Okay so if there's something that gets to me every fucking time is that to pro-pals, if Bad People™ support Israel, then it just shows how bad Israel, right? It's proof that they're on The Right Side, that Israel is wrong.
But if said Bad People support Palestine? Ohhhh nooo, you get it wrong!!! You see, even the Bad People understand how bad Israel is, even they have more (((conscience))) than Israel, that's why they're supporting us! Absolutely no other reason!!!
Cut the bullshit. It's fucking disgusting.
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i actually cant with these ccs, you say that because q was nice to you personally that means he cant possibly be a bad person. but this entire past month has been ccs harping nonstop about how just because dteam seem nice doesnt mean theyre good people, we never know whats happening behind the scenes and how we shouldnt trust the front they put forward(mind you they say this and act like we should put our full trust into them, someone we also dont know). like do these people hear themselves . seems like its more about their word being law and wanting everyone to only listen to them than it is about warning people of being blinded by rose-colored glasses.
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Obsessed with how Claudia and Soren view magic.
Claudia views magic as something amazing and special, even dark magic despite having to ‘harvest’ from living creatures in order to use it. Because in the end how could something that helps her friends and family be bad? How could something that saved an entire kingdom from starvation be evil?
Soren meanwhile doesn’t care about dark magic vs primal magic. In his eyes Dark magic can be used for immense good just as much as Primal magic can be used for horrific evils. At the end of the day all magic has ever done is divide people and cause years of suffering.
But they are both such hypocrites (affectionate).
Claudia views dark magic as a gift, something to take pride in having. But when she is finally broken down she reflects back she feels disgusted at herself for viewing living creatures as parts. Then when pushed into a dangerous situation she cried out “Don’t make me! Don’t make me do dark magic!”
Soren believes the world would be better without magic at all. Yet he turned to it, he looked his father in his eyes and said “You have your other way! Dark magic.” Not caring that Viren explained the original spell was a primal spell and the new spell would require a terrible sacrifice.
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Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.
There's this part in Doctor Who Unleashed where RTD says this:
“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”
And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).
I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)
To quote RTD:
“...before you start to think, everyone in this community is white.”
This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)
—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?
How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?
And this just keeps happening.
And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.
The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.
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Headcanon: Chilchuck and his Bad Takes on Literature
i think chilchuck would be like my mom in the sense that he wouldnt like sad stories. dont get me wrong, cautionary tales? absolutely fine. they serve a purpose to him which is to tell people "dont be an idiot and do this or else something bad will happen"
generally sad or angsty stories though? no point to him, and in his perspective its really confusing how people just read things that make them sad. like whats the use of reading something if its just gonna make you sad. whats the lesson? its not even real so it doesnt help anyone.
whats the point in making yourself cry when you could just avoid that entirely by not reading it at all?
but the one of the biggest reasons why sad stories exist is to let you release all the built up grief in you. to send you something to let out all your emotions in a healthy way. catharsis. empathy.
even when i dont relate to the tragic experiences in some stories, several ones ive read have lead me to realize that im in a bad situation or that im following in the footsteps of the character suffering. its like a wake up call.
and making yourself cry isnt inherently a bad thing. if crying allows you to let go of building pressure and tension in you then thats good!
but chil wouldnt see that. of course he wouldnt, hes avoidant of most situations that would allow him to release emotion, and fearful of letting his mature (read: repressed) persona slip.
hes someone that runs away to quick comforts and distractions at the earliest sign of issue. hes already been in too many horrifying situations, dealing with another is a pain. and he knows denying everything and refusing to look at the situation doesnt help, but it definitely provides a quick and easy happiness in the comfort of ignorance.
because of this, reading something made to make one empathize with and confront these bad emotions is defeating the point of his cowering. if he faces his issues, even if only through the perspective of a story, he'd have to deal with acknowledging that things are bad and need fixing, and he'd feel terrible and guilty in the moment - which of course is the worst thing that could happen to a person (his thought, not mine).
which is why i find the concept of him being/becoming a tragedy himself at the same time as this headcanon soooo interesting. imagine the irony of him bashing on the protagonists of tragic stories for acting on emotion and impulse rather than logic, when he himself has fallen victim to irrational thinking while in grief.
cause... thats what people do when they grieve. they lash out, make bad decisions, ruin themselves, ruin others.
for a tragedy to be prevented, the protagonists would have to change fundamental parts of themselves, and act perfectly rational when under extreme stress. and chilchuck holds himself to these kinds of unrealistic standards because he unwittingly believes he can handle it all.
he cant, obviously. we see it for ourselves in his relationship with his wife. they were doomed from the beginning by chils already-established avoidance and lack of emotional vulnerabiltiy (and whatever else his wife had going on).
this is all just to say that if you told him about orpheus and eurydice, he'd probably be one of those idiots trying to point out the "plot hole" that he couldve "just not looked back" and "just trusted her"
i dont understand. whats the point in reading tragedies? the protagonist is stupid, anyways. why would you take bitter medicine? why subject yourself to that?
i think its just a bad story.
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