#I thought I had everything done I wanted done for my characters

[amastarxoxo]

ㅤ          ㅤ          ㅤ   ˇ ✿ ՚՚ love is my curse ՚՚  ഒ

part 2 of worthless talking

thank you sm! i honestly didn’t think that worthless talking would be THAT good to most people and angsty(?) cause i was never good at writing angst. but thank you so much everyone !! and im almost at 200 followers! thank you very much and thank you arcane for being the glow up of my account ( now i just have to worry about what to write after arcane officially dies ) so if i end up doing the mini series considering it a 200 followers special ( ? maybe )

making up with arcane characters after arguing

S1! jinx , S2! vi , S2! caitlyn , and ekko x fem! reader

reconciliation , hurt/comfort , mentions of abandonment issues ( jinx ) , friends → lovers ( vi ) , mentions of marriage ( caitlyn ) , lover boy! ekko , cursing , mild suggestive ( vi )

masterlist ૮ ྀི ◞ ◟ ა navigation

not proofread or requested

JINX

the past few days have been quiet. too fucking quiet. especially for jinx. by now, she would have a talking to her hallucinations or blowing something—anything up but she being held down by something, this agonizing feeling in her chest by she hasn’t had a clue of what is it. she going on her daily routine to see what’s so off. when she wakes up, she wakes up next to you; she always talks to you; when she’s collecting parts, it’s always with you; when she’s making another invention it’s with—you. that’s the issue. jinx cursed at herself for her realization that she pushed you when she promised herself that she wouldn’t. no wonder she’s been so “unstable” according to sevika and silco.

she immediately dropped everything, forgetting about the fishbones project and left the lair. and immediately went to your place. she took out her spare key and immediately searched up and down, every corner for you but your house is empty. she was starting to panic, why aren’t you home? did you just get up and leave? she didn’t think her actions would hurt you that bad, she just wants to apologize for what she done, she didn’t mean it. “Jinx?” a soft voice creeps up behind her, “what are you doing?” jinx snaps her head around, tears resting on the edge of her eyes. “baby…” jinx breathes out.

You placed your bags next to the front door and closes the door behind you. suddenly jinx tackles you into a tight hug, sobbing into your shoulder, wrapping her arms around your waist. you pull her in close, letting her have her moment. “what’s wrong J?” you asked her softly, as she starts to cool off, small sniffles and tears drying up on her face. “i…i thought you left me after that argument we had.” her grip tighten around you. “please don’t leave me…i’m so sorry i didn’t mean to call you annoying o-or you were nagging me i promise and i—” you smash your lips into hers, causing her to softly melt into the kiss and share the warmth of the tight embrace. you slip out of the grasp of her lips and stare at her flushed face with a smile. “im not going to abandon you my love, im always going to be here.” jinx held your hand tightly, “i’m sorry.” you reciprocate her action, “i love you.” “i love you too.”

VI

another day, another lost at the pit fight. no amount of training until she sore, drinking her sorrows away, destroying her life is making the pain go away. no matter what she does, she always recalls the scared look you gave her, it sends a shiver down her spine each time. the horror of herself that you had to experience firsthand. the side that she didn't want you to see; caitlyn, whatever; but you. she deeply regrets that she lost her cool with you, off all people it just had to be you. she didn't bother drinking or training today, she can't. she can't even sleep without your face flashes in her thoughts. strolling around the undercity doesn't help much besides giving her some fresh air of the city she was raised in. she doesn't know how but she ended up at the brothel.

walking down the hallway, rooms filled with variety of sexual activities, workers and customers; she didn't care, she just ended one person right now. she walked past the other offices, she knows you mostly handle the money and service of the other workers for the customers. looking through the office window, she sees you looking over some paper works and envelopes filled with money. she twisted the door knob and closes the door behind her as she enters your office. you glance up at now black haired girl, her pink hair seeping through the tips and ends of it. "how can i help you, violet?" she tenses up and her breath hitches as you use her full name. "it's vi for you."

"who?" vi walks around your desk, you watch her cautiously, she hooks her arm around yours, pulling you up and off your desk chair. making you sit on the desk and pinning you down with both of her arms you trapping in between, "viol-" "vi. say my name correctly." she hovers above you, she slips herself in between your legs. your heart pounding in your chest, "fine fine, vi, what do you need?" vi chuckled dryly, " i want you, sweet." you scoff, "me? or that piltover girl?" vi grabbed your waist, "listen, i realized i was wrong; i care for you, and i love you, not caitlyn." her hands move to hips, pulling you in closer to her, "you were always there for me, even when you had nothing to do with me and caitlyn's mission you were there as always. and i'm sorry for taking that for granted and im sorry for calling you a prostitute." her thumbs absentmindly rubbing circles into your skin, she leans in closer and presses her lips against yours, pulling you into a soft passionate kiss; filled with love and affection. you pull away slowly, "I forgive you."

CAITLYN

you lay restless in your bed at home, away form caitlyn, you don't want to believe she's actually cheating, but the way she act together, maddie is always close to caitlyn, always touching, acting shy around your fiancee. you would always try to find time to bring it up but with the things going on with jinx and ambessa, your time with her lessen to almost nothing, even at night, she's always exhausted and out of breath. you're so lost in your thoughts you didn't even notice you were crying until a maid rushed to you side.

caitlyn could barely focused on the work in front of her, when she's training with ambessa, she seemed so distracted and distant from everything, according to the ambessa, "you do not come back until you're back on your feet, commander." the silence hung in the air. "we need not distractions for justice." that the last thing caitlyn heard before she left and went home to her office. maddie returned, he usual soft and comforting aura, it didn't feel like anything in the first place, but that's how maddie tries to come off. "commander, are you alright? you've been staring at the paperwork for 15 minutes now." maddie nervously chuckled. "I'm fine...just.."she rubs her temple in a pain and annoyance. "excuse me, i have to go see someone." she gets up and grabs her coat and leaves without hearing anything from maddie.

she knocked on the front door of your home, waiting patiently for you, she hears small shuffles and movements behind the door, she hears a faint metal sound; you're looking through the peephole. "what do you want caitlyn?" you open the door in a slight crack, enough for her to see and hear you. "hello...dear, you don't look well." caitlyn's face filled with worry and regret, voice low. "I'm fine." swiftly caitlyn, pushes the door open and pulls you into a tight hug. the cold air from outside slips into your home, causing you to shiver. "I'm sorry..." caitlyn started, "i never noticed how maddie was acting until recently, i assure...no...i promise you that I'm not cheating on you; maddie doesn't compare to you. never has and never will." you broke out into small sobs and sniffles, "I'm sorry...I'm so sorry.." caitlyn caresses your head gently, soothing you as you cried in her chest.

EKKO

since you recovered from that night, you kept your distance from your boyfriend, even on patrols with you, you stayed nearby but kept a small distance between you two, and of course he noticed, i mean he had to with the whole firelight community scolded him for lashing his anger out onto you.

another night again with patrolling with him, and you sat down at the top of the tunnel, where you got stabbed at but this same time, you're with your boyfriend; who seems extra tensed knowing this is where you go hurt. where he failed to protect you, when you didn't listen to him. you notice that he is shaking, violently. you hesitated but reached out and touched his knee, he stares at you in shock.

"calm down, ekko, if you're aren't fit for patrol then we could call-" "no!" he blurted out, "no...that won't be necessary, i'm fine." he continued on. the night sky and cool breeze surround the both of you. "I'm sorry-" you both said at the same time, you stared at each other. "it's okay-" it happened again. you chuckled, the blush rising on your face and also his. "i love you, fire." he kisses your forehead and cheek. "i love you too.." you pulled him into a soft kiss, officially calling this a good night.

tags : @sseleniaa @woldangnight

©︎ A M A T E R A S U. all rights reserved. please don't plazarize, copy, or steal any of my works without my permission, thank you !

guys say thank you to my mother who allowed me to finish this on her laptop or else you wouldn’t have seen this at all this week nonetheless this early .

[familiarscars]

Lost In Control | Bad Omens | CHAPTER 11

adult content | minors do NOT interact.

⋆ 𝐏𝐀𝐈𝐑𝐈𝐍𝐆. Bad Omens X ex-girlfriend and singer!Reader.

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. You and Noah had a difficult ending, but you still need to support each other for the band.

⋆ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆(𝐒). melancholy, ex-boyfriends, difficult relationships, alcohol abuse, swearing, drug addiction, violence.

It's okay to not agree with the characters' attitudes during the fic. It's good to remember that the story is fiction from the author's sick mind, and of course they will make dubious decisions according to my fantasies. Nothing is done to be compared to reality.

A bitter taste in your mouth and the pulsing in your head were cruel reminders of the hangover. You sat on the bed, holding your slightly warm forehead as the room spun gently, flashing disjointed glimpses of the previous night in your mind. All you could recall was asking to stay home alone after having a few drinks with your friends.

A groan escaped your lips as your eyes landed on the grotesque mess of your room—of your house in general. An absurd urge rose to deal with the unpacked boxes still holding your belongings and the suitcases stuffed with clothes.

There was no point in keeping those bags packed as if everything could return to how it was with the snap of a finger. You needed to accept that this was your new life, and there was no use fighting it.

After stepping out of the shower with a towel wrapped around your head and a toothbrush clinging to the side of your lips, you searched for clothes amid the piles on the floor. Tossing skirts, dresses, pants, and socks into the air, you paused when your fingers brushed against a T-shirt at the bottom of a box. Closing your eyes, you caught its scent—it hadn’t changed. Slipping it on felt like being wrapped in his arms again, if only for a moment.

A few items later, you found a locked wooden box. Glancing around, you spotted pliers among your nail accessories and pressed the tip against the padlock until it popped open. Inside were hundreds of printed photographs—every single one of just the two of you.

It had been so long since you smiled like that. If you didn’t know every detail of his face by heart, you might have thought those weren’t even the two of you in the pictures.

Old napkins with autographs scrawled on them—every one you’d signed for him after bar performances. He’d kept them all. Your fingers traced the messy handwriting you used to have, and a silly smile graced your face.

“So this is what you’ve been wanting back,” you muttered to yourself before putting everything back in the box. “Should’ve burned this crap when I had the chance.”

You had thought that burying the box deep beneath your clothes would also bury the memories that came with it. Ever since he turned his back on you without even hearing what you had to say the night before, you’d tried to think about anything but him.

"Alright, Noah. You did the right thing not listening to me," you grumbled, heading to the bathroom to spit out the toothpaste, rinse your mouth, and stare at your reflection in the mirror. “I do everything better on my own anyway.”

Gerard was still a weight in your life, a burden you wanted to cut loose as quickly as possible. But to do that, you needed to act, no matter the cost. Bad Omens had no shadow of new material for the album, which meant more time with him hovering over everyone.

That had to change.

Barefoot, feeling the cold floor beneath you, you walked down the hallway, fingers sliding along the banister, which echoed with that odd, creaky sound. You began pacing back and forth, pen in hand. A kind of anxious energy grew inside your chest, but ideas slipped away like sand through your fingers.

There was nothing. No melody, no line worth keeping. As if nothing inspired you anymore—unless you were high.

The thought was a spark. You knew what you needed to do.

The instant the first line disappeared beneath the swipe of a card, the world transformed. First came the heat, spreading through your body like a controlled wildfire. Then, space seemed to stretch, as though the walls were made of rubber, and your perception opened up like an infinite fan. The world was no longer the same.

Now you could see sounds.

The first sound came from the simple scratch of fingers against a metal surface, a tiny rhythm that echoed and vibrated in your head like thunder. That was all you needed. You sat cross-legged on the floor, pulling paper toward you. A melody began to take shape, hesitant at first, but soon you were sketching each note with precision.

With each new line of powder, the music gained another dimension. The beat in your head morphed into something visceral, something real. I watched you turn into it... The phrase seemed to emerge from somewhere deep inside, and you scrawled it with such force you nearly tore the paper.

Another line. Another phrase.

Every moment you returned from the haze, something new took form:

"This life was all it had to be Designed but not for you and me..."

The lyrics spilled out like a confession, something you might not even have known was there until that moment. Every chord you strummed on the guitar in your living room, every word you breathed out with your cigarette smoke, felt more intimate, more deranged. The riff grew intense, and you let yourself dance alone, fingers gliding over the strings.

The rhythm of the pen against the paper merged with the pounding of your heart and the sway of your hair as the melody gained its identity. It felt as though you were carving out a piece of yourself, tearing it from raw flesh to transform pain into music. The ending came like an explosion.

"The empty husk of a flawed design There is nothing else left inside Within the silence of this illusion Is there anything more than human?"

Slowly, you let go of the pen, leaning your head back, breathless, as sweat dripped down the back of your neck. At that moment, the front doorbell rang. You had a song. This time, a real song, not the trash you had presented at the label. You definitely had a song.

"Anything human..." Jolly seemed to toy with the words that named the song for a moment. You got excited as you gave a quick demonstration, and he looked thrilled with the idea from the start.

“What do you think?” you asked, nodding toward him as you removed the guitar from your lap. “There are some elements that could be interesting to add to the final result, like a slightly more electronic base. You know?”

“It’s a damn great song!” he exclaimed enthusiastically, raising his eyebrows, and your shoulders finally relaxed. “But I’m a little concerned about your creative process…” His eyes swept across the mess in the room before landing back on you. “Okay, we’re way behind on delivering the album, and we don’t have much…”

“We don’t have anything,” you interjected to correct him. “We have nothing yet, and Noah doesn’t seem too worried about it since all he ever does is criticize what I make.”

“But the problem is, every time you get hyped during a creative process, it messes with your head. And I’m no idiot, girl—I know your little tricks to keep yourself inspired. If having a quick album is going to cost me a band member, I’d rather stay at square one!” he warned, pointing his finger at you.

“I can handle it myself, okay? Now let’s get back to the music and the band!”

“It really is a good song.”

“I need you to tell Noah that it was your idea and that you wrote it alone.”

You barely finished the request before Jolly adjusted his posture on the sofa, looking confused.

“Why would I do that?”

“Because you know that when he’s sulking about something, he manages to turn it into nothing more than a pile of garbage in his eyes. That’s what he’s been doing with me,” you explained, trying to suppress a smile. “If you say I wrote this song, he’ll definitely discard it, and we’ll be back at square one. And I doubt that, like me, you don’t have your own reasons for wanting this album to be finished already.”

He considered your words for a moment. Reluctant as he was, he had to admit you were right, knowing his friend as well as he did.

“Of course, I’m not going to let him discard a song like this, but even if I go along with your suggestion, I still think it’s a ridiculous idea,” Jolly said, rolling his eyes as he grabbed the sheet of paper again to analyze your work. “Did your idea of talking to him not work?”

“He’d rather face the devil in his true form than see me in front of him, Jolly.” Propping yourself up on your hands, you stared at him with a pout. “Noah decided that I don’t exist, not even within the band’s boundaries. It’s like I’m really not there, and that’s fine.”

“Fine?” he asked, tearing his attention from the sheet again.

“I feel like the best thing he can do for himself is stay away from me. We can deal with it, right? But if he thinks I’m going to leave my band because of him and our personal issues just because he’s decided he can keep interfering in my life, he’s dead wrong.”

“You’re so stubborn I honestly wouldn’t be surprised if you two were made for each other.”

“You’re wrong. Terribly wrong, Mr. Joakim!”

He clearly didn’t believe your words, judging by the ironic huff and eye roll he gave before returning his attention to the song’s lyrics on the paper.

The studio was enveloped in a comfortable dimness, with faint lights reflecting off the perfectly aligned instruments. The silence preceding rehearsal was almost ceremonial. Noah stood before the microphone, adjusting his headphones while the others exchanged glances, aligning themselves to start.

“Alright, let’s go.” His voice cut through the air with firmness, but there was something in the way he held the stand, in his eyes avoiding direct contact.

The first beat was like a held breath, the bass pulsing gently before the smooth guitar chords emerged, as if asking permission to exist. Noah tilted his head, closing his eyes for a moment, feeling the music flow within him before he began to sing.

His voice was hoarse, laden with emotion, every word cutting through the silence like a blade. He held the notes with precision, but there was a controlled desperation, a longing that was impossible to ignore. The others instinctively adjusted, following his lead. The drums entered like a racing heartbeat, while the guitar intensified, driving the music to something more visceral, rawer.

“That was fucking good!” he said with what seemed like the shadow of a smile at the end of the song, giving Jolly a quick handshake. “You nailed it, but I didn’t know you had something in mind; we could’ve worked on it together.”

Jolly’s gaze darted between Noah and you, and after taking a deep breath, he simply shrugged. “I was just as surprised at how quickly this song landed in my lap.”

“With a few adjustments, we’ve hit the tone for the new album. It feels like it’s finally easier to know where we’re heading,” Noah declared, still with his back to you. You rolled your eyes at the sheer amount of obviousness he spouted. From this angle, it was amusing how flustered he got when he wasn’t the first to figure something out.

“I have another idea!” You raised your hand, waving it enthusiastically, the excitement coursing through you undeniable. You shifted your weight back and forth, catching everyone’s attention except his. “Each track’s intro could contain a coded message, like clues to the central story. Since you love being a trailblazer, I thought of using your voice, Noah. What do you think?”

From this distance, you could see his hand clenching the microphone tighter than necessary. He recognized that euphoric tone and the insatiable urge to provoke him—he knew you were high.

“I think it’s a good idea!” Ruffilo chimed in.

“Me too. Actually, I already have an idea for how it could start,” Jolly added, pulling the same thoughtful face he always did when brainstorming.

“I’ve never heard a dumber idea in my entire life,” Noah said softly, placing the mic stand back in its spot, still refusing to look at you. “Don’t tell me you want to burden us with this melancholic nonsense like the last thing you produced?”

“I asked for your opinion on the idea, not your permission,” you retorted sarcastically.

Noah grunted as if hearing you was physically painful.

“You’re right—some projects shouldn’t see the light of day, like that song of yours. But I don’t get why you’re so offended when creating useless things has always been your specialty.” You shrugged, sitting atop the sound output box. “Just look at your desk drawer—how many songs has Bad Omens released, and how many were actually written by me, Jolly, or you?”

“What the fuck are you talking about!” he snapped. “You talk like you’ve done everything by yourself all these years!”

“Guys, I think that’s enough for today, right?” Folio chuckled awkwardly, jumping off the drum set as he noticed Noah tense up.

“The math doesn’t add up, Noah!” you mocked. “So, every time you refer to something I wrote, just open your drawer and count how many of your songs actually made it out of there.”

Silencing him in his moments of arrogance was one of your greatest talents, and nothing satisfied you more than that. “Honestly, Jolly’s voice would work much better for this intro idea. Who’s in favor?”

Your neck stretched as a triumphant smile spread across your face when everyone, except Noah, raised their hands immediately. He glanced at each of them, as if silently promising vengeance, and the sweetness of defeating him was palpable.

“Then it’s settled, folks!” you cheered, clapping your hands with a satisfied grin.

Gradually, your smile faded as he slowly turned around, his expression dark, especially around his eyes. His breathing came in measured scales, as if it was difficult for him, and as his eyes locked with yours, you stood up. You were ready to stand your ground if necessary, but there was no way he’d win this time.

“Bye.”

“Bye.”

“Bye.”

All the guys said simultaneously. “Man, I’m starving. Catch you later.”

They disappeared in the snap of a finger, leaving her alone with the very reincarnation of the devil in the form of a man. Noah approached with slow steps, and the wind deliberately brought his scent. Even at this reasonable distance, he seemed to emanate enough electricity to make the hairs on her arms stand on end.

“Well, look who broke the little silence game.

“You’re pathetic.”

“That line is mine, hey!” you pointed out.

Another step, and Noah was too close, leaning his body down so they were at the same height. He braced one hand against the wall. You tried to step back, but the speaker right behind you limited your movement, forcing you to step to the side—nothing that stopped him from following you like a bloodhound. If he cultivated a good sense of hearing, he could probably hear how your heart was pounding against your chest from the proximity of your faces.

“Every time I’m talking to you, I want you to look at me,” he ordered, lifting my chin so that my gaze left his sculpted lips and locked onto his blazing eyes. “Congratulations.”

He said in a whisper that churned your stomach.

“I understand that liars have difficulty speaking while looking into someone’s eyes, but in time you’ll learn. Just like you’ve been learning to lie better and better.”

“Do you want me to thank you for the compliment?” you retorted in a biting tone as low as his and almost managed to crack the smirk on his rigid posture if he hadn’t corrected himself in time.

“They might all fall for this ridiculous talk of yours, but I know the song is yours.”

“So you admit you were praising a work done by me?” you asked, reducing the distance between you two. Your tongue moistened your lip as you heard him gasp from the short space between your bodies, and you couldn’t help but feel your skin tingle at the sensation of his eyes analyzing your face. “Still my number one fan, Noah Sebastian?”

He looked feverish, battling between gritting his teeth at your insolence and resisting being so close. Noah took another step forward, planting a single hand on your jaw, and your back collided with the wall, your hair scattering across it.

“Stop,” he growled without much confidence.

His closed eyes brushed the tip of his nose against yours as the compression of your bodies became stronger. You gasped as his leg pressed between yours and the pressure he applied to your jaw while dragging his face along yours was about to make your body explode.

Struggling against his hand and the alternating temperature of your body, you tilted your chin so that your lips came closer together. You could taste the flavor of his lips on yours, always soft and perfectly fitting as if they were made for this. Gently, the moment allowed you to brush against each other slowly, feeling the texture of his sculpted skin that seemed to remain the same after all this time.

But something pulled him out of the trance suddenly, and Noah grabbed your jaw again as he pulled you closer to deliver a message into your ear.

“Don’t seek me out with an intention like this again unless you’re capable of remembering what happened the next day,” he said in a rigid tone as he released you.

Your body cooled so quickly that you guessed you were a little stunned.

“And that shirt is mine. What happened to the story that you’d gotten rid of everything that belonged to me?”

You were furious. After the ecstasy, the excitement, and all the strange things that messed with you whenever you wore this crap, fury was the stage that seemed to linger the longest when it took over your body. Arms crossed, you watched him walk away as if nothing had happened. In fact, he was satisfied with having tied the score.

He had managed to humiliate you.

“Want it back?” you asked and saw him glance over his shoulder.

“Of course I do.”

Nodding and biting your lips, you uncrossed your arms, and without breaking eye contact in his direction, you grabbed the hem of the shirt and pulled it off completely. Luckily, you were wearing a matching lingerie set, and your sweet smile only deepened as you crumpled the piece and threw it against his wide-eyed face.

“Wait!” he called out, trying to follow as you strutted out of the studio. “Where do you think you’re going like that?”

“Home!” you replied as if it were obvious, shrugging as you stepped through the door.

Outside, the guys were eating, and their jaws dropped, along with slices of pizza from their mouths, as they saw you walking around in nothing but your underwear and boots.

“HAVE YOU LOST YOUR MIND?!” Noah roared, trying to keep up. “Get back inside and put some clothes on, now!”

“Or?” you challenged him, the wind sweeping the strands of hair from your face as you walked backward and flipped him off when he didn’t move. “Like I said: You’re pathetic.”

“What are you laughing at?”

⭑ @collisionofyourkissmakesitsohard ; @iluvmewwwww75 ; @anarchydomainglory ; @foliosgirl ; @lma1986 ; @chey-h ; @supersquirrel1996 ; @zozaline

[lavenlady]

Hai hello!

I really like your work and the way you present the characters ^^

Would you be interested in writing megatron or Optimus prime (whichever you prefer :3) x Organic/cybertronian reader? Maybe she was previously Sentinel's partner who he got as a gift for killing the rest of the primes? Maybe they knew her earlier as Orion pax or D-16?

I really like your work

I am happy that you liked it! I have decided to do both but more on D-16 side.

The reader will be a minicon - small but powerful!

Enjoy :3

✿Special Gift✿

D16/Megatron and Orion Pax/Optimus Prime

➤ You were 'taken in' by Sentinel Prime

➤ Forged a little after the betrayal so you do not know the truth, but found the perfect Prime suspicious - he was just too perfect

➤ You were a minicon and minicons posses the ability to power up cybertronians, so Sentinel saw usefulness in you and decided to let you keep your cog, even then you only reached the hip of a miner bot

➤ It was a win-win for Sentinel, he just kept getting more and more powerful after his successful 'promotion' - a special gift that made him more of an Icon in Iacon

➤ Oh how many times he showed off with your help and called you his partner

➤ You were usually by Sentinels side in Iacon but were always left behind when the Prime went searching for the Matrix of Leadership

➤ You couldn't really go anywhere, but after the Iacon 5000 race you were intrigued by those two miners - Orion Pax and D-16

➤ You probably saw how Darkwing threw them into Sub-level 50 and decided to follow them

" So you are the miners that took part in the race. I never knew I would see this in my entire onlining! "

➤ You accompanied them to the surface and finally got to know everyone better, mainly D-16 and Orion Pax

" You sneaked into the archives, nearly got beaten and was close to fall into the void?! On a daily basis?! And I thought I had an exciting life! "

" You are on top of the sector and use a steel bag to train?! You are so strong! I bet you could snap someone in half! "

➤ Then finally finding out the truth...

" Ha! I knew it! There was something fishy about him! "

➤ And others finally got their cogs and you got an upgrade, but couldn't really check as you had to run away

➤ Others had quite a difficulty in transforming and thus you decided in the end to cling to D-16

➤ Then High Guard takes you hostage and D-16 takes on Starscream, but you couldn't just sit there and watch

➤ So you jumped to help D-16, transforming into his fusion cannon, but quite more upgraded

➤ Now you can imagine how easier it was to find them when D-16 fired into the sky

➤ Then Sentinel's pawns capture you and you finally met Sentinel again

➤ All is the same, but as D-16 is about to be branded, you finally transform and jump at Sentinels face trying to buy others time

➤ In the end Sentinel breaks your knee joints to keep you in place and that fuels even more D-16's rage - or rather said fury

➤ His new friend used and forced to do as the false Prime says? Not gonna happen again

➤ Then the branding, the fight that you decided to take part in only wishing for the treachery of Sentinel to end, not expecting Orion's actions

➤ And finally Orion gets shot

➤ You and D-16 didn't want that to happen and especially didn't plan on killing their friend

➤ It was D-16 decision to drop down Orion into the void, but you couldn't really find the reason to leave him - you have to get rid of the false prime still, it was his fault after all

➤ You and now Megatron, after getting the Megatronus Prime's cog and a power up, plan to fix Iacon all together

➤ Then Optimus Prime comes and the battle followed by banishment

➤ You didn't know who to choose, you really liked both of your friends

➤ But at the same time....

➤ Not everything can be solved without violence, it was needed to be done and you will - for now - stand by it

➤ Feeling sad that you have lost some of your friends, but at least you still have D- Megatron left

➤ He promised a new, better future and you are going to help in achieving it, even if it ment to offline in process

□■□■□■□■□■□■□■□■□■□■□■□■□■□

(anyway here is the height I imagine the reader having

The cybertronians in Tf One are huge so minicons have to be quite bigger to fit with proportions - at least i think)

[nekrosmos]

questions about nikolai and price (originally from an ask meme about original characters but i wanna hear your thoughts):

what do they want to hear?

what do they need to hear?

what do they dread to hear?

Thank you for the ask !! I honestly struggled with the answers, I'm not the best at deep character introspection so this really had me scratching my head. I hope what I came up with makes sense !

What do they want to hear?

Nikolai: "I trust you."

Nik is intimidating, isn't he ? Intelligent, strong, well-connected Nikolai. People know that. It usually takes only a half a second glance to know that you do not want to be on this man's bad side. He's used to it, really. But how many times as he entered a room only to see people shift uncomfortably, suddenly very aware of his presence? He makes people uneasy, whether he wants it or not. It's fine when he's on an op and needs to be menacing, but it gets old quickly when he just wants to relax, sometimes.

He's trustworthy, despite his shady dealings, he's loyal. Thankfully, a handful of people know that.

Price: "You made a difference"

Yes, his hands got bloody, but it was all worth it in the end, right? He saved people by pulling the trigger when it needed to be done. No hesitation, it's what the world needs. So what if he can't sleep at night and his file is covered in black ? He made a difference, the rest, he can live with.

What do they need to hear?

Nikolai: "You need to think of yourself, too."

Nikolai puts others first, this has always been true. He likes to help out, likes to feel useful, ready to answer a call. Loyal to a fault, devoted to his friends. But when was the last time Nik put his needs as a top priority ? Has he ever done that ? He has no trouble flying to the other of the planet at a moment's notice if someone asks him to. How many nights of sleep has he missed because someone needed a hand? How much time has he spent fixing up his helo because it got banged up the last time a friend needed transport in hostile territory ? It's always others first, never himself, and he needs to be reminded of that.

Price: "You matter."

It's easy to forget that you're someone when you've been used as a weapon since you were 16. You forget that you have a purpose outside of your work, too. You forget you're a human first, with needs and wants and desires. You are Captain John Price, but you are also just John Price, and he matters too.

When he comes home for a break, what does he see outside of blank walls and a barely lived in house he never really took the time to make his ? It's temporary, he thinks, he doesn't really live here.

Maybe John needs to be reminded that he exists outside of his work.

What do they dread to hear?

Nikolai: "You don't belong here."

From either side. I think Nik feels strongly about his relationship with his home country, how he's been working against it and how his actions might be perceived by his countrymen. I think he's scared of losing this part of himself, and being rejected, even though all he's done was in the name of his country.

And then on the other side, Nik knows he stands out, knows people see him as a "could have so easily been the enemy" kind of guy. People like him, sure, but how many, aside from Kate, John and Gaz actually trust him ? Everyone else sees him as useful, but ultimately, they still look at him with a suspicious eye.

Where is home for Nikolai, really ?

Price: "You failed them"

Losing people, he's used to it. It never gets easier though, does it? Men and women under his command, people he's known for years, people who trusted him, friends. But, there is something entirely different between losing someone when you did everything you could have done and it was the way it was supposed to go, and losing someone because of your mistake. He failed them, he knows that, and it haunts him.

[teamchillidogs]

Oï!!

First, I want to say, I love this comic and genuinely can’t wait to see what awaits for us next ♡♡♡

The premise is such an interesting concept– And the art is to die for, hello?? (all my ♡ to you guys, and I mean ALL of you!)

I just had two tiny questions, if it haven’t been already answered:

If it doesn’t spoil anything, is Sonic still going to be able to run at his full speed with that mechanical leg? Or is he going to be limited? I can’t imagine my poor baby stuck with average speed, but I’m not really sure that this leg is capable of supporting his sonic speed.

And second, mostly adressed to others fans... WHY IS EVERYBODY BLAMING MAH BOI TAILS FOR EVERYTHING?? Like, yeah sure he’s technically responsible but–

Why is nobody blaming Knuckles too?!

Both Sonic and Amy told Tails to come back to the ARK and let Sonic&Shadow handle things, and I think we can safely say he would have (even reluctantly) obeyed and gone back to the ship.

But noooooo, Knuckles had to chime him and told him to make himself useful.

Useful.

To the boy who literally just witnessed his BigBroTM (fake) death in an explosion without being able to do anything abt it.

The kid who just had an entire arc abt gaining confidence and learning to step out of Sonic’s shadow (pun not intented), to be his own person with his own purpose and all that jazz.

The child who’s probably still pump up on the adrealine from his fight with Eggman (which he won if I remember my SA2 correctly).

Knuckles, mah bro, best hot-headed himbo of the franchise. You could not have chosen a worst time to utter these words.

Of course Tails was going to take him up on that and try to ”MaKe HiMsElf UsEfUl”, why wouldn’t he?? He defeated Eggman in battle (Left-over adrealine and possibly cockiness?), and didn’t seem to trust Shadow with Sonic (who, again, was thought Dead literaly less than half an hour ago bc of the Team Shadow was on– Seriously, I can see why he’d like to be by his side when Sonic is again risking his life out there for them)

And franckly, how was he supposed to realize how bad his intervention would turn out to be? It never got that bad before, why now?

#StoptheTailshate #HoldKnucklesaccountable

Sorry for the rambling and the terrible english, but it had to be said, bruh. Tails ain’t even in my Top-5 favorites character, but everyones’ so harsh on the baby, he needed some backup 🥺😭

Hii @sookilini here answering as per usual!

this is the best ask we have ever received and it's honestly my favorite, thank you so much for sending this.

I always get to excited and emotional when i read these things, thank you so much for your kind words <333

ALSO THANK YOU FOR NOT ATTACKING TAILS, he has been DRAGGED TO FILTH I CAN´T TAKE IT /j

So first: is Sonic still going to be able to run at his full speed with that mechanical leg? Or is he going to be limited?

Unfortunately, the people of Marmolim (the planet he landed on) as you may have been able to tell, don't know who Sonic is and are unaware of his speed and abilities. So, the prosthetic leg isn´t capable of withstanding his speed...

Secondly

Why is nobody blaming Knuckles too?

I honestly have no idea why most people commenting did not catch onto Knuckles provoking Tails by poking at his insecurities, I'd even dare to say his ego more so... Tails got into his head "oh I don't need Sonic to get things done. I can do anything, I'm more than just the brains, I can do the action too" at least this is my intention with his actions.

We have to remember, Tails is literally just a child at the end of the day, yes he is incredibly smart but can you really expect a 12-year-old-ish kid to act rationally when put in a stressful life or death situation while getting yelled at by everyone for just trying to help?

Nobody would ever expect a kid to even be in that situation to begin with right? at least that´s what I think.

We all know Knux isn´t the smartest in hindsight...he isn't stupid by any means, but he will say what comes to his mind without second guessing for sure.

But oh well...Knuckles isn´t here to defend himself....anymore...

But there is still hope

[littlemanthings]

Dear Fandom,

To say I am deeply disappointed in what this fandom has become is an understatement, but because I really don't want to start aggression by using vulgar language or to stress the VAs out anymore than they probably are; I'm going to try keep it at a certain level. But man, there are better ways to ask for a whole army to come after you with pitchforks like this was the fucking middle ages and without having all this damage being done.

And now we're losing a big part of this show because some people just had to cross the line over a hundred fucking times now. I'm so ever proud and impressed with Kat for dealing with this and for so long— and with three other jobs as well? All I can do is hope that she knows how important she and all the others who work with the shows is to us all.

I don't like getting personal, but if there is that small chance that any of them read this I just wanted to share this with you; about like two-three years ago I was very lonely, and my head space was not in the right place, but in that same year I also found the SAMS channel, and my heart kinda just made a nest there. Then Lunar and Earth started their own thing and things just felt better. For a while I really thought one of these years was going to be mark the end for me, but these characters, the writing, everything about it made me want to stay a little longer— just until I got to see how it ended, I would tell myself. And now I'm pretty sure I do want to be here long after the curtains fall.

So thank you, if I could say it a million times I would. Thank you for making Earth who she is. Thank you for representing the rest of us girls out there. Thank you for reigniting my love for writing. Thank you for unknowingly raising a young teenager who wants to live thanks to you and a lot of other people (you too Davis and Reed).

To clarify a few things; I am not in any way trying to convince Kat to not quit writing for the shows, I understand her decision and fully support it. I hope to god I didn't make things weird or project myself onto this situation, I really just wanted Kat to know she means a whole lot to us.

[hauntingofhouses]

arcane rant. spoilers for all of season 2 #caitlyn-critical

yeah okay i was scared to say this which is SILLY but ALAS. anyway yeah seeing that im not the only one i feel like i have to get this off my chest as well.

i wanted to give caitlyn a chance in season 2, especially in the beginning of this season during her """corruption""" arc wherein she was turning into a tyrant and a bad guy. because see, to me that was caitlyn at her best. not as a person but as a character. before this she was just so uninteresting and downright annoying to me, but starting with s2e1 i started really enjoying where the writers were taking her journey. i would've loved to see her continue down that path and caitvi evolving from reluctant allies to lovers and then perhaps to enemies-WHILE-lovers. i wouldve loved seeing caitvi hatefucking, and i thought that was where this arc was taking her. but no, instead she's still the good one, while maddie turned out to be the bad guy all along. plot twist! but it made me feel nothing but more annoyance not only at caitlyn but also at the way the narrative seems to baby caitlyn and excuse her for everything despite the supposed anti-cop messaging intrinsic to the way vi was written throughout season 1.

i understand that caitlyn's whole thing in season 1 is that she's a naive rich girl just trying her best in the ways she knows how, and that's by being a cop. like yes i get that, which is why i didnt mind her very much and gave her a chance to grow, and even though i didn't care for her as a character at all because she's boring AND a cop, i did like that she was in the story as vi's love interest, and primarily served the story in that role.

but when season 2 decides to give her a bigger role and allow her to shine on her own, they do a good job! until... they don't. because caitlyn still has to be a good guy, because she's SO loyal to vi. and why? the two barely know each other, they're attracted to each other but I don't understand why and how caitlyn could so easily put aside all her rage and grief and desire for vengeance and retribution, to be loyal to vi. to betray ambessa and work with jinx?

like i think my biggest problem is how little conflict there is for vi and cait to end up fucking in that prison cell. like if it was angry hate fucking, that would be perfect and honestly a natural followup if you really do wanna implement a sex scene right there and then. but it wasn't. instead it felt more like "okay my suicidal sister gave me her blessing to fuck you so i can finally do it now yippeee" meanwhile jinx literally went to kill herself over and over again while ekko had to keep trying to talk her down.

like the thing is i'm here for the drama and im here for a rollercoaster ride of emotions and i'm here for character development. but more than anything else i'm here for the drama where vi and jinx's story as sisters, as family, is ultimately the driving force of the story. so for them to just push that aside SO quickly, felt JARRING. like "okay sister MOVE i wanna fuck this cute cop who was acting like a tyrant in the city for the past few months (?), and btw the cute cop works for an institution that killed my parents and destroyed our whole lives ❤️ #lovewins"

like okay. i dont mind if the final ending finds both jinx and vi distanced and estranged because they both need to heal and move on from the past (and each other) in order to grow and invest love in their own new found families. but for it to have been done just like that, for caitvi to get together in the same prison cell where vi's suicidal sister had just been suffering in mental agony and grief... I don't know. i don't like it.

[toasthaste]

ok here are some In Stars and Time thoughts: (wow! that's a lot of thoughts actually! long post warning! also warning for like every possible spoiler, don't read this if you haven't engaged with the game to your satisfaction)

I'm obsessed with the fact that the loop that ends up being the final one is the one where EVERYTHING goes wrong. I spent the whole game subconsciously building up my Perfect Final Loop in my mind, how I'd get every item to make sure I didn't miss an opportunity to use em, do all the friendquests and such... I didn't even realize I'd been building up that ideal scenario until after credits rolled! Really really cool. The timeline where Siffrin does the worst stuff he does in any loop is the one that stays. And it's still a happy ending! it's a better ending because of that! His friends saw him at his worst and still loved him! He didn't have to do everything perfect to keep them around actually! Something about that feels so right, to me.

I keep using "ludonarrative resonance" to describe this game and yeah ok I'm huffing my own farts here whipping that out but whatever, it's REAL. The player and Siffrin are on the EXACT same emotional journey as each other, we're getting tired of seeing the exact same lines over and over again right alongside them, we're taking shortcuts because we've seen it all before and just want to grab key open door grab crest etc etc make the progress go. We're starting to find these previously-charming characters grating because we've just seem them repeat the SAME lines over and over and over and OVER again until they start feeling like caricatures of themselves who we can barely feel any real compassion for any more.... It's just so.... clean, it's so perfect, to me. It helps that Siffrin is also one of the more relatable characters I've encountered in, like, media. I don't usually relate to fictional characters much, but, man, the emotional constipation, the building scorn, the depression, the Being Weird About Touch... I mentioned in another post that it's really just Siffrin and Murderbot who I've ever found viscerally relatable, of all the characters ever in media. So like, it's a pretty rare position. (I do not relate to the pun-love though. I'm funny I'm good at goofs but bad puns are extremely tedious to me. Which perhaps goes to show how well-realized Siffrin is, given that I'm able to look the other way....)

I think they could have stood to make Loop's Whole Deal a bit more obvious. I had no clue what their fucking deal was at any point. I totally missed the interaction that lets you learn about The Incident and thus get more Loop info at the end, and... it's valid to have different endings in a game of course, but... I felt like I really missed out tbh! And I had no way of knowing I had to keep interacting with the silver coin.... idk. It felt a bit like a gotcha I suppose. And Loop's deal is really cool! Holy hell! I'm doing a quick replay of the game to see more convos with them with this context, and to get the ending with them, and like--!!! There's so much here! Loop tellins Sif to use the royal We, they even tell Siffrin, like-- Loop asks Siffrin why he doesn't just tell his friends about the loops, maybe they can help, why keep it a secret? Meanwhile... Loop!Siffrin is stuck in their own helpless timefuckery world and refusing to let Siffrin know about it! The Siffrin from the Start Again timeline never learned those lessons, they're still trying to help someone else while refusing to ask for help themselves, refusing to even let on that there's a problem! And getting more and more emotionally fucked up about it! Man it's good. I guess it does make a replay more rewarding, not knowing this until the end, the first time, but so much of the game is already a replay that, idk, it does feel weird to replay it. I've already done so many repetitions y'all.... But I guess that's pretty meta, also...

Oh I'm under the impression this is not terribly uncommon but I absolutely did get got by the ?diary? that had the story of the person making a duplicate of themselves so they had someone to talk to. Like I fully thought that was describing the King and Siffrin, I spent a long time under the mistaken impression that Siffrin was a copy of the King in some capacity. Oops.... I might try to gently lead Beloved Roomie away from this interpretation when she plays it. Planning on being pretty hands-off overall but this is one area where I feel it might be justified to violate the prime directive.... But we'll see!

I wish I liked the music more..... This is a game that I think really begs for some real heartwrenching tunes to enhance all of the everything but instead none of it does it for me at all. I think that's a real shame, it's by far my biggest complaint. I'm not asking for Undertale-tier, but, at least something I'd want to put on my playlist for the emotional resonance, y'know?

THEY ACTUALLY KILLED THE KID !!!! LIKE!!!! I guess I have some biases I might should think about but I was not expecting a game that begins with so many explicit pronouns introductions (rather than just giving us context clues) and that has no real cursing to be willing to kill the kid, even impermanently? Let alone so gruesomely? I think I was expecting a much greater level of.... idk, tweeness, fanglessness, than we actually got. In spite of being a fan of insertdisc5's comics for YEARS and years! And like! Damn! Props to them!

God. God. So, like. All the ending fakeouts were fucking great. I genuinely thought the All Friendship Quests ending might be the Real One, I was prepared to be disappointed because it felt too soon and just not.... quite.... right? But I did think that was probably where it was heading! But it wasn't! I got got and it's so heartwrenching and also so satisfying, the mood whiplash from loop to loop is fucking sublime.

And-- AND! The real ending! So like. Some of the stuff I missed was just me not pursuing specific content correctly. But some of it is genuinely just, like, stuff that has no actual purpose besides flavor. Flavor, and.... The locked passphrase door in Dormont. The four-pointed leaf you can get (but not in the final loop!), the bell chime, etc etc. You can't actually really do anything with any of this stuff. But you don't know that! It feels like there's still all these loose ends! And!!! Those loose ends do their job SO WELL! The dev knows Gamer Instincts, knows people are gonna have that mental tally of boxes-yet-to-be-checked. Left some forever unchecked on purpose, which-- At the end, the real end, when Siffrin is about to talk to the Head Housemaiden and find out, for real, if this is the final loop or if it's all going to happen again, again, again. He's scared. He's traumatized! He's thought he Had It so many times! SO many times!!! Hope is terrifying! Hope is a poison! And the game has left these loose threads, and at least for me I really was not sure it was going to work. Like it seemed likely but the same metaknowledge of story structure that made me think it was likely also told me "but wait, there's all these loose threads, and the only way for them to trick us again WOULD BE to make the ending SO elaborate and epilogue-y....." I was nervous right along with Siffrin! I was uncertain! Fucking fantastic work, using my own gamer's instincts against me. Thrilled about it.

All the characters are so well realized. They all have specific relationships with each other, not just with Siffrin (Important!!!!! Huge complaint I had with BG3, they didn't put their whole pussies into this!!!!). And, and, I love how they all have different feelings about the time loops. I love that Mirabelle doesn't want "spoilers," and meanwhile Bonnie doesn't mind them and thinks of their alt-selves as like... them-but-not-them in a very cool way.

There's something about-- the way the game starts as a regular degular videogame and then graaaadually becomes, essentially, a visual novel as the actual gameplay becomes trivialized. Which itself is like, really really cool with the themes! And also, just.... I never would have picked up a straight up visual novel, I just, don't get into them, I'd rather read a book, but! I was already invested! It got its hooks into me when there was gameplay mixing things up and those hooks weren't about to let go just because the gameplay didn't super matter any more!

Straight up when we first see Red I didn't at all process that it was a Color in a game with No Colors, Canonically. They had to spell it out for me. It didn't occur to me to be surprised. I'm just too used to colors existing I guess idk. I think I wish the colors thing had gone somewhere a bit more...? I'm GUESSING it mostly originated as just a cute little explanation for why the game is all grayscale and then fit in with enough stuff to be given elevated importance (?) But it felt... hm. Underdeveloped, maybe. I think I really want more stories in this.... "Setting" and "Universe" and "Series" are not quite the right words but hopefully you get the idea. I want more so there can be one that develops that more. Not that leaving stones unturned is, like, illegal ofc. I just find the idea very compelling....

What is it with time loop stories and themes of loss that cannot be outsmarted. Man. I wondered, for so long, if Siffrin's country was going to be restored in people's minds, if that was one of the main big Plot Things we'd see. And it just didn't! Their memory is going to keep being bad, they're going to keep having all these huge tragic gaps and it's just. What can you do. At some point you have to either be permanently paralyzed by the horrific injustice you've suffered-- or you have to try to live a life. And. Man. I don't think I've actually ever encountered a story that was so much about that exact specific form of loss, the loss of one's culture, history, language! All of it. Gone from everywhere. It made me think of the obvious things and just. Man. What a howling void. The contrast with Odile's deal made it a lot more effective too I think. More of an expanded meditation upon these themes than just one toe dipping in, I guess? Hm.

Odile's battle profile pic when she's at low health is so fucking hot this cartoon character is so hot goddammit.

Game good. You're only reading this if you've already played it, I hope, so I can't use this space to recommend it in a meaningful way but. Heck. Game good.

[yummysake-saucegay]

Jayvik ramblings

There was once a livejournal where you could compile shipping manifestos, and I wrote one about Zoro/Sanji that had 6000+ words lol. Ngl, Jayvik makes me want to do the same these days, but for now I just need to compile a few thoughts, feel free to gush with me or add to that or correct me.

In every timeline & possibility Viktor chose to save Jayce ("only you can show me this"), even when it meant that they would create hextech and doom the world. And only Jayce can ultimately save Viktor from himself. In the timeline Ekko was sent to where hextech doesn't exist Jayce and Viktor are very possibly dead (suicide / disease), since Jayce was already on the verge of killing himself in the base timeline when his dream was shattered, even without a teenager that died in his lab, and Viktor (who wouldn't have sought out Jayce without his speech about creating magic) would later be dying and wouldn't have shimmer/the hexcore.

There are multiple scenes where Viktor gives Jayce the rune, like when he stops him from killing himself he picks up his bracelet, and he also hands him the crystal when they're trying to stabilize hextech for the first time (just found the imagery symbolic). In their final scene, Jayce gives it back to him (and it looks so gentle for once how he can just remove the rune and carefully hand it to him)

Jayce was always adamant about seeing Viktor as an equal partner from the very beginning ("your hextech dream" "OUR hextech dream" Mel: "you're the dean's assistant" "no, he is my new partner")

In the "this isn't my bedroom" scene Viktor looks displeased when Jayce looks taken by Mel (only noticed that recently!)

Viktor either never noticed or ignored Sky's affections and even after he got to know them after her death, he did not reciprocate and still calls her Ms Young in the astral plane. She can even tell it's not true when he says he will miss their talks. I just saw a clip where Christian Linke even claims that that wasn't actually Sky, but the hexcore pretending to be Sky (which is so dark and twisted IMO). Apparently, Amanda Overton also stated that Sky on the astral plane was a stand-in for Jayce to Viktor. Although I haven't seen the clip myself where she says it.

The constant juxtaposition between Viktor and Mel, starting by their design (Viktor getting progressively more sick and pale, Mel always glowing and golden) and just base characters (Viktor the poor, disabled Zaun rat who has nothing to his name, lives for science and hates being in the lamplight; Mel the influential and cunning politician who makes them her investments). Jayce even hallucinating first Mel and then Viktor in the flames. The Jayce Mel sex scene while Viktor is almost dying and Jayce returning to Viktor after. Also, him deciding to give up on his council seat and his whole career to return to the lab with Viktor where he feels he belongs after Viktor almost died in the beginning of S2.

Jayce ousting his former mentor to save Viktor's life

Viktor convinced that Jayce would understand after Singed tells him everyone will hate and despise him (and Jayce did!)

The scene on the bridge when Jayce has to pick Viktor up in S1 (after he went to Singed) and the POV changes! Where the angles are first neutral, representing them being equal, but then the camera looks down on Viktor as soon as Jayce talks badly about the Undercity.

Jayce's pure terror when he thinks Viktor is dying after the explosion, just being by Viktor's side, sleeping in the lab etc and them handing him that blanket that Viktor keeps forever. Also, Jayce not even hesitating or judging for a second when he sees Viktor's augmented leg etc. He even recorded everything when he continued and used his notes lol.

allll their quotes "it was affection that kept us together" "I thought you were done with Hextech. And with me", being partners again yadda yadda

Even in the midst of everything and his all out war with Viktor, Jayce speaks for himself and Viktor when he quarrels with Mel ("because you used me, and Viktor, for hextech!") and his anger at her not saving Viktor and the others

And I don't think I even have to elaborate on their ending haha, the beauty in Viktor's imperfections, the promise, the wanting his partner back and finishing it together...

And they were celestial roommates <3

[thebiggerbear]

This was my first Twilight character x reader story on here that I read and I cannot begin to tell you how pleased I am that I started with Emmett and with this work!!! This was beautifully written while also giving me all the angst and heartbreak and yearning feels experienced by Y/N. So well done!!!

The woods surrounding Forks were darker than you remembered. The dense canopy of evergreens blocked out most of the moonlight, leaving only thin beams to guide your path. Your breath came out in short bursts as you weaved through the trees, the familiar chill of the air biting at your skin. You knew this place like the back of your hand, and yet tonight, it felt different. Like the shadows themselves were warning you to turn back.

Love the description here. It immediately brought me right back to Forks and immersed me into the Twilight world. Very nicely done!!!

You’d told yourself a thousand times that you wouldn’t come back—that this part of your life was over. But staying away had proven impossible, and no matter how hard you tried to move on, something kept pulling you back to Forks. Back to him.

Oh my goodness, did I just let out a loud squeal? You're darn right I did!

The moment you stepped into the clearing, your heart stopped. He was there, standing as still as a statue, his broad shoulders tense and his dark eyes locked onto you. Emmett Cullen. The vampire who had stolen your heart—and then shattered it.

This is such a heart-stopping moment, though, to borrow your phrase. Seeing him in the moonlight, his eyes locked onto you, noting he's a vampire... You painted the picture so perfectly!

He let out a rough breath, his hands running through his dark curls, and for the first time, he looked vulnerable. Like the weight of everything he’d been carrying was finally too much. When his gaze finally met yours, there was no mistaking the anguish there. “I left,” he said, his voice quieter now, thick with emotion, “because I couldn’t control it anymore.” You frowned, confusion clouding your thoughts. “Control what?” Emmett’s expression darkened, and his fists clenched again. “The thirst,” he growled, like the word itself was painful. “Being around you… it was getting harder. You don’t know what it’s like, having to fight it every second. The scent of your blood—it’s overwhelming. And I couldn’t risk it anymore. I couldn’t risk you.”

I really do feel this is the conversation Edward should have also had with Bella in the books, too. At least Emmett is telling her and being honest with her here. And knowing Emmett's body count history, it's more than understandable why he left. He just straight up says it and I love it.

“You could’ve told me,” you whispered, your voice trembling. “We could’ve figured it out together.” Emmett shook his head, his eyes filled with a sadness that seemed to age him by centuries. “No, we couldn’t. I’m a danger to you, and you don’t even realize it. Every day that I spent with you, I was fighting my nature. One slip, one mistake, and you’d be gone. I couldn’t live with myself if that happened.”

Normally, I'd be frustrated with her like I get with Bella in New Moon (the whole saga quite frankly) whenever it comes to this harsh truth of a topic in a relationship between vampire and human in that world, but I can understand the reader's point here. And I appreciate that Emmett shuts it down, as much as it costs him to do so. (I also LOVE how you've taken Emmett's backstory and applied it here brilliantly btw!!!)

After what felt like an eternity, you stepped closer, close enough that you could reach out and touch him if you wanted to. But you didn’t. You just looked up at him, your heart heavy. “I came back because I couldn’t let go of you,” you said softly. “But maybe… maybe it’s time I do.” Emmett’s eyes snapped open, wide with shock and pain, but he didn’t stop you as you turned away, your heart breaking with every step. He had left to protect you, but in the end, the danger wasn’t just in his nature. It was in the love that had consumed you both, the love that had torn you apart. And as you disappeared into the shadows of the forest, you realized that sometimes, no matter how much you love someone, you have to let them go.

Thank YOU. As much as this hurt and I hate to see Emmett in pain (he will always be one of my fave Cullens!), I am so glad to see a realistic reaction to the depth of the love between a human and a vampire in this world alongside to the danger the vampire actually represents. Don't get me wrong, I love the Cullens but it always bothered me that Bella refused to at least acknowledge that fact and fully process it no matter what anyone said to her, including Edward. Not until her own transformation anyway and other people like Charlie were at risk from her. So I am very glad to see this displayed here. And your writing is impeccable so like I said above, I am so glad I entered the Twilight x Reader reading territory with you as a guide to light my way and I started with one of your works!!! So well done!!! 😊💖💖

Letting You Go (Emmett Cullen)

Summary: You wanted to see Emmett again, but you realise it was a lost cause.

WC: 1kish

Warnings: Angst

Read on Ao3!

--

The woods surrounding Forks were darker than you remembered. The dense canopy of evergreens blocked out most of the moonlight, leaving only thin beams to guide your path. Your breath came out in short bursts as you weaved through the trees, the familiar chill of the air biting at your skin. You knew this place like the back of your hand, and yet tonight, it felt different. Like the shadows themselves were warning you to turn back.

But you couldn’t. Not when you had come this far.

You’d told yourself a thousand times that you wouldn’t come back—that this part of your life was over. But staying away had proven impossible, and no matter how hard you tried to move on, something kept pulling you back to Forks. Back to him.

The moment you stepped into the clearing, your heart stopped. He was there, standing as still as a statue, his broad shoulders tense and his dark eyes locked onto you. Emmett Cullen. The vampire who had stolen your heart—and then shattered it.

“You really shouldn’t come back here, you know.” His voice was low, rough around the edges, a far cry from the easy-going tone you used to love. “It’s not safe.”

You swallowed hard, forcing yourself to keep walking toward him even though every instinct screamed for you to run. “I know,” you said softly, your voice barely carrying through the cold air. “But I had to see you.”

Emmett didn’t move. He stood there, his jaw clenched, his hands balled into fists at his sides. The distance between you felt like a canyon, even though it was only a few feet. He looked the same as he always did—strong, imposing, impossibly beautiful—but there was a hardness in his eyes now, a darkness that hadn’t been there before.

“You shouldn’t have come back,” he repeated, his voice sharper this time. “You’re putting yourself in danger.”

You took another step closer, ignoring the warning in his tone. “Why, Emmett? Why did you leave like that?” Your words cracked under the weight of the question you’d been carrying for so long. “I need to understand.”

For a moment, you thought you saw a flicker of something in his expression—regret, maybe, or pain—but it was gone in an instant, replaced by a cold detachment that made your heart ache.

“There’s nothing to understand,” he said flatly, his eyes hard. “I left because it was the only way to keep you safe.”

Safe. The word felt like a dagger in your chest. Safe from what? From him? The thought made you sick.

“You think leaving me out of nowhere was going to protect me?” you demanded, your voice rising with emotion. “You didn’t even say goodbye, Emmett. You just—vanished. I didn’t know if you were dead, or hurt, or if I’d done something wrong—”

“You didn’t do anything wrong!” he interrupted, his voice thunderous as it cut through the air, echoing in the clearing. His eyes flashed with something raw, something that broke through the icy exterior he’d been trying so hard to maintain. “This wasn’t about you.”

“Then what was it about?” you whispered, taking another step forward, desperate to close the distance between you. “Tell me, Emmett. Because I can’t move on without knowing why you left me.”

He let out a rough breath, his hands running through his dark curls, and for the first time, he looked vulnerable. Like the weight of everything he’d been carrying was finally too much. When his gaze finally met yours, there was no mistaking the anguish there.

“I left,” he said, his voice quieter now, thick with emotion, “because I couldn’t control it anymore.”

You frowned, confusion clouding your thoughts. “Control what?”

Emmett’s expression darkened, and his fists clenched again. “The thirst,” he growled, like the word itself was painful. “Being around you… it was getting harder. You don’t know what it’s like, having to fight it every second. The scent of your blood—it’s overwhelming. And I couldn’t risk it anymore. I couldn’t risk you.”

Your breath caught in your throat. The realization hit you like a freight train. He had left because he was afraid of hurting you. But that didn’t stop the pain from gnawing at your heart.

“You could’ve told me,” you whispered, your voice trembling. “We could’ve figured it out together.”

Emmett shook his head, his eyes filled with a sadness that seemed to age him by centuries. “No, we couldn’t. I’m a danger to you, and you don’t even realize it. Every day that I spent with you, I was fighting my nature. One slip, one mistake, and you’d be gone. I couldn’t live with myself if that happened.”

Your heart shattered at his words. The depth of his fear, his self-loathing, was laid bare before you, but it didn’t change the fact that he had left you in the dark. That he had ripped your heart out without a second thought.

“You leaving already hurt me, Emmett,” you said, tears welling in your eyes. “It hurt more than anything you could’ve done. You thought you were protecting me, but you broke me instead.”

He flinched, and for the first time, you saw him break too. His shoulders sagged, and his eyes squeezed shut as if he couldn’t bear to look at you anymore.

“I’m sorry,” he whispered, his voice barely audible. “I’m so sorry.”

The silence that followed was suffocating. The man you loved was standing right in front of you, but it felt like there was a wall between you, one that couldn’t be torn down by apologies or explanations.

After what felt like an eternity, you stepped closer, close enough that you could reach out and touch him if you wanted to. But you didn’t. You just looked up at him, your heart heavy.

“I came back because I couldn’t let go of you,” you said softly. “But maybe… maybe it’s time I do.”

Emmett’s eyes snapped open, wide with shock and pain, but he didn’t stop you as you turned away, your heart breaking with every step.

He had left to protect you, but in the end, the danger wasn’t just in his nature. It was in the love that had consumed you both, the love that had torn you apart.

And as you disappeared into the shadows of the forest, you realized that sometimes, no matter how much you love someone, you have to let them go.

[superemeralds]

i think about ur piece with shadow captioned “welcome to the promised land” ALOT… with that, i wondered what your thoughts are on the sonic movies (both the ones that came out and the new one thats coming) in regards to their portrayal of the police/military/GUN.

I’m personally really disappointed in whats been done so far (with Tom being a cop, like cmon man what. and with the goofy portrayal of the military, especially that old general guy in the second movie) and im really nervous about whats coming, with team sonic working WITH GUN (and now Tom and Maddie wearing military uniforms) in the trailers. I have a suspicion that Maria’s death will be an “accident”, like a very MCU style “sometimes the military makes mistakes…” bullshit. itd really suck to see this series become another piece of copaganda, especially since like. its so out of character, like sonic is unique in the way its been blatantly anti military (for the most part) in the games. it wasn’t revolutionary by any means but it is arguably a core part of the original story.

What are your thoughts? sorry for the long ask, I’m a big fan of your writing and thoughts on sonic (huge heart of a monster fan!). Hope youre having a good day!

big same. I've made the comic in question as a response to the first trailer for sonic 3 actually.

the trailer made me feel a LOT of emotions, mostly negative if im honest, and the only thing that I liked from it was the scene of shadow bursting from his tank thing and being sloppin wet that looked like he was standing in the rain. so i went and made a comic of shadow in the rain. and i made it as anti military and anti capitalism as i could.

becasue sonic 3's marketing, in my opinion, especially after the second trailer came out, is a perfect axample of everything wrong with the current western (mostly USA, but the USA influences the entire world so.) society. it exemplifies capitalism, militarism, consumerism, a lack of emotional depth and the infantalization as well as mliking (for a lack of better word; i mean how advertizements are usually heavily marketed at kids because parents will buy anyhting to shut up their crying annoying meat bags and therefore spend money on shit they dont want nor need) of children (that detective pikachu bit was so painful). and let's not forget the fatphobia. it was so painful to go back and watch the first trailer to freshen my memory for this reply oh god.

when sonic 2 came out i was really happy with the movie. i think sonic 2 is miles better than 1 in terms of characters and fun, most obviously because there's more of actual sonic characters in it now then the first. the first felt mostly like a pilot honestly. the second one had much more fantastical details and elements thatreally leaned into sonic's world. Or at least... the environment artists tried with it. I remember being OBSESSED with the fact tehre was a mural of perfect chaos in that labyrinth for like 1 second and theorized about what it could mean. while watching the movie i even speculated it was foreshadowing that perfect chaos was gonna be the secret final boss of the movie as that was only the halfway point of the runtime. having sobered from the hype i understand its a neat detail from the cg department that means absolutely nothing.

the worst thing is that the movie (sonic 3 now) itself might be like. a well made movie with good (enough) writing and good visuals and whatever. sonic might betray the military and go his own way bc here he's a little younger and he's learning (he didnt grow up w military so he might be blissfull yunaware bc hes only been fed propaganda through hollywood movies so far) and him meeting shadow and learning about his fate might change his mind. we don't know yet.

The marketing sometimes is detatched from the movie itself so it'll misrepresent things for the sake of "bait" to get ppl to spend money to watch it (the teenage kraken movie suffered from that bc it was fun imo i liked it). Or even just to get people to make viral reactions to get even MORE news of the movie out and attract more people. Especially when adapting a story that already exists I think it makes them reveal a LOT of the movie (I saw ppl complain they reveal the entire movie in the trailer, i think given the fact we already know all those key moments shown it's fine)

actually. does anyone know if the us army funded this movie? i know it does a lot of movies ever since iron man

idek where im going w this rn im just. eghh.... def not gonna see it in cinema ♥ my money goes towards literally anything else

[aleki-lives-here]

I'm making my way through System Collapse audiobook, and it's much easier both the second time around and than reading. This whole thing still feels too real too much, which makes me kinda passionately hate the book but in a way that I know isn't really hatred. I'm just experiencing a lot of emotions, okay. Listening to them create art, tell a story to make people see things from a new perspective is doing something to me.

I was ten when I decided I wanted to tell stories. I was thirteen when I figured out what kind of stories I wanted to tell, and yes the stories I wrote back then were kinda shitty but I reread half of those recently, at fourteen I already had the same kind of vibe that still appear in everything I ever created afterwards: shit happens, and people do mistakes, and it all just sucks, and you keep living, keep trying, keep holding on to hope.

I was a fucking teen and I knew I wanted to tell stories that would take the darkest most tragic situation and say: there's still kindness there. There's still hope. There's still future. I don't like whump or angst or anything just because I like to torture characters (tho I do, like to torture characters), but because shit sucks. shit sucks, and we keep living, and we keep finding joy in it all, and I want, always wanted, to have someone tell me -- to be the one to tell this to people, that yes. It sucks. It hurts. It's awful, and I see you, and I see the hopelessness, and it isn't hopeless anyway. It's all encompassing now and it's gonna change. If just one person read what I wrote and felt a little better, a little more seen, a little more hopeful, a little kinder -- that was all I wanted to achieve with my writing.

And the thing is: I feel like such a fucking failure.

Like okay. Objectively, rationally speaking, I'm twenty... right, twenty two as of now, which is young, but also it's fucking twenty two and it's longer than I expected myself to be alive, and it feels like I haven't done nothing. It feels like I'm never going to be able to do anything. It feels like it's ridiculous of me to even hope that I could do anything, especially with writing. Achieve something with my stories? Make someone think about new things? Make someone feel better? It's a ridiculous idea to aim for. That's what other people do, somehow, not me. The best I can settle is entertaining myself by torturing characters, which isn't gonna help anyone but hey if it entertains someone for five minutes it has to be worth something. It fucking has to be, I so honestly don't know why the hell I'm still alive, but it has to be worth something otherwise it's too depressing to consider.

But anyway. Then, there's System Collapse. There's this whole series, honestly, with the fairly background exploration of what media and art can mean to people, but here it's loud and impossible to ignore in the front of the narrative, and it resonates with me in ways I can't be comfortable with. It somehow fucking hurts to think about. Too many emotions and thoughts and just ugh. I'm not gonna be normal about this book any time soon, am I.

[familiarscars]

Lost In Control | Bad Omens | CHAPTER 12

adult content | minors do NOT interact.

⋆ 𝐏𝐀𝐈𝐑𝐈𝐍𝐆. Bad Omens X ex-girlfriend and singer!Reader.

⋆ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. You and Noah had a difficult ending, but you still need to support each other for the band.

⋆ 𝐖𝐀𝐑𝐍𝐈𝐍𝐆(𝐒). melancholy, ex-boyfriends, difficult relationships, alcohol abuse, swearing, drug addiction, violence.

It's okay to not agree with the characters' attitudes during the fic. It's good to remember that the story is fiction from the author's sick mind, and of course they will make dubious decisions according to my fantasies. Nothing is done to be compared to reality.

NOAH

"Enough! I’m not playing with you!" I snapped through gritted teeth, looking around nervously, fearing someone else might see us. "We’re going inside now, and you’re going to put some clothes on before I have to force you!"

"For someone who’s been treating me like I don’t exist, you seem awfully concerned," she said, dragging out every word with exaggerated slowness, dripping with sarcasm.

I didn’t know my body could overheat like a volcano about to erupt until this cursed woman crossed my path. It was evident from the triumphant look on her face that making my life a living hell with her presence was her greatest mission on Earth. I had no doubt that was what tied her to the band.

Being here every day, driving me a little more insane for her amusement.

Every time a car passed and honked as the driver caught sight of her body, clad in nothing but a white lace bra and matching panties, I wanted to claw my eyes out. It was hard enough to focus on her mocking face when all I wanted was to savor the view that hadn’t been mine for a long time.

Everything was still perfectly in place, and damn it, I couldn’t remember the last time I’d been this close to her exposed body. Her curves looked like they’d been painted with the finest brush, and at this distance, I could practically feel the texture of her skin and even catch her scent. I wasn’t the best at remembering things most of the time, but I never forgot anything about her.

"Let’s. Go. Inside. Now!" I said slowly, feeling another wave of fury boiling inside me as another car passed, honking and catching her attention.

"Don’t you dare come any closer!" she warned, pointing a finger at me, stepping back as she realized I was closing the distance between us. "Stay right there! Don’t move!"

"Or?" I tilted my head, matching her defiant tone. "That’s what I thought."

It only took one step to invade her space and lift her off the ground as if she weighed nothing, slinging her over my shoulder. Her screams and hysteria as we headed back to the studio didn’t faze me in the slightest, nor did her fists pounding against my back in an effort to free herself.

"PUT ME DOWN!" she yelled, kicking her legs and hitting my back harder. "PUT ME DOWN NOW, YOU IDIOT!"

Inside the studio, I tossed her onto the couch and pinned her down, immobilizing any movement by holding her wrists above her head. Her chest heaved erratically until our breaths became one, her darkened eyes locked on mine.

"Damn the day you crossed my path, you cursed girl!" I growled, tightening my grip on her wrists, my stomach churning inexplicably every time she curved her lips in amusement. "Have you lost your mind, pest?"

"You were so eager to touch me again that you broke your own stupid rule, didn’t you?" she taunted, biting a corner of her lower lip and holding it between her teeth, eliciting a faint gasp from me. I hated when she did that. "Look at you, still the same scared little boy whenever something crosses the limits of your control."

She lifted her head slightly, and our faces blurred into one another. Instantly, my skin felt like it was sparking as if struck by invisible embers.

"You still reek of fear, Noah," she whispered, her voice maddeningly soft. God help me, it was the closest I’d ever been to losing my mind. "And I love it."

"How is it that your entire life revolves around making mine a living hell and enjoying every second of it!"

"I won," she declared softly, almost sweetly, her jet-black eyes gleaming like polished tourmalines. "I beat you."

There was no denying the curse in her gaze. Not once had her eyes crossed paths with mine without dragging me into an abyss where I fell endlessly, with no place to land. Trapped in a trance. That was her power over me.

"There are curses that can’t be broken, Noah..." she whispered, her lips brushing faintly against the skin of mine. They were dry from the sudden lack of air and the suffocating heat that had overtaken the studio in mere seconds. "No matter how much you try to avoid us during the year, every pathetic day of your life, or who wins tonight. In the end, you’ll always be mine."

Her small nose grazed mine, and my eyes closed as her long, curled lashes brushed against my eyelid. Every touch seemed to amplify in intensity, as if reality had slowed to six times its normal speed, forcing my body to absorb every moment with care.

My free hand traced the side of her body, and with each advance of my fingers, counting her ribs, she gasped and reacted with her skin prickling from the sensitivity. I lifted her by placing my hand on her spine, and when I finally released her wrists, she launched herself at me, pressing our lips together in a furious kiss.

She clung to my neck as if afraid I might escape at any moment—an impossible detail when I was holding the world in my arms. The entangling of our tongues fueled the compression of our bodies. Slowly, I pushed her legs apart to wrap them firmly around my waist.

“I never disagreed with this part,” I murmured, tugging at her lower lip slowly. Pulling away swiftly, I tilted her head back, my fingers digging into her hairline, and watched as her heavy breaths colored her flushed face. I couldn’t resist when her smile broke through a soft moan under the pressure I applied to her body.

Our laughter synchronized with our desperate breaths as we resumed the rhythm of our kiss. Living a scene where we’d almost killed each other moments ago seemed to ignite an even fiercer spark, fueling the silent dance of our bodies. I buried myself in her lips with such urgency, as if I might lose her again. Her lips sucked on mine as we switched sides, and I held her face firmly, pressing my thumb into her skin.

It was more than good.

Tasting something that belongs to you has a different flavor. Tracing a body you know so intimately, like running fingers over the keys of a piano; feeling at home in a familiar place; recognizing the rhythm of a breath as if it were a musical note; desiring to merge with one person's lips for the rest of your life.

It was more than good.

But it couldn’t be mine.

With one last turn, I released her lips slowly. She seemed confused at first but softened as I rested my forehead against hers. Her fingers gently traced my face, making my skin tingle as if it might peel from the bones at any moment.

“I know what you're trying to do…” I said quietly, as though an invisible rope tightened around my throat.

“No, no, no, no, my love…” she repeated, holding my face as I tried to pull away. “Don’t do this, please.”

“We can kiss now, drown ourselves in this feeling that everything still belongs to us. That we still exist. I could tell you I’ve been waiting for this, and you could drown me in your lies and more promises you won’t keep,” I declared, even more agonized. “But our problems won’t disappear when we walk through that door, and they’ll come back, forming that same chasm that tears us apart, the one we know too well. Do you know why? Because I don’t want to hear you anymore, no matter what you have to say.”

“No, don’t say that.”

“Because you haven’t changed a single thing, and the proof is what you’re trying to do now, pulling me back into the same cycle again.” With the finality of my words, I stepped away from her gradually and stood up. On a chair, I noticed a shirt I assumed was Ruffilo’s and threw it at her, still staring at the ceiling in a trance. “Why are you doing this?”

I felt like closing my own throat with my fists, such was the pain constricting it and cutting off my air. I needed to breathe in short intervals, releasing it slowly through my mouth. I watched her get up and dress while still sitting, her arms hanging limp, her disheveled hair revealing the knot she tried to swallow.

Like me.

“It’s getting harder every day to just pretend I don’t care about this when everything I see, every path I try to take, every place I’m in—everything I am—has you,” she said without even looking at me. “I’ve never felt so alone in my entire life, and that’s saying something, considering I’m used to my own company. But that was before I hated everything I see in the mirror. Because she’s the real culprit.”

“I could say I miss you—I miss you in the morning, I miss you at night, I miss you in the shower, I miss you in bed, I miss you when I eat, I miss you when I’m on stage, I miss you when I write…” I paused for a few seconds, searching for air in the ceiling. “Because you’re right, it’s like I’ve forgotten how to write anything good. You took everything I had, even my inspiration.”

“I’m sorry, I’m sorry, I’m sorry,” she repeated over and over, shaking her head. “There isn’t a day I don’t feel guilty for killing that version of you and turning you into this.”

I hated myself for being moved by her tears. Were they real, or just the effect of whatever junk she was on? I didn’t care; the crushing sensation was the same, like a hammer shattering a glass chest.

Taking cautious steps, I approached and knelt beside her. Hard shell, sharp tongue, and a messed-up personality, but deep down, she was just a girl afraid to go home, afraid of anything that might trap her again. She was like a damned little bird, insisting on flying with wings patched together with toothpicks after a grave injury.

"If you’re truly consumed by remorse and want to do something for me, then take care of yourself," I said softly, lifting her chin with the tip of my finger. "Keep your mind steady, your body healthy. I wish I could do that for you, because I would never treat you this way."

"I love you."

Shimmering gemstones in the salty sea of her tears—it was the first time I heard her say it with such anguish, as if each word tore through her chest. She surprised me with a tight embrace, collapsing onto my lap, breaking down completely on my shoulders, and shattering my heart with the sound of her sobs.

Unfortunately, I returned the hug just as tightly, drowning in her hair. She wouldn’t see the tears I left there.

I love you too, little storm.

Nor would she hear what I whispered to myself.

Bad Omens was on its way to Mexico.

We couldn’t be more excited about a festival in a country we had yet to visit. Our Mexican fans were awesome and always tagged us in posts, asking us to come. Their day had finally arrived.

Our schedule was so packed during the three days we’d be there that we’d hardly have time to explore the city. Gerard, of course, thought that was nonsense and made it clear that if we wanted to sightsee, that’s what vacations were for.

The guys were asleep in their seats at the back of the plane, and not even my headphones could block out Folio’s snores.

Matt, Jolly, and Ruffilo were with the rest of the crew, glued to their phones, while I… well, I was in my favorite spot by the window, playing a ridiculous fruit-slicing game on my iPad and listening to music.

Nothing could ruin my trip.

“Excuse me, excuse me, excuse me.” She said quickly, weaving through the people in the aisle. Her body came to a halt in front of the aisle seat, and she checked something on her phone before glancing at the seat number.

Well, I spoke too soon.

“Great, this is my seat!” She said without much enthusiasm and, after placing her carry-on in the overhead compartment, sat down next to me.

It was impossible for her to arrive anywhere without drawing attention. She had to be noisy, bump into things, and breathe way too loudly. I kept playing as if nothing was happening and turned up the volume on my headphones.

Of course, after the conversation at the studio, things had gone back to normal. We fought like animals the next day because she insisted we should change the stage setup unnecessarily, and our brief truce resulted in another three days of silence.

I thought it was perfect.

“What are you listening to?” she asked, running her palm along her thigh. From her rushed tone, I guessed she was nervous.

“Music.”

“What song?” she shot back with another question, and I wished for death just to avoid answering.

“How about you grab your headphones, put them on, and stay silent for the rest of the flight while pretending this seat is empty and that Matt forgot me at the airport?” I said, glancing at her, and she didn’t even flinch.

For a few seconds, that actually worked—she stayed quiet.

But, as I said, only for a few seconds. From the corner of my eye, I saw her tapping her fingers on the torn part of her jeans. Her breathing seemed uneven, and even after sitting for a while, her body remained tense. If I knew her well enough, I’d say she was having an anxiety attack.

“Would you mind switching seats with me?” Her fingers curled, and she pressed her palm against the armrest as the plane prepared for takeoff. “I promise to stay really quiet if you let me have the window seat.”

I pretended not to hear and kept slicing fruit on the tablet. Out of the corner of my eye again, I saw her close her eyes as the plane ascended, shrinking into her hoodie with trembling fingers peeking out of the sleeves.

I closed my eyes, sighed deeply, and shifted to stand up. She opened one eye and looked confused as I gestured with my chin for her to take the empty window seat.

“Thanks.”

“Don’t tell me Miss I’m Not Afraid of Anything is still scared of flying.” I let out a chuckle, settling into my new seat.

"Ok, go ahead and call me pathetic," she replied without looking at me, her eyes fixed on the clouds over the airplane wings as she quietly counted her breaths.

"Actually, try focusing your energy on something during the flight, and it’ll go by faster. Try listening to music, reading a book, or—"

"Composing? Singing for the entire plane?" she cut in, raising an eyebrow as she turned to face me. "All terrible options. Honestly, I just get bored when I’m sober."

I rolled my eyes and returned my attention to the tablet, as if pulling an invisible curtain between us. The more I kept my mind occupied, the faster the flight would pass, and the torture of enduring her next to me, constantly talking, would end.

"We get bored when we’re sober," she repeated, but this time with her eyes narrowing at something specific. "But we’re miserable when we’re not."

"What the hell are you talking about?"

Her eyes lit up with something sharp, like lightning, and she pulled her phone from her pocket, fingers moving rapidly until she found the notes app.

"I can’t be saved," she murmured under her breath as she typed.

Carefully, I set the iPad aside and lowered the music in my headphones, watching something come to life before my eyes. She was having a burst of creativity and needed to write it down urgently.

"Watching it swirl down the drain," she continued, and my eyes narrowed as I watched her create something. It was fascinating how nothing around her seemed to exist—she was just immersed in her own thoughts.

I jumped when she suddenly shoved the phone into my hand, a sequence of jumbled phrases filling the screen. Each one had meaning but still needed to connect somehow.

So I decided to follow her inspiration’s formula.

"Old friends, the same as enemies. I’m killing myself again…" I said, finishing the sentence on her phone, filling one of the blank spaces.

"Watching it swirl down the drain…" Her expression finally softened as if something clicked into place. "Down the drain."

"With all I was but couldn’t change," I continued, holding her gaze before adding another note. "Down the drain."

"Down the drain," we said together, lifting our heads in surprise and holding each other’s gaze for a few seconds.

We had just created the second song for our album. Together.

Damn it.

We couldn’t be more different. We were a terrible duo playing instruments in completely disjointed orders. She always seemed to row against the current I was swimming, intentionally. And yet, it was surreal how she could take something so complex and make it look simple.

Like writing a song during an anxiety attack on a plane.

It was as if she didn’t need preparation or even a warm-up because she was born with it in her veins. Because she was good.

Really good.

"Thanks," she smiled, her breathing steadying as she leaned back in her seat. "I’m feeling better now."

"You wrote a good song."

"We wrote it," she corrected, nudging my arm with her elbow. "The first time you let yourself just listen to what’s in your head, we made a good song. We’re still a good team."

She looked so beautiful that, for a moment, I almost didn’t hear what she said, too focused on her bare face. The curve of her lips when she smiled was almost painful to look at up close, every time I remembered that just a few days ago, I’d tasted her again.

"Now that you’re feeling better, you can leave me in peace," I cut her off, turning up the music on my phone.

I was almost drifting off to sleep, guitar riffs running through my mind, when something poked my arm.

"Do you mind holding my hand?" My eyes opened, and there she was, looking at me with a pair of glistening gems. It was strange seeing her afraid, something I’d only witnessed a few times before. "Just until we land, please."

Slowly, I turned my palm upward and waited for her to slide her fingers over mine and interlace them. Unlike mine, her hand was soft and warm, and I couldn’t resist the involuntary motion of running my thumb slowly along the side.

Once again, I was doing what she wanted because maybe she was right when she said I was pathetic.

And I couldn’t wait for this plane to land already.

⭑ @collisionofyourkissmakesitsohard ; @iluvmewwwww75 ; @anarchydomainglory ; @foliosgirl ; @lma1986 ; @chey-h ; @supersquirrel1996 ; @zozaline ; @just-randomm-stuff

[hiroasu-akika]

Finally watched episode 7 of DanDaDan. I'm not okay.

First off, before I have my text breakdown. This episode was absolutely GORGEOUSLY animated. It took me an hour to actually finish it bc I just kept replaying chunks to watch them again. DanDaDan absolutely COOKS with the character movements and camera angles/focuses! (AND OH MY GOD THE FIRST PERSON RUN SEQUENCES AAAAAAAAAAAAA HOW DID THEY EVEN DO THAT????)

(And goooood did I ever appreciate the CPR scene being treated dead serious, that was so well done.)

BUT MOVING ON. I knew this episode was going to be heart wrenching. I've seen all the posts of people who had already seen it. I went into it braced for the impact, or so I thought. I still was not prepared for it. Not even close. I'm STILL crying silent tears and having to stop and just bury my face into my pillow for a few seconds as I'm typing this.

(Putting a read more here for my semi-detailed venting about the rest of the episode, cause y'know, spoilers)

I still cannot get the screams of Silky's daughter out of my head. The terror of them and the pitch they hit shattered me. The abrupt shift from a string of quiet, loving scenes to the loud horror of Silky's past was just...wow.

I can't un-hear that broken little cry of "Okāsan-" buried in the screams as she vanished out the door.

I will never be able to not feel my heart breaking every time I think about how Silky's yokai form wore the dress she got for her daughter. I will never not be sick seeing the glass still in her arm too.

The final dance was so so so tragically beautiful, and I will never forget that final, awful thud after Silky's daughter thanked her for everything she did for her.

I want to hug my mother so hard right now. But I can't. Because I don't have her anymore. But I will be hugging my little niece super hard tomorrow, bc Silky's daughter made me think of her so much.

And I don't care how annoying Aira might get throughout the rest of the series. I will always love her for the kindness she showed Silky at the end, to let her rest in peace with her daughter.

I'm still a wreck. God. What a masterpiece of an episode. Sorry for the probably over the top venting but god I have so many emotions rn.

(Can't wait for the whiplash of whatever wacky stuff is gonna happen in episode 8 when I watch it after work tomorrow 🥲👍)

[sideprince]

When I tell you I'm tired of this "but Snape was mean to children and that's unforgiveable" shit. And it's always from anons.

I had a lot of awful teachers in school. Like the one who overwhelmed us with work and then tried to sabotage my grades at my next school after my parent told her off for it. Or the teacher who failed half the class because he was racist, and it was known around campus that he was racist but the administration did nothing about it except make him head of the department. Or the other teacher who tried to fail me because she just didn't like me (and when I went to the administration with a complaint, they made her recalculate my grade and it turned out I had earned over an entire letter grade higher than what she wanted to give me). Or the elementary school teacher I had when I was SEVEN who used corporal punishment and abusive language. Or the high school teacher who only allowed white kids in her honors class to take the AP test at the end of the year, and not the hispanic or black kids.

And yet somehow when I read Harry Potter for the first time, Snape didn't stand out to me as a particularly abusive teacher. Because in the landscape of 90s education, he wasn't. I found Fake Moody/Crouch disturbing because of how much he enjoyed watching Neville suffer during the Cruciatus demo and how wildly manipulative and sociopathic he was with zero administrative oversight. I hated Lockhart because he reminded me of the teachers who, despite being grown adults, were more interested in personal validation from a bunch of teenagers, and our grades and test scores suffered for it. But the teacher who stood out to me as particularly vile and reprehensible was Umbridge - because I knew teachers like her. Teachers who exploited adminstrative policies to feel powerful because they were small, unimaginative, stupid people who were unqualified for their jobs and they knew it. Teachers who were emotionally stunted and felt the need to assert their personal like or dislike of literal children by affecting their transcripts forever. Teachers who thought that if they disliked a student enough they could justify using corporal punishment against them. And you know what I did? I put together petitions and got every student in every period to sign it who was taught by the teacher the petition was about. I went to the administration and invoked my rights as a student - sometimes they said there was nothing they could do, sometimes they took action. One teacher ended up getting fired. One administrator's contract wasn't renewed. And I don't feel bad, because they failed in their responsibilities to their students. And because I actually did something, instead of sitting around and complaining. And if I'd been born later and this had happened more recently, I would have done the same things, instead of venting my frustration online at random strangers on the internet over a piece of fiction.

So I have a question for every one of the "Snape was mean to kids and Snape fans excuse it" people, who never seem to ask themselves why they get so riled up over this character but not about Umbridge. Because I've had teachers like Snape. And when I look back on them, I don't feel traumatized by them. I remember hating them at the time. And I also remember everything they taught me. Because they were good teachers. And tbh, we were little shits, and the attitude check they gave us was socially acceptable at the time, so they weren't exploiting their power because they could - the way an Umbridge does - they were just mean. Sometimes people are mean. It's not OK, but it's also not the irreperable heinous crime some people make it out to be. There's a lot of nuanced grey area between those two things. And what I was left with by those teachers is the knowledge it was their job to impart, and did so successfully, and I have no hard feelings - to the point where when I looked one of them up I was sad to find they'd passed away because I wanted to reach out and thank them. The same way as the ones McGonagall reminds me of, who was also mean to kids and made them unsafe. But when I think back on the teachers Umbridge reminds me of, my stomach tightens. My blood pressure goes up. I get angry and feel helpless. Especially the ones who weren't just teachers, but were administrators who abused their power and affected kids' entire lives and academic careers. I want to look them up too - so I can shout at them and tell them how vile they are. And I'm glad I can't do that, because for all I know they've learned and grown as people and changed for the better. Because they're real people and not a fictional character.

So here's my question: why are you @-ing strangers on the internet about fictional characters and are you doing anything in your actual life about the Umbridges of the world? Are you on your local school board? Are you someone your kids or nieces/nephews/niephews can talk to if they're struggling with someone abusing their power? Are you still a student and if so are you doing anything about these teachers in your school? Organizing with other students, going to PTA meetings to bring up these issues, starting petitions to bring the administration's attention to the fact that the student body has issues with a staff member? Are you actively involved in any way, or have you been at any point, in trying to protect students from teachers like Umbridge, or do you just go around sending anons to Snape fans because stamp collecting was too boring a hobby for you and apparently you slept through the section in Lit class when you learned about how to spot when an author uses a biased narrator as a literary tool?

Do you actually care about abusive teachers as a real social problem, or do you just like to argue about fiction from the comfort of your couch and feel superior to strangers on the internet you actually know nothing about?

Grow up. Do something constructive. And stop thinking you're the first person to come up with this asinine argument because it turns out,

okay, yes, snape suffered a lot but he also made his students suffer a lot. do you know what it must have been like for all those kids to be constantly humiliated??? if you like comparing with real life so much, what would you think of a real adult who abuses their power to feel better at the expense of children??? snape fans always come up with all kinds of excuses, but when it comes to the topic of his abuse towards his students, you always stay silent, and that's because it has no forgiveness.

Severus’s role as a dysfunctional adult is honestly pretty amusing to me, especially because while I never experienced bullying from peers or equals, I grew up in an environment full of wildly dysfunctional adults. On top of that, I now work on legal cases involving even more dysfunctional adults. And, to make it even better, while my classmates never gave me grief, attending a private Catholic school in the 2000s meant teacher-on-student violence was pretty much a daily occurrence. Not just at school—I've also had some truly awful professors at university. So, I get firsthand what it’s like to have authority figures who are supposed to guide and protect you but act like an absolute pack of jerks.

Here’s an unpopular opinion: if I compare my personal experiences with dysfunctional adults and terrible teachers, Severus is practically a lamb. I’ve witnessed some insane things. There was a case at my school where a teacher bullied three siblings (in different grades) so badly that their dad came to the school and physically beat the teacher up. And honestly? The guy deserved it. I’ve seen old-school priests handing out slaps. I’ve had a teacher in his late 30s openly flirting with 17-year-old students. I’ve had teachers who didn’t just throw out a sarcastic remark—they flat-out called us “idiots,” “morons,” "dickheads", "assholes", “worthless,” or said things like, “You’re all going to end up mopping floors because you’re useless pieces of crap.” Fun times with Mr. Antonio.

There was one teacher who made students stand up one by one so he could critique their outfits in front of the entire class, piece by piece, like he thought he was Meryl Streep in The Devil Wears Prada. Another handed out nicknames that were humiliating and outright cruel. Or that elementary teacher who also taught catechism and would call up children who were not going to take their First Communion (this happens at 8 or 9 years old) to the front of the class and publicly ask them why they didn’t want to embrace Jesus Christ. She would even ask if they thought their parents didn’t love them because they weren’t letting them do the same as their friends. Or the second-grade teacher who called a boy up to the board because he didn’t know a multiplication table very well and started singing a mocking song in Spanish that goes, “Fulanito tururú, que no sabe ni la u” (basically calling someone slow-witted).

Then there was the fourth-grade teacher (9-10yo) who had a particular grudge against one of my classmates and kept threatening to lock him in places or scaring him by saying he was going to throw him out the window. The English teacher, who, when we were 14 years old, locked us in a classroom, made us skip lunch, and kept us there without eating until 5 PM. The technology teacher, a 50-year-old man with a very hands-on approach towards the girls in first and second year of secondary school (12-13 yo). And I could go on and on.

So yeah, I’ve seen some wild stuff in classrooms, and trust me, you don’t need to explain the trauma bad teachers can cause—I’ve had my share of them. And none of it is going to make me like Severus any less. If anything, the stuff he does in the books feels like 1% of the madness I’ve seen play out in real life.

[skelebee]

Who's ready for Art Fight 2023?