#I want the story to exist but I want it to exist Good
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smidnite · 19 hours ago
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**WHEEZING LAUGHTER**
I began reading fanfiction in late highschool, in the grand ol' year of Y2K. Fanfiction.net was only a few years old, and MediaMiner.org was a baby, and BOTH were unknown to me.
Angelfire and Geocities reigned supreme, and others purchased their own domain name. Livejournal and Dreamjournal were the interactive media for your audience. Archive Of Our Own wasn't even a twinkle in the eye.
Tags were NON-EXISTENT.
You might, MIGHT get an author's note saying that there was a character death, but those were rare. The best you could hope for was a rating, but NOT with the MPAA letters that getsl used for American movies, because there was a copyright stink over that. (See the following paragraph.) You'd get WAFF, "warm and fuzzy feeling", TAFF, "tangy/ tart and fuzzy feeling" (things get a bit sexual, or a bit angsty, therefore"tart"), and you'd have your lime/ lemon qualifiers. Softcore vs Hardcore pornfics.
(You were 100% going to get the prerequisite "DISCLAIMER! AUTHOR DOES NOT OWN THE RIGHTS TO THESE CHARACTERS!" at the beginning of every chapter. Because it wasn't unheard of for stories you'd been reading to be suddenly pulled off the website it was hosted on without even the AUTHOR knowing, because the site was afraid of copyright violation. GODDAMN ANNE RICE, but also posted song lyrics, book quotes, and using the rating system of the Motion Picture Association of America. Authors losing months, YEARS of posted writing, with NO saved copy on their hard drive, and hoping that a reader had saved a text copy to read offline. This is why WE LOVE AO3, for keeping crap like this from happening.)
Essentially, in the wild wild west of early online fanfiction, it followed the very similar pattern of the fanfiction printed in fanzines passed around fandom conventions: you got what you got and were happy you GOT it. Your favorite characters! Written by a fan like you! Interacting in ways that were canon and WEREN'T! Damn the consequences, read ahead!
Your feels were going to be FELT: the good, bad, and the ugly. And yeah, that ugly could be a VERY unexpected thing, and quite ugly to you. As someone who was raised in a conservative, religious household, there were MANY things that shocked me. But I was a determined little pervert 😅
The tagging system we have now is a beautiful structure, especially for those protecting their mental health.
But in a way, I feel like, as a fandom culture whole, we've become VERY spoiled with what we have. It is incredibly convenient to be able to use the tags to search for exactly what I want, instead of having to read whatever is right there. And it's very much a necessity now with how MUCH is available.
But it kinda feels like cheating when a fandom newbie can just grab whatever. Like you growing up playing video games that you had to BE GOOD at, and now new players can just mod the hell out of their characters and be on their way. No slogging through the trenches like the old-timers.
But yeah, tags. If you use them, READ them, otherwise be prepared for an old fashioned "read and find out."
When you’re in the middle of a fic and realise you’ve missed a very critical tag
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keepingitformyself · 21 hours ago
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especially for tender ones like us
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A/N: hehehehehehehehehehehehe synopsis: humor, anxiety, and the salvation of love.
pairings: natasha romanoff x reader
genre: fluff.
warnings: no?
MASTERLIST
please do not repost my work anywhere for any reason at all. if you do see this happen to any of my stories, please let me know. thank you x.
natasha tries not to stumble over her words when she suggests staying in, instead of going out. she does not mean to, but she does. 
how could she not? could you really blame her for wanting a quiet night? something that isn’t so public. she wanted to see you, of course, but she wanted to see you in a space you could be comfortable in, without any of the outside world and free from any distractions.  
you listen intently through the other line, you fight the giggle at catching her little stutter. she can’t see, but you smile widely at the whole thing.
“yeah, we can stay in. i can cook us dinner,” you nod. natasha’s shoulders drop in a quiet sense of relief at your words. her lips curl into a smile. “i’d like that. i can’t wait.”
although this would only be the fourth time you had met up together, to natasha, it felt like the first every single time. 
you continue talking for a little while more. natasha shares details about her day, work, and what she ate during lunch. she tells you how on her way to grab her usual coffee order, an americano, she decided she’d switch her order to a matcha latte after having had you recommend it to her. she tells you, 
“it was good, but not nearly enough caffeine for me to keep up with,” she said, her tone light but teasing. and while it hadn’t become her new favorite drink, just knowing she’d tried it for you was more than enough. her words sent your thoughts spiraling, a warmth blooming in your chest. you were certain that if she were standing next to you, you wouldn’t hesitate to kiss her right then and there.
but you can’t do that so instead, you just fall back on your bed like a high schooler talking to her crush. 
when you finally do meet up the following evening, natasha is buzzing with nerves she doesn't understand. she has taken down whole regimes and has fought aliens from space, yet she seems to draw the line when it comes to facing you. 
she knocks on your door, her other arm clutching a brown bag containing wine and flowers. a reasonable offering if you’re having dinner with someone you want to impress. 
when you answer the door, you're wearing a cream-colored knit sweater. 
“i thought i heard pacing out there.” you joke. 
natasha’s cheeks flush as she tries—and ultimately fails—to fight the smile tugging at her lips. “i wasn’t pacing,” she says, though the slight crack in her voice gives her away.
you step aside and invite her in, and neither of you acknowledges the quiet intimacy of the moment. it feels like more than just dinner, more than just a simple evening in your apartment.
you’re about to cook for her, and somehow, that feels monumental.
natasha’s nerves are a mess, though she can’t quite figure out why—or maybe she can. maybe it’s the way your presence makes her feel unsteady, as though the ground beneath her shifts whenever you’re near.
but natasha doesn’t want to be nervous.
she saw once—a penguin mistaking a sleeping walrus for a rock. the penguin had been caught completely off guard when the walrus stirred, nearly crushing it before it scurried away just in time.
natasha had found it funny at the time, the way surprises can sneak up on you. but now, thinking about it, it doesn’t feel so funny. it feels… unnerving.
surprises are bad for the heart, she thinks. she’s been taught her whole life to avoid them, to anticipate every possibility before it unfolds.
but knowing too much, being too prepared—that can hurt, too.
her thoughts are interrupted by your laughter, light and unburdened, as you guide her toward the kitchen. your smile is so easy, so genuine, and she can’t help but feel how good it is to exist in this space with you.
she offers to help you cook, but you shoo her away instead. you make her watch.
she sits there, with her hands on her lap, and just stares. and she can’t help the look of longing on her face. the kind of thing that suggests she wouldn’t mind this being a constant. 
you made pasta for the evening. nothing too spectacular, but natasha had treated it like you were a top chef and had spent hours crafting everything with your bare hands. 
and then once you’ve plated food for you both and you’ve gotten down to a few bites, you notice the small sigh natasha lets out. the flutter of her eyes as she takes in the meal. 
you smile at her reaction as you move some of the food with your fork. 
“do you like it?”
she looks at you, mid-chew, her mouth stuffed with the food, but she manages a smile. 
“yeah, uh, yes it’s good. it’s so good,” she says, hand over her mouth. 
you continue eating, talking about everything and anything. the night was filled with small moments that would bleed into much deeper ones. you laughed, she smiled, you smiled, she laughed. the kind of things one feels they become when around those who make you tender. 
and you don’t know how or when but you try not to notice how little by little natasha seems to retract a little. 
you decide maybe she needs a small moment for herself and start cleaning up the table. she offers to help, but you wave her off, insisting she relaxes. 
she tries to, but realistically, natasha doesn’t know how to relax. so she sits back and stares at you like she isn’t sure what to do with herself. she isn’t used to this at all. spaces like this–warm, cozy, comfortable.
the impending guilt comes. it’s all so layered. she feels so much at once. the nervousness, the anxiety, the fear of loss, the fear of not being present enough. 
natasha doesn’t know how to be here without sacrificing so much. 
after a while, natasha speaks up. 
“i should probably get going.” her voice too casual to sound like she meant it. she tries not to notice the look of disappointment on your face when you turn around to face her. 
“you don’t have to.” you find yourself saying, not wanting her to leave. 
she hums, something that says she’s already made up her mind. she gets up and gathers her things. 
you follow her to the door, or at least try to—but you pause at the end of the hall when you see her linger near the door, uncomfortably. unsure if she should leave. 
you call her out on it. “you can stay longer if you want.”
natasha wrestles with herself because she really wants to. she looks at the door as if it’d answer for her. 
you’re letting her know. 
natasha feels awkward, clammy hands. she doesn't know what she’s doing. and it’s hard to think of anything else when your eyes are screaming, don't actually leave, at her. 
you look at her carefully, trying to see if you can find any clear indication of what she may be feeling, but it isn’t hard to figure out the redhead in front of you. 
you’ve noted quite quickly how easy it comes for her walls to lower when you’re around. and if there’s anything you’ve learned from that, it’s that natasha romanoff isn’t the trained killer everyone thinks she is. 
sure we all have certain versions we show to certain people. but the natasha you know is anything but rough-edged. the natasha you’ve come to know is actually quite the opposite of what everyone else perceives. 
she’s tender, in her own silent way. too afraid to ever let too much slip away that she’s so painfully aware of everything around her. 
natasha is tenderness wrapped in quiet strength, a paradox of someone who feels deeply but guards herself fiercely. she sees the world clearly—the beauty and the harm—and carries that weight like a constant ache.
like she knows the world hurts more for those most aware of hurt. 
her tenderness isn’t soft; it’s sharp, vigilant, always bracing for the pain that comes with letting others in. you can see it in the flicker of her gaze, the way she hesitates as if expecting the world to hurt her.
and yet, she doesn’t harden. she holds onto that fragile, open part of herself, even when it would be easier not to. it’s beautiful and a little heartbreaking.
natasha looks up at you, then back down at her hands. just above a whisper, she says, 
“i don't know what i’m doing.” 
“that’s the most fun part.” you joke. she smiles, she doesn’t know how to say she wants more time. 
how could she say she feels greedy at this moment? she wants to protect being here with you. we have such little time, she thinks. 
bashfully, she steps closer to you, “i don't want to go.” she says. 
“then don’t.” and natasha almost complies. instead, she takes a step closer, her hand lifting towards your cheek. she’s so close now. 
she kisses you, soft, and shy, but you make her feel sure when your arm circles her neck, deepening the kiss altogether. when she pulls back, her forehead rests against yours, she lets out a shaky breath. 
“maybe i’ll forget my scarf,” she murmured, a small smile tugging at her lips. 
“please do,” you replied. please leave your scarf, please linger near the door uncomfortably instead of leaving. please always come back. “that way you’ll have to come back later for it.”  
and just like that, her quiet uncertainty washes away. 
she takes her scarf off and drops it near the door. you follow her actions, you smile, amusement in your eyes. 
later that night, when natasha gets home, she texts you. 
i forgot my scarf. 
you reply, you’ll have to come get it then. 
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vaguely-concerned · 2 days ago
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on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.
all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)
in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.
#dragon age#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#lucanis dellamorte#rook x lucanis#rookanis#dragon age meta#rook is his first brush with actual safe attachment. and to me and because of who I am as a person#nothing could be more romantically devastating or impactful fhdsjkfhs that's literally the unreachable wistful dream the pie in the sky#the garrus romance echoes too. some of the same stuff going on under the hood here#you know who else he's sneakily like too actually? iron bull. the 'no matter where I turn I'll hurt someone I love' and dissociation stuff#there's that whole line about 'walking close to the edge or whatever'#which is masterful as a diversion b/c what this romance is really about is feeling truly safe with someone#in a sort of weirdly realistic way that makes it struggle with the conventions of video game romance but sure is Doing something!#and I unwittingly made a rook who also is on that specific arc so it's working out just devastating for me thanks for asking#the part in andrea gibson's 'prism' that's like. there is no shelter in the womb it's where you learn the cord that feeds you#could at any moment wrap around your neck. I think that's the initial understanding of love here. which is not good. if you think about it.#I don't think I really write these kinds of posts btw I just black out for a while and when I wake up from the trance I too#get to read what the fuck I've been thinking about finally. corralling that raging electric storm#that keeps overtaking my neurons at regular intervals and translating it into if not sense then certainly words. lots of words#no one is ever more surprised than me to find out what i'm thinking and feeling
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mimikittysblog · 2 days ago
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The Princess - Bonus Ending
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Full story! ♡
Pairing: Mafia! Husbands! Poly! Ateez x Fem! Wife! Reader
Genre: Fluff, Angst if you squint really hard.
Synopsis: You found the traitor.
Warnings: Death, Violence, very slight MxM, some descriptions of gore. ⚠️MNDI⚠️ If I missed anything then please let me know!
Word Count: 1.8k Words
A/N: Hehe surprise! An extra ending 🤭 I wanted to add this on in the actual fic, but I liked where it ended off too much. So I decided to make this into a bonus ending where you could read it if you want, or just ignore it if you don’t. Hope you enjoy this too!
.✧・゚: ✧・゚: ✧・゚: ✧・゚: ✧・゚✧.
It has been a little over a week since your kidnapping. Things also have finally gone back to normal.
Except…
“Joooooooonggiiiieee!!!!!”
The yell for the captain of ATZ can be heard throughout the entire mansion, along with the sound of stomping pretty pink high heels.
“Oh my.”
“Well aren’t you in trouble”
Soon the door to Hongjoongs office was bursted open revealing the little fireball of which they call ‘Their Princess.’
“Oh princess.. whats the matter??”
That question only made your frown grow and eyebrows furrow even more.
“You promised we’d finally go shopping today! You said you wanted to dress me up! I’ve been waiting in the living room for over an hour!”
“Oooohh good luck with that!”
“See ya later our troubled husband! Hope she goes easy on you!”
The boys in the room quickly scatter, but of course not before giving you a sweet kiss and a compliment to your pretty outfit.
“Oh darling.. I’m so sorry!! I got caught up with work! Things have gotten so hectic princess.. there are these idiots that are always giving us trouble! And just….” As he kept going trying to give you reasons he notices your expression hasn’t changed at all, which makes him sigh.
Ever since your kidnapping, your husbands have become too anxious. So now they can’t even put their trust into any new body guards. Especially since the one that has ratted out your existence is still unknown.
So they took it upon themselves to always be your chaperone when you go out. As much of a hassle you thought it would be, it honestly just gives them an excuse to be around you even more. So in the end you just let them do it.
“I’m sorry our princess.. I mean it I’m very sorry…” he says as he gets up and makes his way over to you, pulling you close.
“Do you still want to go now..?”
“Can you go?”
“I have to make it up to you, don’t I?”
“And those idiots??”
“Hmmm well.. why don’t you tell me what I should do to them sweetheart?”
“Hmmmph. Well if they’re giving you guys so much trouble and they’re idiots, I don’t see why you can’t just kill them off and take what you need. We have the resources and manpower, plus you’ve done it before! You did it literally a week ago. You’re ATZ for goodness sake. No one is above you!” You say like it was nothing.
And you were right.
Hongjoong chuckles as he sits down and brings you into his lap.
“While you are correct my love, unfortunately what we need from them, requires them to still be alive. For now.” He explains.
“Ughh fineee…” You groan.
As you opened your mouth to speak again. That’s when a loud shrill screech disturbed the peacefulness of the moment.
“What now?!” Hongjoong barked.
“Oh! That must be my doing!” You said with what can only be described as a maniacal glint in your eyes.
“Oh?”
“Come Joongie! I’ll show you! Then we’ll go shopping!”
“Whatever you desire Princess.” He says with a kiss to your new diamond ring.
.✧・゚: ✧・゚: ✧・゚: ✧・゚: ✧・゚✧.
“LET GO OF ME!! LET GO!! I DIDN’T DO ANYTHING WRONG?! UNHAND ME AT ONCE!!”
“Then why did you run?”
“H-huh..?”
Here in the middle of your grand foyer, was a girl being held down by two men on her knees. Behind her, every single one of your maids stood their sights straight down.
While in front of her is where you stood. Tall and proud. Wearing a stoic expression however the glint from earlier still in your eyes.
“Princess?? What do we have here?” Seonghwa asks.
Your husbands have all now gathered around you on top of the staircase. Simply enjoying the show.
You spin on your heels to look up at them with a wide cheshire grin. “You’ll see my loves!”
“Sirs..! Sirs please!! Please help me! She’s mistaken!”
SMACK
“Don’t you dare speak to my husbands.” You growl. “Ugh look at what you’ve done! You’ve gotten blood on my new ring!” Your finger now slightly dripping blood from where the diamond cut her cheek.
“Oh no.. No worries sweetheart, we’ll make you a new one.” San tells you.
“Oooh! Alright Sannie Thank you!”
“Please.. why are you doing this?? What did I do wrong?”
Your laugh then rings out throughout the foyer. Echoing beautifully off the walls.
“Stop your pathetic little act.” You say as you crouch down to her eye level.
“I know you were the one that snitched about me.”
At this revelation your husbands became even more interested than before. They all perked up and blood boiling again now that they finally have the culprit.
“What?! Who even are you??!”
They’re so angry they want to just run down and tear her limb from limb. However they know you have something plan. So they just let you have your fun.
You smirk widens at Wooyoungs question. As you know how reality shattering it is to her.
“W-what..? You don’t.. recognize me?? Sir Wooyoung! I’ve worked here for years!! ..None.. of you recognize me?” She asks pitifully.
As she looks up at all of them, she sees nothing but fury and confusion. Not a single one of them having any knowledge on who she is.
SMACK
“I told you. Do not. EVER. Speak. To MY. Husbands.”
You then got up and turn back to your loves above you.
“My darlings. This here. Used to be one of our maids. And she thought that by getting rid of me. She could have all of you.”
“What?!”
“How absurd!”
“How stupid is what that is!”
“No! Its not true! It’s not! It wasn’t me!!! I-I would never betray any of you!” She continues to plea.
“Then why. Did. You. Run?”
“I-I didn’t..”
“Did you really think I wouldn’t notice your absence ever since I was returned home? Hah! It’s what gave you away! And you actually thought they would? and what?! go searching for you?!” You laugh at the ridiculousness of it all.
“The day after I returned home from my kidnapping. I realized we were short staffed. It didn’t take me long to realize it was you. When I asked, Kim said you resigned due to health. I didn’t believe it for a second. So I had them search your room. And look what I found!”
At your signal, The head maid Kim stepped forward and gave you a pile of letters.
Love letters.
“Hmm. I’m sure you can guess what these are. You wrote them. Each and every one of them. You didn’t hide them very well. Not sure why you didn’t even just burn or take them with you.” You scoff.
“They’re quite romantic actually… If. They weren’t addressed to my beloveds.”
Her blood has gone cold. She doesn’t know what to do. She can only kneel there looking up at you as she fears her fate.
Unfortunately her fate was sealed the second she began writing these letters.
“I-it’s not.. no… I-I never even gave it to them! Please!! It’s not what it looks like.”
“You thought once you got rid of me. You could swoop in and take my place. However once I came back alive, you decided to run. Thinking I would never suspect you. You then also believed that any of my husbands would realize you stopped being around and come looking for you! Because somehow you have convinced yourself that they’re in love with you! They don’t even know you!!”
“THEY LOVE ME!!!”
SMACK
“Oh. That was the hardest one yet.” Mingi whispers to Yunho. Who nods in agreement.
While on the other side of the staircase Yeosang whispers to Jongho about how this maid is insane to ever think that.
“100%.”
“They don’t. Why would they?” You start then throwing her letters in her face.
“Why would distinguished men like them ever waste space in their brains for a lowly pathetic slut like you? Let alone space in their hearts.”
“…I just..”
“Enough talking. You’ve said far more than you deserve. And frankly I’m bored already.”
You then extend your hand out. One of the henchmen that was holding her down then hands you a syringe.
The girl then panics at the sight of an unknown syringe.
“Wait no please! Whats in that?! What are you gonna do to me?!”
“You could’ve had anything you wanted in this mansion. Anything. And I promise you. I would’ve happily given them to you. My clothes. My shoes. My jewels. My gold. Anything. I’m just that generous.”
You open the syringe cap.
“However the thing you decided to covet? Were the only things that were forbidden. My. Prized possessions. My husbands. And for that. You must suffer the consequence.”
Before she can even let out another sound of protest you injected her straight in the neck.
You and the men holding her down then stepped back as her screams quickly filled the foyer. Her skin and flesh melting straight off of her bones.
“So thats what she ordered acid for.” Hongjoong then mumbles.
“You knew she ordered acid?” Wooyoung asks
“She used my card.” Hongjoong shrugs.
It was a ghastly sight but none of them were even slightly bothered.
Well.
Of course the other maids were.
Once her screams come to a halt. And she was nothing but a pile of goop on the once spotless marbled floor.
You laughed.
Your husbands then descended the stairs.
Once your laughing fit was over you addressed the other maids who were still standing there. Mortified of what has become of their once friend.
“Now all of you. Remember my words. You are free to ask anything you want from me. I have more than enough for multiple lifetimes so I’ll be happy to give it to you. However. If you ever even for a nanosecond think. You could replace me or take any of my husbands away from me. Well. Ask her how that turned out for her.” Fire resonating deep in your voice.
“Thats all. Now all of you clean this up please!” You then say with a bright smile as if the past 20 minutes or so didn’t just happen.
“Come now darling. I believe I owe you a shopping trip.” Hongjoong then says as he puts his hand on your lower back.
“Ah yes!! Lets go! May all my beloveds come with?? Then we can have dinner?”
“Why not?” Yunho says with a bright smile.
Your husband then all lead you out to the car.
“You know no one could ever take us from you. Right Princess?” San says softly to you.
“Of course! I would never let them.”
“Of course you wouldn’t. We wouldn’t either.” Yeosang says.
“They literally can’t our love. You have us all wrapped around your pretty delicate fingers.” Wooyoung adds as he kisses your ring finger.
“I know.”
.✧・゚: ✧・゚: ✧・゚: ✧・゚: ✧・゚✧.
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worrywrite · 2 days ago
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This is why I keep telling people I'm not interested in the show. More than half the cast of the game exists to be porn or marketing fodder. No thought beyond aesthetics was put into essentially every character in the game. Any depth was added in post, and it's so slapshod it makes it worse.
The problem with Arcane is the general problem with prequels:
No matter how good the prequel is, if the thing that happens after is an unmitigated cash grab dumpster fire where everyone gets reduced down to a two paragraph "I'm in the death arena because..." statement that never even actually answers the question of why they're in the death arena--well, why bother.
(I'm a bit more bitter below, so continue at your own risk. I'm not adding much to my point.)
I'll be honest, Vi and Jinx were better characters on release because they meant nothing. Vi was a butch lesbian ex-con with a heart of gold that punched things and got blackmailed into worked for the police. Jinx was off brand Harley Quinn, if the joker didn't exist (yet) and she got to be him instead. The lack of detail beyond that didn't matter. Even Viktor and Jayce were better off as cyborg Hitler and off brand Tony Stark.
I'm honestly very surprised that Riot ever pushed for a wider narrative and world for the LoL IP. They'd been flattening it down for years so they could sell skins and rework characters whenever they wanted (to sell more skins) and then release more characters that made the old ones narratives not matter at all (so they could rework things again and sell more skins). They started out with a decent amount of lore and world building. They actually had lore based in-game events that mattered. But then they had decided for a long time to not do those things, they pushed for eSports and flat narrative for basically a decade. And now, now that their IP basically sucks and their player numbers are down and their skin sales are down and most of their team from when the game was good have left or been fired (for good reason) and eSports as a genre are in massive decline post nft grift--now they choose to try and have a story. And that story is still not going to affect their game at all.
At a business level, it's a good decision for them. Sure. But on a consumer level it does nothing to draw me back towards the game at all. Though I guess that is just me being aged out of their target demographic. They don't want the nostalgia money. They want the money out of kids demanding premium currency for Christmas.
Arcane is an advanced form of doomed by the narrative/doomed from the beginning because the show is trying so hard to create this serious, intricate story but the endgame of this story is everyone ending up in League of Legends
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zara-renata · 1 day ago
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And everything that is now already existed then | ao3 | masterlist
Summary: Sylus shows you his favorite parts of his house, you are haunted by a strange feeling of familiarity, you spend some time with the twins and Noah, you learn about the bet they have going, no this is not a wattpad bet story that will be turned into a multi-part tv series even though i love that trope so much, the self control i exerted should be acknowledged if not praised. This part has less humor than other parts, I've been in a contemplative mood recently, sorry. Part 17 of the Sylus series.
Notes: Sylus x gn reader, Sylus x mc, second person POV, some Sylus POV. They/them pronouns are used to refer to reader as a placeholder for your preferred pronouns. The slowest of slow burns friends-to-lovers. This story contains: angst, fluff, banter, poetry, questions of morality, video game violence, discussions of real life violence, profanity, alcohol mention, self-harm mention, mc with self-esteem and guilt issues.
The water is warm. The man underneath you is warm. Your heart, you realize, is also warm. Quiet. Nothing hurts. You marvel at the feeling. How long can you get away with this? Plastered against Sylus’s big body, his rough hands just resting on your back. You feel guilty for keeping him from doing something else. For not being at work. For doing absolutely nothing useful to anyone. For feeling so good.
Sylus holds you, seemingly content to just sit here with you as the water laps against the sides of the pool.
“Don’t you have business to attend to?” you reluctantly ask, because you’re incapable of just trusting that good things can last. That the fulfillment of your deepest desires won’t be snatched away when you least expect it, so you push, push, push, seeking the weakness that will ultimately crack and cause the moment, finally filled, to break.
Sylus holds you a little tighter. “No.”
You wait, but he doesn’t elaborate. You should just accept it. Just enjoy this moment. All you have in this life is each moment—that’s all there is. Why can’t you just experience each one, savor it, suck it dry, until the next? Why must you always waste the pleasure of each moment by being in such a rush to get to the inevitable end?
But you can’t just accept it. You don’t know how. Your whole life has taught you that the moment you trust the permanence is the moment that the moment shatters. Might as well ruin it first, instead of fearing the end. And who are you to complain? What have you done to deserve it in the first place?
“Business slow in the Onychinus economy?” you ask.
“Tch,” he responds, seemingly indignant at the mere suggestion that his business isn’t printing him money even as he canoodles in a hot tub with you. “Business is booming, darling. The human capacity for cruelty is an endlessly growing market.”
You press your cheek harder against the sweaty skin just under his collarbone. You don’t want to think about what he offers people to enable that endless cruelty right now.
“Then how do you have the luxury of lazing about with me?”
“I’ve tasked Aidan with handling business that requires executive decisions for the foreseeable future. As much as it annoys me, I will likely have to answer calls like this morning, but I’ve informed him that I will not be leaving the base unless it’s absolutely necessary.”
You lift your head, curious. He looks down at you, relaxed, eyes glowing in the low light from the pool.
“Why?”
One corner of his beautiful mouth lifts. “Guess.”
You stare at him. He’s taking time off, not pursuing new deals, not focusing on growing his wealth… for you? Ridiculous. 
“What will you do while you’re not doing business?” you ask, not able to bring yourself to guess out loud that he took time off for you, to spend time with you while you’re staying with him.
“What do you want to do?” He runs his fingers along your temple, brushes a lock of hair behind your ear, traces the shell of it with a fingertip.
“That’s not an answer,” you say, softly.
“Yes, it is.”
You can’t believe it. The man who is always on the go, from one deal to the next, disappearing for weeks at a time, doing who knows what, who knows where—the man who probably gets bored out of his mind while instigating a riot—says that he just wants to do whatever you want to do. You, whose idea of excitement is a new pair of sleep pants and a night off to watch let’s plays of horror games that you don’t have the time and energy to play yourself anymore.
“You can’t mean that.” You frown at him.
“Try me,” he challenges.
You try to think of something that he’d hate just to prove your point that he doesn't actually mean it when he says he’ll do whatever you want.
“Oh, kitten’s plotting,” he snickers after seeing your expression.
“I want to watch every Justin Bieber documentary ever produced,” you say defiantly. You really don’t. But you’re sure he’ll balk at this outrageous suggestion.
He shrugs a little. “Okay. We can see if they’re on demand in the theater room. If not, I’m sure we can pirate them.”
You narrow your eyes. He can’t mean it. Fuck, if he’s going to call your bluff, you’re going to have to actually sit through who knows how many hours of Justin Bieber: Our World. You barely suppress a shudder.
“Actually, I want to fly to a warm seaside resort and swim with dolphins,” you try, the picture of casual entitlement. You do not want to do this. You’re fucking tired. The last thing you want to do is get on an airplane.
“Dolphins can be as vicious as humans, but if you really want that, we can pack some things now and be on our way by dinner,” he says calmly. As if the suggestion isn’t utterly outrageous.
Is he being as petty as you, intent on not admitting that he didn’t actually mean it when he said he would do whatever you want, or does he actually want to do whatever the fuck you want? You can’t read him at all right now.
You’re desperate and stubborn. “Actually, I think the amusement park in Linkon City is having a furry event all week. I’d like to dress up as our respective fursonas and ride the roller coasters all day.” 
Sylus doesn’t even blink. “Do you have a fursuit already, or do we need one tailored before we can go?”
You laugh in disbelief and rest your forehead on his shoulder. “What about you? Do you have a fursuit already?”
“No, I don’t have a fursuit, because I’m not a fucking furry,” he says drily.  “But I do think I’d make a very majestic caracal cat. Which goes nicely with your kitten fursona.”
You blink. “That's quite self-aware of you." And then you scowl. "My fursona wouldn’t be as lame as a kitten.”
“Oh? What animal do you think accurately portrays your personality?”
You lift your head and think. You’ve never really thought about it. Something small and mean, probably. “A mongoose.”
He tilts his head, considering. “That actually fits you quite well. Good at hunting snakes, and very, very cute.”
You can feel yourself blushing. “Yeah, well. I’m not a furry, so it doesn’t matter even if it doesn’t fit,” you mumble a little.
“And yet you want to go to the furry event at the amusement park,” he lifts an eyebrow. 
You stare at him, mulishly. You’re not going to admit that you’re trying to poke holes in his patience because you can’t trust nice things.
“But I don’t think that’s what you actually want to do,” he continues, with a gentleness that hurts your heart. He urges you to wrap your legs around his waist. “When I said you could test me, this is not exactly what I had in mind,” he teases. “How about you test me by telling me what you actually want to do, and then you’ll see that I mean what I say when I refrain from complaining about being bored while we do them?”
You wrap your arms around his neck as he stands gracefully, the water sliding down both your bodies. “I don’t want you to just not complain about being bored,” you argue. “I don’t want you to be bored at all. You don’t have to entertain me while I’m here. You can do whatever you really want to do.” You mean this. It’s enough, just being in the same house as him right now. Knowing that in the evening he’ll end up in the same bed as you. You don’t want him to tire of you too quickly by insisting that he spend every moment with you.
“Then I repeat—what do you want to do?”
Okay. Okay, he asked for it.
“Show me your favorite things to do at home, when you’re not being a warlord.”
He looks surprised. “That’s it?”
“Yeah. I’m really tired. I never get a chance to just relax. I don’t want to go anywhere, or do anything exciting.” You bite your lip, unwilling to admit that you’re desperate to learn more about him and that worried he’s going to think you’re boring. 
He leans forward and catches the side of your lip not caught in your own teeth with his. With your lip between his sharp teeth, he pulls back, gently, until you release it from your own. He pauses, inhales, and then lets go, licking your bitten lip with a quick, soothing flick of his tongue.
“That’s my spot,” he murmurs, pulling back.
Your brain is offline. You have no idea what you were just talking about, or what just happened. All you can feel is the slick of his saliva on the plush of your lip.
Fuck.
You want to fuck him so badly.
You search his face. Can he tell? Does he feel the same way? He touches you like this, and then does nothing. What does he want?
If he can tell what’s going on in your head, he doesn’t comment on it. “Then we can stay home. I’ll show you what I like to do when I’m tired and don’t want to do anything exciting.” His faint smile is tinged with self satisfaction.
“Okay,” you choke out. You will not slide down his body, push him onto the soft moss, and jump on him. 
“But first, I will feed you.” The tendrils of his evol bring the fluffy towels to his waiting hand, and he wraps one around you, all while you cling to his torso. He just drapes the other around his shoulders, over your arms still wrapped around his neck. His evol then ferries the two cocktails that remained untouched for the whole time you were in the hot tub, following you back through the pool room and into the chill hallway as Sylus carries you to the kitchen. Between the heat of Sylus’s body and the towels blanketing you, you’re still warm. You watch the drinks following you over his shoulder, and then glance at him.
At your look, he says, “What? It would be a shame to let perfectly good drinks go to waste.”
“What time is it? Don’t you think it’s a bit early to start drinking?”
He shrugs. “It’s probably past midnight, sweetheart. That’s when one normally drinks alcoholic beverages, isn’t it?”
You sigh. “So it’s basically noon in your day-night cycle.”
“Time is a construct, and inherently meaningless,” he says serenely.
After this insufferable response, you give up trying to save his liver for the moment.
____________________
Later, after Sylus serves you a meal packed with protein that pairs nicely with the cocktails as the fire crackles pleasantly and the clouds, reflecting the N109 Zone’s bright lights even at night, sweep across the sky outside his kitchen windows, after you’ve showered and put on warm, comfortable clothes, you find him in the sitting area of his bedroom, reading a book, the Beatles playing on his record player. You recognize the song— The long and winding road. 
You stop, suddenly overcome with an overwhelming sense of sorrow. He looks up from his book and watches you curiously.
You left me standing here, a long long time ago
You feel like you’re forgetting something very, very important. Like your dream last night, but not about your family. About the man watching you inquisitively, his long, graceful fingers holding the book gently, the outline of his aquiline nose limned in the soft lighting of his bedroom.
Don’t leave me waiting here, lead me to your door
You suddenly can’t bear to be separated from him for one more second. You pad to him on your freshly bandaged feet, knock the book out of his hand, clamber into his lap, and hug him.
His arms come around you as if he doesn’t mind that you’ve just bulldozed your way onto his lap. After a few minutes, the song ends, and a new, more upbeat one begins.
You feel like you can breathe again.
You sit up, looking down into his face. You want to kiss him so badly. You’re afraid that he’ll gently push you away, as he pushed your hand away from the tie of his sleep pants that you were fiddling with recently. With such kindness, but a loud, resounding rejection of what he perceived to be you offering your body to him.
He’ll bite your lip, but you’re so scared that he doesn’t want to kiss you. Sometimes it seems like he wants you, you, not just a body, not just anyone praising him or challenging him, but you. Do you really still not know? My beloved is perfect to me.  
But what if you’re wrong? What have you done to earn this incredible man's devotion?
“Will you tell me what you’re thinking right now, without the guessing game?” he asks softly. 
You shake your head. “No. And I don’t want to play the guessing game right now.” You can’t bear to think about what you may be forgetting as you look into his blood-bright eyes. You can’t bear to reveal how badly you want to kiss him, only to be rebuffed.
“Not even a hint?” He nudges your nose with his. “Otherwise I’ll spend every free moment sitting around reading, listening to classic rock music.”
You look at him in confusion. “Why?”
“It seemed to work in luring a kitten into my lap this time. Maybe it works every time.”
Your heart is doing something funny. It doesn’t hurt. It feels… it feels so fucking warm. Like in the hot tub. What is happening to you? 
“The music made me sad,” you offer this truth, as a reward for his sweet response.
“Not a fan of the Beatles?” He fiddles with the hem of your shirt, his knuckles brushing against your skin underneath.
“I do like their music. My gran used to listen to them a lot.”
“Is that what made you sad?”
You give him a look. “I said I didn’t want to play the guessing game.”
“I’m just asking questions,” he protests, the picture of innocence. “Is it a crime to want to get to know you?”
You gaze at him. Weren’t you just thinking about how you’re desperate to know everything about him? “Not one I’d arrest you for,” you say, looking down, smiling a little.
He laughs softly. “Lucky me. It would be hard to uphold my end of our deal and show you the music room, the library, and my favorite part of the greenhouse from behind bars.”
“That sounds like a busy itinerary,” you say, lifting a finger, tracing his clavicle revealed by his soft v-neck sweater.
His knuckles sweep over your skin just above the band of your soft pants.
“We have time—we don’t have to do everything today. Which one do you want to see first?”
You don’t care. Your heart is being weird and Sylus is touching you, and you’re touching Sylus. You could just sit here, forever, and enjoy whatever this… feeling is. But you’re afraid you’ll ruin it. Like you always do. If you take too much, he will actually get bored. You should pick one.
“Library,” you say firmly.
“As you wish,” he says, standing, holding you all the while. You can’t bring yourself to protest. You can walk on your own feet. Your feet already feel a little better after just a day. But he’s warm. And he doesn’t seem to mind at all. You drape yourself over him, and let him carry you through the dark halls to his library.
He sets you down outside one of the ubiquitous black doors, and then opens it for you. 
His library, like the greenhouse, the pool, the room like a mountain hot spring, is lovely in a way that the rest of his house simply isn’t. Soaring ceilings, heavy built-in wooden bookcases lining the walls, a huge fireplace, electric as opposed to the wood-fireplace from the kitchen, at one end of the room. A wrought iron spiraling staircase leads up beyond the heavy wooden rafter beams to a space you can’t see. Deep red, plush rugs in antique designs hush your footsteps. Plush, deep seated chairs and loveseats, side tables with Tiffany lamps gently illuminate the space. One wall of his preferred floor-to-ceiling windows letting in the N109 Zone night, the red moon bright in the sky as the clouds scuttle past. 
It’s like a library from an old, prestigious university. The kind of university you always wished you could have gone to, if you lived in another world. If this world didn’t need people prepared to kill and die for existential threats to humanity. Where you could study something functionally useless, but enriching to the human experience. Like French literature or poetry. The room smells of wood oil, old paper. 
You turn in a circle and find Sylus leaning against a bookcase, watching you take in the room. “This is one of your favorite spots in the house?”
“Yes.”
“Why?”
“It’s quiet. The twins aren’t big readers, so they don’t come in here. It’s a good place to think, and concentrate.”
“Have you read every book in here, like you’ve seen every film in your collection?”
He straightens from the bookcase and walks to you. As he comes to a stop in front of you, he reaches for your face, holds your cheeks gently in his hands. “No. This room is more about the future. Books I’d like to read when life is a little less busy. I’ve read some, but not as many as I would like.”
“Do you think that someday your life will be less busy?”
“If I have my way, yes.”
“And you’ll spend your days quietly reading in the solitude of your lovely library?”
“Not in solitude. But yes. You think it’s lovely?”
You look at him strangely. Didn't he just say he enjoys it because it's quiet and no one bothers him here? “Of course I do. It’s like someone designed it just for me.”
He looks down into your face, thumbs brushing across your cheekbones.
“Like I said. This room is about the future.”
You tilt your head at his non-sequitur. What does your loving the library have to do with his quieter future?
It almost sounds like…
The moment is full. You refuse to shatter it by considering such outrageous thoughts. You will enjoy this moment for what it is. A peek into the mind of this enigmatic man. The opportunity to explore a beautiful, private space in his home.
“Read to me,” he orders, striding to one of the soft couches and plopping down.
You snort. “What do you want me to read you, your spoiled highness?”
“Anything you want. Look around, pick something that catches your interest.” He lets his head drop onto the back of the couch, eyes half-lidded as they follow you walking to one of the bookcases, as you let your fingertips run along the spines of book after book. You see a lot of titles you don’t recognize. You see a lot that you do—classics as well as newer publications. You and Xavier spend enough time in the bookstore that you know a lot of titles by sight, even if these days you rarely have the time to read beyond the manga you share with your partner.
Your eyes catch on a familiar title.
“Oh,” you breathe.
“Find something?” Sylus asks languidly.
“One of my favorite poets. Gran had a copy of this.” You pluck the book from the shelf and walk back over to where Sylus is sprawled on the couch. The moonlight through the windows makes his eyes look even brighter than usual, glowing in the soft light.
“You’re a fan of poetry?” he asks, eyebrows lifting.
“Don’t act so surprised. I’m not entirely uncultured.”
“Your manga collection could have fooled me,” he teases.
“Manga is art. You’re a pretentious fool if you can’t recognize that.”
“No need to get your knives out, kitten,” he smiles, one sharp tooth peeking from behind his full lip. “I have a collection of manga here as well.”
“You do?”
He just steadily stares at you.
“Where?”
He closes his eyes. “Guess you’ll have to stay long enough to explore and find it.”
You stand over him, drinking in the sight of him. Surrounded by the scent of books, polished wood, the moon’s red light rendering him slightly otherworldly.
You want to stay long enough to find out. It’s only been two days, and you want to live in this moment forever. You're so greedy. You're so unworthy.
“Still want me to read to you?”
Instead of answering, the tendrils of his evol wind up from your ankles to your waist, lift you, deposit you on the seat next to him. He scoots down, places his head in your lap.
“You could have just said yes,” you say drily. “No need to be dramatic.”
“I don’t hear any reading. Chop chop.”
Oh hell no. You scowl down at him, but his eyes are closed. “Lap service costs extra.”
“Good thing I’m filthy rich.”
You scoff. “I don’t want your money.”
He opens his eyes. “I suspected as much. It makes taming you all the more difficult.”
You look at him curiously. “Is that what you’re doing? All of your generosity, in order to acquire a tame hunter?”
“What use is a tame hunter?” He dismisses your suggestion. “Your imagination is distressingly limited.”
“Once again, I disappoint,” you murmur. He clearly isn’t in the mood to answer your questions.
He tsks and closes his eyes again, wiggles a little to get more comfortable in your lap. “Make up for it by reading your favorite poetry to me.”
You want to lean down and kiss the smug look off of his face. You don’t want him to turn away if you do.
You begin to read.
“Try to praise the mutilated world.
Remember June's long days,
and wild strawberries, drops of rosé wine.”
He interrupts you. “I see why you like Zagajewski. Someone else who shares your taste in middling wine.”
“No comments until the end, thank you,” you jostle his head by bouncing your thigh a few times.
He scowls, places one big hand on your thigh and presses down. “Stingy. This should be interactive storytelling.”
You ignore the howling need in you to grab his hand, to guide it further up your leg. You continue to read.
“The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You suddenly think of the N109 Zone and all of its misery. Paying the price of some shitty corporation’s greed. But you keep reading.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.”
You pause, thinking about Sylus’s wealth, the wealth of people like him, and everyone else. The yachts, versus the ships that will sink.
“That’s not the end. Why have you stopped?” Sylus's voice jerks you out of your thoughts.
“You know this poem?”
“I own the book, don’t I?”
“You said you hadn’t read everything in here.”
“Point,” he concedes. “But yes, I know this poem. I’m also an admirer of the poet.”
You think about him calling you kindred spirits, when you first met. How angry that idea made you. Now, you want to lean down and kiss him. You shake your head a little. You keep reading.
“You've seen the refugees going nowhere,
you've heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.”
Sylus interrupts you again. “I always liked the imagery of the moments spent together, the simplicity of the white room, the curtain fluttering. What more can one desire, when at their love’s side?”
You don't think you've ever heard him say something so romantic. But why would you have? You're not in a romantic relationship with him. Your heart doesn't seem to understand that fact—something inside you thrills that his idea of romance mirrors yours so closely. But his focus on the gentle moment, instead of the rest of the poem, strikes you as strange. “That’s what you see? Not the lovers enjoying simplicity, safety, while the refugees are going nowhere, and the executioners are singing joyfully?”
“The point of the poem is that you must wrest joy from an imperfect world where you can. You’re not helping the condemned by moping about their fate.”
“Is that the point? Perhaps the point is that all you can do is try to praise the mutilated world, but it’s fruitless. If that were the point, he would have entitled it 'Praise the mutilated world,' not 'Try to praise the mutilated world.' ‘Trying’ isn’t succeeding—try all you want, but it’s impossible to praise the world as it is. Better to use your yacht to save those drowning in the salty oblivion.”
“Idealist,” Sylus scoffs, as if the label is a profanity instead of a compliment.
You jostle his head again. “Cynic,” you retort.
“You’re not done,” he sniffs, closing his eyes again.
You resist the urge to buck your hips in order to dump him on the floor. You read again.
“Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth's scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.”
You finish, filled with a strange feeling. You’ve loved this poem ever since the first time you read it with the sunshine gushing into your gran’s living room on a slow summer day. As you grew, you loved it for different reasons, for its ambiguity, its hope and its resignation, its acknowledgment of the horrors of life and its simple pleasures. It always felt familiar to you, but the specific imagery reading it this time around is familiar in a way that feels concrete. 
You think about the gray feather, the light that strays and vanishes and returns. You think about the feeling while listening to the Beatles, that you’re forgetting something important. You think about Sylus’s casual dismissal of the suffering of others.
Calling suffering fate seems like a convenient excuse to you. Why bother trying to make the world better, if fate deems that it should be miserable?
You think about sipping the rosé, biting the strawberry Sylus offered you. Your curtains fluttering in the breeze in your room, when Sylus has come to your place at night. These things you have enjoyed, as people suffer beyond the safety of your apartment and Sylus’s fortress walls. 
“Stop torturing yourself, darling,” he says through your racing thoughts. He turns his head, presses his lips against your thigh, inhales deeply. It’s not a kiss, but you feel the press of his mouth through the fabric of your pants as if it were. You resist the urge to spread your thighs further.
“Should I read another?” you ask quietly. You don’t want to think about these things. You want to live in the moment. What kind of person does that make you? The desire to ignore the cost of this pleasure, your enjoyment of Sylus's home, proves that you don’t deserve it. 
“Of course,” he says, but his phone vibrates in his pocket. He grunts unhappily as he reluctantly sits up, sliding the phone from his pocket. “Keep exploring,” he says, heading to the door. “I’ll try to make this quick.”
So you do. Wandering amongst the books, finding other titles that are your favorites, but so many that you’ve never read, never heard of. Many of them are not in your native language. You wonder how many languages Sylus speaks.
After a surprisingly short amount of time, he returns. "Read more to me," he orders, sprawling on the couch once more.
You look back at him, admiring the wrought-iron staircase spiraling up, the moon through the windows, his long, strong body casually stretched along the couch.
“Can we light the fire?”
“Of course. Fire," he says, and the fireplace flares to life at his command. You wonder if such a system is in place in each room. You wander back to the couch, and he pulls you down. You read him the rest of the poems from this collection, arguing here and there, learning his favorite parts, both matching and diverging from your own. Until your stomach growls, causing him to nuzzle it, insist on taking you to the kitchen and feeding you another meal. After you're once again full, he offers to show you the conservatory.
“Okay,” you say, relaxed, satisfied. He wraps his arms around you, lifts. You let him, wrapping your legs around his waist. You think about a gentle light that strays and vanishes and returns. What are you forgetting?
He takes you to the music room. It’s behind another black door. You would never be able to guess, walking through his solemn hallways, each expansive room unfolding behind each uniform door.
As you walk into the beautiful space, you’re struck with the realization that Sylus’s home is strange in many ways, and not just because it serves as both his home and his fortress, an armory and an indoor playground. The halls are winding and despite the height of the ceilings on each floor, they’re oppressive. There is no open floor plan for the house itself. Each room’s door can be closed, barricaded, turning the room within into a bunker. But behind each door, each room fans out, soaring windows, high ceilings, glass giving way to a savage view of the harsh landscape in a way that renders even the ugliness of the N109 Zone beautiful in a stark, barren-planet kind of way. You suspect that the glass is bullet-proof. You wonder what kind of impacts it can withstand beyond firearms. Could it survive a thrown grenade? A direct strike from a drone? Would anyone dare actually wage a full-on assault on the leader of Onychinus’s home?
“Not even the greenhouse rendered you speechless, kitten. Does that mean you like it, or hate it?”
You blink. You had been so busy wondering about the strategic choices of Sylus’s architectural design that you hadn’t even begun admiring the metal support beams, curling like vines in a distinct art nouveau style between multiple panes of glass, each meeting at the pinnacle of a glass ceiling. Two of the larger glass panes are not the standard window glass, but are stained glass, continuing the art nouveau theme, depicting colorful curls of plants, flowers, as well as animals—beasts from mythology, dragons, phoenixes, winged chimeras. Luscious potted plants scattered along the white marble floor. A white grand piano sitting in the center of the circular space. Instruments of all kinds, from all parts of the world, hung or resting on more organically wrought metal display mounts along two-thirds of the glass walls. A seating area, filled with comfortable, low furniture, carved blond wood in flowing, plant-like designs, sits between the piano and the view of the landscape through the clear glass, framed by the murals of stained glass.
It’s breathtaking. But you’ve had your breath taken by the greenhouse, the pool, the room with the hot tub, the library. Each in a distinctly different style from the rooms of the house that see daily use by their owner: Sylus’s bedroom. The kitchen. The hallways. The imposing dining room and its equally imposing banquet table. The cave-like theater room. Each dark—black marble, maroon accents, deeply masculine, modern, abstract art. But the rooms that have taken your breath instead of making you feel oppressed are so startlingly different from Sylus’s often-used spaces.
You can’t accept the moment. You can’t stand not knowing, even as you are afraid to know. You have to ask. “I don’t understand,” you say, turning to him.
He glances around the room, and then looks back at you. “It’s a home conservatory, sweetheart. Not a trick question.”
You ignore him. Your curiosity will eat you alive if you don’t ask him. You want to know. You don’t want to know. “Why does it feel like two different people designed your house?”
His eyebrows lift in surprise. “What do you mean?”
“Half of your house is edgy, big-dick rich vampire man-cave, and half is this,” you sweep an arm to indicate the delicate yet sturdy steel beams, organically curving into the height of the room, the chairs carved like palms, stained glass, the lush vegetation.
“Can one person not appreciate more than one style of home decor?” he asks, walking over to you, winding an arm around your waist.
You stare at him. Nothing Sylus does is by accident. You know this much by now. You know a lot about him by now. You don’t know enough about him by now.
“The parts of the house you spend the most time in reflect your style. But the other parts… the parts that wait for an owner that rarely comes. Did you choose the design yourself? Or did you let your architect run wild?”
His smile is faint as he gazes down at you. “How very observant of you, darling. But I designed every room in this house. The architect modified the plans where necessary to ensure the structural integrity was sound, but I chose the decor.”
You wait. It sounded like he ended that sentence with a ‘but.’
“You’re right. I didn’t have just my preferences in mind as I was planning each room.”
You want to know. You don’t want to know. What if you’re wrong? The very idea is insane. Presumptuous. How could he possibly know? You only met him a few months ago. This base isn’t newly built. You have no idea how long I’ve already waited, his voice whispers through your mind.
“Whose preferences did you have in mind?” you ask, your heart doing that thing again. That weird thing that doesn’t hurt but scares you with how good it feels. Don’t leave me waiting here, lead me to your door.
His smile widens, just a little. “Do you really not know?”
You can’t process this. How could he have known?
It’s like these oases in his dark fortress of a home were designed with your deepest heart’s desires in mind. 
You want to kiss him. You want to resonate with him again. You want to drop to your knees in front of him.
The enormity of your feelings is terrifying.
What if you’re wrong?
How much worse will it be, if you let yourself believe, and he turns you away. What if he designed all of this for someone else. Because how could he have known, before you met just a few months ago—how could he have known the contours of your tastes, the things that make you most comfortable, the yearning of your heart in your small apartment, of what you’d give yourself if you could ever afford to make your home exactly how you would want? A refuge from the harsh world. Space to breathe.
Your feelings are choking you. You step away from his embrace, turn. You have time. He said he’ll wait. You focus on this room.
It’s beautiful. Because of course it is. You don’t recognize even half of these instruments.
You turn back to him. He has moved to the piano, straddling the white bench, legs spread, just watching you.
“Do you know how to play all of these?”
He shakes his head. “No. Most of these are collector’s items, antiques. But I do know how to play the piano.”
You stand, resisting the constant pull towards him. You want to go to him, run your hands through his hair, tug his head back, expose his throat, bite.
“Only the piano?” You satisfy your need to move by walking over to the sitting area, forcing yourself to sit away from him. You need to control yourself. You plop down on one of the beautiful chairs, carved like a ginkgo leaf.
He turns, sitting properly on the bench in order to face you, and opens the cover over the piano keys. He leisurely presses down on one key, and the note resounds through the lovely room.
“I can also play the organ,” he murmurs, before beginning to play in earnest.
You don’t recognize the piece. You know you’ve never heard it before. But the longer he plays, the more you’re overcome with the sense that you know it. The blood under your skin, your lungs, your bones—you feel pulled to him, to his long fingers sweeping over the keys, unseen from your vantage point in the room. You know what’s coming, the crescendos and the pauses. It’s beautiful. It hurts. Your thoughts drift to the poem. Its strawberries, its rosé wine. Its familiarity. Return in thought to the concert where the music flared. You want to ask Sylus if he owns a yacht. You’re convinced that there will be a park, and acorns, and you will pick them up and offer them to him on a sunny summer morning after a long, long night. It has already happened. It will happen in the future.
You can’t resist the pull any longer. You stand and walk over to him, stand next to him at the bench. His hands hypnotize you. Big. Rough. Delicately pressing the keys—sure, confident, flowing. Like his evol. Like him.
“Sit,” he orders, and you obey, sliding in next to him. You try to give him space, but he takes one hand, still playing with the other, and pulls you by the waist until you’re shoulder to shoulder, hip to hip. 
You watch his hands, lost in the moment, lost in the feeling of recognition, of … something. That warm feeling in your heart, threaded with the pain of having lost something that you can’t remember.
Slowly, the piece comes to an end. His hands become still on the keys.
“What song was that?” you ask.
He flicks his eyes to yours.
“It doesn’t have a name.”
“Who composed it?” You hope that perhaps you can track it down later and listen to it again when Sylus isn’t around.
“Me,” he says, turning his head to look at you.
Wait, what?
“It’s already shocking enough that you play, but when do you have the time to compose?”
He lifts one of your hands and threads his fingers with yours. “Why so shocked that I have hobbies, like anyone else?”
“I just figured you’re always too busy with murder, mayhem, and munitions to have hobbies like a normal person,” you squeeze his hand as it swallows yours.
“I don’t have a lot of free time, but when I do, I like to spend some of it practicing and composing. Sometimes when I’m bored during business meetings I compose a little in my head and then write it out when I get home.” 
At your incredulous look, he flicks your forehead gently with his free hand. “What would you have guessed that I spend my free time doing if it occurred to you that I do not, in fact, work in every waking moment?”
You consider it. “I would have assumed you spend all your free time hanging out in your shady nightclubs.”
He frowns at you. “I own classy nightclubs because they make me money and provide convenient venues for business deals now that I no longer host such deals in my own home. I do not spend any more time in them than necessary.”
“Is that what you meant when you said that Amnesia isn’t really your vibe?”
“You remember,” he says, sounding pleasantly surprised. 
“Even though it feels like weeks ago, you did just tell me that like, two nights ago,” you flick his forehead in revenge.
“Fair point,” he concedes. “All right, then, yes. That’s what I meant.”
“So what is your vibe?”
“Curious, kitten?”
“Yes.” That warm feeling you have is overriding your fears of admitting this to him. You want to know him. You want to know everything about him.
“It’s easier to show you my vibe,” he shrugs. “We’ll make a date of it.”
He dropped the “fake” part again.
His phone begins to vibrate in his jeans pocket again.
He frowns in irritation. You stand, forcing yourself to move away from him.
“I’ll entertain myself,” you smile at his questioning look. He holds onto your hand as you move away, until your arm and his are stretched between you, and then he lets go.
You’re thankful for the interruption. Too much unadulterated time being the subject of Sylus’s entire focus makes you think insane things. Like that he designed parts of his house with you in mind. That you know music that you’ve never heard before. That you’re forgetting something important about him, even though you only met him recently. That a poem you read in your youth is a roadmap of things that have already happened between you and the man pacing behind the door, and what will happen before the light strays, vanishes… returns again.
You step into the hallway and wander back toward the kitchen. After a few minutes, you hear the flap of Mephisto’s wings. He’s keeping you company again. You keep walking.
You’re distracted halfway to the kitchen, however, when you hear voices coming from the theater room. It sounds like the twins, and someone else whose voice is familiar, but you can’t pinpoint it. You knock.
“No need to knock,” one of the twins yells.
You open the door and peek into the room. It’s dark, with all the lights dimmed.
On the large screen where you almost watched a movie with Sylus the other night, a video game is playing.
Luke sits on one of the loveseats, holding a game controller, while Kieran is squished onto the same small loveseat with him, their two big bodies barely fitting, hiding his face in Luke’s shoulder.
Noah is sprawled out on another loveseat, perfectly at ease. She gives you a lazy wave.
Luke pauses the game and looks over his shoulder at you.
“Boss busy?” he asks as Kieran lifts his head, a look of relief on his face at the interruption.
“Business call,” you say, nodding. You stare at the screen. It looks like…
“Are you playing the Silent Hill 2 remake?” you squeal.
“Yeah! Since boss is on a little holiday, he gave us the time off as well. Figured we’d finally play it.”
“Are you a fan of the original?” Kieran asks.
You nod. “Huge fan. I was so excited when they announced the remake, but I’ve been too busy with work to play it.”
“Wanna join? Kieran is too scared to look half the time. We can take turns, if you want,” Luke offers, sounding pleased to have another person to share the game with.
You seriously consider his offer, but you’re still so tired. You don’t really want to learn the controls mid-way through a playthrough. Weren’t you just thinking about watching let’s plays of horror games you haven’t had a chance to play yet? You can watch Luke play without having to do a thing.
“I’m good, but do you mind if I stay and just watch until Sylus is done?”
“Is that even a question? Get in here.”
Luke unpauses the game, and the familiar sounds of the world of Silent Hill, with amazing, updated graphics fills your vision. You slink inside the room and sit on another love seat, preferring to give Noah her space since she’s sprawled out like she already owns the place.
You watch as Kieran hides his face in Luke's shoulder again as a lying figure jerkily lumbers towards James Sunderland.
Apparently Noah notices Kieran’s fear as well.
“Aren’t you one of the feared Raptors of Onychinus? Like, you’re famous in the Zone. How can the same person who is known for intentionally leaving mutilated corpses in public as warnings to your boss’s enemies be afraid of video game monsters?”
You turn and stare at the twins, a little horrified. Not entirely surprised, because you know what kind of man Sylus is. You know what his organization stands for. But mutilated dead bodies? Where normal people just trying to get through their shitty workday, where kids can see them?
“That’s fucked up,” you say out loud.
“Hey, you’re a fucking cop. We know what cops are capable of,” Kieran says softly, with a flatness in his tone you’ve never heard before. Noah looks between you and Kieran like she wishes she has popcorn. “Don’t act like what you sometimes do is any better than our calling card.” Luke kills a monster shaped like two shapely pairs of legs attached at the waist with a metal pipe, and it dies loudly. He stomps on it for good measure. “At least we’re honest about it, and don’t hide behind a shield of so-called legitimacy. People know what they’re getting when they deal with us.”
You look at Kieran thoughtfully. It’s difficult to admit, but he has a point. You know that there are corrupt hunters. The so-called Tenebrae. You also recognize that dark part of yourself, when you’re faced with someone who you know has done terrible things, and the itch to pull the trigger before you can bring them in. You know that innocent people suffer at the hands of criminals and law enforcement alike.
Kieran stares steadily back at you, his normally cheerful face serious. “How did you come to work for Sylus?” you ask.
Luke pauses the game. “We don’t talk about that,” he says in the same flat tone that his brother just spoke in.
“Oh?” you say, because you don’t want to continue to pry, and you don’t know what else to say.
“Boss says it doesn’t matter where we come from. Only where we’re going. So there’s no use talking about the past if we don’t want to.”
“And you don’t want to?” Noah asks, the look of entertainment morphing into something else on her face.
The twins shake their heads in unison.
You think she’s going to say something snarky, but she just nods. “Then you shouldn’t. No one is entitled to your story.”
“That’s what boss says. I see why he hired you now,” Kieran says, smiling at her, the odd stillness broken.
“He hired me because I’m fucking awesome,” Noah sniffs, flicking her braids behind her shoulder. They’re down now, spilling over her back.
You tilt your head. “Are you a new hire?” For some reason you thought that Noah had been Sylus’s driver for a long time.
“Did he not tell you?” she asks, looking at you strangely.
“Tell me what?”
“I’m not gonna do his work for him,” she says, rolling her eyes.
“Huh?”
“Don’t worry about it,” she smiles at you, and it’s unnerving instead of soothing. “Anyway, yeah I’m a new hire. You’re gonna be seeing a lot of me in the future.”
Although Kieran seems to have reached some sort of approval of Noah, Luke still shudders and starts the game again.
You let it go. You’ll ask Sylus about Noah’s weird comment later. Instead of dwelling on it, you sink into admiring the awesome graphics, the atmosphere, your childhood nostalgia rendered in state of the art graphics
When the sirens go off as James is about to enter the Other World, you have a sudden flashback to playing the original Silent Hill 2 with Caleb. You were also too afraid, like Kieran, to play yourself, so you just clutched Caleb’s arm as he held the controller, and you delighted in the safety of vicarious thrills, of Caleb’s reassuring, solid presence at your side as you experienced the story. You suddenly miss him so, so much. The feeling of loss is overwhelming.
The sudden punch of grief leaves you breathless. Everyone else is so focused on the screen, they don’t notice your gasp. You want to watch. You’ve been wanting to experience the remake ever since the developers announced it, over a year ago. You want to experience it with who you are tentatively thinking of as your new friends. But you need a second to ground yourself before you can bring yourself to keep watching. 
Your force your voice through your throat. “I’m going to grab a snack. Do you guys want anything from the kitchen?”
“Popcorn!” Noah calls.
“We’re good,” Luke answers, because apparently Kieran is almost catatonic with terror.
“All right, be right back.” You take your time getting to the kitchen, Mephisto following you out the theater room door. You rifle through the fridge, shove some snacks into your mouth. You’re shocked to find microwave popcorn in one of the cupboards. Sylus strikes you as the kind of snob who insists on popping loose kernels on the stove, or over the fire in the fireplace. Nothing so pedestrian as store-bought and in the microwave. You snicker, that feeling of sorrow fading as you engage in everyday tasks, with company to look forward to. You’re not alone right now. You’re excited to see more of what the devs retained from the original game and what they added or changed in the remake. You head back to the theater room, but accidentally drop the bag of popcorn before you can open the door. As you pick it up, you can hear Noah.
“You know you don’t actually have to kill every monster you encounter, right?” She asks in barely disguised disdain.
“You know that you don’t actually have to offer your opinion when no one asked, right?” Luke snarks.
“Oooh, someone’s grumpy because he isn’t going to have an advantage in the bet like he thought,” Noah says through a snicker.
“What advantage? We agreed not to interfere. Boss is gonna have it in the bag even before the two weeks are up even without our help,” Luke responds.
“If he doesn’t fumble it by being too passive,” Kieran adds, thoughtfully.
“What ‘help?’ I bet your help would result in more delay than progress,” Noah taunts. “I probably don’t even have to do anything to counter your nonsense. You’ll do all my work for me.”
“Hey, flooding the guest floor was a good idea,” Luke protests.
This is just met with a cackle. 
You stand, frozen. You didn’t mean to eavesdrop. But what is their boss going to have in the bag without their help? What bet?
Something inside of you already knows. Hadn’t you thought earlier that the twins probably made a bet out of your obvious, pathetic crush?
But they said it was about their boss achieving something. Not about your feelings.
You don’t want to know.
You try desperately to cling to that warm feeling you’ve had since the pool.
Boss is gonna have it in the bag.
You spin on your heel, intending to return to the kitchen without them knowing you heard anything, just to buy yourself time to process. But of course, you promptly knock over another ugly sculpture. It shatters on the floor.
You stand there in your bandaged feet, holding the popcorn, staring down at the mess you just made.
The door swings open and Kieran, Luke, and Noah jostle each other to see what just happened in the hallway.
“Sorry,” you say. What the fuck else can you say?
“What happened?” Kieran asks.
“Just me being clumsy,” you say, trying to smile.
Luke squints at you. “Oh shit.” He turns to Kieran. “They’re making that horrible face again.”
Kieran stares at you.
Noah flicks her braids and tilts her head, examining you like an art critic trying to find meaning in a child’s finger painting. “What does that face mean?”
“It means they heard what we were discussing,” Kieran says grimly.
Luke glares at Noah. “What are you even doing here? Now the bet is fucked and boss is gonna be mad because his hunter’s making that expression again. Look at them. We’ve hurt their feelings!” He gestures at you.
She glares back. “Boss told me to report here for duty every day to remain on standby in case the hunter wants to go anywhere. What are you doing here?” she sneers.
“We live here,” he answers, looking confused that that’s even a question.
You take a step back, away from the sharp shards of the broken sculpture. Maybe they’ll be too busy arguing to notice.
That good feeling is gone.
You think about every move Sylus has made since the auction. All of his attention, his gentleness, his kindness, his dogged reappearance at your home, his arranging for you to have sick leave.
Would Sylus do all that for a bet?
Is he that bored? Is he that good of an actor?
How on earth would you even know? You don’t know shit about him. You’ve known him for a few months. In that time, you’ve seen him a handful of times. What the fuck are you doing?
You think about that feeling you had while listening to the Beatles, while listening to Sylus play the piano, of forgetting something really important. You want to throw up. 
Yeah, you’re forgetting something all right.
You can’t stand the feeling inside you right now. It’s too big. It’s eclipsing everything you’ve felt up until this point.
You think about what it will take to get out of here.
You think about picking up one of the sculpture’s shards and digging it into your thigh, anything to override this feeling inside you now.
You think about the resonance with Sylus when you woke up. Could he fake that?
His evol is unearthing a person’s deepest desires. But is it more than that? Could he make you feel adored without using his aether core? Did he promise not to use his evol on you because the terms of the bet forbade interference? Your fears send you spiraling.
“Oh no. No, no, no, no,” Luke says, peering at your face again. He takes a step forward, reaching out to you like someone trying to calm a wild animal, his house shoe crunching on the broken bits of sculpture.
You take a step back.
Noah just looks between the twins and you, confused.
“I’m just going for a walk,” you lie. You take another step back, turn, and start to walk down the hallway that will eventually lead to the lift. The lift that goes to the underground garage.
As you round the corner, Luke says,“Get—”
“On it,” Kieran says, with his phone to his ear.
Noah looks thoughtfully down the now empty hallway. “The hunter’s fucked up, huh?”
Luke shrugs. “Aren’t we all?”
Noah frowns at him. “Speak for yourself. You don’t know shit about me.”
“I know that boss hired you after looking into your soul. Which means you’re fucked up too. He isn’t interested in wholesome things or people—too boring.”
“And you?”
“You said it yourself. I really enjoy carving people up.” He shrugs. “Soothes something from our shitty childhood.”
Noah considers him. “Your brother seems to be okay with me now. Are you going to have a problem with me?”
Kieran grins at her. “What makes you think I have a problem with you?”
“You were mean when I suggested you try to stealth around the monsters. And don’t think I didn’t see your reaction when I said I’d be around more often. And acting like the hunter being upset is solely my fault, when we all made the stupid bet.” She counts each piece of evidence on her pretty fingers.
“Who the fuck likes backseat gamers?” He pouts a little. “And I didn’t like being hit on within an hour of meeting you. I don’t like people like that.”
Noah scowls back at him. “You don’t like people like what? ”
“I mean, I don’t like, like people. I get the creeps when people hit on me.”
Her lovely eyebrows shoot up in surprise. “Oh.”
“But boss likes you, so I like you. We’re cool, so long as you don’t hit on me again.”
Noah nods.“I was just giving you two shit since you hauled me in front of your scary fucking boss. But I promised boss I wouldn’t do it again.”
“Then we’re cool. And if you don’t like how I play Silent Hill, then you can play if you want.” He opens the door again, gesturing for her to go in ahead.
“Nah man, I like being in the peanut gallery.”
“Does that mean you’re not gonna shut up?”
“You know it.” Noah gives him a big, feral grin.
Luke grins back at her, equally frightening. “Then I’ll be sure to kill every single monster we come across, no matter how much ammo it wastes.” The door swings shut on Kieran standing in the hallway, looking thoughtfully down at the phone in his hand.
_____________________
Sylus hums the melody of the music he played for you as he ends the call with Aidan. Luckily the issue this time could be settled by answering Aidan’s questions, and he can still look forward to a mostly uninterrupted day with you. He wonders where you’ll like to go next. Back to the library? To the greenhouse?
He’s in a great mood, despite the interruption. Every conversation with you convinces him that you’re closer and closer to accepting the truth. That you’re his, and he’s yours. He wants to drag you back to the library, listen to you read to him, argue about poetry—the way your eyes flash when you’re making a counterargument, the sneer in your retorts to his needling you—he wants to kiss you. He wants to kiss you so much it hurts.
His phone vibrates in his pocket again. He clenches his jaw, pauses. He wants to throw the damn thing against the wall and just continue looking for you, business be damned. But he also doesn’t want to leave Aidan in an awkward position. He fishes the phone out of his pocket and accepts the call.
“Boss, your hunter is making a strategic retreat again,” Kieran says breathlessly.
Sylus jerks to a stop.
“Repeat that?” he demands.
“They overheard us talking about the wager,” Kieran explains, sounding pained.
It takes Sylus a second to remember what he’s talking about. “The bet about how long it will take for kitten to realize that I want to date them?”
“Yeah.”
Sylus thinks. Why would you be spooked by a stupid bet between his henchmen and your driver?
“But they—well, they overheard us talking about it, and they don’t know what the wager is actually about. I am afraid that they might have misunderstood something,” Kieran says carefully, like he’s waiting for Sylus’s wrath.
Sylus immediately realizes what probably just happened.
“I left kitten alone for less than twenty minutes,” he sighs. Just his fucking luck. It’s like the universe or some cruel god wants to create obstacles in his path to winning your precious heart.
“Your bet is over,” he barks.
“Understood.”
Sylus ends the call and pulls up Mephisto’s app. You’re walking quickly, with purpose. He squints, trying to figure out which part of the house you’re in. It looks like you’re trying to get to the lift that leads to the underground garage. Sylus dissipates into red and black mist.
_______________
As you walk, you make your way to the garage, not even sure what your plan is. You have that hollow, manic feeling filling you—the feeling that always fills you when you’re hurt like this, when you just need to get out, to outrun your own body and the feelings it contains. This time though, through the noise in your head, you remember your promises to Sylus. About not hurting yourself, but going to him. If you have doubts about his intentions, to go to him. To ask him when you have questions, instead of making assumptions.
But how can you? What’s the point of honoring promises made to a man who thinks your feelings are fair game for a bet? 
You need to think. You don’t want to think. You’re hurting so, so much. You need time. Your body feels like you’re out of time. You miss Caleb. You miss your grandmother. 
It takes all of your self control to stop moving. You hear Mephisto’s wings flapping behind you. You close your eyes. You resist the urge to punch yourself, barely. If you’re just a bet to him, you should punch him instead. You open your eyes and realize you stopped next to a door with an electronic lock blinking on the handle. You turn and look at it fully, and you hear the lock click.
It recognized your face. Just as Kieran and Luke told you all the locks in this house would. Why would Sylus bother programming your face into his home if you’re just a bet?
You watch your hand reach out, grasp the handle. You pull, and the door opens easily. You slip inside and let it close before Mephisto can follow.
The lights flicker on.
You gasp.
It’s like standing inside an upscale jewelry store, built inside a bank vault. Except instead of sparsely filled display cases, designed to emphasize and showcase a select number of precious jewels, each glass case is stuffed with the things. Diamonds. Rubies. Emeralds. A mind-blowing variety of beautiful stones that you don’t even know the names for. Loose stones, as well as jewelry—necklaces, rings, earrings. Where most of Sylus’s house is the picture of meticulous order, this vault looks like a dragon’s hoard of priceless treasures, casually piled high without much thought.
Why would Sylus trust you with access to such wealth, if you were just a bet?
But more importantly, how much death must Sylus Qin sell, to afford such a vault?
How many lives in exchange for each gem?
You turn in a circle as you slowly process the fact that you’re standing in the middle of a sea of blood diamonds.
What are you doing?
What the actual fuck are you doing?
You were just marveling at the luxury of the rooms he designed, filled with the thrilling possibility that he had built them for you. You had thought about the cost of the heating in the hot tub, the pool. And yet you were willing to overlook such expenses. Why? Because at least the pool, the lovely architecture are useful? Because they provide some value to the human experience, even if only a select few will ever get to experience them at Sylus’s house?
But what value do diamonds have? Shiny clumps of compressed carbon. You can’t burn them for warmth. You can’t eat them. Okay, so maybe they’re used in some industrial processes, but for fuck’s sake, artificially created diamonds could serve that purpose. And you’re absolutely sure that the diamonds Sylus has hoarded in this vault are real, products of millions of years of pressure, and not made in some lab.
You sink to the black marble floor. It’s cold. You draw up your knees and hug them.
There’s too much happening in your brain right now. Your grief. Your uncertainty about Sylus’s intentions—the question of who his beloved is. The bet.
The realization that you’re falling in love with a man whose life’s work is bringing misery to others.
You hate yourself. Here you are, thrown into a tailspin from the idea that Sylus may have spent all this time on you because of a bet with his minions, when you should be in a tailspin about the fact that it’s probably already too late for you to stop falling for a man who not only praises the mutilated world, but is one of the people shoving the knife in deeper. 
There is so much you don’t know about him. But what you do know is that Sylus is too busy pouring salt into the wound of the world to dedicate so much time and resources to something as frivolous as a wager about how long it will take for him to get you in the bag. It’s pure, self-pitying hubris to assume otherwise.
You’re focusing on the wrong things, again. You’re forgetting what’s important, again.
What do you want? What can you live with? Why do you feel a connection with this complicated, cruel, ruthless man, as if you’ve known him for more than a few months? What kind of person are you, if despite sitting in a sea of diamonds paid for in other peoples' blood, you still want this merchant of death to come find you, to hold you in his arms, tell you that he wasn't placing bets on how long it would take to have you in the bag?
You begin to rock, somehow resisting all of your terrible urges: to hurt yourself, to run, to set this awful room on fire. You rock, and you hurt, and you wait for the terrible man you’re falling in love with to find you, as he always does.
______________
Sylus finds Mephisto pacing on the floor in front of his gem vault. He caws in distress when he sees his owner re-materialize in the hallway. Sylus finds the fact that you’re in the gem vault, and not currently trying to procure a getaway car, to be a source of hope—a strange feeling for him. What use does he have for hope? He has plans. Plans with contingencies, alternatives, backups. They either succeed because he planned well enough, or they fail because he did not plan well enough. 
Hope has no place in his world.
People suffer and die. Deals are made and broken. Fate is cruel, inflexible. He knows this all too well, no matter how much he’s struggling against fate this time around.
Hope has no place in his world.
But.
You could have kept running. You could be in any one of his vehicles right now, trying to break land speed records to get the fuck away from him, convinced that he was involved in a bet about the biggest gamble of his life.
But you’re not. You’re in his gem vault, for some reason. You strange, unpredictable, delightful creature.
He finds himself hoping that this misunderstanding hasn’t just caused you to retreat beyond his reach again. 
Your fingers in the dip of his clavicle.
The yearning look on your face, that he doesn’t think you even knew you had, when he bit your lip—the closest he’ll allow himself to a kiss until he’s one hundred percent sure you’ll welcome him while awake.
He opens the door.
He pauses, struck with the strange sensation of viewing his greatest treasure surrounded by so much of his material treasure. You belong here. The value of all of these precious stones nothing in comparison to you, shining like a beacon to him at the end of a long and winding road from the marble floor, dimming everything else in this room by comparison.
His house shoes whisper along the cold marble floor where you’re sitting, curled in on yourself.
He has watched you take down wanderers the size of an elephant. All that strength, contained in your huddled body. You look so small to him. He wants to protect you from all the horrors of the world. But of course, he’s the biggest horror of all. Is it any wonder that he keeps hurting you instead?
A better man might keep his distance in an effort to protect you. Like your partner. A better man might know when to quit. Like your dandy artist friend. A better man might be content with loving you from afar. Like your fucking doctor. 
But Sylus is a terrible man, because he’s not going to stop trying to get it right, even as he hurts you in the process, until you order him to stop and mean it.
You don’t look up at the sound of his footsteps, but you also don’t retreat as he approaches.
He sits on the floor next to you, wraps an arm around your shivering shoulders. He pulls you into his arms, feels the rush of hope when you let him.
He cradles your head in his palm.
“The twins bet on everything. Which snail is the fastest on a leaf. Whether it will rain or snow tomorrow. How long it will take someone to bleed out. Whether the traffic light will change in five versus ten seconds,” he says softly into your hair.
“About how long it will take to get your pathetic hunter in the bag?” Your voice is small, just as your body feels in his arms.
“About how long it will take for my beloved to realize how I feel about them,” he sighs.
You stiffen, and he feels a moment of paralyzing fear, before you melt into him. He breathes again.
“What did you bet?” you ask, and Sylus feels the sorrow in your voice like a gunshot in his chest.
You ran, but you stopped. You assumed, but you’re asking questions now. You’re allowing him to touch you, to hold you. The hope in him surges again. 
“I didn’t place a bet in this particular wager,” he manages through the unfamiliar feelings. “But if I had, the gamble would be my whole heart.”
“Does a man who has a dragon’s hoard of wealth, bought with the blood of the guilty and the innocent alike, have a heart?” you ask, finally looking up, your eyes hollow in a way that he doesn’t like.
Sylus is a terrible man. He has never lied to himself about this, or to you. He showed you the worst of himself, the day you met. He has to hope that the fact you’re still here, still asking him questions, means that he hasn’t lost you yet. An unpleasant feeling of doubt slithers through him. Is it the bet upsetting you, or something else?
“Even dragons have hearts, darling.”
You close your eyes. He wants you to open them again. He wants you to look at him. He never wants you to look away from him. Even if you’re looking at him with doubt, or hate, so long as you’re looking at him, that means you’re not leaving him.
“What do you want?” he asks.
You open your eyes again. He is terribly tempted to use his aether core on you, because for once, he can’t read how you’re feeling.
“You offered me time.”
He leans forward, rests his forehead against yours. “And I will give you time.”
“I want to see your favorite part of the greenhouse.”
“And I will show you my favorite part of the greenhouse,” he whispers, breathing, breathing. He can’t tell how you’re feeling, but you smell like home, a door at the end of a long road. The hope grows.
“I want to see Luke and Kieran and Noah play the remake of Silent Hill 2.”
The hope shifts, dissipates. There is no need for hope, once it is fulfilled. You want to stay, for now. He can work with that. Whatever damage learning about the bet caused, he can work with your willingness to stay. If that look in your eyes isn’t about the bet, he has more time to dismantle your walls, to pull it out of you. Just two nights ago, you were running barefoot through the dark. Tonight, you stopped yourself and waited for him to find you. “You’re in luck. They’re still playing.”
You watch him, as if you’re weighing something behind your hollow eyes. “Will you watch with me?”
Of course, he thinks. Of course. You could ask for so much more, and the answer would be the same. “Do you want me to watch with you?”
“I want you to want to watch with me.”
He smiles, his mouth a breath away from yours. You smell like popcorn. He wants to throw a piece in the air, catch it in his mouth, feed it to you. “Again, you bring me luck. We have a win-win deal.”
He stands. Carries you out of his gem vault.
“Why do you have so many jewels?” you ask, quietly.
“In case the authorities freeze my accounts, physical currency will be useful. A sort of insurance.”
You gaze at his face, and he wonders what you see when you look at him. “You’ll escape with a truck full of precious stones?”
“Something like that,” he says.
“No other reason?”
He tells the truth. “I’ve always been fond of shiny things.”
“Do you have a favorite stone?”
He laughs softly. “Whatever stone you’re wearing.”
Instead of looking at him with suspicion, a helpless look crosses your face. Like you’re in pain from his admission. He doesn’t like it. But then you lean forward, press your face into his neck. He tells himself that he has time. He’ll figure out what’s bothering you, and he’ll fix it.
Outside the theater room, he pauses. Looks down at the pieces of shattered sculpture. "If you didn't like it, darling, you could have just said so."
You just mumble that you're sorry.
"We've talked about your apologies," he says, frowning down at you in his arms.
You huff. "Fine. I'm not sorry. That sculpture was edgy and ugly. You should replace it with something beautiful."
"Deal. But only if you come with me to choose something," he says.
"Deal," you say softly, and he still can't tell what's going through your head.
When you enter the theater room, Luke pauses the game. “We’re really sorry for hurting your feelings and shit. The bet was about boss’s rizz, not about you. Please don’t leave.”
Kieran nods in approval, as if he had helped Luke compose this little speech.
Noah just looks at you, face unreadable, as you rest your head on Sylus’s shoulder.
“I had planned to give you a lot of shit. But I think I would’ve lost anyway,” she says, not looking apologetic at all. “It’s only been two days and you’re practically merging into one person.”
Sylus carries you to a loveseat next to the twins, with Noah on their other side.
“Thanks,” you say. “No worries.”
Everyone is awkwardly silent for a moment after your brief response. You seem to notice, and smile a little. “Can we hang out while you play?”
“Fuck yeah,” Luke says, and Kieran groans as the game is unpaused.
After a while, you, Luke, and Noah start discussing the difference between the remake and the original. What everyone likes, what they don’t. Sylus leans back, draws you onto his chest. His relief remains intense as you let him. The discussion moves on to which Silent Hill games are the best in the franchise, which are the worst. Luke and Noah have a good-natured clash about Silent Hill 4: the Room, with only a few insults flung at each other. You and Kieran share your admiration for Bloober Team's Layers of Fear, which Kieran liked because he didn't think it was scary, and which Luke hated, because he thought it was boring. Sylus doesn't give a shit about video games, and certainly not horror games. Life itself is already horrific enough, he doesn't have the patience for manufactured terror. He just listens, feeling your heartbeat against his chest, breathing in your comforting scent.
A feeling of wholeness settles in him, as unfamiliar as hope. As unfamiliar as the happiness from your movie night, just last night. You, Luke, and Noah have moved on to animatedly arguing about some character’s outfit changes between the original and the remake.
He feels like he’s been standing, left behind in the dark for so long, and he’s finally being allowed home. Whatever is bothering you, he’ll fix it. He’ll destroy the world if he has to, to preserve the scene in front of him, so that he can offer you this, so that he can experience this with you, again, and again, and again. His gentle light that strays and vanishes and returns.
End notes: I had planned shenanigans for the twins and Noah to increase their odds in winning the bet, but this story is already out of control with how long it is, and some of the things I thought of were really manipulative and fucked up even if I personally thought they were hilarious, but my brain is craving a softer vibe for this story I guess (lmao if this can be considered soft), so I hope this isn't too much of a let down for the resolution of the bet subplot. I've given up hinting at what's coming next because it turns out I'm very bad at guessing what's next.
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strnilolover · 1 day ago
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ditsy!reader with player!chris and matt with adhd!reader double date fic? 🫣🫣
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It was supposed to be a simple night out — dinner at a local Italian spot followed by mini-golf. Chris had suggested it on a whim, wanting an excuse to hang out with Matt after not being able to see him for so long. Both of the brothers always being busy with with own things — but also being busy with their own girls.
But neither Chris nor Matt were prepared for the chaos that was going to unfold once the four of them were together. The minute angel and star met, it was as if the world around them didn’t exist whatsoever — everything, including Chris and Matt, had been drowned out. The girls being sucked into their own little world with just them.
“Oh my gosh, I love your nails!” angel squealed with excitement, grabbing stars hand to inspect her bright, multicolored manicure that was slightly chipping away at a few of her fingers.
“Thanks! I did them last night because I got bored, but now I can’t stop picking at them,” she replied, holding up her other hand to show a chipped thumbnail. “I do the same thing!” angel gasped. “Like, the second one nail chips, I just have to take them all off. It’s so bad.” and star quickly nodded her head in agreement.
Matt and Chris exchanged a glance as the two of them launched into a full-blown conversation about nail polish, fidget toys, and a completely unrelated tangent about their favorite snacks. The boys heads shaking as grins tugged at their lips — this was going to be a long night.
Later at dinner, angel and star kept their conversations going. Talking about random topics, or ping ponging off of one another as they each said something. Though, when the waitress had approached the table — Chris had to get angels attention.
He nudged her arm. “You’re up,” Chris said, nodding toward the server who had arrived to take their orders when angels attention turned to him.
“Oh! Uh, can I get the, um…” angel trailed off, squinting at the menu like it was written in a foreign language. “Wait, what’s a caprese salad? Is that the one with cheese?” you gasped.
“Yes,” the server replied, looking mildly amused. “Oh, I love cheese! I’ll take that, please,” angel decided, handing the menu over.
Then star clapped her hands. “Oh, if you’re getting that, then I’ll get the spaghetti! Wait, no, the lasagna — no, wait, the spaghetti!” She paused, looking at Matt in a panic. “Which one do you think I’d like more?” and Matt just chuckled softly. “The spaghetti, babe. You always steal mine when I get it.” he stated softly.
“You’re so right. Spaghetti it is!” she announced triumphantly, handing her menu over to the server as well. Chris pinched the bridge of his nose, but there was a tiny smirk playing on his lips. “You good, angel?” he asked her, his voice teasing.
“Yep! Oh, wait! Do they have garlic bread?” she asked, flipping the menu back open even though the server had already walked away. “They’ll bring it,” Chris reassured her, leaning back in his chair. “Don’t worry, I got you.”
When the food had finally arrived, it was hard for either boy to think or focus on their food as the pair of girls continued to talk.
Chris poked at his lasagna, watching as angel animatedly recounted a story about the time she accidentally put dish soap in the dishwasher. Matt was equally quiet, a fond smile tugging at his lips as he listened to star explain how she once stayed up until 3 AM organizing her bookshelf by color, only to rearrange it by genre the next day.
By the time the dessert arrived, angel and star had bonded over everything from their mutual fear of spiders to the oddly specific way they both folded your socks.
Chris’ eyes flicked over to Matt. “Do you think they even know we’re here?” he muttered, leaning toward him slowly. Matt shook his head, laughing under his breath. “Probably not. But, honestly? It’s kind of nice seeing them so happy.”
Chris glanced at angel, the way her eyes sparkled as she giggled at something star had said. His smirk softened into something more genuine. “Yeah,” he admitted. “It is.”
Later, at mini-golf, angel and star proved to be just as chaotic as they were at dinner. Instead of competing, they decided to work together to make the “ultimate trick shot,” which mostly involved them both giggling uncontrollably as their golf balls ricocheted off every obstacle.
“Okay, okay, this time I’m gonna hit it super hard, and it’s totally gonna go in,” angel said, lining up her shot. Star had quickly stopped her, “Wait! Let me record it!” she said, fumbling with her phone. “This is gonna go viral, I swear.” she joked as she bounced on the balls of her feet.
Chris and Matt stood off to the side, arms crossed as they watched the spectacle unfold. “Should we help them, or…?” Matt asked, his question trailing off as he just watched the curiously.
Chris chuckled, watching the same scene unfold in front of him. “Nah,” he replied, shaking his head. “Let them do their thing.”
As the two of them finally managed to sink the ball — on the 14th try — Chris couldn’t help but laugh at the way angel high-fived star like they’d just won the Olympics.
“Alright, angel, let’s see if you can do that again on the next hole,” Chris teased, pulling her into his side as she walked to the next course. “Challenge accepted!” she declared, grinning up at him.
Matt glanced at star, who was already distractedly trying to read the mini-golf rulebook like it was the most fascinating thing in the world — when really it wasn’t, it just gave her something to do besides talking to angel.
Matt walked beside Chris, leaning into him a little as he kept his gaze on star. “Think they’ll ever run out of things to talk about?” he asked Chris.
Chris smirked, watching angel skip up toward star, shaking his head. “Not a chance.”
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© strnilolover
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theresattrpgforthat · 1 day ago
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So, I went to a game store, and I asked if there were any good beginner games for someone who tried the DnD Essentials Kit and found it too complicated, and you'll never guess what one singular game they suggested!
THEME: Simpler Games than DND.
My friend, I’m not a very good guesser, but I hope that I am able to present you with some games that will give you what you’re looking for.
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24XX: Chaos Unit, by polyhedralmice
Deep under the busy streets of Sapien City is the headquarters of the Vermin Squad, the espionage wing of a secret organization of urban animals known as the CHAOS Unit. They capitalize on the fact that vermin are virtually invisible human inhabitants of the city and use they use their street smarts to run vital missions for the unit. Raccoons, opossums, pigeons and squirrels each play specific roles and together form teams that take on the most vital of missions. From intercepting life-saving pizza orders to rescuing their colleagues from the dastardly Animal Control, there is no task too daunting for the brave animals of the Vermin Squad. Every night teams are sent out on their missions, and this is the story of one of those teams. Nothing will stop these brave agents from successfully completing their tasks (except maybe a humane trap baited with peanut butter). 
CHAOS Unit is a spy themed hack based on Jason Tocci’s 24XX.
24XX games are great for groups that love different-sided dice. In general, you only have a few skills for your character that are outside the normal parameters (upgraded to d8 - d12), and the success threshold is the same for pretty much every roll. The challenges and situations of any given scenario are typically presented as roll tables, allowing the GM to come up with an adventure just by rolling a few dice.
CHAOS Unit has just a few character options, some simple gear options, and a comparatively light-hearted premise. It’s a great introduction to the system, and learning how to play one 24XX game makes every other 24XX game a piece of cake to learn, even if they include new rules.
Loot, by Gila RPGs.
LOOT is a fantasy TTRPG by Gila RPGs that combines looter shooter mechanics with west marches vibes. When a rebellion toppled a lich overlord and torn down his city, the people were left with a lot of loot, and a lot of problems. That's where you come in.
Get some friends together, fight some monsters, deck your characters out in cool loot. Do it all over again.
Even though LUMEN uses grid-based combat, your character’s stats are simplified, reduced to a few things: health, armour, and three action types: force, flow & focus. Your stats themselves come from the items that your carry - your loot.
Your loot is organized through slots on your character sheet: you can only carry so much, so you’ll have to think carefully about what kind of stat bonuses and abilities you want. I find that a visual inventory can make it easier to keep track of everything you have, and can help some players learn how to think strategically. If you like the fantasy and strategy that exists in D&D but don’t want to do nearly as much math, you might be interested in LOOT - although the lack of dice is certainly a big change.
Slugblaster, by Wilkie’s Candy Lab.
In the small town of Hillview, teenage hoverboarders sneak into other dimensions to explore, film tricks, go viral, and get away from the problems at home. It’s dangerous. It’s stupid. It’s got parent groups in a panic. And it’s the coolest thing ever.
This is Slugblaster. A table-top rpg about teenagehood, giant bugs, circuit-bent rayguns, and trying to be cool.
Forged in the Dark games can be tricky to introduce to a new table, but Slugblaster is one of a few that I think can do the job. It’s a streamlined version of the system, that takes away a lot of the crunch that comes from Stats, Position, and Effect, and boils it all down to Kick and Boost. It also streamlines harm into 2 levels of slams, and keeps stress and downtime to a procedure that you can follow step-by-step when you finish a run. Finally character creation is very easy: you only make few choices in terms of abilities, and many of these choices are descriptive, rather than mechanical.
One thing I’ve noticed about games with “simpler” rules systems is that they typically do require a bunch of improv, which can be scary for new GMs. Slugblaster isn’t that different in this regard, but it does have a few things you as a GM can prepare beforehand if you want to make things easier for yourself. For example, you can set up your map of the different dimensions beforehand, including the doorways that the teens can get through. If you know that the teens get back to your home dimension without going through Operablum, then you can prepare a few location - specific threats to confound the teens as they try to get back in time for dinner.
Another strength of these games is that typically, if a player wants to do something, they just have to be able to describe how they’d do it - you can then work backwards using the gear & resources on your sheet to give you some dice to roll, as well as the logic of the game world, to figure out what happens next.
Lady Blackbird, by John Harper
Lady Blackbird is on the run from an arranged marriage to Count Carlowe. She hired a smuggler skyship, The Owl, to take her from her palace on the Imperial world of Ilysium to the far reaches of the Remnants, so she could be with her once secret lover: the pirate king Uriah Flint.
Lady Blackbird is the first game I ever played, and it’s a game I fell for - hard. It involves rolling pools of dice that you pull from descriptive collections of tags assigned to pre-generated characters. It simplifies game-play by taking away the step of character creation, and gives the group a pretty solid story to pick up and follow wherever your heart may lead.
While the rules of the game are fairly simple, I think that as a GM, you’re going to need to be comfortable with a fair bit of improv to make this work. The game has some excellent pieces of advice on how to come up with scenes for the characters, and even includes some example complications to throw at the party. I’m really glad this was my first game because from the beginning, it affirmed that roleplaying games are a communal experience, and even if the characters and the starting scenario are already written for the group, the players have a lot of freedom to decide who their characters are, and what they’re going to value.
Liminal Horror, by Goblin Archives.
There’s a strange comfort to ambiguity. To stand at the threshold between states of what was and what’s next, to inhabit the places of transition. But you’re never truly alone here. There are things that hunger within the dark places. Strange creatures and mysteries lie in wait and tumbling into the wrong place at the wrong time may put you on the path towards doom.
Grab your flashlights and blood splattered jackets as you try to make it through the night. Beware, snapping bone and rending flesh are often the simplest outcome. While there may be great power within these places… not all mysteries can be solved and not everyone can be saved. Above all, there are fates far worse than death.
LIMINAL HORROR is a rules-lite, adaptable Survival-Horror roleplaying game about normal characters and their struggles against the things that go bump in the night. The game focuses on surviving the weird and Investigating horrors while blending simple, old-school inspired rules with modern, narrative first principles. Survival is not guaranteed and those that do make it through the night are often forever changed.
In Liminal Horror, character creation is rather quick, often easily generated using a few dice rolls. For most tasks, your characters will roll a d20 and try to get a number lower than one of their three stats, so when you get started, teaching the game should be pretty simple. Of course, since it’s a horror game, there’s more than just trying to roll under a stat: characters will find themselves subject to the consequences of being exposed to horrors that are far beyond the limits of human experience. As a result, characters will find themselves dealing with two different kinds of harm: stress & fallout. These two harm systems will make the stakes feel real, and they’ll also inflict changes on your characters as you play.
Liminal Horror has a few things going for it. The basic rules are fairly straightforward, but they’re also free. The game is meant to be paired with pre-written adventures, which often include place descriptions, NPCs, and adventure-specific consequences to torture the characters with. A lot of the adventures available come with a price tag, but if you want to try out the system, there’s a couple of free ones out there - I recommend Messenger National Park, by capacityforwonder.
For the Ship And Its Crew, by Adeline Fowl Games.
We've crewed this Ship for years together. We've seen wondrous sights, gotten ourselves into seemingly insurmountable trouble, and have owed our fair share of creds to the wrong people. And yet, still, we fly. But after all these years, our past may be catching up with us. As the missiles tear across starlit space, we'll be forced to ask ourselves: What will we do, for the Ship and its Crew?
This is a hack of For the Queen, which mostly involves answering prompts, using something like a card deck, or in this case, a digital hosting service. Your group is telling a story by taking turns answering questions, which makes the game fairly easy to teach, even to people who don’t have a lot of roleplaying experience.
These kinds of games can also be played very quickly, which might also make it easier to introduce to folks who aren’t used to sitting around a grid and calculating resources for 2+ hours.
Other Recommendation Posts To Check Out…
Easy To Teach Recommendation Post
First Time GMs Recommendation Post
Little Reading or Writing Required Recommendation Post
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hardylettuce · 3 days ago
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"I don't know how to feel about this-" well that's the thing! Adult media doesn't have to tell you how you're supposed to be feeling, because the assumption is you're an adult and can decide for yourself!
In children's media, there's usually an explicit moral or lesson because the person viewing it is a child and their frame of reference is very small. A kid reading The Lorax for the first time may legitimately not have thought about the environment before that book. A parent may use it specifically TO start a conversation about why their family recycles or doesn't use plastic bags.
But by the time you're an adult, you should have SOME level of being able to decide what sort of media you want to consume, and to decide how you feel about it. There are so many factors here, it's not just "good stories made by good people" and "bad stories made by bad people." Characters can have values that are the opposite of yours, while still reinforcing an overall message you agree with. Stories can be about something you think is important, but in real life the author has morally reprehensible views. Or a movie can just ask "hey wouldn't it be fucked up if this thing happened?" and that's it! That's all it has to be about! And you can walk away thinking "yeah that was pretty fucked up" and it's not any deeper than that! You're an adult, you get to navigate what sort of stories you experience.
The important part here is that you are making that decision for yourself. There have been groups through history who tried to decide for other people what sort of art could and could not exist, and none of them have been what I'd describe as good guys!
“it sounds like you’re justifying their actions-“ i am. they’re a fictional character. i’m okay with anything they do all the time. hope this helps.
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bitterkarella · 2 days ago
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Midnight Pals: Fictional Writer
Jamie Lee Curtis: hello midnight society King: jamie lee curtis! oh wow! King: i loved you in Shelley Duvall's Tall Tales & Legends Curtis: oh yeah i was in that Curtis: sorry that's not usually what people recognize me from King: why? what else have you been in? Curtis:
Curtis: i was in halloween King: oh yeah! i loved that! John Carpenter: you hated it when it came out King: well now i love it! Carpenter: Carpenter: god damn son of a bitch
Curtis: and i was in the fog King: oh yeah! i loved that! Carpenter: you hated it when it came out! King: well now i love it Carpenter: GOD DAMN SON OF A BITCH!!
Poe: what brings you here, jamie lee curtis? Curtis: well, i have a relative who wants to be a fictional horror writer Curtis: so i was hoping you guys could give them some ideas Poe: King: Lovecraft: Barker: Koontz: Poe: a fictional horror writer?
Poe: when you say a fictional horror writer, do you mean a writer of horror fiction or do you mean they don't exist, like they're making up a character who's a horror writer or...? Curtis: yes
Poe: well jamie lee curtis i think it would be best if your relative came up with their own ideas Poe: that is a big part of being a writer Koontz: OH OH OH Koontz: have they considered writing a story about a dog?
Curtis: tell me more Koontz: ok so what if there was a dog that was so good that everyone loved her and petted her and this dog was named trixie Curtis: ok Koontz: trixie is my dog's name Curtis: ok Koontz: i named her after my dog Curtis: ok Koontz: if you use this idea, you have to keep the name
Curtis: ok but where does the horror element come in? Koontz: what if the dog had to fight an evil monkey? Koontz: an evil monkey who was jealous of the dog cuz the dog was so cool??? Koontz: also the dog is super smart Curtis: i love it! King: dean don't give away your best idea for free!
King: dean don't just give away your best idea! King: especially not to a fictional writer who doesn't exist! Poe: steve i'm pretty sure she just meant "fiction writer" not a writer who doesn't exist King: oh i thought she meant like a george stark situation Curtis: tell me more about george stark
King: oh well george stark was the evil alter ego of a fiction writer in the dark half and Poe: steve King: and he becomes real after thad beaumont Poe: steve King: what? Poe: King: oh! King: oh you almost got me, jamie lee curtis! King: well played
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dearmyloveleys · 1 day ago
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;-; i just wanted to say ty for all your posts in the fof tag. now i'm thinking about ying lei and his yeye ying zhao... and now there is no one left to guard the mountain, but ying lei died in the same way as ying zhao, saving people he cares about
Don’t mention it! I blorb too much about things I really like it embarrasses me at times. I’m just glad you like my takes!! Anyway:
😭😭😭😭 this drama exists to hurt us,, I think more than dying for people he cares about (because nearly everyone who died did that), Ying Lei's characterisation and death provides a unique but tragic pov within the main cast
Ying Lei my poor Ying Lei. We don’t really talk too much about him don’t we. So let’s just talk all about him. CHARACTER ANALYSIS TIME YAY
Ying Lei is unadulterated sunshine and has a good heart. Morally, he is on the same page as the rest of the team. Yet, it absolutely breaks my heart that his fate is to be an outsider within the thematic concern of choice in FoF and resultingly, in the narrative.
His place in the overarching thematic concerns of FoF is unclear when we first meet him - he is simply a wandering half mountain god half demon with a bright disposition. But as with many characters in FoF, their appearances aren't just for naught. Ying Lei's representative theme - the freedom of choice and the ability to choose one's identity - finally shows itself in one of the most beautifully written (am biased) episodes of the series, Episode 17, which is all about choice.
In this episode, Ying Lei vents his displeasure of the Wilderness towards grandpa Ying Zhao
"I hate this place. I hate the Wilderness. It's so bleak and desolate. (…) If I have to stay here forever, I'd rather die. (…) I like the mortal world. I like everything that is vibrant and lively."
To which grandpa Ying Zhao gives him his blessing to head to the Mortal Realm,
"…as your grandfather, I respect your decision. You can be a Mountain God or an ordinary person."
His next sentence cements the plight of many demons (and humans) we encounter in the story,
"For many demons in the Wilderness, their lifelong dream is just three simple words… Have a choice."
These three words all the more juxtaposes Ying Lei's freedom to choose his identity, against every other character who faces this fate of not having a choice.
The Lie Demon, unable to say her true feelings until her moment of death, and Fei, who shares similar sentiments as Ying Lei about the mortal world,
"I'm a beast of calamity, I don't deserve to live in the mortal world. But I really like the bright lights, the liveliness and happiness, and the prosperity here." (Ep 13)
And Zhao Yuanzhou, where even in the same Episode 17, echoes Ying Lei's words,
"If this world gave me life to be manipulated by malicious energy, then I'd rather die."
Same words, but a different way out. Or there isn't one at all.
Ying Lei is the only one whose fate hasn't been carved out in stone for him. Even after Ying Zhao's death, he is still able to leave Kunlun Mountain and rejoin the team because he has the support of other Mountain Gods watching over the temple. He is by no means a pampered and spoiled person but he swims in a wealth of freedom. His bubbly, charming and affectionate personality is a physical manifestation of his unburdened self, unbeholden to any ending, except for the one that he wants.
And yet, he chooses a life with the group of people who never have had the option to choose what and who they want to be. Wen Xiao, the Baize Goddess; Zhao Yuanzhao, the vessel of malicious energy; Bai Jiu, determined to bring his mother back; Pei Sijing, the forced breadwinner of her family's martial heritage. To show his determination to be with this group, he never again dons the mature get-up (full sleeved robes and long hair) - his representation of maturing and accepting his responsibility as a Mountain God - after returning back to the Mortal Realm. Rather, he dons the get-up he first roamed the Mortal Realm with (or similar), metaphorically putting aside all that celestial burden in exchange for the friends that he desires. Just who in the group can as easily shed their very roots and history? His precious freedom to choose ironically makes him the outsider in a group whose only wishes are to be able to choose.
He gets along with the team, but no matter how many times he ties the knot of fate around them, these people were never his fate to begin with. Fate found the rest of them and demanded they be bound. Ying Lei wrestles that rope of fate, trying to get in, albeit with rejection. The narrative demonstrates this:
The team was initially formed without him, and he joined later them of his own accord - his own choice - while the others literally were forced to sign a death contract to be together. In the later episodes, his affection for Bai Jiu is often overshadowed by Bai Jiu's respect for Zhuo Yichen. He also continually tries to get both Bai Jiu and Zhuo Yichen's approval - head pats, anyone? Zhao Yuanzhou doesn't trust him to look after the dragon scale. In their conversation with Bing Yi, their team count is five, instead of six. His closest companions within the team are each other's confidants.
Even at his very end, the narrative still denies him a fate with them. He dies for Bai Jiu who is the only person he loves wholly, and fades away before Bai Jiu wakes from his coma. Neither gets to say goodbye. Bai Jiu who genuinely mourns his death, dies for Yichen. In a story where the cyclical nature of fate runs deep, there is no thread of fate that leads back to him. There is no resolution or reciprocation for Ying Lei's soul and sacrifice. Every thread is cut and never retied, no matter how he tries. Siheng has Sijing left to remember him. Yichen keeps Baijiu close to his heart. Wen Xiao and Yichen wait for Zhao Yuanzhou to return. But no one truly reminisces Ying Lei. The only people to do that are dead.
Ying Lei's tragedy lies in his freedom to choose. In a world where most fate is predetermined and choice is a scarcity, his death is all the more painful as every act is a conscious choice toward an unknown end. He carries a burden after all - the burden of writing his own story. And he braved each step with that brilliant smile of his.
我爱这个世界更多 又如何 So what if I love this world even more? 越平凡越长久 The more ordinary it is, the longer it lasts 月亮跟着我点头 The moon nods along with me 简简单单入梦的人最温柔 Those who step into dreams simply are the gentlest 分不清眼泪和酒 真让人挠头 This inability to distinguish between tears and wine, really makes one scratch their head 月亮和小狗默默跟我走 The moon and a puppy walk with me in silence 岁月从不停留 Time never stops once 少年也不回头 This youth also never turns back 他把故乡和爱留在身后 He leaves behind both his hometown and love
- 英雄不磊落 (Heroes Are Not Upright) | Ying Lei's Theme
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tinytinyblogs · 1 day ago
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Do it again, and things will get ugly.
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Yandere skz not pleased with your little habit—make sure you understand that.
Hyung line, Maknae line
Stray Kids Masterlist 1.0 & 2.0
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Your insights and reactions make these posts come alive. Love reblogs, comments, and all the good vibes welcome ✨
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Han
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You’re completely immersed in your book, the world around you fading as you turn the pages. Reading is your favorite escape, a quiet comfort that brings you peace. But just as you’re sinking deeper into the story, a hand suddenly snatches the book out of your grasp. You blink, startled, realizing that Han is standing in front of you. Without warning, he hurls the book across the room with a force that sends it crashing against the wall, the loud thud jolting you out of your peaceful reverie. The book lands on the floor, pages crumpled, and for a moment, you’re too stunned to speak. “Have you even noticed I’ve been here this whole time?” His voice cuts through the silence, filled with a sharp edge of anger that makes your heart skip a beat. “Are those stupid words more interesting to you than me?” There’s frustration in his tone, but there’s something else too—a raw vulnerability, as if he’s trying to mask his own insecurities with anger. You look up at him, seeing the mixture of hurt and irritation in his eyes. It’s more than just frustration; it’s a deep-seated insecurity that rears its head every time you lose yourself in your hobbies.
He hates the way your books seem to draw you away, making him feel like an outsider, as if he’s competing with words on a page for your attention. And no matter how much he tries to ignore it, it eats at him, making him question how much you truly care. He lets out a harsh breath, running a hand through his hair as if trying to steady himself. “Do you even care that I’m here?” he demands, his voice breaking slightly. “Or am I just supposed to sit around, watching you get lost in your own world, feeling like I don’t even exist to you?” His words hang in the air, heavy and filled with an ache he can’t fully hide. You open your mouth to respond, but he continues, the frustration spilling over. “Maybe I should just burn all those books—would that finally get your attention? Make you look at me, instead of always burying yourself in them?” There’s a desperation in his voice now, a vulnerability that’s almost painful to witness, as if he’s baring a part of himself he doesn’t want you to see. For him, it’s not just about the books or your hobbies—it’s about the fear that maybe he’s not enough to hold your attention, that he’ll never mean as much to you as those stories do.
And as he stands there, waiting for you to say something, you can see how much this truly bothers him, how much he longs for reassurance that he’s not invisible to you. "If you want to keep those books, you'd better not get too lost in them," he says, his voice low and firm, each word measured and carrying an unmistakable warning. He steps closer, his gaze never leaving yours, trapping you between his arms as he braces himself on either side of you. The intensity in his eyes pins you in place, leaving you feeling cornered, as if there’s nowhere to escape his scrutiny. "I don’t like it when you ignore me," he continues, his tone tinged with a simmering frustration. His eyes are dark and unwavering, searching yours as if demanding an answer, needing to know that you understand what he’s saying. There’s a raw, almost possessive edge in his voice, a silent insistence that you remember he’s here—that he’s the one who should have your attention. He leans in slightly, close enough that you can feel the warmth of his breath, his presence consuming the space between you. “Make sure you’ve got that in your mind,” he says, his voice soft yet laced with a hint of a warning, as if he’s daring you to look away or challenge him.
Felix
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Felix’s grip on his glass tightens so much that his knuckles turn a stark white against the dark wood of the bar. He watches you, his gaze unwavering, stormy, his jaw set hard as if biting back words he doesn't want to say. Every so often, he brings his drink to his lips, taking a slow, controlled sip, but his eyes never leave you. His attention is riveted on you, locked onto the way you throw your head back with laughter, the way you lean in, smiling, as you engage with the people around you. He’s watching every detail, every casual brush of your hand, every animated gesture, every sparkling smile you offer to those sitting beside you. The laughter surrounding you fills the space like a bright, airy melody, but in Felix’s mind, it’s a sound that grates on his nerves, reminding him of something he hates to admit, something he can’t help but resent. He watches you throw yourself into every conversation with that effortless charm of yours, capturing everyone’s attention without even trying. It's something he’s never understood about you—the way you seem drawn to the energy and approval of others, the way you seem to thrive under their gaze.
And you do it all so naturally, like it’s second nature to you, as if it’s simply who you are. But the thought gnaws at him, unsettling him in a way he can’t control. Why do you care so much about what they think? He wonders why his own presence, his own attention, doesn’t seem to be enough for you. Isn’t that all you need? He’s always been there, always the one standing closest to you, watching you, knowing all the little things that make you laugh, the ways your eyes light up, the little gestures you make when you’re deep in conversation. But as much as he knows you, as much as he feels connected to you, this part of you—the part that shines for everyone—remains just beyond his grasp. As soon as the two of you were alone, he grabbed your arm and dragged you back to his place, his grip firm and unrelenting. The door slammed shut behind you, echoing through the room and leaving a tension that was thick and unsettling. His sudden change in demeanor left you feeling uneasy, a knot forming in the pit of your stomach. He fixed you with a cold, penetrating stare, his gaze so intense it felt like it was stripping away every layer of defense you had.
"Is it fun getting their attention?" he asked, his voice low and laced with a quiet rage that made his words all the more frightening. The question hung in the air, his deep voice dripping with accusation, making it feel like he could shatter you with just a look. "Is it fun to bask in anyone else's attention but mine? Because from where I’m standing," he continued, his eyes never leaving yours, "it doesn’t look like there’s anything ‘good’ in you having me but acting like you’re so starved for attention that you have to seek it from anyone else, like some lonely soul without a lover." He took a few slow, deliberate steps toward you, each one calculated, closing the distance between you as his towering frame loomed over you. The intensity in his eyes didn’t waver, and you could feel the weight of his words pressing down on you, making it hard to breathe. "This is my warning," he murmured, his voice chilling and measured. "Consider yourself lucky. If I find out you pull something like that again, I’ll make sure you never have the chance to grab anyone’s attention. Ever again." The promise was dark and unmistakable, sending a shiver through you as his gaze held you firmly in place, every word he said echoing in your mind.
Seungmin
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It felt profoundly unfair to Seungmin when you didn’t show any gratitude for all the effort he poured into everything he did for you. Every small gesture, every thoughtful act, meant the world to him, yet your indifference stung deeply. He couldn't shake off the frustration that churned within him, particularly when he sensed your ignorance of all his hard work. As you simply nodded at the dessert he had painstakingly learned to make once he discovered it was your favorite, he felt a flicker of anger ignite inside him. The spoon he held felt like a fragile thing in his grip, and he squeezed it tightly, his knuckles turning white as he struggled to contain his emotions. Moments later, unable to bear it any longer, he slammed the spoon onto the table with a sharp clatter that broke the silence, the sound reverberating in the air like a sudden thunderclap. He stood up abruptly, the movement sending a ripple of shock through the room, and began to circle the dining table, his frustration palpable with each stride he took toward you.
He stopped directly in front of you, his expression a mix of hurt and exasperation. “Do you even realize how much I put into this?” he demanded, his voice low but charged with emotion. “I wanted to do something special for you, and all you can do is nod?” The tension between you crackled, and he could feel his heart racing, caught between his desire to express his feelings and the hurt that came from your apparent indifference. His hand trembled with barely contained anger as he faced you, the tension in the air thickening with each passing moment. “All the things I do for you...” he began, his voice strained, carrying the weight of his frustration. He stopped for a moment, closing his eyes as he took a deep breath, trying to rein in the whirlwind of emotions that threatened to spill over. He needed to calm himself, to gather his thoughts before he let his anger get the best of him. “All the things!” he continued, his voice rising slightly as he struggled to keep his composure. “Can’t you at least say a damn thank you?” The plea hung in the air, echoing with a mix of desperation and hurt.
He looked at you, searching for any sign of acknowledgment, any hint that you recognized the effort he poured into every small gesture, every thoughtful act he had done for you. "Eat this. Now." Seungmin’s voice was low but laced with an intensity that made your pulse quicken. His eyes held a stern, unyielding gaze, the kind that left no room for argument. He leaned in closer, his tone taking on a dangerous edge as he spoke, "And from now on, you’re going to be more aware, more grateful for every single damn thing I do for you. Understand?" He held out the spoon firmly, his grip tightening as if daring you to defy him. The way he looked at you made it clear that he expected nothing less than compliance. His expression was a mixture of frustration and something else, something deeper, that sent a chill down your spine. "You wouldn’t want to see me mad again, would you?" he added, his voice dropping to a quiet but potent warning. The threat lingered in the air, a reminder of the weight his anger carried, and his gaze bore into you, making it clear that he expected you to listen.
Jeongin
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He gets visibly frustrated whenever he sees you stumble or drop something, his eyes always drawn to your every clumsy move, each one stirring his concern. Ironically, he’s just as prone to accidents himself; he knows firsthand how easy it is to get hurt in a split second. Perhaps that’s exactly why his frustration with you grows—it’s not just annoyance but genuine worry because he knows just how much a small misstep can lead to something serious, as he's experienced so many times himself. To keep you safe, he’s become hyper-vigilant, watching over you more closely than you might like. He practically has eyes in the back of his head, always noticing when you’re about to trip or reach for something potentially hazardous. Sometimes, his protectiveness feels almost smothering; he keeps such a close watch that you feel he’s always in the room with you, guiding your every movement, as if trying to control every factor around you. Even when he’s not physically present, you’ll receive a flurry of messages, checking in on what you’re doing and reminding you to be cautious.
Just as your fingers hover over the knife handle, his hand darts out, intercepting you with a firm grasp. “How many times have I told you not to cook by yourself?” he says sharply, his tone tinged with impatience and a protectiveness that feels like it’s crossed the line into control. His gaze is unwavering, locked onto you with an intensity that leaves no room for argument. You let out a sigh, a flicker of frustration and defiance slipping into your voice as you answer, “But I want to. I can handle it. I’m not as helpless as you think.” His expression doesn’t soften for a moment. If anything, your words only seem to harden his resolve. “Just because you want to,” he begins, his voice a low, steady warning, “you think that means I’m going to stand by and let you mess with something that could hurt you?” His eyes flash with an almost parental authority, a refusal to back down. “That’s not how this works.” With a purposeful motion, he nudges the knife away from your reach with the toe of his shoe, making his stance clear.
“If I say no, it’s no,” he states firmly, his voice carrying an edge that’s impossible to ignore. He grips your wrist with a sudden, unyielding force, his fingers pressing into your skin hard enough to make you wince. The pressure is intense, almost as if he wants to leave a lasting mark, a reminder of his control. His gaze is sharp, locking onto yours with an intensity that makes your stomach churn. “Understand?” he asks, his voice low and clipped, each word carrying a weight that makes his intentions unmistakably clear. “You’re going to do exactly what I tell you,” he continues, his voice tightening. “If I ever catch you doing something I told you not to…” He pauses, allowing the silence to hang between you, thick and charged. His eyes hold yours, unblinking, dark with a fierce resolve that sends a chill down your spine. “I’ll make sure you learn to obey me.” The words linger in the air, a promise and a threat, making it clear that he won’t tolerate any disobedience. His grip remains firm, unyielding, almost daring you to defy him as he lets the message settle in, making sure you know exactly what he expects from you.
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katya-1917 · 2 days ago
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This. So much this.
I'm not *quite* old enough to remember command lines as essential computer skills and buggy GUIs that weren't worth the trouble, but I've heard the stories from folks who are, and I *do* remember technology that didn't always work, and took time, and you could hear the computers thinking...
I don't necessarily have any great "under ten years old, trying to fix what you broke in an utter panic before Dad gets home" tech stories of my own, but I do remember breaking shit and having to fix it, I remember getting into settings menus the adults around me didn't know existed and changing shit, I remember when using a computer was fun and involved learning things about how the system worked.
I don't use Linux for any lofty ideological reasons, as much as I like to say stuff in some spaces about freedom or about how avoiding proprietary software is a good choice for the political left.
I use it because the bugginess makes me feel five years old again and reminds me of that beloved old Windows XP shitbox that I learned computer basics on, sitting on the high stool at Mum's desk, and fixing a problem and needing a terminal to do it, takes me back to a time I never lived through but still miss all the same.
So yeah, I do want to see today's little kids experimenting with technology. I missed out on the truly wild world of learning tech in the 90s, and now it seems that kids not much younger than me are missing out on even what I got. Very unfortunate.
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genericpuff · 6 hours ago
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Do you have any entry level recommendations for someone looking to learn a bit more about Greek mythology? I’d love to read up on it but I’m not sure how to find reputable sources and avoid Americanisation.
I mean, at the risk of sounding crass, you're likely going to run into Americanization no matter what you do because America itself was built on many cultures, especially that of Greek philosophy and storytelling.
Buuut if you mean you wanna read some actual Greek myth content that AREN'T modern American spins on classic tales, Emily Wilson is a popular choice for many people dipping their toes into translated mythology as her translations are both simplistic and concise in their language choices as well as fun in their structure to read both internally and orally (iirc her translations are done in iambic pentameter which is very familiar to anyone who's ever read Shakespeare). I've been working through her translation of The Odyssey, it's been pretty enjoyable :)
I've also heard great things about both Lattimore and Fitzgerald, the latter of whom I will be reading next after I finish Wilson's translation. That said, I haven't read either of their works yet, so take my recommendation of them with grains of salt! (I hope you enjoy them though if you check 'em out! If you beat me to it, let me know how they went!)
OH also, I know it's sorta the opposite of what you're likely looking for as it's VERY influenced by modern contexts, but thanks to another anon I recently got into Destripando la Historia which is a super fun animated Youtube series that retells the stories of various different gods from different mythologies. If you're into stuff of the goofy anime variety, you might enjoy them, it's a Spanish series but you can turn on captions to read the translations! It's super beginner-friendly, it covers a lot of different stories and myths without getting into so much detail that it's overwhelming (but gives you a good kickoff point to start with!) and the songs and animations slap, Afrodita is one of my favorites haha
youtube
Overall the biggest advice I can give you if you're trying to avoid fanfiction-y / "Americanized" retellings is just to cross-reference. If you find a retelling you really like but aren't completely sure of its legitimacy as a functional retelling, keep reading, watching, and learning more. It's a skill like any other, and the more you read, the more you'll be able to pick out what's a legitimate retelling from studied scholars vs. what's fanfiction that you don't need to take too accurately or seriously LMAO
And honestly, nothing wrong with the fanfiction stuff! Mythology, in its very nature, changes over time, it's an inevitability and many of the myths we still draw from today are often derivative in and of themselves from even older versions that pre-existed them (see: Ovid).
it's okay if your introduction to Greek myth is through derivative fanfic, stuff like Disney's Hercules and even Lore Olympus ARE fun to consume for a lot of people and make for a good entry point into learning more about the myths!
What's frustrating - and what I tend to criticize the most here - is when the fanfiction gets advertised / sold as legitimate retellings; when the fanfiction grossly misrepresents the actual mythology and yet tries to claim it as legitimate anyways which results in fanbases that are running around with completely false information claiming it as fact. If you can give the team behind Hercules credit for one thing, their rendition may not be completely accurate, BUT the folks who made it never bragged about how much smarter they were than other people about Greek myth or call themselves "folklorists" when they didn't even have any formal education/training/etc. in it cough like another creator we know cough 💀 If we want to make a comparison between LO and a Disney film in terms of how it grossly misrepresents the themes and cultural contexts of the original stories it was drawing from... Disney's Pocahontas does exactly that 💅
So if you want to avoid any "grossly" Americanized versions of Greek myth that are borderline disrespectful to the stories they're drawing from... yeah, that's usually a pretty indicative red flag LMAO
But outside of those very specific scenarios, just have fun with it, there really is no "right or wrong" way to engage with the mythology if you're simply just wanting to learn more, the beauty of it being mythology is that it's very diverse in its mediums and thus you don't have to be restricted to learning about it exclusively through academic translations or lectures. Of course, there are cultural intersections with these myths that shouldn't be ignored, we always have to treat it with care when engaging with it so that we aren't overwriting another culture's traditions or beliefs - but if you're simply wanting to learn about and entertain yourself with some amazing stories that have quite literally stood the test of time, do so however you see fit :)
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villainscharm · 1 day ago
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the corrupted knight | gwayne h. x f!reader
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MASTERLIST
a/n : IM FINALLY FINISHING ONE GWAYNE FANFICTION THANK GOD
rating : explicit. mdni !!
words count : 1.9k
contents : smut. dark!gwayne. fingering. corrupted kink. manipulation. age-gap. gwayne is obsessed with you. reader is a riverland lady. no physical description.
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Gwayne Hightower was corrupted by the existence of you.
You, a daughter of a Riverlord, who had caught the attention of the Hightower knight unknowingly. Your father served his duty to the King at court, devoted and dutiful.
The Hand’s son had seen you before in the godswood of the Red Keep and in the Great Sept from time to time. You were pretty, in your house color gowns and the lovely hairstyle you usually wore. There was something about you, your innocence and preciousness that provoked him into darkness.
You were obviously aware of who Gwayne was, but shared little interactions with him before. He was handsome, older. A knight from Oldtown and a Gold-cloak too, it would be hard not to notice his existence. Not to mention who his father and sister were as well.
Up until the time when you accidentally bumped—ran into him in the hallway. The way you said his name rang through his brain like a spell-cast.
‘Ser Gwayne! My apologies, I did not see you.
You had apologized quickly, before rushing off to see your Septa, as you later informed him during the second encounter. Where you thought it was all purely a coincidence, except it wasn’t. Because it was Gwayne's plan all along.
Though, it wasn’t entirely his scheme, but his father’s as well. Otto Hightower was anything but a fool, there were no days that went by that a cunning plot wasn’t on his mind. He had directed his son before, alerting him of who your father was and what good it would be to gain him to their side.
Your house was a strong ally of Princess Rhaenyra, the heir, and his support for her claim has never been quivering. With you as your father’s only daughter, it would not be easy for him to accept an upright offer of marriage in any way to anyone. But Gwayne Hightower determined to change that, he would not rest until he made you his lady wife. No matter if it was for an alliance or the good of the realm, you will be his.
He knew your father had a failed journey in knighthood, therefore his own experience and reputation would give him the benefit of archive recognition from your father, which he did successfully. Gwayne would make up a story about his unappreciated hard work from his own father, how the Hand wasn't pleased with his eldest son choosing a path in knighthood instead of achieving something much higher.
And for you; a little suggestive smile and compliments were already enough to leave you hot and flushed. Gwayne enjoyed that a lot, he loved making you red with his words and gestures. He loved it when he asked you something and you bit your lips in consideration, and the sight made him want to devour your lips for the entire world to see.
Every consuming thought Gwayne had about you was filled with sinful things. He was a boy from Oldtown, born and raised by the Faith of the Seven. He should have grown into an honorary gentleman, not a depraved man waiting to corrupt your very soul. Because of your innocence, sometimes it became difficult for the Hand’s son to lure you into darkness. He wasn’t sure if it was a challenge or a punishment. Either way, Gwayne aimed to break it.
Everytime Gwayne Hightower was in your presence, he felt the Gods judging him. Everytime he stroked his own cock to the thought of you spreading your legs wide only for him, he felt the Gods cursing him—banishing him to the seven hells.
Corrupted. Sinful. Unforgivable.
The chivalrous knight, an honorable man. The son of the Hand of the King and the brother of the Queen of the seven kingdoms.
Gwayne Hightower was doomed, and he had no intention of praying for forgiveness in that.
After knowing the Hand’s son for some time, though not truly, your father had made a decision. He would allow Gwayne Hightower to marry you, but when he did not say. Gwayne, the virtue he was, awaited patiently. His own father approved of his success, but it wasn’t firm until your father agreed.
But virtue wasn’t something Gwayne was for as of late, ever since knowing you, a pure soul was the last thing the knight was. A moon passed and your father was yet to give his answer, while Otto Hightower himself was also pressuring the Riverlord for an answer in advance as well. Gwayne could no longer wait, no, he would get the answer himself. Hopefully, tonight, without any consulting with his father.
A knock on your chamber door awakened you from your sleep. It was midnight, judging by the darkness outside of your window. Sleepily, you got out of the bed and slowly made your way towards the door to open it, wondering who might be disturbing your sleep.
“Ser Gwayne?” You were surprised when the door opened, revealing the knight in his sleep attire. He looked comforting to your sight. You were used to his normal attire in green or his shiny armor and golden cloak, so the sight surprised you nonetheless.
“I’m sorry for disturbing you, my lady. But there is something I need to tell you,” he voiced, allowing himself inside of your chamber and closing the door behind smoothly.
“Must you tell me now? The hour is late, ser. It is rather inappropriate for us to be in this private,” you carefully whispered to him, the sleep started to wear off now that you saw his beautiful face.
“I must. Because if I do not, there is a chance I’ll never get to tell you forever,” Gwayne paused, darting his gaze away before pacing around the corner of the room. You noticed the distress in his demeanor and couldn’t help yourself as your hands offered him comfort on his arms. “What is it?”
The concern in your precious voice almost made Gwayne lose his facade, a smirk threatening to reveal itself on his face, but he fought it in successfully.
“I fear your father would never allow me to marry you.” His words caused paleness to take over your face. You felt your hands turn cold and your heart dropped  from fear and anxiety. “What makes you think that?”
“It has been over a moon now since he made a promise. Every day I keep asking him about our marriage, and every day he would tell me soon and soon,” you watched how his fingers ran through his auburn hair distressingly. He looked so pretty under the moonlight, you thought.
Gwayne turned to you then, carefully finding your gaze. His one hand found your jaw, he caressed them gently with fondness. He whispered your name, speaking. “You are a beauty, my dear. If something is preventing us from marriage, then at least can I get the chance to tell you how much I love you?”
The breath in your throat hitched. “I love you too, Gwayne,” your voice whispered. You could see a smile forming on the corner of his lips.
“Then at least our love agrees with each other,” Gwayne moved his face closer then and gently, he pressed his lips onto yours.
Eventually, the kiss turned hot, passionate and irresistible. Gwayne was not letting your mouth go, he was never giving you a chance to catch your breath. And when you did, he slid his tongue into your mouth smoothly. Tasting the sweet and wetness against your tongue.
You moaned into his mouth as he deepened the kiss, pushing himself closer to you; chest to chest. The sheerest of your nightgown didn't actually shield your skin at all. Gwayne could feel the fullness of your breasts pressing against him, and it sent blood straight down to his cock right away.
Slowly and carefully, he led you backward to the end of your bed before pushing you onto the mattress. Gwayne’s rough hand sneaked under your nightgown, finding your thigh. He gave it a gentle squeeze, earning a quiet gasp from you. His soft lips traveled from your lips to your neck, giving it a small suckle that was enough to leave a pinkish mark upon. While his other hand came to cup your breast, his thumb found your hardened nipple, making you mewled at the sensation.
“Gwayne—” you called but was quickly shushed by him.
“Do not worry now, my love. Am I not making you feel good, hm?”
Gwayne broke the kiss to look at your face then—hot and red and flushed, just like how he loved. Your eyes glossed with unfamiliar desires. Nodding, you urged him to continue his action and that he did.
A gasp slipped out from your lips when his fingers made contact with your entrance; wet, virgin and untouched, teasing the bundle upon it. Feeling how wet your cunt was by just kissing, Gwayne almost busted inside of his own breeches at the thought.
His blue eyes now darkened with lust, watching your face carefully—hungrily. His name fell from your lips like prayers when his finger finally entered your tight cunt. He loved it, he cherished every moment by his eyes as he watched you writhing underneath him. Gwayne dragged his mouth to your other nipple then, biting it through the fabric of your nightgown.
You were a mess underneath him. An unfamiliar feeling was building up inside of you as his fingers worked themselves on your pearl, approaching your highest. You were unsure of the feeling, but Gwayne kept comforting you with soft assurances in your ear, telling you it would be alright soon.
“Come for me, my love. I want you to come for me, look at me as you do so.”
Gwayne whispered keenly close to your ear, kissing and sucking the soft spot below as he did. The lewd sound of your arousal increased as well as your moans, eventually, you climaxed with his name on your tongue.
You were still catching your breath when Gwayne got up from you. His eyes watched you darkly, a satisfied smirk displayed on his face. You were exhausted, he could tell after coming down your high. It was your first time, anyway. Your face flushed hot with sweat glistened on your features. You looked beautiful, glowing from the orgasm and Gwayne couldn’t wait until the next time where he would officially take you in your wedding bed.
Carefully, Gwayne adjusted the fabric of your nightgown to its proper place before tugging your blanket up to shield your shivering body. He softly pressed a kiss on your cheek, your eyes were closed now, slowly drifting into sleep. Before slowly making his way out of your chamber.
After closing the door, Gwayne turned to see your father walking in the hallway. His pace stopped in his tracks as he noticed the familiar face exiting his daughter’s bedchamber in the middle of the night, and his blood began to boil at the sight.
On the contrary, Gwayne didn’t even look shocked or surprised by the presence of your father at all. In fact, the Hand’s son had already planned that out before even coming to your door. Consequences be damned, at least Gwayne was finally able to get the answer out of your father.
With a self-satisfied smirk, Gwayne raised his finger up to his lips, gracing it with a suggestive manner before walking away from his sight. When morning came, the King would announce the official news of your marriage within the fortnight, which your father could no longer prevent it no matter what.
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daddyelliott1979 · 2 days ago
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Good morning littles, middles and bigs!
It's been a while since we've posted, life has been super busy and whilst we still play daily but haven't really had the chance to share much!
The last month has seen a massive shift in our dynamic, something that I want to preface with a story.
For me a true Dom must process one specific character trait that most of these so called Alpha Dom's lack- they lack a lot, in particular humility.
See a true Dom understands that their primary function to create the space for the sun to explode their submission and their fantasies.
Without humility, a Dom won't see that! We exist for you, not the other way round. Which brings us to this story.
Now my Boy is perfect, and amazing, we are always looking for ways to deepen his little space. I was sat one Sunday morning thinking about all of this and I cooked up the perfect way to do this!
Once he was up, had his morning nappy change and bottle, during our morning cuddles I put to @squirtdaboi my idea. That one day a month I will switch and submit to him, this would help me stay humble. It also enables me to role model babyish behaviour and set expectations in his behaviour.
So on our first day of my submission to my boy, aka us switching in which he had licence to do as he pleased with zero limits! And I had to do as he wanted.
I spent that first day fully padded, dressed like a baby, I was forbidden from acting big. I was spanked, I got tied up, tortured and eventually I had to Bottom for him!
Now the cheeky monkey didn't to use to his advantage- he said if I had to do as he said then he was making this a week long thing!!!!
Ofcourse I reminded him that once this was over I would make him pay - I got spanked for my cheekiness!
So began my week long stint as his baby, full nappies, lots of bottles, baby food and early nights. I had to satisfy his sexual urges multiple times a day. I Bottomed for him every night, sometimes multiple times in one day!
It was actually a ton of fun, I learnt a lot about myself, as a Dom, apparently as a Switch, most importantly I became aware of how much I had let things slip at times.
And apparently I do miss occasionally getting to be little! Because I'm still wearing nappies full time. But our dynamic is very fluid.
I Bottom for him more often too, nothing better than seeing your boy with his nappy half off, drooling around his dummy as he pounds you!
It's been an interesting month to say the least!
But at the heart of it all he's the love of my life, my boy, my baby, my little son, and I love him more now that I have ever done!
Sadly he's got all the pics, so maybe @squirtdaboi will share some!
Love and respect Tumblr Fam
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