#I'm practicing perspective and the thing is like here's how to draw as if you were filming the scene with a fisheye lens

[kittyandco]

something i've been thinking about for the last few... forever.

shout out to the people who identify so strongly with, and/or find the most comfort in, the worst character(s) of any media that you're into. some of us find connection and similarities with the most terrible figures that canon has to offer. often, you're expected to identify most strongly with the good guy, or aspire to be like them (and not to say you don't, because i do sometimes). but that often doesn't happen for me, and i see more of myself in the evil impacting them.

not because i think i'm a bad person, and not because i aspire to be a flamboyant supervillain, but i often understand their feelings, their mindset, i understand how they got there, because i often went through a lot of the same things they did, even if only emotionally. it often goes beyond sheer appreciation for me (though i often find them more interesting from a narrative sense). and if i were in their world, i might become like them if things were even slightly different. if i didn't try to unlearn the fact that destruction is the only way to get what you want. catharsis is a powerful motivator.

i think it's important to embrace the "they're just like me" perspective when it comes to characters who aren't always "morally sound," and i do unequivocally include the "unsympathetic" ones. we're always going to find fictional characters we admire so long as art keeps being made, and sometimes admiration moves into "i identify with this character because of our background/personality/etc.", and sometimes these characters are the ones you're supposed to hate and root against... intentionally or not, many antagonists are very relatable (though often in unspoken ways).

none of this is to say that your taste in favorite characters means anything about you as a person, because it doesn't. how you treat others says all it needs to say about you as a person. i've seen this first-hand: people being surprised that i am friendly and compassionate (i try my best!) simply because i have a deep love for fictional guys who commit atrocities. yes, my worldly experiences, and the way i view them, as well as my fantastic taste draws me to fictional bad guys, but at the end of the day, i strive to be the best i can be every day. i aim to exude the kindness that i didn't always get when i practically begged for it. on the other hand, you could like the most sugary sweet, do-good fictional characters ever created (and good for you! no shame here!) and still be a nightmare to those around you.

i don't like the idea that you CANNOT like these characters, or identify with them, without condoning some sort of evil or being a bad person. they are people (or robots, or monsters, or whatever they are) who did bad things, whatever their reasons -- here's no inherence about it, and i think that belief has helped me in trying to understand them. i try to practice this with everyone i encounter. and along the way, i actually find that we aren't so different

[kookslastbutton]

Those Eyes Chico ༓ myg (m) | chapter two

✑ Summary: As the new marketing director for Min Yoongi’s upcoming D-Day album & tour, you’re expected to bring your expertise to the table. This shouldn’t be a problem—you’re the best in the business and you’re used to drawing a strict line between your professional and personal life. But what happens when the lines you’ve fought to keep as separate blur for the first time?

pairing: idol!yoongi x plus size!poc!reader

genre/AU: angst, fluff, smut, slowburn, coworkers2friends2lovers, winter setting, forbidden love

word count: 6.1k+

warnings: This chapter in particular is written from Yoongi's perspective, oc is 28, Yoon is 30, oc is not originally from South Korea, oc has light brown eyes, swearing, mentions of alcohol consumption, smoking, mentions of body shaming by Hybe executive, bestie!tae is wonderful support 🥹, light fighting between members (literally crack), Namjoon has a little crush, Oc being a total boss at work bc she is amazing at her job, and cute & meaningful Yoon and OC interactions that make them finally start bonding (a little flirty too, hehe) 😉

now playing: Sweet Dreams by The Last Shadow Puppets

a/n: CHAPTR TWO IS HERE! GOD...the slow burn exists outside the series too with me not updating for two months. I'm sorry guys but TYSM for your patience! I'm VERY excited to release this chapter bc I think Yoon & Oc are super cute, hehe. Okay anyway, this series is dedicated to my wonderfully crazy friend and sorta beta, Gloom @theuselessdaydreamingidiot, and to all our fellow Yoon lovers bc we miss our sweet man SO MUCH 🥺 Enjoy! 🥰 Also huge thank you to @itaeewon for designing this beautiful series header! Love it!!

Series Masterlist | next chapter >>

Yoongi stands with his hands placed loosely on his hip, chest heaving as he attempts to catch his breath. The seven of them had been practicing choreography for their new RUN BTS song nonstop when Jimin called for a much-needed, fifteen-minute break. There’s a part of him that’s thanking the younger for it and another that’s wishing he hadn’t, as every moment left alone with his thoughts is spent decoding his last encounter with you at the cafeteria.

Why had you made such a beeline for the exit the moment he was waved over by his member?

You also completely ignored his attempts to greet you on your way out. He only stopped by the cafeteria to slip an orange in his pocket before returning to his studio. He didn’t mean to intrude or incite that you had to leave with his sudden presence.

Taehyung assured him that you merely left to tend to work matters, which he’d typically sum as hyper-fixation with one’s work as he’s prone to do the same, but this felt different at its core. Your behavior seemed more intentional than that. The last thing he wants to do is misread the whole situation, but he must’ve done or said something to cause your uneasiness.

“Hyung, how did the album meeting go this morning?” A clear voice comes from Yoongi's left as his fellow band member, Namjoon, strides next to him, water bottle clenched in his fist. Like himself, large droplets of sweat dots around the man’s brow. The minor interruption shakes Yoongi out of his slightly dazed state.

“Went well.” He takes a big swish of his own water before screwing the cap back on. “We reviewed everything in three hours and the album looks better than I anticipated. There are a couple of promotional strategies that still need finalizing, but I’m pretty confident about it overall.”

“That’s great, man. __-nim’s been doing good work with TXT for the last few years, so she’s definitely suited for the job. I thought about requesting her help to promote Indigo but the timing of it all didn’t work.” Namjoon’s voice drops an octave at the last part, as if remorseful for more than a missed professional opportunity.

“Ah, maybe your next album hyung,” Jimin suddenly chimes in, slapping the taller man on the shoulder from the side. “I have a feeling you and __-nim would work well together. Think about it, you’re both natural born leaders and you’re smart too. I bet __ -nim has as high of an IQ as you.”

Namjoon’s cheeks flush with the faintest tint of rose as Jimin flashes a knowingly cheeky grin. Yoongi, of course, witnesses the entire exchange, the slightest part of him feeling uprooted by the thought of his band member and new marketing manager suddenly hitting it off. He decides not to comment on the matter, choosing to remain in ignorance instead. This is all speculation, right?

Now that they’re all on the subject of his album though, it gets him thinking that maybe he’s been too narrow viewed regarding the reason for your off putting behavior at lunch.

D-Day’s release has become a consuming priority lately, with everyone involved worked to the bone. Aside from himself, you’ve been bearing the brunt of it. He’s appreciative of course, considering the album holds a deep sense of meaning to him, and he’d be lying if he said he didn’t want it to be perfect. A little pushback during the first proposal is natural, yet he did get more resistant toward ideas during this morning’s meeting than anticipated. Perhaps some of his nitpicking was unnecessary, adding to your already heavy load.

Yoongi’s head feels worse the longer he entertains the possibility. He doesn’t want to make the first time working together a complete whirlwind, especially this early. A strong, healthy partnership starts with trust, safety, and mutual respect. The same philosophy can be applied to relationships of varying natures. That reminds him—since when did Taehyung and you become so close? He’s been ruminating over it all afternoon, like a jigsaw puzzle he can’t solve.

It’s odd how little he knows.

“I heard someone mention __-nim over here. I want in.” A small grumble leaves Yoongi’s lips as Jungkook pushes next to him, displeased by how tiny his space bubble has gotten due to the huddle his members have formed around him. Just why the hell is everyone so interested in his new marketing director? That's what he wants to know.

“Can you introduce me to her sometime hyung?" Jungkook pleads. "I’m thinking about releasing an album in the next year and it’d be great if you could hook us up…yknow?”

Oh, Yoongi knows. He knows exactly what this young buck is insinuating, but it isn’t mating season yet and even if it were he will do no such thing as to “hook them up”. Besides, his conscience tells him that you wouldn't be interested in the company of a younger man anyway—not that your dating life is any of his business or anything.

“Get in line Jungkookie, behind Namjoon. He needs her for his album first.” Jimin squeezes down on Namjoon’s muscular shoulders with both hands, shaking him just enough to hype him up. His hands are removed seconds later when he’s told to knock it off.

“That’s enough about this, okay? I’m pretty sure Yoongi-hyung is the only one who actually needs __-nim right now because, in case you dumbasses have forgotten, D-Day is set to release in April,” Namjoon scolds the two with a commanding tone. Jungkook, per usual, remains persistent in his original request and keeps his full attention on Yoongi.

“Anyway hyung, as I was saying, I know your album takes priority so I’m in no hurry to meet her. I can be pretty patient as you know-“

“Heh, that’s a lie.”

“Shove it Jimin, no one’s talking to you.” Jungkook’s eyebrows scrunch together as Jimin snorts helplessly next to Namjoon.

“You shove it Kook,” Jimin counters. “And stop trying to date __-nim! Find your own woman!”

“I’m not trying to date her! She's my noona for gods sake! Do you think I’m oblivious to how the public reacts to idols dating? Also, __-nim is a Hybe employee, not an idol. I can only imagine the type of scandal the media would spin it as.”

“Right, we all know you actually just want to take her to your bed instead,” Jimin interrupts for the umpteenth time. “Our handsome leader, on the other hand, is interested in her professional abilities. We can learn a lot from him.”

“Why are you always trying to start a fight with me Jimin? Is it because I can take you, now that I've been building up more muscle?” Jungkook’s accusations earn him nothing more than a sea of eye-rolls until Jimin lunges himself towards him, puffing out his chest the best he can to size him up.

Namjoon rubs his face with a hand, a clear visual display of his exhaustion. He’s been moderating these stupid squabbles for nine years now. “Alright very mature, biggest boy band in the world and this is what it’s come to? Amazing, congrats to everyone for winning the award for most-”

“Woah, woah, woah,” Seokjin interjects, effortlessly shouting over everyone while waving his hands. “My brothers…why are we fighting over here like a couple of peacocks? We are all beautiful in our own, individual ways. Mine, for example, is my handsome face.”

“For the love of god hyung, we’re trying to settle something. Go take your inspirational pep talk elsewhere!” Jungkook bends his knees, swooping down to throw Jimin over his shoulder but he misses when the man starts tickling him ruthlessly.

“St-ah-stop it Jimin!"

“You stop it, you frickin’ brat! Trying to take advantage of our hyungs for your own selfish gain.” Jimin then slaps Jungkook on the ass which does not go unappreciated as Hoseok cackles from the other side of the room. Up until this point, he’s been scrolling on his phone, completely unbothered by the chaos. As Hoseok nears the action, Jungkook delivers a swift kick to Jimin’s rear end.

“Ow, what the fuck Kook?!” Jimin tries soothing the sting by massaging it with his hands. “You little prick!”

“Oh come on, I barely hit you. Gaining sympathy points won’t help this time, plus I see you trying to hide a grin. You think this shit is funny. You’re sick you know that?”

Jimin makes a move to return the kick to his youngest member but ends up hitting a far taller, and leaner subject instead. Taehyung, who just returned from the bathroom, throws a hand over his abdomen and grunts from the sudden impact.

“What is—shit Jimin that really hurt!” Taehyung’s baritone voice echoes off the walls as he winces from the pain. He takes a few deep breaths, then viciously eyes the two brawlers followed by the rest of the room. “What the hell is going on? I heard you all talking about __-nim from the hallway. Yoongi-hyung here is trying to kick off his album and tour, which we are supposed to be celebrating over drinks this Friday, but here you are arguing with each other and who has the biggest dick. Well, you can all put it away because as __-nim’s best friend, and number one wingman, only I’m allowed to set her up with someone and it won’t be with any of you! Sorry hyung…” he looks at Namjoon who appears to have brushed the comment off.

As soon as Taehyung ceases his mini-speech, eery silence sets in. Hoseok is the first to dare say a word.

“Uh, so what’s this about being her best friend Tae?”

“Yeah, I had no idea either.” Jimin quirks his head to the side, awaiting the details.

“Same,” Namjoon adds in a short breath.

“What happened to us, man?” Jungkook pouts at Taehyung, a total 180 from moments ago when he was in an unsolicited sparring match with Jimin. “You used to share everything with me. Now you’re holding out on me. Since when did you and __-nim start hanging out?”

Yoongi’s ears perk up for the first time since all the commotion began, curious to hear Taehyung’s response. He only recently discovered the blossoming friendship hours ago and even then, it was a brief inside look.

“I didn’t think to mention it but yeah, we started talking since her first day at Hybe. I bumped into her on the way into work, early morning for both of us. I expected her to be a bit on the reserved side, considering she was a new hire, but she was quite friendly. The more we talked, the more I felt like I knew her as if a childhood best friend I’d reconnected with.” Pausing, he wets his lips before continuing. “We share a lot of our meals together now, like our lunches during the weekday. Her food tastes amazing by the way. I think she missed her calling as a chef but it’s more than food— it’s a love language, a labor of love.”

“Wow, you two sure are connected,” Hoseok speaks first again, seeing the rest of his members working to process the new bit of info.

“Platonically, yes.”

“This’ll be good for Yoongi-hyung and his album then! No bad blood exists here!” Hoseok shifts his gaze between Taehyung and Yoongi, pleased with the outcome. The older of the two remains speechless, yet it’s far from a dazed expression. Yoongi is instead deep in thought, the wheels turning in his head.

So maybe it’s true that birds of a feather flock together, he hums to himself. The two of you seem to be social butterflies with a vase full of commonalities. He, on the other hand, prefers his solitude. That’s not to say he’s a hermit or anything though. Hybe hosts a company-wide New Year’s Eve party every single year and he’s made his best effort to attend them all. He mainly mingles with his members, but he still makes sure to small talk with other coworkers. Come to think of it, did he even see you at last year’s New Year’s Eve party?

He can’t remember much from the night except Seokjin scolding him for not wishing him a happy birthday the minute the clock struck midnight. He was a bit tipsy at that point. Taehyung disappeared soon after to make his usual rounds, stopping to chat with everyone in his path. Maybe he took off to talk to you during that time.

Okay, he really needs to stop thinking about you.

"Just to confirm, is everyone still on for Friday night to celebrate D-Day?" Jimin pipes. "I booked us a good place to have some food and drinks.

Taehyung nods, "I am, as long as it's not the same place we saw our CFO and his much younger date feeding each other. I couldn't eat for the rest of that night."

Jungkook fakes a gag before replying. "I'm sorry but does anyone know how is he still working here? Guy creeps me out."

"I swear, I couldn't agree more. Just yesterday he made an egregiously body-shaming comment toward __-nim to someone else on the board. She kept a brave front when she told me, but I'm damn tempted to get him removed from his position myself!" Taehyung's nostrils flare as he shares his frustration, fingers digging into his hips.

Yoongi takes a final chug of his water before abruptly tossing the bottle on the floor. A sharp crack resounds through the space, instantly commanding the authority of the room. “Fifteen minutes is over,” he gruffs. “It might be twenty minutes with all the bickering earlier. We don't have time to be talking about this anymore.”

“Come on now," Hoseok says. "Didn't you hear what Taehyung said? Our CFO really is a class-A jerk. I feel so bad that __-nim has to put up with his bullshit, she doesn't deserve it." His eyes frantically search the room, hoping to rally support.

"Don't worry about that asshole," Yoongi assures, "I'll handle it." He strides over to his choreographed position on the dance floor as if a leader in his own right, the rest of the members following in his steps.

"Just don't kill him, hyung," Namjoon says, resting a hand on the older's shoulder from behind. Yoongi merely snorts lightly in reply.

Yoongi is dead tired, his feet feeling heavier the minute he stands from his studio chair. He could have left hours ago, but here it is nearly 9:30 at night, and he's only just leaving the office.

As he shuffles down the hallway towards the elevator, he notices the eerie silence. It's thick, almost palpable. There's not a soul left in the building this late at night. When the elevator doors open, he leans casually against the metal rail, closes his eyes, and mentally retraces his day.

Overall, it was a decent day, he thinks, productive at best. Skipping dinner to work on his album tracks was an easy decision, but he might be paying for it now given the intense growling of his stomach. Despite his songs being considered perfect by his members, he can't help but tweak each one a final time. It's as if his gut tells him there's still a piece missing from the whole.

All at once, the elevator comes to a sudden stop. Yoongi's eyes shoot open, anticipation flooding his senses. Is someone still here? He listens intently, straining to hear any sound over the faint hum of the elevator. After a few moments that feel like an eternity, the elevator doors slide open to reveal an empty, dimly lit hallway. It's the 16th floor. He hesitates for a second, peering into the shadows, but there’s no sign of anyone. Strange.

Just as the elevator doors begin to close, Yoongi hears a distant, unmistakable voice. "Please hold the door!" you plead, your voice strained with urgency. He responds immediately, stretching out an arm to block the door. "Thank you so much," you say, slipping in beside him, your bag thrown over your shoulder.

Yoongi watches as you enter, curiosity in his eyes. It seems you were of like mind tonight, working late and likely burdened by the extra work he caused for you. The feeling of tension is as clear as it was yesterday, lingering as a reminder of the unspoken discomfort between you both.

But then again, there's that issue Taehyung mentioned, looming in his thoughts. He hadn't realized you overheard the horrendous comment his CFO made about you. No wonder you hurried away from him like a bat out of hell yesterday; you knew he knew. He wouldn't dare shine a light on the situation and risk embarrassing you further; no one needs to relive such a belittling experience. Yet, he's wrestling with the right words to say.

"Heading home, Min PD-nim?" You surprise him by speaking first, voice firm with a touch of gentleness.

Yoongi allows a faint smile to tug at the corners of his lips, hoping it'll relieve some tension. "I am, it's been quite a day. What about you?"

You nod, shifting the bag on your shoulder. "Same here. Just had to wrap up a few things before heading out."

He hesitates for a moment, noting how you speak as if it were only a few minutes past five or six in the evening. "I understand. I was working in my studio up until now. I should be back up there tomorrow too," he says, then chuckles lightly, "Sometimes I feel like I should just live up there."

You return the subtle laugh and smile softly at him, your light brown eyes catching his dark ones. It feels like the same prolonged gaze you shared upon first meeting, yet now, it's somehow become easier; perhaps a hint of familiarity.

"By the way," he continues, seizing the opportunity, "feel free to call me Yoongi-ssi. I'm not that formal in case you didn't know." He playfully gestures to his casual attire; tan cargo pants, grey plaid button-down, and sneakers.

You seem hesitant towards the request at first, evident from your delayed response. "Are you sure?" you choke. "I don't want to over step my boundaries."

"There's no need to worry about that," he assures. "We're on equal level aren't we? If we're going to be working side by side for the next eight months give or take, I want us to feel comfortable with each other. Please, call me Yoongi-ssi."

"Okay, I might need some time to get used to that," you say, head nodding, "I'll try calling you Yoongi-ssi from now on."

"There's one other thing too," he pauses, "since we'll be working on D-Day's promotion from start to finish, I'll have many of my own opinions. It's a natural instinct for me, but I don't want to be a hinderance. I don't want anyone else giving you issues either, so I'd like to hear your full thoughts on matters, especially when it comes to important decisions."

"That means a lot Yoongi-ssi, thank you. I'm very grateful that you'd allow me to be a part of this and I'd very much like us to have an equal partnership. This is your album though, so I want to make sure it gets the recognition it deserves in the way you'd prefer."

Yoongi glances at the floor numbers displayed to the right of the elevator doors. Any second now and you'll reach the lobby. He wouldn't mind talking longer, but letting you both get a decent night's sleep is the far better idea at this point.

"I trust that D-Day is in the right hands with you, __ssi," he replies. "It's why I recommended that we work together to promote it in the first place. Bang PD was also confident in the idea. We don't doubt your expertise for a second." He pauses when the elevator doors slide open and allows you to be the first to exit. "Have a good night, okay?"

For the first time, you reciprocate the wish with a full, illuminating smile. It's not a professional one, Yoongi notes, its a real one—as genuine and sincere as his words. He takes it as a sign that the tides may finally be turning for the better. "You too," he hears you say before you push through the large revolving doors and step into the cool night air.

In the evenings that follow, Yoongi finds himself back in his studio as promised, a glass of whiskey in hand. He ultimately decided that if he was going to be here until all hours of the night, he might as well have a cold beverage to keep him company.

As he leans back in his chair, swirling the dark amber liquor in his glass, his mind inadvertently wanders to you. Were you downstairs again? Were you here with him? It would seem that given your unexpected late-night encounter in the elevator, the validity of the idea wouldn't be all that wild or far-fetched.

With each passing minute, as the clock inches closer to the late hours, he finds himself circling back to the same thought. It's as if the possibility of running into you has become a highlight of his night.

Just then, a deep and familiar voice interrupts. "Burning the midnight oil again, hyung?"

Startled, Yoongi looks up to see Taehyung standing in the doorway, a sympathetic smile on his face. Despite it being almost 9 at night, his younger member is nothing short of flawless in appearance.

"Yeah, working on my tracks," Yoongi replies, offering a small smile in return. "What are you doing here?"

Taehyung steps further into the room, hand tucked in his pocket. "I wanted to stay late to keep __-nim company, but I'm not sure how much longer she plans on staying tonight. I was on my way out when I figured I'd stop by to see you too."

"Well, thanks for thinking of me. Want a drink?" He offers, nodding towards the nearby whiskey bottle.

"No, thanks," Taehyung declines politely, shaking his head. "I'll let you enjoy your whiskey in peace. Although, __-nim might take you up on that same offer one of these days. She has a strong taste for it, as you do. Anyway, I'm heading out. Don't overdo it with your music, hyung, they're already perfect."

Once Taehyung leaves the studio, Yoongi's previous string of thoughts return to him tenfold.

So you really are here, he muses, and you happen to like the same throat-burning alcohol. Should he venture downstairs and offer a drink? No, that would probably be too much, and he wouldn't want to interrupt you. Maybe if Taehyung were accompanying him, but not alone; he doesn't share enough rapport with you to merit such a spontaneous drop-in yet.

No, he takes another sip of his whiskey, he'll see you tomorrow morning instead; during your morning meeting. But that gets him thinking—he's still yet to decide on whether or not he'll make an appearance on Fallon's show. He’d done it with his members numerous times, but this would be the first time doing it alone. His album would indeed benefit from the exposure, though.

"Damn it," he curses, raising from his seat. "I work my ass off. I work my ass off for it all!" He then sits back down, finishing off the rest of his whiskey in one gulp, the burn soothing his frustration momentarily. With a resigned sigh, he turns his attention back to his music. "Damn it, I guess I'll do it."

If it weren't for his phone notification reminding him of his 10 am meeting on Friday, Yoongi would have missed it entirely. Normally, he never forgets important events, but several late nights in the studio had predictably caught up with him. He feels extremely sleep-deprived today, his memory more prone to blanking than usual. Waking up with a throbbing headache at 5 am, which hasn't dimmed in the slightest, doesn’t help either. Nonetheless, with only ten minutes to spare, Yoongi has no choice but to pull himself together and head downstairs to the conference room.

"Good morning, Min PD-nim," you greet him as he walks through the door. "We're about to start."

Yoongi drags out a chair and takes a seat. You look nice today, he notes quietly to himself. He makes sure to send a small smile your way before returning the warm greeting. "Good morning __-ssi," he says. "I told you we can speak informally didn't I?"

He waits for your response, easily tuning out the startled reactions from the rest of the team. Most high-ranking officials in the organization expected to be addressed formally by those in lower positions, but here he was, openly requesting you to speak as equals. It was almost unheard of during work hours. He was Min Yoongi, after all.

"Right, of course," you reply, "You'll have to excuse me, Yoongi-ssi. It slipped my mind for a moment."

Yoongi watches as you shuffle a few papers in your hand before continuing. "To get us started, I thought we'd discuss the decision to schedule a spot on The Tonight Show with Jimmy Fallon. Will we be proceeding with this?"

"After mauling it over I think it's a good idea for the album. Do we have an idea of when this would happen?"

"Ideally after the album releases and around the time the U.S. tour begins April 26th. I say we aim for early May. Given Fallon's show's high demand, we'll need to get a jump on this as soon as we can." You shift your attention to your digital marketing and promotions team. "So-hyun, can you reach out to the producers and see what strings we can pull?"

She nods, scribbling a quick note on her writing pad. "We'll reach out today. I'll let you know as soon as we get a response."

"Excellent, thank you. I'm glad to hear you're on board with this Yoongi-ssi. It'll be a great way to promote D-Day and attract a global audience. The more smartly we utilize our resources, the better your album will be positioned in the current market." You take a brief pause to flip through your notes again. "Speaking of resources, we'll need to start booking magazine shoots and interviews. I'm proposing we run cover pages with Marie Claire Korea and Vogue Japan."

Yoongi would be taken aback by the flood of ideas and schedules you're firing at him, all within the first fifteen minutes, if he weren't already aware of your level of competency. This is exactly why he chose you, he hums to himself, your preparedness is impressive, but not surprising.

"I presume this will take place next year?" he asks. "During their spring issues?"

"Absolutely. We'll submit inquiries soon to get the ball rolling, but having the shoots completed now would be premature. Plus, it'll take some time before there are any openings with the companies. I think we should be consistent with tour dates and have Marie Claire go out in May and Vogue ready in August of next year."

"Okay, I'm fine with all that but we'll need to have something exciting released now, don't we? I know I start my weekly lives tonight, but shouldn't there be something more we can do?"

"I agree," you reply. "That's why I wanted to propose a brand new idea that came to me a couple of nights ago while I was drafting promotional content. Anytime idols release a new album or music, it gets published on YouTube, right?"

He nods, curious on where you're heading. "Right."

"Why don't we start a talk show with you as the host Yoongi-ssi? It can allow your fans to see another side of you, as well as the general public. We can invite your BTS members as guests where you can discuss music or past challenges that you've had to overcome—the choice is yours. To make it more interesting for viewers, you can have these frank conversations over a glass of whiskey or soju."

"I like the idea," he says, weighing it in his mind. "What would the timeline look like for this?"

"If we move forward with the idea, I suggest December 5th and we continue it for a max of two months. I know that only leaves us with just under two weeks to get started, but creating the set shouldn't take more an a day or a day and a half. We can also easily shoot a 30 to 60-minute video in an afternoon and publish it on YouTube the following week. Of course, a preview of the show will need to go out beforehand."

"Would we be able to invite other guests to the show? Outside of my members, I mean."

"Yes, feel free to invite whoever you'd like. We can start with the member for the first several episodes but ultimately, welcoming a variety of guests from the same or differing industries would be the goal."

"If I may." A member of the social media team suddenly joins the discussion, "I think Kim Namjoon-nim might be a good person to feature first since Indigo releases December 2nd."

Yoongi nods in agreement. "I can ask him."

"That would be fantastic, actually. If his availability is limited, we could have him guest star for the second or third episode instead," you add. "Hoseok released Jack in the Box this summer so we could have him be the first guest as well."

"Do we have a name yet?"

"Suchwita," you answer without hesitation. "It's a play on words with Daechwita."

"Suchwita..." Yoongi repeats, "Time to get drunk." He chuckles at the last few words, amusing the room, but you remain contemplative.

"How about Suchwita...time to drink with Suga, instead? It's simple and has a slight whimsical nature."

"Sure, let's use that," he answers, noticing that you've already begun jotting down the idea. "Yours is better."

Despite the adrenaline from the productive meeting with you and your team, Yoongi still feels the weight of his sleepless nights bearing down on him. His headache remains relentless and he is in dire need of a moment to himself. Once the team disperses, he slips his phone into his pocket and makes his way outside. The crisp, early morning air should offer him some relief, along with the pack of cigarettes tucked in his pocket.

When he reaches the building's designated smoking area, Yoongi takes out a cigarette and lights it, taking a deep drag as he leans against the cool brick wall. As he exhales, watching the smoke dissipate into the clear sky, his thoughts drift back to the meeting. The idea of hosting a talk show, "Suchwita...time to drink with Suga," still lingers in his mind. It’s an intriguing concept, and he can already envision the relaxed, candid conversations that could come from it.

His thoughts are suddenly interrupted by the sound of footsteps crunching on the ground nearby.

"Oh, Yoongi-ssi," you say with alarm, obviously startled by his presence. "I didn't mean to interrupt you. I'll come back lat-"

"There's no need for that. Join me if you'd like." Yoongi watches as you hesitate to accept his offer, your feet already positioned to head back inside the building. "Seriously, there's plenty of room, and no matter what they'll tell you, I don't bite."

He allows himself to smirk as you carefully move beside him, only stopping when there is at least two feet of space between you both.

"Thanks," you say, pulling out your own pack of cigarettes and lighting one. "I needed a break too."

"Rough morning?"

"Just busy," you reply, leaning against the wall next to him. "But the meeting went well. We should be able to get the ball rolling now that we have a more finalized plan. I'm glad you liked the idea of starting Suchwita, by the way."

"I do," Yoongi says, nodding. "It has a lot of potential and I'm sure Namjoon will be more than happy to help us out. He's a natural at this kind of stuff. I guess it's why he's our band leader."

"You know you're good at all of this too, don't you, Yoongi-ssi?" You pause, taking a puff of your cigarette. "Even when you have a lot on your mind and a packed schedule, you have a knack for making people feel at ease. It's why I think producing Suchwita will be such a great way to connect with fans and other artists—you'll be the host."

He chuckles, appreciative of the remark. "You really think that? That I make people feel at ease? It's not what a lot of people assume."

"Nah," you reply, tilting your head up toward the clouds. "They're just on the outside looking in. Those who know you, who are around you and talk to you, will agree that you're a pretty calming presence."

"Well, I think we're not so different then." Yoongi shifts his eyes to your face, still looking up at the sky, and smiles softly. "So, what made you come to BigHit? Didn't you say you worked for Atlantic Records? That's a pretty good gig."

"Yeah, it was. I learned a lot there, and man, I was thrilled when I got offered the job as a brand manager. I've always loved music, ever since I was a kid. I could connect so intimately with the lyrics. Music is one of the few things that could soothe me during rough times, and it still does today. I'm sure you can understand."

Yoongi nods, intent on listening to your every word, intrigued by your story.

"Anyway, sorry about getting long-winded here" you chuckle. "I ultimately decided to move on when Bang PD reached out and offered me the marketing manager position for TXT. It gave me the chance to be a more integral part of bringing music to individuals who need it most. It's like we say, 'music for art and healing.' I'd never had the opportunity to manage a completely new set of musicians before either, let alone a group. Plus, being on the global marketing team? I couldn't turn it down."

"It makes sense why you joined us then, and I have to say, it's a blessing you did too. Music is a way of communication for me, a way I can best express my story. That includes my past, present, and hopefully future. After hearing all you shared, I don't think there's anyone else I'd trust with handling my album promos." Yoongi pauses a moment, unsure if he should ask the next thing on his mind. "How come we never met before? I mean really meet and talk?"

"Honestly, I'm not sure myself. But things have a way of falling into place when the time is right, I suppose." You're now looking at him, the intensity of your gaze mirrors his own. A gentle breeze tousles a few strands of your hair and for a split moment, Yoongi begins to understand what Taehyung meant earlier when he said it feels like he's known you his whole life, like a childhood friend he'd reconnected with. While it may not be to that extent for himself, there's a comforting warmth emanating from you that leaves him feeling strangely tranquil.

"Given the circumstances, I feel like we should have at least met through Taehyung by now," he slips out. "Or even at a company-sponsored event."

"Why, do you like me that much, Yoongi-ssi? After five days of working together?" Your playful tease catches him off guard, revealing a side of you he hadn't seen before. It's kind of cute-wait, what?

"I-"

"Sorry," you quickly interject, feeling the need to backtrack. "I shouldn't have said it like that."

"Don't worry, there's no need for apologies. And to answer your question, I like you enough." He hopes you can hear the tease in his own tone as he responds.

You both lapse into a comfortable silence for the next few minutes, the only sounds being the distant hum of traffic and the occasional chirp of a bird. He finds all of it soothing in a way he can't quite explain.

After a few minutes, you turn to him, your expression thoughtful. "You know, if you ever need to talk or just need a break, I'm here. We're teammates now."

Yoongi looks at you, his tired eyes softening with gratitude. "Thanks, __-ssi."

You give him a reassuring smile before pushing off the wall. "I'll let you finish your cigarette. See you later? And by later, I likely mean at 9 or 10 pm in our company elevator."

"Yeah, see you later," he laughs, watching as you walk back toward the building. He takes one last inhale, extinguishing the cigarette and letting the remaining smoke escape his lips slowly.

Yeah, he likes you just enough.

a/n: Hope you enjoyed it! Lmk what you think 🥰

Tags:

@jksjx @junecat18 @babystarcandyjk97 @mygssibal @unoriginal-username15432 @vikibangtann @coffeedepressionsoup @jjkluver7 @p34rluv @tannieflix @kingofbodyrolls @butterymin @waitaminswife @mygssibal @rkivved-girl @parapiop7 @betysotelo18 @mimisweaterpaws @wobblewobble822 @a-gayish-unicorn @constancelayon @idkreallys-blog @juju-227592 @urlovelily @itsmina29 @jub-jub @cerulean1riz @rinkud

Masterlist | Requests: closed | Taglist | Fic Recs

no reposting, copying, or translating my work– © kookslastbutton

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[cowboys-tshot]

Circe and Odysseus in Epic: The Musical

EDIT: DO NOT TAKE MY WORD AS THE 100% TRUTH!!

I took some classes and wrote a paper about ancient Greek culture, but I am in NO WAY an expert. Please read through the reblogs to see some good criticisms and discussion about this topic further. My point overall stands that you can't apply modern rules and standards to ancient stories, but my evidence is undoubtedly flawed! This post has been edited to try and better reflect this.

I'm seeing everyone pointing out the possible issues with Epic the Musical's deviation from the original story of Circe and Odysseus, and as someone who's studied Ancient Greece/ancient Greek myths a bit, I wanted to say some stuff about it. This will be a bit of a long one, so apologies for my rambling!

Note that I'm not trying to shit on SA survivor's perspectives and (completely valid) arguments. I'm just trying to offer some context surrounding the original myth and how it fits (or rather, doesn't fit) with a modern audience. If I'm wrong with any of this, feel free to call me out! Criticize the shit out of me! I like learning about Greek culture and myths and would 100% love to hear other perspectives on this.

So, a few points about Ancient Greek myths to kind of explain the context around Circe and Odysseus:

Greek myths often did not have good views/depictions of women. Women were very often depicted as conniving, selfish, sexually insatiable creatures. There are a few deviations from this trope, the most prominent of which being Penelope herself—she's basically the ideal Greek wife, staying loyal to her husband for 20 years and all that.

Adultery often only applied to women. Husbands cheating on their wives wasn't merely tolerated, but kind of expected. Men often cheated on their wives with various kinds of prostitutes, concubines, mistresses, etc. Although, sleeping with unmarried women (that weren't specifically prostitutes) or married women was still looked down upon. Women didn't have this same standard. They could only sleep with their husbands—hell, their husbands (and family) were pretty much the only men they could even interact with once some really sexist Asiatic practices were brought to Athens.

The original myth has Hermes very plainly lay out how Odysseus' confrontation with Circe will go: Odysseus will eat the moly, draw his sword at her, she'll proposition him, and Hermes directly tells Odysseus to accept. Basically a "sleep with her if you want your men to live" situation. (See this post for more specifics on this).

So, let's apply this to Epic: The Musical. Here's some reasons I think may explain the Circe myth being changed:

The Greek "women being evil" stereotype is... problematic. While I 100% understand that it's important to acknowledge male victims of SA, I don't think the original myth was focusing on Odysseus being a victim—I saw it more of an emphasis on Circe being a sexually selfish woman, as women were often believed to be. Changing Circe to be less conniving and evil deviates from the concerning Greek stereotype.

The SA in the myth is not actually very clearly SA. Yes, with a modern perspective, it absolutely is sexual coercion, but for ancient Greeks, not so much. It made sense to them that sex could be transactional, especially when gods were involved. It's already been established that Epic, while still generally accurate to the original myth, does change things relating to morality/themes in order to better align with modern Western ideas (i.e. OG Odysseus not being as remorseful and merciful, as that was expected of a Greek hero, but Epic Odysseus having more empathy because that's more modernly heroic). If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

In the case that the original Circe myth wasn't SA (I'm not saying one is more right than the other, I'm just covering all the bases), then it wouldn't even constitute as cheating. Like I described earlier, men often slept with women that weren't their wives. Plus, being a goddess, she's already kinda exempt from being blamed if Odysseus slept with her—only women are ever really blamed for sleeping with (or being SAed by) gods, and even then, their husbands sometimes don't even give a shit. But modernly, we would not see it that way. To us, it's not societally acceptable for a married man to sleep with another woman (without his wife's consent, at least). While Ancient Greeks viewed Odysseus as a good (or at least okay) husband, a modern audience wouldn't. Making Odysseus loyal to Penelope and not sleeping with other women (assuming this wasn't SA, but again that's one interpretation) makes him the good, loyal, empathic, modernly heroic man that Epic is clearly aiming for. Repeating my last point: If something from the original myth doesn't translate well into modern culture, then it's understandable to want to change or omit it.

Applying modern perspectives on Ancient Greek society and mythology isn't worth it. Like, we all joke about Greek mythology/Ancient Greece being super gay, but it was often just what we consider pedophilia (it's called pederasty if you'd like to know more). Y'know the Hades and Persephone story? Like, the original one with the kidnapping? Yeah, that was kinda normal in some areas. The myth of Demeter and Persephone is tragic, yes, but it was so normal that a lot of wedding ceremonies included references/recreations of it! Girls got married off ASAP after their first menstruation to men of at least 30 years old. We don't tolerate that shit today (for the most part, at least)! But it was normal in Ancient Greece. Applying modern rules and standards to ancient culture just does not work.

Anyways, I'll shut up now! I'm gonna go keep listening to The Circe Saga lmao

[galoogamelady]

How do you draw inorganic things so well your guns and armor and metal stuff is just so gosh darn good like i need tips i fail hard at inorganic matter every i every draw looks so soft and fleshy

The thing about hard surface items is that you have to be at least a little bit anal about perfect straight lines and ellipses in relation with perspective. I was really bad at descriptive geometry (my teacher sucked ass but that's another thing), and okay at best at drawing still life of objects in high school, but I recommend dabbling in the latter at least, if you can, to strengthen your foundations. How and where shapes connect to each other, how corners are formed, how a pattern or sticker translates on a flat surface we see in perspective all matter in selling your drawing.

Unless you're going to simplify shapes a lot, don't rush it and just refine the drawing as you go. This is my process. Again, I'm not a perfectionist, I know this final drawing is not a 1-to-1 to the reference, but it's good enough for this practice. If the gun was the main focus of an image, I would make sure the tip of the barrel looked sharper and nicer.

You can see me using this method in this old speeddraw and in a recent twitch stream (footage of which will be in my next youtube vid).

I recommend using rulers even if you trace over images of items. And be mindful about where and how you weather or detail shapes. For example, I could have drawn horizontal lines on the upper receiver here, but the short vertical lines help convey its roundness better.

If you're drawing different materials, you can forego the ruler on soft materials but still use it for the hard ones. (eg. a couch that has a wooden base/legs vs the cushions):

[artfromsaturn]

Collection of Free Art Tutorials

I don't usually make text post on this blog, but a nice artist I know was asking for tutorials a while back and I forgot to send some to them while in school. So here's a post on it since it's easiest to grab and go this way. :)

This list focuses on the basics. I'm focusing on the foundations of art, so medium is generally irrelevant and you can use physical or digital with these. You'll have to google more specific tutorials on things like character design and such.

One of the biggest pieces of advice I can give to you is strangely, introduce things to yourself one at a time. In art class, we took whole topics week by week. For high school, we did a few exercises then spent a week drawing/painting and doing your piece(s). For basic art 1 & 2 in college, we did 1-2 exercises and then did 1-2 drawings, followed by HW (which we turned in next week) and sketchbook practice (which she'd check at midpoints). For basic art lessons with a tutor, we did practice then our own art. You can see the pattern here - the point is don't be distressed if you don't get everything at once, or the lesson in 2 weeks, or the lesson in 3 years - we practice and do a lot over time, and you'll pick up on things you need to improve naturally and through help with others. Take time to be proud of your art in mini steps too, even if it's not the best! You tried and attempting to climb an obstacle over and over again before finally leapfrogging it is still progress to it.

Overall tutorials:

DrawABox.com is a site that's dedicated to art exercises and practicing when you can. They talk about the basics of art as well as how practice is important. It can get tough at times and it's ok to stop and do a balance of say those practices and doodles if you choose to try and do all of it's stuff - but you don't have to either. It's just a nice basic education done by some art nerds who like going hard.

Ethering Brothers - these guys are famous for their 40billion tutorials. If you need help on a specific idea, search their gallery and you'll likely find something.

Thundercluck's Art Fundamentals - She did a good huge ass tutorials on how things work, and it's the least overwhelming of the 3 I got in this section, so I suggest it as one of the first to look at for digital stuff.

Art Instructions Blog - Another good & simpler website that goes great into fundamentals. They focus more on traditional art but if you're digital, you can replicate most of the techniques - art fundamentals and subjects cover all mediums. Very important

Drawsh - Particularly notes on Construction: construction is the basics of building an illusion of a 3D image on a page. Figuring out how to build shape gives depth to your work, and learning how to see in 3D lets you be able to draw an item then move it around in your head (sometimes, when you're good enough, don't be afraid to pull out a reference or use live subjects). Construction is how to figure out the foundation of your drawing, and good planning = better picture! This link starts at the back, hit newer post to go forward.

There's a lot on anatomy and other nitty gritty details for when you want to practice those as well.

Griz and Norm's Assorted tips - Long time artist talk about various tips and tricks they use in art and how to avoid certain pitfalls. It's eclectic but great to look through.

James Gurney's Blog - He's got a lot of thoughts, a lot of tips, and a lot of adventures he catalogues. It's the least organized out of these but fortunately he has plenty of tags and most post have something neat going on. He's fantastic!🥰

BEFORE ALL OTHER BASICS….

How to Make Your Art Look Nice: Mindset

There's a lot of artist with different perspectives on how to approach art and your mindset while doing it, but the general consensus is that it's a process and sometimes you have to remind yourself to enjoy art!

Line

How to draw straight lines without a ruler. …but for the love of all that's good do NOT feel bad about using one! This talks about how to hold your pencil and how to do some good freehand stuff, some good practice.

5 grips for holding a Pencil for Drawing - This goes for pencil, pen, tablet, etc.. Get comfortable and figure out what's right for you and your pictures. I'd like to note that paintbrush holding will overlap, but some will differ.

A few line drawing exercises that help with line confidence.

Types of line drawings & what they are.

Contour Line & exercises with Mrs. Cook - Contour lines are one of the first art exercises I do in all the drawing classes I've taken. The good news is that they're surprisingly fun & look neat, even the blind contours!

Good deep thoughts on lines and how to use them.

Line Weight Tutorial

Lineart Weight Tips!

How to show variation in your line art: part 1 & part 2.

Some teacher's Drawing 1 & 2 lessons put online.

Light, Shadow, & Value

An introduction to tonal values.

Why values are important. The main reasons are that they give depth to a piece, and values literally shape our world.

Tonal Values: Everything you need to know

How does light work & the basics on Light

Light & Shadow in Art - much more in depth of the above! Highly recommended if you have time to spare.

Understanding grayscale/monochrome art. Great for shading & planning.

A guide to Cross Hatching (and hatching in general) - As a side note, crosshatching is one of the early things taught as it marries Line + Value into a nice neat package and helps add form with just a pen.

Crosshatching for Comics

Learn more about coloring by working in grayscale

How to Make Your Art Look Nice - Contrast!

Using lighting to make your art look nice.

Some light & shadow classifications.

Edges - notes on how they work in shading.

Color

A side note - color theory doesn't differ much, but color MIXING will change between mediums. If you're doing traditional colored pencil, you're overlapping 2 or more pigments on top of each other. If you're doing traditional paint, you're mixing & creating a solution/emulsion (depends on the pigment and binding) of pigments with the particles reflecting light in different ways. In digital, overlapping colors & blending colors depend on how the program you use calculates it if you're not just putting 2 color side by side. This just means you have to adjust your mixing when you switch between them. :)

Slawek Fedorczuk's Light & Color Tips - also shows how to guide through a scene.

The Color Tutorial Part 1 & 2 by Sashas - A personal favorite.

Color Studies 1-6 by Sheri Doty Amazingly nice breakdown on how color works in simple terms.

Sarah Culture's Tips on Color

The value of underpainting

A few notes on reflective light.

Experimental color techniques with Alai Ganuza: first post, second, & third.

Color zones of the face charts

Composition

Good Tips on Composition

Here's an example of how you can search the Etherington Brothers' stuff and get like 10 tutorials and tips on one subject. Composition & Cover Design, Shadow Composition, Two Line Composition - plus more.

How to make your art look nice: Thumbnailing!

And don't be afraid to make silly thumbnails or sketches.

Composition Examples - charts like these are great when you can't think of something yourself. There's no shame in using them.

Flow and Rhythm

Formulas for landscape composition.

Perspective

Perspective Drawing Tutorial by Julie Duell

Linear & Atmospheric Perspective Guide

One Point Perspective City Tut by Swingerzetta

Niso Explains Perspective - these are great for drawing figures in perspective!

Putting characters into scenes and drawing backgrounds

Backgrounds that make your character stand out!

Using background detail to guide the eye.

Odds and Ends

I shit you not, probably 1/3rd of my color, value, & structure knowledge comes from pixel art since I've done so much of it and it is all about challenging yourself to do the most you can with limitations. Check out lospec's tutorial database for fun and see how it compares to art techniques you're doing - even if you never try a medium, it's always interesting to see how it works. :D

How to Make Your Art Look Nice: Reference Images & Style, Pushing Proportions, and developing style.

Foervraengd talks about how he expanded his comfort zone with concept art & landscape drawing.

Luna Art talks about what they're thinking when doing concept art.

Repeating visual motifs in character design looks cool.

Eric's Thoughts on Drawing Backgrounds and Props.

Show vs. Tell: Why Visual is Not Optional in comics.

The Lost Vocabulary of Visual Story Telling Day 1, Day 2, Day 3, & Day 4.

Traditional Animation's 2 Digital Library books, The Know-How of Cartooning by Ken Hultgren & Advanced Animation by Preston Blair are two books from the golden age of animation they have up on their site for free viewing!

Animation resources dot org has a lot of cool stuff. Here's Nat Falk's How to Make Animated Cartoons (part 1). Their pages on Instruction & Theory are a good start.

Books

Good news: the internet archive has a TON of resources. Make sure to check around and toggle filters, it's a bit weird with organization. For example, a book can be under art or drawing - techniques, depending on who catalogues it.

Andrew Loomis is someone artist tend to die-hard reccomend. His work is collected here & here on the internet archive (one is Andrew Loomis, the other is Loomis, Andrew - thanks). I own Figure Drawing for All It's Worth and I recommend checking all of his stuff out, especially if you're having trouble with bodies and hands.

The Animator's Survival Guide by Richard Williams is mandatory in animation classes for good reason - it's fantastic!

Perspective for Comic Book Artist by David Chelsea is great for any type of artist. So is Extreme Perspective & Perspective in Action.

Scott McCloud's Understanding Comics, Reinventing Comics, & Making Comics. The first one is on the internet archive, the second two are likely avaliable at your library or at a bookstore as they're pretty popular.

Speaking of comics, Drawing Comics the Marvel Way has been a favorite of comic artist for years no matter what comic book companies and artist you like, it's a good introduction.

Anything by or endorsed by James Gurney, Color and Light: A Guide for the Realistic Painter is one of my favorites (this is his official page but you can get them elsewhere for cheaper too).

Art resource blogs with good tagging systems: @artist-refs , @help-me-draw , @helpfulharrie , @art-res , @drawingden , & @how-to-art

Lastly, I suggest if you find something you like online for free, SAVE IT! Whether it is through the Wayback Machine, screenshotting a whole webpage, reblogging/retweeting something, or putting it on pinterest, digital media is fickle and tends to go up in smoke when you least expect it. I have a partially organized Pinterest board that helped me find most of the stuff I wanted to keep. Figure out what works for you and save what you can.

[vitaminseetarot]

PAC: What Hobby Should You Begin Next? 🎨🛶📯

Sup y'all, it's time for a new pick a card reading (this one's especially for you night owls out there as I'm posting this at midnight lol). Ideally, I'd like to post one PAC every week after this but eh, lettuce see about that. 🥬👀

This pick a card was inspired by the remaining energies of late Taurus season. The grass is bright, the air is warm, the flowers are blooming, and it's brought out the artist in me. While I've been finishing a leisure painting, I stopped to draw out some cards to help out anyone who's in the mood to do something fun in their spare time but could use some direction or guidance.

Pick any one of the four Prism Oracle cards below, or its corresponding crystal/emoji, to see what hobby you could explore next, or if there is a hobby you enjoy that is calling for your attention:

Pile 1 - Consciousness + Moonstone 🌙 Pile 2 - Happiness + Carnelian 😊 Pile 3 - Creativity + Amethyst 🎉 Pile 4 - Determination + Citrine 🧭

Pile 1 - Consciousness + Moonstone 🌙

77 Beginnings, Sound+Resonance+Frequency, The Musician, Capricorn Rising - Aspire; Page of Swords, Page of Wands, 9 of Cups, Knight of Swords, XI Justice

Wow, pile 1, I think you have the most obvious answer of all four piles. You're very drawn to pursuing something musical. It could be in a variety of ways. You might try singing, writing a song, playing an instrument, learning to dance, or perform in musical theater (the purple curtain in the Justice card definitely brings theater to mind). You could enjoy collecting vinyl records, or producing music through special programs and apps. You may desire to publish your music online, or dream of going big on stage and signing major contracts with labels. Two Pages tells me you're most likely into more than one thing, as plenty of musical artists can multitask.

Your pile was the only one to get two Prism cards at first as Anxiety initially wanted to pop out. It's also clear that with two Pages and the Beginnings card, you're very new at this hobby. There's an over awareness of this fact, that on some level you may not know where to even start. There's some doubt I sense that you feel you can't be at the level you wish to stand on. Capricorn energy wants to reach for the very top of the ladder in accomplishment; it is a steady energy although not intent on settling. I get that there are many people here who greatly look up to an artist and wish to have their same talents. Try to look past the smoke and mirrors of all the top 40's singers and know that music is way more accessible than it's made to look.

Try embracing the newness of this pursuit, pile 1. It's okay to be a little lost, or feel that there's a long way to go. The only way to go pro is to start small and grow. There are a lot of free resources online for learning music (try out musictheory.net for free lessons) and free vocal technique lessons on Youtube. Some people are very lucky to have the chance to start learning at a young age, but if we were to set a rule stating that only those who did so could play, that would leave a lot of creative geniuses and successful musicians out of the frame. If you're learning to play the keyboard, practice one song or even one note at a time (doesn't have to be Chopsticks, lol). Consistency is key.

When the inspiration and joy to explore music finally strikes you, take the time to really dive in and make something small. If you're trying to write a song, start with a jingle. If it's music theory you want to go over, start with just 1 lesson and see how it feels. If you're learning to dance, begin with warm ups and slow music before working on the more intense songs. Are you looking for writing inspiration? Keep plenty of notes on hand and learn how to identify music so you can easily write a melody down (there are empty music notebooks for this). If this is something you would like to do in the long term, then continue to practice with that perspective by not overdoing it to compensate for "lost time". You are exactly where you need to be on your creative journey.

Pile 2 - Happiness + Carnelian 😊

66 The Selves, You Belong Here, The Wise One, Cancer Moon - Intuit; X Wheel of Fortune, Sagittarius ♐, VI The Lovers, 9 of Pentacles, XVI The Tower

What's going on, pile 2? With the Selves card above Sagittarius, I'm getting that a lot of you may be interested in pursuing theater or comedy, whether that's stand up or it's simply channeled through the projects you create. Your next hobby may involve incorporating a lot of humor into what you do. This pile is the most multifaceted of the four, with many differing hobbies, so I'm going to list a variety of different talents, but what binds them all together is the need to express one's own (very) strong opinions for the world to see.

You may want to be a photographer who documents unusual things, or write something that makes a powerful statement. There's a need here to let go of any of the anxieties that come with expressing your authentic self, because while those feelings are natural, listening to them too much will dampen your creative drive. This is the group that wants to make very surreal graffiti art or provocative dance routines. With the Tower card, here, I feel there's a need for the shock and awe to get your inspiration buzzing. On the gentler side, I can see some of you getting into something nature based like flower printing and permaculture but the caveat is that it's a reflection of your genuine self and beliefs in some way. With Wheel of Fortune, some of you may feel an urge to learn about tarot or pendulum reading, as these things are typically categorized as "unusual".

You may also get into traveling to stay involved in your hobby, or it requires roving about in some way. To break down creative blocks, it might help to actually move yourself to a different location. It doesn't necessarily involve moving to a whole new place, it could just refer to another part of your home or you may benefit from walking or dancing to decompress. I feel that moving your body will stimulate your creative ideas to flow through. A small number of you may have considered trying out extreme sports like free climbing or parkour. I don't really need to mention that these can be incredibly dangerous, so some of you may like something similar like skateboarding or gymnastics as well. It doesn't have to be intense, just active.

With the Lovers, there also exists a social aspect to your hobby. You may be drawn to share you hobby with a friend or with partners. It will greatly help you to be in an environment that supports your avant-garde tastes and not settle for less. It's not always easy to put shocking art with profound messages out there for the world to make sense of it, though some make it seem that way. It's easy to pretend that negative feedback doesn't get to you, but only accept constructive criticism as that will feed you more than shocked reactions. You cannot afford to have others in your life discourage you, as your skill sets require a lot of space for growth. Nourish relationships that want to celebrate your talents with you. Find a community that loves what you love, and wants to see you happy with what you do. Embrace the wild side of your artistic abilities.

Pile 3 - Creativity + Amethyst 🎉

54 Security, the Messenger, The Aspirant, Aries Sun - Assert; 2 of Pentacles, Knight of Wands, 0 The Fool, Aquarius ♒, Virgo ♍

Hello, pile 3. With the 2 of Pentacles, many of you may want to explore a hobby that is both online and offline, or the internet and social media are major components. If you like making artwork, you could be into digital art or simply want to upload images of your offline work for others to see. With Virgo, some of you may have a lot to say, by starting a blog or online journal documenting your life or interests, or you could try out freelance editing. If you were a youtuber, you could be really good at creating epically long videos about niche topics, or short videos explaining how to do a certain task (like tiktoks that showcase a person's routines and what cleaning products they recommend).

I see that this is the pile of innovation, as the Creativity card shows a lightbulb. You could have various ideas pop up in your head, only to feel unsure of how to approach them. Your attention span could split into a variety of different mediums for getting the idea out. Aquarius wants to take its genius energy and spread it around the world. For a lot of you, social media will support your ideas by broadcasting them. Your hobby may directly involve interfacing with others; your creative spark is not for hiding away. Web design, for example, is a hobby but it involves creating something that others will directly interact with. Your work is meant for a wide audience, should you choose to put yourself out there.

This may not always be easy for you, since there could be a pull towards more stable and predictable activities. There's a nervousness here, kind of like imposter syndrome. You may get a really cool idea for a mobile game app before you or someone else goes "but that's an unrealistic goal to spend so much time and effort on", followed by, "how could I ever make something like that?" The thing is, you can be the most talented, skilled, and experienced person when it comes to a subject, yet still have these same worries. Imposter syndrome doesn't magically go away with a college degree, a new job, or 10,000 subscribers. It's completely normal, but make sure to not let your doubts tempt you into doing something more boring and unfulfilling. This is the pile most likely to try a totally new hobby that is unrelated to your other skills, it doesn't have to be realistic.

But also understand that it can take time for something to get really good. Your first fiction draft is gonna turn out clunky, or your app could be filled with bugs, but it's part of the process. There's no perfect time; when you get the urge to try, just try it! Reach out to a local community or chat group so you can get a realistic sense of how long it takes for projects and skills develop. Slam poetry may be a great outlet, so if you'd like to do that, attend an open mic and see how others do it. You are allowed to be imperfect with your hobby--if you wish to evolve your craft, remember the passion and curiosity that brought you to it.

Pile 4 - Determination + Citrine 🧭

57 Spiritual Guide, What Goes Around Comes Around, The Astronomer, Taurus Rising - Enjoy; 9 of Pentacles, Cancer ♋, Queen of Swords, Knight of Wands, Knight of Swords

How's it going, pile 4? So this is the most active and possibly athletic pile we have here. Staying in the house is not gonna work because something is itching you to get out underneath the stars. Could some of you be majoring or planning in major in STEM? I'm getting a lot of natural science here. With the Astronomer card, you could want to use your telescope to go stargazing or visit planetariums. Are you still feeling the buzz from all the aurora storm and eclipse hype? It would not surprise me if these events awoke an interest for you and now you're looking up when the next meteor shower will show up or when Saturn will be most visible in the sky.

Your next hobby needs or is the outdoors on some level. But Cancer energy is that of a homebody. The most laidback people in this group may enjoy relaxing hobbies like birdwatching or gardening. These hobbies could be spiritually fulfilling for you. I'm seeing someone wearing an apron outside, so could some of you be interested in grilling or being the host to a fun party in the backyard. Do people even have book club meetings in gardens? A lot of enjoying nature is simply finding a good spot and soaking in the scenery with no other goal in mind. Just being near trees and beach sides might be enough.

But I see a lot of you mainly wish to have an adventure and go far out in nature when the weather's just right. You could be thinking about hiking or backpacking out on trails. It all depends on your comfort level as we all have different tolerance levels. I don't know if geocaching and pokemon go are still popular, but they can be unique ways to engage with the outdoors. You could try guided nature tours presented by nature conservationists like the National Audubon, where you can identify and take photos of animals as you wander through the woods and plains. You may like a hobby that is seasonally specific, like swimming in warm waters or skiing down a snowy mountain.

Your hobby may have you think deeply about how humans connect with nature, exploring the ecosystem and how our actions influence our environment. Climate change can be a very serious and, for some, directly impactful topic to mull over. Remind yourself that as long as you're respectful (leave no trace), mother nature enjoys your company as much as you do for her. A small few of you may have the urge to travel to weird locations. Two knights in your reading suggest boldness. If you decide to visit an abandoned or haunted place, Queen of Swords says to please be careful and follow rules if it says no trespassing, and remember that abandoned places can be dangerous from faulty wiring and unstable flooring. Overall, I feel this pile just can't do with an indoor hobby. You have the motivation and courage to explore the vast beautiful world out there. It awaits you.

This reading has not been evaluated by the FDA to diagnose, prevent, treat, or cure any disease or infection. Please ask your physician before going online.

2024, @VitaminseeTarot ™

[ask-whitepearl-and-steven]

I admire your patience with those readers who need you to spoon feed them the story. Everything is in the comics but they still manage to go pass it. I can't help but feel a bit sad for them? Do they not understand what they read? Are they not attentive when reading it? I'm legitimately concerned because I function so differently I can't fathom this. If you like a story, isn't it normal to make your best to grasp it's essence and reflect on it? I know I project a lot about this, everyone works and registers things differentely of course but sometimes it's very frustrating to see people consume any media and just completely miss all the important messages in it, or even just fail to get the scenario sometimes, and it feels like it's very common now... Idk I just wanted maybe to have your perspective on this? Sorry for the long post (Been here for a few years now and your a true inspiration to me. All my luv to you! ❤️)

You know, I'm gonna be honest. I used to stress out about this... a LOT.

As a story-brained person, this is definitely something that comes naturally to me, and perhaps to you, and to many other people who are wired similarly. To us, following the path of a story in an analytic, highly detail-motivated manner and unwrapping the themes can be as exciting as lifting up a rock to see the bugs underneath. It's an exciting mental activity that's stimulating and feels effortless.

And yes, as an author who spends literally 60% of my day thinking about this comic and how to draw it, panel it, script it, make it better (I script and panel in my head constantly)........ I have trouble realizing/dealing with the fact that some people are just here to CASUALLY enjoy the story that I am lowkey obsessed with.

But I've come to realize that... that's NORMAL! And healthy.

People have different attention spans for different things.

People have varied ways to read a story and engage with it.

People have unique interests.

People don't have the same amounts of energy to devote to reading!

Maybe someone missed a detail I lovingly and painstakingly put into the dialogue because they're reading the update late at night after a long shift at work. And maybe someone scrolled past the dialogue completely and just got the gist from looking at the art, because they're in a hurry to get to practice at their favorite sportsball.

And maybe someone just had a really bad day with a really bad encounter, and they're reading the update in a terrible mood and instead of seeing MY grey-morality narrative, they're focusing on all the negative points and misread the vibes because of their own biases that stem from places of hurt.

The thing is, I have to be okay with that as an author, because I will NEVER be able to get into my audience's heads and read this comic 'correctly' for my own sake.

They will always have a slightly different interpretation of things, and they will always misunderstand details and miss clues. And sometimes, they will be wrong about the way they read a character's motivations... and sometimes maybe they won't be! That's just a part of communication. That's a part of telling a story.

An imperfect delivery, and an imperfect reception should, in my opinion, be a natural and accepted part of storytelling. We're human, and we all have a different lived experience, and we will ALL have different takes on a comic, even if it's so close that we THINK we are both getting the exact same thing. That small human interpretation variation is a home-made touch that makes it feel more organic.

In short.... Not all light particles make it here from the sun, but damn the result is stunning anyway.

[amerricanartwork]

You know that feeling when you look back on something you used to be relatively familiar with but then you dig deeper into it and realize it's so much cooler and more complex than you comprehended at first? Yeah, as of recently I have been experiencing that feeling with two things: Kung Fu Panda 2 (specifically, Lord Shen), and H & B pencils.

The latter is because, now that I'm really interested in understanding the nature of light and shadow and capturing that in drawings, I now see how those pencils are perfect for practicing this concept traditionally! And the former is because, now that I've found my passion for character design, storytelling, and decoding the psychology of fictional characters, I have reason to be genuinely invested in Shen and appreciate him from a more artistic/narrative perspective beyond just "mmmmmmmmmm, pretty bird..."

So anyway, here's a sketch combining the two concepts that I'm still pretty proud of! I still have a lot to learn in terms of shading different materials and developing a personal shading process, but until then it's fun to practice it with characters I like! And below is the full sketchbook page, where I also tried to do some basic intro sketches/construction stuff:

[genericpuff]

(You can delete this ask if it makes you uncomfortable) Do you think I should give up on my dream of being a webcomic artist? It's been what I'd been wanting to for years yet from what I'm hearing, it's hard to get money and an audience and that the mainstream webcomic hosting platforms don't treat their creators well. It doesn't help that while my art is decent, I don't really know how to create webcomics beyond like really short 4-5 panel comics even though I'd been drawing for many years. There's also the issue of my ADHD making it difficult to commit to stuff but then again at least that can be hopefully fixed once I get medicated. So, now the career of a webcomic artist sounds like a pipe dream at best. Is it worth pursuing, even if I don't make much money with it?

"Do you think I should give up on my dream of being a webcomic artist?"

And this isn't just for you, anon, this is for everyone who follows my nonsense here.

Yes, it's hard to build an audience.

It's even harder to make money.

You should still make webcomics if you really want to do it.

The only practical piece of advice I can give you from the perspective of someone who's been doing this for years is to manage your expectations. Because that's the biggest mistake a lot of webcomic artists make (and I too, made this mistake) they go into it setting the bar that it HAS to result in them making a living off it, getting famous off it, etc. when that's unfortunately only the reality for the 1% who get lucky or have an advantage that the other 99% don't have. And then, of course, failing to meet those ridiculously high expectations makes the fall hurt that much harder if you fail, especially with odds like that stacked against you. That's not to say you shouldn't set a bar for yourself, but you have to set it in a place that's reasonable. Especially if you're an artist with ADHD (same, mood), we have a REAL bad habit of setting the bar unreasonably high for ourselves when we're still learning and getting our feet wet (it's why we're always taking on new hobbies after getting inspired by musicians or crafters and then getting immediately discouraged when we're not suddenly able to do the thing with that same amount of skill).

Set the bar in a reasonable place with reasonable expectations, and then when you MEET that bar, you'll have even more motivation and confidence to aim higher. What won't give you confidence is setting the bar alongside the pros who have been at this for years, because not only will it take way too long to hit that for you to see results, you might give up before you even come close because of how far away the bar is.

A career as a webcomic artist is about as guaranteed as making a career out of Youtube. But being a webcomic artist, period? You can do it. Anyone can do it. I'm still doing it in spite of everything. Like, I cannot even fully express to you just how much of what I do here is the culmination of a long list of failures. My art, my writing, the stuff I do here is built on the corpses of my failures. But those failures were still important, they had to happen to make me into the person and artist I am today. That person is STILL making mistakes, and that artist is STILL not rich LOL Failure is scary, but fear of failure is the true killer of joy and growth.

Do not tie the merit of being a webcomic artist to how much money you can (or can't) make out of it. Just like with starting a Youtube channel, you shouldn't go into it expecting money and fame right out the gate, but there are equal amounts of joy and experience you can gain by doing it. There's a reason people say you have to do it out of love and passion first because ultimately that's all you'll have to keep carrying you through if and when you fail to meet your goals. You don't have to be sure if you'll still want to do it a year from now or five years from now, none of that matters. If you want to do it now, then do it.

Make your 4-5 panel comics if that's what you enjoy doing. Make whatever tickles your fancy. Acknowledge your fears and doubts, thank them for their opinion, and do it anyways. "What if it ends up being a waste of time?" The time will pass anyways. Worst case, at least you'll be able to say you did it. That's better than never trying and regretting it in the end.

[theogm-art]

Im going around asking my favorite mech artists "how to get better at drawing mechs", so now i'm coming to you! What is your approach to drawing mechs, what was your path into learning how to draw em? And how could someone get better at drawing mechs? Thank you for your time and attention

Hello ! ^^

For me, I started drawing mechs 4 years ago. I was just starting to draw again after my big depression era (like 4-5 years without drawing anything after artschool) =w= I kinda had to start from scratch. So, to help me, I started drawabox.com .

I did the first lesson, pulling lines and drawing straight, which helped me a lot gaining confidence in my hand. I ended up drawing 250 boxes . It took me something like a month and a half, doing 10 boxes in day, not everyday, but most of the week.

This was important, especially with mechas, because it teaches you to draw in 3d, to give volume to your shape, and because most mechanical stuff is pretty much boxes piled on top of each others, it's pretty geometric.

At that point, I was already dusting myself of the rust in my drawing muscles, but what really finished it is doing the March of Robots 2020.

I did like 25 mechs in almost as many days, until I started getting comms. And since then, I haven't stopped. ^^

(also a year later, I got a dm from Tom/Abaddon and got hired to do mechs for LancerRPG x)

Of course, between all that, I did sketches, studies. I tried doing 100 hands but didn't finish it. etc

But for mecha, specifically, I think one of the first things you have to understand is that it is a language of symbols, that is different from organic forms. This obvious difference between mechs and humans, one could say, is that humans are soft volumes and mechs are hard surfaces. But , not only is that not necessary the case (you can draw a mech soft and circular), but it is more about filling in with symbols, shortcuts that bring to mind the idea of the mechanical.

I am not an engineer. Most artists that do mechas and robots and vehicles and hard surface are not engineer and/or do not have that knowledge. (some do but my point is it's not required). Which means that, as an artist you have to fake it by learning those symbols, that bring the IDEA of a mechanical form. This is about using the brain of the spectator/viewer, their knowledge of what mecha looks like, so that you can meet halfway.

You learn those forms by studying. There is no shortcut here. You have to practice, not only your hand, but also your eye, in looking at your favorite piece of mecha media, and replicate them until you can pull them from your brain without reference. (always use refs tho, you don't have use 100% of your brain all the time.)

I am a very DETAIL-oriented artist. It's one of the thing people compliment me on and/or hire me for. It's far from being the only approach in mecha (plenty of great artists doing great concept arts of mecha with few details) . The more details, the clearer you'll have to be, and the more time you'll have to spend on the art. Especially lineart for me. BUT details help a lot convey those symbols and forms and shapes that immediately call MECHA in the brain of the viewer.

Another thing about mecha, is that since it is NOT organic, there is 1) lots of repetition of shapes and symbols, which you are 100% allowed to copy-paste (i do that all the time) , that makes you gain a lot of time.

and 2) SYMMETRY (it's not always the case, you can have an asymmetric design which can be far more interesting) because it's a robot or a mecha or whatever, designed therefore by human hand in-context. Symmetry makes it harder for me, personally, drawing a 3/4 angles or in perspective etc, symmetry is tough. Symmetry of shapes from one shoulder to another, symmetry of details etc. That's probably one of the harder part when you work in 2D. Cause you have to understand perspective and foreshortening and all that.

But yeah, because it's inorganic, hard surface requires a better understanding of perspective, because straight lines are easier to read therefore the viewer will have an easier time at clocking wonky mistakes.

I could go on, about design and function, and aesthetic. but i'll stop there. This is basically how i started plus some other stuff. The rest you'll pick up along the way.

Thank you for asking ! =w=b

[kimikitti]

Design round ups for the week!

Obi is getting a revamped magical girl phantom fusion form with Riddle's Phantom. I decided it needed to be more Obi so I mixed in more elements of a jester into the design. And of course the guy gets a big hammer to smash things with. I bet he says stuff like "It's time for you to lose your head!" and then bashes you with the hammer. (I likely wont make any finished pieces with the phantom fusion designs it's mainly for fun and for lore)

Obi can fuse with the phantoms depending on their relationships with him. Each one gives certain added abilities. However, these forms are unstable. The longer Obi maintains these fusions the greater risk he is at losing himself in them. (Imagine he's fighting an overblot and his face starts to melt) The phantoms all have different relationships with Obi and have differing perspectives on it.

OOf, I want to draw Obi fighting malleus so bad, switching between fusions to the point where he loses track of them. And starts mutating. (the body horror! the angst!!)

Next up is my very traumatized son Tenjin. He's getting a less goofy hairstyle now. And I'm thinking of making him more of a short king. He's still built like a brick shithouse that can fuck you up. But he might not be as tall as you would expect. (Nothing is set in stone yet, but I do enjoy characters who take up the room without needing to be physically the biggest)

In the interest of keeping my ideas in a place I'm gonna monologue some of Tenjin's lore here.

Early childhood: Tenjin grew up with a parent who was definitely not equipped to take care of a child. Due to his parent's narcissistic tendencies, Tenjin was often neglected and put down. His involvement in gangs led him to find a dangerous but sought after sense of community and safety.

He holds himself in very low esteem and has internalized very rigid power dynamics. Tenjin believes that there are only two kinds of people in the world: those who were meant to lead and those who are meant to follow. He believes himself to be a follower, the muscle for most people.

Tenjin initially did not want to go to NRC. But when his acceptance was discovered by his parent, they flipped out. Tenjin and his parent had a big fight that resulted in his facial scar. (I'm not going to go into too much detail on what went down here) After being practically kicked out and with nowhere else to go, Tenjin begrudgingly goes to NRC.

(hehehehe.... can you imagine how bad this is going to get before it gets better? Let me tell you, its only down hill from here for a bit.)

[writing-with-sophia]

How to get into the mind of a character? Honestly this can be for your OWN character or a fictional character. I'm wanting to write for characters- headcanons and fanfictions- and I'm so afraid I'll write them so uncanny to how they actually are.

How to get into the mind of a character?

To get into the mind of a character, you have to understand that character, believe in that character, and even "live" the character's life. But we all know each individual is different, and we cannot live different lives. A normal person who grew up in peacetime cannot fully understand the hardships of a warrior, and a doctor cannot know the thoughts of a mafia boss.

So, how can writers create believable characters? How can they possibly offer a believable soldier, cop, detective, alcoholic, or any given character type if they themselves haven't lived as them? How can they possibly offer a believable character in a situation that they've never been in?

Here are some tips you can use to get into the minds of characters:

Tip 1: Observe real-life people

To create well-rounded characters, observe real people around you. Pay attention to their behaviors, mannerisms, speech patterns, and thought processes. Take note of how they express emotions, handle conflicts, and make decisions. Drawing from real-life observations can add depth and authenticity to your characters. You can also search for novels and movies with different themes, study how characters with different pasts, biographies, occupations, and personalities act, behave, gesture, and speak. The best way is to prepare a small notebook and a pen so you can carry it with you wherever you go.

Tip 2: Create a detailed character profile

Develop a detailed character profile that includes information such as their age, background, beliefs, values, goals, and fears. Consider their relationships with other characters and how these dynamics influence their thoughts and actions. Delve into the character's past and explore significant events that have shaped them. Consider their upbringing, traumas, successes, and failures. These can provide you with a roadmap for understanding the character's mindset.

Tip 3: Use internal monologues and journaling

Imagine the character's internal thoughts and dialogues with themselves. Consider what they might be thinking in different situations, their hopes, dreams, and fears. (And why do they dream of that? Why are they afraid of that thing? What in the past made them afraid? Always asking questions.) Writing internal monologues or journal entries from the character's perspective can help you delve into their mindset and gain insight into their unique voice.

Tip 4: Consider their external influences

Characters are influenced by their environment, culture, and society. Reflect on how external factors such as family, friends, societal norms, or even the story's setting impact their thoughts and behaviors. This will help you portray their worldview more accurately.

Tip 5: Study the source material

If you're writing about an existing character from a book, TV show, or movie, immerse yourself in the source material. Pay attention to their dialogue, actions, and interactions with other characters. Take note of their personality traits, motivations, and backstory. This will help you develop a strong foundation for understanding the character. For example, recently I suddenly became interested in Nightwing (do you know him? Nightwing from the Batman series!), and I wanted to write a few short stories about him. So I found all the comics and movies that featured Nightwing and watched them one by one. I don't take notes because I have a pretty good memory (especially for characters I like), but I still recommend taking notes on special things to note.

Tip 6: Practice free writing

Set aside time for free writing exercises where you write from the character's point of view. Allow your thoughts to flow without judgment or editing. Just write, write, and write. You can reread and make corrections after you're done. Remember to gather your posts in one place; otherwise, you'll lose or forget them (like me!).

Getting into the mind of a character is an ongoing process that requires continuous exploration and refinement. The more you invest in understanding your character's thoughts, feelings, and motivations, the more compelling and authentic your writing will become.

Additionally, you can read my articles on how to write an effective character here:

How to create a superbad villain

How to make a villain's appearance memorable

Basic questions for your character

Describing a villain's appearance in a natural way

Create an effectively past for character

Common character motivations

How to create a good main character

How to avoid the instance where a secondary character stands out more/ is more lovable?

Character flaws

Writing a good Anti-Hero

Character positive traits

How to write an elderly main character?

Protagonist who is a ballerina

How to write a believeable egotistical character

[starrythroat]

hello! i've been following you for a while now and let me just say, your art is absolutely amazing. i especially love the way you draw bodies! could you give us some advices of how to improve anatomy skills?

Hello, thank you so much!

I struggle with anatomy very much and I have too little discipline to do studies often, so I'm implementing anatomy studies into my drawing process in the way the challenge is both not too great and not too low

For example If I feel too challenged by perspective and don't want to get too much stress I use dolls (these are inside csp), but instead of tracing them I make anatomy sketch on top in places i don't understand using variety of references to better understand what is happening (and in places I think understand I often just change some things):

But when I feel like It I try to assemble everything from the ground by myself, starting with boxes (or other primitive volumes, there are many different methods and i like trying new ones) in perspective

I cannot do anything regarding anatomy\figure drawing without perspective, I need at least to have horizon line (camera eye level, everything below line is something you look down on, everything above is something you look up to

When dolls (handmade or csp ones) are placed, i go for the references. For me learning bones and muscles is very hard, so I do it again and again and again and use it in practice. Here I recommend:

proko free anatomy course

anatomy-related videos of Mark Brunet

book "anatomy for sculptors"

book "anatomy for artists, drawing form and pose" by tomfoxdraws

making board on pinterest with muscles and bones and stuff

Main idea i got from anatomy struggle is that this stuff is hard, human body is hard, and If I want to draw here and now I need to realize my weaknesses here and work hard enough without loosing fun, because If I to lose fun I won't be making progress at all

Anatomy is hard subject but not in the scary way but like - I believe you need learn and practice (retrieving stuff from memory is important when you've learned it!!) same stuff many times to get something in your head. I'm still very bad at it and I don't remember most of the muscles although i look at them almost every day, but Im better than I was before and my shapes are looking better too

[fire-lizard-ro]

Ah yes. I've come to inquire about a certain blond fellow with the pretty eyes. Aventurine

So here's my bit. Reader is going through a break up with Aventurine and then they make up. I'm writing this while attention (females perspective)is playing in my mind. Maybe you could like incorporate it into the ask. Because I'm thinking in a way that the reader is trying to get Aventurines attention whilst keeping him at a distance. Sor of cat and mouse. And he's buying into it though he's much prefer without the sneakiness.

Also I hope this asks finds you in good spirits and a joyful mood. Caio.

Okay, okay- I have no clue what attention is. A song? I’m not good at this game help-

Anyways I will try my best.

Thank you sm for the ask. 🫶

I really do love this twinky little blond man and I’m happy to be writing about him.

It’s like two in the morning rn and I’m rambling here to distract myself from things. ANY!!! WAYS!!!

No gender is mentioned for the reader.

CW: exactly one (1) 2.1 spoiler (Aventurine’s real name- It’s at the very end), break up-make up time, mild angst bc ofc there is it’s Aventurine, hurt/comfort, happy ending hehe 🫶

Writing under the cut (SFW):

You couldn’t help but smile as you saw a certain someone’s nickname flashing across your screen. Right on time.

Though you supposed he knew what you were doing. After all, Aventurine is smart. Even if he didn’t realize it right away, he had to know by now.

You picked up the phone.

“Well hello, stranger. To what do I owe the honor?” It was hard to keep the sly lilt and inflection out of your voice when you knew he was definitely gripping his phone tightly on the other end of the line.

“I’m sure you know, dear. You’re slick but not that slick. You’ll have to do better than that to outplay me,” Aventurine said, his voice still fixed in that unhurried cadence and unbothered tone like usual despite the situation.

You rested your cheek on a hand and leaned back in your seat with a smile. “I’m sure I don’t know what you mean. In any case, it’s a bit odd of you to call me. After all, we did break up. You remember that, I’m sure.”

You could practically hear the leather of his gloves crunching (is it crunching I forgot-) as he clenched a fist, keeping hold of his restraint.

The two of you had been dancing around each other like cat and mouse. Though at this point, who was the cat and who was the mouse was anyone’s guess.

Despite having gotten to the point of breaking up, you ended up missing him a lot. And thus you began the dance only to find his hand already waiting for you. It was unspoken that you both wanted the same thing. But every time he drew closer, you’d pull back. A frustrating back and forth that seemed to confuse him. Aventurine was sure you wanted him back. And yet you never let the cat finally catch his prey. Why? He didn’t get it.

“Oh sweetheart- Let’s not keep pretending, yes? I know you’ve been trying to catch my attention. You can’t hide your intentions.”

“Seems it’s working, then.”

It was true. You had been doing things to keep Aventurine’s eyes on you. Despite playing a game of keep away with him with how you’d draw him in and push him away, you didn’t want him looking at anyone else. At the same time, you weren’t sure if you’d truly be willing to get together again. What if the train went off the tracks again? The first time had been rough enough with the two of you waging a passive aggressive war and pointedly ignoring each other at some points.

And thus, this odd little game of yours. One that Aventurine was growing tired of it he had finally called you.

“Let’s talk in person, shall we?” “What-?”

A knock at the door. No fucking way- You opened the door to see your favorite the blond man himself.

“Hiya, darling dearest~”

“Aventurine.”

“No need to be like that. I was serious about that talk.” He then pulled a bouquet of your favorite flowers out from behind his back. “For you,” Aventurine said with that stupid charming smirk of his. You squinted at him for a moment before accepting the flowers with a huff and a faux annoyed, “Fine.”

You were a bit conflicted. You were excited that he was here. Especially because he seemed desperate enough to actually seek you out and talk to you in person. But at the same time this was not something you calculated or expected to happen.

“I know you’re glad to see me. You don’t have to pretend,” he practically purred as you shot a glare over your shoulder, still keeping up appearances. “Oh but of course- I’m absolutely just tickled pink.”

Aventurine chuckled, tipping his head down to look at you over his shades, lids low and eyes practically glowing. “You always did have a way with words, sweetheart.”

He then took off the sunglasses (and oh that was another stupid, dorky little thing about him you found oddly endearing- shades inside a building- stupid silly adorable man-) and plopped down on your couch while you put the flowers down on the counter in the kitchen. You’d deal with them later. For now you had him to deal with. You sat in the chair instead of the couch. He pouted playfully about it, but didn’t comment. “I’ll cut to the chase- I want you back. And I know you want me back, too. I just can’t figure out why you’re leading me closer and then shoving me away. I’m starting to get the feeling you just like my attention. But even so- We both know the truth. So why don’t you just give in, lovely? I know you want to,” he said, surprisingly not using the old song and dance of leading someone around to get the information he wanted. He didn’t talk in circles and didn’t even seem all that flirty despite his words. He was… oddly serious.

“And what about the reason we broke up before?” You didn’t even try to pretend anymore. Aventurine has always been able to see right through you. That ability had clearly not gone anywhere. “I can’t make promises, but we can talk. We’ll work something out. I’ll even compromise on it.” Compromise was not an Aventurine word. Any deals he made were made in his favor without the other person even knowing what they were going to lose. Your incredulity must have been showing on your face more than you thought because he laughed lightly, the sound somehow dry- tired and heavy. “I see that look. I’m serious, baby. I’m sorry I ever let you go. You’re the only one who stayed. The only one who has stuck around. I need you. I’ll give it all to you. My attention, my trust, my… my heart, even. You don’t have to play these games to make me want you.”

Now you feel a bit guilty. But at the same time, elated. Even before you broke up, he never once brought up matters of trust and love. He seemed far too uncomfortable even edging around the topic. But now Aventurine was the first one to bring it up.

You said nothing but silently stood. And his eyes dimmed, waiting for disappointment. But then you walked over and sat next to him, pulling him into a hug. “I missed you, Aven.”

He let out a shaky sigh and wrapped you up in his embrace, arms tight around you.

“Kakavasha.”

“What?”

“You should tell me, ‘I missed you, Kakavasha,’” he (Kakavasha?) said, his voice was shaky with emotion.

“I… I missed you, Kakavasha.”

“And I love you, sweetheart.”

[capicola323427]

Here's a sketch I made a day or so ago, featuring stuff happening on the Legendary Battleship Halberd. I like to think Trident and Mace Knight were training and testing out a more volatile weapon (Maybe exploding tridents? Exploding mace?) and then 𝕂𝔸𝔹𝕃𝕆𝕆𝔼𝕐 an explosion in the lower hull occurs. All of this happening as Captain Vul and Sailor Waddle Dee are going over some blueprints, maybe an update to the cargo hold, and Meta Knight is being asked a question by Axe Knight. You just know Meta Knight would let out a complete shocked, angry, and exasperated "GUH?! WHAT IN STARS NAME???"

Anyways, let's talk art. Anytime I post something here on this account, I like to accompany it with some self-critique. I don't draw a lot of perspective drawings. I'm not very good with perspective. I can do simple perspective drawings, but I'm not very good with more advanced ones. I want to fix that so I can draw more perspective drawings, especially interiors, so I've downloaded a tool to practice with, it's called the Perspective Box Object by Pharan! It's super helpful and makes drawing all sorts of perspectives, interiors especially, a bit easier. It gives you a good idea on how to map things out in a 3D space too! When drawing, I wanted to test out drawing various characters and one object at different distances and angles!Personally, I really loved how The Legendary Battleship Halberd came out. I did use a STL as a reference by having it posed and angle in a separate window, I think using 3D objects as a reference is fine but it should never become a crutch or the only way you can draw that object! The checkerboard texture of the PBO makes it very easy to map out and get an idea of how close and how distant something is from the camera. I admit, right here Meta Knight looks a bit wonky and I believe that's because he's not correctly placed in the scene? If he were closer it would look better but where he is it would be better if we saw the slightest sliver of the top of his head considering the floor. I don't know. I want to finish this sketch so I might re-draw Meta Knight? Maybe not. I don't know. I also believe Captain Vul and Sailor should be a bit smaller too.