; the first one, barely a week after that long walk home. You both spent hours that day talking about his favorite artists, and it wasn’t enough, as he asked you back the next day.

You often talk about your childhood, one that you weren’t always comfortable sharing, but being with him makes it easy.

It’s easy when he looks into your eyes when you speak, as if he’s telling you that he knows you say more than words. It’s easy when he’s got his own stories to share - stories of vulnerability and honesty, of fear and confusion. It’s easy when he still stutters over words sometimes and then gets lost in his own ramblings, then he chuckles when he realizes he’s talked so much, and you tell him that it’s okay because his voice is calming and his thoughts are a breath of fresh air.

It’s easy when his presence is comforting, when his anecdotes about his friends and family make you laugh until your insides hurt. It’s easy when he makes you feel like you can question everything about your art and your purpose and your abilities but he never makes you feel like a failure. It’s easy when he smiles and laughs nervously, when he’s funny without meaning to, and when he makes sure you’re comfortable by always having your preferred tea and biscuits next to the wine you once said is your favorite.

The only time it gets hard is when he stands a little too close as you look up at a painting or a book on a shelf. You could feel the heat from his body; a slight movement and you’d be touching, mere cloths in between you. It’s hard when his arm brushes the slightest bit against yours. It’s hard when he gazes at you when there’s silence, and it’s like he’s studying your face before you call him out and he apologizes because he “can’t stop looking at pretty things.”

It’s hard when he hugs you goodbye and he wishes you a safe ride home. It’s hard when he sends you a message right after, saying he wishes you both had more time.

Being attracted to Namjoon is hard; being attached to him is torture.

“You’re looking for him again,” Minji states the obvious as you walk around the gallery, your eyes darting to the door every time the bell rings.

“No I’m not,” you deny. “He just got back from his trip abroad and he’s tired. He won’t be coming here.”

“Doesn’t mean you wish he would,” she smirks. “But why rendezvous here? You guys go to each other’s houses. And no one goes to your house… aside from me.”

“We can’t exactly see each other in public, you know?” You glare at her. “But… I don’t know, it’s nice to see him look around and talk about what he sees. I feel like I learn more from him. And that’s weird, isn’t it? This is my field. The arts have been my entire life, but I’m learning more about it from him.”

“What is it about him?” She wonders.

She doesn’t say that she’s noticed more life in your eyes since he came into your life. She doesn’t say that she’s noted that you take more time creating pieces, seemingly savoring the process unlike the way you used to. She doesn’t mention the smile that she hasn’t seen in all the years that she’s known you.

“Passion is sexy, you know?” You giggle. “He has so much of it, it’s inspiring.”

“Is that all?” Minji smirks.

“He’s also fucking gorgeous. I try not to ogle him but I think he’s noticed. Fuck me.”

“Maybe he wants to.”

“Shut up. Don’t make me hope.”

“You do that to yourself,” she laughs. “Keep denying that you don’t want to see him or want anything more with him and let’s see how you do.”

The truth is, you know. You know that you’d fall hard if you let yourself go like that, but it’s human to know danger and then still want it, isn’t it?

The vibration from your phone ringing surprises you.

“Hey,” Namjoon’s voice booms on the other end.

“Hey,” you reply. “How was your trip?”

“Good. I just got home. We had to stop by the office for a bit. My place is a mess and we have something again in the afternoon,” he huffs, sounding incredibly tired. “Can I come over tonight?”

You almost drop the flute of champagne you’re holding. He’s been to your house twice, but this is the first time he’s specifically asked to come over, especially considering that he just arrived from a trip abroad.

“Of course,” you hum. “Any dinner preferences?”

“Your cooking,” he says simply. “But wait for me, okay? I’ll let you know when I’m on the way.”

“Okay,” you say, before dropping the call, unable to hide the wide smile that forms on your face, to your assistant’s amusement.

“Why don’t you try to let go this time?” She advises. “Maybe you’ll find the intimacy you’ve been longing for.”

Namjoon overestimates your cooking abilities. Truly, all you know to do is prepare ramyun and fry anything. But, compared to him, he’s said you’re chef level. “The guys” don’t even want him near the kitchen, he tells you all the time.

But instant noodles and pork belly seem enough for him, as he eats with his mouth closed and hums in satisfaction. You take the time to savor the way he looks. A few weeks without him has started to feel like months.

“It was overwhelming,” he finally says.

He knew the moment he landed that he wanted to see you. There’s comfort in your presence that he’s begun to accept, and being with you allows him to be honest, to feel real, to feel human.

“It was great to be able to perform again, to hear the cheers and the sounds and everything. It was also terrifying,” he continues. “I was nervous and excited, I was scared and elated. I felt so fulfilled and satisfied but I also felt like it wasn’t enough.”

“That’s a lot of conflicting emotions,” you hum.

“Are they? Conflicting, I mean.”

“It depends, I guess. They seem up and down to me. Does it bother you?”

“That I felt all that, all at once?”

You nod in response.

“It used to,” he admits. “At the start of all this, I thought, I can’t be scared. Six other guys and an entire company are looking to me to succeed. I have to be strong and confident. And then, an industry is waiting for me to fail. And then, my own country is letting me - us - represent an entire generation, it’s asking me to carry on this cultural wave. It never ends. And I used to think I couldn’t be scared, that not wanting all this anymore means I’m ungrateful.”

“But you aren’t,” you try to assure him. You can’t imagine the burden he feels, leading a group that feels all kinds of pressure. “I’ve heard you talk about your art and your poetry and your brothers and your fans. You’re easily the most passionate, hardworking, and appreciative person I know. I don’t think you’ll ever run out of things to give.”

“It’s tiring,” he sighs.

“I’m sure. But you’re honest about it. You’ve always been. Doesn’t honesty unburden you, even just a little bit? Doesn’t it leave you space to feel more, to be more?”

Namjoon hums. For someone who claims to not know much about feeling, you seem to know what to say to make him stop and think, to remind him of why he does what he does. And why ultimately, he’s always going to love it.

“It does,” he finally says, sitting up straight to take a better look at you in your linen pants and soft sweater. “Do you do that, then? Unburden yourself by being honest?”

“I’m not good at doing that,” you chuckle. “If you don’t know by now, I say a lot of seemingly profound things that I don’t necessarily live by.”

“Why not?”

“Honesty scares me. Being vulnerable scares me. I don’t know how to return it.”

“Has anybody ever been all that to you?” He wonders, feeling the tension build a little.

“Once” you say, standing from the dining table and heading to the large window that overlooks your garden. “And I ran away.”

“Is that why you sculpt, then?” Namjoon asks, walking towards you. “Because you don’t know what to do with intimacy so you do it with your art? You want to hold and touch what you walk away from? You don’t give it a name because you don’t want to define it? Because you’re scared that if you do, you’ll realize that you actually want it - the closeness, the warm body, the rawness that you can only get from being with someone else.”

You look up at him, towering over you. He came from a short filming, donned in a white, buttoned polo with his long sleeves rolled up to his elbows. You can see the darkness of his hazelnut eyes and the stubble on his chin. You spot the beauty mark on his neck and the smoothness of his skin, especially on his chest, as he leaves 2 buttons undone.

“Reading me now, Kim Namjoon?” You cock an eyebrow, trying to break the tension that’s built up in the last few minutes.

“I’m trying, because I want to get to know you more, find out what you’re afraid of and ease it somehow,” he admits. “Because I feel the same way. I’m honest but I’m scared, yet with you, I’m honest but I’m brave. I feel like I’m brave. I don’t know what it is, but ever since I met you, I just wanted…” he glances at your lips then meets your eyes again. “I just wanted to know more, to feel more. To understand what it’s like to be intimate with someone who doesn’t know much about it like me. I want to figure it out. With you.”

“How?”

One word is all you get to verbalize, as you feel him come closer, the heat of his body intensifying with every second. You’re backed up against the window, the distance between you and him decreasing and decreasing.

His eyes are boring into you, and you bravely gaze at him back. You mirror his desire, as you lick your lips when he glances at them again. Your chest is heaving as is his, and your heart races even more when he breathes out your name.

You palm his chest, and for a brief moment of uncertainty in his eyes at the thought of you stopping him, you instead grip the cloth that covers him, and you slowly pull him in.

His lips are soft. And the way he gently presses against you is tender, comforting, like he wants to savor it and go slow. He angles his head the same time his hand reaches for your waist, and you feel the slightest wetness from his tongue.

You grant him entrance, and the second you do, he takes control, tightening his hold on your body as he cages you, his one arm now propped up against the window. You moan into each other as tongues and teeth clash, and you can’t help your hand that travels to pull on the ends of his hair, brushing your fingers against the nape of his neck right after.

It’s a little sloppy, needy, but there’s still gentleness in there. It’s in the way he cups your cheek, caressing it with his large fingers and letting it slide down your chest, back to your waist. It’s in the way he smiles into the kiss when you moan your pleasure; you can almost feel his dimples as he does. It’s in the way that he asks for more, not with dominance but with care, with understanding, with caution.

You both pull away to catch some air, lips swollen and wet, but your smiles say you enjoyed it. The way your bodies haven’t completely detached from each other shows that.

“Would you let me stay the night?” He asks softly, as if it’s a request he’s afraid to ask.

“Yes,” you breathe out. “Be with me tonight.”

Underneath the covers of your bed, you lay in his arm while your fingers trace patterns on his taut chest. You can hear his heartbeat still drumming, and you can feel the care in the way he caresses your cheek, your arm, your waist.

“I don’t know what I can give you, Namjoon,” you admit. “I don’t know how to be as honest and vulnerable as you. I don’t know how to share parts of me that I don’t understand. I don’t know what I can do to ease all your worries and concerns. I—”

“Just give me moments,” he interjects. “Nights like this, days at our homes, afternoons at the galleries, hours on the phone… I just want to feel something that I can actually touch, that I can savor. And I want it to be you, the one I get to hold and taste and kiss.”

He leans forward again, and you capture his mouth in yours. There’s no need to do more - much as you’re wet and he’s definitely hard, but neither one of you is rushing, neither one wants to scare the other.

He’s hot, the kind that burns. That’s how it is with people as passionate as he is - their touch can light a fire on your skin, and you won’t be able to stop it.

“I can give you moments,” you whisper. “Just tell me.”

2022, spring

You can count the moments with 2 hands.

Namjoon stayed with his parents over the holidays but he videocalled you everyday. You both went to a few galleries outside the capital but did so separately, spending hours after that talking about the pieces over the phone.

You’ve come to appreciate your world much more deeply with his commentaries and reflections, and with you, he said he’d gotten to breathe a little longer, laugh a little louder, and feel a little more human.

He stayed over your place 4 more times; you stayed over at his thrice. You debated over movies and recommended each other books. It was common to spend the day wrapped up in each other on the couch while you both read separately. He made you listen to a few songs he’s been working on - some of which were inspired by your many conversations and your own musings, and you’d showed him sketches of your upcoming planned series on sculpted landscapes.

It’s freeing, being able to share about your world with someone else like this, and being part of someone else’s, too. Whatever it is you both have is freeing - kisses included, which never went beyond what you first did. Despite the obvious desire to do more, neither of you ever tried, perhaps knowing what it would entail. There’s distance between you and him but there also isn’t. There’s enough comfort and intimacy that you’ve only scratched the surface of, but this seems to be just enough.

“I have the weekend off,” he pants over the phone. It’s 11PM and they’ve just finished rehearsals for an upcoming series of concerts abroad. “Do you want to do something?”

“A trip to my parents’ summer home?” You wonder out loud. The spring air has come and you love going to the lake at this time. “It’s by the mountains and it’s really private. The estate is like their personal art museum with their works and others’. I visit every year. But if—”

“Yes, a hundred times yes,” he huffs. “That’s fucking amazing.”

“I know I got you at the art museum bit,” you laugh.

“You got me at the really private bit, actually,” he says seriously, causing your heart to race. “And the art of course. And you. Always you.”

“Alright, Casanova,” you tease. “Just make sure I don’t get in trouble for taking you somewhere weeks before you leave.”

“We’re alright,” he responds. “I can’t wait.”

It’s a 3-hour drive to the estate by the mountains. In the far future, your parents want to open it up for private viewing, and so you want to make sure that your art lover more-than-but-not-really-friend gets a first peek.

You spend the entire ride talking about a hundred topics, going off tangent when he rambles again, and you’re the one who circles him back to the original discussion. You hum tunes while he sings songs, and when you find private spots, you take the risk and take photos.

You make it to the estate in the late morning, and as you expected, Namjoon’s jaw drops.

The fountain at the front is an art piece itself. The front door was shipped from Indonesia, and the furniture are a beautiful curation of pieces from all over the world that were gifted to or bought by your parents.

You watch him gently trace the carvings and the details. You’re in awe as he absorbs the sculptures and paintings as you tour him around. And you melt every time he turns to you with the biggest smile on his face, like he’s discovering a secret that only both of you know. It’s breathtaking and absolutely precious.

“Keep looking at me like that,” he says, as he catches you marvel at him. “I like it when you look at me like you want me.”

“Don’t fluster me,” you say, turning away.

“You’re not denying it,” he counters, walking closer to you.

“I would be a liar if I did.”

“That’s good to know,” he hums, tucking a strand of hair behind your ear. “I know I only asked for moments but can this weekend be filled with that?”

He looks nervous, like you’d turn him down.

“I… it’s been tough, dealing with a lot of things,” he continues. He’s mentioned some difficulties lately, and you know there’s not much you can do about it. Except, maybe this. “I just want something to hold onto, like being here with you, experiencing all these art pieces, being close…”

He cups your cheek and gives you that look that you’ve become familiar with, his request for intimacy that you both continue to explore.

“Okay,” you respond, taking his hand and kissing it. “Okay.”

You eat lunch, explore the east wing of the property, and at mid-afternoon, you convince him to swim on the lake with you.

“Isn’t it freezing?” He asks worriedly.

“That’s the fun part of it,” you insist. “There’s a hot tub we can stay at after.”

Namjoon gives in. It’s easy to, with a smile like yours that makes his heart race every time. Especially when you come out in your blue swimsuit, shaping your curves and all other parts of your body that makes his own react. He can’t help but marvel at you, even as you tease.

“Hey, big guy, eyes up,” you smirk.

He blushes when you giggle, but he does tease back, removing his shirt to reveal his body that he’s been working so hard on. He does flex a little to give you a taste of your own medicine, and it works.

“Hey, eyes up,” he chuckles.

You feel a shiver when his finger tilts your chin up, and you do the childish thing and bite it before you run to the lake and dive in. Namjoon follows, canonballing and then swimming over to chase you.

You haven’t swam here in years. You merely used to watch the sun rise and then gaze at the sky and imagined doing all this with someone else. You didn’t really think you’d end up here with Kim Namjoon, but here you are.

Namjoon pulls you to him as you swim close, and you both float in the water with your arms around his chest and his arms around your waist. You’re obviously both drenched, and that just leaves so little to the imagination, especially with the cold water a little more overwhelming than you expected.

His hair is swept back, with beads of water lining his face and sliding down his neck and his chest. He’s broad and incredibly built. It’s unfair that his body looks as amazing as his face.

“Does Minji know you’re here with me?” He asks.

“Yes, teased me nonstop until I picked you up. What about the guys?”

“They do. They insist we are a couple.”

“And?”

“And I said that we aren’t,” he says cautiously. “We’re friends who spend a lot of time together and cuddle, and uh, sometimes do a little more.”

“What a complicated way to say we’re friends with benefits,” you laugh.

“I don’t see it that way, though,” he furrows his brows. “I don’t want to reduce what we are to each other to just benefits or something sexual or shallow. Do you see it that way?”

“No,” you say. “I… I’ve come to understand art a lot more because of you. I’ve come to appreciate what I do. That’s not just some benefit.”

“And I… can’t even explain all that you do for me,” he says. “We’re more than that. Less than lovers, but more than friends. And our moments shape this, whatever name we call it.”

“Untitled,” you wonder out loud. “Sometimes artists name their pieces as such when they can’t find a better descriptor.”

“So 58 sculptures in, and you still can’t find a better descriptor?” He teases.

“Shut up,” you smack his hard chest. “I titled them that way because I didn’t have a meaning for them. I just created them. But then I met this man, tall and built with a sexy brain, and he made me realize that the meaning is in the creation, too. So 58 works, 58 times I experienced intimacy, the only times I do.”

“Ah, so what about us?” He nudges you with his nose. “Aren’t we intimate?”

“It’s a different kind, I guess,” you say. You’re not my creation and you’re not mine, you choose not to say. “You don’t break. You’re the one that breaks other things.”

You pass it off as a joke, and he buys it. You don’t want to think much about what you and Namjoon aren’t; you just want to think about what you both are - something that may or may not be fleeting, but something beautiful nonetheless.

The sun shines a little too bright, and you take the chance to get out of the water and into the dock to soak up its heat. Namjoon follows and you both lay that way, just next to each other, catching your breaths.

“Are you feeling a little better?” You ask, wondering if he still carried over all his concerns here.

“Yes. It’s exhilarating,” he responds. “It’s nice to feel this way for a change.”

“I’m sure you’ve felt this way before, too.”

“Not this way,” he turns to you. “It’s different, I guess. It makes me think of all the other emotions I have yet to feel, the ones I’ve felt only briefly before, and the ones that I’ll never feel. I think life’s too short for a person to experience all kinds of emotions. I was it wasn’t.”

“Are humans built for that?” You question. “To feel every possible thing out there? To feel every variation of pain and sadness and joy and elation and pleasure and desire?”

Namjoon thinks. Surely, being able to have emotions and to truly feel is what makes us humans and what makes us different from animals. It’s what marks our humanity, regardless of what emotion that may be. But are humans really capable of feeling everything without breaking? Without it being too much?

“Maybe not,” he finally responds.

You think, too. You’ve often wondered why you were so scared to be vulnerable, to take risks, to love. You thought once that feeling things is overwhelming - what do you do with them? How do you handle them when they get too much? When you become too happy or too sad or too scared or too excited?

You think maybe because like all things in this world, you can never have emotions. You feel them, but you can’t own them, they can’t be yours. Like your art. You can create them but they stop being yours once you share them. Like music, as Namjoon has told you, it stops being his the moment he releases it for others to consume. And it’s scary to not have that permanence; it’s scary to not have that assurance that you’ll always have that joy or that excitement or that elation. And in some way, it’s also scary to know that you won’t always have that pain or that sadness.

“Maybe humans are only built to try to feel everything,” Namjoon states, having thought about your question and his years-long quest of figuring himself out. “But we aren’t meant to achieve it. Maybe our life is about just feeling bits and pieces of it, sometimes longer than others, but we can’t feel it all, and definitely not all at once. It’s like truth; we spend our life seeking and trying to live it, but we might never be able to. Still, we have to keep trying.”

“Hmm,” is all you manage to say. “Do couples have deep conversations like this?” You laugh this time, needing his thoughts to linger a little longer.

“They should,” he laughs. “But it’s enough for me that I have someone like you to make me question things. It reminds me that I have more to discover, to feel.”

To feel.

Sometimes Namjoon makes it seem so easy to just do that. He’s able to name what he feels, unlike you. You wish it was easy, like saying that the cold water on your skin is refreshing, like the sun’s heat is comforting, like the clouds in the sky are soft.

You don’t notice your hand reaching up, wanting to just touch them because you want something concrete, something more real than what your imagination says that clouds feel like. But instead, you feel rough, warm fingers interlocking with yours.

“If you want to feel something concrete, I’m here, you know?” Namjoon says, thumbing your hand to let him know he’s right next to you. Somehow he just knew what you were doing, what you were wishing for.

“But this is what couples do,” you tease, yet tightening your hold nonetheless.

“Friends hold hands,” he smirks.

“Yeah?”

“Yeah. They kiss, too,” he hums, lifting himself up only to hover over you, catching you by surprise, but your desire trumps that, as the view of him - damp and natural-looking - makes your insides twist in circles.

“Hmm, like this?” You peck his lips, then his nose, teasing him.

“Sometimes. Other times it’s deeper. You know, like this.”

He dives in, and you welcome him immediately, your mouth already slightly open for your tongue to entangle with his. It’s long and deep, as how your kisses always are, and you feel him shift above you, fixing his position with his arms caging your head for support. He angles his mouth so he can have more of you and control how far he goes, how hard, and how fast.

Your fingers, whose spaces were filled by his just minutes ago, ghost over his neck. They trail down to his chest, gingerly passing by his pecs and his abs, the tips now resting on his hips.

“Fuck,” he moans in your mouth, and you immediately know why he does, feeling his length getting harder by the second.

It prompts him to grind on you, and you meet him halfway.

“Fuck, Joon,” you whine once his lips detach from yours, only to meet your neck when he sucks then licks over the sting. “Fuck.”

He hums in satisfaction at the sounds you make, going south now as he teases by giving tender kisses on the exposed part of your breasts before biting your nipple over your suit.The obscene sound you make turns him on, especially when you pull his hips harder against yours.

“Oh fuck, baby, yeah,” he groans in your ear now, and you might as well have just come from the way he said those words.

And then you remember where you are - in the outdoors, in your parents’ summer home. Private as it may be, you’re still exposed, and you remind him of the fact before he slows down and agrees that you can’t be doing this out here.

“I’m sorry I got carried away,” he says shyly now, as if he didn’t just devour you with his skillful mouth.

“Yeah, this is totally your fault,” you tease.

He chases you back to the house where you both spend another hour in the hot tub, just talking like normal friends, as if you didn’t almost just cross a line. But it’s like that with Namjoon, you’ve come to realize. Everything is easy, everything is natural, like you can just forget that he isn’t him and you aren’t you.

You spend the rest of the day looking at all the pieces on the first floor, with you sharing as much about them that you can remember. You both sleep that night with his head on your chest and his arms around you.

He sleeps soundly, snoring even. And as you comb his hair, you think of how close you were to wanting so much more in the lake earlier. You think of how much you wanted his lips on your mouth, all over your body, and you wanted it everyday. With the way he held you close and breathed desperately on your skin, you had a feeling that so did he.

Living in this dream-like state with him feels surreal, several months in. Because that’s what he is - a dream. Here’s a man grounded by his principles despite the fame that seems to shackle him, yet constantly propels him to new heights; a man whose search for truth and humanity shows you that he just wants to be a good person, and a person who does good.

Beyond his unmatched talent and gift with words, beyond his strikingly stunning looks, is a man who cares deeply, who feels deeply, who submits himself to what he commits to, whether it’s his music, his brothers, his plants, or his interest in art and nature and even whiskey. You have a feeling he’d do the same to whoever he plans to be with. You don’t know if it’s you, and the more you find yourself wanting him, the more you wish it isn’t you.

Namjoon is a dream, and you know at one point, you’re going to have to wake up.

The gallery is buzzing, as it always is when there’s a new exhibition. You’re excited for this, too, as the featured artist is one you admire.

Namjoon admires her as well, which is why he’s here, dressed in a black long-sleeved buttoned top, looking immaculate as per usual. He has a busy schedule but he made time, knowing how special this event is.

The room holds its breath when he enters; as a well-known lover of art, everyone has come to expect him to be a guest in exhibitions and various art shows. He bows at the other patrons and artists present, and they fawn over him, being the famous man that he is.

You don’t think you’ll ever get used to this side of him. You’re used to him rambling, making jokes he doesn’t realize are funny, and being lost in his own thoughts. You’re used to him in his natural environment - in his home full of books and paintings, and in his studio, which you’ve seen dozens of times through your phone screen. He fits right in here, though - he can easily follow on with the conversations, whether it’s about business or culture or literature. He can charm anyone with his smile and his good looks, and too many times, guests awe at his presence, finding out that he’s much more commanding and handsome off the screen.

You hide a smile as he glances in your direction. You’ve agreed not to talk much today; there are too many people around and any kind of interaction might be grounds for rumors that neither of you are ready to face, at least that’s what you think. You and Namjoon don’t really discuss those things. You always see him in your periphery, though, and perhaps just like you, he just wants to be where you are, even if no pleasantries or conversations are shared.

But Mr. Hong pulls him aside to introduce to Ms. Suh, and you can see from afar how Namjoon is fanboying over the artist whose work he’s very interested in.

It’s nice to see him in his element like this, too. Here, though still a celebrity in the eyes of everyone else, he’s a spectator. He’s told you several times how his trips to these places have made him think about the kind of legacy he wants to leave with his music, with his poetry. And how pieces in museums and galleries are timeless, permanent; they live on regardless, and each person is free to make their own meanings. You know he wanted to comfort you then.

You become involved in your own conversations until someone barrels inside the gallery and makes a scene, of all days. The slightly inebriated man is familiar; perhaps a patron you’ve seen before, but he comes in and starts yelling at the staff, going on about something you can’t understand.

Not wanting to be part of the scene and be involved in something you don’t know how to handle, you slowly step away, that is, until you see him storm towards the room where your art pieces are. He seems to be targeting someone as he looks around, but the security gets to him first and he flails his arms around, eventually knocking over Untitled 56, and the cracking sound rings in the entire building.

“You knocked over a precious piece, you bastard!” You hear Mr. Hong yelling.

You start walking slowly to where you see the shards of ceramic have fallen on the floor, and you’re unsure what you feel. Is it loss? It doesn’t seem like it. Is it anger? Perhaps not.

“It’s just some useless flower anyway,” the raucous man answers.

Shame. You think that’s it, maybe that’s the feeling. Insecurity, sadness. It’s all of that yet nothing at all.

You stand there over your broken piece, the one you created while the rain was pouring and you’d just finished a bottle of wine by yourself because you could. Everyone seems to be as shocked as you, especially with the man finally contained and led out the building. You look up to take your eyes away from the scene, but you see Namjoon’s instead - anger filling his, sympathy, care, all at once.

You shake your head once, instructing him not to say or do anything. And he follows, loosening his clenched fist and stepping away to the back of the crowd. You instruct the staff to sweep the broken piece away, not wanting to see how fragile and temporary your creation is. All that had been reduced to shards and pitiful looks of the crowd.

You don’t really want to be here.

You’re filled with emotions you can’t name. You’re afraid to feel them all, so you cower on your couch and cry to yourself.

It’s just a piece of useless flower. It’s the 56th of untitled works that you couldn’t name yourself because you didn’t know what they meant, what they symbolized, yet it hurts you this much that it’s gone. Hurt. Is that it? You’re still not sure.

The banging of your front door startles you. It’s 9PM and it’s been 4 hours since the incident. Minji offered to tell you the whole story but you didn’t really mind. You wonder if it’s her this time, wanting to know how you’re doing.

But it’s Namjoon, panting on your doorway when you open it. And the first thing you think to do is bury yourself in his arms.

It’s immediate, the catharsis of being in his hold. It’s like you’re enveloped in a warm, protective blanket that you don’t want to get out of. He embraces you tightly, letting you cry on his chest as you try to make sense of what you’re feeling.

“I’ve got you,” he says in your ear so that the words don’t get lost in the sound of your sobs. “I’ve got you. Don’t tear yourself. I’m here with you.”

You don’t know for how long you both stand there, but it’s long enough for the tears to stop falling. When you’ve calmed down, Namjoon tilts your chin up to face him.

“Hey,” he greets with a soft smile. “I’m sorry I couldn’t follow you right away. I wanted so badly to punch that man.”

The shift of emotions is immediate, as you see his furrowed brows.

“He didn’t have a right to be there and to ruin what you worked hard for. I asked Mr. Hong to look into him and I’m so sorry, ___. That piece… that piece is–”

“A useless flower,” you shake your head.

“Please don’t listen to him. Listen to me,” Namjoon insists. “You know what I feel about it. That piece led me to you.”

“And now it’s gone.”

The thought hits you hard. That piece led you to each other, and temporary as it is, it’s now broken. Maybe art isn’t timeless, you think. It can burn, it can break, just like all things. Just like emotions. Just like what you and Namjoon have.

“It may be but look what it did for us,” he challenges your thoughts. “A broken piece won’t change us, it won’t erase us.”

Tonight, this is what you want to hear. And with his fingers tracing your cheek, you think that tonight, he is what you want to feel.

You pull him close and crash your mouth onto his. It’s fervent, desperate, wanting. There’s this need in you, this animalistic desire that has you wanting him to prove you wrong again - that some things can be touched and felt and that they’ll stay and won't break, that emotions can be just as real and tangible, that they matter and that it’s worth it. You want him to prove it to you with his mouth, his words, his touch, his body.

He answers back, inhaling you completely, his tongue working on yours right away, doing that dance you’ve both memorized by now. Your moans are loud and needy. You want all of him, all over you, and with the way he groans your name and curses as you grind against him, you think he feels the same.

You’re in a haze, falling into hypnosis as you feel his hands all over you. You guide them to your clothed breasts, down your waist where he sneaks underneath. His touch burns so deliciously, and it’s what prompts you to unbutton his clothes, to feel him bare and naked, his skin against yours - raw, vulnerable, honest.

Things you don’t know how to be.

You pull away, feeling as if you’ve been snapped out of the spell.

And then you’re crying, as you look at Namjoon with his top undone, looking at you curiously before he’s walking towards you in concern.

“No,” you almost scream. “I’m sorry, I– I didn’t mean to. I wasn’t supposed to. We’re not supposed to do this. We’re just… we’re just something that’s temporary and–”

“No,” he replies, surprising you. “Don’t be sorry, please. I wanted it, I still do. I want you. Fuck what we said about being just friends. I want more. I–”

“You don’t mean that,” you insist, not wanting to hear his words.

It should comfort you, shouldn’t it? You’ve known long ago that you’ve fallen for him, but you made yourself believe that all things are temporary, and this one time you wanted something permanent with him, you got scared out of your mind.

“I do,” he counters. “Fuck it, all I wanted to do earlier was hold you in my arms. Fuck the other people around who’d see. I just wanted to be with you. Is that what friends do? Is that what they feel? I have to be honest, right? We said we’d be that to each other. I want you, ___. I want to be with you.”

“I can’t, Joon. I can’t,” you sob.

“Be honest with me this once. Do you want me?”

“Yes, so fucking much.”

“Then why can’t you be with me? Why are you making it so hard for yourself, for us?” He yells.

“I–” you start, but you don’t know how to continue. You cover your face with your hands and fall onto the floor.

You don’t think you’ve ever cried this hard, and you’re unsure exactly what you’re crying over.

“Hey,” Namjoon softens, leaning down next to you as he tries to free your face. “I’m not mad, I’m sorry.”

“No, I’m sorry. I can’t even… I can’t even say what I want to say because I don’t know. I don’t–” you sniff. “I don’t know what I feel, what I want. I–”

“It’s okay,” he says, taking you in his arms again. “It’s okay. We can talk about it tomorrow. Just get some rest.”

He calms you down again and leads you to your room. He waits as you wash up and then he tucks you in bed.

“I’ll come over in the morning, okay?”

“Okay,” you whisper. You watch him eye your lips, and then he looks away.

Namjoon comes over the next day with a basket of pastries and coffee. He knows enough that you won’t have energy to prepare anything to eat.

You can’t imagine losing all this, but that’s what’s about to happen.

You’d been so close to giving in to him, so close to letting yourself be vulnerable to him, but doing so in flesh isn’t all there is to it. You can make love to him, bare your body to him that way but you wouldn’t be able to do it with your soul or your heart.

What does being raw and honest mean? You don’t know. He deserves someone who knows.

“I still don’t know what I can give you,” you tell him as you both sit across from each other in the seating area in your garden. “Months later, I should know but I don’t. Even just moments, I… can’t. They make me want you more and I can’t. I don’t know exactly what I want - with myself, with my art, with you. I don’t know what to give.”

“You act like you’re the only one unsure,” he says softly. “I don’t know if what I can give you is enough. I mean, with what I do? It’s tough, and I don’t know if it would be fair. But I want you. I don’t know how the arrangements would be but I want you.”

“At least you know what you can give, even as you shine as bright as you do, you know yourself and what you can give me, what you can give us. I don’t.”

“But what if we try?”

“That’s unfair to you, Joon,” you insist. “You put your all into everything, and this - us - won’t be any different. But that just means that falling short would break you, and I can’t have that. And then there’s me who can’t give much of herself to anything - not my craft, not my friends, not myself. And you matter too much to only get the barest parts of me. I don’t want to be with you that way.”

Namjoon sighs. It’s not an easy thing to accept. It’s something he understands - all he’s ever known to do was to give his all to everything he wants to keep. If that’s not something you’re ready to do yourself, he can’t fault you for it.

It hurts so fucking much, though. He’s learned in the course of these months of knowing you that you’re another one of those he wants to keep, that he wants more of, that he wants to learn inside and out - you’re also the first person to ever be that for him. For you to slip away like this is a kind of pain that he doesn’t know how to get over.

“Continue to be raw and honest in everything that you do, okay? Live,” you say, and he nods in reply. “Don’t stop yourself from seeing other people, from finding someone else,” you add.

You can’t even be honest with this. You hope he’ll always want you, but you don’t let yourself be selfish with him, not this time.

“I won't” is what he answers.

It breaks your heart all over again and you let it. You deserve it. Who walks away from someone they want, especially when they want you back? Someone afraid like you, someone who doesn’t trust herself enough like you, someone who wants permanence so bad that she lets slip away the one person who’s made her feel it.

You give a half smile and he smiles back.

Namjoon gets up from his seat. “I’ll see you around, okay?”

“Okay.”

It’s a month later when one of the museums you frequent launches a new installation. A tall man catches your attention. He looks at you and smiles, his hazelnut eyes gazing at you the way they used to.

He nods in acknowledgement and so do you.

And that’s the last time you see him in a long time.

2022, winter

You stare at the package in your hands - white, with words of comfort. He’s finally completed it, you think. A piece of himself he’s been working the last 4 years on, and it looks just like how he described it to you all those months ago.

You don’t know if you’ll listen to it. You haven’t heard his voice in so long. You’re afraid you’ll break if you do.

Perhaps just one time, to get it off your system. That might be enough.

You open it, unsure when you’ll unpack this obviously beautifully curated work of art. But the note at the top leaves you no room to ignore it.

Nothing’s changed for me. Let’s find ourselves. And then let’s find each other. I’ll just be here. But please, stay where you are.

Namjoon

You let one tear fall and then leave the package on the top shelf of your closet.

Your bedroom door opens.

“Are you all packed?” Minji asks.

“Yes, I’m all good,” you smile.

She helps you with your luggage, down the stairs and into the van waiting for you.

“That’s a lot of stuff,” she hums, holding back her tears. “How long will you be away for?”

“Until I find myself.”

“That might be a long time.”

“It will.”

2025, winter

Namjoon has been to several galleries in New York, but this particular one is a place he’s never been to. It overlooks Central Park, towering at the 30th floor like the other buildings in the city. But it’s 3 floors and he thinks it’s stunning. It’s not overly grand, but it’s also not as simple and natural like the others he’s been to.

He may say it’s not entirely his vibe, but there’s a reason why he’s here.

Some patrons recognize him and greet him. He bows in response, engaging in small talk when he needs to, but stepping away to get to the exhibition he flew here to see.

It’s nothing like what he expected, although years later, he doesn’t know what to expect anymore.

The first thing is, well, it’s titled. There’s a year and a description, too.

2023, swing in the summer home

The piece is beautiful, made in clay and metal. It’s familiar, too. He’s seen this on a lake house by the mountains, over 3 years ago.

2023, the piece that lost its meaning

It’s a painting, but one placed atop a sculpted frame hanging on a wall in what seems like a living room. This scene feels familiar as well.

2024, lost youth

A group of children look up at a plane, with opened suitcases and toys on the floor. The nostalgia hits him.

The rest of the sculptures are new to him. There’s one about a lady in red, one of a neighbor, one of a woman with an umbrella and clouds, aptly titled, what am i hiding from? Further down the room, the emotions become more pointed, straightforward, and a lot more focused.

2023, coward

2024, i truly was sorry

2025, is this what regret feels like?

2025, i hope you knew i lied

2025, maybe someday

Someone from the outside who knows nothing about the artist might think that the pieces are a little over the place, although one can tell from the titles that they tell a story. The sculptures are made from the same materials - clay and metal, all free standing and in similar sizes. Each caption holds a narration, and all Namjoon can read are words describing emotions, of states of being - innocence, anger, confusion, fear, loss, regret, loneliness, pain, hope, and few more.

There’s not much about joy or intimacy, though, and the thought saddens him. He had hoped that by this time, you already knew how those felt.

“So, what do you think?”

Namjoon didn’t think he’d ever hear that voice again. He’d cry if he could, especially as he turns to his side and finds you, dressed in a classy, aegean blue satin dress. Your smile is one he’s missed so much, and he wishes he could frame this moment, just so he doesn’t forget. He almost did, and he hated himself when he took so long to remember how you sounded like, how you looked like.

“Nothing like I imagined,” Namjoon replies. “In a good way.”

“I scrapped previous works and experimented with these ones. It took me years to complete,” you explain. “I almost stopped at one point, wondering if anybody would ever get it but then I figured, it didn’t matter. It’s a good thing that lifestyle magazine reached out for a feature. I think that was Mr. Hong pulling some strings. At least I got to say that for years, I didn’t know what I was doing, who I was, but now I do.”

“That’s how I knew about it, actually,” Namjoon hums. “It was in the art gallery because he was giving it away for free. It said your exhibition was here, so I flew in.”

“Oh,” you say, surprised. “I thought you had a show or filming.”

“Nah,” Namjoon sighs. “I came here for you. Otherwise I wouldn’t know where to find you, or how else to see you. You stopped… you stopped showing up. You just disappeared.”

“I know. And I’m sorry.”

It’s all you can say, really. You didn’t expect to see him here, but when you saw a familiar face enter through the doors, your heart stopped. You had a feeling Mr. Hong had told Namjoon about your exhibition - your first in 4 years. But nothing would have prepared you for this - seeing him again after you walked away from the one good thing you found in your life. You watched him from afar as he went through each of your pieces, perhaps savoring them, remembering them.

“Have you been well?” He asks, the concern still overpowering everything.

“I have.”

“You seem to have lost someone,” he says, nodding towards one of the pieces. “I’m sorry for your loss.”

“She was my neighbor when I spent 8 months in Sweden,” you share. “She took care of me but then she passed away due to an accident. It was hard for a while.”

“I–” Namjoon reaches out his hand - for comfort, perhaps - but he brings it down. “I wish I knew.”

“It’s okay. And I’m okay. It’s been a year, but I wouldn’t have finished all this without her.”

You’d forgotten how silence sounded like with Namjoon, and you want to remember what it was like. You remember a lot of things, actually, like his laughter, his voice, his smile, the feel of his lips on yours, and many others.

“How long are you here for?” You finally ask, as you both walk side-by-side past the rest of the artworks inside, with a bit of distance between you.

“I’m here for 3 more days.”

“I stay at the hotel next to the building,” you say, being bold. “I leave here in 2 hours.”

You fumble for your room key and discreetly hand it over to him. “3802, if you want to. I have more to say, and I– uh, shit. If you’re seeing someone, forget what I said.”

“I’m not,” he answers. “I’ll be there.”

Namjoon watches the city from your full-wall window, wondering when you’d decide to finally speak beyond a greeting. It’s been 10 minutes since he arrived at your suite with the key you gave him, and you haven’t said anything since then.

“The buildings aren’t the same here,” you finally say. “I’ve been here for 3 months and the sounds of the cars are too loud, there’s too much smoke, people don’t smile… I don’t have anyone here.”

“Then why are you here?”

“I decided to finish some of my pieces in the city. I’ve been staying at one of my parents’ apartments not far from here.”

“And where were you before that?”

“Puerto Rico, Greece, Sweden,” you answer.

“When I said to find ourselves, I didn’t think you’d actually leave, and then not tell me about it,” he laments. “I knew it was stupid to wish you’d stay close. You weren’t in any of the places where I used to see you, where we used to go. I… I asked around but they said you haven’t visited in so long.”

“I couldn’t stay,” you try to explain. “I couldn’t because it just meant waiting for you to come even if I was the one who walked away. And I knew I wouldn’t be able to find myself in a place where I’d always be looking for you, and so I had to go. I’m so sorry, Joon. I–”

You drop the hand that reaches out to him, unsure if your touch would still be welcome. You clench your fist to stop yourself from doing it again, but he notices. He notices and takes your hand, uncurls it so he can hold it properly.

“How was it being away?”

“It was good. Hard. Terrifying,” you share. “I experienced a lot of new, fun things. I learned a lot. Made a lot of mistakes, too. I met so many people. I–”

“Were you with anyone?” he asks, turning away briefly.

“No, I… I couldn’t bring myself to,” you answer nervously. “And you?”

“No one since you. There was a reason why I asked you to stay right there, so that I knew where to find you.”

“You still found me, 3 years later, on the other side of the world.”

“I had to know if anything’s changed for you. I had to know if you made it, if you found what you were looking for. I had to know if you were happy. But you didn’t create it. There was no piece for it.”

“I found what I was looking for,” you say, looking into his eyes, glancing at his fingers that are softly exploring yours. “I realized that I could only gain whatever permanence I was looking for if I learned to let them go. Because if they come back, they stay. I walked away from you then, and I had to lose myself to all the emotions that I was so scared to feel. And I felt a lot of them, Joon. I felt a lot of things. I was going to go back home after this. But you came to me first. You’re the one always finding me. That hasn’t changed.”

“I suppose it hasn’t,” he cracks a smile. “Did I take too long?”

“You were right on time,” you say. “I would’ve come for you in a few days though. But I’m glad you’re here so that I can tell you that I can finally have this. I can finally give you everything without being scared, without it breaking me, without it ruining the ones I love.”

“Is that what you feel for me?”

“Yes. I guess I did then. I still do now.”’

There’s uncertainty in your voice, perhaps due to the fear of him no longer returning what you feel.

“I found myself, too,” he says. “I figured out what I wanted to do for myself, what more I can give, what more I desired. And I guess you’re right. That permanence can come from losing something and then having them back. And then having them stay. So many times then I regretted that I wasn’t more honest. That I was denying what I felt for you because I was scared of losing what little of a normal life I was afforded. I wished I told you much earlier, but I guess things happen when they do, right?”

“Right, but you can also say them again now.”

“That I want you close, holding my hand, tracing my skin, kissing me? That I want all that everyday?” He smiles, as he pulls you towards him and places your hand on his chest. “That I want everything from you? That I haven’t stopped thinking of you, wishing for you?”

“Yes,” you say, sighing into the kiss you’ve missed too much.

There’s that tenderness you expected, but the desire is unlike the times before. There’s more confidence now, more security in the way his mouth moves against yours. It’s as if he knows that he’ll always have this. That this time, he’s loving you in more than words, and that you’ve come back, and that you’ll stay.

Namjoon presses you against the wall, lets his lips trace down your neck and your chest. He undresses you, remarks that he’s starting to believe in a higher being who created a body like yours, and then proceeds to mouth more praises down your thighs and in between them.

He takes you slowly, amorously. He watches your face contort in pure pleasure, and you mention needing to add a piece for this, too. The way he goes in and out of you is out of this world, and you never want it to end.

You’d think it’s the intimacy you didn’t know how to feel. But it’s more than that. In fact, you find that in being with Namjoon, the intimacy is in everything - the way he holds your hand, the way he wraps his arm around you, the way he lets you bite his arm and tickle him just for fun. It’s in the way he kisses your forehead before he kisses your lips.

It’s in your bike rides together and watching the river whenever you catch a glimpse of it. It’s in your moments of calm - reading books, writing songs, sketching.

It’s in the deep, tender way that he says he loves you.

You don’t have a piece for this yet. Perhaps it’s another series altogether. Perhaps it’ll require an installation.

Or maybe, this is the one emotion you don’t need to put into art, the one that you’ll keep for yourself to hold onto because no clay and metal mixture, no tangible piece, could ever describe what this love and intimacy feels like.

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dreamy625 · 1 year ago

Text

This rockstar life - 4.2 On the road again

Words: 3580

Content: One scene is, um, smut-adjacent

This rockstar life master list

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After three days of trying to adjust to the time change while wandering bleary-eyed around the city, and several times phoning the hotel front desk to ask what time, and what day, and, on one particularly confusing… morning?… what year, it was, Steve and Alice meet the rest of the band in the Perth Entertainment Centre car park to begin their old-school touring experience.

“So it’s me and Karla, you two, and Phylis in that one,” Joe, who always loves a clipboard, waves it in the direction of one of the grey-with-blacked-out-windows buses parked behind them, “and the rhythm section in the other. And Menschy’s going in with you when we get to Melbourne…”

Karla raises her finely plucked eyebrows in surprise, “Peter’s slumming it on a bus?”

“Yeah, I said if we had to do it, there was no way he was getting to jet around and stay in swanky hotels!”

“Great, so we get the adult supervision,” mutters Rick, sharing an eye-rolling expression with Sav.

“…and Ross’ll come in with us, also from Melbourne. So make sure you leave him a bunk free.”

“Probably piss in the sink again,” mutters Phil under his breath.

“If you’re all quite done griping, grab your stuff and let’s get loaded up.”

“YES SIR. RIGHT AWAY SIR.” The two guitarists salute and high-step their way over to the van that has brought their luggage from the hotel.

Joe shakes his head as he watches most of the group straggle off behind them, with the exception of Rick who has wandered off in the opposite direction. It’s going to be a long ten days.

At the top of the steps, Karla stops and turns around, “So, bus rules…”

“No shitting! No singing! No garlic!” chant the three boys in unison.

“And no groupies!” adds Joe, pointedly in Phil’s direction.

“Hey, I’m a respectable married man I’ll have you know.”

“Yeah, but you’re unsupervised and we know what you’re like.” Phil attempts to adopt an angelic expression. It's not very convincing.

“Bagsy next to the lounge!” calls Joe, slinging his rucksack onto the upper of two stacked bunks.

“Bagsy far away from Joe’s snoring!” laughs Phil, springing up into the one diagonally opposite.

“Since Ross isn’t here to argue, we can give him the one next to the bathroom, so I guess these are ours.” Steve turns to Alice, “Do you want the top or bottom?”

“I don’t know. I’m an only child, I’ve never even slept in a bunk bed!”

“You get more swaying at the top, but more road noise at the bottom,” Phil chips in helpfully.

“Also obviously you have to climb up and down for the top one.”

“Would that be easier for you? As you’re tall?”

“Yeah, probably.”

“Promise you won’t drop things on me though.”

“I’m promising nothing,” says Steve with a grin as he puts one foot on the steps and swings himself up with surprising grace. “Ahh, this brings back memories,” he muses, settling back on the pillow.

Alice ducks into the compartment designated her home for the duration. “Wow, they really are tiny.”

“You’re lucky we get the luxury ones these days. Back in the day, it was three bunks stacked up, not just two,” notes Phil.

“They were like actual coffins, you had to kind of slither in sideways.”

“It’s alright for you shortarses, I don’t fit in ’em whatever,” says Joe gloomily.

Everybody has now climbed in to test their chosen beds and have their heads poking out through the curtains, except for Joe who has his legs dangling out instead.

“Oh yeah, that’s another thing - watch out for Joe’s feet sticking out if you’re walking through at night.”

“I don’t want details, but how did you manage to, um, entertain groupies in these?” asks Alice.

“Ah, we were younger and bendier in those days,” reminisces Phil with a wistful expression.

“To be honest,” says Steve looking down at her with a serious expression, defending his honour, “it didn’t happen all that much. All of us crammed on the one bus, nobody wants an audience.”

“Except Phil!”

Phil flicks his middle finger in the direction of the dangling feet and disembodied voice.

Oblivious to the gesture, Joe groans, “Ugh, my back hurts already.” He drops down out of the bunk. “I’m going to find Sav, you coming?” This last part is directed at Karla, who nods and follows him out. “Soundcheck at three, don’t be late!” he calls behind him.

“And I’m going for a run,” says Phil, digging around in his duffel bag, “You’re welcome to join me?”

“Ha!” says Steve, and Alice just giggles.

Phil heads for the front of the bus, shaking his head at the laziness of his companions.

Alice twists her head to look up at Steve. “You going to be lonely up there on your own?”

Steve makes a sad puppydog face, “You can always visit for a cuddle.”

Phil’s voice comes from the front lounge, “If you’re gonna shag in there, the bottom bunk is usually less rattly. And missionary’s your best option. No room for any kinky stuff!”

“Thanks for the tip, mate." Looking back at Alice, Steve waggles his eyebrows suggestively.

“Haha, no thankyou.” She stands up and gives him a kiss. “Come on, let’s go do something Australian before soundcheck.”

----------------------------------------

It’s 1am by the time the three artist buses (B.B. Steal’s vehicle crammed with not just the whole band and their manager, but also a number of fans of the female and scantily-clad variety) and the first of the crew buses set off on the long, long drive to Adelaide. It will be an even later departure, after completing a four-hour load-out, for the rest of the roadcrew and the eight equipment trucks. On the Joe-bus at least, with the aftereffects of jetlag and two hours of running around a sweaty stage, no one is really in the mood to party; once the shuffling up and down for teeth-cleaning and hair-brushing purposes is done, all is quiet.

Sometime later, Steve wakes from a confusing dream where he is on the High ‘n’ Dry tour but in Ozzy’s band instead of Leppard, to the muffled sound of fast breathing from somewhere on the bus. With his brain still half in 1981, his first thought is to wonder who got lucky. But then he recognises that those are not noises of ecstasy but of fear, and it’s coming from directly below him. Instantly wide-awake, he rolls out of his bunk, drops to a crouch, and yanks back the curtain of Alice’s bed. All he can see in the faint glow of the walkway lighting is a huge pair of frightened eyes above an open mouth gasping for air. He reaches in and cradles her head.

“What’s the matter?”

“Roof… too close… can’t breathe…” is all that Alice can manage.

“It’s okay. You’re okay. Just a panic attack.” With one hand each side of her face, he turns her head towards him. “Just focus on me. Now breathe in… and out… and in… and ooout… and in…” He hears someone stir and mutter in one of the other compartments, so he lowers his voice to a whisper “…aaand ooout…”

Gradually Alice’s breathing slows, and when he asks if she’s okay, she nods.

“I didn’t know you were claustrophobic.”

“Neither did I,” she replies with a wan smile. “I just woke up and felt like I was trapped, like the ceiling was coming down on me.”

“Do you want to swap? The top one might feel less of a box, because the roof slopes. Or you can share it with me?”

“Is there room?”

“Sure, you’re titchy.”

Trying to stay as quiet as possible, he helps her to climb into the upper compartment and, with a bit of shifting around, they find a way to fit around one another. Eventually Alice drifts off to sleep lulled by Steve’s steady heartbeat.

“Rise and shine matey! First stop’s in ten minutes.” Pulling back the curtain on Steve’s bunk, Joe is surprised to see not just the expected blond head but a brunette one as well. “Oops! Sorry guys, didn’t know you were… busy!” He gives a dirty chuckle.

Steve, not a morning person at the best of times, protests, “We were sleeping.”

Alice waves vaguely in Joe’s direction before putting the hand over her eyes. Lying with her head on Steve’s chest - so, given the size of the compartment, basically on top of him - had turned out to be the only arrangement that allayed the claustrophobia. It had been comforting but not exactly conducive to a good night’s sleep.

Still smirking, Joe rattles the curtain back into place and moves on to wake Phil.

“Sorry sweetie,” Alice whispers when Joe’s footsteps have receded down the bus, “this cannot have been comfy for you.”

“‘S fine. Nothing to do today but watch the scenery go by. Napping is part of the schedule. We’d better get up now though if you want to use the bathroom at the service station. Remember rule one!”

----------------------------------------

“Why is it so fucking cold on this bus?”

Alice, who had been reading in their bunk until her boyfriend stomped into the sleeping quarters and started rifling through their luggage, answers, “Air conditioning. You’ve been complaining the last three days that it was too hot. Maybe they finally found the cold button?”

There is some unintelligible muttering from the depths of the 'junk bunk' and then, “And I can’t find a jumper.”

“Probably in the luggage bay. Didn’t think we’d need jumpers in a tin can in one of the hottest places on earth! Come on, come up here under the covers.”

Steve kicks his shoes off, clambers up into the bunk and settles into the narrow space, lying arms folded with the duvet pulled up to his chin.

“I’m so sick of being trapped in this bloody box. Flying’s bad enough, but at least it’s quicker.” He glances across at Alice, who is lying propped up on one elbow watching him with an amused expression. “What?”

Alice smiles, “You are such a spoiled brat!”

“I am not,” says Steve huffily.

“Look at you, all pouty.” She leans forward and kisses first the protruding lower lip, and then the little frowning crease between his eyebrows.

“They’re supposed to look after us properly,” he grumbles, but less vehemently.

“Because you are an artiste,” says Alice with mock seriousness.

Involuntarily, the corners of his mouth twitch up. “Yes, ackcherly.”

“Are you warmed up now?”

“Mmm? Yes, much better.” He wriggles into a slightly more relaxed position.

"And are you done being spiky?"

"Spiky? I'm not spiky. It was a justified complaint."

----------------------------------------

Joe is woken by a loud thump and some swearing. “Everyone okay out there?” he calls.

“Yup, no problem,” comes back in an indistinct male voice. This is followed by giggling and shushing noises.

Joe squeezes his eyes shut and makes a concerted effort to ignore whatever’s going on. He needs sleep and does not have the patience for any shenanigans at this time of night.

The following morning while attempting to achieve full consciousness over cups of coffee, Joe notices Steve wincing and flexing his fingers.

“You alright there mate?”

“Fine, fine. I’ll be able to play, no problem.”

On closer examination, there is also a large bruise blooming on his right elbow. Joe sighs, “Go on, what happened?”

“I… fell out of my bunk.” Both he and Alice are looking distinctly sheepish, not looking at Joe or each other.

“What were you doing? Or do I not want to know?”

“Nothing like that!” Steve points an accusing finger at Alice, “She tickled me!”

“You started it!”

“Only because your hair was tickling my nose!”

“Not on purpose!”

Joe leans his head in his hands, “Oh god, as if the Terror Twins weren’t bad enough, now we’ve got the Tickle Twins. A whole new form of shared stupidity.”

----------------------------------------

When Alice wakes it is still dark and the bus is purring along straight and smooth, so she surmises they must still be on the highway enroute to Melbourne. She’s used to the sound and the motion now, so it can’t have been that that disturbed her. Maybe just the discomfort of lying in one position, with her boyfriend’s bony chest as a pillow, for too long? After just one more night attempting to sleep in their separate beds, which resulted in Alice lying awake for hours worrying about having another panic attack, and Steve lying awake for hours listening for any signs of Alice having another panic attack, they had resigned themselves to sharing one bunk for the rest of the trip. It’s a tight fit for two people, even two skinny people, so they have not been the most restful of nights. Trying to ease the soreness in her hip, she wriggles the leg that is wrapped around Steve but encounters a slight… obstacle… and lets out a little ‘oops’ in surprise. There is a low chuckle in response - Steve is clearly awake too.

“You, um, okay there, sweetie?” she whispers.

“Feel like I’ve been trying to sleep with a hard-on for a week now!” he replies in a low gravelly voice.

Alice stifles a giggle.

“It’s not funny.” But she can tell from the flash of teeth visible in the low greyish light from the walkway lights showing through the curtain that he’s grinning as he says it.

“Poor baby,” she murmurs with her lips moving against the exposed skin just below his collarbone.

“Stoppit! You’re not helping!” hisses Steve.

“Am I not?” She flutters her fingers where they rest against his ribs just under the hem of his t-shirt, “Sorry.”

He makes a little frustrated growl in response.

“Sorrysorrysorry. I’ll stop.” After a minute of silent stillness she whispers conversationally, “Is this the longest we’ve ever not had sex?”

“No, because we’ve been apart for weeks at a time before. But this is definitely the longest we’ve laid on top of each other and not done it!”

“We’ll be in Sydney in… three days? Then we’ll have a hotel room. That’s not… so long… to wait?”

Steve is trailing his hand gently up and down her back, and three days actually, kinda, seems like a long time now she says it.

“I guess not,” he sighs.

There is another pause, and Steve tries to turn his mind to less interesting topics. Which is not easy with a warm, soft body pressed to his. He can smell her familiar scent, like incense and jasmine, now mixed with a hint of coconut from sunscreen. With effort he drags his reluctant brain away from matters of the flesh and on to chord progressions, trying to hear the music in his head. Now how does the bridge in ‘Have you ever needed someone so bad’ go? The song title is not helping either.

Alice pipes up again, “I’ve never done it on a bus.”

“Not much opportunity on the 414 to Hyde Park Corner.”

“But you have?”

“Long time ago. In my wild younger days.”

“How does it work? Logistically speaking?”

“Well, like this.”

He gently tips Alice over onto her side, reaching down to hook her leg over his hip.

Feeling his erection, poking out of his boxers, now nestled neatly between her thighs, Alice blows out a little puff of air in an ‘oh’ and murmurs, “Yes, I can see that… um… all fits nicely.” She rocks her hips back and forth, just as an experiment.

Steve’s breath catches and he mutters into her hair, “This is torture.”

“D’you think anyone else is awake?”

“I can’t hear anything…”

Alice tilts her face up to him and, warm breath tickling his neck, whispers, “We could be very, very, quiet?”

Stroking his hand up her thigh, he murmurs, “We shouldn’t…”

Sliding her hand further under his shirt and brushing a thumb across his nipple, she agrees, “We mustn’t…”

Steve lets out a breathy moan and Alice smothers it in a kiss.

Across the aisle, Phil pulls his pillow over his head and prays for a quick conclusion.

----------------------------------------

Ross’s arrival to join the tour is announced by a sudden flash of light from the open door of the bus, which makes Joe jump and spill his cereal, followed by a cackle and the words ‘that’s a keeper’. The resulting picture - Steve, wearing boxers and sunglasses, with tufts of hair escaping from the plait Alice does for him every night, scratching his arse while staring into the fridge - surfaces some weeks later adorning Steve’s laminate for the Madison Square Garden gig, with the moniker ‘Sex symbol’.

“We ready then boys? I’ve scouted some great locations.”

Joe squints at his watch, “It’s nine-thirty?”

“I know.”

“In the morning?”

“We’ve already missed the best light, better get going pronto.”

Steve, until this point seemingly frozen in place in front of the fridge by the flashbulb, lets out a groan and flops into a seat, dropping his head onto the table.

Ross reaches over and pulls the sunglasses down the slumped man’s nose. After a moment considering the reddened eyes underneath, he pushes them back up, “Yeah, best keep those on.”

Joe stands and slings his bowl into the sink, “I’m gonna get my towel and go shower in the venue.” He disappears into the sleeping quarters, shouting “Phil-o! Shake a leg. Some weirdo wants to take photos of you!” as he walks past the still-closed bunk on his way out.

A few minutes later Phil, looking like a newly-hatched chick, emerges, rubbing his eyes. “Oh, hey Ross. Or should I say g’day?”

The photographer turns his camera from capturing the detritus scattered around the galley sink and focuses on the sleep-crumpled guitarist, “Ready for your closeup Mr Collen?”

“Absolutely, give me twenty seconds.”

Phil pops a couple of slices of bread in the toaster and removes the carton of orange juice from Steve’s unresisting hand to pour a glass for each of them and one for Ross. “So where we going then?”

“Well, there’s a national park quite near - the hills would make a dramatic backdrop…”

A groan emanates from the vicinity of the tabletop. “He doesn’t like hills,” translates Phil.

“…and obviously we have to do some beach shots to get the full Aussie atmosphere…”

Another groan. “He doesn’t like sand either. Or sunshine. It’s the freckles, he tends to blotch.”

“…and I’ve found a scrapyard that’ll be great for a really gritty nighttime shoot…”

They both turn expectantly to the grumbling blond head - silence.

“Apparently that one’s fine?” hazards Phil.

“Or he’s fallen asleep.”

Phil wafts a slice of the just-popped toast in front of Steve’s face. There is no reaction. “You could be right. I’ll get Alice. Steve-whispering is her job now.”

“Help yourself to toast,” he calls over his shoulder, “and there’s loads of beans…”

The shoot is the usual mix of shouted instructions and semi-successful attempts at following them. “Chin up, Joe.” “Stop pouting, Sav.” “Rick, turn to the left.” “No, your left.” “The other left.” “Get back here, Collen.” “Chin down, Joe.” “Clark, you look like your dog died.” “Less flirty, Sav.” “No, actually, more flirty!” “Chin up, Joe.” “Collen… where’s…? COLLEN! GET OUT OF THE SEA!”

Getting pictures of the show proves just as entertaining. Ross, quite understandably, refuses to hang from the lighting rig this time and instead scampers around the understage area, popping up out of the stairways like a gopher to snap whichever band member is passing at the time. Phil and Joe regard this as a giant game of photographer-whac-a-mole, aiming a kick, in jest of course, at the camera everytime it emerges in their vicinity. Sav, who doesn’t enjoy surprises, is less keen and all the photos taken of him look startled! And Steve’s habit of galloping around the stage without looking where he’s going almost spells disaster with a collision that sends the two artists and the tools of their trades flying! The show crashes to a halt as the rest of the band rush to help, finding, thank goodness, the two men lying in a tangled heap of limbs, strings, and scattered lenses, laughing too hard to get up! One camera down and a bruise the size of, he claims, a dinnerplate on his arse, Ross declares his assignment over and adds danger money to the Q Prime invoice.

Photos which were mysteriously rejected from inclusion in the behind-the-scenes tour booklet included:

Sav buying the entire stock of Tim Tams at a servo

Steve’s kangaroo impression

Karla and Stacy getting chatted up by two buff-looking surfer dudes

Rick flashing his arse in the bus window

Joe with curlers in his fringe

Steve drawing a moustache on Phil while he’s sleeping

Phil drawing a cock and balls on Steve’s forehead while he’s sleeping

Joe wearing a balaclava while he’s sleeping

Sav and Dara dancing to Achy Breaky Heart in the car park outside the National Tennis Centre

Alice sitting in Steve's lap, plucking his eyebrows with intense concentration

Rick balanced on one leg and using the other foot to hold a tomato while he slices it with a six-inch knife, entirely insouciant despite being stood in the galley of a bus moving at 70mph

Joe throwing Phil’s harmonica out of the window

Joe’s face when Phil pulls a second harmonica out of his pocket

Peter threatening to clout Ross with a didgeridoo if he takes any more stupid pictures

#steve clark #steve clark fanfic #steve clark fanfiction #def leppard fanfic #def leppard fanfiction #this rockstar life

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