#I thought I was having a fever dream

[kiefbowl]

the craziest thing about getting older as a woman is that all the same celebrity men get in trouble for the same sex pest behavior every decade but each time ppl pretend like late night shows weren't making the same jokes ten years ago. they're like "we didn't know him!!" what? yes we did? but okay.

[kitamars]

im not immune to mermay it seems

[arachnestwilight]

Big day for autistic people everywhere (it's me, I'm autistic people everywhere).

[nocreativityfornames]

So I finished the new lesson and I have to ask, why wouldn't MC tell everyone what happened?

We got kidnapped and thrown into another timeline by an unknown entity who's still out there and will probably come looking for us again, had to deal with the just recently fallen brothers and so much shit happened, and even though time didn't pass while we were gone, the entire cast can tell that something is REALLY wrong, but MC just chooses to let everyone stay confused and concerned and not say a thing?

I thought MC's memories were messed up and that was the reason (they didn't really understand what was happening themself), but from the conversation with Solomon on the phone (that also felt really weird btw) it seems like they're fully aware of everything so...why?

I know they'll probably explain it later, but I'm just leaving my initial thoughts here.

[booasaur]

Yellowjackets - 2x06

[dezmolad]

Transformers One: Decepticons and Autobots

Yesterday I went to see TFOne and while it was overall a fun experience I think it would be also fun to decompose the way this movie portrays soon-to-be 'cons and 'bots.

Beware of the spoilers!

So the society and worldbuilding of Transformers One is clearly inspired by both Alligned continuity (Transformers Prime and such) and IDW2005 G1 continuity (MTMTE, RiD and such) tales about how the world looked like before the war. Of course it was only a inspiration, the liberties has been taken but some specific changes seem... well, as if they feared their source matherial to me.

Making the society divided to classes, the existence of miners is a clear inspiration from the continuities I mentioned. BUT. Making the miners exclusively (from what i observed and checked on tf wiki), besides D-16, future autobots, when in the inspirations the decepticons basically rised up from the mines is something else.

It might be G1 cartoon inspiration, where we learn in one episode that Quintessons constructed autobots as working class (TFOne: miners) and decepticons as warrior class (TFOne: High Guard). But here, melted with IDW and Alligned inspirations it feels as if the creators wanted to kinda make autobots less morally grey that their inspirations intended. The fact that the only "bully" from higher class than miners we ever see being actually piece of shit with a name is Darkwing, who we know as a decepticon also is pretty telling.

Overall I feel like the creators of this movie really wanted to take inspirations from IDW and Alligned continuity but also felt stangely uncomfortable with the implications of those continuities. Of decepticons having a point, of autobots being morally complicated, to put it lightly. It's understandable as it's a mainstream, singular movie that can't be too complicated, but still it feels kinda disappointing to me.

Giving Orion Pax the role we saw Megatron in in inspirations (a poet and an activist in IDW, a politican and a gladiator in Alligned), in the scene where he gives the speech to the miners really hammers it down. We can literally imagine Megatron doing that in universes that gave inspirations to this movie!

If someone knows more about how the creative process around this part of the movie worked I'd be glad to know!

[passionartx]

A few days ago I got cast as Dorothy in my local theatre company’s production of The Wizard Of Oz and I just know this means I’m gonna be hyperfixating on @whotfletamothhyperfx’s @sonicwizardofozau 10 times harder! So I decided to draw their AU Tails design + T-Pup

!Defo check their au out if you haven’t already cause ahhh it’s so, so good! The world building, the character designs, the art, the everything!✨!

[feroluce]

Lucid Dreamer (2/2)

part 1

Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.

It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.

But he does find the letters, in a metal box stashed away under the bed.

There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.

Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.

Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.

Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.

Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.

Gepard goes to bed, curls up under mismatched blankets and closes his eyes.

He doesn't dream.

One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.

And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.

And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.

He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.

But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.

The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.

Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.

The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.

"I'll be home in one week."

[connormccafferyhater]

who thinks we’ll go 3-0?? 🧐⁉️

[s4pphic-sh3nan1gans]

if anyone is wondering how the Bojan girlie conversion of my friend went yesterday...

this was me talking about the bokris choking, not really expecting her to be on board 😭

you don't understand how ECSTATIC I WAS AKSJAKSH SHE GETS IT!!!!!!!!

BONUS: me trying and failing to find the choking video and kaj pa ester clip before appealing to beloved joblr <3

also, she sent me a voice note saying the following: "no way you, like, got your army to find you the stuff... that's awesome! that's awesome, oh my god, I feel so special that so many people were helping me... find the porn, that's so funny."

[iwritenarrativesandstuff]

Hey. What. ????????

[localgardenweed]

Found some more forgotten doodles!!

These were doodles for concepts for a commission but still so so fire bro

Hungary dealing with SEALAND OMG?????!!!!!! Him and the other micronations are definitely failed/current Cadets. I might draw them too but we shall see

[mistletouchunderthetree]

you guys. idk if you know this. but buck is literally canonically bi. in canon. if you even care.

[strawberryspence]

thinking of buck and eddie in a secret relationship and not being able to say i love you before going to scenes. so eddie starts saying, "to the core." instead.

[nini-dirthara-lothlenanas]

. 𝔇𝔢𝔞𝔩 𝔴𝔦𝔱𝔥 𝔞 𝔇𝔢𝔳𝔦𝔩 .

[gottagobackintime]

Something something, Ted calling Trent “Sport” after Trent points out that “sport, it’s quite the metaphor”. When they’ve both just heard Roy talk about his feelings about seeing Keeley again being back at Chelsea and agreeing that it’s better to be the one breaking up with someone rather than being broken up with to quit than being fired. (Also the song in the background going “you’re not alone, you’re not alone” as Trent and Ted are the only ones left in the office. After Ted jokingly “flirted” with Roy saying “if you wouldn’t have left Chelsea when you did, we probably never would have met.” And they show Trent’s reaction right after we’ve seen Roy’s. And Trent is smiling and then Roy looks at him and gestures towards Ted and Trent and Ted are left alone in the office where the aforementioned conversation about sport being used as a metaphor and Ted calling Trent “Sport” happens.

(I’m sorry if this doesn’t make any sense. It’s 4.30am.)