#I'm not sure what god or gods exist

[libertarian-druid-ny-separatist]

Reasons it's great to rent a room from a dude with a fuckhuge house

Chances are, they'll be okay with you being a little late on rent as long as they're not dying

Chances are, they'll be cool with you doing laundry whenever, as long as it's not at like 2AM

If you end up losing a job, chances are they'll be chill about you getting a new one, as long as you're making an effort and keeping them sorta in the loop

Basically, as long as neither party is an asshole, you'll get cheap ass rent and the leniency you need to get by when shit gets rough.

[mobius-m-mobius]

#the Nowhere Man who waits and the God of Stories who watches

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[lewmagoo]

nothing like a 12 am spiral over religious trauma lol

[yuseirra]

Onk 165 spoilers(review)!

Seeing people slapping each other at a funeral is the LAST thing I want to see in any media, not just this one(if it has a proper base, I can take it, but this work just didn't have anyone prepared for this kind of event to unfold) that imagery is seriously haunting me. I really hate it, I hope the artist knows what they're doing, I'm never reading that chapter again, what are they making their readers who cheered for them even read?; I'm.. Just really startled and baffled. They have strengths in terms of constructing emotional experiences, they know what kind of reactions they can invoke through their works, I'm sure. This... Felt too harsh and it wasn't even laid out in a proper way, everything feels so rushed so I don't know what to feel about it. It doesn't even feel tragic, I couldn't even feel sad, I was just baffled and shocked. Seeing a character break down was painful all the same (Kana doesn't deserve this happening to her??)It wasn't a good experience to have. Distraught would be the word. Are they really happy with this? Again, what are they trying to achieve through this? Are they respecting their fans? Does this have a point? I'm genuinely confused. I want to know. I hope the authors are happy about this but I'm not. Who would? I'd have enjoyed this better if all this felt well-constructed.

I honestly still believe the contents of the songs are spoilers, THOSE do better explaining Kamiki's character than what this manga put forth about him after the 154 mark.

Speaking of which, I've mentioned this after 164? 163 was it? How can Aqua do this to Ai's movie? Just what IS the point of having the movie be a huge hit when it's going to be known for a murder incident that's even FABRICATED??? Didn't Ai want her TRUTH to be known? Wasn't the movie supposed to be about HER life and what she wished for? Again, she had her hopes on her boyfriend being saved. And Aqua kills him over it and framed him about having killed a person over the content of Ai's movie. Whatever Kamiki's done, Aqua shouldn't have done that to AI AND HER MOVIE. How- why- does the author think that's a good idea?? This was a movie that was going to be her legacy, right? And even if Ai's lied all her life, isn't THIS the work that she'd wish WOULDN'T BE? The one that'd display her true self, the one that should have gotten her love across to Kamiki? I'm glad the latter did happen but even that's going to be covered by lies all thanks to Aqua. I just can't forgive him for doing that to his mother, how is that for Ai? How?? Did Ai want revenge on Kamiki no matter the cost??? That wasn't it. I feel like this sort of outcome, of her son and boyfriend dying and the story of her life being framed as the trigger of killing themselves over it, would have been the LAST thing Ai would have wanted. Unless they explain the reasoning, the writing is so bad on this one. Aqua managed to make Ai's movie about himself. Couldn't he have found some other way to die if he wanted to do it so much.

The last chapter isn't going to save anything, there are too little pages left.

I've made a lot of theories about Ai and Kamiki being gods and THEY were the ones responsible for the white and black star eyes all along(They have to explain what's up with the eyes and the stars and why they work that way before they go!!!) I actually believe in those theories I've written wholeheartedly because if they're going to get back on the idea of gods, that's like the only way to have it blend in the story altogether. And seeing how the idea of fallen-ness and how "stars dwelling in eyes" were in the anime s2's op, which is not too long ago? I don't think they would have completely dropped that idea? Was it 158? I want to know why Tsukuyomi went about "Love" too. If my theories actually end up being true, then.. Ai and Kamiki are the two characters who were all about love and needed love in order to function properly as gods. That Kamiki was trying to collect "Ai", the fragments of his lover back dwelling within people's eyes after her death in order to reach her again. I really do believe that's the way to go if they want this story to make any sense with it adding up to the song's contents.

So what did Kamiki even do?? They aren't even sure if he is really involved or not because what he did is very minimal, isn't it?? Remember how Airi died when he just told her husband the truth of how she molested him? If we believe him, remember how he wanted to send a bouquet to congratulate Ai for her dome concert and Ryosuke killed her? Remember how Ryosuke pushed Gorou off a cliff when he said he wondered if he should go visit Ai at the hospital? Remember how Yura died when he told her she should watch her steps at a mountain? How he told Nino they should turn themselves in and she went insane to try and go stab Ruby? These are too much to be called as mere coincidences, things don't logically end up becoming this disatrous. Whether if he really wanted things to play out this way or not(and he told Aqua himself that he never wanted to hurt anyone!!) it's not natural. This is why I seriously believe this guy's Sarutahiko the god of guidance and the RIGHT PATHS, that's been given a "fatal flaw" after Ai's death!!! Ai was already worried of Kamiki being afflicted by the darkness of the industry, he just totally broke after the death of his godly wife didn't he??? And now he's been leading people into the wrong paths!!! Because he's a fallen god now! Why else would be the lyrics like that? Then is ANYTHING that's happened HIS fault? I'm not actually sure?? He could have tried utilising his powers to meet Ai again maybe so after that perhaps so?? But what's been happening around this guy's been so weird. It can only be explained through the songs and the mention that THERE REALLY ARE GODS OUT THERE WHO DON'T KNOW THEY'RE ONE, WHICH DIRECTLY CONNECTS WITH THE LYRICS OF MEPHISTO THAT GOES: "I'VE FORGOTTEN WHO I LIVED AS" which I think IS written from his perspective! So there. If this is not the case I REALLY don't know. But they won't explain it right. They have to though.

About ruby...well, she's the amaterasu. I keep saying that... She'll "shine" one way or another. But I hope she could really save someone significant in the story with it.

That's all I can write on the spot for now~

[lululeighsworld]

Lorah: Lilac Knight's Love

Artist: @littledashdraws

Wanted to share this commission by Dash, who so lovingly illustrated my vision for Gunter's first wife!! Although Lorah's lived in my head since 2017, this is the first time I've had her drawn. Because I'm so thrilled over this art, I put together a little introduction for her!! you can read more about her below~

Residence: Duet Mountains Occupation: Farmer •❀• Bedside Nurse •❀• Homemaker Birthday: July 11 Gender: Female Relatives: Gunter (Husband) Katerina (Daughter)* Personality: Shy •❀• Bubbly •❀• Optimistic Hobbies: Crafting •❀• Gardening •❀• Baking Age: 21 (when she first meets Gunter) •❀• 36 (at death)

A Nohrian commoner whose known the kingdom's southern mountain range and neighbouring valleys her entire life, Lorah was a recognizable resident of her town even though she kept to herself. Learning the basics of herbal remedies from a young age, she would split her time between tending to the fields and easing the woes of the sick. In adulthood, she would chance upon meeting a Nohrian Great Knight during her town's annual spring festival. The couple's engagement, after seven years of courting, had become one of the most highly anticipated moments amongst the townsfolk.

*NOT the Nohrian Queen. I named their kid before I realized what Xander's mom's name was and by that point I was already ATTACHED (tell me Caterpillar is not the cutest nickname). So now the reason they share a name is lore relevant (which is a part of this fic!).

divider by saradika

[thr4shit]

sighhhhhh this beautiful sound

this shit's how we've been feeling. like the instruments, that floaty numb cold feeling but still PAINFULLY borderline aware but unable to like yknow ENJOY?

all we've got left is media. and even that's starting to stop doing anything.

but what the fuck can we do, yknow?

each time this happens it's just so god awful.

and it just keeps happening, over and over and over, with less and less breaks between.

what if one day I can't get out of it?

what if one day we're just stuck numb and cold forever?

what if one day all we'll feel is this numbness and the sadness and the rage?

what then? will anyone be there?

will anyone care?

will we just be alone?

why would we stick around then, huh?

we're already basically friendless.

who's gonna wanna be friends when we have no personality, hell, no existence or REALITY left?

who's gonna wanna be in our fucking vicinity when we're nothing anymore?

that feeling like drowning.

we're ALWAYS drowning.

just brought up for air to get plunged back into the ice cold water for another round.

how long until we don't get brought back up?

[transmasc-rose]

Amy/Rory I Saw the TV Glow au:

Amy as Maddy/Tara, who ran away and never came home, who talks about things that can't be real (the TV show, the TARDIS, a world where they're strong, a world where they're something better).

Rory as Owen/Isabel, meek and yet loyal and yet terrified of his best friend and what she means. And what she says. And what she shows him.

Doctor Who, the TARDIS, the Doctor, all wrapped up into the role of the Pink Opaque, the TV show from their youth, and something Amy grasps onto and never let's go. Something Rory abandons for a normal life.

And yet.

[unproduciblesmackdown]

also "textless" versions of these, wahooo

[riiviir]

hey guys so I just started reading Flatland by Edwin A. Abbott and OMG AHSBNSBSBSNSNBSHZHSHDBFHGGHFHGRJ2KSHSBSNSK AAAAAAAAAAAAAAA I LOVE THINKING ABOUT THE RELATIVITY BETWEEN DIMENSIONS!!!!!!

[b4kuch1n]

tdov was like a week ago already but I just wanna say when I came over to vacation slash help my sworn brother move flat he told me, "ever since you said you wanted to get top surgery I've been thinking about it. it's straight up number two on my bucket list"

[necrotic-nephilim]

I’m gonna be honest I didn’t realize the new 52 messed with Kon that much till I read your post and now I can’t get over the potential. I’m a Tim/Kon girly at heart so I would devour anything you write exploring the 52 vs typical Kon. Also Time being in a clone sandwich is 👌.

the new-52 messed Kon up SO bad it's ridiculous. like, to the point i would personally argue he's a completely unrelated character to pre-Flashpoint/Rebirth Kon. his personality, his suit, his origin, all different. the only real similarities are the name and powerset. and even New-52!Kon's powers are slightly different from pre-Flashpoint!Kon. New-52!Kon is a clone of a future version of Jon Lane Kent, cloned by N.O.W.H.E.R.E. to provide genetic material to Jon Lane Kent, whose body was not handling being half human/half Kryptonian well, it was a whole thing. New-52!Kon is also where we get the infamous "Kon-El means 'abomination of the house of El' and Kara basically named him a slur in Kryptonian culture" tidbit, because that is the only time that's canon. (originally Kon-El was a name gifted by Clark to accept Kon as his family way back in the 90s) he also never went by Conner Kent. New-52!Kon just straight up didn't have any real human identity or connections, outside of being very close to Tim and some Titans.

the very TLDR of Kon's history is: during post-Crisis/pre-Flashpoint, a clone called Superboy is created by CADMUS. at first, he's considered to be a clone of a dude named Paul Westfield and is not Kryptonian whatsoever, he was simply made to look like Superman and only has Tactile Telekinesis as a power. then, it was made canon that actually he was a clone of Lex Luthor and Clark Kent, but Lex hid this fact and slowly, Kon developed more Kryptonian powers. he's given the name Kon-El by Clark, and is taken in by the Kents, getting the name Conner Kent. then Flashpoint happens, we get the New-52, and we're given the above version of Kon-El, who is a clone of Jon Lane Kent, created by N.O.W.H.E.R.E. who has mostly very strong telekinesis powers and some Kryptonian powers. he's with the Titans for a bit, then at the end of the New-52, he kills some aliens and feels bad about it so he decides to fuck off and is never seen again, it's presumed he's dead but never confirmed. then Rebirth happens and DC makes Jon Kent the current Superboy, we get Supersons and all that, and it's assumed that no version of Kon-El exists. just at all. he's not around whatsoever, Jon is our only Superboy. *but* in 2019, we get a new Young Justice run and the pre-Flashpoint Kon-El is back, and we're given the explanation of: Kon got accidentally teleported to this alternate realm called Gemworld and then Flashpoint happened, and since that was a Crisis Event that changed the timeline, the poor lad got *erased* from the timeline, causing most people to *not fucking remember him* and for him to remember a timeline that no longer exists. some of the Young Justice team vaguely remember him, Ma and Pa Kent remember him, but notably, Clark *does not remember him*. it's not an issue of "Clark ignored Kon in favor of Jon" it's an issue of "Kon was erased from the timeline and didn't exist for years bc he was stuck in Gemworld and Clark just doesn't remember Kon or Kon's timeline" which to me, is far more tragic but i digress. since then, Kon has been back and is present in most significant Superfamily runs, with his own recent mini-series, Superboy: Man of Tomorrow. (which was very good btw)

so basically: the New-52 fucked Kon up so bad they wrote him out of comics for years and then brought back the pre-Flashpoint version, but never *explicitly* killed the New-52 version off. so hypothetically, it's possible that there are currently two characters existing in the DC universe named Kon-El who have been Superboy. and like i said above, one of New-52!Kon's only real significant relationships was with Tim, it was the only thing the New-52 managed to get right about Superboy, his closeness to Tim. they have a *lot* of moments that read incredibly queer. and ofc, it's just outright confirmed in Dark Crisis: Young Justice that Tim had a crush on pre-Flashpoint!Kon at some point. so while comics are intent on pretending New-52!Kon doesn't exist, i am intent on putting Tim in a clone sandwich.

because i do think it's fun to play with Tim having genuine feelings and potentially a relationship with both of them. and the fucked up nature of him not fully *remembering* his relationship with pre-Flashpoint!Kon (which is a canon thing, in YJ(2019) Tim has vague memories of Kon he's struggling to piece together and understand why he cares about this guy he doesn't recognize so much) and how frustrating that is for Tim. he knows he loves Kon, but it's all foggy besides that. and so it's even *more* fucked up if Tim dated New-52!Kon before he got emo and ran off into the unknown. obviously in canon no one has told current Kon about New-52!Kon bc comics are doing the good ol' tried and true of "sweep that shit under the rug" but for fanfic, i think it's fun to ask the question of: would anyone *tell* Kon? especially Tim? who now remembers dating both versions of them? would he admit to Kon that briefly, he had another Kon? how would Tim cope with that and move on? personality wise, they could not be more different. they dress and act and look different. they're not the same person, but there's certainly a questionable factor of Tim's dating history including two Kon-Els.

the idea i've had for a while is Tim slowly starting to date pre-Flashpoint!Kon again. it feels familiar and like home. and Tim has grieved and accepted that wherever New-52!Kon is, he doesn't want to come home, he didn't love TIm enough to stay and try. so Tim takes the Kon he has, and genuinely has a happy relationship. like for once, life is good and things almost make sense for Tim. but then, of course, New-52!Kon comes back. he decides he wants to try again and he finds Tim. only to find well. he's been replaced. and technically, he's been replaced with the *original* that he didn't even know *existed*. and if being a clone is bad enough, that just makes it a hundred times worse. because imagine knowing you're actually the second Kon-El your boyfriend who you never *technically* broke up with fell in love with. that's gotta give you some kind of complex.

so i think it's fun if both Kons try to step back and let the other Kon date Tim. both of them have reasons to feel like the "replacement" or "fake" Kon, and it makes them incredibly awkward with each other. do they count as the same person? bc they definitely don't *feel* like the same person to each other, but with weird timeline stuff, who can really say. them settling on an awkward throuple that's really meant to be Tim just dating them both but somehow they end up dating each other too is so fun for me. they both feel like imposters to the Superboy name but are so deeply in love with Tim Drake, it's the one thing truly connecting them. and then of course, Tim feels bad in that somehow, he's betraying both of them for having feelings for the other. but they make it work, with a lot of awkward angst and miscommunication. i just think it'd be fun. very difficult to write to get all the weird timeline nuances down in a way that's understandable in a fanfic (bc you can't just. infodump like i did on this post) but doable. also difficult to tag, because even though i argue these are two different characters, i'm pretty sure Ao3 groups them under the same character tag. so it'd be difficult to convey it's not *really* as selfcest-y as it would imply. comics, man. DC will never acknowledge New-52!Kon again, and he's admittedly a terrible adaptation of Kon-El, but. i think he was sort of neat in his own right and i'd *love* for DC to just inexplicably bring him back and make the current Kon deal with the consequences of all that. and them make Tim kiss them both. obviously.

[beevean]

A theory I've read more than once is that this one frame of Lenore entering Hector's cell for the second time is proof that she is not actually enjoying what she has to do:

The wiki describes it as such: "Lenore has a sad expression when entering the dungeon to visit Hector the second time."

Also this, from a comment I found:

Like for example when she goes to meet Hector the second time, you can see sadness on her face when she is walking alone in the dungeon, but as soon as she approaches Hector she puts on a smile. I.e. may be she already knew she had to use the ring at that point and felt bad about it but didn't want Hector to realize that. A lot of such small animation details really provide a glimpse into what the explicit writing was lacking.

(edit: turns out that they were the same person)

Okay.

First things first: I doubt she has the ring in mind already. It's hard to tell because Lenore pulls it out of her ass with zero foreshadowing whatsoever, but with the way it was framed, the ring was likely a direct response to Striga's idea of buying mercenaries to make Hector unnecessary, which comes later into the story: Lenore even uses the information she eavesdropped from Striga as a way to lie to Hector about her loyalty to the sisters. In theory it makes sense, because Hector needs to be reliable to be allowed to live, but the ring is... a very poor solution the more you think about it, even if you ignore how S4 neutered it, because it only addresses one of the many logistic problems that come with forcing Hector to make an army of Night Creatures, and it's not the dead bodies/living livestock paradox. And going with the story, it's unlikely Lenore was already thinking of raping the ring into Hector: why would the sisters be amazed at her plan if they were the ones suggesting her to speed up things? And if Lenore came up with it, why would she be remorseful at her own idea? Sure, Hector showed defiance during their first encounter, but did she have so little faith in her own manipulating skills that she already felt that she had no choice but to use her pussy, the only good weapon in a woman's disposal "brute force", after one understandable incident? Then why even bother interrogating him to understand his motivations and needs? Just skip straight to the sexual molestation to make him believe she likes him. As I pointed out, that interrogation was not for the sake of painting herself as particularly caring: she was collecting intel, intel that she wouldn't need if her plan was already tricking Hector into slavery via a magic ring.

Second: that expression honestly doesn't look sad to me. I would be willing to give the interpretation some credit, because she's looking downwards which can be a sign of sadness, but after that one frame, she switches to this expression:

Now she looks mildly pissy, like the idea of talking to Hector is just soooooo annoying, ugh. She even has the sassy cocked eyebrow lmao.

Of course that can't be it, so I propose the most obvious interpretation: she's serious and deep in thought. That is because their first encounter ended up disastrously: Hector assaulted Lenore with the intent of threatening her, which pissed her off, and she assaulted Hector by beating him to an inch of his life, which is not the best way to win a pet's trust. So she's most likely thinking the best way to approach him again.

And I'll even praise a small detail: the first time Lenore fed Hector, she made him crawl towards her to eat from her hand. The second time, however, she tosses an apple to his feet. Both gestures are demeaning, but after that incident she seems to be more cautious towards him - shown as well by her insistence that he is so dangerous that, well, she has no choice but to put a leash on him like a dog. I'm honestly surprised that her final solution is stupid as fuck when she can be intelligent when she wants to. real reason she's hector's soulmate: both of them have braincells like christmas tree lights :V

Third: oh, do you want to talk about explicit writing?

These are not freeze frame bonuses. The scene lingers on this expression on Lenore's face as Hector is screaming in pain over the ring she put on him.

So, you're willing to believe Lenore didn't want to use the ring but felt forced to because in one frame she has an expression that mildly looks displeased... but somehow you ignore this blatantly sadistic reaction? This screams, at the very least, "haha, sucker, I've won"; but add to this that Hector is visibly and audibly in pain, shocked and scared at the curse overtaking his body during a vulnerable moment...

This ties well with how she beat Hector to a pulp not just out of self-defense, but because she wanted to feel strong and powerful when surrounded by people who underestimate her - the writing might imply that she was offended that Hector too saw her as vulnerable and stupid, but she was explicitly laughing and mocking him while showing off her strength (a strength she doesn't display when, say, Isaac enters her cage: he easily intimidates her). You might read the implication that Lenore spoke about Hector so disgustingly to the sisters to be taken seriously as a vampire mistress and didn't actually want to dehumanize him, but explicitly, even ignoring the forced pet play that showed she had fun treating him like a dog, she reduced him to a "problem to be solved" when complaining about her woes, and when she could have apologized or explained herself she minimized or doubled down on the harm she caused, never once expressing any remorse or doing anything worthwile to make up for it (like, for example, talking about the ring and how it's a shame Hector is only there because he has no choice because she feels they'd be good friends without it: that would imply guilt).

In fact, going back to the moment when Lenore decides to use the ring, it is far more likely that it was in response to this part of the conversation Lenore has eavesdropped:

Striga: We can possibly push east as far as Lake Balaton before I run out of soldiers, but that exposes our Western border. Morana: Sleep. Striga: We can't do it without Lenore turning the forgemaster, and she's just taking him out for fucking walkies. Morana: She will land him. Striga: It's going to have to be soon.

Considering that it's shown that Lenore highly resents being seen as a stupid animal lover, it's far easier to think that this is when she got pissy and decided to use a quicker method, even if it destroyed all the hard manipulation work she had done.

One frame might paint her as a reluctant villain only trying to make everyone happy and being stuck between a rock and a hard place, but multiple scenes paint her as a vile bully and abuser who enjoys feeling in power and control, whether she uses kindness or harm to achieve her goal.

I'm sorry, subtext can absolutely enrich the understanding of a story or character, but not when it actively contradicts the text.

Do you want my personal example? I'll play the same game of overanalyzing expressions. When Isaac attacks the castle, Lenore goes to rescue Hector first thing, instead of checking on Carmilla. For one moment, she even looks torn on where to go:

I will praise this moment: this shows her concern for him quite nicely and that she believes his safety is the first priority, without having to spell it out - no declataration of love, no "you're too important to me", no "Carmilla can handle herself without me", the action speaks for itself. However, there is also her reaction when Hector severs his finger to get rid of the ring, after he explains that "command and control flows through [him] to Lenore here and to her friends":

It could be simple disgust because, well, there's a severed finger and pools of blood lying near her. But I also see what the commenter saw in that frame in S3: sadness. Defeat. Lenore has lost control of the Night Creatures. She can't do anything to protect Carmilla and the castle. And she has lost control of Hector, who has gone behind her back and is protecting her at the expense of her sisters and home: he may chose to stay with her, but he also gave Isaac all the tools he needs to destroy her life. She's powerless. Everything she has worked for went up in smokes and was pointless. Which, as it was shown and told, greatly bothers her. (this is also why I believe her suicide makes sense for her state of being, an opinion apparently not shared by her fans)

I see all of this encapsulated into that expression that mixes disgust, concern and quiet, horrified realization: and it's also fully backed up by the context.

This leads to the message I keep insisting on and which is something that more people need to learn, and the reason I keep eviscerating this character because the writing and the fandom piss me off something fierce: abusers can care about you. They can care about your safety and well being, they can want what (they think) it's best for you. What makes them abusers is that they place more importance on their own need of control. Lenore wanting to save Hector because she pitied him, has grown close to him and eventually finds in him someone who listens to her doesn't at all erase in the slightest all the harm she has caused him: which, I reiterate, includes lying to him and taking advantage of his feelings and need for love to trick him into sex with the objective of placing a slave ring on him, and enjoying his suffering when she won - and when Hector called her out on this, her response was "SHUSH, YOU WERE HAVING FUN".

At the end of the day, she has never stopped behaving like a vampire, a creature whose definition of love is "acting to keep something with you for as long as you can". Even in her most wholesome scenes, like this one or the one where she pleads for more of Carmilla's patience, it's easy to see at the core of it all a need to control the situation and people involved, and reluctance to admit her needless cruelty. This is nuance, not "she's actually good deep down, pls ignore all the sexual abuse because it was for Hector's own good 🥺".

On one hand, it's true that when you do character analyses, you will always be biased, because you come in with your ideas and preconceptions. I am biased too, of course, you can tell. On the other, it's dishonest to cling only onto the most convenient hidden details to look like you have fully understood the text, when you dismiss the most obvious ones that are so obvious you have to actively try to.

[nero-neptune]

NORTHERN EXPOSURE 3.07 “Roots”

“I don’t dream much anymore…Well, sometimes I dream, but they’re so mundane, so pallid. Like mailing a letter, mowing the lawn, picking up my suit from the dry cleaners. And I used to have really vivid dreams. I mean, dreams van Gogh would envy! Lush, florid, stirring dreams. Not anymore.”

[zylphiacrowley]

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