#I'm also trying to figure out how I would like to draw in general | Explore Tumblr posts and blogs

deadsetobsessions · 3 months ago

Text

Snart Jr.

Lovely prompt by @stealingyourbones in her long prompts list, in which Danny Phantom meets the Rogues of Central City! This will have multiple parts, I just haven't written them yet.

Disclaimer: I know very little about Captain Cold and Mirror Master despite having watched some of the Flash. The general vibe I get from Flash is that Flash just really cares about his rogues as evidenced by how he talks to them and doesn't immediately one-shot them like I'm pretty sure he could do. And that Captain Cold is a snarky asshole that just wants to steal things and follow his plans as planned? Tbh, the whole mini-arc/episode with him just felt like Snart was trying to coordinate the world's riskiest group project. He was so done by the end lmao

"Huh. That's new."

Danny hovered an inch off of the ground, having just been spat out by swirling green portal. He was going to have to get back to the Zone later to hot potato Skulker through a couple of portals in revenge. He had a math exam he had to study for, dammit.

Danny sighed. Might as well see what's happening. The portals rarely lead somewhere boring, and Danny was bored. He floated further in, form going intangible and invisible as he passed through thick but insulated marble walls. See, Jazz? He could totally plan ahead. He's also learning that he could probably rob a bank easily, but Danny would never.

"Never been spat out in a bank before," he hummed, eyes flickering on the numerous forms of cowering people in the lobby. The goons scattered about don't see him, but it would take another ghost to even detect his presence so it was to be expected. He moved further in with little hindrance and soon touched down onto polished floor behind two incredibly suspicious individuals.

"What-cha do-ing?"

The two figures, currently and obviously robbing a bank, whirled around in surprise. Their respective weapons whirred to a start before they stopped, baffled by the meta teen standing there with his white hair waving about and innocent look pasted all over his face.

Leonard Snart knew instinctively that the kid was so full of shit. He'd bet his entire plan on the fact that the kid knew exactly what kind of shit he was stirring. Still, Snart was guilty of a lot of things but direct child-endangerment wasn't ever one of them.

"How'd you get in here, kid?" Mirror Master raised his laser pistol, ready to distract and divert the kid with threats of violence- which Snart glared at him for- or with his hall of mirrors that he'd run to.

Danny shrugged. "I walked. If you guys didn't want me here, you should have guarded the place better."

"They were supposed to," Snart drawled. He cased the kid. Teen. The kid had a weird halo effect, that seemed to draw the eyes to the stylized letter on his hazmat suit. The kid was young. Meta. Non-hostile. "You trying to stop us?"

Danny shook his head. "Nah. Came from the Ghost Zone so 's really non'a my business. I was just being nosy."

Snart gave a curt nod and nudged Mirror Master back into cracking the security measures.

Mirror Master scoffed. "What the hell is a ghost zone?"

"I mean, it's pretty self explanatory, right? It's a zone where ghosts live. Hence, you know, Ghost Zone." Danny did a little jazz hands (oh, yeah, he was definitely gonna get Jazz to make that joke sooner or later) for emphasis.

Snart paused for the slightest bit before continuing with his task. Did ghosts exist?

"...Did the Flash send you here, kid?"

"I'm not a kid," Danny scowled, walking right up to them. He got enough of that from his own Rogues, thank you. "And what's a Flash?"

"The Flash, kid." Mirror Master corrected, shoving monitors and PC's and expensive looking office chairs into... a mirror dimension? Danny shrugged and rolled with it.

"Who's that? Your boss?"

"Local superhero, not our boss. You're not from here," Snart quickly deduced as a small smile wormed onto his face from successfully cracking the security without setting off an alarm. They'd have ten minutes before the system cycles the access codes again and flags the fraudulent ones. That should be enough time.

"Superhero? Are they fast? Actually, where is here?" Danny glanced around at the now bare security office like the Flash would show up.

The guy in green and yellow took everything not nailed down to the ground. Danny respected that, even if he kind of wanted to stop the robbery. But he's not really supposed to interfere. That would be uber rude, since it looked like the guy in the fur jacket seemed like he had planned everything precisely.

"You're in Central City, kid. Did you take a wrong turn trying to get to Keystone or something?" Green-yellow guy snorted.

"Gonna be real honest with you, I've got no idea where that is. What state are we in?" Danny followed as the pair rushed to the safe doors. He could offer to phase them through but no matter how flexible Danny's morals have become over the years, he was going to draw a line at actively helping a person commit crime.

"Kansas. Do you teleport? Are you a teleporting meta?" Snart asked, eyes intense as he both glared at Danny and pressed an ear to the safe door.

"Nah, I wish I could teleport. Getting to school would be so much faster. Kansas? Huh, I've never been."

"How lost are you, kid?" Mirror Master incredulously paused from robbing the packages that were delivered to the bank.

Danny shrugged. "Oh, I'm Danny. Who are you guys?"

"Captain Cold. That's Mirror Master."

Danny shifted as the safe clicks open. "So, uh, are you guys the villains here?"

Captain Cold shot him a weird look. "We're actively robbing a bank, kid. That should be obvious."

"Also, you're acting real calm for a kid speaking to two of Fawcett's best super-villains." Mirror Master chimed in, laser-ing off locks on deposit boxes and shoving cash and stuff into his mirror dimension.

Danny padded in after them. "Eh, you haven't shot at me- not even on sight- yet, which is more than I can say for law enforcement, so you're pretty chill in my book."

Captain Cold snorted, pointedly taking his freeze gun and breaking off a large manual lock. "I believe it's my job to be the chill one. Plus, we don't kill. The Flash would be up our... business if we did. It's not worth the trouble."

"You can say ass. I've heard worse."

"Not from me, kid."

Danny hadn't had that kind of consideration from anyone in a long time. Even if it's a bit... mother-hennish, the halfa couldn't find it in him to be annoyed. "Ah, okay. Well, you also haven't kidnapped me or tried to stop me from following you, so..."

Mirror Master shoved a giant painting into his dimension. "You haven't tried to stop us; it'd be weird trying to stop you."

"Makes sense."

"Heh. You're alright, kid. Though... who's kidnapping you?"

"My fruit loop of a godfather. It's a thing," Danny avoided the searching gaze like a pro.

"Hold this." Captain Cold said suddenly, giving Danny a massive dufflebag.

"Wait, what?"

Captain Cold began stuffing the bag with cash and once the money in the vicinity (not that much) went in, he said "Go look around. Having another person in here is a risk so you might as well make up for it."

Danny's calling it. Captain Cold was full of shit. The guy's a big softie. Danny smiled sheepishly and agreed. Danny circled the place, pointing out expensive looking stuff- "for fun" and not because they were nice to him- when he felt the tell-tale zaps of an anomaly in Clockwork's domain.

"Move!" He shouted at the two villains, both of whom dove out of the way. Instinctively, Danny threw out his gloved hands and iced the floors, instincts bristling at the incoming danger. His jaw dropped as a blur encountered the ice and went ass over tea kettle onto the floor, unable to stop its own momentum.

"Oh shit!" Danny uttered, eyes wide as the blur slammed into the opposite- reinforced- wall with a pained shout. The stopped person was wearing red, with a lighting bolt motif all over their uniforms. That implied speed. Speed implied "The Flash." Danny knew a hero when he saw one and he just iced him. Shit.

"What-" The Flash groaned. Mirror Master and Captain Cold gaped.

"OhmyancientsI'msosorrygottagobye!" Danny shouted.

"Hey, wait, kid-!" Captain Cold shouted. Danny ignored him, going invisible in a panic and sank into the ground, mortified. After thirty seconds of self-hatred, he zoomed out and away. Danny held his head in his hands as he flew back to where Amity was...

Only to stare down at the empty plots of land where his city was supposed to be. Danny shoved a hand into his chest and pulled out his phone.

[No results for Amity Park. Did you mean "Amity Arkham"?]

"What."

Any research he did after that only turned up a Jasmine Fellona, a budding neurobiologist in her field, and other people that were adjacent to the people Danny knew. But nothing, nothing from Amity Park.

"Oh, yeah, we're definitely not in Kansas anymore, Dorothy."

---

As the Flash stood around to keep an eye on the hand-cuffed villains, he couldn't help but ask.

"So, uh, Snart. Did you... get a kid?"

"What." Snart asked, incredibly done with this shit.

"You know. Snart junior? With the ice and everything?" Flash gestured at the un-melting ice that covered the floor leading into the safe. "I mean, I'm not thrilled you're pulling your kid into a life of crime..."

"No."

"Wait, you had a kid and didn't tell me?" Mirror Master asked, mildly offended. "That was your kid? No wonder no one shot at him!"

"He's not my kid." Snart gave Flash the stink-eye. "And don't you have a couple of baby sidekicks running around?"

"C'mon dude, you're so obviously fond of him. It's okay, you don't have to hide it." Flash avoided the topic... in a flash.

"Can someone arrest me right now so these idiots can be removed from my vicinity?" Snart snarked to the approaching officer, jerking his head to point at the beaming Flash.

"You and me both, buddy," Officer West sighed.

---

One trip to the zone and a stressful conversation with Clockwork later, Danny was found in his keep, smacking his ghost head into the ghost wall of his ghost keep. Danny would unleash a Wail if it didn't have the nasty habit of bringing everything around him.

Apparently, he got "Amity'd," a process which meant Amity spat him out like an over chewed dog bone and refused to take him back.

"That doesn't even make sense! I left there a bunch of times! And came back!"

"The city has decided that it was your time to leave, Danny." Clockwork spared a wane smile for the curled up boy-king.

"I have people to protect there! My entire life! My haunt!" Danny yelled, breaths that he didn't technically need coming shorter and shorter. The neon green of the Zone whirled in and out of his vision in a dizzying shudder of anxiety and incoming panic.

"It wasn't your haunt, I'm afraid. The city nurtured you as a young spirit- thus shared her haunt- and has decided that it was time for you to... leave the nest, so to speak."

That stopped Danny's panic in its tracks. "Are you telling me she NightVale-d me? Some kind of involuntary coming-of-age bs?"

If he weren't on the edge of hysterical laughter, Danny would take a moment and proudly say to Mr. Lancer that he had paid attention in class.

"...Yes."

"Fuck." Danny dropped his head down in despair. His head made a loud thunk. The bag of cash he'd accidently made away with sat innocently at his feet. Further proof that it wasn't some nightmare he'd wake up from anytime soon.

---

Danny slumped over the desk, exhausted. Technus had lent him a ghostly hand and hacked into government data bases to re-establish his social security number and all the other dumb bits and bobs that he needed to establish his identity because Amity was an actual ghost town. Ghost to reality, ghost to real life. Ancients, Amity even had their own data network, which he couldn't access outside of Amity itself. This meant that Danny couldn't even call anyone. Ugh.

"I gotta find a place to live," he mumbled to himself. Danny, despite knowing that he needed to do things, did not move for another ten minutes.

Then, as his phone alarm went off, buzzing on the table. Like... Clockwork... Danny sat up straight and wiped all traces of wallowing self pity off his face. The people in the library- students- gave him solemn nods of solidarity. Danny nodded back and left the library.

He wandered around Fawcett City, somewhere Clockwork had recommended he stayed. With Clockwork, recommendations tended to be life-important (plot-important?) orders. Danny liked the place, really. It gave off the weird and settled "what-the-fuck,-Box-Ghost-did-you-have-to-destroy-the-mall?" vibes Amity constantly gave off after the ghosts started coming through. He thought he even saw a talking tiger! Awesome.

"Hey, are you new here?"

Danny looked down. His reflection stared back at him.

Did he have another kid? Did someone clone him again? Ancients curse you, Vlad!

"Uh- yeah."

"Oh. Do you need help getting around? I was born and raised here all my life, so I can totally do that!"

Oh thank the Ancients, this wasn't another Dani. Just a weirdly similar looking kid.

"You know I'm a stranger, right?"

"I don't think anyone helping Nanny Mae pick up her oranges would hurt kids," the kid said archly, but with a grin so like Dani, it made Danny miss his younger sister.

"Okay, you got me there. But still."

The kid sighed. "I know how to be safe, thanks. I'm Billy!"

"Danny. Nice to meet you."

"Okay, Danny, where you off to?"

"I'm actually trying to find a place that'll be cheap to rent." He's sixteen, but Danny could totally pass as eighteen. "I'm thinking about moving to Fawcett. It's nice here, with all the ambient magic and stuff."

This got him a wide-eyed look. "Do you use magic?"

"Something like that."

"Cool."

Danny took in the considering glint in Billy's eyes and decided that it was future!Danny's problem. Present!Danny was currently occupied with trying to stay off the streets. That giant bag of cash he'd accidently absconded with would be helpful and Danny felt kind of bad... but his growling stomach had chased that away quickly.

"This way!"

Danny shrugged his wavering morality off and followed the kid, shouldering his new and stolen duffle bag. If anything happened, he could just go ghost. It wouldn't be the weirdest thing that's happened in this city, Danny made sure to check.

"Have you been by the zoo?" Billy began to rattle off his favorite details about the Fawcett city zoo as he wove around the city.

Danny didn't think he'd actually have to go ghost.

"Not yet, actually. Is it true that there's a talking tiger there?"

"Yeah! Tawky Tawny! He's my friend!"

"Awesome."

#dcxdc #Danny Phantom #leonard snart #central city rogues #the flash #dcxdp #dpxdc #dp x dc prompt #stealingyourbonesprompt

1K notes · View notes

cup-o-stars · 4 months ago

Note

How to draw like you no borax

Good question!

I'd warn against following my process (at least if you want to learn), but I'll be honest and show you, lol. (Heads up: this is just how I do FAN art. When having fun, I generally care less about the fundamentals.)

1. I slap down super rough sketches, jotting lines/expressions like bullet points of my idea. Pretty much stick figures with just enough detail to remember who's who later. Not shown here, I also move, resize, and add details to express the intended composition if I'm planning something larger. You may notice a lot of curved lines / haphazard circles.

2. I refine the sketch by drawing it with more intention and build structure with slightly blockier shapes. If I'm really struggling with a pose, this is also where I'll find references or look at myself for bits and pieces to fill in the gaps. (When practicing, I would highly recommend using a reference from the start so all your limbs are an appropriate length and you don't need to say things like "that's passable" right before posting. If you're a perfectionist you'll leave that thought with the rough sketch.)

3. I'll decide around here whether or not to leave the sketch as is or commit to lineart (not likely). I guess I'd say I "shape the lines" here by going over some to add thickness/weight, and by adding basic sort-of-shading to break things up a little. Then I'll just fill in space if the page looks empty. (Usually this is where I incorporate the borax, but I hear baking soda works nicely if you're worried.)

4. Onto coloring. I don't feel confident enough to pretend I know what I'm doing here, lol. I just choose my base colors, imagine the general direction of the light source, then add minor gradients to the light and dark layers so they don't look flat. Then I just add some BS highlights and outline them. I've only recently found the motivation to properly practice coloring and just go with the flow tbh.

You may notice that Nami's forearm is too long, her hand looks like a pancake and Chopper has no joints! My kind sibling explained to me once that my anatomy is poor, but cohesive enough that nothing stands out too bad, lol. That's why it is important to use references!! And if you're me, practice all parts of anatomy at the same time with full bodies so that even when you're at a loss, your hands aren't that much better than your feet.

All in all, to draw like me, just have a very hedonistic approach to art, ha. Draw what you want, avoid getting burnt out on any single piece (sometimes that happens when you try to perfect drawings one at a time), and follow my personal motto:

Make fun, not masterpieces.

Idk how helpful this was, but there you have it!

#drawing #one piece #fanart #nico robin #luffy #ask

474 notes · View notes

wombywoo · 1 year ago

Text

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

#tutorial #my art #art tutorial #since people have been asking #I remembered to save my process from this latest work~#enjoy 🙆‍♀️

1K notes · View notes

shaniacsboogara · 8 months ago

Text

jojo siwa claiming she's revitalizing gay pop and releasing 'karma' on the same night as conan gray's 'found heaven' and chappell roan's 'good luck babe' is so poetically ironic. it's like the universe WANTS to draw a comparison between jojo and queer pop artists.

the thing that makes queer pop compelling as a genre is the unique storytelling and experiences of queer artists told through their music. that doesn't necessarily mean every song by a queer artist has to be about their queerness. they don't have to scream "hey i'm gay!" in every single song they write. but claiming to be "reinventing gay pop" should mean you're telling interesting stories about your queer experience, right???

'found heaven' by conan gray is about growing up as a queer kid with religious guilt and disapproving parents. he equates being in love in an authentic way to "finding heaven", and the piece as a whole resonates with a TON of queer people in different stages of their lives. some people can look back at their childhoods and how much they've grown since then, some can relate because they're currently going through what conan's written about, and some people can sympathize with the way some queer people are treated, even if they aren't necessarily queer themselves.

'good luck babe' is a song about queerness and compulsory heterosexuality. chappell sings about a woman she was in a relationship with who decided to settle down in a conventional marriage despite being queer. the song reflects the denial a lot of queer people go through (specifically regarding the lesbian experience) and the unfortunate way a lot of them end up repressing who they are to conform to societal standards. it's fun, it's campy, but its message is still poignant.

as for karma… there's nothing inherently queer about that song. the music video for the original version, ‘karma’s a bitch’ by brit smith, featured a heterosexual storyline. jojo buying the rights to a song she didn't write isn't inherently a bad thing, a lot of mainstream artists do that all the time. however, if you're claiming to be a pioneer of the “gay pop” genre and your music doesn't reflect any queer themes or experiences, is it really “gay pop”? again, queer artists don't have to write exclusively about their queerness, but if you try to present yourself as a voice for the queer community without telling any of their stories, you're not going to be lauded as some revolutionary figure. if any of the songs on jojo’s album are actually about her experience as a lesbian or contain any queer themes, then i think she'd qualify as a “gay pop” artist. but so far, she's given us a faux edgy, generic pop song and tried to market it as some insane never-been-done-before feat. and honestly, if her entire album is like this and she continues to market herself this way, it's a slap in the face to all the genuine artists and storytellers in the queer community.

but let's stop talking about jojo siwa and start talking about the incredible queer artists who are truly breathing life into the "gay pop" genre: chappell roan, renee rapp, ben platt, conan gray, girl in red, kevin atwater, baby queen, mitski, clairo, dodie, and SO MANY MORE (feel free to add on some of your favourites because there are so many wonderful artists out there <3)

also: if you have a different perspective on this situation i would absolutely love to hear what you think and if you agree / disagree with this! i love discussing topics like this so feel free to reblog with your own take

#jojo siwa #karma #chappell roan #conan gray #queer pop #also the fact that this rebrand is a coverup for jojo's awful behavior #like be fucking fr #don't use the queer community as a sheild

1K notes · View notes

just-a-ghost00 · 5 months ago

Text

Do you know them? What do they admire about you? (possibly 18+)

This is part 2 of the secret admirer PAC. To check part 1, click here. You can either choose the same group as for the first part or choose another. It's completely up to you. For the first question, I will only be drawing one card to get a simple yes or no answer.

Group 1

Do you know them ? - The Star

That's a yes. You possibly interact with this person online and/or they live at a distance from you. They could have Aquarius influence in their chart.

What do they admire about you ? - 2 of pentacles, ace of cups, 9 of pentacles, page of pentacles

They admire your youthfulness and your giving nature. They like that you try to remain impartial and never judge a book based on its cover. They like your independent thinking but also your independance in general. You work very well on your own and you're not needy, which they value. You can think for yourself. They like your analytical mind, your curiosity and your ability to learn in any circumstance. They like how honest you can be about your feelings, your experience and difficulties. You wear your heart on your sleeve and are easy to be around. You're very laid back which gives them space and security. You make them feel safe and cared for. They like your enthusiasm and openness to life. You have a good balance and your heart is pure. They admire how you're always in a good mood and seeing the glass half full. This gives me Dean/Castiel dynamic vibes. In this person's eyes, you are a Castiel.

Song : (You're the) Devil in disguise - Elvis

Group 2

Do you know them? - Knight of pentacles

That's also a yes for you. You either know them through work or your studies. This person could be an earth sign. They like horses. They may have recently made an offer or given you a gift. They walk slowly.

What do they admire about you? - 5 of pentacles, 8 of cups, 3 of swords, 2 of cups

Okay this may be a bit weird but they like your clinginess and also when you complain to them about things that upset you. They admire your ability to ignore what doesn't serve you or would only bring you down. They admire that you're still standing strong despite all that you've been through. They admire your kindness and ability to connect with all people, to love them unconditionally. They like when you ask them for help or rely on them when you're feeling down. They like to see you sad. They think you're beautiful when in pain or crying. This may be a little triggering, I'm sorry. They like that you also don't deny your help and guidance to people in need. You're a good samaritan. You can't say no. They admire your resilience. Also your ability to know when to give up or to delegate. Your ability to rely on your peers or know who to find when in trouble. They like your moodiness and your bad temper. They like to see you upset. It's entertaining to them. They admire the emotional responses they can get from you because it's something they fail to understand or are unfamiliar with. This energy is rather disturbing. This gives me Crowley/Aziraphale dynamic vibes. In this person's eyes, you're an Aziraphale.

Song : I wish I didn't love you so - Betty Hutton

Group 3

Do you know them? - 10 of wands

You don't know them on a personal level. You are aware of their existence but it would be very hard for you to figure out who they are. You wouldn't suspect this person to admire you. You know them either from a time of your life when you were in trouble or through a common responsibility you share. So this could be worked related, but not just that.

What do they admire about you? - 9 of wands, 8 of swords, knight of swords, 7 of cups

They admire your ability to get out of any situation and slither your way through obstacles and people's BS. They admire your feisty nature and your honesty. They think you are brave. They admire how you always keep your options open and stay alert, ready to strike at any given moment. How you never stay stuck in one spot. This person would like to tie you down so they can pick your brain apart. You're a mistery to them. This gives me Will Graham/Hannibal dynamic vibes. In this person's eyes, you're a Will Graham. Constantly thinking, constantly moving, unstoppable, impossible to get a hold of or manipulate. Hard to read. Always one step ahead. Too clever for this world. They admire how stubborn and reckless you can be at times. You're unpredictable and never boring.

Song : Eye of the tiger - Survivor

#pick a card #pac reading #just-a-ghost #tarot reading #spiritual pac #love pac

395 notes · View notes

nocturniashifter · 2 months ago

Text

What makes your dr self so attractive? | PICK A PILE

��˚๑ How to choose: Close your eyes, take a deep breath and choose the image that caught your attention. ₊˚๑ Disclaimer: All readings are done for entertainment only, don't use my readings as a replacement for legitimate advice. This is a general reading, so take what resonates and leave what doesn't.

Hello, my angels! How long, right? Well, I'm back with another PAP that just came out of the oven. Thank you for the 400 followers 😔🫶. Ready to discover what makes your dr self so attractive? ;)

⊹ ࣪ ˖ masterlist | book a reading with me | tips

⊹ ꒱ PILE ONE ᨦ ♡

"Wow, y/n is just so charming; you can’t help but want to be around them!"

"Every time y/n talks, it’s like the whole room stops to listen!"

"Y/n has that friendly smile that just makes everyone feel at home; it’s hard not to like them!"

Hey, pile one! First off, let me just say that your beauty in your DR is out of this world – so if you scripted that, it’s definitely doing its thing! You’ve got this striking, almost intimidating presence, whether it’s your looks or the way you carry yourself. Either way, it makes you super attractive to a lot of people in your desired reality. Tons of people have a crush on you – especially if you’re a public figure, like an artist, but even if you’re not, the same applies. You’ve got people who would literally be happy with just a glance or a touch, hoping for any little sign of affection from you. It’s like you’ve got a fan club of simps just waiting for your attention, lol. Seriously, people would crawl at your feet, but don’t let it go to your head, LMAO. That said, be careful, because some of these people might be a bit too obsessed and wouldn’t take rejection lightly – if that worries you, I’d definitely recommend scripting affirmations for safety and protection, especially if you’re in the public eye.

People also think everything you touch turns to gold. They see you as this super successful person who just excels at whatever you set your mind to. You’ve definitely racked up a bunch of wins and achievements in your DR, and that only adds to the image people have of you as someone who thrives. Your voice? People find it incredibly attractive – especially if you’re a singer in your DR. You’ve got that kind of presence where the moment you walk into a room, time seems to stop and everything just brightens up, and all eyes are on you.

What really makes you even more attractive is the fact that you’ve been through so much in life, but you’ve come out on top. Your whole life has been a battle for your dreams, and the fact that you never gave up is something people seriously admire about you. On top of that, you’re great company – you make people feel comfortable and at home when they’re around you, which just adds to your appeal.

But here’s the thing, pile one: you’ve probably broken a lot of hearts lmao. You’re like that unattainable halfway crush that a lot of people are into, but you’re just not reciprocating their feelings, lol. People are constantly trying to be friends with you, and it seems like you even start trends without realizing it. You're definitely leaving your mark wherever you go.

⊹ ꒱ PILE TWO ᨦ ♡

"Y/n has this cool, badass energy that just draws people in; it’s impossible to ignore!"

"Honestly, y/n’s style is on another level; it really shows off their strong personality."

"Y/n isn’t afraid to stand up for what they believe in, and that just makes them even more attractive."

Hello, pile two! Let me start by saying that what makes you so insanely attractive in your desired reality is your aura. You’ve got this powerful, badass vibe that screams, “I don’t give a fuck,” and it’s honestly magnetic. A lot of you in this pile are shifting to more intense realities, maybe an anime or one that’s action-packed/dangerous, and your energy fits perfectly. You come off as someone who’s fearless, and that combined with your style, really makes you stand out – your fashion sense is on point, and it doesn’t just reflect how badass you are, but also how unique and authentic you are. People are drawn to you because you don’t try to fit in; you’re unapologetically yourself, and that confidence is incredibly attractive. You radiate this commanding presence that makes people stop in their tracks. There’s something about you that captivates those around you, like they can’t help but be intrigued by you. People are definitely hypnotized by your vibe – whether it’s your intense stare, your boldness, or just the way you carry yourself like you’ve seen and conquered it all. It’s almost as if the world bends to your will, and trust me, people notice that.

Even though you have this tough, badass exterior, there’s more to you. People also see you as someone who is selfless and would do anything for the greater good – this especially applies if you’re shifting to a reality where you’re a hero or someone who fights battles. You stand for justice, fairness, and equality, and that moral compass of yours only adds to your attractiveness. You have this strong desire to make life better for not only yourself but for the people around you, and that determination is something others admire deeply.

For those who are lucky enough to be close to you, there’s this undeniable sense of loyalty you exude. You’ve got that “I’m all in for you, no matter what” energy, and it’s clear to your inner circle that you would go to extreme lengths for the people you love. You’d take a bullet for them, and they know it. That kind of dedication makes you stand out in a world where loyalty can be hard to find. However, with that loyalty also comes your overthinking nature. You sometimes get anxious and worry too much about things going wrong in your relationships, but that just shows how much you care.

On the flip side, you don’t tolerate any bullshit. If someone’s toxic, you don’t hesitate to cut them off, you have no time or patience for people who try to drag you down, and you’re not afraid to remove yourself from harmful situations, no matter how tough it is. You always find a way out, and that resilience is something people admire about you. It’s like you’re unstoppable, and that only adds to the mystery and allure you bring into every space you enter.

⊹ ꒱ PILE THREE ᨦ ♡

"Every time y/n walks into a room, it’s like they own the place; they really know how to grab attention!"

"I mean, with all that charm and confidence, it’s no wonder everyone is trying to get close to y/n!"

"Y/n just has this way of putting themselves first and cutting out the drama; it’s seriously appealing!"

Hey, pile three! Let’s dive into what makes you incredibly attractive in your desired reality. When you walk into a room, heads turn, and it’s as if the world stops for a moment – people can’t help but admire you. You command attention wherever you go, and your popularity is through the roof. Just like in the other piles, you have this knack for getting what you want, especially when it comes to material things – money is not an issue for you, so you can pretty much buy anything your heart desires. It’s as if the world is at your feet, and that undeniable confidence only amplifies your allure.

However, with great popularity, fame, and wealth, there are those who might approach you out of pure interest or ulterior motives. It’s essential to stay vigilant because not everyone has your best interests at heart. Some people may want to be around you just to use you or bask in your glow, so it’s vital to discern who your true friends are. Just like in pile one, many people desire you, but you come across as somewhat unattainable, which only fuels their admiration and frustration when they realize you won’t reciprocate their feelings. You’ve got this vibe that screams, “Someone is going to be heartbroken today, but it won’t be me!” because you know how to prioritize yourself above all else.

Your badass energy comes from everything you’ve been through; you’ve learned to fight and emerged stronger. You absolutely do not tolerate any bullshit, especially in relationships. If someone isn’t treating you right, you won’t hesitate to cut them off. This attitude extends beyond romantic partnerships; it applies to every aspect of your life. You’ve learned your worth and have no problem walking away from toxic situations or people who don’t respect you. For you, life is about enjoying every moment, and you live it to the fullest. If you were to end a relationship, you’d be out celebrating while your ex sits at home, missing you – that’s just the energy you exude – free and unapologetic. You’ve literally built your own empire, which is incredibly attractive. Each challenge you’ve faced has only added to your strength and resilience, and people are drawn to that. Interestingly, you look especially stunning when you wear red; it highlights your confidence and adds to that fierce energy you naturally possess.

If you have a s/o in your desired reality, they absolutely adore you and feel incredibly lucky to call you theirs. They see you as irresistible and find it hard to contain their excitement when they’re around you. Your presence lights up their day, and they think about you constantly, eagerly awaiting those moments together. Expect plenty of passionate encounters because they’ll make it clear that they love you deeply, wanting to show you just how much you mean to them. In their eyes, no one could ever love you as profoundly as they do, and they are determined to prove it every chance they get 😏.

That was it, guys! I really hope you liked it. See you next time! ♡

302 notes · View notes

wlwitchofwhitestone · 7 months ago

Text

This whole thing with Laudna and Delilah is an abuse narrative and I can't lie, it's really hard to see people absolutely fumbling the ball on it at every turn. My friends eagerly describing to me exactly what a monster my mother was and the violent things they would do to her on my behalf didn't make me feel safer or encourage me to set up boundaries between us. Casting her as an evil manipulator when it was way more an issue of generational trauma that she was always trying to overcome with zero skills for how to do so just made me feel more sympathetic towards her and less able to put distance between us. Hearing that I should go no contact was scary because I knew she loved me, however imperfect that love was, and these people cared for me but they could not understand. I knew I had the right to walk away. I also knew I couldn't. I didn't know a life without her support, however imperfect it was.

What got me to put up boundaries was being around people who gave me agency and treated me the way it was supposed to be all that time. I had to find out what it meant to live out from under that shadow in order to see it and draw lines around it. Bells Hells are not providing that for Laudna, and again I want to stress that it's not malice or even really negligence. They care, they've shown they care, but Delilah has a 30 year head start and I can tell you beyond a shadow of a doubt that the kindness of someone abusive is so much worse than the abuse ever could be because it's the kindness that makes you stay, just to get another glimpse of it and remind yourself you're not crazy. They do love you. They're just doing what they think is best for you, and do you really know better than them what that is? After all this time that they've known, guided, and looked out for you?

I'm perfectly capable of separating fiction from reality but the zero nuance "Laudna is doing being abused wrong" is... Unsettling. Every single time Bells Hells comes at Laudna and holds her accountable, it's for something she can't even see. It doesn't mean what she's doing isn't harmful or that she should not be called out. That's not what I'm saying. I'm saying Delilah told her that her friends would turn on her and there is a limited amount of time to figure out how to reach her before Laudna decides it has happened. Even though it very likely never would from an outside view.

#cr spoilers #This is how I get dragged back into fic isn't it

233 notes · View notes

mauesartetc · 1 year ago

Text

A while back I got a comment that demonstrated a misconception as to what the character design process actually entails, and I thought it had real "teachable moment" potential. So let me make this perfectly clear:

Drawing a character is NOT the same as designing one.

Let's say I wanted to draw a guy. No backstory, no defined personality traits or preferences, no details about his current life, just doodling some random, generic guy who popped into my head.

That's just a drawing.

But what if I decided to flesh him out more? What if I wanted his appearance to reflect his lifestyle and inner life as well? Here's where the note-taking comes in.

And now for the visual research:

I thought the bodybuilding angle would provide a fun contrast with this guy's profession. The mental image of a huge, burly dude working on a clock or watch with tiny, precise movements just makes me smile. Perhaps I could give him small, nimble hands that would suit his line of work.

Now that I have a better idea of how Mikhail's face and body will look, it's time to establish a pose.

Of course, I never expected to employ all the personality traits I started out with inside this single pose; those were just a jumping-off point. No one drawing will ever be able to encapsulate every single facet of a character, unless they're extraordinarily flat and generic (see also: random guy I doodled at the start of this post). If I wanted to write a story with this guy, I'd have to figure out how all the traits play off each other and how they'd cause him to react to different situations. There would be a lot more note-taking and development involved, but for the sake of keeping this post (somewhat) brief, let's just focus on visuals for now.

On to color!

I decided to give Mikhail a carnation in his pocket (for its round shape), specifically a red one, which represents deep love and an aching heart. Thus, the flower needed to maintain its red color for the symbolism to come through.

For some reason I initially pictured this guy wearing a pink shirt (perhaps as an offshoot of the "romantic" angle), but I wanted to try some different colors inspired by the 70s catalog pages I found. I ended up really liking the contrast of the cool blue shirt with the warm red pants, and that option made it into my top three as a result. I lined them up next to each other to compare them, and in the end, blue won out over pink. I think it also reflects the "colder", more cerebral, less-emotional parts of his personality well (namely "systematic", "stern", and "callous"- one from each column!). Just goes to show that you shouldn't get too attached to your first draft, as better ideas are just around the corner.

I then lightened the blue of the shirt so it wouldn't compete so much with the rest of the outfit, and wouldn't be quite as loud and "in your face". Mikhail strikes me as a bit of an introvert, so the calmer, quieter blue is a better fit. I added a darker belt and watchband and de-saturated the flower just a bit to make the values feel more balanced, and I think we've got it!

Let's see the final result!

Y'all, I was not expecting this process to make me emotional, but there's something special about fully realizing a little guy you've spent hours working on. All of a sudden you look at him and go, "Oh my god, there he is. That's him." This man wasn't even a twinkle in my eye a couple weeks ago and now I'd protect him with my life.

And the thing is, the only reason I'm calling this design "done" for now is that I basically just brought it into existence to make a point. But if this dude were attached to a larger story, he'd be nowhere near finished. I'd have to make a ton more iterations and go a lot more in depth with my research than I did (especially with the Armenian cultural stuff). Overall, though, I hope this quick project properly highlighted the difference between a single drawing and a more fleshed-out character.

Later!

#character design #art tips #art advice #art help #concept art #long post

552 notes · View notes

llamagoddessofficial · 1 year ago

Note

I'm on my knees for any more crumbs with prison AU therapist Mc and Sans 🙏 the more equal(?) dynamic is just so good And to the anon that brought it up—I love you

I'll do you one better. Here's some crumbs for ALL of them

Since she's not a nurse, this Mc doesn't have a very strong stomach. Stories of Skull's crimes sometimes make her physically ill.

Generally, Sans and Mc's 'sessions' can be quite pleasant. They talk about current events, how things are going. It's only once she starts trying to explore his feelings that he starts toying with her.

... Red teases her a lot. She tries not to react to it, it's unprofessional, but he can always tell when he's flustering her. He gets this infuriating smug grin.

Since Red is a high risk prisoner, he has to have one hand cuffed to a table during therapy. He often complains that he wishes he could be cuffed alone in a room with her in different circumstances. What Mc doesn't realise is that, considering his strength, the cuffs are basically for decoration- Red just pretends he can't break out of them so she feels more comfortable alone in a room with a massive skeleton monster who openly displays interest in her.

Sans doesn't require cuffs in his sessions. And the only time he was cuffed, he snapped them 'accidentally' to make a point. It just makes it all the more nervewracking for Mc.

Skull doesn't know she's his therapist. He thinks she just really cares about him. That's why she keeps coming back to see him, right?

Red isn't the only flirt. Sans is a lot more forward in this AU, considering she knows the truth about his nature. Granted, Sans being 'clear' about something is still incredibly cryptic, but he enjoys the shock in her eyes whenever he calmly flirts with her.

Red's flirting is warm, sincere, and never crosses the line... it leaves her flushed and (though she'd never admit it) flattered. Sans' flirting is nervewracking. It makes her feel like she's a mouse, and Sans is a cat playfully batting at her, capable of clawing her to death at any moment.

Skull gains bits and pieces of speech back a lot faster with her. Unfortunately, that means he's learning how to terrify the guards. It used to be that Skull would just scream or snarl, but now he likes to say broken ominous sentences to guards he doesn't like to see them shit their pants.

He's also figured out that, when he's really upset and angry, if he screams her name enough someone will send her. It's not a great lesson to learn... but it's better than him deciding to attack people.

Whenever Mc tries to get Skull to do therapeutic art with her, he just draws the same thing over and over. The art is scribbly thanks to his tremor, but it always looks like three people; a tall skeleton, a shorter skeleton, and a human. He draws them in various positions- standing together, sitting around a table, sitting on a couch. She suspects one skeleton is him and the human could be her, but she doesn't know who the tall skeleton is.

(It's him, her, and Papyrus. His family)

Sans, for all his power and control, gets ratty and jealous when she treats other people. The first time he hears her laugh is when she realises that was why he's being moody.

She'd never seen him so delighted before.

Sans likes when she dodges his conversational traps. He'll try to lure her into talking about herself, revealing information to him, but she won't fall for it and always turns it back on him. There's not much he's been able to glean from her. It's always so fun, to play with someone who knows what they're doing.

Again, she'll never admit it. But Mc is fascinated by Sans. Most serial killers are delusional and kinda pathetic, but Sans is as if all the stereotypes of the 'genius mastermind serial killer' were true. She gets to be up close and personal, see how he works; she gets to watch his mask rise and fall in real time.

Of course, he knows she's fascinated. He uses it to keep her coming back. He's fascinated with her, too~

#llamagines #prison au #prison therapist au #guard: ...#skull: .....#guard: ......#skull: ... you'll... bleed.....#guard: That's IT. I FUCKING QUIT

618 notes · View notes

ohno-the-sun · 21 days ago

Note

Oh uh forgot to ask in the previous ask (the one with the digital piece of candy and scurrying and stuff)

How do you draw art so good

Is there a method you use or is that just the style you've gotten over time?

you've activated my trap card

I'm just gonna preface that this tutorial is from someone who was not professionally trained and didn't have a lot of free time for art, so a lot of the tips I have is short cuts I use to get the best results quickly

If you genuinely want to get better at art then please look at references and practice that is always the best

However if you are like me and only really do art for fun but want to go faster then these are for you pfppt

Overall I'd say my style is influenced by speedpaints I would watch when I was younger, I like analyzing how people do things and what makes something look "good" to me

I always recommend watching them because they will often have techniques you've never seen before or do things a certain way that you can try out yourself

I consume good art, it feeds me

but seriously it can be super helpful when developing your own methodology, or just generally trying something new

Usually it starts with me pulling some references from artists I really admire and sort of sketching out how they do the things I like

For example 8um8le has like super good anatomy and poses so I focused on trying to replicate how they do that

venemous-qwille is super good at color and pulling focus so that's what I focused on in my study of them

In general I'd say my process is sketch -> silhouette -> color -> shading -> render

I really don't like doing lineart lol

I'd say for the sketch the most important part is using references and just kind of fudging it until it looks correct anatomically/physically

General rule of thumb is spend time on areas of interest, and keep non important areas light (like the stitching on his pants)

I don't do lineart because I think its unnecessary for most paintings I do

I naturally tend to put more time and focus on areas of interest (like hands and feet) and if you use a brush with opacity for the sketch, those areas are naturally going to be darker in the final sketch

Of course this is gonna be different for everyone but it's what works for me

Sometimes I do a really really sketchy layer underneath my sketch/lineart, just so I know where everything is going

Use thumbnails! They are great to help figure out the general layout of things and what pose I wanna do

Next is what I call the "silhouette" layer

This is super important for me cause it helps me refine the figure and make sure the pose/anatomy looks correct, also depending on what color I choose for the silhouette helps guide what colors I'm going to use on top

This piece is a good example of how it works. The silhouette shows me how the figure interacts with the background, how the pose looks and if its any good

The silhouette layer doesn't have to be super clean, as long as it follows the sketch decently well and shows where the figure is then its fine

I also sometimes make the silhouette layer multiple colors to help guide shading and vibe

Next is the coloring layer. I usually make this a clipping layer on top of the silhouette layer, or I change the silhouette layer to alpha lock, either way it saves me time on coloring everything in

Sometimes I am super rough with the coloring too, using like an airbrush or my fav watercolor brush just to generically block in color where I want it

Works out cause most objects have like a bounce light to them from surrounding objects, so this is sort of a cheat I use to get that effect without all the work lol

Also don't be afraid to have the lower silhouette layer shining through, having multiple colors sort of subtly shining through the piece helps lots

Next is the shading layer, this is usually another clipping layer, usually set to "multiply"

The colors I pick here is usually within this range, any color works, just depends on the piece and vibes.

Since this piece is set in a sunset forest I choose a more desaturated orange for the shading layer

I know there's a whole thing about multiply layer being a crutch (and it kind of it) but it is a useful tool when you just want some darker values across the piece but don't want to go through the process of color picking every single darker shade

Also in my opinion it looks better than picking a darker color and setting it to a lower opacity, idk I just think the color has more "depth"

Next is the hardest to explain, sort of the vibes layer

Usually its just a layer of more concentrated color on top of the normal color and I fudge with the settings and values until I get a result I like

Next is the longest step, is the "extra" or the render stage.

Usually I add a background before this step so that if I need to merge the figure better with the background I can

If I render with a white background but he's supposed to be in a dark forest, its going to mess with the lighting severely

Also this is when I add more "vibe" layers on top to get the figure to match the background better

Backgrounds in general I recommend checking out @/derekdomnicdsouza on instagram he's got lots of great tutorials for breaking down backgrounds simply

I'd say general rule for the rendering layer is to focus on the areas of interest and spend less time on areas you don't care about

I even blur stuff out on the edges I don't want people to see, partially to save time on fixing mistakes in areas I dont care about (oop), but mainly to help draw the eye to the areas I do want people to focus on

Theoretically parts of the background should like mesh with the characters, parrallel lines are a no no unless they are directing a viewer to look somewhere, things that are perpendicular help bring things together

tbh I'm still not the best at layout and probably need more practice, but overall this is what I like doing

Overall this is what my layer set up ends up being

Sort of a sandwich with the lineart/sketch as the "meat" lol

Color and basic shading below the sketch, clean-up and rendering on top

I like this method cause it's super flexible if I ever want to try something different or try to replicate someone's style

I can make each step less or more messy depending on the end result and can add a lineart layer if need be. Also if there's a part that is straight up not working or needs to be removed its super easy to do cause I can just paint over it on the "extras" layer, color picking from the surrounding area to get the same vibe

Generally rule of thumb for my style is: get the initial layout of colors, form and shading to look good, then the rendering should be smooth sailing

Really the best advice I can give to get better at art is to enjoy what you're doing and become very very obsessed with drawing a silly little guy

You'll eventually get very good at drawing them pfptpf

#sundrop #moondrop #long post #art tutorial #fnaf sun #fnaf moon #I draw them way too much holy guac #ask #this is for you asker #idk if anyone else is interested in this kind of stuff #i apologize for ranting lol #also me struggling to spell silhouette like 15 times

110 notes · View notes

jellazticious · 10 months ago

Text

bing bong bootleg SS au

very long ramble under the C

stuff are subjected to change

The working title isn't solidified but I'm leaning on either Candy Castle or Pastry Castle

Tho I think I'm gonna go for pastry cuz it has the same amount of letters as castle much like pizza and tower have the same number too

The tower is a gingerbread castle. According to a friend of mine (It's Beefy, it's always Beefy go follow him) that Hispanics love their bakeries and yeah, I guess that makes sense. Not only do I have a theme based on the protag's culture but also the theme gets narrowed down to just baked sweets. Candy in general is too broad, I would die figuring out how to put every kind of sweet in it, and if I did it's gonna be really cluttered hooboy

Noise is called Theo because that's Peppino's name formula. Peppino is a nickname for Giuseppe so I thought I'd give Noise's swap a nickname to Theodore as the main name

Hazel Nutt is pretty self explanatory cuz Noisette means hazelnut in French

Their outfits are pretty simple to mirror Peppino and Gustavo's with just coloured shirts and aprons

Hazel doesn't get a mount because she would have Theo's prototype rocket skates. Just like Gus, she would have different stages of getting used to the skates per floor. First she gets blasted from end to end cuz she can't control the thrust. Second, she manages to turn it off but she's trying to keep balance on it. Third, she catches her breath now that she could stand still without moving or slipping. Next she would make a card castle, in reference to the very castle they're inside. and lastly she'd be holding a box of sweets without giving a shit about the scary floor.

To parallel the og Noisette, Hazel would smile bigger when Theo faces her direction.

Hazel is also Theo's delivery gal to match and switch with how Peppino WAS Gustavo's delivery guy

The "kick the rat" function would be Hazel swinging one of the skates and the cops grabbing Brick would instead hold a weapon detector that also functions as a magnet

Unlike Peppino, Theo is more aggressive than anxious. Imagine an injured cat defending itself from what it thinks is a threat

the name of Pizzaface's swap is Pieface for obvious reasons 😭

but HEAR ME OUT

both pizzaface and pieface are used as insults. pizza face is used for people with so much acne and pie face is used for someone with a flat face or dull expression. It isn't just a pun on what food the characters are made of. Pieface is also a reference to the trope where people headshot other people with pies. With the mech floating towards the protag, it would look like a pie is being thrown and targeted at Theo

Honestly drawing what food makes his face is so fun. Did you know that before the croissant smile it was supposed to be syrup shaped to a smile? The nose was a long whip of cream before turning into a cut strawberry for the mustache effect

Pizzahead's candy version would be called Gingerhead because of how ridiculous it sounds.

Gingerhead is based on Willy Wonka much like how Pizzahead is based on Ronald McDonald which is why he has more of a showman look than a clown look

okay side note, it just occured to me how ironic PH being based on Ronald is considering McDo's isn't a pizza place

actually Wonka doesn't even sell cakes and shit so, I guess it's fair game

Theo has the nickname Muffinman to reference the rhyme. but this time, it's the gingerbreadman chasing the baker

Next up is Mr S, who would be Peppino but he becomes rich. Mr S is the stage name he uses. He is a known celebrity much as Noise is but he is more of a boxer than a host. Like Dwayne Johnson or something. His name is partially a reference to ResEvil's Mr X, another absolute unit of a guy

also the reason why he doesn't wear a shirt. He's committing to the bit. If he needs to cover himself when he isn't playing a role, then there's his robe. He doesn't take out his mask most of the time tho

Mr S's mask is based on the Chef Raider design but also part of the scrapped superhero design much like Pizzano. Actually speaking of Pizzano, S is characterized so similarly to him cuz Pizzano is the only SS character who was actually written well to my standards. To be fair we've seen too much of Peppino to flunk characterizing him sksksk

Since this is Peppino that Mr S is based on, he's not as tech savvy or as self centered as Noise so he doesn't have robots that look like himself. Instead he has ants for a crew

the ants swap the place of rats. the rats in PT reference the new york pizza rat while ants just generally eat your food especially if it's sweet when left alone for five minutes

the ants come from Mr G, who would be Gustavo's swap with Noisette. He's Mr S's lawyer. at the end of S's bossfight, G would snatch him away with Click (the ant) because S would make a foul and embarrassing move on live camera

I can't seperate Gustavo and Brick so Click stays with Mr G instead of assisting Hazel

inside what would be Noisette cafe, instead of Mr G and Click being behind the counter, they would be sitting as customers next to Caraman. the barista isn't seen anywhere

Honestly when I'm writing everyone, my logic of swapping them isn't "make them switch places AND personalities" but more of "write every single one of them with the og personality because giving them a different lifestyle/role would drastically change their motives and how they behave"

I'm practically just swapping each character's place of birth

I mentioned this because it's kinda funny with Noisette and Gus since they play the exact same role of assisting Peppino/Noise so swapping them won't change much in how they act. They also have the same cheery and welcoming personality by default so Hazel and Mr G would act REALLY similar to their og

The only difference is that Gustavo can be threatening whenever Peppino fucks up. It fits right in with being a lawyer for the same goon

Now we got Mel Caraman who would become this au's Vigi. Lemme just say off the bat that Caraman is just as delusional as Vigi. He gets hired as a guard for floor 2 and took it way too seriously that he thinks he's some sort of sentinel. Hired as a guard but thinks he's an ancient guardian or something

his name vaguely references James Bond because you also VAGUELY get "caramel" out of "Caraman, Mel Caraman"

Caraman is a caramel apple but he's half glazed to form an eyemask. he's also got a stick poking out his head that stretches his chorro hat. the big hat makes him look cooler anyways. Bro I was so ready to settle for a shitty wild west mayor hat and I owe Beefy one for suggesting a new hat. I was gonna make him look like Doug Dimmadome with the short brimmed tall hat😭😭😭

but yeah Caraman doesn't have the same dignity as Vigi does. He can fight crime decently on normal circumstances and badass when he's full serious. But like day in day out he's so obnoxious about looking for crime that people get tired of him nor would they take him seriously

he would also be mistaken for a pepper

Next to last, Cam M. Bert or just Bert who would take place of Pepperman. he's an artist who appreciates the world instead of himself, a freelancer also. There was only a bossfight because he was coincidentally commissioned to make a mural for the castle the same time Theo busts in. He didn't like how Theo ruined some of his works with his rush to open the door

Bert is a cream cheese instead of a cheese slime. his beret is actually a little cherry to distinguish him from the other creams.

Bert is really chill and humble, He's like Bob Ross, whenever he can, he'd try to talk about how every beauty in the world should be immortalized through a canvas

In parallel to Vigi's delusion of thinking he's a human, Bert thinks he's actually a living painting (which is completely possible for someone to be in the PT world since Pepperman was able to do it with his own art)

instead of a :{ face that Vigilante has, Bert has a :3 face

the naming formula is taken directly from Vigi

Vig E. Lantte

Cam M. Bert

There is a type of sweet cheese that's really creamy called camembert which his name is a direct reference from. Here is a picture of a camembert since it's hella cute

Camembert cheese was also suggested by Beefy, brother thank you for not allowing me to name this cunt Creamlad

Mr Lardo would be in place of Mr Stick but his motive is that he's collecting Theo's money on BEHALF of Mr Stick. They're probably the only ones who completely stay intact because there's not much canon info of Stick WITHIN the game itself I also feel he's a crossover character from his own "series" with how long McPig has him prior to PT so I just swap the character who makes the "cameo"

The toppins are still called toppins because they'd be used to decorate a cake or pie. They would be

Strawberry - Mushroom

Cream - Cheese

Cookie - Tomato

Icing (in a piping bag) - Sausage

actually I dont know yet for the pineapple but I'll get to it. I've only been figuring out this au since four days ago....

Lastly (of the characters), the Faker in this would be mechanical to match the original Noise's familiarity in robots

Fake Theo (temp name) would be engineered to be "Theo but way better" while actually being succesful with it. Faker would also sort of look like a mini figure of a ballerina. Referencing The Nutcracker

Opposite to Fake Peppino, Fake Theo is more graceful than terrifying but it's so uncanny how unnaturally pretty it is

and now some misc stuff

Title of the final level is When The Cookie Crumbles

the pepper pizza will be replaced with an extremely sweet pie and the immunity is caused by the sugar rush from it

Pizza Time is called Crunch Time

Pillar John would be a giant graham cracker since the walls are made of cookies instead of bricks. Gerome however, is a solidified bar of brownies. like a shittily made brownie that it just turned into a construction brick

Snotty is a pure white cream cheese and that's cuz he's actually made of glue. His name is Sticky

Pigs would either be bears or rabbits with how many times those two animals represented sweets

I'm gonna be clear with everyone here. I literally made this au cuz I'm going insane trying to make swap stuff with Pascal/Stefano when the au itself is so empty. sure it's colourful but it's so empty like I can't draw SS characters outside of poses

I tried like doing fanon modifications as I always do then there's so much I "modified" that at this point it's not Sugary Spire anymore. Just straight up a completely different au. The only similarity is that it's a swap au with sweets

it is what it is yknow. this is my life now. I said fuck it and went with the flow and boom, new personal au that I poured too much into

basically I blame Pascal for this

#Pizza Tower #tagging them as their og until I solidify the au #Pizzaface #Pizzahead #The Noise #Peppino Spaghetti #Noisette #The Vigilante #Pepperman #Gustavo and Brick #i drew this #Cookie Castle

383 notes · View notes

egophiliac · 1 year ago

Note

I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.

Do you have a process for how you come up with the compositions for them?

oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D

I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!

I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)

the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!

personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.

it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!

(blue - thirds, red - half)

and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):

(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)

other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:

and frame and control the focus:

honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!

NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️

#art #sketch #twisted wonderland #...technically i guess? it's not about twst but there is twst art present anyway #i did have a few more examples but then i wasn't sure if you were cool with episode 7 spoilers. whoops. 🫠#many other people have explained the rule of thirds and directional flow way better than me and i apologize #it is so hard to put things into words i am so sorry #me: the...you know...the lines...they sort of converge? like a triangle?#the internet: mm-hmm. yes. go on.#me: (sweating) the...the triangle points here...because it...it has a point.#the internet: it's doing better than you are then #genuinely shocked at how well some of these line up though #uh. i mean. actually it was all totally intentional and i put actual thought into it! NOT an accident at all!#my eyes darting back and forth shiftily are just ✨following the paths✨

433 notes · View notes