#If anyone loves sherlock but has bad feeling around the BBC one or just wants more fun sherlock shenanigans

[which-qsmp-egg-would]

Which Egg would be the biggest fan of the Sherlock Holmes books (not tv shows or movies)?

[dervampireprince]

Have you ever thought about doing Sherlock? A bit taboo i know, old fandom and such, but I feel like you’d be brilliant at it. Just a suggestion from having some nostalgia here, non the less hope your having a wonderful day.

TW: homophobia, racism, albeism (specifically against autistic people), transphobia, mention of jokes about rape

if you don't want to read this entire answer because the TWs are uncomfortable for you, then tldr no because the show contains bigotry and the main cast are gross/have said gross things. i don't want any arguments about the show, i don't think you're a bad person if you like the show, i just personally am very uncomfortable with it and with the lead actors so i will not make any fan content of it and would ask for no one to request this fandom again. i can not like the show and you can like it and we can get along these things can coexist.

all of this post is /nm , i am not angry at you anon, i am just explaining why i have the feelings i have about the show which you do not have to read if you do not want too, no hard feelings.

full answer under the cut, read at your own discretion:

i assume you mean bbc sherlock since you said taboo? and if so, the answer is no. and i don't think it's appropriate to call sexism and homophobic 'taboo' like it's a guilty pleasure. i'm not going to voice for a show that is at worst bigoted and at best a really bad adaption of sherlock holmes as a character.

this isn't meant as a mean attack towards you. when i watched the show when it came out i was a young teen and didn't see the bad in the show. and then when i was older and i got more familiar with the writers and uncomfortable with them i looked back on the show and realised how terrible it was. and look it's fine if you like it as an adaption of sherlock or like certain scenes of the cinematography or acting performances that's all fine. but.

but. hey maybe you're saying 'taboo' because you just think the show is cringe because of how the fandom acted or because of superwholock so sorry to burst anyone's bubble but this show and the people associated makes me so uncomfortable and angry so sorry you opened a can of worms.

irene adler's story is adapted terribly. in the books she's the only person to best sherlock. in the show? she doesn't. she loses. and then is a damsel in distress. oh and also is treat with such lesbophobia as the male writers have her be gay, literally say she's gay, but then falls in love with sherlock cos i guess she just hadn't met the right guy yet. that's such a gross narrative. and the queerbaiting. i know that word gets thrown around a lot. let me remind people of what it actually means. when a work of fiction purposely baits that characters will be queer while knowing they will never make the characters queer. so many people make comments within the show about john and sherlock being boyfriends, john being gay, etc, etc, while the writers knew they were never going to make them gay.

also the actor who plays has said disgusting things about autistic people, the actor who plays john has a consistent history of making racist and sexist jokes as well as joking about rape, and his ex wife who played his wife mary watson on the show is a terf. so. i mean she's claiming she's not a terf but she's following so many terf accounts and you don't do that by accident, said she supports 'legitimate trans people' which is a transphobic phrase as theres no such thing as an unlegitimate trans person, and doesn't think trans women are women. so. and the head writer, also has a history of sexist comments but when i searched to see if i was right they're mostly old so maybe he's grown up since then idk i don't follow him and don't want too.

anyway if someone is interest in a critique of sherlock in terms of how it works as an adaption hbomberguy has a video called 'sherlock is garbage and here's why'. it doesn't talk about the actors and what they've done or said, it's purely pulling the show's writing apart and how it adapts the characters and while the title sounds click baiting it's a really informative and well made video essay.

this is not meant to be me saying if you like sherlock you're a bad person, because i don't believe that. this is me sharing my stance on the show, as someone who as a teen was a big fan but then grew up and reflected and more stuff came out about the people involved. if you can still find things to enjoy about the show despite what i've said, go ahead. doesn't bother me. but don't ask me to make fan content for the show.

[slow-burn-sally]

Ok, yeah, so I think I'm autistic, and through studying up on autism traits, I've started looking at the world around me very differently. Which in turn, led me to reevaluate why I like my favorite characters, and so here's a list of my favorite characters that I believe are autistic, and why. This is just my interpretation, and my headcanons, so please don't assume I'm trying to state this as unassailable fact.

ps. I'll totally do an ADHD version of this next.

1 - My precious bean, Thomas Jopson - The Terror AMC

I mean, just look at him. He's so well organized and dedicated to his job. He's riddled with childhood trauma, and this results in him doubling down and trying really really hard to keep history from repeating itself (losing a parental figure or someone deeply important to him to illness and death). He only really makes eye contact comfortably with Crozier, and he's very single minded. Being a steward is his special interest, and he is EXTREMELY INTO IT. He's uncomfortable talking about himself, and once his order and routines are taken away, he pretty much goes off the deep end. My poor bean. Very autistic.

2 - Gilbert Norrell - Jonathan Strange & Mr. Norrell

Probably the most cut and dry example of an autistic character in entertainment media history. He loathes socializing, hates parties, and just wants to be left alone with his books and his magic (his special interests). He's also ace, so he finds most human beings, with their obsession with sex, and their need to gather and talk loudly together, completely incomprehensible. He's always felt like an alien, and a loner, and struggles to make social connections. When he does, he hangs onto them (namely Childermass). My grumpy, socially inept baby. Ily Gilly, and now I know why I identify so strongly with you.

3 - Sherlock Holmes - All Media Types (but for the purposes of this post, I'll focus on BBC Sherlock).

I almost don't have to say anything else. The whole fandom knows this bad boy is neurodivergent. He's got insane sensory issues, will disappear into his special interests (criminology and deduction) until he literally keels over from lack of food and sleep. He's socially inept, blunt, uncomfortable with touch, and doesn't like anyone but Mrs. Hudson, John, and Detective Inspector Gary Lestrade. He's probably a virgin, and could be ace, depending on how you see him, but as I've written a lot of Johnlock smut, I don't see him that way all the time. He's incredibly intelligent, and knows a lot about the world, but with strange gaps in his knowledge that can only be explained by not at all being able to drag his focus away from his special interests to learn things like basic astronomy, or what to say to people at a party.

4 - Tintin - The Adventures Of Tintin

This boy is very autistic to me. I'm not honestly sure why I feel this about Tintin. Based on the 2011 movie, which I'm the most familiar with, he seems both driven, goal oriented, and socially naive. He stumbles into danger by not reading the situation, and he lives alone with his dog. His best friend is a hyperactive-type ADHD alcoholic, and he strikes me as queer and autistic. If you feel the same way, let me know what you think.

5 - Fitzwilliam Darcey - Pride and Prejudice

I saw this hc in a recent youtube video by Yo Samdy Sam, and I cannot unsee it. Look at this autistic boy. He's grumpy, anti-social, and really into reading, but he also cares deeply about his loved ones, and strives to do what's morally right. He is so socially unaware, that he can't understand why Elizabeth would have rejected his proposal, even though he just totally ripped on her whole family. To be fair, Elizabeth's family are an autistic person's nightmare. All the wild cackling and gossiping, and obsession with who's marrying whom. Four sisters in law, two of whom are inordinately obsessed with ribbons and giggling, and only one of which is also autistic (*cough*Mary*cough*)

6. Bunty Windermere - Father Brown

She has zero filter, and often does not understand why the things she says are hurtful or inappropriate. She's obsessed with fashion, and she's got a keen mind. She could sit around in some posh mansion somewhere, but she chooses to spend all her time with an old priest, and a grumpy church lady, solving crimes and putting herself in danger. She likes fast cars, (and can get under the hood to fix them too) handsome men, and really cute handbags, but is also perpetually single. She doesn't fit in in the world of cocktail parties and society events that surround her, because she's just too blunt, and bucks convention by being independent, unmarried, and slutty).

8. I know this is turning out to be a list of grumpy introverts, and I don't want it to seem like that's all there is to autism, but JUST LOOK AT THIS AUTISTIC BOY - Hermann Gottlieb - Pacific Rim

Hermann is pretty classically autistic. Obsessed with math and numbers. Needs order to feel safe. Is very frustrated with other people's messy, inexact opinions. He only really warms up and comes out of his shell when he falls head over heels for his ADHD-as-fuck cannon boyfriend Newton Geiszler.

9. Last but not least (for this list anyway) DI Richard Poole - Death In Paradise.

Another clear cut case. Tons of sensory issues to light, heat and crowds. Everything must be in its own special place. He's rumored to have never had a girlfriend, and can't understand people's obsession with frivolous things like friendly greetings, small talk, or anything that's not crime solving. He falls madly in love with Camille Bordey, and pretty much flubs any chance he has with her, before dying because he's bad at facial recognition. I love you so much Richard. Never change.

Again, just my opinions. This is helping me figure out my own internal world. There are definitely more than one way to read these characters, but to me, they feel autistic.

[thekisforkeats]

Because I keep seeing my corner of the TMA fandom worried about some kind of “TMA is cringe” backlash:

Ignore them.

I’m serious. I will be 40 in four months or so, I have been around fandom for pretty much my whole life. I have watched my oldest fandom (Star Trek) become “cringe” and then revive with a new generation. I have had niche interests and I have had “oh you’re only into that because it’s popular.” I was originally a Doctor Who blog and I quickly got into BBC Sherlock and Supernatural, so I was briefly a Superwholock blog. I have things I have loved deeply (Harry Potter) ruined by the bigotry of the author, and I have re-examined things I once loved and found them wanting in terms of inclusion and dignity (Dragon Age, sadly), and I have dropped them. I have let people bully me out of fandoms I genuinely loved

That last is the only one I regret.

Don’t let anyone tell you that your interests are silly or cringe or ridiculous. A key part of this is not taking yourself too seriously--sometimes the things we love are kind of silly and ridiculous! And that’s okay! And sometimes the things we love turn out to be less wonderful as we grow older and examine them, especially if they’re soaked in racism or misogyny or homophobia, and that’s okay too. But don’t let someone else make you feel bad for loving whatever you love.

I love The Magnus Archives. Genuinely, wholeheartedly. I have been writing more fan content for TMA than I have written in years. It has reconceptualized my view of the world. It has inspired me to write horror, which I’ve never really tried my hand at before. TMA has its flaws, don’t get me wrong, but it’s good. That’s not just me talking; it’s won several awards. I will probably be here loving TMA long after everyone else has gone and I’m just sitting in the shell of a burned-out Archive or whatever.

Whoever you are--you can stick around with me, or you can move on, but that should be up to you and what you love. If you move on from TMA fandom that doesn’t make it any less of a valuable thing in your life.

It’s normal for people to move on from a thing once it’s over, and it’s also normal for people to trash a thing once it’s over. And it’s telling that people feel okay trashing TMA fandom, which is centered around a small, independent, deeply queer podcast whose entire five-year story arc is (among other things) an examination and criticism of capitalism and power.

If TMA was your gateway to horror, then welcome. If TMA is just your comfort podcast of gay tragedy... welcome. ;) If you’re like me and TMA is just the culmination of several trends in your interests over your life... awesome, let’s talk!!

But especially to young people and teenagers: welcome. Welcome. I wish I could say this kind of thing is new, but it really isn’t. What got me through was people telling me that it was okay, so I will do the same: it’s okay. You’re okay.

[marvel-sluts]

Sherlock Holmes

request: Loki x Lab Assistant reader

29. movie marathon (request what movies)

36. first kisses.

Where reader loves watching Sherlock Holmes (BBC) and introduced them to Loki and started watching the series with him.

- @tom-hlover

prompt list

pairing: Loki x reader

warnings: swearing, fluff.

summary: you are a lab assistant at Stark towers who has started dating Loki. you have been trying to help him adjust to midgaurdian technology so you try introducing him to Sherlock Holmes in hopes that he might like the TV show as much as you do.

a/n: sorry this is so short but I hope you like it! enjoy loves.

«────── « ⋅ʚ♡ɞ⋅ » ──────»

you worked at the lab at Stark towers, often encountering odd bits of aliens and wierd artifacts that the avengers find on their missions. because of this your work life was often very hectic but you wouldn't change it for the world. you had made some great friends in the avengers, not to mention the fact that you were dating the God of Mischief.

you had taken it upon yourself to help Loki with all the technology that he didn't have back on Asgard, but that was a lot harder than it sounds. a lot of the time it ends in him getting very annoyed and huffing something along the lines of "bloody midgaurdian technology" but refusing to give up because he didn't want to disappoint you.

you had the idea awhile back to slowly introduce more technology into his everyday life. at first you started off small, like showing him videos on your phone and getting him to use things like a toaster more often. but today you were going to try to get him to watch a TV show with you.

»»————-　♡　————-««

"what are you watching darling?" Loki asked, plopping himself onto the sofa next to you.

"Sherlock Holmes." you replied, hitting pause on the show and offering him your bowl of popcorn.

"I think I've read that, is this one of those movies?" Loki asked, taking a handful of popcorn and munching on it loudly.

"this is a TV show, it's similar to a movie but there are different episodes. sort of like chapters in a book." you said. "do you want to watch?"

"yes, alright. it can't be too bad." he replied, as you curled up to him and wrapped a blanket around the both of you. "what's happened so far?" he asked, taking another handful of popcorn.

"well in this episode there is a hound on the loose thats killing people, you might have read the book of this episode though. have you ever read the Hound of the Baskavilles?"

"no I haven't, although I might after this." he said, wrapping his arm around you and pulling you closer as you pressed play.

a little while later a very loud Norse God strolled into the room.

"what are you watching brother?" Thor asked, causing you to press pause on the show for the second time.

"Sherlock Holmes." Loki replied, grabbing another handful of popcorn.

"is it one of those midgaurdian TV shows? Lady Natasha told me about them." Thor boomed.

"yeah it is." you said, "do you want to watch with us?"

"thank you Lady y/n, but I have to train with Man of Iron." Thor said, before grabbing Mjölnir from the table and heading off to the gym.

you chuckled slightly before pressing play and taking the popcorn bowl off of Loki making him glare playfully at you.

»»————-　♡　————-««

"that was brilliant" Loki said once the titles had started rolling.

"yeah it was, I loved how Sherlock figured it out before anyone else and the gas in the forest just made it so much better" you said, before realising you were rambling and stopping. "sorry" you muttered.

"what for darling?" Loki asked, tucking a loose hair behind your ear.

"for rambling." you said, looking down.

"never apologise for something you are passionate about. I like listening to you." he said.

"really?" you asked, looking up at him through your lashes.

"yes."

"I love you Loki." you said, leaning towards him.

"I love you too y/n." he replied, leaning forward and kissing you softly. your hands found their way into his hair, deepening the kiss and pulling him closer to you. he wrapped his arms around your waist, wanting to be as close to you as possible. you pulled away, gasping for air as a wide smile took over your face.

"you are so beautiful." Loki said, running his fingers through your hair.

"so are you." you mutter, kissing him again quickly, making him smirk.

"come on darling, we have to watch the next episode." Loki said, hitting the play button and pulling you into his side again. you smirked against his side, you had a feeling that you would be kissing Loki a lot more often from now on.

[kkyujikoo]

These are my... 2...? Maybe 50, cents about the whole "freejk" thing. I'm gonna be extremely petty and at some points a whole lot sarcastic and it's gonna be long but I had to say it. As soon as I get my computer I'm gonna make it under read more, but the app does whatever it wants, as we know.

Listen, this ain't my first fan rodeo, and not even the first fan rodeo where I've been directly or indirectly accused of being some sort of pervert or delulu. I've been in fandom spaces since I was a teen, I was shipping mlm couples when queerbaiting in TV shows was still something that was seen as the norm rather than some cheap disgusting trick. I was there when fanfic spaces saw "slash" fics as something "different" and to be tagged with a more mature rating even when they just looked at each other.

I was in BBC's Sherlock's fandom and I shipped Johnlock during the hiatus between S3 and S4, at this point I'm not even feeling it when people call me delulu or a weirdo.

So, yeah, take this with a grain of salt: as a person who has seen thousands of times fandom drama unfolding and has lived too much of it... This whole situation is so ridiculous it makes me laugh. Like, yeah, it's maddening how people will blame anyone and everyone because they don't even see their own bias and homophobia, granted, but like... It also makes me laugh for the sheer dumbassery of the reasoning behind it all?

Like... Y'all are getting mad and for what? Because it sure as hell isn't the invasion of privacy, since y'all are watching the same content we're all watching and you're paying to see it the same way everyone else is. If you don't want to "invade their privacy", you should just... Stop watching content that isn't their music videos, RUN episodes or interviews. Memories and any kind of dvd/video that shows what they're doing behind the scenes shouldn't be part of their job as musicians, and therefore we're intruding in their privacy... Or aren't we?

Or maybe it's more nuanced than that: maybe the content they release on dvd/on their official channels is part of their job as entertainers, and it's been approved, and it's a small window THEY are granting us.

You know what's the REAL invasion of privacy and what REALLY invalidates someone autonomy? When you, who maybe aren't even paying to see that content (which is something I understand, like, dude, I'm not covered in money either), DEMAND what kind of behind the scenes content you want when I swear ABSOLUTELY NO ONE has asked you. Once again: you don't like it? You think it's some huge invasion of privacy? Don't buy it. Don't interact with it. Convince your friends to do the same. For all I care, just go and petition to boycott this kind of content. I know you won't do it, because... That's the thing, isn't it? It's not the invasion of privacy that bothers these people.

Y'all aren't mad because we get into their business or else you would have gotten real mad when we were privy to REAL private moments like people crying their hearts out.

No, no. Y'all are mad because it's "shipping content" and "fanservice" which apparently bothers you because it lacks authenticity.

Pick a side, lovelies: either you DON'T want to invade their privacy, and thus all the content they release should be focused on what fans want to see, or you WANT to know how they interact TRULY in private.

And here's the catch: "shipping content" can be anything. Shipping existed WAAAAAYYY before the word for it was invented, same way with fanfictions. Shipping means, literally, "seeing two (or more) people interact and thinking they would make a good romantic pair". That's it. That's quite literally it. Everything else is just some nuance of the concept of shipping, but at its core, it's nearly impossible to ban all shipping content when it's a group of seven people, because they should for real go in social distancing mode to do so. Most people who have parasocial relationships tend to have "ships" whether they know it or not, because we've all, at least once, looked at a dynamic from the outside and thought "oh man they look cute together". So, even if, o dear ones, your wishes were granted... What the hell do you mean by "shipping" content? Should they just film solo clips, avoiding talking about the other members? But wouldn't that be fanservice, since it's focused on pleasing the fans? (Which, ultimately, is what fanservice MEANS, and I hate to break it to y'all but the whole concept behind entertainment and thus all the content BTS releases it's... For the fans. Like, they're not going out of their way to just meet our expectations but they're certainly doing fanservice by the mere act of releasing bonus content.)

But it's not even quite that, is it? Because no one bats an eye if it's Tae kissing Nj's cheek. I've seen no hashtag against everyone - and I mean literally every one of them - wolf whistling at Nj. It's okay to show intimacy... Because they're bandmates and it's okay to be close to someone who you see basically 24/7, I hear you. And it's also okay when people see that and gush over that closeness, because it's such a nice thing to see.

Soooooo... We've got to free JK from whom exactly? From what?

Are y'all mad cause people pointed out there's very little way a bruise that stayed for a whole ass night could be a quick bite? Because that doesn't harm jk, at most makes fun of him and jimin and their poor excuses (seriously, guys, next time consider using mosquitoes or "I was doing stuff". It'll be equally embarrassing but at least the meme will be funny), and it's literally... A fair observation. Like. It's a hickey, people are gonna make jokes about seeing a hickey and poor excuses of covering it up in the exact same way they're gonna make jokes over jimin falling out of chairs. And yeah, a hickey is AT LEAST something that happens in a sensual context. Like, I could understand "people who are extremely familiar with each other will have different body language/touch in areas where usually you wouldn't see friends touching each other", but that's not. Not a hand on the thigh. It's a hickey on the neck. I don't even know a more stereotypical placing for a hickey. But once again, are y'all mad because someone is pointing it out? Because that's not being delulu or even being a shipper, really, it's just commenting on something that was approved to be shown and discussed in something that was released BY THEM.

Are y'all mad at hybe for showing something that literally fell onto their hands? Cause like, unless someone (I'm counting on Jimin, since as we know Jungkook was busy spinning him round and round and had both his hands busy) called at hybe headquarters to say "yo bang pd substitute, is it okay if I give my friend jk here a hickey? Cause he's being really annoying rn and he has to pay", I highly doubt anyone expected Jungkook to come to rehearsal all neatly marked up. Or idk, maybe someone at hybe asked them "we need Jungkook to come in with a hickey but refuse to say it's a hickey, so that fans will feel reeeeally served." That sounds perfectly plausible too. Or a good marketing strategy.

Now, if you're a big company and your objective is to have some footage of the rehearsals for a concert, and the fandom is too good at noticing stuff for their own good, and one of your artists comes in with a very visible mark, and he and his bff bropal4lyfe come n with a story about how they were playing and a bite happened, you've got three choices: 1. Cut the artist out of aaaaalll the footage. Someone would have noticed the "bite mark" anyway, you best believe that. If you don't want anyone to notice it, you gotta cut him in most of the footage where it's visible. 2. Keep the hickey, discard the explanations. You could do that, but also it would feel a lot more unfaithful to everyone involved. Also they clearly worked their ass off to invent an explanation, come on! They truly tried to do their best inventing something that was not "it's a mosquito bite", they should get some credit! 3. Keep the bite, keep the explanation.

Notice how none of these solutions include the biting never happening because... They couldn't prevent it? The only thing they have any control over is how they're framing each "accident". And that's not an easy job.

I applaud you, people on the editing team.

So... On whom should we cast the blame now? Ah, yes, I think it's finally time for the ultimate scapegoat of this fandom: Jimin. Which is funny, cause... You know... If this were really about privacy, or being "victims" of shipping... This should be about freeing him too, you know? But obviously Jimin does it for attention, while Jungkook, poor angel that he is, doesn't even know what shipping is.

Furthermore, don't we all know how much Jimin imposes himself in Jungkook's life? To the point where he, multimillionaire man feels compelled to share a car with Jimin even if they're both late in the process. And can't you see how uncomfortable he is, draping himself over Jimin, making Jimin drap himself over him?

Oh lordy, truly such an awful eight years Jungkook spent, choosing to have vacations with someone who made him uncomfortable, spending free time with him, even having to suck his ear in public to the point you can see his saliva just because Jimin was sad :( truly an all-around bad time for Jungkook, as evidenced by alllll those times when he said Jimin was pretty, cute, and all-around knowing every little thing about Jimin. I absolutely concur, the dude would be so much more happy if jimin was not in his life.

Did that sound weird and absolutely ridiculous and a really absurd joke? Because that's what y'all sound like to me. Like. Jungkook is out there living his best life, getting hickeys and showered in affection and y'all paint him as a fucking martyr??? I'm sure he's really truly desperate that Jimin holds him in such high regards 😭😭😭 I can see him suffering whenever he starts doing his own serendipity rendition 😭😭 and when he claimed you are me, I am you as his and Jimin's only 😭😭😭 I cannot believe this poor baby 😭😭😭

I've reached a point where every time I hear this stuff I laugh because the levels of twisting reality when it comes to jikook are extraordinary, Jungkook will have a literally blissed out face and people will cry in outrage.

But coming back to my point: let's pretend you're not mad at Jimin and the possibility that jikook are dating: are y'all mad... At the hickey? Because at this point it seems like the only feasible solution. And if you are, do not worry: I'm sure Jungkook's skin was throughly healed by his boo. A kiss soothes even the worst pain, doesn't it?

[okamixxiii]

Elijah 01

Being on tumblr makes me wanna feel more homely and less professional and then I suddenly remember I can just like,, lore dump anytime I want and post out of a time schedule just like back in 2014. Anyways someone on Deviant Art asked about Elijah! So ill be chatting about him in this moment. Cant say today because LMAO Ill probably be back on here later talking about another oc.

I dont really talk about him as much as I should and I have very few content of him in it. Truth is I purposely dont really expand on him as much as to try and bend/taint his character that I fleshed out for him to be. Its something that happens quite often when I try to dive too deep and I find that by a fault a lot of my characters end up feeling the same-- to me at least. So its a preventative measure.  Here IS what i have about him though: Elijah Alan Spence, Agent Spence, Code name Black Rabbit, or for some: Eli!  He’s an elite agent that has worked his way up through T.K.E.A ranks (ill make a t.k.e.a thing later just check lore tag or somn before I actually decide to learn how to structure my text posts). Although he’s an elite agent dont think that his views align with what T.K.E.A is doing. Hes mostly a ‘good’ guy wrapped up in bad things type deal since I love doing that for some reason.  The initial belief was that he could work his way up and change it that way but its clear that because of him being brought into the agency as only an agent that there was a dead end when it comes to working yourself up to more ceo levels. The highest you can go would be what he is; an elite.  When he realized that was also when he realized that T.K.E.A basically silences any defective agents so there was no way to change things without getting himself murdered. So he was put in a space where he had to continue his job while figuring out how to fix things undercover.  Unfortunately until Chris (when T.K.E.A really started fucking up) there wasnt anything that was really pushing him to just make the jump without thinking.    Now I know that sounds weak ended on his part but let me explain something:  Elijah was very very inspired by tah-dah! 

BBC Sherlock! *1# on all time favorite and comfort shows to watch and HAS seen it 10 times in total. No, Im not joking.*

So if you picked up on this, congratulations! Here's a cookie. Now that means in this he has a very similar qualities as Sherlock Holmes that he cannot operate without thinking things through. Not until a time really calls for it. I am NOT saying that Christian Edens is his John, gods no. In fact his “john” actually was his partner (in the work sense) died at a job.  Its just more or so the situation with Chris was a final straw, one that really made Elijah say ‘enough is enough!’. He may seem brief and brutally honest on the outside that often makes him come across as an asshole but on the inside he truly does have a heart for those in need and a drive to stride for something better for everyone. Its just he will be doing it in his own way and gods forbid if anyone tried to change his direction he laid out for himself. Hes very stubborn. 

Elijah took the cards he was dealt with and made the absolute most of them of what he could. It just, wasnt enough at the time.

Hes highly intelligent, though bit rough around the edges when it comes to socialization. Like Sherlock again as his inspiration, he can make quick deductions but has a hard time keeping his mouth shut when he makes those deductions. Not everyone enjoys his honesty and way of ‘no bullshitting’.  Just because he has a heart doesnt mean he isnt a bit egotistical at times either. Its just not all the time. its like “hey look at how smart I am!”.  Other things to note is wow! Hes a rabbit shifter! His pronouns are he/him strictly and hes *sighs* straight. One of the very f e w ocs I have that are cishet. Though sometimes I do make some interesting hcs about him at least trying things. >_> Idk if ill put those here though. They are sexual in nature. LOL

[malereader-inserts]

Something Worthwhile

Fandom: BBC Sherlock Pairing: Mycroft Holmes & Brother!Reader & Sherlock Holmes Summary: It’s hard being a Holmes sometimes, especially when you’re alone Word Count: 1,470 Request: Holmes brother who is having difficulties fitting in with his two smart, intelligent and brilliant brothers. He feels left out and alone and ends up isolating himself further. Somehow John is the only one who notices this but Sherlock and Mycroft dont believe him because they dont think a Holmes brother is capable of such feelings so John has to properly lecture them on feelings and stuff and then they search for reader and help him out of the slums. Sorry if this is too long A/n: Y’all be linking brotherly holmes stuff.

“I could be greater.”

John looks at you, at the doorway, watching you stretch your back, moving boxes surrounding you. You get out a groan at the sweet release of stress leaving your tense muscle, clicking parts of your body as John just stares at you.

He came to visit, check up on you, you had been awfully quiet for a while and he got worried. What he had not expected to see you packing your belonging to move houses. 

“What?” He looks at you confused as you looked at him, a smile but it wasn’t comforting.

It was a smile of tiredness, you shrugged your shoulders.

“I could be greater, you know? Compared to Sherlock and Mycroft, I could be painfully greater.”

“You’re already great.”

“Are you sure? I can hardly keep up with Sherlock and Mycroft, one of them is one of the greatest detectives and the other one is working with the Government. And me?” You scoffed, shaking your head, “I’m not as great as them.”

“So, you’re moving?”

“Uh, isn’t that obvious?”

John looks around, you’re a lot human, easier to relate to as a Holmes. But, he understands to be the odd one out. He can’t fault you for feeling that. He asks you if you need help, you smile and shake your head, waving he off. John tells you that he’s off, if you ever need him he’s only a phone call away - you looked grateful for that.

After that, he doesn’t see you or hear from you. He goes to check your old apartment, it’s cleared out, empty almost as if it’s getting ready to get renovated. It was abandoned and the warmth you gave the house, was washed away. John doesn’t know what you’re thinking, but you’ve disappeared.

It worries John.

You hated your brothers, just as much as you love them. They were ahead of the game, ahead of life. They’re producing such brilliant works, but you were left behind. You were three steps ahead of the game but your brothers were nine steps ahead. You were walking with life, whilst your brothers are running past it. You could never be your brothers, and it was hard for you to understand that.

Your mother and father have had high expectations after both Mycroft and Sherlock being ahead of their classes, they expected you to be the same. But, you weren’t. You were top of the class, but that hardly meant anything to them. It got tiring to try to keep up with them.

So, you found yourself a place, across London, furthest away from Sherlock’s apartment. It was small but cosy, it was your safe space, plants everywhere, handing from the ceiling, all content in your loving presence. Your cat that lounges around the house currently draped over the back of the sofa. 

The living room was clashing with different colour, but you like that, it was vibrant, you don’t do dull things. If you’re going to take your time with life then you might as well think the world is in bright colours like an indie filter on Instagram. 

You have to romanticise your little life if it means to distract you from your brothers. That means thinking every time you cook, you have to believe you’re in a Studio Ghibli movie, where all the food looks mouth-watering.

You were happier, being away, isolating yourself away. 

It doesn’t settle well with John. 

So, when he had returned home from work and saw both Holmes brothers, he sat them down, his arms crossed over his chest looking angry at them. Though, to Sherlock that’s how John looks all the time. He gave them a good earful, even Mrs Hudson went upstairs to investigate what was happening. Even she gave her own opinion as well.

But, with both brothers, they took nothing in.

They look at them blankly.

“That’s not (Y/n),” Sherlock breaks the silence with a chuckle, a smile that could freak anyone out, but John was too pissed off with him that he wanted to punch it off.

“Yes, our brother is fine, but I do thank you for the concern,” Mycroft says politely as he flinches at John’s intense glare, “Anyway, (Y/n) doesn’t feel that, if he was, he would have told us.”

“Really?” John asked, scoffing, shaking his head with an unsettling chuckle that made both Holmes brother sit upright, “Why would he tell you what he’s feeling when you constantly dismissing him when he feels anything but confidence?”

“I-”

The brothers wanted to intervene, but this has ticked John off beyond belief. It had prompted him to rant to them that both brothers were afraid to interrupt because after all, John was making sense for once. For once, an average smart man was talking so intelligently that they felt like they were reduced to nothing.

“He tells you that his emotions have been overwhelming, you tell him to get over it. When he can barely get out of bed because he feels like the world is resting upon his shoulders you tell him to grow a thicker skin. When he cries, you tell him its a sign of weakness, he looks for his brothers for guidance but his brothers tell him to look for it himself.”

“John-”

“For God’s sake, he told me he was in therapy because he doesn’t want to tell you because you’d see him as a disappointment. He’s trying so hard and every achievement he does - it gets brushed under the rug. He thinks he has already disappointed your mother and father, God only knows what he’s thinking now to know that his brothers have abandoned him.”

“But, we haven’t,” Sherlock mutters out so softly, John could tell that he was ashamed in himself.

“I don’t even know where he is. He hasn’t been picking up my calls or replying to my messages, I don’t know where he moved.”

“He moved?” Mycroft asked, astounded, as John sighs.

John rubs his forehead, hand on his hip, looking exhausted and stress. Nodding sheepishly. John has been trying hard to locate you but London is a big city with various different apartments. He doesn’t know if you had moved far from your old place, he doesn’t have a brain like the Holmes, he couldn’t deduce where you intend to go.

“Yeah, so while to try to find him. Both of you are going to think of a good apology.”

“How are you so calm? He could have killed hi-”

“He told me that he wouldn’t do that because the thought of his cat thinking he had abandoned her hurts him more than ending it all.”

With a statement like that, the brothers wonder how bad they caused your pain.

Sherlock and Mycroft walk up to your apartment, the stairs were nice - both brothers noticed, you like that because you hated stairs, especially steep ones. They knocked on your door, hoping it was you on the other side.

They can hear your record player playing some songs, though with the door shut it was hard to tell what was playing. They knock again, before hearing your footsteps and the door opening.

“Why are you here?” You asked, your brothers hurt with no greeting and no smile to come along with it.

“John expressed his concerns,” Mycroft says, swallowing his pride, “It has made up realise that we have-”

“We have fucked up as brothers,” Sherlock completed.

“Charming,” Mycroft mutters bitterly.

“I don’t want to talk to you,” You were about to slam the door but Sherlock was strong enough to keep the door open with just the strength of his left arm, “Leave me alone.”

“No, we’re not leaving until we fix our mess. We’re brothers, our parents have given us hell and it’s not fair for you to go through their hell all by yourself,” Sherlock says firmly before eyes softening, “Please (Y/n).”

“You don’t have to talk, you can just listen,” Mycroft says as a compromise, to meet you in the middle, “We know that you’re not going to forgive us right away, but, we don’t want you to be alone again.”

You stand there in silence, before huffing out, opening the door wider and standing to the side. Your brothers entering your home; it smells a lot like you. You shut the door behind them, your cat seeing your brothers and instantly stretching and walk towards you. 

Jumping up in your arms, your cat stares his sharp glaring eyes towards your brothers as if he was warning them.

Your brothers seemed unsettled as they sit down, they’re not prepared for the talk ahead of them. They don’t expertise in the subject of feelings and relating to others, but if it means to keep you around longer.

It’s something worthwhile to do.

[v-thinks-on]

Wanna Know a Writer

Thank you very much to @sparrow-ink for the tag - I love doing these when I get the chance! Incidentally, this is also my 1001st post on Tumblr!

How many works do you have on AO3?

It looks like I have 116 right now, but it will be 117 tomorrow (with a short Batman/Superman fic)

What’s your total AO3 word count?

716,792 apparently... I’ve been writing like crazy lately and I still swear that can’t be right, but there you go

How many fandoms have you written for and what are they?

It looks like I’ve posted fic for 30 (including crossovers and fusions) and there may be more I haven’t posted, so not listing all of them. You can see the whole list here

Following @sparrow-ink‘s example, I’ll let my filesystem speak for itself:

What are your top 5 fics by kudos?

The Language of Chess has been the undisputed champion for a while (Kirk and Spock flirt using the Vulcan language of chess)

The Old Family Farm is a more recent fic that came up from behind while I wasn’t looking (Clark Kent takes Bruce Wayne to meet his parents)

The Gift Giving Game was my K/S secret santa gift for Herenya_writes (Kirk and Spock stir up rumors as professors at Starfleet Academy)

A Hidden, Personal Thing (Spock offers to mind meld with Kirk)

Human, Vulcan, and Everything in Between (Spock is ace, Kirk is polyamorous, and it works well for them)

Do you respond to comments, why or why not?

I try to respond to every comment because there’s nothing I like more than talking with people about my writing and the stories that inspire it! I’m more than happy to answer questions on here too, if anyone has any!

What’s the fic you’ve written with the angstiest ending?

So, these days I’m generally a firm believer in happy endings, but in the pre-AO3 days, I used to mostly write death!fic and a few highlights actually made it onto AO3:

The Death of Spock - Spock dies during the original five-year mission and Kirk is left to pick up the pieces

Only a Fool - Watson dies at Reichenbach and Holmes is left to pick up the pieces

Honorable mention: Devoted - the inevitable tragedy of Mary Watson (nee Morstan)

Do you write crossovers? If so what’s the craziest one you’ve written?

As it turns out, the other thing I used to write is crazy crossovers, many of which were never finished, let alone saw the light of day. I’ve dialed back on it (a little), but here are some highlights:

Spock in Wonderland

Millennium Death Note - currently in progress! (What if Light Yagami solved the Millennium Puzzle?)

The Mysterious Mr. Jeeves - Jeeves and Wooster x Everything, but I think the most outlandish one in there would have to be The Phantom of the Opera

Honorable mention: my old BBC Sherlock x Harry Potter - the writing isn’t great and the plot is a bit of a mess, but it will likely always be my most viewed fic

Have you ever received hate on a fic?

Only a little bit and mostly just on FanFiction.net - there was one person offended that my big Star Trek TOS x TNG crossover was “secretly” Kirk/Spock. More often I get people who like most of my fics, but then get annoyed about Kirk being polyamorous or Spock being ace or don’t like how I decided to end something, which isn’t terribly helpful, but could be worse.

Do you write smut? If so what kind?

Nope, don’t read it, don’t write it, just not for me.

Have you ever had a fic stolen?

Not to my knowledge, thankfully.

Have you ever had a fic translated?

Yes! I’m honored that people want to translate my stories into other languages (and make podfic of them)!

The first three chapters of Devoted (the tragedy of Mary Watson) are available in Chinese

Enough to Drive a Man to Madness (Mycroft puts up with Sherlock Holmes angsting about Dr. Watson) is available in Russian

Once Upon a Dream (Holmes and Watson dance) is available in Russian

The Appearance of Dorian Gray (Bertie Wooster meets Dorian Gray) has a podfic

And I think someone did a podfic of a scene from A Crazy Little Thing Called Love (the progression of Kirk and Spock’s relationship over The Original Series), but I can’t seem to find it right now

What’s your all time favorite ship?

My first and dearest will always be Holmes/Watson from the original Sherlock Holmes stories

What’s a WIP that you want to finish but don’t think you ever will?

I’ve gotten to be pretty good at finishing things I want to write, but there’s this huge Disney crossover I started writing with a friend that is glorious and complicated and almost 1/3 of the way done despite being over 90k already. Whenever I think about it, I always think that, yes, I will finish it some day, even though my co-author has lost interest, but the truth is probably not... But who knows, maybe I’ll turn around and have it done for next year’s @wipbigbang!

What are your writing strengths?

I’ve discovered a secret talent for finishing what I start, which is nice - a combination of planning and just keeping at it, slow and steady.

I think I do a good job of capturing characters’ voices, whether in dialogue or narration, and it serves me particularly well when I’m trying to imitate a style - I’m especially proud of some of my Jeeves and Wooster. I can also do some nice flowery prose if put my mind to it.

What are your writing weaknesses?

For all of my love of pretty prose, it’s easy for me to forget to describe things, so my writing can end up fairly sparse. I also feel like I could get better at integrating romance and plot - the romance often ends up getting drowned out by everything else going on, which is especially frustrating because I’m usually writing it because of the romance.

What was the first fandom you wrote for?

That’s a good question. Probably Death Note (my friends and I used to ship L/Light) - that’s the oldest fic I have on my computer, at least, but I used to write on paper, so there may be something even older there. The first fandom I posted anything for is Harry Potter (a next-gen OC fic about the daughter of Bellatrix Lestrange - it’s best not to ask). I also posted my first Holmes/Watson fic at about the same time (it’s pretty bad, but I tried).

What’s your favorite fic that you’ve written?

I’m actually really happy with a couple of my somewhat recent longer fics:

Generations - my Kirk/Spock Star Trek: Generations fix-it

Bertie Solves a Mystery - Jeeves and Wooster get embroiled in a murder mystery and meet Hercule Poirot and Hastings (also Jeeves has a mysterious backstory)

tagging: I’m going to second @plaudiusplants and tag @the-z-part​ and @marlinspirkhall​ if you’d like to do it, along with anyone else who wants to go for it!

[deluweil]

This is my 4x12 review - skip if you haven’t watched yet.💖

In my opinion the whole Treasure Hunt thing, had a S2 bank mystery vibe about it. Like the silly calm before the storm, again in parallel to right before when Buck was hurt.

I knew the Author jerk is alive the second I saw the actor who played it, the was not one show where he guest starred and wasn’t a jerk 😂😂

So since I did my own version of live writing, I apologize if this is a bit disorganized.

We got so much buddie bread crumbs, that eventually felt like a meal at the end of the episode so let’s start with: Both boys in sunglasses - oh WOW! 🔥🔥  

Bobby sending Eddie with Chimney and Buck looking thoroughly unhappy to be separated from Eddie. They nod at each other and while Buck frowns at Chimney, Eddie crosses himself before going to get geared up.

It was a small gesture but very significant because Eddie has already crashed in a chopper (in 3x15 and watched Hen and Strand crash in the crossover) he knows what could go wrong.

Chimney’s “cheer up you can go next time” doesn’t really reassure Buck. I think a “we’ll be fine” or “I’ll keep him safe” would have calmed Buck’s nerves a lot more.

Can we discuss for a second how HOT!! Eddie looked doing the aerial rescue? I mean WOW, I watched it several times. 🥵🥵🥵

The 118 sitting together trying to figure out the riddle was funny, everyone thinking how it’s a bad idea to even consider this to be a real thing, except for Buck, of course. 😂

And while the others are already considering how freaking horrible the rest of their shift  is going to be like, because it’s all over the news thanks to Taylor Kelly’s story.

Eddie called Taylor - Buck’s “girlfriend”, but we don’t see his face, we do get to see it, when Buck stresses (for what feels like the millionth time from the sigh and tone of his voice) that she is his friend not his girlfriend.

Eddie’s “Yeah, sure, right.” face is priceless!!😂😂  

Buck and Taylor plotting together again, is always hilarious, those two are disaster magnets, it makes for good fun. What bothered me was that Buck offered Taylor to pair up, but re-watching, everybody’s reaction didn’t exactly originally encouraged a teaming up vibe.

However the problem with human nature is - everyone love to obsess over riddles. 😉😉

Eddie jumping through the window into the fire truck? epic!

Eddie did suggest to team up to Buck and I love that even after Buck told him he’s working with Taylor, the look on Eddie’s face melted Buck almost immediately and had him suggesting Eddie joins the two of them. 🥰🥰

The scene in Buck’s apartment, with the three of them Eddie is right between Taylor and Buck in the shot and kind of “talking to himself” was so funny. - Gave me a BBC Sherlock scene between Irene Adler, Sherlock and John.

The way Martin Freeman stole the scene just by dropping small comments. I gotta give it to Eddie, out of all of everything in that scene, Ryan performance is what I’m going to remember. - Acting choices were made all throughout this episode by both Oliver and Ryan.

Also can we talk about the fact that Eddie is now stating little bits of knowledge like Buck now - “I can know weird stuff too” from 4x03 is so haunting me, these boys have totally rubbed off each other. (get your minds out of the gutters... for now anyway 😉)

I love how Eddie and Buck sit down and scratch, just thinking about the fire ants 😂😂

Buck being lowered into the septic tank - notice, Eddie is the one handling the rope, again, his expression worried while Buck is still down there, especially after having to drop him into the water.

I have noticed that Bobby sent Eddie up in the chopper, but is reluctant to send him under ground still 😉🙃

Buck’s “come on” when Eddie and Bobby made a face and walked away from the stench was so funny. Also super adorable on Buck’s part. 

I love how Taylor keeps shutting Buck down, it’s amusing to watch now that I know how the episode ends.

Athena being done with idiots the entire episode was hilarious! Angela is a queen!

I loved that 9-1-1 dispatchers were running a bet of places where the treasure may be. (Josh’s “Who thought that was a good idea?” and someone shouting “not it!” had me in stitches 😂😂)

Let’s take a break from buddie for a second:

Hen and Chimney joining the race and Bobby trying to hide his research from Athena was so funny, I mean, she is a police sergeant, there was no way she wouldn’t figure him out.

Bobby planning a future together, a life after the job, and Athena shutting him down. I do think this is what will come between them eventually. Athena making a unilateral decision, without considering even talking about a future with Bobby that doesn’t revolve around them working until they’re either forced out or buried six feet under ground. 

I find it interesting because it’s usually the other way around, my mom has been working on my dad to retire for years now so they can travel before both of them are too old to do it. So I kinda get where Bobby’s coming from.

In parallel though, Athena making the unilateral decision like Eddie did when he re-enlisted in 3x15. I do hope Bobby and Athena manage to work things out, I love them together. 

Back to the hunt:

Of course Athena worked out where the treasure is, Karen built an algorithm, and Taylor apparently helping Buck and Eddie figure it out bringing all three teams together.

Athena looking to Buck and Eddie asking them if they seriously brought their gear with them and Eddie pointing at Hen and Chimney to divert the attention from them about their med-kits. - like children trying to justify themselves to their parents. 😂😂😂

Wasting time negotiating about the money was hilarious, especially with Taylor in the chopper hovering over them lmao.

And then there was probie - Jesus! I laughed so much.  😂🤦‍♂️

Also Buck’s “I’m not doing anymore math”, as a reference to “she taught me math”, Buck’s not doing that shit. He calculated enough for one day and he is done!  😂

I do like that Oli and Ryan’s marks are closer together again ❣❣❣  

Eddie: “We didn’t kill him”  Buck: “We just wanted to” Bobby’s “Shut up” face killed me.

Probie selling them out “I don’t know these ppl.” You don’t say shit like this as a probie 😂😂😂

Also Rick saying “I didn’t actually think it was” and I'm just enjoying the moment, was awesome. I like it when he shows up in episodes, he and Athena make a good and amusing team. 

Back to buddie bread crumbs:

Everyone in Bathena’s house, including Taylor, who took the place next to buck, leaving Eddie to sit directly in front of Taylor and next to Chimney. - The “At this point I don’t trust anyone.” cuts to Eddie’s face, that looked as if he’s saying “Seriously dude? hurtful” - The fact that Buck stopped and met Eddie’s reproachful gaze even though they are not directly in front of each other says so much! 

Also the “Stop for a second and think about what you said.” looks from Chimney and the others are very meaningful. (#everybody knows 😉)  Buck sticking his foot in his mouth and him backtracking are shot directly from Eddie’s perspective. - hmm, I wonder why…? 🧐🧐

And to complete the meal:

Taylor placing Buck directly in the Friend-Zone category, was genius. And while Buck and Taylor have a fun energy together it never really felt romantically oriented. Also I have a certain feeling that seeing Buck and Eddie interact, at Buck’s place and at Bathena’s house and not for the first time either, she knows it will not work between her and Buck.

Buck, trying to feel something more for her, even if in a gentler and way sweeter way than the cursed ship I will not name, it feels forced on his end too - and Taylor lets him off the hook in a gentle way too, I like her for that even more. 

I really hope we keep seeing Taylor in a friend capacity for Buck, I think it’s good for him to have support and someone to talk to outside the 118. And I will absolutely worship Taylor if she will be the buddie catalyst, I mean Megan does ship buddie too, it will only be appropriate 😉💖

The episode in itself was pretty nice, I would have probably enjoyed it more if I watched it before LS who absolutely kicked me in the feels today. But I do know that just like 9-1-1 2x15 I’ll go back and watch it like a million times because it is a fun episode to pass the time, and the buddie crumbs were delicious. 

The promo kicked me in the feels too, I will not discuss it here right now, but I do hope that that last part won’t be a cliff hanger and we’ll have to wait an entire week for the rest, two weeks of frayed nerves are a LOT to suffer through 🙈

Sending big hugs out there to whomever needs it 🤗🤗🤗

[loudest-subtext-in-tv]

Something I know no one will ever contend with when they just want to write a hit piece about us, but...

When Moffat said on the A Scandal in Belgravia commentary, “If you watch the show carefully, there���s subtext about John’s drinking,” what did he mean? He wasn’t being flippant, he’s said one of his favorite writers is William Goldman and writers should study him because he “knows everything.” Goldman’s Ten Commandments on Writing say to “put a subtext under every text” and not to be too on the nose. 

So what is the “real” subtext to why John drinks, and why does John drink when he’s alone with Sherlock and trying to get him to open up, or otherwise thinking about Sherlock? If the subtext is not about John’s relationship with Sherlock, then like... who else is in the room in those scenes, what’s going on, who is John actually thinking about, and why is it so important to the story that Moffat would include it? What storyline does the subtext of John’s drinking pertain to? It must be pretty big to not have been revealed yet, so it shouldn’t be hard to make a case for.

Similarly: When Moffat and Gatiss say that The Private Life of Sherlock Holmes, a movie noteworthy for depicting Holmes as a homosexual in love with Watson, is the inspiration for their adaptation, what do people imagine they adapted from it? Because it wasn’t the characterization, they don’t much resemble the BBC Sherlock characterizations. Barely any plot points were borrowed, and minor ones at that. Why did they pick the big overtly gay adaptation for the basis of their show from a hundred straight alternatives? Why did Gatiss say the thing he liked about it was that Holmes was in love with Watson?

I mean, I know people who hate us will never actually watch it, but the movie is not subtle. The movie isn’t a bunch of gay gags, the movie makes very clear that Holmes is genuinely homosexual and in love with Watson in a deeply painful way that queer people can recognize and relate to, and the same vibe is heavy in series 3 especially. For example, the endings of TSoT and HLV are not gay gags, they are things that happened in the plot and were not presented as remotely funny.

There are two reasonable perspectives on this:

1) It is not especially weird for people who pay attention to what the writers have said about their stories to think all the gay stuff is intentional, and its not weird to have fun chasing down things the writers have taken care to talk about. That’s what fans do, they try to predict where stories are going. No one made hit pieces ridiculing Jon and Daeneyrs shippers because they recognized what the foreshadowing in Game of Thrones was saying, and they were basing it off almost nothing compared to what the showrunners of Sherlock have said and taken care to include in the plot and subtext. People write hit pieces about us because they deeply believe it’s stupid for queer people to think a gay romance could be depicted, we had the misfortune of having a sense of humor about ourselves (calling it a “conspiracy” and ourselves a “cult”), and were enthusiastic about the show and writers whose fandom we’re a part of.

2) The gay stuff is intentional, but all a big joke despite appearances to the contrary. Most of the antis even argued that the gay stuff was intentional, they just thought it was to fuck with people or be provocative. Some of them were even dreading S4, including while it was airing, because they thought we were going to be proven right and we’d be insufferable. If people who hated us worried we could be right, then how delusional could we be?

I can understand someone thinking it all being a big joke is more likely than a TV show depicting a gay romance, but it does not follow that people deserve to be an object of public ridicule because they recognized a bunch of queer allusions and painful queer life experiences that resonated with them and considered that the writers, one of whom is queer and unabashedly obsessed with the works in question, may have positive motives for including those things. It feels like punishing people for doing their due diligence of actually researching the writers’ feelings about things and their influences, rather than just piling on and calling them homophobes. I’m not trying to invalidate anyone’s opinions if that’s how they feel about Moffat and Gatiss nowadays, I’m just saying it’s not some shameful thing for people to actually investigate these things and conclude differently. It’s okay to think writers are talented and clever, and their fandom should be a place where it’s okay to explore that.

What makes me most sad about this is that there is genuinely no area of life where people can just play around anymore without being hunted down. Like, politics is fucking miserable, the pandemic is miserable, I just had a friend kill himself a few months ago because of how bad life is lately, a close relative who I never thought would have suicidal ideation has it now, I have been fighting wanting to die for years, in the U.S. none of us have any idea if we’re ever getting any sort of pandemic stimulus again -- so many of us are suffering immensely right now, it should be okay to be goofy and creative in a fandom without someone deciding its their prerogative to profit off us because they think we’re weird, or whatever. 

The reason there’s a lot of crazy meta analysis is because this was supposed to be a relatively safe, creative place where people can try their hand at analyzing stories without being graded or made to feel inadequate, so we treat metas a lot like fanfics where it’s not really appropriate to just rip people’s shit apart no matter how illogical it is, and we find things we like about analysis we don’t agree with in that same spirit: it’s a cool idea anyway, it’s artistically inspiring, it got close to a more compelling idea, etc. I have a big packet of fan mails where several people told me they had been scared and self-conscious to share their thoughts on things, and TJLC helped them open up and inspired them to major in literary or film-related majors. People start somewhere and it’s cruel to make fun of them because they weren’t great at something that doesn’t fucking matter. 

FANDOM IS NOT SUPPOSED TO BE A SUPER SERIOUS SPACE. NO ONE PUTS ON A TUXEDO BEFORE THEY LOG IN TO TUMBLR. NO ONE NEEDS SOME OUTSIDER TAKING THE THINGS THEY OFFERED IN THE SPIRIT OF FUN OUT OF CONTEXT TO PRESENT TO A WIDER AUDIENCE THEY DELIBERATELY AVOID BECAUSE THAT AUDIENCE IS MEAN AND SENDS THEM DEATH THREATS AND HOMOPHOBIC AND MISOGYNISTIC SLURS AND SUICIDE ADVICE. IT IS ACTUALLY NOT AN ENORMOUS CHARACTER FAILING TO SHARE BAD ANALYSES OF A TV SHOW, AND SHOULD NOT BE A MATTER OF NATIONAL INTEREST. 

But places where people can open up and try things out increasingly can’t exist anymore, because even in a low stakes environment like a fandom there are busybody ghouls who want to profit off being condescending about how people spend their leisure time. It doesn’t add anything to the world except their bank accounts.

[melon-kiss]

This is just going to be a ramble about everything Sherlock. You’re most welcome to discuss or just ignore it. I needed the space to vent.

I watched Sherlock. Again. I think it’s beginning to become my annual tradition. And I have a crisis. Don’t get me wrong, I am always Sherlollian at heart. It’s just… I have doubts sometimes. And what triggered those doubts this time was the fact that Sherlock calls Molly “John”. Twice. And then Irene Adler. And then one post on Tumblr. And many, many more.

OK, these are just my random thoughts. Enjoy if you’re willing to read them.

 1. “John”. “Molly”.

We often mix up names of people we consider to have the same place in our lives. Which is good, right? Right. Only, in Sherlock’s case, we’d have lean into the theory that Sherlock does love John romantically and feels the same way about Molly. Or concede the fact that he loves them both platonically. Neither of these options is really satisfying, isn’t it? Well, that’s why I’m struggling… One could say he’s in denial of feelings for Molly and identifies them as friendship, as this is the strongest, purest relationship in his life, the only one he describes as emotional and the closest he’s ever had to love. Besides, Molly and John are similar in one way – they both share the same – medical – knowledge. Of course, Sherlock doesn’t realise her other qualities until The Reichenbach Fall when she says she can help him whenever he needs it. It’s not until she’s honest with him again and tells him, without a shred of grudge, that she knows she means nothing to him, that he realises he has at least two friends. He calls her “John” when his mind is busy with something else, so there’s no room for any purposeful confusion. The same thing happens in The Empty Hearse. What else can it mean if not friendship?

 2. Nothing Hits Like Irene

Irene Adler is created as the love interest for Sherlock. Is she, though? Well, we see Sherlock utterly confused upon their first meeting. We also see him flirting and creating an atmosphere of sexual tension for the first time. OK, he saves her but then she vanishes, he got over her, I thought. And all was fine until The Lying Detective came and Irene Adler sent a text to Sherlock, first in such a long time. John, of course, suggests that if Sherlock should be romantically involved with anyone, it should be her. And then it hit me.

Irene Adler is the symbol of chemistry in Sherlock’s life.

She’s a dominatrix. She’s all about sex, that’s obvious. At the critical point of The Scandal in Belgravia Sherlock says: I believe John Watson thinks love’s a mystery for me but the chemistry is incredibly simple and very distractive. Sherlock discovers that he, indeed, can have chemistry with people. He doesn’t mention love, he merely says sentiment, referring to the crush Irene Adler had on him. She is, indeed, a simple distraction – you can see it clearly in his memory palace when he yells at her to get away. But Molly… Molly stays. She leads him through the entire process of surviving a shot.

And then Irene Adler returns in The Lying Detective. John confesses to Sherlock about texting with a stranger met on the bus. And that he wanted more. Sherlock says everyone gets to be human sometimes. Even he can’t resist the urge of replying to Irene Adler sometimes. It was all about attraction again.

And that’s why she’s not considered a romantic relationship in his life. John rambles about love changing him, to be more specific, the love of his woman changing him. But he says Irene’s a dangerous criminal. How would that change Sherlock in any way?

In The Final Problem, upon deducing the coffin, John suggests Irene Adler but she’s not his first thought in general once they all hear that this is about someone who loves Sherlock. Sherlock’s response is very telling: Don’t be ridiculous. Look at the coffin. It seems like Sherlock pieces the puzzle at once – the coffin, plus the “name” on the lid – it couldn’t have been Irene Adler.

And that’s why Sherlock calls her The Woman. As a symbol of his sexuality. The Woman who’s woken up certain impulses in his life.

 3. Makeshift Gauge

Who is she?, Sherlock asks John in His Last Vow.

Based on what Mofftiss duo said about Molly, she was supposed to be featured in two episodes top. Yet, she stayed. The uncanonical character not only stayed but became fans’ favourite. I think she became a useful tool for Moffat and Gatiss. I think that not only she represents Sherlock heart (of which existence he has no idea at first) but later becomes our makeshift gauge. For what? For measuring Sherlock’s progress. See, it’s like when you live with someone, you don’t notice when they put on weight or grew a little but those who see less of them will notice all changes right away. So, when Sherlock runs around with John, we don’t notice the change in his behaviour at once (also because he’s always been nice to him, from the very beginning), we need to focus to see that. But Molly pops by once per episode and we see how Sherlock’s perception changes. In season one, he has good intentions, but they turn out bad. In season two, he’s more neutral but doesn’t restrain himself from rude comments. And Molly is being Molly – tells him he’s rude in her natural, soft way and he says sorry. For the first time. Without anyone making him do that. Almost the same happens in The Reichenbach Fall – but this time, Molly doesn’t let herself be fooled by Sherlock’s arrogance and just ignores it, going straight to the point. She says: “I’m here for you” and lowers his defences. In season three, he spends an entire day with her, smiles at her and is the sweetest, softest Sherlock we’ve ever seen. Moreover, when Lestrade asks him about her helping him solve cases, he says: [John] is not in the picture anymore, implying that she not necessarily had to be a temporary replacement. In season four, he says I love you to her.

What can we deduce about his heart?

 4. The Eurus Conundrum

We could write an entire book about Eurus and not even be able to grasp her spirit. I’m not going to do that right now.

I have issues with what happened in season four finale. I mean – Molly, of course. Mycroft says Eurus and Jim Moriarty met five years ago, so before Moriarty revealed himself to Sherlock. They both planned the entire game for Sherlock. Does that mean Sherlock never really won with him? Does that mean Moriarty let him use Molly to “win”? Since she was included in Eurus’ plan, we can safely assume Jim knew about Molly back then. At first, when I saw Moriarty saying We both know that’s not quite true [that you don’t have a heart] in many Sherlolly fanvids, I was like naaaaah. He didn’t see her as one of the important people in Sherlock’s life, it couldn’t have been a reference to their meeting. But now… how deeply back in time was Eurus’ plan allocated? Which events did she predict?

Or maybe I’m missing something? Any thoughts on this?

 5. Sherlock Evergreen

I once came across a post here, about how BBC Sherlock is literature, about sir Arthur Conan Doyle’s struggle with his own genius character. He was over with him, didn’t feel like writing any more of his stories so he killed him, but fans demanded more. He kept writing, although he hated it from the bottom of his heart. Season four, so often considered as the worst of all of them, is a way of saying that Sherlock character is, unfortunately, invincible. Immortal. He will live forever. We can’t kill him, no one can. Even his creator couldn’t have done it.

In season four, Sherlock goes back to the start. He is a clean slate again. He went through the entire process of change – became a good Sherlock, considerate of other people’s feelings and emotions, appreciative, supportive, loving, ready to mend what he broke. That interpretation, although very good, kind of killed my Sherlolly spirit. But I guess every interpretation like this would do it. If we stop treating characters like real human being, we’re left with what they really are – a construct, tools, puppets in the author’s hands.

Based on this, I think we’re safe to say there will never be a fifth season of BBC Sherlock (gosh, how I wish I was wrong!). Why? Because, despite what Moffat said in an interview once (after season three finale he said they’ve plotted out the entire fourth and fifth season – liar, liar, pants on fire!), season four had the perfect ending. As mentioned above, Sherlock became a good man and Mary Watson summed up what Sherlock is all about: two man, a genius junkie and a former soldier, who solve the weirdest, the toughest of cases together in flat on 221B Baker Street. Now, Sherlock is ready to be taken over by other artists who may find a new way to tell his story (though, I don’t think so) all over again.

And that’s a big, big shame… I think I speak for at least most of Sherlollians when I say we’d like to see Sherlock and Molly’s first encounter after the call. The finale really closed all the story arcs and subplots, except for this one. I mean, c’mon. You don’t have to be a Sherlollian to be annoyed by this – just remember that it was such a “biggie” that Moffat was asked about this in an interview. And this may be another reason as to why we won’t ever get a fifth season of Sherlock – because that would mean taking a side. And none of the creators will do it because Sherlock cannot be an open-and-shut case. It has to be like literature: big, open, twisted, unclear and full of room for interpretation. As long as there’s no certain explanation – yes, Sherlock loves Molly, no, Sherlock is gay – we create more and more content out of the need of closure. Thanks to the room for interpretation, the story lives. I mean, it’s been four years since The Final Problem airing and here I am, discussing BBC Sherlock still.

 Coming back to Sherlolly… don’t worry. Though I’m still not sure that we can harvest any hard evidence for Sherlock’s feelings for Molly (other than friendship and respect), I’m still a Sherlollian. There two new fics waiting for me to pull myself together and write them. I think it’s good to have doubts – it means my brain hasn’t rotten yet and I can still be critical, I’m able of having my own opinions.

 Thank you if you managed to read it all! I’d love to discuss if you have any conclusions. If not, that’s fine, too. I just needed it get it out of my system.

PS WHY DOES MY POSTS IN ENGLISH SOUND SO SOPHISTICATED IN MY HEAD BUT WHEN I PUT THEM IN WRITING, THEY’RE SO SHITTY?!

[liunaticfringe]

(via Lucy Liu's Independent Woman - Interview Magazine)

There have been many great sidekick pairings in the history of modern literature. Huckleberry Finn and Tom Sawyer, Phileas Fogg and Jean Passepartout, Winnie-the-Pooh and Piglet…the list goes on. Yet, it seems there has never been a delightfully tumultuous relationship that comes close to echoing the one embodied by rogue detective Sherlock Holmes and his faithful friend and assistant Dr. John Watson. Written in the form of short stories by Arthur Conan Doyle between the late 19th and early 20th centuries, the opium-den loving Holmes would terrorize London with his intellectual, astute, and stubborn prowess, with Dr. Watson providing medical expertise and chronicling their entertaining exploits along the way.

Doyle’s works have now long been entered into the public domain, with many film and television adaptions cropping up every few years. Still, when CBS announced in 2012 that it would be turning Doyle’s works into an hour-long crime-drama series titled Elementary, it elicited an unusually high response—this was mostly due to the news that a woman would, in fact, be portraying Watson. Her name would be Joan, not John. And she’s now a fallen from grace surgeon-turned-sober companion and private detective, forfeiting her “Dr.” title in the process. The woman chosen to take on this exciting, contemporary role of Joan Watson was none other than seasoned actress Lucy Liu.

Liu, who’s best known for her roles as a fierce and ill-mannered lawyer in Ally McBeal, an ass-kicking “angel” in the rebooted Charlie’s Angels, and an equally ass-kicking bad girl in the Kill Bill series, certainly provides the yin to the yang of Jonny Lee Miller’s gritty portrayal of Holmes. Elementary chronicles the duo’s relationship as they consult for the NYPD on various criminal cases while living in a shared brownstone in Brooklyn Heights. Initially starting off in Season One as a substance-free friend to the fresh-out-of-rehab Holmes with a keen interest in solving crimes, Watson quickly transformed into a sharp and observant right-hand woman who now clearly has the aptitude to work on her own. And it appears she’ll be doing just that—the end of Season Two left viewers witnessing Watson’s decision to move out of the brownstone and start a new career as a solo private detective, seemingly fed-up with Holmes’ erratic behavior.

The warm and delightful Liu recently called up Interview from her home in New York City to discuss Elementary’s upcoming third season.

DEVON IVIE: Were you on set today?

LUCY LIU: I was running around like a maniac, yeah. It’s beautiful today, it started getting a little bit cooler again. But of course I’ve been bitten by the two mosquitos that are still alive in New York City.

IVIE: I know you were recently at New York Comic Con. How was it?

LIU: It was amazing. It’s such a spectator place. Not only do you get super fans, but you also get people who are curious and inventive and imaginative. It’s fun.

IVIE: Did you run into any cosplayers dressed as Joan Watson?

LIU: Oh, no, I don’t know about that. That’s funny! We did a panel with a huge audience so I couldn’t really see if anyone was wearing anything specific, but it’s an excuse for kids and adults to get dressed up and just be crazy. You know you’ve made it when you have super-fans out there.

IVIE: When you first read the scripts for Elementary, what was it that attracted you to the role of Joan?

LIU: I liked the fact that it was going to be about [Joan and Sherlock’s] relationship and their friendship, and bringing that into modern times. And I thought it was wonderful to change up the gender.

IVIE: Did you immerse yourself in Arthur Conan Doyle’s work as preparation at all?

LIU: I did, I did! I started reading the short stories. I never read them before so it was a really great excuse to read them. I can’t believe it was written so long ago, because it’s so current. The characters are so colorful, which is why I think there are so many incarnations of Watson and Holmes.

IVIE: Do you have a favorite story? I love “A Scandal in Bohemia.”

LIU: There were some pretty amazing stories. The one that stood out to me, which was a Watson story that I got to know him a little more through, was “The Hound of the Baskervilles.” He really is on his own in that. Of course it turns out that Holmes has been there all along, but it’s interesting looking into his interior.

IVIE: Yeah, the entirety of “The Hound of the Baskervilles” is narrated just by Watson. And his diary and letters, too.

LIU: Yeah, I think it’s really cool. We started incorporating that into the show, too, the letters and journals.

IVIE: Has this detective genre always appealed to you? Did you grow up watching or reading detective whodunits?

LIU: I remember more of the old school Nancy Drew and Hardy Boys sort of thing. I also grew up with the Scooby-Doo mysteries. Remember when the villain would go, “I would’ve gotten away with it if it weren’t for you rascal-y kids!” Those were the kind of the things I immersed myself in. I have to say that my mother has always been a huge fan of Columbo and Murder, She Wrote, so this show was her dream come true. I don’t think she totally understood what was going on with Ally McBeal. [laughs]

IVIE: I’ve enjoyed witnessing Joan’s evolution throughout the course of the show, starting off as a sober companion and eventually ending up as a trusty sidekick and confidant to Sherlock. What can we expect from Joan in Season Three?

LIU: When you see them in the third season, you see some friction between the two characters. Joan is now on her own, she has her own detective agency, has a boyfriend, and has been without Sherlock for eight months. She’s got her own apartment, she’s settled, and he shows back up. I think she’s a little bit hurt by what happened and how their relationship and partnership ended, which was basically his decision and his choice, and he left it all in one little note for her. I think she felt that their relationship was much deeper than that, and that he was dismissive in the way that he handled that.

IVIE: How would you define the relationship between Joan and Sherlock?

LIU: I think that it’s a really positive and good relationship, overall. They really have a good chemistry together, work really hard together, and understand each other. They acknowledge each other and respect each other, which is a really important way to have a friendship. And they can learn from each other, you know? She’s very curious about him and I think he sees that she’s a very smart person—that’s vital for him in having respect for someone, having them be intelligent and thinking for themselves.

IVIE: Do you see any of Joan in yourself?

LIU: I do to a certain degree. She’s a lot more measured and patient, for sure. She’s a very curious person, which I think I am, and I think she isn’t afraid of change. She was a doctor, and then became a sober companion, and then jumped off and became a detective. I think sometimes it’s good to make big leaps.

IVIE: You’ve probably been asked this question many times, but do you think a romance between Joan and Sherlock could ever fittingly happen?

LIU: It’s a question that’s often asked and I think it’s really up to the executives. Rob Doherty, the creator [of Elementary] really feels incredibly strongly about keeping their relationship platonic. He has already taken great strides to keep the relationship as clean as possible according to the literature, but he has also changed so much of it by changing the gender of Watson. To have them have a romantic involvement would turn the whole thing upside-down in a way that might really jump the line. [Doherty] felt really strongly about it and I think that’s the one thing he really wants to stay true to.

IVIE: I totally agree. Even on the BBC’s Sherlock, there are campaigns to get Benedict Cumberbatch’s Sherlock and Martin Freeman’s Watson to become romantically involved. It’s like, enough already, no!

LIU: No way, that’s so weird! People do have that level of friendship oftentimes, but it doesn’t mean it’s physical. I think that everyone just assumes because there’s chemistry the next thing should be happening. I would vote “no” for a romance. I think for sure the creator would vote no on that, too.

IVIE: I’ve talked to both women and men who watch Elementary, and they all consistently mention how well dressed and fashionable Joan is. Do you collaborate with the wardrobe department on styling decisions at all?

LIU: That’s awesome. Yes, I collaborate with Rebecca [Hofherr], who’s the costume designer, who’s wonderful. She’s very easy to work with. One thing we try to maintain about Joan and her style is that she’s a bit wrinkled, you know what I mean? Sometimes it looks like things are really put together, but we always want to make sure things aren’t too tight and are comfortable, kind of like she throws things together. We don’t want it to seem so business-y, so we go away from suits. Chic, but not corporate. Also just to make her seem like her outfits aren’t so put-together all the time. But I’m glad that people really seem to like it, it’s a relief! We don’t splurge a lot on the show, we try to do cheaper things, like things Joan would wear a lot. She wears the same white jacket and shoes frequently.

IVIE: Will we be seeing more of the infamous Clyde the Turtle in the upcoming season?

LIU: Clyde will indeed be in it again. We have to share custody of Clyde.

IVIE: Is it true that Clyde is actually two tortoises? Pulling a Mary Kate and Ashley in Full House on us?

LIU: Yes. It’s just like having twins on a show. Just in case one is crying and screaming and passed out or something.

IVIE: You made your directorial debut for an episode of Elementary last season [“Paint It Black”]. Do you have plans to direct an episode again soon?

LIU: That was so exciting. I’ll be directing another episode again very shortly in December, so you’ll be seeing it in a month and a half.

IVIE: Where did your interest in directing come from?

LIU: I guess I was curious about it. Having been in this business for a while, you kind of see and get a glimpse of everything doing film and television. I think it seemed like a natural progression to go into directing, and I hope to explore more of it, because it’s very exciting and a really good way to collide all the things that you’ve known and experienced in the business and put them all into one.

IVIE: Is there an ideal guest star that you’d like to see on the show in the upcoming season?

LIU: I would love to see Mycroft come back. I really think there was a wonderful tension for Mycroft and Sherlock as well as the triangle that occurred when Joan became involved with him. There’s something very deep about that relationship, and I also think that Rhys Ifans is a fantastic actor. He commands the screen, but off-screen he’s incredibly lovely. A real treat to have on the show.

IVIE: I remember the first few episodes that I saw Rhys in, I was like, where have I seen this guy before? So I looked at his Wikipedia page and it became obvious: he was the crazy guy from Notting Hill!

LIU: Yes, the roommate! So good! Everything he does, he just kills it, no matter the role.

IVIE: And it’s always good to have some MI6 action on the show, which Mycroft provided. Some international flair.

LIU: [laughs] International flair, exactly, some added spice. Just throw some spy stuff in there to throw people off their game. You just don’t expect it, you know? It came out of nowhere.

IVIE: That whole three-episode arc at the end of the second season…

LIU: That was awesome. I was lucky enough to direct one of those episodes, which is more narrative in tone. It’s more fun in some ways, too.

IVIE: You’ve done a range of acting work for both television and film. Do you now find yourself preferring one to the other?

LIU: I love both of them equally. The lack of predictability with television is something that’s constantly changing what your perception of who you think your character is. Suddenly I have a father that’s schizophrenic, or I discovered something else, or I have a relationship with Mycroft. The things that pop up and change the game for you and always keep you on your toes. The wonderful thing about film is that you have something that has a beginning, middle, and end, and you have a concrete amount of time to shoot it. And the process of that can be longer, like editing and advertising and testing the movie, so it’s very different. Television you just continue going, no matter what’s happening outside of your world. You get lost in that vortex a little bit.

IVIE: It’s interesting that America is now embracing the “mini-series” format that has already been so heavily utilized overseas, where there are a set amount of short episodes, and that’s it. In a way, it’s kind of like a cinematic experience.

LIU: I like that, too. It allows you to have a freedom of creativity and at the same time you don’t feel like you have to be contracted to something for that long; you’re really working on a piece of art. And then you’re done and you move on, or it comes back, like Downton Abbey. You don’t know. Those things become little masterpieces. The thing about television is that you see a range of actors now that you may not have seen five years ago even, 10 years ago absolutely not, and I think now there’s no wrong about doing television. There’s no definitive category for what kind of department you fall into anymore.

IVIE: What’s a fun, secret fact about your costar Jonny Lee Miller?

LIU: A fun fact about Jonny Lee Miller is that he oftentimes does handstands on a wall before he does a take, sometimes with pushups, to get blood to his brain and get him geared up for a long monologue that he may have. He stays there, hangs a little bit, and then turns around and does the scene. Most of the time in the brownstone more than anywhere else. He’s in full costume and everything. That’s trivia!

IVIE: I wish I could do wall-handstands by myself.

LIU: Oh my god, I need someone to push my legs up and then hold me there. I’m a cheat!

ELEMENTARY PREMIERES THURSDAY, OCTOBER 30 ON CBS.

[whyqueerbaitingisbad]

movies & shows

cracks knuckles* alright this is going to be more of a rant than an analysis because i’m basing this on both my research, but also how it felt to personally be baited by these shows. there are obviously more pieces of bad (almost every horror movie) and good ones but these are the ones i’ve watched.

please keep in mind that i am but one queer and everyone has different opinions.

Supernatural (CW) 2005

This show is 15 years old and just ended. From season 5 till 15, there has been tension between two of the lead characters. They were constantly shipped together and not only did the entire fandom know about this ship but so did almost all of Tumblr. On top of that, the actors and show runners knew about it as well. Which is why it makes it ridiculous that it was constantly pushed aside while the romantic coding  kept happening, even after show runners dismissed it as being intentional. The Destiel (Dean x Cas) case has been going on for years, and as the show came to its end, many fans had hope. But N O P E. Instead, we got a love confession from Cas where Dean looked like he was near constipated and the Cas was killed and sent into a fiery place that was not hell but s u p e r  h e l l.

… w hy.

Sherlock (BBC) 2010

Just like Supernatural, this show was renown on Tumblr for not only how good it was, but its hinting at a potential relationship between Sherlock Holmes and John Watson. But again, like Supernatural, the intentional tension between the two characters was denied by producers. This caused an uproar within the fandom, and even left some people believing that, after the last season aired, it had been a joke and the producers were hiding a “secret, unaired season” because they had felt so robbed by this show that had implied something and denied it.

The 100 (CW) 2014

We got lesbians. We got background gays. We were happy. Then, all of a sudden, one of them is killed for no reason. Did it advance the plot? No. Was she fighting and died in battle? lol no. She was doing literally nothing and got shot and died. And then the producers kept bringing her back once a season in the form of a ghost or illusion because why? Because she was a fan favourite queer character. ✨bury your gays and sparingly bring them back for profit anyone?✨

Voltron: Legendary Defender (Netflix) 2016

*deep breathe* This one is a special disaster. Not only was there romantic tension and romantically coded scenes for 7 seasons, but producers, voice actors and artists working on the show repeatedly said “don’t worry klance (Keith x Lance) shippers, you’ll be happy”

. … w h e r e??? You code one of their scenes with a sunset in the background while they talk about love and then one of them goes on a date with someone who has declined his advances for 7 seasons but now in season 8 decides to do a full 180. Not only that, but you announce at a Comic Con (a convention) that a character is gay and has a fiancé, only to kill off the fiancé and never make it explicit in the show except at the last second of the last episode where he marries a no name character. 

Personally, i’d like to say a big fuck you to the show that strung me along for 2 years and never stopped saying we’d be happy to then pull the rug out from under us and call us crazy for thinking anything from the past 8 seasons was intentional.

Scooby-Doo (2002) 

While not being outwardly queerbaiting, this movie’s filmmaker has just revealed some shocking news, which wasn’t at all shocking to the gays who had watched this movie over the years. In July of 2020, James Gunn, the filmmaker of Scooby-Doo, revealed in a podcast that, initially, Velma was explicitly gay in his script, but then the studio watered it down until it became nothing. This isn’t an example of baiting as much as it is changing a character’s initial design to “better fit an audience”. The worst part of all this is that with Velma’s character having been written with a l i t t l e queer subtext, people had been theorizing about if since the movie came out, but were always yelled at by the internet for “imagining something that isn’t there”. But now, even with it being said that the initial point was for her to be gay, people have no objections to still refusing to accept it. Why?? So we can’t get the subtext gays OR the confirmed gays?? Make it make sense.

Brooklyn 99 (NBC) 2013

To have the queer characters firstly introduced without mentioning their sexualities and have it brought up naturally was so goddamn nice to see, because no one does a big deal about it unless they ask for that. This show is amazing in general but the way they show their queer characters is *chefs kiss*.

She-ra and the Princesses of Power (Netflix) 2018

This. Show. My heart SOARS. It's just a remake of an old show so absolutely nothing was ever expected, but then it was sprinkled in and ENDED WITH A BANG. And it was so beautiful and real to see the struggle of two friends who care for each other and want to be together but have different visions of the world fall in love. And they also had characters with disabilities, a non-binary character and jUST SUCH A GOOD SHOW.

Kipo and The Age of Wonderbeasts (Netflix) 2020

This is a case where you go into it not expecting anything and are BLOWN AWAY by the bare minimum. And not because it’s bad!! It's mind blowing because this is the simple representation we need!! Not something over the top, but an every day relationship. It’s just two boys falling in love and going on dates and being nervous around each other, yet i was so stunned. Because it’s not shown enough. I should not be this excited over something that should be this normal. 10/10 though this show is so good for all kinds of representation.

Steven Universe (Cartoon Network) 2013

This show did so much for queer representation with its general message of loving everyone and loving who you want. Especially since it was aired on Cartoon Network, a channel for kids, it was able to help normalize something so looked down upon in some circles. It made it easy to watch for s o m e people because it's a cartoon but it's so beautiful to see these ladies so in love with each other, both platonically and romantically and we see them have a family dynamic that isn’t a “nuclear family”. Rebecca Sugar (creator) really said “lemme just break all stereotypes real quick”.

Adventure Time (Cartoon Network) 2010

It's the “knowing a fanbase shipped something so hard that the creators made it canon” for me. This relationship had been theorized by fans for years, but it had never been explicit in the show. When the finale episode came out and the two shared a kiss, it was a moment of celebration. The producer of the show said that it had not really been planned but when the episode was being made, the choice of what happened was given to one of the artists (bless your soul Hanna K. Nyströmthe). And as the show releases little bonus episodes, its latest was centered around Marceline and Bubblegum and their relationship. AND WE LOVE TO SEE OUR DOMESTIC LESBIANS BEING HAPPY AND IN LOVE.

Yuri on Ice!!! (anime) 2016

The fact that an A N I M E gave us a love story between two men is mind boggling and it makes me so happy!! Especially because it's a Japanese show and they’re very conservative about these things just makes it more emotional. The creators said they wanted to make the anime take place in a world where gay/straight isn’t a thing, it’s just love (ladies, you’re going to make me cry). So as the weekly episodes came out and fans start speculating, THEY GAVE US THE LAST FEW EPISODES FULL OF ROMANCE AND EMOTIONAL SCENES BETWEEN THE TWO AND THEN THEY GET R I N GS?!???!! You watch for the figure skating, you stay for the figure skaters that are in love.

Shadowhunters (Freeform) 2016

*insert me being frustrated that the actors are straight so we can move on from that disappointment*

This show really said “let’s name a whole episode after this couple because they deserve it”. But seriously, they gave us two characters whose entire plot does not center around their sexualities while still showing us the differences in a relationship between someone experienced and someone new at this. They were both powerful and amazing characters apart from each other, with their own story lines and goals but they loved each other so much omgs. SO MUCH. 

It was so great to watch.

Love, Simon (2018) 

There’s a lot of disagreement on whether this movie is good representation or not. However, we need to take into consideration that this was Hollywood’s first movie with a main character that was gay, where the story’s focus was on Simon’s love story. The biggest problem, for me at least, was that the actor playing Simon is a straight man and not queer. My problem is not with him, but the fact that there are other actors that are gay and that could have played Simon just as well. (the love interested was however played by a queer actor so ✨progress✨)

All in all, this movie does represent what a lot of queer kids have to go through: being outed at school, how they then come out, the bullying and doubt they go through.

The book is also really good.

Call Me By Your Name (2018)

This movie is so aesthetically pleasing and was able to capture the confusion and heartbreak felt by a boy who’s struggling with his own feelings towards a man. His inner conflict and joy and l o v e he feels but doesn’t know how to deal with is so well communicated through the screen and just breaks your heart because it feels so real.

But again, they could’ve gotten gay actors to play gay characters…

through having this list here, i want to show you that it’s not hard for creators to give good queer representation. the LGBTQ+ community isn’t asking for much, we just want to be well represented on screen as just a regular character, not some token queer kid there for the diversity points. having been exposed to so much queerbaiting and just not seeing any representation on screen, i always get over-excited when i see a queer character, and that’s not how it should be. it should be a normal thing, something you can find in most pieces of media, just like there’s a straight white cisgender person in everything.

and they seriously need to start casting queer actors for queer characters...

[travel-hopefully]

A collective post of everything I watched on Netflix in 2020

I finally found the watch history function on Netflix which I wanted in order to reminisce over the TV/film I watched over the last year, including the good and the bad. I’ve included a little round-up of my thoughts for each, as lockdown has got me with plenty of time on my hands. If anyone has watched any of the below feel free to give me a message- happy to discuss anything!

Travelers (season 3) - this was an unforgettable show with some great characters and definitely put me through hell (in a good way), I am a David x Marcy shipper for sure!

IT Crowd (season 4 & 5) - my favourite comedy show ever, and I mean the UK version

Explained (random episodes) - interesting bite-sized episodes on a variety of topics

Sherlock (season 3 & 4) - it kinda went downhill from season 4...and doesn’t help that there is no season 5 in sight

Unforgettable - must be pretty forgettable cause I couldn’t remember watching, a typical revenge plot romp I think

The Mind, Explained - same as for Explained above, except more pyshcological

You (season 2) - binge-worthy! I love to hate Joe Goldberg.

Don’t F**k with Cats - wow, this was disturbing but so gripping.

Jumanji: Welcome to the Jungle - geniunely a good remake and rather amusing

Sex, Explained - as for Explained but a little more intriguing ;)

The Stranger (season 1) - full of suspense and a good binge watch but ultimately full of plot holes with an unsatisfying conclusion

Gavin & Stacey (season 3) - a classic which I only started watching in 2019

Sex Education (all of it) - comedy gold!

Unbelievable (limited series) - very harrowing, an emotional rollercoaster based on a real-life rape case

Atypical (all of it) - light-hearted and fun to binge

The Sinner (season 1) - it was okay... wasn’t spectacular compared to other similar dramas I’ve seen

Love Is Blind (season 1) - cringey but satisfying

In the Shadow of the Moon - I hardly remember this one :)

Dunkirk - a stand-out historical movie

The Stepfather - typical killer stepfather plot but rather enjoyable

The Super - an interesting premise, but not that super

Saw VI - all gore not much plot

Doctor Who (random episodes) - no words needed :D

Louis Theroux and Louis Theroux’s Weird Weekends (random episodes) - I love his style of interviewing - what a man!

The Revenant - a lot of... well, not much

Nightcrawler - it was decent, but something was missing which I couldn’t put my finger on

How To Get Away With Murder (seasons 1-5) - probably my biggest new watch of the year, a rollercoaster of suspense, drama and murder, another season to go...

Ocean’s Eleven - fun but cheesey

Blumhouse’s Truth or Dare - creepy faces and an interesting ending

Eli - it started one way then went another, I wasn’t convinced

Star Trek (2009) - I couldn’t really get into this one...

In the Tall Grass - a lot of running around in grass

Bloodride (season 1) - i loved this, a quirky idea, i binged it

Apostle - intense, a satisfying religious cult horror

The Platform - great idea, not sure on the ending

What Keeps You Alive - what happened in this one again?

History 101 - didn’t watch many episodes :P

The Prodigy - a decent child possession horror

Into the Night (season 1) - really enjoyed this, a highlight of the year for me, hoping for a season 2

It - pretty chilling and creepy, but a tad cheesey

Jurassic World and Jurassic World: Fallen Kingdom - the first one has a brilliant dinosaur fight scene, the second one has too many plot holes and inconsistencies to take seriously

Knowing - a Nicholas Cage sci-fi/apocalpytic classic, pretty decent

Stranger Things (random episodes) - i tried to get my bf into the show but sadly he still isn’t much of a TV fan

Miranda (random episodes) - such fun!

Black Mirror (seasons 1 & 2) - another one i introduced the bf to, i got a bit further with him on this one, the very first episode being the highlight

The Last House on the Left - a decent remake, but nothing outstanding

Dark (season 3) - this, my friends, is one of the greatest shows of all time. want a timey-wimey story where everything is connected and has an amazingly satisfying conclusion? this is the show for you!

The Silence - a bad ‘A Quiet Place’

Geostorm - i’m a fan of disaster movies but this one wasn’t in the same league as some of the greats

Panic Room - a mum and kid hides in the panic room when a group of thugs break into the house, it was enjoyable but not all that memorable

Prisoners - a very long film with some enjoyable parts but overall unsatisfying

Girl on the Third Floor - it was okay, i can’t remember much of it

The Woods (season 1) - another Harlan Coben adaptation- not as good as ‘Safe’ or ‘The Stranger’ but still a gripping thriller

Time Trap - a fun time-travel film with some interesting turns of events

72 Dangerous/Cutest Animals (random episodes) - just ‘cause i love animals

Slasher (all of it) - some very gory deaths, especially in season 3. quite disturbing but keeps the suspense up throughout.

2012 - a guilty pleasure of mine, realistic or not

Kingsman: The Secret Service - a fun spy film, will be looking to watch the second one soon

Blackfish - this was harrowing, it really made me think, but overall i’m on the side of tilikum

Unsolved Mysteries (season 1 & 2) - watching some of these my jaw dropped, love theorising on this kind of stuff

Down to Earth with Zac Efron (season 1) - Zac is great in this, he seems so chill and literally ‘down to earth’

The Call - I love this film, seen it 3 times now

Contagion - very relatable right now, interesting to see the parallels with todays situation

Next in Fashion (season 1) - i didn’t get too far with this, i found it a little superficial

Searching - another of those internet web-cam based films. decent but not memorable.

Non-stop - another Nicholas Cage classic, this time a suspense thriller

Freaks - as the title suggests this one was rather weird, i didn’t quite gel with it

The Perfection - wow, that was an experience. definitely memorable, even if some characters make questionable decisions...

Extraction - not usually a fan of action-type thrillers, but i actually enjoyed this one, plus it has Chris Hemsworth in it!

Line of Duty (season 2) - full of suspense, a great build-up in the first 5 episodes, but the way they tied it up really grated on me 

Insidious - watched this one with my sister. a genuinely good horror film on rewatch with an amazing cliff-hanger

A Quiet Place - another one watched with my sister. labelled a horror but its more sci-fi, either way its a classic. bring on the second film!

The Dark Tower - disappointing mostly.

Gladiator - i’d never seen this before and now i understand the hype- what an epic movie!

Criminal UK (season 2) - didn’t disappoint following the exceptional first season

Venom - a fun comedic marvel film, definitely need to watch more from Marvel in the next year- i need an order to watch them in as don’t know where to start

Our Planet (season 1) - chill David Attenborough to put on in the background

The Equalizer - a great action revenge thriller plot with a badass Denzel

Merlin (random episodes) - who doesn’t love a trip down memory lane with some nostalgic bbc merlin?

A Nightmare on Elm Street (2010) - pretty scary remake

The Witcher (season 1) - rewatched in order to familiarise myself again before season 2 - i didn’t realise how funny the show was until this time round, gotta love Jaskier!

American Murder: The Family Next Door - this was haunting

The Haunting of Bly Manor - phenomenal, emotional, creepy, heartbreaking - i much preferred it to Hill House

Abducted in Plain Sight - seriously, how naive are the parents in this? i could have a rant for hours about this!

The End of the F***ing World (seasons 1 & 2) - very bingeable, Alyssa makes me laugh too much, i love how relatable the show is

Fractured - didn’t expect much from this consipiracy-type film but it kept me guessing right till the end

The Ripper (limited series) - very intriguing, but the mysogyny in this was shocking

Inconceivable - a typical mother looking for her baby revenge plot but still entertaining

The Midnight Sky - i’d heard rave reviews for this but was disappointed by a lacklustre plot which was sacrificed for award-winning cinematography

Killer Women with Piers Morgan (season 2) - a pyschological interview series which looks into the mind of murderers, rather interesting

May the Devil Take You - scarier and jumpier than i thought it would be!

So 2020 obviously gave me a lot of time to watch a s**t load of stuff and looking back at it i feel like i got a decent amount of my watch-list ticked off! And obviously this is not including shows watched on other media so there’s that too (a special shout-out to the William Hartnell era of Doctor Who which I watched this year on BritBox). In all, 2020 has definitely introduced me to a few new fandoms and progressed my love for others. 

[starkassembled]

I am a huge Hannibal fan / Hannigram shipper and know well enough that the new show has no relationship with Hannibal TV show. But as far as harassing the show-runner is concerned, it was Kurtzman who diminished the show labelling it nothing more than a gore-fest in comparison to what he claims would be 'meaningful cases'. What was the point of this kind of ignorant dismissal and insult ? They aren't related, and should be left at that, so yes some fans are disturbed at that, not the show.

[Also many of us have read the books, seen the movies. Fans thinking that Clarice is a problem from the Hannibal show are not correct either, just like you are incorrect thinking we want a crossover, because the shows exist in different universe so completely there is no chance it may cross path. But you are ignorant and loud mouthed.]] //end of questions from the same author, I think?// - - - So, by that logic, the show Clarice holds absolutely no interest for you and this entire fanbase. Has no connection to Hannibal and shouldn’t even be in your orbit? Why would you be actively pursuing a hate campaign for the series and anyone that is excited about there being a show based around Clarice Starling? Why not just focus on the Season 4 campaigns? The Clarice tags on this site as well as twitter are clogged with people spewing hatred and false statements. Like Clarice doesn’t have the rights to any Harris characters apart from Clarice Starling herself (it has the rights to dozens, and the first episode alone had physical appearances of 6, 2 verbal/visual references to other characters). And the perpetual spreading of the false narratives that one: Clarice Starling is a “rip-off” character of Will Graham. and two: that Clarice Starling doesn’t have enough to her character to hold up a tv series, when she’s the main character of both The Silence of the Lambs *and* Hannibal novels and films. I’m a huge Lecterverse fan. I followed NBC’s show from the pilot episode. Being a part of that fanbase for so long, I’ve watched it slowly transform into a toxic, aggressive and sad shell of it’s former self. Attacking fellow fans, attacking other shows, attacking actors and actresses for no reason. The toxicity and vitriol from that fanbase has tainted the show for me, I haven’t had the heart to re-watch it in at least two years. The final straw for me was when some fan account decided to steal my own picture and photoshop Will Graham’s face over my own. Who does that? My point wasn’t that you guys dream about a crossover, it’s that you would better benefit the Season 4 campaign if you advocated for a crossover rather than trying to tank the show before it even begins. MGM holds those rights that a fourth season desperately needs. You want to be friends with them, not enemies. I remember how bad things went when the BBC Sherlock fanbase decided to start a hate campaign with the CBS Elementary series, and it’s really disappointing that 9 years later, y’all are acting the exact same way. Any Lecter adaptation is a good thing, not something that should be aggressively loathed like some scorned lover. As for the Kurtzman quote, I’d really enjoy a link to the article in question, cuz I’ve read through about 6 of them and here’s the only two I see that mention Hannibal Lecter, and they don’t seem offensive to me at all as a fan of both series? “But it's been quite liberating because we have no interest in writing about Hannibal — not because we didn't love the films and the show, but because it was done so well by so many people that it didn't feel fresh for us,“ and “Let me say that we’re not doing what the show Hannibal did and that was make a literal meal of the murders themselves. Our goal, when we pick individual cases, is to always organize our story break around what’s going on for the characters and then how can the case itself somehow illuminate some inner struggle that they’re not confronting? So, we don’t really break story or grisly murders or ‘what’s the grisliest murder we can put on camera?’ We break story from the point of view of asking ‘What are they not looking at? What are they afraid to look at? What are they scared to look at? And how does this case open a door for them that they may not necessarily want to walk through?” Those both are factual and fair statements to me. Hannibal Lecter’s character has been portrayed in 5 films and one television series by some incredibly talented and decorated actors. Brian Cox, Sir Anthony Hopkins, Gaspard Ulliel, briefly as young Lecter by Aaron Thomas and of course, by the incredible Mads Mikkelsen. His story is fully realized, from birth to old age. Why mess with fantastic acting and storytelling when you can tap into an untold story about Clarice, her years from the end of The Silence of the Lambs to the start of the Hannibal novel. That’s a 7 year gap to fill, and one that can be told easily without Lecter’s name. NBC Hannibal had wonderful cinematography, and we can all agree that it was gory pieces of art. It was so graphic that it turned away certain viewers at the time of airing because of how graphic it was at the time. In the one episode we’ve gotten of Clarice so far, the deaths are not “pieces of art”, they focus less on the killer and more on the victims, which is perfectly in line with Clarice’s empathy. It doesn’t suit the tone of the story these writers are trying to tell. I don’t find those statements insulting, I find them factual. Not everyone is interested in the gory death scenes. And I think emphasizing the victim’s stories are rather fitting for the time period we’re in now, it reminds me of the late Michelle McNamara’s true crime novel, I’ll Be Gone In The Dark. tldr: if you don’t like the concept of a Clarice Starling standalone series, then don’t watch it. but don’t actively mistreat those that do want to watch it and are curious to check it out. as this series holds absolutely nothing against Hannibal and the fan campaign to get a fourth season. and don’t be rude? isn’t that the entire tagline of Hannibal? Lol.