#I'd be down for 12 episodes

[calyroco]

Grimoire definitely would've benefited from having twelve episodes like previous queen's blade seasons. It's a pity it's so short.

[iristial]

The most important part of this week's KingOhger, other than Jeremy: Gira noticing Rita's about to walk off because Yanma and Himeno going at each other's throats is nothing new irrelevant and he immediately beelines to grab Rita's arm and hold on for dear life

[bahrmp3]

[id: 11 gifs from season 4, episode 12 “crossfire” from the tv series “star trek: deep space nine”, the gifs show quark, kira, and odo in odo's office.

1st gif: quark walks into odo's office. kira is sitting in a chair facing odo. quark says, "i'd like to file a complaint."

2nd gif: odo says, "not now, quark." but quark continues, "a noise complaint against you."

3rd gif: camera cuts to show odo. he says "we are conducting station business."

4th gif: camera cuts back to kira and quark. quark looks down as he addresses kira, "my quarters are right below his. you wouldn't believe the racket he makes."

5th gif: camera cuts back to odo. "quark." odo snaps and stands up. quark continues, "do you know what it's like to hear someone practice shape-shifting?"

6th gif: camera cuts back to kira and quark. kira is drinking from her cup, while quark continues as he looks at odo. "last night, it sounded like a takaran wildebeest was tromping around up there."

7th gif: camera cuts back to odo, he is standing with his arms crossed in front of him. "that was for all of five minutes. once you complained, i took the form of a rafalian mouse."

8th gif: camera cuts back to kira and quark. kira looks at quark as he says, "yeah, little tiny feet skittering across the floor."

9th gif: camera cuts to odo, his arms are still crossed and he looks away as quark continues "back and forth, back and forth."

10th & 11th gif: camera cuts back to kira and quark. kira looks at quark surprised, "you could hear that?" quark gestures to his ears and says, "hello?" they both look at odo and quark continues, "sometimes i can even hear him oozing around." /id end]

[icarusredwings]

The thing about Thoschei that's so funny is that these are literally all the same people, meaning technically these are all the same ship.

We have these two. Yes? We know twissy. We love twissy.

We have spy doc, yeah? We love spydoc.

We have our beloved/beloathed Simmten. Everyone loves simmten.

We even have whatever these two weirdos had going on.

BUT - Have you ever ever thought about what would happen if you mixed them up? It feels illegal (as in, 'These two specifically are a bonded pair, do not separate' joking matter), but think about the chaos implications.

Can you fucking imagine if you shoved THIS man (6) with Simm! Master? Someone's gonna regenerate. Im not sure who yet. Mel's definitely gonna scream at him, though.

"Ello dear friend do you mind coming along and-"

"Why the fuck do you look like that?"

"Like what??"

"Like a unicorn stomped on you, ate you and puked you back up!"

"You don't like it? What's wrong with it? Is it the hair?"

"Is it the?- NO YOU MORON!"

Or Missy with 9? The amount of arguments and pouting- A lot of sarcastic banter. Maybe a hissy fit. A sissy slap fight if you will because deep down he would care if she got hurt so wouldn't actually ever hit her but would say some pretty mean things.

"Fine! Then go to your room!"

"I'll do no such thing! And you can't make me!"

"Then die! See if I care!"

"Only if you let me kill you first!!"

"Try! See what happens!"

"You dare hit a lady??"

"Pft- I'd hardly call you a lady..."

Yana! Master and 13? Tinker buddies! (They're basically in a love triangle with Chantho)

Roberts! Master with 15? I have a feeling this would kinda slap. Idk why, but I just do.

"So. What so you think?"

"Oh! Sister yes!!"

"... I am neither your sibiling.. nor a woman..?"

"Its an expression babes."

"Why are you calling me such affections??"

I feel in my gut that these two would get along decently well, except this time 12 is the bad influence, not him. If anything, it would consist of 12 showing him earthling things.

"...So.. Uno.."

"Yes."

"I have to have one card left..?"

"Yes."

"...why don't I just throw away my other cards?"

"That's against the rules I think."

"Says who?"

"Says... well... says.. the rules." 💁

Dhawan! Master and 10? 10 could fix him within an episode. I'm sure of it. Hell 14 could fix him. Might take a little longer, though. Dhawan would make tea for him after they go to therapy together. Their therapist says they should work on their co-dependency, but they think she just "doesn't get their dynamic"

I think it would be really funny if we shoved 4 with missy too. Sarah Jane and her would have so much beef. It would be unreal. I do think that Dhawan would be fond of K9 the most though, and Simm would probably be the type to get jealous of a robotic dog...

[clairegregoryau]

I've been tracking this down for a while now and I've finally found confirmation of what I suspected: Google Maps imagery for Piha Beach in Aotearoa New Zealand captured the setup for filming of Our Flag Means Death's Season 2, Episode 8!

[EDIT 25 June: the north end current imagery is sadly no longer this version, but I've captured it for posterity here, and it's still visible in the free Google Maps Pro app- read on for more info].

On the left is the north end of Piha Beach with the inn set. On the right is the south end carpark with the film crew base.

Why is that cool to me? Because it truly was a fleeting moment in time, no more than a handful of days of possibility, and yet it was captured as the image on the map, at least for a period of time. As an archaeologist I love a moment preserved in time, and in this one you can even see the OFMD production crew on the beach and on the path. It's places and people caught in the flashbulb of this aerial image.

The specifics of how I pinned down the imagery and the date are in this Twitter thread, but the short version is, I was hunting for a better visual on the area immediately surrounding the inn while writing Full Fathom Five, and noticed that the carpark in particular seemed to line up exactly with images from the final day of filming.

The final day of filming overall was 13 December 2022, filming at Piha was on 12 December 2022, and this aerial image was taken on 11 December 2022.

I had already been through the first image to make a comparison to the aerial map and it looked like a match, but Google Maps had 2024 in their attribution. [Noting that I'd put 13 Dec on my image notes, but I'd got that tangled with the last day of filming in the Kumeū studio the next day, and it was 12 Dec on location].

Thankfully Google Earth came through with the actual date.

And I just took a further dig into Google Earth Pro, which allows you to switch between previous satellite images, and it confirms a date of 11 December 2022 for the north end image as well.

[EDIT 9 September 2024- thinking about this again and suddenly realised... you know what, very often things will put the date it was in the US when a picture was taken, even when that picture was taken on the other side of the world, in a different timezone. Which made me realise that actually, if this was taken on the 11th of December in the US, that was on the 12th of December in AoNZ. A quick search shows that Google Maps confirms the date can be one day out, so- odds increasing that we're seeing the actual filming of Ep8 here!]

You can also compare this to a few months earlier in March 2022, right around the premiere of OFMD S1 (everything moved so fast in hindsight!) when there was no inn in that spot.

Which means we now know that for now, if you hop onto Google Maps (not Google Earth, because they have a different image for the north end that does come from 2024) and zing on down to Piha Beach, you can take a look at a preserved moment in time from the filming of S2Ep8.

[EDIT 25 June: the north end image has now been updated to the 2024 version across all of Google Maps and Google Earth, but the south end is for now still from the filming day. You can find the previous version for the north end on Google Earth Pro].

You can hop straight to the inn here.

And straight to the parking lot here.

And remember to put the layers into Satellite mode to view the aerial imagery.

Everything that was/is shown at the north end lines up with what we've seen both in the show and in behind the scenes content, all of which I delved into in this Twitter thread last month. That goes into a lot more detail about specifics, but the evidence is solid across the board.

The sandy path that runs beside the inn is a distinct feature seen in the show.

The peak that sits behind it, likewise (from Google Maps user uploads here and here).

The inn itself, and the way the path gives way to an unseen carpark, from Simone Nathan's TikTok video.

Based on all of that, it's easy to see that we've got our inn right here circled in red, preserved in that moment in time, even though it was no doubt taken down as soon as filming was done.

Prep looks like it took a couple of days before filming; filming was pretty much done in a day, according to an article at the time.

So, there you have it- it's a minor little thing and it won't be up forever, but for now you can hop into Google Maps and see an aerial view adjacent to the filming of S2Ep8 at Piha. The other beach scenes from Eps 1, 3 and 8 were filmed at Te Henga/ Bethells Beach.

[ktsphere]

I was at the studio record for tonight's taskmaster episode, so full debrief below the readmore! (Spoilers for TM S18E5)

[Some things may be paraphrased as I wrote it all down immediately after the episode record.]

ARRIVAL AND SEATING

We got to the studio at about 10:15am, there were approx 10 people there already

The staff didn't turn up till 10:30 so we made our own queue

Staff moved our queue and told everyone with cars in the visitor carpark to move them, they join the queue in their cars while people on foot queued in the rain

Lots of waiting around, then the queue was moved, then a quick security check, then wristbands and more waiting around. There were not enough toilets. There were snacks and drinks available to buy but no "real" food.

We started moving again at 12:45.

The first 22 people got orange wrist bands and we were put in the gallery! (11 on each side)

The gallery itself is only as deep as the chairs, it's very much only decorated on the sides that the camera can see.

The decoration behind us was plasticy and painted gold, kind of like paper plate material.

The wall was painted with the same pattern as the sides, but super small, gold on red, but looked less neat than the big stuff which is more visible on camera.

Underneath us was bare wood and we were in a metal frame.

My friend went to the loo and said Greg and Alex's seats arrived on the back of a trailer and stopped at the zebra crossing for her.

The studio was much smaller than I expected, 5 or so rows of seats in the front section, literally within arms reach of the seat 1 contestant. This looked like it was all people with a red wristband, who were 2nd after orange.

The back section was bigger, I'd say maybe 8 rows deep? And wider.

There was some reshuffling of seats near the end, some people who were right at the back were put in the front row at the last minute (probably some priority people didn't turn up?)

I don't think anyone's view was obstructed by cameras, but the left gallery couldn't see the contestants' faces, while the right gallery (including me) couldn't see Greg & Alex's faces.

(I did see Alex's shoulders sort of hunch every time he got the giggles though which was incredibly cute)

INTRO

Mark the warm up man got people shouting out & making noise (he comes back at every ad break, and every set change break)(some of the breaks he asked if we had any questions about the filming of TM and answered them to the best of his ability)(one time we played audience tinder, which is like audience guess who but based on 1 single person's romantic requirements (man, single, over 23, under 30. This got everyone out, and mark announced that was why she was still single.)

Mark brought Greg on

Someone shouted happy birthday

Greg: it's not today, it was on the 14th. I'm 55. Today it's ............................... It was.................

Someone in the Audience: it was on Tuesday!

[Note today is thursday]

Greg: At a certain age you stop counting birthdays. I woke up and realised I was closer to 60 than 50, And genuinely the first thing I said when I woke up, alone in my bedroom, was "blink"

Greg brought Alex on

Alex: I have some bad news

Greg: oh no

Alex: you're actually 56

Greg: oh what did I say?

Alex: 55

Greg: oh I was in a good mood and you've put me in a bad mood now

Greg asked the audience for help with Alex's improv

Alex was told to come up with a Pop song about corn

This was misheard by Greg as porn

They decided on corny porn

Greg gives Alex a beat

Alex [singing]: Sometimes a man gets lonely

*Greg and audience piss themselves, Alex breaks*

Greg: I thought I'd give you some time there to come up with a rhyme for lonely

Alex: oh I'm going for an ABCB rhyming scheme

[Slightly paraphrased in places because I'm not perfect]

[Greg beat starts up again]

Alex, Singing:

Sometimes a man gets lonely

And that man is Alex Horne

all his friends are out for the evening

So he opens his corny porn

[verse 2]

*Something about Cracker jokes*

*something about a boy and a girl*

*[I forgot this line]*

And then they have full sex.

(((If anyone was there and remembers these lines I will happily make edits)))

Greg: I thought you were going to shy away from the sex

Alex: oh, no, didn't shy away

Greg: they have legitimate sex

Alex: well they do love each other, so it's legitimate sex

Alex: But it wasn't being filmed

Alex: It was actually behind a closed door

Greg: so it wasn't porn at all

Contestants are introduced to the audience by greg before they all sit down

Andy zaltzman is wearing a snooker outfit, with cue and chalk. He is told (by Greg, who was told by the greenroom) to put the cue over his left shoulder so the cameras can see him. He says the producer told him to wear it over his right just before the show. Greg relays this to the greenroom, and then says [to greenroom] "bit harsh", and [to Andy] "he called you a lying cunt"

Babatunde aleshe

Emma sidi

Jack Dee

Rosie jones

The Makeup team come on, there's some admin stuff (fire safety etc)

Then it starts properly, they play the introduction on the big screen

Greg: A man who told me fire fighters are the ¿Least ?? ? Of all the emergency services.

Alex: I was most scared if this one because if my house burns down...

Greg: Well you should stop telling me these things

BANTER SECTION

Alex: The group chat is popping off

The taskmaster WhatsApp, we've had some questions

Alex: Question from Brian. Actually, a lot of people asked this. Are Greg and Alex twins?

Alex: Someone else asked if I was ok

Greg: yes I always wonder that

Alex: I had an ECG and felt better

Alex: an EGG

Alex: I had an egg.

Greg: *Groans*

Greg: You do it on purpose. I was in a good mood. You've put me in a foul mood. Is that really all you've prepared? Someone thinks we're twins, and you've had an egg.

PRIZE TASK

Thing that's best when you add water

Baba, trying to defend jelly to greg: "You know when your mums just like-"

Greg: "sorry I'm going to stop you there, it sounded like you called my mum a slag

*General confusion*

[They Continue]

Baba: you know when your mums a slag

*Everyone in the audience heard it this time*

Baba confused, everyone else pissing themselves

*Repeat multiple times, everyone getting more and more hysterical*

Baba: you know when Your Mum *Says*...

Greg, holding his ear piece: How likely is it the slag comments are going to be left in? The gallery says 100%.

TASK 1: Alex is a robot, direct to charging port, gibe an instruction every 10 seconds, robot wont follow instructions with o or e

Emma makes sexual moans when she sees the robot

Greg replays VT multiple times, she calls it "Platonic arousal"

Long discussion about mascots and those tall wobbly dancing tubes, and Mr blobby

Emma loves them all but they have to move

Greg brings up a butcher mascot which was a pig cutting parts of itself off, but it doesn't move so Emma isn't interested. If it moved she'd like it

Andy: Coming from a Jewish background, would the pig cutting parts of itself off be kosher?

Emma: no! [Pause for laughter/apology/embarrassment] sorry, no because pork isn't kosher. It's the trotters.

Someone: if the pig cuts its own trotters off then maybe it could be kosher

Greg: snip snip snip, out it goes

[There's a submarine in the garden?!!]

Emma, during task: walk lady

Emma, in studio: I changed it to walk by lady, I realised I could say by

Greg: Bisexual lady?

Emma: I'm not assuming the sexuality of the robot

Lots of "I mean him, not me" from Alex when talking about the robot

Rosie points out she got a lap dance from the robot

Emma: "Oh robot - we've found it!" (Or similar)

Greg takes the piss multiple times throughout the ep

TASK 2: make the strongest smell and put it in this jar. *Jar is sealed for 3-4 months until the studio record*

Rosie's sounds very very ominous, everyone is scared

On the back of the task it says anyone who is unwilling to smell their own jar gets 0 points

They talk about how that's definitely backfired on Rosie

Rosie: I'm actually quite excited, I want to smell it

Greg makes Alex read something out

Alex: oh, strange, this one is handwritten. Alex also has to smell the jars or Greg will kick him in the gooch

Emma pretends hers smells super strong, Greg describes it as mild

Baba: marmite and coffee, makes his eyes bulge

Rosie's is hugely disappointing. She repeats how disappointed she is. Greg doesn't believe her until he smells it and says he is also disappointed.

Andy's makes all the contestants gag (sardines, vinegar, huge mix of random crap, detergent, soap,)

Alex: I was surprised you went with things that remove stubborn smells

*The smells waft up to the balcony and to some of the front row. *

Jack's makes Greg lightheaded and have to pause for a bit (air freshener)

Later, in one of the breaks:

Audience member: why didn't Alex smell the smells?

Audience ooh and mutter

Mark: very good question

[Alex did not then smell the smells :( ]

TASK 3: Present a heartwarming local news story

[Team task!]

Rosie and Jack

Andy, Emma and Baba

The intro to this gets played again because they did some smelly pickups while the table was still out, and then packed it up again, and by that time everyone had forgotten what the task was.

Greg says Andy looks younger as Isabella the old lady than as himself

*Greg talks shit about both their attempts*

Greg says he thinks they both did really well

Alex: *do* you think that? It didn't sound like that

Greg says Emma could genuinely be a newsreader (Emma: middle class), then there was a whole section where Rosie and Greg talk about how alluring/hot Fiona Bruce is

STUDIO TASK: catapult parachute target

During set up we could see Alex on the side of the stage waiting for everything to be ready, we waved at him from the balcony and he waved back with confused but happy smile

The edge of the target was literally 50cm away from the front row. Front section were warned to 'watch out'

Mark: I wasn't sure I was allowed to mention it being a catapult

*Shadow of a catapult clearly visible through the screen*

Baba tried to shoot one really flat and it flew straight into the audience (3rd row!)

He immediately sat on the losers bench before the others had even gone

Emma's doesn't unfurl and goes 2nd row of the audience

Rosie Vs jack at the end: Rosie playing up the cerebral palsy deliberately to put jack off, stuff like "you wouldn't beat a disabled girl", and "I have cerebral palsy", "I didn't breathe for 17 minutes"

Jack really struggled to get his last shot because he was bent over laughing

It looked like a draw, Greg had to adjudicate

When he called a win for jack, Rosie pretended she was really struggling to walk over to the losers bench

After they'd all been:

Alex: I'm really glad they all flew. In the rehearsals we had loads of crap goes

Greg: How do you feel jack?

Jack: Guilty

Greg: And how do you feel Rosie?

Rosie: *Big fake sad face (which kept breaking)* "...*tiny broken voice* sad :( " *Followed by instant giggles*

TIE BREAK: how many days old will Alex be on Christmas day 2024? Have to be looking into his eyes the whole time

Emma Vs jack, Emma got very close, jack just gave up. Rosie actually got the closest (within 70? Days)

END:

And we've learned that my mum's a slag

We were told it was the first time ever all 5 contestants have won the first 5 episodes

*Contestants leave*

Man with crutches in audience [to rosie]: before this I thought you were so sweet (ominous pause) but now I think you're *wonderful* [Rosie hugged him!]

Greg: we all thought you were going to say something horrible. I was getting ready to put Alex between us

PICKUPS

Greg and Alex do lots of repeats for previous fuck ups and make lots more fuck ups.

*Talking to empty chairs*

Greg keeps apologising for how long it's all taking

Greg: we all want to go home

Greg: We're going to do a physical bit and you're going to absolutely love it. You'll know it when you see it.

*At the end of one of the pickups they both turn in their chairs and look at the blank screen. Audience love it*

Greg gets told by the gallery to repeat ¿papas meat?

Greg:shall I do it sexier? How much sex do you want? 8/10 sex?

Alex: you sound like Rachel

*They do a massive exaggerated turn to the screen*

Greg: I overcooked that one

They repeat the shakespeare bit 2 or 3 times. Greg says every time he's asked to do it again he'll ham it up more.

Alex: I'm really hungry, are you really hungry?

They did some extra "taskmaster the live experience" advertisment filming

Greg notices a really big man in the audience and asks him how tall he is (6'5") and then gets very distracted by his "brethren" and repeatedly flubs his lines

Greg: What are you doing?

Greg: Look at me you grubby little ferret

[This was repeated about 5 times because Greg kept fucking up, and then when he got through it Alex immediately fucked up the next line]

Greg said we were the best audience so far (he also said he wasnt lying or exaggerating. If anyone else has been to one, does he say this to evey audience?)

Got let out at 5pm

[Extra things that I can't remember when they happened]

Alex: When we watch telly together

Greg: ... Because we are actually lovers *puts hand on alex*

Greg: Or so some corners of the internet would have you believe

During breaks, makeup people come in and remove the lint from Greg and Alex's jackets, Alex gets a sticky roller, Greg gets a little brush

They dab Greg's head as well

Greg: I like making people on the internet angry

Overall a delightful day out, 10/10 experience, would recommend!

[lousypotatoes]

What A Glorious Feeling

This chapter takes place after the pilot but before the first episode of the series.

Reader is a falcon demon, doesn't have a beak, wings drape over her kinda like Valentino's (i want him dead), reader has gray skin, usually wears a black tube top, black and white pinstripe pants, black boots, and has a daisy in her hair. Reader has the eyes and ears of a falcon and is also slightly cannibalistic.  Reader can summon any weapons at will and can move things with her mind, whenever she does this, her eyes glow red. Like Alastor, reader can also summon anything at will. If you had something else in mind for how the reader looks, you are more than welcome to imagine something different. 

I know Alastor is canonically aroace, but obviously, in this story he is not. Also, in this book, nobody knows the Radio Demon's name unless he decides to tell them. Sorry I should of said this earlier.

Song Recommendation:

I Did Something Bad - Taylor Swift

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12

Present day...

"Ah Dustin," Y/N said, walking over to the man, who was cowering in the corner. "You broke our deal. You know what happens to people who don't keep their word with me, don't you?"

"Please," he begged. "Give me one more month I promise-"

"You said the exact same thing six months ago," she spat angrily, her wings unfolding. 

"I swear-thi-this is the last time," he stuttered. "I just need-"

She summoned red chains, that latched onto Dustin's neck. Tugging the chains over to him, she grabbed his face, digging her claws into his cheeks. He let out a yelp of pain. 

"The deal was that if I killed your pathetic wife, I'd get your soul, and you would get me what I needed from that idiot overlord who thinks he's the shit, just because he's a pimp!" Y/N snarled, digging her claws in harder, drawing blood. "I have been more then generous towards you, and this is how you repay me?"

"I'm trying!" he cried out, tears running down his face. "Please just don't kill me!"

She had a small frown on her face. "I should rip you apart limb by limb," she said, calmly but in a deadly voice. "But I'm not goin' to do that," She removed the chains from his neck and put him down. 

"Thank you so much Assassin," Dustin said, wiping the blood off his cheeks. "I swear I will-"

He never finished his sentence. As fast as lighting, she summoned an axe and chopped his head clean off. 

"Instead, I'll make this is as quick and painless for you," she giggled, licking off the blood from the axe. "I'll have to thank Carmilla for the angelic steel at the next overlord meeting."

Using the axe, Y/N chopped up his limbs and stuffed them in a trash bag she had brought with her. 

"Cannibal town here I come," she smiled once she was done.

"Knock, knock," she said, knocking at the parlor door. 

"Y/N!" Rosie exclaimed upon seeing you. "What are you doing here so soon?" 

"I brought you a little somethin' to snack on," Y/N said, holding up the trash bag. 

"Oh you spoil me so much, my dear," Rosie said, licking her lips. 

"Anything for my closest friend," Y/N said, handing her the trash bag. 

"This is the fifth one this month," Rosie said, opening up the bag. "Sinners know better than to break a deal with you."

"They'll never learn, Rosie," she giggled as she took a seat on the couch. "Did you see the news the other day?"

"The Princess sure does have her hopes up for this hotel," Rosie answered, pouring herself a cup of tea. "Tea, Y/N?"

"No thank you," Y/N answered. "Do you think anyone would actually check in to that hotel?" 

"Who knows at this point," Rosie said, sipping her tea. "But judging by how people reacted, I don't think it's going to work out," 

"Shame," Y/N said. "It's a good idea, if it's actually possible."

"Say Y/N," she said, setting her cup down. "A friend of mine just recently got back into town. He's staying at this hotel," 

"Oh yeah?" Y/N asked curiously. "Who is it?"

"The Radio Demon," she said simply. 

Y/N's eyes widened in surprise. "He's been gone for seven years," she said. "Why on Earth would he return now? And why would he be stayin' at the Princess's hotel?"

"Satan knows," Rosie replied. "Y'know, you and him would really hit it off."

Y/N's eyebrow rose up. "Sorry my darlin'," she said, lightly chuckling. "The Radio Demon is most certainly not my type."

"You don't even know him," Rosie said, a slight frown on her face. 

"I don't need too," Y/N said curtly. "From what I know, he seems like a self-absorbed prick."

"Oh c'mon," Rosie nudged you. "The both of you have so much in common! You both like whiskey, you both like jazz, you both like killing people-"

"Why all of a sudden are you tryin' to play matchmaker?" Y/N interrupted. "And why The Radio Demon out of people?"

"Because you need to get out there!" Rosie said, smoothing out her dress. "Ever since I've known you, one of the main things you talk about is how in love you were when you were alive. What was his name again?" 

"His name was Alastor," she said, her heart hurting. "I've searched all of Hell Rosie. Either he's up in Heaven, or the Exorcists got to him."

"That's why I want you to meet him," Rosie said, patting Y/N's shoulder. "Please? Do it for little ol' me?" 

"I suppose so," she sighed. "I was already thinkin' about checkin' out the hotel anyway."

"Marvelous!" she exclaimed, clapping her hands together "I promise, you won't regret it!"

Landing in front of the hotel, she knocked at the door, feeling nervous, her wings fluttered behind her. 

"I'm coming!" chirped a feminine voice from behind the door. 

Fiddling with the hem of her top, Y/N waited until the person opened up the door. 

 The princess herself opened the door. "Hello! And welcome to the Hazbin Hot-"

Upon seeing your face in the doorway, she immediately slammed the door shut. 

"Vaggie!" Charlie cried out. 

"What is it?" Vaggie asked, coming down the staircase. 

"The Assassin is at the door," Charlie panicked, pointing at the door. "What do we do?" 

"Really? Another fucking overlord?" Vaggie angrily said, walking over to the door. "I'll handle this."

The door opened up a second time. Instead of the princess, a girl with a large X over her eye appeared in the doorway. 

"What the hell do you want?" she asked suspiciously. 

"There's no need to be so hostile," Y/N said, putting up her hands. "I'm here to simply offer up my services."

"We don't need you to kill anyone,"

"Not those kinds of services," she laughed. "I want to help with your hotel."

"Thanks, but we already have an overlord helping us," Vaggie said, eyeing her up and down. 

"The Radio Demon, yes I know," she said, crossing her arms. "I still want to help,"

As Vaggie was about to close the door, Charlie popped up beside her. 

"Wait Vaggie, we could use her help," she said, smiling. "With two overlords helping us, we can get a lot more done!" 

"You have a point," Vaggie grumbled. "But I'm keeping my eye on you," 

Charlie beckoned you to come in. "Thank you, Princess Morningstar," Y/N said, stepping inside.

"Oh please, just call me Charlie," she waved off. "This is Vaggie," she gestured to the girl with the X.

"It's a pleasure to meet you both,"

"Thank you!" Charlie gushed. "Welcome to the Hazbin Hotel-er-"

"Y/N," she said. "My name is Y/N."

"Right! Welcome to the Hazbin Hotel Y/N! Would you like a tour?"

"Of course,"

"Why does the bar look like that?" Y/N asked after the tour was over. 

"Someone blew it up a few days ago," Charlie said simply. "Our facility manager fixed it up so it's nothing to worry about!" 

"Oh-uh-" Y/N didn't know was to say. "I'm glad it's all fixed."

"Oh my gosh!" she exclaimed. "I have to introduce you to everyone! C'mon!" Charlie grabbed her arm and dragged her away. 

"This is Nifty, our maid," she said gesturing to the small demon, cleaning the floor. "Nifty, this is Y/N, she'll be staying with us 

Nifty turned around and her eye widened and she smiled in a scary way. 

"Ooooo! I've never seen a bad girl before!" she said menacingly as she crawled up on you. "Do you want to punish some bad boys with me?"

"Just give me the time and place, sweetie," Y/N said, putting Nifty down. Nifty quicky ran off.

"She's mostly harmless," Charlie said nervously. "Just don't let her bite you."

"I'll keep that in mind," she laughed. 

"This is Husk, our bartender," she said gleefully. 

Husk was drinking from a bottle, he nodded at Y/N but didn't say anything. 

"It's nice to meet you, Husk," she said politely. 

Husk recognized her at second glance, almost spitting out his booze, he decided not to say anything about it, though. 

"Oooooo heya Y/N~" said a voice. 

Y/N turned around and grinned. "It's nice to see you again Angel Dust,"

"Ohhh it's nice to see you too baby~" he said seductively. 

"Oh that's wonderful!" Charlie exclaimed, her eyes sparkilng. "You two know each other!"

"Yeah, we met at a party a while back," Y/N explained. "He kept wantin' to look at a sword that I had just got."

"Y'know babycakes," Angel said, walking over to her. "I could show you my sword, if you want~"

"Another time, Angel," Y/N laughed, Charlie laughed awkwardly with her. 

"Well, I think that's it!" Charlie said, clapping her hands together. "I'll show you to your room and if there's anything you need, just-"

"Oh, we have a new guest?  Heavens, why didn't anyone tell me?" said a staticky voice. 

Y/N turned and saw the infamous Radio Demon standing right behind her. Upon closer inspection, there was a look in his eyes that seemed familiar. 

Too familiar. 

Y/N had loved looking into those eyes, it had brought comfort to her. 

"Oh my gosh! How could I forget!" Charlie said. "Y/N is going to be helping us around the hotel just like you!" 

At the mention of her name, something pulled at Alastor's heartstrings. 

"Well, we need all the help we can get, that's for certain," Alastor laughed.

That laugh, Y/N had imagined it every single day when she arrived in Hell.

"Y/N, this is our facility mana-"

"Alastor?"

Her voice, it sounded like an angel. Alastor remembered the first time he heard it. Everything clicked into place for the both of them.

"Y/N?"

Sorry if all the characters are a little ooc. I need to rewatch the show lmao. 

THERES AN ECLIPSE TODAY!!!

stay safe out there you little rascals <33

xoxo, Izzy

[ranchthoughts]

Happy marriage equality Thailand! 🌈

A few months ago, @colourme-feral came to me with the idea of cataloguing as many same-sex Thai QL proposals and weddings as we could. And today, to celebrate the bill passing the Senate (and the first post-bill-passing proposal and wedding), I'd like to share with you all our findings! Even though same-sex marriage has not been legal in Thailand until this year (hopefully things will be official in the fall), there have been quite a few same-sex proposals and weddings in Thai QLs throughout the years.

Big thank you to everyone who assisted on this project in some capacity (@airenyah, @bengiyo, @blmpff, @chickenstrangers, @dribs-and-drabbles, @nieves-de-sugui, @twig-tea, @waitmyturtles, @williamrikers) plus all the gif and fanvid makers whose work was instrumental in helping us double check everything (particular shout out to these gifsets by @apathetic-tortoise (1, 2) and this one by @gunsatthaphan).

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

We found 28 Thai QL shows which featured at least one same-sex proposal (the blue list below) and 15 Thai QL shows which featured at least one same-sex wedding (the green list below).

I was pretty strict with what counted as a proposal or a wedding for the purposes of this project. For example, characters who we know are married but whose wedding we don’t see aren’t counted (like Laws of Attraction’s Maya and Rose, or the unnamed Force and Book characters shown in a “Just Married” car in Vice Versa). There are many shows where there is a ring or someone gets down on one knee but the question is not exactly “popped” (Khun Chai, Star In My Mind Our Skyy 2, etc.), and there are even more shows characters talk at length about commitment and being together forever but there were no mentions of marriage or other details (like rings, etc.) that would specifically suggest it was a proposal (A Boss and a Babe, Ai Long Nhai, Be My Favourite, Cupid's Last Wish, Dark Blue Kiss, Something In My Room, Star in My Mind, Still 2gether, Until We Meet Again, 3 Will Be Free, etc.). Some of these moments might have been intended as a declaration of intent to marry by the characters and the show runners, but they weren’t conclusive enough to be included on this list. Furthermore, I think it’s interesting to see how many shows were, for lack of a better word, explicit in their discussion or portrayal of same-sex marriage (having the characters use the word marriage, showing weddings, etc.), despite being from a time before such a thing was legally possible. 

Note: I've listed the shows with the year they started airing for ease, even though some of them did finish airing in another year.

(see alt text for the full lists)

The Quick Facts

The first proposal and the first wedding in our data set both happened in Grey Rainbow episode 4, which aired on May 7, 2016. (though this is not exactly an auspicious wedding to start with, as those who know know)

12 shows featured at least one proposal and one wedding (Cherry Magic, GAP the Series, Grey Rainbow, Laws of Attraction, Love Syndrome 3, My Secret Love, Naughty Babe, Never Let Me Go, Tharntype Special: The Wedding Day, Two Worlds, Wedding Plan, and the Wedding Plan Special). 

4 shows feature two same-sex proposals (Cherry Magic, Love Syndrome 3, My Secret Love, and Two Worlds). All these shows also feature a same-sex wedding.

None of the shows in our sample had two same-sex weddings.

The Data Over Time

As you can see, generally same-sex proposals and weddings have become more common in Thai QLs over time, though of course there are more Thai Qls being produced now than in the earlier days.

Note: I'm only looking at shows which aired before the marriage equality bill passed the Senate, so the 2024 data does not include Wandee Goodday or OMG! Vampire. It will be interesting to see if and how the number of same-sex proposals and weddings in Thai QLs increases through 2024 and beyond now that it will become a legal reality.

It is also interesting to consider the production companies behind the shows in our sample. This sample includes 7 GMM shows and 5 Mandee/Domundi shows, plus 1-3 series each from other production companies like Idol Factory, MeMindY, Studio Wabi Sabi, Copy A Bangkok, Jinloe Media Work, TV Thunder, and M Flow Entertainment. In other words, GMM shows make up roughly 23% of the sample, Mandee/Domundi shows are another 16%, and other production companies comprise about 61% of the sample.

Main Couples vs Side Couples

There are 28 shows with proposals in the sample but 32 proposals, because four shows have two proposals each. 26 of these 32 proposals (81%) are between the main characters and 6 of them (19%) are between side characters.

Of the 15 weddings in the sample, 12 (80%) are between main couples and 3 (20%) are between side couples.

For interest's sake, I also broke this down for GMM and Mandee/Domundi. GMM has 7 proposals in 6 shows, with 5 main couples and 2 side couples popping the question; and 3 weddings (across 3 shows), in which 2 side couples and 1 main couple got married. Mandee/Domundi has 5 proposals in 4 shows, all between main couples, and 3 weddings (across 3 shows), also all featuring main couples.

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈

And now here we are, after the bill has passed the Senate. Congratulations to the Thai queer community, and the happy couples Oyei and Cher from Wandee Goodday and Sen and Run from OMG! Vampire who are the first Thai QL couples to propose and to have a wedding (respectively) after Thailand's marriage equality bill passed the Senate! (The bill passed the Senate on June 18, 2024, and episode 8 of Wandee Goodday aired 4 days later on June 22, followed by episode 6 of OMG! Vampire on June 23.)

I can’t wait to see more same-sex engagements and weddings in Thai shows as we move forward.

[companionjones]

Goat Legs

Pairing: Charles Xavier x Reader

Fandoms: Marvel, X-Men

Summary: You have the power to see other universes. Sadly, that power controls you.

Warnings: Universes colliding

*******

"I'm not asking you to take over my position permanently, just for a couple weeks."

Magneto's mood differed from yours completely. While you were relaxed and amused he was annoyed and agitated. "Yes. It starts off with a couple weeks, then you ask for an extension, then, the next thing I know, it's years later, and you and your lover are never coming back."

You laughed, "We're going to Cancun! You're acting as if we're travelling to another dimension."

"How can I expect you to come back here when you don't even want to go home right now?"

That question took you off guard. "I'm sorry?"

"It's time to wake up, Y/n."

"I don't know what you're talking about."

"It's time to wake up."

"Stop it, Mag."

"You have to wake up, Y/n."

"I said stop it!"

"You have to wake up right now!"

Charles was in the middle of teaching a class when Raven burst into the room.

"She's awake," was all Raven said.

The professor turned back to his class with quite the worried expression. "Alright, keep reading chapter 12 everyone. Ms. Raven will be taking over for the time being."

The siblings shared a nod before Charles exited the classroom and began booking it down the hallways to get to you.

You were in an isolated wing of the Xavier Mansion. Charles thought it best to house you there so the students didn't hear your screams.

That choice was coming to fruition that day, as it did most days. Charles could hear your screams as he quickly quickly approached your door. His heart always experienced a lot of pain, seeing you like this. He couldn't even read your mind because it was too much for him. Charles could never imagine what it was like for you.

"My love! My love, I'm here. Please, you have to try to calm your mind."

As Charles rushed into your room and knelt at your bedside, you saw many different versions of him. One second, he was older. The next, he was the same age, but in a wheel chair. Then, you saw him bald. You tried to close your eyes to refresh your mind, but all you saw when you blinked was worlds and universes colliding. You screamed out in frustration, and reached out for Charles.

He took your hand and combed your hair with his fingers. "It's alright. It's alright, my love. We're together. We're home. Everything is okay."

"Tell that to Logan. He's lighting his cigar on an on-fire car as the world ends," you described what you were seeing.

It took a couple hours, but your episode had finally ended and you were calming down.

Charles still sat on your bed with you. He still had one of your hands in his, and he was combing through your hair with his free hand.

"You had goat legs," you quietly informed after hours of restless silence.

Xavier appropriately chuckled at that statement. "What?"

"You had goat legs," you repeated. "In one of my visions, you were having a young girl over for tea in the woods, and you had goat legs."

He scoffed. "That sounds like something out of Alice in Wonderland."

"It was quite whimsical," you admitted.

There was another silence between the two of you before you asked Charles, "Tell me about here again?"

He smiled. "We got everyone on our side after Cuba, even Erik. There still some arguments on how we should approach the rest of the world but we all teach the next generation of mutants here, at home."

Despite all the happy news, a tear rolled down your cheek. "I wish I could be more help."

Charles reminded you, "You don't have to be anything more or anything less than you are right now."

"Can we go for a walk? I'd like to see the kids," you told him.

Charles nodded, "Of course," as he helped you out of bed.

*******

Author's Note: Thank you so much for reading! Fill up that heart and reblog if you liked it. I would also really appreciate a comment, if you have the time. If you would like to read more, check out my masterlist. Have a nice day, night, or whatever time it is for you! <3 <3 <3

[jouxlskaard]

Strap in, fuckers. This is a long one.

I've seen a lot of discourse and discussion recently about why TMAGP isn't resonating with listeners as much as TMA did, with a lot of people pointing towards the infrequent structure of each episode and the lack of subtlety that TMA had once excelled in. And while both of these are true, I think the main culprit that has caused these problems for listeners is one thing: the pacing.

TMAGP is only going to be 60 (Edit: 90) episodes long, compared with TMA's absolute behemoth of 200. When I'd found out about this, I'd assumed that it meant TMAGP would have a much smaller story - not having to establish as much information as TMA did, and allowing the story to have lower stakes as a result. This certainly wasn't a bad thing, as many sequels that have tried to one-up their predecessors have gone disastrously wrong, but I knew that the structure would be different to TMA as a result.

However, from the 12 episodes that we've seen so far, it appears that TMAGP is going to have similar levels of stakes to TMA - not the same stakes, of course, but they'll likely be on close to equal footing. This means that TMAGP has to establish the same amount of information to listeners with significantly less time to do it in, and the pacing has to speed up to adhere to that. In the first 12 episodes of TMA, we had established one possible recurring statement character (Gerry), a disturbing worm woman (Prentiss), and the fact that Jon doesn't like his assistant and refuses to believe any of the statements. In the first 12 episodes of TMAGP, we've established every important protagonist and what they sound like, two recurring statement characters (Bonzo and Ink5oul) with one that has already physically appeared, much of Sam's backstory and his ties to the Magnus Institute and the fact that something is deeply wrong with their workplace. That is a big difference.

This difference in pacing is what I believe is turning listeners away from what they'd originally enjoyed about TMA, because there's no longer that warm, comforting atmosphere when you listen to it. Its sound isn't designed to come from a tape recorder and a tape recorder only anymore; it's no longer a sit-down and listen to the Archivist tell you spooky stories for 20 minutes anymore; and, like I mentioned earlier, the structure is no longer the same throughout each episode. The horror anthology aspect, whilst still being there, has now taken a back-burner to the metanarrative because so much has to be established in so little time. To many, that's a bad thing. They listened to the original because they liked the statements, and the little things connecting them hinted to a much larger story at play. When this story was revealed, we got to see Jonny Sims and his brilliant prose at its best, because there was no longer anything to hide and the statements were in their purest forms - no longer having to establish information to the audience, and simply basking in the fear.

I'm sure we'll get to see the same thing in TMAGP once the narrative reaches that point, but the current pacing has uprooted a lot of listeners' expectations for the show. I'm going to listen to the entire thing, personally; yeah, it's different, and it doesn't deliver the same vibes and comfort as TMA did, and I probably won't be able to fall asleep whilst relistening to the more obscure episodes like I could before, but in a frankly disturbing way, I'm still fascinated with what Jonny, Alex and the other writers have created. This type of horror is the only kind that I genuinely enjoy, and I'm excited to see what direction Protocol goes in.

Edit: I feel like I should clarify that I don't see this comparison as something that takes away from TMAGP. Alex has said that it's going to be different from the get-go, and I do think that comparing it to TMA is an exercise in futility to an extent. I just wanted to talk about the shows together because I feel like they complement one another, and the narrative beats that I've talked about are less to do with TMA on its own and more to do with general narrative structure. We have buildup, payoff and pacing no matter what show it is, because that's what makes a story. I think TMAGP could be taken a little bit like Deltarune in terms of its relation to the original source material: separate entities with some overlap in character and themes. At the end of the day, it's still early days for the show and this entire spiel could just end up gathering dust - I just think it's a cool thing to think about, and it gives me an excuse to infodump about how pacing can affect a narrative and the audience's response to it.

I wrote this while my cat was laying on me. Have a picture as a reward for reading this whole thing.

[maxwell-grant]

The Penguin: Episode 8 "Great or Little Thing" Series Finale Breakdown

So first and foremost I need to give a shout-out to everyone who's been following this with me and helped me week after week process and articulate this show, this brilliant Penguin Braintrust without which I would be incredibly lost on how to even begin breaking this thing down this way: @davidmann95, @wil4x, @book--wyrm and my friend Lucas who is not on Tumblr.

And so we're here at last, in the end of the show. This took forever. I need a goddamn break. This isn't enough and will never be enough but it'll have to do. So let's get to the episode that has had the world joining hands in the unanimous urge to see the absolute shit kicked out of Oswald, and has made the character at last earn this:

(Episode 1) (Episode 2) (Episode 3) (Episode 4) (Episode 5) (Episode 6) (Episode 7)

So who would have guessed that cartoon dirtbag Rex Calabrese was still gonna turn out to be less of a cartoon dirtbag than Oz the moment we stop seeing him through Oz's eyes. Still a terrible person by every metric, but terrible in the same way a lot of Sopranos characters are terrible: this is, at the end of the day, a job, and you can talk to them, you can sit at a table to get down to business with them, and you probably know people in your life like them, and maybe you can even count of them to get real and even help you when the chips are down, even if it doesn't mitigate everything else that they are or do. At the very end, he was neither the benevolent god-king that Oz saw him as, nor was he the absurd dirtbag gangster we had him pegged as - there was never anything exceptional about Rex Calabrese, he's just a real criminal. Maybe the realest in the show.

I said in the last post that Francis burned with hate at everyone in the world except the person who most ruined her life and haha WOW was I wrong, because it turns she's known the entire goddamn time, and quite possibly no one has ever hated him more than Francis.

Most people in the show who hate Oz do so because he's a destructive bastard who craps on their lives directly, or because he's a lying sneaky fuck who does nothing while their lives are ruined, and Francis has had to deal with both longer than anyone else. I can't possibly count every single way this wildly recontextualizes every single interaction, every moment, everything that Francis has shown us and done since the first episode, because I'd have to recap EVERY scene and line of dialogue she has and we still have so much else to get through.

Why was Francis was so effectively able to withhold affection and hold his feet to the fire and give him that bottomless pit of yearning in his stomach that's driven him to move mountains in pursuit of it? Because Francis wouldn't have loved him even if he gave her the entire world at age 12. She never had any affection or love left for him. Oz was always chasing nothing.

And all along it was Rex who shaped the entire course of Oswald's life, as well as prefiguring his dynamic with Victor, with a single conversation. Oswald spend his childhood wanting for Rex Calabrese to notice and like him and be his friend, and he has no idea how much Rex actually affected his life.

That fateful night at Monroe's was never the feel-good story about his Ma summoning the willpower to live by dancing away the grief, and it was never even just the night of the eternal promise that Oz thinks back to, it was a fucking trap to kill Oz. Nothing he has in his life is real, nothing he says is true, he has never not lived in complete total delusion.

The sheer disgust in Deirdre O'Connell's face at the "I do too". How much of her personality we completely understand was born from this absolute resentment she's nursed for decades towards Oz.

And this rotten little turd comes at her with a perfect speech that hits her every insecurity and bitterness and spite and situation and convinces her to give him another chance. The nature versus nurture thing again - Oswald was shaped by hardship, by decades of hard work and neglect, by the total absence of his mother's love while in turn being forced to live in stunted childhood dedicating himself to always taking care of her, and maybe what we're seeing here is heavily distorted by Francis's POV - or maybe he was always a little monster, because this guy talking to her is The Penguin, the same guy doing the same things in the same way, either way it doesn't matter. Again, born fucking ready.

So now we see our three major supporting characters - Sofia, Victor and Francis - all of them have shown that they had a chance to walk away from Oz, to not let him ruin their lives further. All of them could have left Oswald behind, and all of them should have left Oswald behind, but they had to come back and justify the choice to do so, they had to get satisfaction, it couldn't have been for nothing. Victor had his car and a girlfriend in a bus waiting for him, Sofia had a jet to take her to Italy, and Francis had Rex Calabrese ready and waiting to put him down without a word. All of them had a chance to get out of the show and never look back, but like Oz, they had to rectify and overcorrect for an insult.

Sofia can't walk away from Gotham without punishing Oz for turning her in, for killing Alberto and further lying to her, she can't accept that this man, this embodiment of Carmine's legacy and hold over her, is still out there unpunished getting away with what he's done. Victor can't walk away from Gotham knowing that his parents did everything right and still died for nothing, that every hurtful thing Oz said was right, he can't let "They don't give out awards for dying in the projects" be the last word in his and their lives. And Francis can't walk away from Oz, who killed her two sons and keeps lying about it, who ruined her life and now keeps promising he will take care of her and acting like everything will be fine, she can't let this pass even if she can't kill him either, and so she'll make him give her the world and die trying.

The tragedy of what happened is what hurt/broke them - the added insult of what Oz said or did is what they just can't live with. It can't be for nothing.

Goddamnit it, it was really just too telegraphed for it to not happen the way it did.

I fucking knew it the moment the episode started and we got the grungy boss orchestral take on the funny Penguin chords that we were in for some calamitous shit.

We see at first that, in spite of seemingly failing, Vic has graduated to the point he can give his own speeches, gain his own allies, run his own cons - he's not just Oz's proxy, but will manage to convince the others to become such as well, and he's coming at this from a place of complete sincere belief in everything that Oz says, all of the man of the people rhetoric he will so thoroughly pervert and then sell to the people actually responsible for everything he told Victor he was fighting against.

Zeke walks up to him nearly crying about how Sofia blew it all up and Vic instantly asks back where's Oz - not because he doesn't care about Crown Point, but he's already processed it and has already learned with Oz how to just barrel forward regardless, now it's time to get to work. Victor who so readily throws himself into rescuing Oz again and again. Victor who's lost everything - he doesn't have his family, he doesn't have Graciela, he doesn't have the other mobs backing him up, and right now he doesn't even have Crown Point anymore, all he has is Oz.

The man in red who reads the Law Gave him three weeks of life, Three little weeks in which to heal His soul of his soul's strife, And cleanse from every blot of blood The hand that held the knife - The Ballad of Reading Gaol

Sofia dressed in two thematically appropriate outfits - the red scarf echoing both the first outfit we see her in, back to covering her neck but in control of her own collar, and the outfit we see her the farthest back in time with at the start of Episode 4, and with her final crimson fur coat outfit accompanying her final greatest triumph and ultimate defeat in the show. Not only that, but in this episode she also gets to perform characteristically appropriate stylized torture - holding a family intervention and therapy session with mafioso torture tactics to try and wrench the truth out of her victimizer, enacting calculated sadistic yet righteous justice via psychological breakdown, and ultimately allowing the woman he victimized and wronged to take her killshot at him.

See, it's not just that Sofia Gigante is a Batman Villain, or that she's well passed the threshold of supervillain. Cristin Milioti doesn't play Sofia like she's a new character, which she basically is, and she isn't just playing a tortured gangster lady protagonist dipping into camp villain territory, which she also is - she plays Sofia Gigante like she's been a Batman Rogues headliner for decades now stepping into the spotlight once again, like she's the dark modern revamp of someone Adam West would have thought and she's just always been around showing up in stuff along with The Penguin, like she's only not fighting or teaming up with Two-Face in this because he's not here yet. It is crucially important that Sofia passes every standard of Batman Villain imaginable with flying colors, in part because it helps to reinforce that The Penguin is a monster all his own.

Even here, with as much power as she's ever possibly held over him, reduced him to a whimpering begging mess to be killed off in a second, she is so shocked at the sheer brazen selfishness and delusion and level of bullshit on display, that even now he won't break character and think about his actions and admit to what he's done not even to save his own mother from mutilation, that she just loses the script entirely. Her entire show of power collapses and she physically recoils from sheer disgust at just how low Oswald is, at just how much he lacks the ability to even suffer for what he's done. Realizing that there is simply not enough of a soul in this filthy beast to even torture, and that however much she hates Oswald for ruining her life, someone had a prior claim all along.

Eve - Sofia - Francis in the end united in, however much they may dislike each other, however different their circumstances may be, there is nothing they could possibly do to each other that would be worse than what Oswald has done to all of them, joined in silent agreement that their rage ultimately belongs in a bullet fired at Oz's head and that they deserve their kill shot at this man.

"I had enough to give, Oswald".

This really is gonna be the high point of Francis's life from this point on.

Aw man, I liked Sofia's scruffy dirtbag detective, I wanted him to stick around as one of the reocurring characters like the movie cops

Oh Victor, sweet kind Victor, you couldn't possibly ask for anything worse in the entire world.

Oz feebly already beginning to lie and spin his new version of the events, that Sofia stabbed him and fucked up with Ma, and here comes Victor with the reversal of their dynamic, seeing this guy who's been brought low by the oppressive force looming over his life that he must defeat (because all that Victor knows about Sofia at this point is that she used to be Oz's boss and is now out to kill them, that she is scary as hell, and regardless of whether or not she was the Hangman, she just bombed his fucking neighborhood) and reaching out to him with a speech about solidarity and dignity and self-worth and picking yourself up by your fucking bootstraps to save the day. And Oz responds by coaching him on how to be a better bullshitter. Because to Oz, he knows the playbook by heart, but Victor meant it all.

Victor rebuilds Oz from basically nothing by providing him with the validation that he so desperately always craved and never got, saying all the things he always wanted to hear, poised so they can finish this together, poised to give him not only the army he asked for, but a full-blown revolution, and he never once asks for anything in return. Just, goddamnit this isn't hurting any less.

"She, sh-she'll never look at me again, all right?....unless I get this done. Got a promise to keep." Maybe the one and only time his mask ever fully cracks. For a second. He rebuilds it right back up and gets to work, but it cracked. He knows what he's doing, up until the moment he doesn't. It's that simple.

A lot of what drives Oz is acceptance, and a lot of what drives him is his desire to be accepted in worlds that have been declared, by how they run themselves and by the people that inhabit these worlds, as worlds that he was never going to be included in. And one of those worlds is the hierarchy and the hoi polloi of the political realm and the power within the political realm because he understands that all politics are corrupt essentially, and the damage that he could do then in being part of a political infrastructure of Gotham interests him. I thought it would be nice if, in that time jump, he had been invited to maybe a gala or two, you know what I mean? It'd be awkward. He'd be slurping out of the fucking teacup, there'd be stains on the table, he wouldn't really fit in, but he’d fucking love being there. - Colin Farrell

Mirroring the scene in Episode 01 where he adjusts himself next to the car, scuffing himself up to look like the sleazy funnyman the Falcones keep around for kicks, now he's dressing up as much as he can and asking Victor for input, because he truly values what the kid thinks and, goddamnit.

"C'mahn, I don't bite", pfft yeah, not in this movie universe anyway. And to the same guy you did the nose-gushing-blood bit to, even.

Minutes inside of City Hall and he already parks his ass right on Bella Real's seat - not as any kind of intentional slight against her, it's just naturally where he goes to, even before the scene ends and we see his new plans start to come to fruition.

Guy who takes offense at Viti calling Sofia a psycho and then goes up to Councilman Hady talking about the unhinged loony bin broad who went "full psycho" that he's handing to him on a platter, pointedly calling her Falcone.

At first I thought it was funny that Sal Maroni was getting blamed here for Bliss and the underground lab, but then I remembered that he was actually the one who introduced Drops to Gotham and the whole epidemic that became, so if anything it is an extremely easy part of the story to sell, even without his body being down there and all.

"You're gonna have some trouble, Oz" - pointedly smiling and calling him Oz instead of Oswald as he had up to this point, because by that point he's already a crony and already willing to work with this guy handing him all these miracles.

"You wanna be welcome? You gotta look, clean" Yes Father Pal, I Shall Become A Capitalist Caricature

You can see in the walk around, in his look at Bella Real and the mayor's office high up above and the steps, how little Ozzie's gears turn once again and rebuild his life after losing the streets and everything that happened with Ma - This is the next nest, this is the next throne, this is next schmuck I gotta cozy up to, this is the next boss looking down on me that I gotta destroy, there's the reward waiting for me if I do. This is the one that matters, I did everything in the shit and now I'm gonna get me sum goddamn respeck, Feh Ma of course.

And before all of this we see Sofia's next move, showing the ways in which she is good at this, the ways in which she truly is something outside of the worldview of what these gangsters are used to, and why she is going to lose. "Because I can". She is good at commanding a room and promising rewards beyond the wildest dreams of these street crimelords because she can offer everything they want and lose nothing she cares about for it, she will hand them everything and dip because she can, and she is going to lose because she can lose. Because she still thinks there is an end in sight for her, she thinks she will get to walk away from this universe and go meet a happy ending at a cafe in Florence.

It's not just that Sofia was born into privilege and never really lived in Gotham and could just hop onto a plane out of here anytime, it's also that she has room in her life for introspection, self-awareness, consideration towards others, and all those things that come easier when you're "born full", and not when you're the starving hustler for whom leaving the city was never an option even if he had all the money in the world, the hungry animal who wants this, wants everything, harder than anyone has ever wanted anything. The guy who has no room for anything else in his brain other than a perpetual bullshit generator set to a 24/7 chorus of "I GOTTA WIIIIIIN"

Another element to her that I really love is, she's good at this. She knows she's good at this, she was supposed to take over the family. She may not know the ins and outs of the game as it currently stands, but she is good at this. Some of it is, I think that's the only world she knows, and some of it is there's something in there, that's always been there, and she believes it is rightfully hers. There's an element of, "I need to have made it worth it for something", and if that means power, then okay. - Cristin Milioti

There’s a level for both of them that they enjoy each other’s suffering, and that sort of leads to Sofia’s downfall. If she didn’t need to see Oz suffer she might have been free. And she really gets in her own way in that regard and largely because Oz is this crutch that she just cannot let go of. - Lauren LeFranc

And here we get to the end of season 1 of HBO's The Sofia Show, the bittersweet in hindsight but extremely cathartic torching of the set as a last hard-earned spiritual victory by our hard-done-by lady protagonist. All of her family is dead, the city is out for her blood, she gathered all the remaining criminals for One Last Job with everything on the line, and she is having a very fun time with her montage destroying her home and family name beyond recovery. She is going to finish her character arc, get to finally kill her former comedy sidekick turned mortal nemesis, and hop on a plane to The White Lotus resort straight away into greener (if only marginally less fucked up) genre territory away from this ugly nightmare city. Alas, this is not The Sofia Show, and it's time for her theme suite to catch up to her once again and tell us of how very badly this is all going to go for her.

And she can't even be that shocked, when the high of burning it all down goes away, when she sees that old Ozzie Cobb wriggled his way out of this jam regardless and is now coming at her with a speech, she can't even react to it. Deep down she knows how the rest of the night is going to go. She may not have expected Arkham outright, but she was braced for a loathsome fate.

It rules so much they give him a big fat fight the power speech with a bloody revolution montage, and we can only sit there aghast with Sofia at the sheer audacity of him to act like this, like a man of the people, thinking he truly has the right to be talking like this and to her of all people.

And now we see how Oz won the gang war, and the next domino to fall on the downfall of Gotham City, and the first effect of his own rise to power: like The Riddler, he has toppled the order of things and he has turned people into extensions of himself, Victor being the first and the one who gave him this revolution, of all the little mini Penguins out there devouring the social structure of Gotham crime forever. You kill the boss, you become the boss now. Everyone can bleed and everyone can be killed and everyone must be killed in the quest to the top, no handrails or codes, they wouldn't invite him and so he crashed. After he unified the criminal underdogs, Victor rallied the underdogs beneath the underdogs, and now the streets are a jungle where there will never be an end to the wars over who gets to be atop the food chain, because they are all fighting to see who gets to be the next Penguin.

For decades people have written Oswald Cobblepot as a creep and a sleaze and an incel who hurts/kills women for rejecting him, or who is chronically insecure about them and I can very confidently say nobody ever did anything half as horrible and half as truthful and half as meaningful as LeFranc did here. We see the other reason why it was so imperative to her that Oswald not be a misogynist, and it has nothing to do with just making him more likeable or sympathetic or honorable. We get in this episode the pay off to the thoughtline: okay, he's actually a gangster who respects women, he does not act like every other prestige drama gangster who ever lived, we are going to center women in this show and he will treat them with respect - now let's watch how he HORRIBLY screws them over in the name of this respectful gentleman persona he lives by, let's watch how he betrays them in the ways that matter most, how he even makes them wish they were dead without personally ever lifting a finger to harm them, let's do some grown-up feminist commentary in Batman for a change and highlight the ways in which men profit from belittling and oppressing and destroying women even when they're pointedly not misogynistic and even self-professed genuine allies to them.

And so it is that the only Falcone mobster who isn't misogynistic towards Sofia is the one who screws her the most horribly. He will murder every man he comes across, he will murder every man he could have been and every man who is even marginally better than him in any way, he will push all of his brothers out of the nest and not tolerate any other big shot in town bigger than him and not even the only man, the only person, in town who loves him will be spared. But he is a gentleman, so he leaves the women alive (well, except for Nadia Maroni, but she was a rival big shot and worse, his boss for a day or two, so she obviously had to go eventually).

I thought about his greatest fear, and it made a lot of sense to me that his greatest fear would be that love is transactional. That if he does not achieve a level of power and give Francis certain types of things that he’s promised her she might not love him. And that informs every relationship he has on the show It was always important to me, and this was always part of my initial pitch, that if Oz was to achieve a level of power—and that is something that was not up for discussion, that was my job that I was tasked with for the season—that he has to lose something emotionally. It can’t come without a cost. - Lauren LeFranc

"the crooked politics that have allowed wealthy elites like Sofia Falcone to wreak havoc". Oz has weaponized the status quo against her so throughly that she is going away under the exact same image that she did it the first time, as a privileged serial killer and Falcone. She doesn't even get to have her new name anymore, and the rest of Gotham does not see her as the new and strange and horrific new threat that she embodied in Oz's life - she is going away as just another upper-class monster like her dad.

The triumph that Oswald has fought his entire life for, the Big One that he's scraped and fought and hoped his entire life would happen and he'd get to show his Ma at the end, the thing that he's going to throw a party for at this moment, is just a politician on tv saying things that Oswald claims he told him to say.

All of our 3 major supporting characters will thus reach the high point of their lives, on the moment before it is ripped away and they are destroyed forever. Francis gets to finally spit all of her hatred back to Oz and take her revenge on him, and her babies appear before her alive and unharmed. Sofia gets to burn down her father and his legacy once and for all, and is on her way to kill her nemesis and finally be free of it all. Victor succeeds in helping Oz win, they have revolutionized the gangs and defeated the big bad Falcone and he's done right by his new family what he couldn't do with his old one.

And of course, Oswald finally wins - he is the last man standing, he's defeated his greatest enemy, he is the big shot of Gotham and his victory is, so he claims, right there on the tv for his Ma to see, he can finally get what he's always wanted now - and then he doesn't, and then his soul crumbles, before he finishes the job by murdering his heart.

Oz didn’t need to do that, like it wasn’t actually necessary. In that moment, Victor did not betray him. He did nothing wrong. In fact, the thing that he did “wrong” in Oz’s eyes is that he loves him and that he cares about him and Oz actually cares about Victor. I think by the end Oz sees that as a really big problem because he loves his mother so deeply and Sofia took advantage of that love, and then it became sort of a weakness in his eyes. Victor saw him at his most vulnerable and for Oz to achieve the power that he thinks he needs, he can’t have that level of humanity. He can’t have that heart with him anymore. So he stifles his own heart. He kills it. - Lauren LeFranc

When he said to Vic in the sewer, “They'll tell stories about us one day, kid,” he meant it. At that stage, he actually saw that he could rise and Vic could come with him. It's only when the vulnerability and the shock of his mother being taken from him, and the place of vulnerability and danger that puts him in, that he realizes there's no more love, there's no more affection, there's no one else I'm going to have in my life that can lead me to such vulnerability as my mother has led me to or as this kid could potentially lead me to. - Colin Farrell

He's not relishing being horrible. When he realizes, "Oh God, Victor makes me vulnerable. I can't have that shit anymore." The way that Lauren wrote it, and the way Colin played, there's such sadness under the horror. You're like, oh my God, how fucked up do you have to be that the one person who you feel you have any connection with now, you have to snuff out because it makes you weak. What happened to you? - Matt Reeves

"You think she forgives me?" Once again, the mask cracks. Only around Victor. Only because of Victor. And he can't have that again.

And thus we get to the final parallel between our 3 side characters - that in the end, all they did was serve Oz's own rise to power, and hand him the world in exchange for their lives. All they were to him were additional steps in the ladder that began with his brothers. Francis gave him his life, his drive, his motivation and eternal justification, the insatiable pit in his gut driving him to do this forever. Sofia got him his promotion to Falcone lackey, and then she got him another promotion by handing him the tools with which he could become an underground boss and rally them, and then she got him another promotion by handing him the keys to his political career on a silver platter. And Victor saved his life, more than once. He helped him, provided the justification he has craved for a lifetime, rebuilt him, gave him his revolution, gave him the streets, and showed him the last thing he needed to kill to make it to the top.

Wow man let me tell my good friend, The Family Butcherer, who butchers every family he gets his hands on whether a crime family or a literal one, how much I think of him as family.

"They don't give out awards for dying in the projects"

Just like with Squid, Vic's emotional intelligence dooms him. He sees this man whom is like family to him brought to his lowest point, crushed beyond measure, in what he assumes was just a phenomenally terrible stroke of fate and not something he had any blame whatsoever for, and reaches out to pat him in the back, emotionally reassure him that it wasn't all for nothing, that his family would surely be proud of him, and that there's things to look forward to.

Vic threw away his chance to walk away into the sunset with Graciela and he just had to come back to save Oz (AND Sofia, the one who'd bomb his neighborhood) from the Maronis, the least of all possible evils in his life and his city and who never even noticed him. Victor only narrowly missed out in 2 situations that Oz would have absolutely left him to die in, so there just had to be a third where he'd die in the absolute worst way possible. Not with Sofia's gunshot to the head, not bombed to rubble along with his neighborhood, no, Mr. Carmine 2 had to make it as painful and intimate as possible.

Vic the only Number Two in town who couldn't kill his boss and in fact never even considered doing so, and so he dies - there is just no room for him anymore, not in Oz's life, nor in the new Gotham that the two built together.

LEFRANC: "You see Oz become this next level monster, I remember the take too. Jennifer and I look at each other, Colin transforms his face in this really remarkable way, that I don't think any of us fully anticipated could be achieved in that way." - The Penguin Podcast Episode 8

I knew that the general sentiment was that, by the end, they kind of wanted to, in a way, kill the Oz that we met in the film. I felt that there was a sense of creative responsibility that leaned towards, “We cannot have this man as a likable character,” which is hard I think they wanted that in the earth by the end of the eight hours. They wanted that RIP. That's gone. I hated that scene. I really did. I was fucking so pissed off. It felt in performing it as — guess what? — you would like it to feel in viewing it. It felt gross, it felt cruel, it felt absolutely insane, and it felt like Oz was reaching a point of no return. - Colin Farrell

So the day after I watched this episode, my friend Lucas messaged me in the afternoon sending me audio messages, "Son of a bitch! Son of a bitch! He stole his identity, he didn't even die with his fucking name! They'll never find him! Fuck, goddamnit!" "ELE MORREU COMO INDIGENTE, PORRA" and, yeah. Yeah. That gets to the heart of it.

If Vic was just a guy taking his money, if Vic was purely transactional, if he was just another Link, he'd have made it. Oz wouldn't have given a shit about him, Oz would have died on the sidewalk when the Maronis hit at minimum. All this piece of shit wants is love, and when he gets it, when it's finally non-transactional, from the ONLY person in the entire show who loved him, he has to kill it, he doesn't know how to deal with it, he has to smother his heart.

He has to become Carmine Falcone 2, strangling the poor and vulnerable of Gotham while pinning all of his crimes on Sofia.

Vic just wanted his family back, man. He just wanted a family again, to at least show his family that they didn't die for nothing. The thing that Oz spits in his face as he dies. It wasn't for nothin.

This show has so many dozen little variations of Penguin getting his heart broken and retaliating cruelly, but this one hurts the most partially because it has no basis whatsoever on any pre-existing insult or cruelty, there was nothing that warranted this, and you still get why Oz felt that he had to do it. The lowest, weakest moment of his life, and he can never permit anything like it ever again.

Victor was his heart, and The Penguin remembered that his heart only exists to be broken.

Victor punctures the illusion, and he cannot have that. Everything about The Penguin hinges on that singular fact of his life: he cannot and will not break character. He cannot break character, otherwise he dies, otherwise Gotham City will eat him alive, otherwise he has done it all for nothing. That is the ultimate threat Sofia posed to him, and why his ultimate victory comes only from creating a perfect delusion and spinning everything that happened in service of it. Because all those things said at Monroe's? They weren't true - his Ma, y'know, it was just her disease acting up, that psycho did something to her, she wasn't thinkin straight, and it was really Sofia that stabbed him and did all that fucked up shit, and his Ma is really happy that she got the penthouse in the end and that he didn't put her down, look, she's crying tears of joy even, I gotta keep doing everything for her.

Everything and everyone in his life, he can spin in service of the delusion, they can all play dress-up with him forever, except Victor. Victor may not have the slightest clue as to what Oz actually did, but he's seen too much, he knows he has vulnerabilities, he knows the thing that Oz needs to bury far, far more than all the horrible things he's done. Killing Victor is maybe the one thing that he absolutely cannot in the slightest spin a decent delusion out of, that he did it for him or did it for noble reasons or anything other than out of disgusting self-serving weakness.

But who's Victor? Some kid who died in the projects and didn't even have a name? Someone with nobody left to mourn him, not even a street to get back to, nothing but a guy who's already forgot him?

That Victor Aguilar? Never heard of him

“I will never think my mother doesn't love me. She was having a bad day when she stuck that bottle in me. She was under a lot of pressure. She nearly lost her finger. She stuck a bottle in my belly. It was a bad day. She didn't get a good night's sleep the night before.” It's that kind of thing. He'll make up fucking whatever. He's already lying when he goes, and he's stitching up his belly, and Vic says, “What happened?” And he says, “Sofia, she stuck me with a bottle.” He's already beginning to bury the truth. - Colin Farrell

He needed your love, and then you didn't give it to him, and you didn't obey, and you didn't do those things that he needed, and then you mentally aren't there for him in the way that he needs, but he's got to physically keep you around because he's too weak to not do that. He can't give you the gift that he promised you in Episode Six, he's too weak of a man to do that. And so he needs to hold onto you, but under his terms. - Lauren LeFranc

There's a thing that happened on that last day that made my blood run cold, which was I felt Oz not love me anymore. I felt his coldness, and I think that Francis felt it too, and she always had so much of his attention and so much of his love. I don't even think she realized how much she had until he withdrew it. And when he withdrew it, it was utter and… slightly terrified. I was just lying in that bed, I just felt the love leave the room. It's a real thing, and it's gone, yeah, and I think Francis feels it, too. - Deirdre O'Connell

He's this man who is clawing his way to the top, and I knew he wanted power, but what what does that mean for him? That's where I started to conceive of like, he wants his mother's love, and he wants people's affection. He wants to be revered. That was like the main thrust for me of what defines power for Oz, and then by the end you realize that, when he doesn't get those things, he doesn't get his mother's acceptance, he still gets it. He makes sure he gets it. - Lauren LeFranc

So bowled over and miserable I was that I didn't even notice until later that he was wearing a version of the classic Bronze Age/Triumphant get-up.

If the pattern of his life is unjustifiably cruel retribution for slights and insults, perceived or not, by the end Francis had done it to him as well. That she never loved him and in fact always hated him more than anything and anyone else is the biggest insult of all, and so he punishes her the most cruelly, knowingly or not.

"You are who you are, and you couldn't change if you tried."

He will never stop telling Rex Calabrese stories, he will never stop bringing up his brothers and mom as a sympathy ploy, and even if he will never truly love her again, he will never stop ruining the world in her name, he will never stop, he will never stop, he will never stop.

You had to sit through 8 hours chipping away at all of his fun and charm and wacko comedy antics and motivations and all the scruples and principles that he turns out to have less and less of, until he butchers them all in the very end along with the heart of the show. Penguin burning through all of his lovable quirks and charm, everything that we loved about him in the movie, until he comes through as a black-hearted bastard of unlimited malice who will never stop growing and getting worse and putting more lives in danger. Not only as much of a lowlife backstabber as we initially assumed him to be in the movie, but far worse than what we could have imagined.

I said as much that the first episode marks the transition from The Batman to The Penguin with the titlecard, and this brings it back around. The show dies with Victor, we get Sofia's post-credits Nick Fury Tease with Selina's letter and with Selina's theme playing and a final grace note of hope for Sofia, and thus the only character in the show to end with anything resembling positive, and then we get the first scene of The Batman Part 2. showing us the horrible thing in this world that Batman will have to defeat for us.

RIP Bella Real, we all know this asshole is gonna become mayor, and he's not waiting for the next election.

Credit to @book--wyrm for pointing out one more horrible fucking thing, that at the final dance, his hands are covered in scratches, much like the hands of Carmine Falcone when he comforted Sofia.

“One of the very early things that Lauren pitched was that ending with Eve where she looks like Francis,” said Reeves. “He can’t get what he needed from his mother because she’s no longer in that state because of the dark events and what he’s done, so he recreates it in this other way with Eve, and it’s very disturbing,” said Reeves. “That was something we thought was a great idea and was so emblematic of this guy’s internal state. It’s like, even as he now seems to have gotten that first major step toward being the kingpin, you know that some part of him will never be filled. - Matt Reeves

When I read that, I was like, “Oh my god, we're going full Bates Motel here.” But again, it speaks to what has become a pathological inability to accept the world that he has played such a heavy hand in creating. As far as he's concerned, he's just doing what he needs to do to live the life of a good son. And look, his mother can't talk anymore, so he needs a surrogate. I mean, it would be kept out of the sexual realm — it wasn't about that. It was about the intimacy and the tenderness and the pride that Oz always so deeply needed to feel his mother had for him, and pride in him, that he never really got from her. The one time when he finally can say to her, can go to her bedside and say, “It's done. Everything you said that I was capable of, everything you said that I should aspire to, it's done. I am now the boss. I took it from everyone else.” And he gets nothing back. His mother's already gone. That's just too horrific for him, so he needs a surrogate. He would say to Eve, “Look, I'm grieving. I'm finding it hard to deal with the fact that my mother's alive, but she's not here. She's gone, but she's fully present at the same time, physically, but she's nowhere there. She doesn't recognize me. I don't recognize the woman she's become. Do me a favor. We used to dance together and talk at the end of the night. Would you put on her dress and just let me pretend?” But it was twisted. It was twisted, but I dug it. He needs it from his mom so much. And again, his imagination is so potent that he just cast her as that figure, that most prominent and most powerful figurehead in his life, which has always been his mother. She's got to stay alive. He's got to hear that he did well from her. He's got to hear that she's proud. Look, by the end, he's bananas, as they say in the film. Good cop, batshit cop. At the end, he's batshit. - Colin Farrell

Remember when this show had fun Dolly Parton end credits, remember when this almost looked like it was gonna be fun and light-hearted compared to the movie and The Riddler: Year One

So turns out all along they actually had something real twisted planned with the name Karlo, and the Clayface concept that evokes. Asking his prostitute girlfriend to shapeshift into his crying comatose mom in the room upstairs so he can finally get the dance with her atop the world that he craved his entire life and have her tell him how proud she is that he ruined everything forever.

It is not a good ending, but it is his happy ending. He achieved everything he wanted in the smallest possible amount and at the highest cost imaginable, and thus he burns more than ever to take more and more in the name of a satisfaction he will never, ever have. He ended his arch-nemesis, and he didn't have to kill her, that's not what a gentleman does. He got the streets, and he's poised to take political power, and there is nobody left to care about, nobody except the only person who's ever mattered. He can still keep taking care of Ma as a justification for all the shit he will do now and forever, but he doesn't actually have to take care of her anymore, he doesn't even have to love her or grovel her for validation anymore: He has a Ma who will tell him everything he wants to hear, forever.

Of course, he may not have his three dance partners anymore - his Ma is in a vegetative state, Sofia has been locked away once again, and that kid, what was his name again, ain't around. But then, he will simply move on to new ones: He didn't actually lose his first dance partner, his Ma is fine, look at her telling him how proud she is of him and everything he's done and how unstoppable he is now. And he has a new partner in City Hall who is all too eager to play along to everything he says and does, who will receive and spit back his rhetoric just as Vic did to the streets of Gotham. And if he's defeated his nemesis and dance partner, well, not for long. There's a new one waiting for him. He never wins without losing. He will never again live without his next dance partner there to hound and foil him at every turn. There will always be something in the way.

It was exciting to me, the idea that we’re going to meet Oz as a mobster, and to play him as just a man. There’s nothing fantastical about him. There’s so many people like Oz in our world who hold a lot of power, who also connect with people because they speak, on some level, the truth. They can be charming and engaging, but also really terrifying and calculated, and not necessarily doing what they say that they will do or caring for people in the way that they say that they will. It felt so timely and so important to really engage with a guy like Oz and not turn away from him, but actually turn towards him so we can start to unpack, in our own society, what makes a man like Oz so appealing, and what makes him equally appalling. - Lauren LeFranc

I think Oz has always been someone who believes that everything he’s saying in the moment is true, and he creates worlds and illusions for himself to merit his actions. He does it sometimes very briefly in impulsive moments, and then sometimes more methodically, and in the end the fact that he didn’t get from his mother what he’s always desired isn’t good enough for him. So he has to create this strange fantasy live in this delusion of his own making, and pay Eve to dress as his mother and force her to tell him he she’s proud of him. So mentally, emotionally, Oz is embracing his own delusion. I think, for the audience, I hope they more deeply understand him psychologically and realize that there is a deeply broken man inside. He is violent and problematic and and very emotional. And that’s really the man that will carry into the next film. - Lauren LeFranc

And it has to end in a total reversal of the movie ending - The Batman ends with showing there is a light in the darkness, that this tortured broken man can fix his mistakes and lead us into something better. The Penguin ends by grabbing your face and desperately yelling at you SOMEBODY FUCKING SAVE US, HE WILL ONLY GET WORSE. The Batman ends with telling us Batman can save us all, and The Penguin ends with telling us Penguin will kill every last one of us in real life if he hasn't already, if nobody stops him.

And so I'll leave these last partings words to the Penguin Braintrust as we close off this series - see you all in therapy and in theaters when The Batman: Part 2 drives us all completely insane once more.

@wil4x

I don't think this Penguin is someone Batman can tolerate, I don't think Bruce can ever save Gotham's soul with a force of corruption as big as Penguin taking root in the seats of power. No amount of informant work can justify letting a monster like Penguin stay "King of Gotham". I think there's an argument to be made that Oz is a bigger threat to Batman's overall long-term mission than guys like Joker or Riddler. Those are huge immediate threats, but Penguin does a lot more long-term damage to the very soul of Gotham and its people. As long as The Penguin is on top, there's no hope, Gotham will never not be the most corrupt and nightmarish place on earth with him in charge

@book--wyrm

He will truly climb anything no loss so great it can't be flipped into an asseet A nuke Francis armed out of pain and grief and desperation and despair And poor vic Only wanting to do good And instead he saves gotham’s own typhoid mary of misery

@davidmann95

so the thing is Oz kills hope for Gotham forever in this

he's replacing the mayor who stands for hope at the end of The Batman with a corrupt comics rando built on a lie so he can install himself as the power behind the power forever Batman can't be alluded to in the slightest until the very end because it can't be until there's no lingering 'aw, I don't want my boy to get Batman'ed' it can't be until we understand truly and completely why this man proves the necessity of someone out there to stop him

The other stabs at this with Oswald, from what I’ve seen, are trying to make him low-down and dirty and vile enough to be a ‘proper’ Batman villain. But this already made him low-down and dirty and vile. And made us love him for it. This isn’t about ‘fixing him’, this is about taking him all the way to the top He’d accept no less

This is about making him operatically nightmarish enough to be a guy Batman is going to fight forever

Lucas

VENGEANCE, GET OUT RIGHT FUCKING NOW.

[mahlyenki-dyavol]

alright! so, I'm actually of the opinion that live action adaptations of books, comics, and games generally tend to suck. 

So if there was an adaptation for the Vladimir Tod series, then i want it animated. and considering that i actually own all 5 of the Japanese Light novels, my dream would actually be to see it as an anime series rather than movies. 

preferably from a studio like Passione which did both seasons of Higurashi Gou and Sotsu namely because i think Vlad and Dorian’s eyes doing that weird color change thing would look fucking amazing like this 

or studio Madhouse which did Black Lagoon and the later half of Hellsing Ulltimate OVAs. 

1. because both animation styles are fantastic and Hellsing is peak vampire character design. 

2.  Balalaika from Black Lagoon gives me Em vibes. 

Ok TCOVT fandom time to cast people for the chronicles of Vladimir tod movie(if it existed🥲)You can do as many and whichever characters as you want and reblog when you cast them🙂

Mine are

•Finn Wolfhardfor as Vladimir Tod

•Tom Hiddleston as Otis Otis

•Thomas Barbusca as Dorian

•Aiden Arthur as joss

•Hugh Jackman as Vikas

Tags

@itwill-comeback @ivanadragmireartwork @bloodwineenthusiast @twyz @mahlyenki-dyavol @elysiicns @giigglegoblinn @bebeavie (not forced ofc :) )and any one else that wants to join

[sarshles-cheescake-li]

Why's Lu Guang's hair white?

It has occurred to me that a lot of people on the English side of the fandom aren't aware of the Lu Guang white hair theory.

It's a very popular theory/headcanon on the Chinese side (I'd say maybe 30% of people believe in it?) of the situation. I have no idea who in the English fandom have talked about it and who haven't, so I'll just provide what I know of it. Full disclaimer that I wasn't the first one to make this observation.

The theory is based on this scene right here, episode 12 of season 2. Here, Qiao Ling has a singular white hair after receiving Xixi’s powers (and seemingly activating them for the first time). This can be either interpreted as her spontaneously gaining a white hair, or as just an effect of the lighting.

Lu Guang has (presumably) received and activated Cheng Xiaoshi’s powers before.

Lu Guang’s hair is white.

Are you picking up what I’m putting down?

It doesn’t help that his eyebrows are a different colour. In pretty much every piece of official media, they’re a grey a bit lighter than his eyes. Except for in the phone ad for OPPO (I think that’s what that was…?) where his eyebrows are largely black, except for one shot where they’re their normal grey, so I’m fairly certain that’s just a mistake in animation. I could’ve sworn to God there was one piece of media where his eyebrows were white, but I can’t find said piece, so I guess that was a fever dream.

Quite a few people have wondered how a naturally white-haired person would have darker-coloured eyebrows. Based on that, the argument is that Lu Guang’s natural hair colour is darker, and his hair turned white later in life. Of course, from an artistic standpoint, this evidence is… hard to work with. Characters with a light hair colour paired with a light skin colour often are drawn with their eyelashes and eyebrows being a darker colour for the purpose of contrast. It’s not rare for a white-haired character with fair skin to end up with grey eyebrows, since it makes their eyebrows more easily visible while still looking lighter. The problem?

Ouyang Bubai (how does the English fandom refer to him…? Do I use pinyin for him? Jyutping? Cantonese Yale? Is his Chinese name written in simplified or traditional???) has almost the exact same hair colour as Lu Guang. His eyebrows are white.

Paint tool sai version 2 colour picker (and visual examination) tells me his eyebrows are a slightly different colour than his hair, being a bit warmer and a smidgeon darker, but the point stands. Compared to Lu Guang’s eyebrows, you can definitely tell they’re drawn differently.

Other light haired characters like the Li siblings receive the same treatment as Ouyang Bubai, having pink eyebrows. It’s just Lu Guang who has his situation.

And no, it’s not a matter of convenience. Link Click’s eyebrows are always drawn with black lineart and a solid fill, usually one matching the character’s hair colour. Lu Guang’s eyebrows match neither his eyes nor his hair, something that would theoretically make drawing him more inconvenient because now you’ve got one extra colour in the pallet.

But if the point was that Lu Guang’s hair isn’t supposed to be white, then why make his eyebrows so light? Because now, what is potentially foreshadowing looks like artistic liberty. Was it for the sake of visual cohesion? To throw theorists off? Is it something about the character design process and Inplick?

Anyway, a few possibilities emerging from this theory.

How many times has Lu Guang went back in time for Cheng Xiaoshi if all his hair is white? Or does the process speed up the more you use another person’s powers?

Does his hair turn white all at once whenever he goes back in time, or is it gradual? Like, was there ever an attempt where Cheng Xiaoshi went to bed, woke up, and went “woah Lu Guang that was one mean mental breakdown you had last night if you bleached half your hair”

Does using another person’s powers affect you negatively in other ways? Is that why Lu Guang has limited attempts – not because he’s running out of photos, but because he’s running out of time himself? And, my personal favourite:

The white hair isn’t because of power usage. It’s because of stress. Lu Guang is just a lot more stressed than Qiao Ling is.

[accirax]

with many people speculating that the identity of the culprit will finally come to light next episode and many theories running abound, i'd like to make a masterlist of all of the theories people have written out guessing who the culprit will be. that includes the main murder of Arei, the attempt on Ace, and any theories synthesizing the two. i think it would be fun to read up on before the episode, and fun to look back at once all is said and done :D

so, if you've made a theory speculating about the murder, please leave a comment on this post (preferably with a link to the theory)! i'll only be adding the theories of those who comment on the post, just so that i don't accidentally make anyone feel excluded/highlight someone's post that doesn't want to be shouted out.

all i ask is that you only submit whatever the most current version of your theory per character/combination of characters. for instance, if you wrote a theory based on the evidence from part 1, but wrote a new version taking into account what happened in episode 12 or 13, i'm only going to add the newer one. if you only have a version from part 1, though, that's fine!

(also, for all theoretical theorists out there, a reminder that i made an episode guide that breaks down all the episodes into easier-to-find sections. i just updated it for 2-13!)

[jayshollowspace]

Minicomic for the UncleStanAU

The Intro/Prologue can be found here.

I wanted to make something more innocent and happy before we get to more angst.

This takes place when the twins are around 12-13 years old. I'd imagine the whole episode playing out very similarly to how it does in canon, except McGucket is not down there with them.

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[Image ID: Comic page consists of seven panels.

Panel one depicts a scene from season 1, episode 18: "Land before swine". Stan, Soos, Dipper and Mabel have entered the cavern with the Dinosaurs seeled in amber.

Panel two is a close-up of Dipper, holding up a lantern and looking around in wonder.

His foot gets stuck in some amber in panel three. As he is trying to free himself he notices an egg suspended in the melting substance right next to him, which he pulls out in panel four.

He inspects the egg, still dripping amber in panel five, before getting spooked by someone yelling: "DIPPER! You coming or not?". He holds the egg close to his chest in panel six and proceeds to put it into his backpack in panel 7, yelling back: "Be right there!" /.End ID]

[commsroom]

OK I need you to point me to the nearest entry point into this fandom. I don’t know what this is, but you popped up on my dash.. and I need to know what this is. Please lead the way.

oh!! that's exciting. yes. okay!! wolf 359 is a science fiction audio drama about the isolated and questionably competent crew of a deep space research station, the u.s.s. hephaestus. the initial four characters are comms officer doug eiffel, 'everyman' pop culture guy who really, really hates his job; commander minkowski, who cares about her job and the rulebooks that come with it a little too much, and desperately wants to feel like she's keeping everything under control; dr. hilbert... eccentric? station medical officer and mad scientist whose methods and mission objectives are not entirely above board; and hera, the station's mother program, who struggles with her job and the ways she's perceived by others.

there are other characters who show up later - i would say only three of the above characters are "main" characters, while the actual fourth main character is introduced in s2 - but that requires way more context, and i don't want to get into spoilers, obviously.

wolf 359 is a character drama - it's my personal gold standard for character writing - and the brief descriptions i gave you are the most surface, surface level parts of them. the writers once said something about it, like... that they weren't interested in subverting typical sci-fi character archetypes so much as looking at them and asking "why would a real person behave that way?" and i think it really worked. whether i like them or not, they all feel like real people to me. it has great sound design and a lot of "physicality" in the performances for an audio-only show, which i think comes down to gabriel urbina's film background and the way the scripts are written and performed. (and alan rodi's incredible soundtrack and sense for music cues.) you can't see a lot of what's in the scripts, but they're acted out in a way that you can kinda feel it anyway. i love that.

here's a fan made trailer that i think captures a lot of the right energy. it's a show about a lot of things, but some of the primary themes are communication + music, and i think the collaborative nature of the show itself adds something very sincere to that. it's also about corporate and medical exploitation, resisting dehumanization, what makes us human, connection, identity and autonomy, guilt and accountability, the stories people tell themselves to justify who they are or what they feel it's necessary for them to do, and, of course, the enduring philosophical question: "what's wrong with handcuffs?"

you can check it out at the website i linked above, or anywhere you can listen to podcast feeds! it's free, but they added ads a few years ago, which i hate, so you can pay a dollar here for the ad-free feed if that'll make a big difference in your ability to enjoy it: https://www.patreon.com/Wolf359Radio

it's a sequential story, nothing you really need to know about listening order except that i recommend not skipping the mini episodes (they have important character context and are where they are in the feed for a reason) (with the exception of mission mishaps ones near the end; those are comedy bonus episodes you can listen to whenever) and that you should definitely watch the live show after ep 26 and listen to special episode change of mind between s3 and s4.

i also have a folder here of every recording script where i edited any parts that were different from the show's dialogue + added transcripts for the ones that didn't have available recording scripts, if that's something you'd find useful! i also recommend checking them out just to see what i mean about how they're written.

the first season is pretty short, so i'd say stick with it until at least episode 12/13 (two part finale) if you can - i love the first season, personally, but that's the point it really becomes serialized, and so that's where i think you can safely say if it's something that's going to capture your interest or not. ... and that's it! sorry this is kind of an essay, but i got excited about it. i hope you love the show, please keep me updated, and let me know if there's anything else!!