#James Fallows

[pablolf]

As with medieval doctors who applied leeches and trepanned skulls, the practitioners cannot be blamed for the limits of their profession. But we can ask why reporters spend so much time directing our attention toward what is not much more than guesswork on their part. It builds the impression that journalism is about what's entertaining—guessing what might or might not happen next month—rather than what's useful, such as extracting lessons of success and failure from events that have already occurred. Competing predictions add almost nothing to our ability to solve public problems or to make sensible choices among complex alternatives. Yet such useless distractions have become a specialty of the political press. They are easy to produce, they allow reporters to act as if they possessed special inside knowledge, and there are no consequences for being wrong.

Why Americans Hate the Media

[cassiopoet]

Moonlit Dream Keeper

“On silent hooves

he steps

night watcher

dream keeper

oh great stag

may the moon shine

ever bright

may you cradle it

in your antlers grand.”

A/N: watched Bambi the other day and it always made me sad as a kid when Bambi grew up bc i liked his spots but i also liked his antlers. you’ll never believe how excited I got when i found out Fallow deer existed

also @cozybirch @cupids-fiction made some more food for you hope you like <333

credit: poem and art done by me (@cassiopoet)

[alias71]

Fingers crossed this will be released soon!! 🤞

[the-enchanted-mistakes]

Eh, I guess you aren't too wrong with leaders and those who follow. But you must know it's not a rule. It's not a static law. Nature is wild. It follows no pattern.

You have mutuals right? Friends you met, that demand nothing from you and you don't demand anything from them. You just spend time together. No one commands the other. You hang out with James at your book club. You seem like good buddies with Chimer. And so on.

Do you think they have someone who "leads" them? The lead themselves if anything. Their own dreams, wishes and intent. You can do so to.

Misc.

You don't need a master. You are your own. Always. Always have been. You hold your own fate.

[fallow-grove]

ťŕíćķ óŕ ťŕéáť

[plaintext: "trick or treat"]

TREAT!! books you

(from Ways of Being: Animals, Plants, Machines: the Search for a Planetary Intelligence by James Bridle [they/them])

[barksona]

deer moment lol

[mariacallous]

The first thing to say about the hate and scorn currently directed at the mainstream US media is that they worked hard to earn it. They’ve done so by failing, repeatedly, determinedly, spectacularly to do their job, which is to maintain their independence, inform the electorate, and speak truth to power. While the left has long had reasons to dismiss centrist media, and the right has loathed it most when it did do its job well, the moderates who are furious at it now seem to be something new – and a host of former editors, media experts and independent journalists have been going after them hard this summer.

Longtime journalist James Fallows declares that three institutions – the Republican party, the supreme court, and the mainstream political press – “have catastrophically failed to ‘meet the moment’ under pressure of [the] Trump era”. Centrist political reformer and columnist Norm Ornstein states that these news institutions “have had no reflection, no willingness to think through how irresponsible and reckless so much of our mainstream press and so many of our journalists have been and continue to be”.

Most voters, he says, “have no clue what a second Trump term would actually be like. Instead, we get the same insipid focus on the horse race and the polls, while normalizing abnormal behavior and treating this like a typical presidential election, not one that is an existential threat to democracy.”

Lamenting the state of the media recently on X, Jeff Jarvis, another former editor and newspaper columnist, said: “What ‘press’? The broken and vindictive Times? The newly Murdochian Post? Hedge-fund newspaper husks? Rudderless CNN or NPR? Murdoch’s fascist media?”

These critics are responding to how the behemoths of the industry seem intent on bending the facts to fit their frameworks and agendas. In pursuit of clickbait content centered on conflicts and personalities, they follow each other into informational stampedes and confirmation bubbles.

They pursue the appearance of fairness and balance by treating the true and the false, the normal and the outrageous, as equally valid and by normalizing Republicans, especially Donald Trump, whose gibberish gets translated into English and whose past crimes and present-day lies and threats get glossed over. They neglect, again and again, important stories with real consequences. This is not entirely new – in a scathing analysis of 2016 election coverage, the Columbia Journalism Review noted that “in just six days, The New York Times ran as many cover stories about Hillary Clinton’s emails as they did about all policy issues combined in the 69 days leading up to the election” – but it’s gotten worse, and a lot of insiders have gotten sick of it.

In July, ordinary people on social media decided to share information about the rightwing Project 2025 and did a superb job of raising public awareness about it, while the press obsessed about Joe Biden’s age and health. NBC did report on this grassroots education effort, but did so using the “both sides are equally valid” framework often deployed by mainstream media, saying the agenda is “championed by some creators as a guide to less government oversight and slammed by others as a road map to an authoritarian takeover of America”. There is no valid case it brings less government oversight.

In an even more outrageous case, the New York Times ran a story comparing the Democratic and Republican plans to increase the housing supply – which treated Trump’s plans for mass deportation of undocumented immigrants as just another housing-supply strategy that might work or might not. (That it would create massive human rights violations and likely lead to huge civil disturbances was one overlooked factor, though the fact that some of these immigrants are key to the building trades was mentioned.)

Other stories of pressing concern are either picked up and dropped or just neglected overall, as with Trump’s threats to dismantle a huge portion of the climate legislation that is both the Biden administration’s signal achievement and crucial for the fate of the planet. The Washington Post editorial board did offer this risibly feeble critique on 17 August: “It would no doubt be better for the climate if the US president acknowledged the reality of global warming – rather than calling it a scam, as Mr Trump has.”

While the press blamed Biden for failing to communicate his achievements, which is part of his job, it’s their whole job to do so. The Climate Jobs National Resource Center reports that the Inflation Reduction Act has created “a combined potential of over $2tn in investment, 1,091,966 megawatts of clean power, and approximately 3,947,670 jobs”, but few Americans have any sense of what the bill has achieved or even that the economy is by many measures strong.

Last winter, the New York Times columnist Paul Krugman, who has a Nobel prize in economics, told Greg Sargent on the latter’s Daily Blast podcast that when he writes positive pieces about the Biden economy, his editor asks “don’t you want to qualify” it; “aren’t people upset by X, Y and Z and shouldn’t you be acknowledging that?”

Meanwhile in an accusatory piece about Kamala Harris headlined When your opponent calls you ‘communist,’ maybe don’t propose price controls?, a Washington Post columnist declares in another case of bothsiderism: “Voters want to blame someone for high grocery bills, and the presidential candidates have apparently decided the choices are either the Biden administration or corporate greed. Harris has chosen the latter.” The evidence that corporations have jacked up prices and are reaping huge profits is easy to find, but facts don’t matter much in this kind of opining.

It’s hard to gloat over the decline of these dinosaurs of American media, when a free press and a well-informed electorate are both crucial to democracy. The alternatives to the major news outlets simply don’t reach enough readers and listeners, though the non-profit investigative outfit ProPublica and progressive magazines such as the New Republic and Mother Jones, are doing a lot of the best reporting and commentary.

Earlier this year, when Alabama senator Katie Britt gave her loopy rebuttal to Biden’s State of the Union address, it was an independent journalist, Jonathan Katz, who broke the story on TikTok that her claims about a victim of sex trafficking contained significant falsehoods. The big news outlets picked up the scoop from him, making me wonder what their staffs of hundreds were doing that night.

A host of brilliant journalists young and old, have started independent newsletters, covering tech, the state of the media, politics, climate, reproductive rights and virtually everything else, but their reach is too modest to make them a replacement for the big newspapers and networks. The great exception might be historian Heather Cox Richardson, whose newsletter and Facebook followers give her a readership not much smaller than that of the Washington Post. The tremendous success of her sober, historically grounded (and footnoted!) news summaries and reflections bespeaks a hunger for real news.

[whinges]

oh ouroboros - an estinien fanmix

[on spotify here] / annotated tracklist below

the decemberists - severed i alight like a whisper / i alight with the lights out

fish in a birdcage - rule # 5 james picard as i rose from the ashes / i embraced his rage

augie march - becoming bryn and though nobody wants a part of the ritual / you could at least keep me an honest vigil

frightened rabbit - late march death march there’s a funeral in your eyes / and a drunk priest at your side

neko case - the next time you say forever i’ve been away for so long / i’ve lost my taste for home / and that’s a dirty, fallow feeling

interpol - anywhere you know all about me / that’s what’s so frightening

the national - demons do not know what’s wrong with me / the sour’s in the cut when i walk into a room / i do not light it up / fuck

joywave - bad dreams don’t you worry ‘bout what change brings / cause you can’t stop it

saintseneca - pillar of na i ate my weight in your words / gnawing on your proverbs

iron & wine - cinder and smoke you ask me to pray for rain / with ash in your mouth / you’ll ask it to burn again

the oh hellos - notos but you’ve got no one left to blame

[dreaminginthedeepsouth]

The first thing to say about the hate and scorn currently directed at the mainstream US media is that they worked hard to earn it. They’ve done so by failing, repeatedly, determinedly, spectacularly to do their job, which is to maintain their independence, inform the electorate, and speak truth to power. While the left has long had reasons to dismiss centrist media, and the right has loathed it most when it did do its job well, the moderates who are furious at it now seem to be something new – and a host of former editors, media experts and independent journalists have been going after them hard this summer.

Longtime journalist James Fallows declares that three institutions – the Republican party, the supreme court, and the mainstream political press – “have catastrophically failed to ‘meet the moment’ under pressure of [the] Trump era”. Centrist political reformer and columnist Norm Ornstein states that these news institutions “have had no reflection, no willingness to think through how irresponsible and reckless so much of our mainstream press and so many of our journalists have been and continue to be”.

Most voters, he says, “have no clue what a second Trump term would actually be like. Instead, we get the same insipid focus on the horse race and the polls, while normalizing abnormal behavior and treating this like a typical presidential election, not one that is an existential threat to democracy.”

Lamenting the state of the media recently on X, Jeff Jarvis, another former editor and newspaper columnist, said: “What ‘press’? The broken and vindictive Times? The newly Murdochian Post? Hedge-fund newspaper husks? Rudderless CNN or NPR? Murdoch’s fascist media?”

These critics are responding to how the behemoths of the industry seem intent on bending the facts to fit their frameworks and agendas. In pursuit of clickbait content centered on conflicts and personalities, they follow each other into informational stampedes and confirmation bubbles.

They pursue the appearance of fairness and balance by treating the true and the false, the normal and the outrageous, as equally valid and by normalizing Republicans, especially Donald Trump, whose gibberish gets translated into English and whose past crimes and present-day lies and threats get glossed over. They neglect, again and again, important stories with real consequences. This is not entirely new – in a scathing analysis of 2016 election coverage, the Columbia Journalism Review noted that “in just six days, The New York Times ran as many cover stories about Hillary Clinton’s emails as they did about all policy issues combined in the 69 days leading up to the election” – but it’s gotten worse, and a lot of insiders have gotten sick of it.

In July, ordinary people on social media decided to share information about the rightwing Project 2025 and did a superb job of raising public awareness about it, while the press obsessed about Joe Biden’s age and health. NBC did report on this grassroots education effort, but did so using the “both sides are equally valid” framework often deployed by mainstream media, saying the agenda is “championed by some creators as a guide to less government oversight and slammed by others as a road map to an authoritarian takeover of America”. There is no valid case it brings less government oversight.

In an even more outrageous case, the New York Times ran a story comparing the Democratic and Republican plans to increase the housing supply – which treated Trump’s plans for mass deportation of undocumented immigrants as just another housing-supply strategy that might work or might not. (That it would create massive human rights violations and likely lead to huge civil disturbances was one overlooked factor, though the fact that some of these immigrants are key to the building trades was mentioned.)

Other stories of pressing concern are either picked up and dropped or just neglected overall, as with Trump’s threats to dismantle a huge portion of the climate legislation that is both the Biden administration’s signal achievement and crucial for the fate of the planet. The Washington Post editorial board did offer this risibly feeble critique on 17 August: “It would no doubt be better for the climate if the US president acknowledged the reality of global warming – rather than calling it a scam, as Mr Trump has.”

While the press blamed Biden for failing to communicate his achievements, which is part of his job, it’s their whole job to do so. The Climate Jobs National Resource Center reports that the Inflation Reduction Act has created “a combined potential of over $2tn in investment, 1,091,966 megawatts of clean power, and approximately 3,947,670 jobs”, but few Americans have any sense of what the bill has achieved or even that the economy is by many measures strong.

Last winter, the New York Times columnist Paul Krugman, who has a Nobel prize in economics, told Greg Sargent on the latter’s Daily Blast podcast that when he writes positive pieces about the Biden economy, his editor asks “don’t you want to qualify” it; “aren’t people upset by X, Y and Z and shouldn’t you be acknowledging that?”

Meanwhile in an accusatory piece about Kamala Harris headlined When your opponent calls you ‘communist,’ maybe don’t propose price controls?, a Washington Post columnist declares in another case of bothsiderism: “Voters want to blame someone for high grocery bills, and the presidential candidates have apparently decided the choices are either the Biden administration or corporate greed. Harris has chosen the latter.” The evidence that corporations have jacked up prices and are reaping huge profits is easy to find, but facts don’t matter much in this kind of opining.

It’s hard to gloat over the decline of these dinosaurs of American media, when a free press and a well-informed electorate are both crucial to democracy. The alternatives to the major news outlets simply don’t reach enough readers and listeners, though the non-profit investigative outfit ProPublica and progressive magazines such as the New Republic and Mother Jones, are doing a lot of the best reporting and commentary.

Earlier this year, when Alabama senator Katie Britt gave her loopy rebuttal to Biden’s State of the Union address, it was an independent journalist, Jonathan Katz, who broke the story on TikTok that her claims about a victim of sex trafficking contained significant falsehoods. The big news outlets picked up the scoop from him, making me wonder what their staffs of hundreds were doing that night.

A host of brilliant journalists young and old, have started independent newsletters, covering tech, the state of the media, politics, climate, reproductive rights and virtually everything else, but their reach is too modest to make them a replacement for the big newspapers and networks. The great exception might be historian Heather Cox Richardson, whose newsletter and Facebook followers give her a readership not much smaller than that of the Washington Post. The tremendous success of her sober, historically grounded (and footnoted!) news summaries and reflections bespeaks a hunger for real news.

Rebecca Solnit is a Guardian US columnist. She is the author of Orwell’s Roses and co-editor with Thelma Young Lutunatabua of the climate anthology Not Too Late: Changing the Climate Story from Despair to Possibility

[wizard-eater]

Wizard playlist update:

Plot songs:

I Can't Fix You - The Living Tombstone: Fallow comes to a realization while working with Watts; an argument occurs and a relationship ends

You're Not Welcome - Nathan Apollo: Fallow snaps; a fight with M.M.

Necrostar - Steam Powered Giraffe: M.M fights with Humm for control of their body; the death and repossession of Humm

Sleeping Giants - The Crane Wives: Watt's search for Eater; stirrings of the Devourer

Character songs:

The Ballad Of Jane Doe - The Ride the Cyclone Musical: Humm struggles with their reincarnation and escaping the shadow that their previous self cast; they encounter Eater

Willard! - Will Wood: Aris character study (Aris's alienation from wizards and the difficulties it encounters while trying to empathize with them; resulting loneliness and isolation of Aris from others)

Демони - Omana, Vivienne Mort: Hunter and Lachlan character study; a peek into their past with the fae

Laplace's Angel (Hurt people? Hurt people!) - Will Wood: More Hunter character study; the chaos of the clown and the stirrings of a skeleton army

No. 3 - Cosmo Sheldrake: Eater and the Astronomer; the relationship between the two

Pile of Bones - Shayfer James: Eater's past before it's imprisonment; the greedy hunger of the Devourer

Friends in Low Places - Worthikids: Fallow's reanimation; the changes their personality and appearance underwent

Never Love an Anchor - The Crane Wives: character speculation/study of Hatts (the character of @greyhound-with-a-mega-wizard-hat )

Fuck You I'm Going Underground - Grand Commander: Muck character study

No Eyed Girl - Lemon Demon: Crow/8ball character study

Rule #4 Fish in a Birdcage - Fish in a Birdcage: Skulkie character study

Worldbuilding songs:

Whatever It Takes - The Living Tombstone: observes as the world of the wizards changes, with the death of an era (season 1 ending; the fall of the city of towers) and the beginning of a new one (season 2 starting; the founding of wizard Island)

Suburbia Overture/Greetings From Mary Bell Township/ (Vampire) Culture - Will Wood: peeks into the lives and personalities of many wizards

Faster and Faster (2010 Remaster) - DEVO, New Traditionalists: The City of Towers; the fall of the city and the emergence from its rubble

Ahab, or The Whale - The Reverent Marigold: the sea wizard alliance

[putah-creek]

the field where we grow peace lies fallow and filled with weeds but the field where we grow war is lush and green the crop is full for the soil there is rich and dark where are the field hands where is the farmer this farm needs guidance

james lee jobe

[ja50nt0ddwa5h3r3]

The New DCEU

We all know how infamous the current DCEU is for their terrible plots (give or take a few films), but what are we expecting from James Gunn’s new look at the universe? Well, the man worked on the Guardians of the Galaxy films (which were gold), so something decent, at least.

But, the question is, what films, what characters are we expecting? What do we want? To answer the expectations, there have been rumors of Jensen Ackles coming back as Batman, we’re most likely getting a Damian Wayne (so other Robins will hopefully make an appearance), and there’s been some speculation that Curran Walters will return to the role of Jason Todd (purely speculation, I am sorry if I’m getting anyone’s hopes up too far). We know for a fact that Henry Cavill will not play the part of Clark Kent. We know that John Cena will return as Peacemaker, along with Viola Davis’s Amanda Waller.

While this still doesn’t answer what we’ll get, we are able to answer what we want from the new DCEU. I, for one, enjoy comic accuracy, but a good story will definitely need to deviate and develop differently.

Some of the films that I would like to see from the Batman area of DC (my expertise is Batman, I’m sorry) are in the poll below, them being (again, what I would like to see, these probably won’t happen, but they might if we get enough people asking) A Deathstroke centric film trilogy with the Teen Titans as the main antagonists (it’s backwards because it’s from the villain’s PoV), his origins, and Dick Grayson’s time as Renegade (possibly getting his own spin-off movie or tv show) Red Hood and the Outlaws (New 52) A Nightwing installment Batman who Laughs Battle for the Cowl, mostly fallowing Tim’s journey, not the others’. Ra’s and grief are the main antagonists. And finally, The Three Jokers

If you have another idea for a movie you’d like to share, reblog!

[nodynasty4us]

That the media are focused on Biden‘s age, while ignoring Trump’s infirmities is absolutely maddening. As James Fallows pointed out, in the New York Times there were headlines on Super Tuesday’s outcomes that Trump romped and Biden has trouble while Biden got a significantly higher percentage of votes than did Trump, which tells us all too much about media bias. Mainstream media may not consciously want Trump to win, but you wouldn’t know it from the frame of the coverage.

Norm Ornstein, interviewed in Salon.com

[crazyworldofemmamarie]

Day 11 of Rammstein's Countdown to Halloween

Tonight, Split (2016, dir. M. Night Shyamalan)

Plot: Three girls are taken and imprisoned by a man with dissociative personality disorder somewhere in a underground cellar.

Okay, now I know he gets a lot of crap sometimes and I'll admit, the live action Avatar, The Last Airbender was a hit and miss, but I actually really enjoy Shyamalan's films. I think they are creative and very intriguing to say the least.

Now, Split is a part of a trilogy known as The Unbreakable Trilogy (or Eastrail 177) which a superhero thriller/horror story that fallows a man known as Mr. Glass who goes out of his way to make superheroes, just like the comic books.

Now, despite it being a part of something bigger and don't get me wrong, it's actually on of my favourite trilogies ever, other than The Hobbit/Fellowship, haha and I actually feel that Split can be its own stand alone film. Now honestly, I think that is absolute amazing when you can a film that is a part of a franchise, let alone, the middle part of one, and stands out from the rest that really says something and I think that's all thanks to the writing and acting done here.

The writing is so powerful and really you can see that this film was written with care. There are so many great lines in here it's just wow.

The set up and design for the film just scream thriller and help set the dark undertone for the film.

Finally, the acting from the leads alone is just wow. Really, every member did an amazing job.

Ana Taylor-Joy is such a convincing final girl and to be me, she fits as one of the best scream queens ever.

James McAvoy, I just don't know where to begin. I honestly think did does NOT get enough recognition for his work, especially for this performance. The fact that he can just switch characters/personalities so seamlessly and effortlessly just blows me away. He delivers ever line with such force and grace he honestly carried this movie.

I recommend this whole trilogy, but definitely take the time to look this one over, it deserves all the attention it can get.

[freetheshit-outofyou]

More on the Military and Civilian History of the AR-15

By James Fallows, 2017 This is one of the best write ups I have read on the history and evolution of the AR15 rifle. I made a PDF copy of it long ago, now it is locked behind a pay wall. The source link is at the bottom.

“In your article “Why the AR-15 Was Never Meant to be in Civilian’ hands”, your source claims that the AR-15 was not commercially available to civilians before it was standardized by the military. This is factually incorrect. Model R6000 Colt AR-15SP1 Sporter Rifle” Began on Jan 2, 1964. The M16 wasn’t issued to infantry units until 1965 (as the XM16E1), wasn’t standardized as the M16A1 until 1967, and didn’t officially replace the M14 until 1969. Colt had been selling the semi-automatic AR-15’s to civilians for 5 years by the time the M16A1 replaced the M14. Going off of the serial number records for the SP1 Colt had sold at least 2,501 riels to the civilian market by 1965, 8,250 files by 1967, and 14,, 653 rifles by 1969.” Nothing quite like a good old history lesson. Source

[a-hazbin-reader]

So… I heard ye looks at ocs, eh? Well… COOL

Meet: Vixie (based off the female fox from fox and hound)

^Human version of her ^

^sinner her^

Vixie vanshier (van-shy-er) was born in September 22 1900 <little fact I give all my ocs the same birthday as me so I can remeber> her family owned a plot of land in Oregon containing forms of animals. Her father James vanshier, was the owner of this land. One day mountain lions killed off a huge majority of there livestock, so since his wife marry vanshire was bed ridden with illness he taught vix how to shoot. She was well with a shot gun being a small female and only 9 but they could not keep up with the mountain lions so her father’s last resort was to move to Louisiana and become a railroader.

Vixie soon attended school and was a smart kid, her acidemic score impressed a lot of people, but there is one thing she could not get right… sewing class. One day she sat on the playground trying to mend a pice of fabric together. Even though she was a good shot she could not for the life of her get her hands to straighten out. She looked up to see a boy snickering at her and this boy was Alastor, his mom taught him a trick for mending things. (I imagine he had too a lot because he seems like the kid to go outside and climb trees and shit.) they’ve been friends ever since!

In her early 20s she became a singer/songwriter for a pub, tips sucked and her boss payed her Jack shit so she quit. She worked hard, she wrote sonnets, poets, and even her own songs. That’s when she met mimzy. Mimzy offers her a deal of a lifetime to sing her songs and be on stage. Vixie said yes exited for her new life. Alastor and her are still together and when she tells him this he just rolls his eyes. Anyways after a couple more months together they got straight into marriage no dateing none of that… CRAZY RIGHT!

Nie time for the Angsty bit.

One day she came home to find Alastor coverd in blood knife in hand, she loved too much for her soul, she loved Alastor. So she kissed him on the cheek saying “all will be ok” and went to bed with her husband. Now you might be wondering “how and why is she in hell.” Well you see mimzy would not let her quit, 1 aka him was banned so any forms of good tips where gone and 2 mimzy essentially gone bankrupt so paying her was out of the question. Vixie did want to quit but mimzy manipulated her saying “I got you up on your feet.” Or “your the reason why we gone bad!” But ofc vixie loves to deep and stayed. Until she came home crying and exhausted. Alastor was furious so he said “we will take care of this.” The we is what freaked her. Anyways mimzy died to her hands and not his.

When Alastor died that’s when all hell broke lose, she did not want her husband, her poet, her LIFE be viewed as bad. So she continued to kill in her husbands name. She killed the wrong person. She killed a cult member who hunted and killed widowed woman. Naturally she was kidnapped and dragged out of her home only to be caged and smelt by hounds. She once thought they spared her until a horn blew. Dogs smelled her scent as men on horses and shot gun fallowed and chased her. She got caught in a snare and could not get out for her adrenaline was rushing, so she could not think. That’s when she met the eyes of a man, that man was the son of whom she killed. She looked at the sky to only be then shot in the throat.

Ending up in hell she instantly gained popularity with her music. Essentially became a music overloard. She had more influence than Alastor and vox just due to how diverse music was. Oh and don’t use anything of her without her permission or consequences. anyways it took over half a decade to realize the radio demon is her Alastor. And when the Vs came along that’s when her power/infuence really grew. She kept up with modern times so she could keep being this overloard and respected her husbands wishes at the same time.

Anyways that all I got atm hun, I changed her a lot since the pilot and still need to write her story.

Omg she's so spunky and twisted! They're a fucked up couple who stand by each other 😤 I love her sinner form so much?? Just GORGEOUS