#I really like a conception in which like. Everything is Canonically How It Works

[ranvwoop]

i am however starting to make even more little mnecraft guys which is a problem. But I'm enamoured with the concept of creating guys that are mnecraft players you know... usernames and silly skins... idk how character customization works in my conception of mnecraft world exactly yet, but.

[bibiana112]

I like this happiness can be found in any world speech putting the focus on the fact that being able to compare between a hypothetical less tragic version of events is in itself what causes unhappiness and dissatisfaction sure for the characters it's literal timeloops but real things like anxiety and ptsd often trick you into losing focus of the good things in the now and to lose yourself in the what could have been

[moki-dokie]

been seeing some stuff on blue eye samurai and big yikes to nearly everyone pushing extremely western ideals onto these characters.

this is early edo period. 1600s. the japan you know now did not exist yet.

yall. please. there was NO concept of sexuality in pre-modern japan. that came with both the influx of christianity and western influence very very late in history. like, mid-1800s. (yes, there was christianity pre-1800s but it was not a widespread idea yet and wouldn't be until about the 1800s since, y'know, missionaries were routinely murdered before then)

"so and so is either bi and hasn't figured it out yet or..." no. that isn't how it worked then. nobody gave a shit what was between your legs. anyone could be attracted to anyone else. it was a little more common for male homosexual relationships to be between an adult and younger male - like many other places around the world - but two adult men could bang and love each other just as easily. relationships between women were quite common - especially since so many men were often away at war. there's tons of pornographic prints from the time depicting all manner of fun queer relationships. sex itself had absolutely no moral assignment to it. good sex was good health. it didn't matter who with. (well, social class/caste mattered more than anything else tbh but that didn't stop upper and lower class from fucking.) that isn't to say people didn't have preferences. of course they did. that is human nature. preferences arose more from physical appearance, caste, and circumstances with gender being about the last thing one would look for in a partner - romantic, casual, or otherwise. the only role in sex where gender actually mattered was for procreation.

there would be no queer awakening moment, no sudden switch flipped, no stigma to have internal conflicts about because it simply did not exist as a concept whatsoever. you were either attracted to a person or you weren't, it was that simple. gender played no role when it came to sex and sexual attraction. the japanese were lightyears ahead of western cultures in this particular area - like most cultures were before christianity came in and ruined everything with its backwards morals and strict good/evil dichotomy.

yall have got to realize queer rep will not and should not always adhere by modern western standards. there was no straight, gay, bi, or anything else of the sort. the closest they ever got was referring to roles during sex - as in who is giving and who is receiving.

i know this is mostly a made up story but it is still set within a very specific time period and culture, which should be honored and respected by not making it fit into our box. tons of research went into making this show historically accurate (albeit with some discrepancies but tbh they aren't really that huge) right down to the calligraphy writing. please please please don't whitewash the culture from these characters.

i say this mainly because without this knowledge, so many of you are going to build these characters up on a foundation they aren't meant to be on and then you'll rage about queerbaiting and bad queer rep if it isn't somehow super explicitly stated, if it doesn't match your very modern, very western ideal of what queer looks like. don't try to force this plot and narrative and characters into something they canonically and historically aren't. headcanons are a thing, AUs are a thing, fanfiction is a thing - leave your western thinking for those and let these characters simply exist as they should otherwise. this is one of those times where the queerness really does not need to be examined at all beyond what we get.

i know it can be hard to wrap your head around - sexuality is such a huge part of our identity in the western world and has slowly started to spread amongst other parts of the world in importance. but just keep in mind with these particular characters, that concept would be so very alien to them.

[sundrop-writes]

The Patron Saint of Liars and Fakes

Spencer Reid x BAU!Fem!Reader

Summary:

While undercover inside the Separatarian Sect, you and Spencer realize something important: you can’t live without each other.

Spencer Reid x BAU!Fem!Reader. Co-Workers to Lovers. Fake Dating. Hurt and Comfort. Set during Season 4, Episode 3.

Word Count: 8,200

Criminal Minds Masterlist | AO3 Link

THIS IS A RE-POST. This is a fic from my old blog (a blog that was shadowbanned, forcing me to move). This fic is not stolen, it is completely mine, and I am just re-posting it to help people find my new blog, and to make my masterlist complete when I post new fics for this fandom.

Detailed warnings and author’s notes below the cut.

Warnings: Lots of spoilers for the canon episode - so if you haven’t watched Season 4 of Criminal Minds yet, steer clear of this fic for now (especially because watching the episode provides some context for this fic/makes things make more sense); the reader uses she/her pronouns and has the ability to get pregnant (she is not pregnant during the fic and there’s no smut, but due to discussions in the fic, it’s not unreasonable that she could get pregnant); fake dating in the form of a fake marriage - the reader and Spencer pretend to be married under the Christian religion to ‘appeal’ to Cyrus; because of the fake marriage, Spencer uses the term 'my wife’ to refer to the reader; lots of mentions of religion (Christianity), religious extremism, mentions of pedophilia/child brides (in line with the canon episode); mentions of systemic sexism and gender roles enforced by cultures of organised religion and religious extremism; use of y/n and l/n (in this case meaning 'your last name’); the reader pretends to follow the Christian religion while undercover but I never stated if she believes in a less extreme version of these things or not (the reader’s true religious beliefs are never stated); protective!Spencer, possessive!Spencer; mentions of Spencer being taller than the reader (which, again, I think he would be taller than most people) - the reader’s body/body type is not described in any other way; mentions of guns and gun violence (not described in deep detail) - in line with the canon episode; the reader and Spencer fear for their lives; dangerous/live-threatening situations; the reader and Spencer are threatened with a gun; Cyrus is just generally creepy and sexist toward the reader; Spencer is pistol-whipped and the reader is threatened with sexual assault (it does not happen, Spencer protects her); mentions of pregnancy/the reader being pregnant (she is not pregnant during the course of the fic); mentions of the reader being a mother/having kids (Spencer makes up fake kids to sell their fake marriage story); the reader realizes she might actually want to be a mother because of Spencer’s fake kids story; mentions of an explosion (as in the canon); love confessions; angst with a happy ending. Hopefully that is everything.

A/N: The title for this fic comes from a Fall Out Boy song of the same name. The theme/lyrics of the song don’t really fit the fic, but I love the way that this title fits - how everyone in this fic is lying in some way but Spencer is someone with good intentions while lying. Making him the Patron Saint of Liars and Fakes. I love how it fits. I wrote this while suffering with heat exhaustion so idk if it’s good or even makes sense. I rewatched the canon episode and it doesn’t 100% align with what happened in the episode in terms of the timeline and stuff, and I am too tired to rewrite the whole fic to make it align with the episode. So uh - alternative canon? But I really love the basic concepts and I do really love how it turned out. I hope you guys like it too!

...

You thought it would be an easy day. 

Maybe that was foolish on your part. So far, you hadn’t seen a single ‘easy’ day while working with the BAU. Between chasing down scumbags and then reliving every single gory detail while doing the paperwork - none of it was ‘easy’. It was worthy, accomplished work - making the world a safer place to live in. (At least that’s what you told yourself.) But it was never easy. 

There was always someone who made the job easier. Someone who made you smile every single day - especially on days when you didn’t think you were even capable of feeling a tiny shred of joy. Someone who made you feel safe, who you always felt had your back no matter what. So you were glad that he was by your side today, along for the ride. 

“Tell us about Cyrus.” Reid prompted. 

He looked to the woman driving, your new companion for the day - Nancy Lunde, someone who worked with the state department and had set up the interviews with the children at the Separatarian Sect. 

“Benjamin Cyrus. No criminal record. In fact, there’s no record of the guy at all.” Nancy explained. 

“That’s odd.” You commented. “Usually someone being accused of something like this would have some past offenses. Especially because it would give him a reason to move into isolation to continue the criminal pattern of behavior.” 

“Well, I couldn’t find anything on him.” Nancy shrugged. 

“What about the 9-1-1 call?” You asked. 

“A fifteen year old girl called in saying that a man was ‘laying with her’ and claimed it as ‘God’s will’. I believe the ‘he’ referred to is Cyrus.” Nancy explained. “The age fits with Jessica Evanson, but I’ve managed to negotiate interviews with all the children, just to be sure. It wasn’t easy.” 

“They’re incredibly weary of outsiders.” You commented. “Our boss warned you not to identify us as FBI, right?” 

Nancy nodded. “I got you some spare credentials, just in case.” 

She took one of her hands off the wheel and reached into her pocket.

“You’re going to be using your real names. You’re going in as Child Victim Interview Experts working with Child Protective Services. No association with the FBI.” Nancy explained, handing Reid your fake credentials. 

He nodded, inspecting the IDs before handing you yours where you were sitting in the backseat. 

“Oh, before I forget.” You noted, reaching into the pocket of your cardigan. “The rings.” 

You pulled out a small plastic bag that Hotch had given to you before you left. It was a bag containing a fake diamond ring in your size and a fake golden ‘wedding’ band for Spencer. 

Reid reached over the seat to grab his ring from you, and Nancy gave the two of you an odd look. 

“Rings?” She questioned. 

“Fake wedding bands.” You explained. 

“It was our Unit Chief’s idea.” Reid added on. “He believes that presenting us as a ‘godly’ married couple to Cyrus will make him more likely to open up to us. He’s less likely to see us as hostile outsiders if he believes that we share a similar system of beliefs.” 

“It could also have a calming effect on the teenagers we have to interview or the kids there who have had more time to go through indoctrination at the Sect.” You continued to explain. “Even if their parents are hesitant to let the kids speak with us, they may be more willing to have their child speak with us or even leave them alone with us if they believe that we’re fellow Christians, rather than hostile atheists there to poison their children’s minds.” 

Reid nodded at you through the rearview mirror. 

“Make sure you put on the left hand.” He told you. “That’s the position for marriage.” 

You nodded at this. 

You placed the ring in the appropriate position, and you couldn’t help but to take a moment and stare at it. It was jarring to have a wedding ring on - especially with the thought that it represented you being married to Spencer. But you supposed, of all the people to call your husband, he would be one of the best. He was honest, intelligent, kind, and… if you were pressed, you would definitely say he was handsome. 

But you couldn’t get too caught up thinking about all of that. Because it wasn’t real. It was a false projection you were wearing for the benefit of a self inflated sociopath. 

Spencer liked the feeling of the ring. He didn’t take too long to stare at it after he had put it on, because he knew his mind would wander if he did. When Hotch had first proposed the idea of the two of you pretending to be married, Spencer had almost tripped over himself to oppose it - mostly because he didn’t think that he would be able to handle simply pretending to be your husband for the day. It was just too cruel. 

Having something he wanted so badly dangled right in front of him and knowing that it was all just a farce - it bothered him, but he delighted in the play nonetheless. 

When he caught the fake gold glinting in the light, Spencer had to remind himself that it was fake - that you would just be playing his wife for the day. He had to push back any internal glee that he felt at the idea that he got to be ‘taken’ by you while wearing that ring. It wasn’t real. It was just for the day. 

“Isn’t that deceptive?” Nancy asked. “Won’t Cyrus be even more angry if he finds out that it’s not true?” 

“He won’t find out.” You replied confidently. “And besides, we use deception in interrogations all the time. It’s a very basic tactic: align yourself with the suspect. Make them think you share the same beliefs, that you’re on their side.” 

Reid grinned at this. He always loved it when you spoke so confidently. 

… 

“We’re looking for Mr. Benjamin Cyrus.” Nancy announced as the three of you got out of the car. 

“Then you’ve found him.” Cyrus announced confidently. 

He was pretty much what you had expected him to be - dressed informally, slouched over, faking meekness, holding a bible near his chest as though it were a shield. He had planted himself there purposefully, wanting to be the first person to interact with the outsiders as three of you came into the Ranch. 

You hovered back near Spencer, letting Nancy make the first introduction. 

“I’m Nancy Lunde.” She said, giving a small nod toward the man. “We spoke on the phone regarding the allegation.” 

“‘Savages they call us, because our manners differ from theirs.’” Cyrus rhymed off a quote, obviously positioning himself and his group as martyrs being attacked for having ‘different ways’ that the world simply didn’t understand. 

“We didn’t come here to hear you cite scripture, Mr. Cyrus.” Nancy reminded him, hoping to keep the religious zealot on track. 

“Actually, it’s Benjamin Franklin.” Reid corrected her, talking about the quote. 

That did surprise you, but you didn’t find it surprising that Reid knew this fact right off the top of his head. It was just one of the many amazing things about him - his perfect memory and his ability to use it. 

Of course, him saying this immediately drew Cyrus’ attention toward the two of you. So Spencer stepped up to introduce you. 

“Hello, I’m Spencer Reid, and this is my wife, Y/N L/N.” He said motioning toward himself and then to you as he introduced the two of you. Hearing him refer to you as his wife - you hated to say it, but it caused a jolt through your system. Almost as if you had been waiting forever to hear him say those words and hadn’t even known it yourself. “We’re Child Victim Interview Experts, here on behalf of Child Protective Services.” 

Of course, you couldn’t get too caught up in deciphering how those words made you feel, because you had to focus on the task at hand. The job that you were here to do. 

“How far from God’s word must we have strayed for there to be a need to invent a job called ‘Child Victim Interview Expert’.” Cyrus said, his tone even, quiet. 

You knew that covertly, it was his way of saying that the two of you didn’t belong there, because he ran the Ranch with God’s word, so nobody had actually been harmed (in his opinion). He believed that he had done nothing wrong. Obviously, he thought your time and resources were better spent with ‘actual’ victims who didn’t have his power wielded over their lives. 

“I can assure you, Mr. Cyrus, we try to bring God into our work.” You told him, trying to appeal to him. “The children we visit usually need prayer and God’s light the most.” 

Spencer gave you a sideways glance, clearly holding back a grin at how thick you were pouring it on - how much intense, feigned passion you said these words with. 

“Well, I can assure you that a lack of prayer and God’s light is certainly not an issue for the children here.” Cyrus said, giving you a clever little grin. He thought that you would simply interview the children, praise him for what a good job he had done, and then leave. “You can go and see the children whenever you like. They are up at the school, as I indicated in our phone call.” 

Nancy walked toward the school, and you paused before you followed. 

Before you walked off, you looked to Spencer. In a completely silent conversation that only worked so well because the two of you had been in so many tense situations before, thinking around UnSubs and planning miles around them before they could even know it, he gave you a small nod and you instantly knew what it meant. He had established a small bit of trust with Cyrus, so he would stick back and see what else he could get out of the man. 

You nodded back, and then - completely surprising yourself, you leaned in and kissed Spencer on the cheek. You were just playing the part, you told yourself. It’s not that it felt entirely instinctive to say goodbye to him with some kind of affection, like the many hugs you had given him before. It’s not that you felt so entirely scrutinized with Cryus’ piercing eyes on you, and you needed the anchor of Spencer’s touch. 

You were just playing the part. 

Spencer tried not to get caught on being kissed on the cheek like he was some blushing virgin, and instead, focused his attention back on Cyrus instead of watching you walk away. (Even though every single one of his instincts told him that he needed to keep a more careful eye on you because you both had to leave your guns in the car.) 

He took a step closer to where Cyrus was leaning on the concrete, and easily picked a topic of conversation. 

“Solar panels.” Reid said, motioning to the large devices sitting behind Cyrus on the grass. 

“Yes.” Cyrus nodded. “We’re completely self-sufficient here. Food, electricity, water. Benjamin Franklin said ‘God helps those who help themselves’.” He explained. “You look surprised.” 

“No, uh, impressed, actually.” Reid easily lied, trying to appeal to his ego. 

“Thank you.” Cyrus said. “Most men wouldn’t admit that.” 

“Well, I suppose that I’m not like most men.” Reid shrugged in return. 

“How long have you been married?” Cyrus asked, motioning toward Reid’s ‘wedding ring’. 

Reid panicked slightly, knowing that the two of you likely should have coordinated this story during the plane ride to Colorado so that your answers to these simple questions wouldn’t be different. But he just made up an answer and hoped that nobody else would ask you the same question and find out the deception. 

“Three years.” He said. “I’ve been very blessed.” 

He used the language purposefully, knowing that the simple phrase could get him on Cyrus’ good side. That, and he hoped it would draw the attention away from any possible signs of his blatant lie. 

“Your wife is very beautiful.” Cyrus commented. 

He gave a wicked smirk as he said this. It was a simple, fairly ‘innocent’ comment, but it was immediately off-putting to Spencer. It took everything in his body not to glare daggers at Cyrus or throw out some protective comment in return. He could only imagine what was going through Cyrus’ mind as he thought about you, and he hated even imagining it. 

Reid knew that it was a basic logical good, the instinct to protect you because you were his partner on this case and he was supposed to have your back. But it was also something more. Something in every fiber of his being that screamed you were his and no man should ever be thinking of you that way except for him. 

“Has it been a godly union?” 

He was lucky when Cyrus spoke again and distracted him from his mounting rage. 

“We try to be as godly as we can be.” Spencer took the simple, diplomatic answer. 

“Your wife didn’t take your last name.” Cyrus pointed out. 

Nancy had used your name on your false credentials because Hotch had only come up with the fake marriage idea the day before. There hadn’t been time to inform her about it and have ‘Reid’ put on your ID as your ‘married’ name. So he had introduced you by your name to keep everything consistent with the reuse. 

It did make Spencer wonder if you would keep your last name if the two of you ever did get married. It made him almost dizzy, thinking about you as ‘Mrs Reid’. Thinking about your kids having his name. Or your name, if that’s what you wanted. 

But naturally, he pushed past all those thoughts and formed an excuse. 

“Typically, married women aren’t very well perceived in our line of work.” He quickly excused. “She doesn’t even get to wear her ring that often. She couldn’t change her name on paperwork at our office because a working married woman… it’s heavily frowned upon.” 

“Well, I’d have to agree.” Cyrus grunted. “A woman shouldn’t be out working. A woman should be at home raising a family.” 

“I - I suppose you’re right.” Reid agreed through gritted teeth. 

He walked away toward the school before he got too angry again. 

… 

A few hours later, everything had gone to hell. 

Some authority - the police, the military, you didn’t even know - had charged into the Ranch shooting. In response, Cyrus and his followers had come into the school toting large semi-automatics asking you and Spencer if you knew about a raid. 

You didn’t. You wish you had known about a raid. You would have warned Hotch and gotten them to call it off. You certainly would not have been there while it was happening. 

When they had pointed those guns in your face and forced you into the tunnels - it wasn’t very difficult to pretend to be Spencer’s wife then. Cowering in the bunker, confused and scared, you flung your arms around his waist almost instinctively, and he buried his nose in the top of your hair as he wrapped his arms around your shoulders like a shield, promising you that everything was going to be okay. 

Whispered to you like that, coming from him - it was almost easier to believe. Even with the chaos going on around you and the fear pumping through you in response. 

Nancy had run off trying to get them to surrender and did not come back. You had a feeling that you knew what that meant. 

And now, with the kids from the school ‘evacuated’ into the church, you were being held in the cellar at gunpoint. They had forcefully separated you and Spencer, making you sit in chairs at opposite sides of the room.

Spencer was fidgeting. His eyes kept flickering from the door, to you, to the man standing beside you holding the very large gun. 

You knew that you had ugly tear tracks down your face, and oddly enough - you wanted nothing more than to be back in his arms. As you were forced to sit there, just a few feet across the room away from him - you ached for it. 

There was a very large possibility that you were going to die today. And you selfishly needed the comfort of being in the arms of someone familiar - someone safe. Someone you knew would never hurt you. Someone who had made you laugh with dumb science jokes and puns for the last five years that you had worked together with him. 

When Cyrus charged back into the room with two men flanking his sides, you and Spencer stiffened up once again. 

“God will forgive me for what I’m about to do.” Cyrus announced to the room, presenting a handgun from his belt. 

Your insides quaked, and Spencer’s eyes grew wide. 

You couldn’t contain the fearful whimper that erupted from the back of your throat when he raised that gun and placed it near the middle of Spencer’s forehead. You clasped a hand tightly over your mouth to keep yourself from crying out in protest, knowing that would only make things worse. 

“Which one of you is the FBI Agent?” Cyrus asked firmly. 

Which ‘one’? 

So he knew that you were undercover, that you had lied about your job titles - but he thought that only one of you had done so. Where the hell was he getting his information? 

“I - I have no idea what you’re talking about.” Spencer told him quietly, looking him in the eye the entire time. 

You hoped that his stutter could be passed off as nervousness from the gun being pointed in his face, and wouldn’t be pointed to as deception. 

“Which one of you is it?” Cyrus pressed. 

“We are not FBI Agents.” Spencer said, more confidently this time. “We are Child Victim Interview Experts. We were only sent here to ensure the wellbeing of the children. Nothing more, nothing less.” 

Well, that last part wasn’t a lie. 

“You’re lying.” Cyrus told him, entirely confident in this. “God expells those who lie, devils in sheep’s clothing.” 

There was a tense moment, and then Cyrus cocked the gun. 

Spencer didn’t flinch. You resisted the urge to scream. 

“Proverbs 12:22 says: ‘The Lord detests lying lips, but he delights in those who tell the truth.’” Cyrus said, actually citing scripture this time. 

He was giving Spencer one last chance to tell the truth. As if using the bible verse to say that his punishment would be lesser if he simply told the truth now. 

Spencer didn’t take the bait. 

“I’m not lying.” Spencer said firmly. “What? You think I wouldn’t know if - if my wife was an FBI Agent? This is the woman I wake up next to every single morning, the woman I go to sleep next to every single night, we work together every single day, we-” 

Cyrus interrupted Spencer’s ranting with a sharp hit to the face, pistol whipping him across the cheek. 

This caused Spencer to go flying off the chair, and you couldn’t help when you let out a wounded cry. It took everything in you not to jump out of your own chair and rush to Spencer where he had collapsed onto the ground, clutching his cheek. 

“Someone is going to tell me the truth.” Cyrus said gruffly. 

“It must have been Nancy!” You said, the idea finally popping into your head. 

You seemed to be more clever with the pressure of Spencer’s life being threatened. Cyrus stared you down, turning his attention fully toward you now. You caught Spencer’s eye for a moment and he gave you a small nod - as if to say ‘yes, keep going with that’. 

“The woman we came in with! Nancy!” You reasoned, continuing to point the finger at the woman you had to assume was dead. “We - we just met her today. Our boss introduced us to her, but we had never met before that. If she was FBI, we had no clue. We swear.” 

Cyrus turned to you then, and tightly pressed the barrel of his gun into your forehead. You could feel the imprint of it so tight in your skin that it hurt, and you could only lean away so far before threatening to knock the chair backwards. 

“It’s very convenient to pin this crime on someone who isn’t here.” He grunted at you. 

“It’s the truth.” You sniffled out quietly. 

“Hmm.” Cyrus hummed thoughtfully, and then, much to your surprise, he removed the gun barrel from your forehead. 

You barely had a moment to breathe in relief before he began skimming the gun down your neck, touching the metal whisper-gentle across your bare skin - clearly taunting you. It was something that made your whole body stiff with alarm, and caused Spencer’s eyes to go wide once again.

“Perhaps I should strip you naked to ensure that you’re not wearing a wire.” Cyrus said, teasing the gun along the buttons at the front of your cardigan. 

You held back a sob at the thought of it - at the idea that he could make you do almost anything for the fear of you being shot. Truthfully, you were more afraid of what he might do to Spencer if you didn’t comply, but it was all the same in your mind now. His life was just as valuable as yours, and you would do whatever it took to protect him.

Before Cyrus could take these threats any further, a heroic voice intervened. 

“That’s enough!” Spencer yelled. 

He gathered himself off the floor and oddly enough, none of the men moved to stop him as he came to stand beside Cyrus. Perhaps they didn’t see him as a threat. Perhaps it was because Cyrus didn’t bark any orders at them to stop him. He was entirely unflinching, keeping his focus on you and keeping his gun held between your breasts as Spencer crowded into his personal space, trying to press himself between you and the awful man. 

“We’ve told you everything that we know.” Spencer told him lowly, his voice heaving with well controlled anger. It was something that you had rarely ever heard from him. 

Cyrus kept his eyes locked on you, so Spencer continued. 

“We don’t know anything about the FBI - we have a simple job advocating for children who have been abused. That is it. We came here to investigate a most likely false claim against someone in your community and we truly didn’t mean to get caught up in all of this.” He said firmly, clearly trying to appeal to Cyrus. “So I suggest you get that gun away from my wife before you and I truly have a problem.” 

Spencer’s voice was dark, so thick with rage. More pent up rage than you had ever heard from him when he was talking to any suspect, people who had done the worst of the worst. Something about Cyrus threatening you had truly boiled his insides. 

The way he said the words ‘my wife’ - growling it out like he was a feral animal and this threat to you had activated every single one of his protective instincts. Hearing it made something inside of you yearn for him on such a deep level that you didn’t know was possible. You wanted to feel that kind of protection cast over you every single day. It made you feel invincible, having Spencer watch over you like that. 

Cyrus lowered the gun then, and Spencer grabbed your arm as you dissolved into hysterical tears. Instinctively, he lifted you up into his arms. You thought that you heard Cyrus mumble out ‘my apologies’ as he left the room - but he was barely on your radar. Your entire world became narrowed down to nothing but Spencer, your safety net as he built a wall of protection around you. 

He used his height to block you from seeing anything but him, letting you push your face into his chest as you cried. He wrapped you in his arms once again, letting you feel truly safe for a few moments as you sobbed into the fabric of his sweater. Your arms clutched desperately at his waist, needing to keep a hold on him - needing to ensure that he didn’t leave you. 

“Hey, shh. Shh. It’s okay.” He said, leaving gentle kisses on the top of your forehead and your hair, rubbing across your back with one hand, comforting you in the only way he could in those moments. “It’s gonna be okay.” 

Of course, he wanted to break down too. But he had to be strong for you. 

“Spencer,” You called his name in an utterly wounded voice, pulling away from his chest to look up at him. 

When you saw his injury up close - a sharp, purple-red bruise that was blooming across his cheek, it looked so utterly painful. Your insides ached at the thought that he had taken a blow for you. You hated to imagine what more they could have done to him if they had not believed your lies. 

You instinctively reached a hand up to touch it and he caught your fingers halfway, instead, gently grasping your hand and laying it on his chest. The intimacy felt so oddly rehearsed - so worn in, so ‘normal’. It felt like you had been married to Spencer for years. Like it wasn’t a play at all. 

Your two souls had been calling out to each other for years, just waiting for the dam to break. But you couldn’t quite put it into words - not like that. 

“It’s okay.” He said quietly, knowing you were horrified by the injury. 

He was so gentle, so comforting, so calm. Everything the men pointing guns at you were not. Unlike Cyrus - Spencer Reid was a true blessing from God. 

You couldn’t hold yourself back then. 

You surged up and kissed him, fully embracing his mouth with yours in a kiss. Though it was so sudden, it was something he easily returned. The kiss so full of urgency, so needy, so passionate. Like he was trying to tell you that it was okay, that he would protect you no matter what. 

He would protect you because you belonged to him. 

In those moments, the two of you were basically alone. One of Cryus’ men was guarding the door, watching on boredly. But Cyrus was off in the church, funneling people in to prepare for his ‘loyalty’ test. It didn’t matter if he saw you kissing or not - it wouldn’t have sold the reuse of you being married any better. 

This was just for the two of you. This was comfort. 

When you pulled back from the kiss, Spencer looked stunned, almost as if he couldn’t believe what had happened. You didn’t give him time to question it. 

“Thank you.” You said quietly. 

It was twofold:

Thank you for protecting me. Thank you for giving me comfort. 

Spencer didn’t have too much time to marinate in the meaning of the kiss before Cyrus’ men came back and fetched the two of you, wanting you to observe the loyalty test. 

… 

After the mock poisoning (which Spencer figured out rather quickly, making you admire his cleverness once again), Cyrus kept you and Spencer in the church with a few of his closest, most loyal followers while all of the low level followers dispersed back to their homes. 

You and Spencer were lingering in the back quietly while Cyrus was on the other end of the room, talking to his men about how to proceed. The plans for their ‘final stand’. 

“We need to get some kind of signal to the others.” Spencer whispered quietly. “Maybe they’ll take pity on you and let you go if-” He swallowed sharply, cutting himself off abruptly. Oddly enough, he didn’t want to voice whatever was on his mind. 

“If what?” You probed. You wondered what the hell you could possibly be thinking. 

“If we tell them that you’re pregnant.” He said, whispering so lowly that you almost didn’t catch the words. 

You rolled your eyes sharply at this. 

You had gotten married and had kids all in one day. What a miracle. 

(In those moments, clouded by fear, you couldn’t see it for what it truly was - Spencer blatantly revealing his unconscious desires to have a baby with you.) 

“We could convince them to release you. As a show of good faith. A pregnancy would be good leverage in that. You know how religious people are about fetuses-” Spencer reasoned. 

“Yeah, and what if they give me a test?” You probed, punching a large hole in his logic. “We don’t know what kind of infirmary they have here. They obviously believe in modern technology. What if they want to give me an ultrasound to check on the fetus after the stress of the day? To prove that they did no harm to the precious unborn child,” 

Spencer was easily caught on this point. If they examined you and found that you weren’t pregnant, all the lies would fall apart. 

“Well… what if we tell them that you have a baby at home that you need to get back to?” Spencer reasoned, jumping to the next logical conclusion in his mind. “It’ll likely garner the same level of pity.” 

“Your imaginary sperm is powerful, isn’t it?” You whispered back sharply. Spencer rolled his eyes this time. But he didn’t redact the plan as unreasonable, so you continued on. “Okay, what do I even do when I get out there? I’m not gonna be of any use to the tactical team. We don’t know what Cyrus’ final play is yet.” 

Truthfully, you couldn’t bear to be separated from Spencer. Knowing that he was inside, potentially being beaten up more, potentially being shot and bleeding out from a wound without you knowing - it would kill you with stress. You need to be by his side. You needed to know that he was okay. 

“Has God blessed your union with any children?” Cyrus appeared behind you suddenly. 

You wondered if he had heard you say the word ‘pregnancy’ or if this was just a random topic that had come up in his mind. 

His sudden appearance behind you caused you to whip around and crowd into the comfort of Spencer’s arms again because you were frightened. Naturally, Spencer wrapped his sheltering touch around your shoulders. Your back was gently pressed into Spencer’s front, his arm shielding you protectively as it was wrapped around your chest, holding you with his hand on one of your shoulders, unconsciously stroking his thumb across the fabric of your cardigan. The position had you both facing Cyrus, watching the fan in an offensive way. 

And of course, Spencer didn’t miss a beat. 

“Yes.” Spencer answered easily. “We have two kids at home. A boy and a girl. Iris and Hugo. Iris is almost three years old and Hugo is eleven months. His first birthday is coming up in June.” 

You knew that Spencer could be very good at talking off a suspect’s ear under pressure, but when you heard him rattle off these ‘facts’ so easily, it hit you. 

This wasn’t simply statistics or physiological knowledge - this was a very elaborate backstory for your supposedly real marriage. Perhaps he had thought about all of it on the car ride up (which was odd not to share it with you, in case Cyrus asked you a similar question and your answer didn’t match up with Spencer’s). 

But if you weren’t mistaken, this wasn’t simply a backstory for your fake marriage during the undercover mission. This was a fantasy of his. Those were names he had lovingly chosen for your imaginary children - kids he had dreamed up in his head and wanted to be real. 

Your heart ached at the thought of it. You found yourself missing a set of children that weren’t even real. (And distantly, wanting to jump his bones to make it a reality.)

“Tell me, Mr. Reid, would you find it so shameful for your daughter to marry young?” Cyrus asked. 

You found it odd to hear Cyrus call Spencer ‘Mr. Reid’, but you realized that he hadn’t introduced himself as ‘Doctor’ in this setting. You held your tongue when you felt the need to correct him as you had so many other people, wanting Spencer to receive his proper title. 

Your mind almost couldn’t focus on the question that Cyrus had asked. Of course, he was trying to get Spencer to stroke his ego once again. Basically admitting that the whole reason the two of you had come here was true - he was being vastly inappropriate with a young member of the church, and getting away with it. And he saw nothing wrong with it. 

And he was trying to get an outsider to admit that he saw nothing wrong with it too. 

When there was a moment of silence - Reid obviously torn on how to answer the question, Cyrus continued. 

“Is there really something so wrong with a blooming young woman marrying a man who will protect her under God’s laws?” He probed, his voice so entirely confident. Clearly confident that he was right. 

“Well, I’m not sure if I would let my daughter get married so young.” Reid said, finally speaking up. “I just know that I would want her to marry a man that would protect her, and be the best possible fit for her. Someone who would cherish her and be good to her no matter what.” 

His answer made you swoon. You reached up and gently gripped his forearm in response, giving a light squeeze to show your approval. He leaned in and kissed the back of your head - dizzyingly, you were imagining him walking your imaginary daughter down the aisle before you had even gotten married yourself. 

Maybe it was being so close to death, being threatened in such dangerous territory that was causing your life to accelerate at light speed in your mind. If you were going to lose everything, you might as well enjoy the escapism of a fake life with a beautiful man in your mind instead of being stuck on the heart pounding terror of being held hostage, right? 

Surprisingly, his words drew a smile from Cyrus. 

“You’re a protective father, aren’t you?” Cyrus asked. 

“Of course.” Reid confirmed. 

“I can always admire that in a man.” Cyrus nodded. “A man should always pride himself on protecting his family.” 

There was another moment of pause, and you were hoping that the topic had been dropped completely. 

“Do you have a picture of your children with you?” Cyrus asked. 

You wondered if - in a different version of reality, where you and Spencer really were married, where Hugo and Iris really did exist - if you had a picture of them in your pocket, would Cyrus only be asking this so he could use the picture to taunt the two of you? What other purpose would he have for knowing what your children looked like? 

“Unfortunately, no.” You answered. “I keep my family pictures on my desk. In my office. We - we’ve just been praying to get back to them safely.” 

Cyrus seemed perturbed at you mentioning that you had an office. Something dark flickered over his features for a moment and then disappeared. 

“Well… if it is right, God will grant you that safe passage.” Cyrus said. 

Just when you truly thought the conversation was done, he said something to you that entirely grinded under your skin. 

“I find it entirely odd that a mother of two young children spends her days working a job where she takes care of other people’s children, rather than staying at home with her own youngins where she belongs.” 

He said, using that same entirely confident, righteous tone that he always did. Even though you were not really a working mother, you had a hard time not boiling with anger at the sexism ripe in his statement. 

“How much must you be missing of your sweet angels lives to instead partake in the horrors of devils you shouldn’t have to witness.” 

Of course. 

You had a hard time not rolling your eyes at this or saying something harsh that would set him off. Instead, you reached up to Spencer’s arm around your shoulder, squeezing his fingers, trying to keep your patience.

“I’ll have you know that Y/N is an amazing mother.” Spencer piped up, knowing that Cyrus respected him enough as a man that he wouldn’t beat him simply for speaking up. “Her nurturing and caring makes her infinitely better at her job.” 

Again, you knew that there was so much personal truth in Spencer’s words. He thought that you would make an amazing mother to his children - at least theoretically. He was entirely firm in that conviction. And he thought that your natural caring made you amazing at the job you did as a Profiler. He knew this from the quality of work he witnessed you doing every single day. 

You didn’t know it - but it was just one of the many things that had caused him to fall in love with you. 

Oddly enough, Cyrus’ words prodded at something deep inside of you. It made you imagine a life for yourself where you weren’t spending your days witnessing horrors from unspeakable devils - but instead, at home, looking out for Spencer’s imaginary children. 

You would have said it was the fear of the day, clouding your mind. But maybe it was the clarity of being so close to death that made you realize what - and who - you truly wanted out of life. 

… 

Hours later, after some of the hostages had been released (the ‘non-believers’ who had failed the loyalty test), Cyrus had requested that some food be sent up. Spencer gave you a sharp look when he saw the message written on one of the takeout lids. 

The team would be storming in to end the hold-out at 3am. You had to somehow ensure the safety of the hostages by then. 

Obviously, the fake pregnancy idea was still warping through Spencer’s mind, but you had come up with some much better. 

“Cyrus,” You called out his name gently, getting his attention. “You said that you have a nursery here?” 

It had come up, during his long winded bragging about how perfect the Ranch was. Something about how mothers didn’t have to raise their children alone. The children were raised as more of a ‘group effort’ and women took ‘shifts’ in the nursery, allowing the women to rest or get chores done in the interim. 

“Yes, we do.” He nodded. 

Spencer stared at you with his jaw set, wondering what you were doing but not daring to speak. 

“I - I’ve been missing my children dearly. I was wondering if I could go to your nursery and see if they need any help? It would do my soul good to be around young ones right now. After all the commotion of these days.” You spoke meekly, trying to play the part of the shaken up, dainty woman well. 

Which was too difficult, seeing as you were playing up the fear you had already experienced. 

He grinned. It was a rather menacing smile, and you tried your hardest not to show any further fear, or disgust. 

“That sounds like a splendid idea.” He nodded. “Christopher, why don’t you escort her down to the nursery and then come back? We need you here for our final preparations.” 

You were finally falling to those gender roles that he had been pushing on you since you had arrived. He didn’t suspect a thing. He simply thought that you were a God fearing woman falling to your natural womanly instincts, needing to care for children lest your womb shrivel up and you die. 

Spencer rose from his seat and Cyrus stopped him. 

“Just your wife.” He said, putting a hand in front of Spencer’s chest to stop him. “There are still some things you and I need to discuss. Man to man.” 

You went over to Spencer and didn’t hesitate to plant a kiss firmly on his mouth, which he returned with vigor. This one lasted only a moment - it was something precious for the two of you. You didn’t need to put on some pointed show for the men in the room. 

“It’s okay.” You told Spencer quietly, brushing your fingers gently over his uninjured cheek. 

You could tell that he was dying to ask you what your plan was. But he kept the words trapped in his throat, unable to speak in front of the many temperamental villains lurking about. 

“Come on.” Christopher grunted. 

Spencer gave you a longing look as you left. He didn’t want to think it, but as he watched your figure retreat out the door, he feared that it would be the last time he ever saw you. 

… 

Your plan worked flawlessly. 

Getting to the nursery meant that you had unsupervised access to the women and children, especially away from Cyrus’ prying ears. Because you were a ‘delicate’ woman, nobody suspected you of having ulterior motives. You easily found a crack in Kathy, Jessica’s mother. You spotted her as the one who had made the original 9-1-1 call, wanting to get her daughter away from Cyrus. You convinced her to help you get everyone out, and you felt intense relief when you were met with a familiar face in the cellar as everyone escaped through the tunnels. 

“Where’s Reid?” Morgan easily asked you, glancing behind your shoulder as if waiting for him to appear. 

“He’s still up at the church.” You told him. “I had to separate off to help get the women and children out-” 

“Go on, we have to get you out!” Morgan urged, trying to gently usher you along. 

“We have to go get Reid!” You argued, trying to turn around. 

“Go, go on, I’ll go get Reid!” He told you. 

You were about to argue back, but you were cut off by a scuffle behind you. 

Jessica was yelling about Cyrus - how her mother had betrayed her, tricked her. 

Morgan pushed Kathy toward you and ran off screaming for Jessica. You took Kathy’s arm, gently convincing her that everything was going to be okay as you guided her the rest of the way out. You had to focus on this, convincing yourself that everything was going to be okay. You had to tell yourself that Derek was going to get Spencer out - that they were both going to be okay. 

When you got outside, you were hyper focused on marching away, taking a path away from the church as directed by the officers in charge. You froze in your tracks when you heard it - an earth shattering boom. The ground beneath your feet shook. You felt a puff of hot air swell to touch your back. 

You let go of Kathy’s arm and whipped around, and you couldn’t even pay attention to where she went. You almost thought you heard her weeping, but your mind couldn’t process it as your eyes were glossed in bright orange flame. 

It was the church. 

“Spencer?” You gasped quietly. “Spencer!” 

You couldn’t help it, but you began to run toward it. Your feet carried you faster than you could think, and before you got more than a few feet across the ground, you felt a sharp grip on your upper arm. 

“L/N!” 

Hotch’s voice, sounding far too distant for the position he held right behind you, viciously gripping onto you as you fought against him, trying to get toward the fire - trying to get to Spencer. 

“Hey! Hey! Stop it!” Hotch tried to order you around, tried to get you to stand down. 

He got a hand around your waist, and you continued to kick like a wild horse, fighting against his grip as hot tears poured down your face. 

“He’s in there!” You sobbed. “Spencer is still in there.” 

“Calm. Down.” Hotch ordered sharply. 

You collapsed back into him sobbing, all of the fight leaving your muscles at once. You couldn’t fake the reality in front of you. 

“You running in there and getting hurt isn’t going to change anything.” Hotch told you quietly, a somehow distant murmur into your ear. 

Through the blur of your tears and the sharp orange glow, you saw the shape of two bodies. You heard coughing as someone emerged from the blast, hobbling down the stairs at the front of the church. You forced your eyes open wider, trying to see who it was, and then: 

“Y/N!” Spencer called out your name gruffly through the smoke he had inhaled, and you easily shucked off Hotch’s grip to race up the stairs to get to him. 

He was leaning on Morgan for support and you were worried that he was hurt. But the moment you were close enough, he tore himself away from Morgan and the two of you met in the middle. In a pattern that was easily developing, you fell into the safety of his arms, holding him tight enough to bruise him - never wanting to let go. 

“You’re so stupid, you’re so stupid! Why would you do that to me?” 

You sobbed out, gripping both sides of his face, staring into his eyes, needing the recognition that he was right there, right in front of you. 

He stared back with glassiness - intense fear, adrenaline, and something small that told you he was thankful for you, and needed you now more than ever. 

Of course, your words were simple anger at the situation, not at Spencer himself. The terror of thinking that he was dead still pumping through your veins, causing you to shake. 

“I know.” He said quietly. “I love you.” 

His voice wrapped around the words so tenderly - it was the most sincere declaration you had ever heard from him. As if to say ‘I know how much that scared you. I know what this ordeal has done to us and I only meant it more because of how scared I am’. 

“I love you too.” The words flew from your lips so naturally it hurt. You took a moment to recover, entirely shocked by your own lips. And then, you only found the need to say it growing more inside of you. “Spencer, I love you.” 

You pulled him toward you with the grip you had on his face, and he easily met you in one of the most earth shattering kisses you had ever experienced. 

It was no longer a show, it was no longer about displaying the fake marriage for someone else’s benefit - if it had ever been about that in the first place. It was about the two of you. It was about feeling that comfort, that safety. It was about the fact that your two souls were drawn together since the day you had met. The fact that you had always felt safe with each other. You had always been the other person’s shelter from the storm. 

And you poured every ounce of those feelings into that kiss. 

You combed your fingers through Spencer’s hair, taking a harsh grip on the back of it, holding him there so he couldn’t pull away from your lips. He wrapped his arms around your waist, fisting the back of your sweater. Both of you entirely refused to come up for oxygen, not even caring who saw the epically passionate, public display of your love for each other. 

Unbeknownst to you, Morgan and Hotch exchanged a look with raised brows as it happened. You and Spencer didn’t care. You were barely perceiving the world around you as the two of you kissed. 

“You know if you’re not careful, people are actually gonna think you two are married.” Morgan said, being his usual sarcastic self. 

Rather than pulling away from Spencer’s lips to sass him back - you simply flipped Derek off over Spencer’s shoulder. 

On the ride home, JJ handed Derek five dollars. He had the over/under that the two of you would get together before the end of the year. JJ said that it wouldn’t happen for another five years, at least. Derek handed the fiver to Emily when she reminded him that the ‘fake marriage’ bit had actually been her idea. 

When Emily and JJ relayed the story to Penelope, she squealed so loudly into the phone that JJ dropped it. 

Hotch pulled you aside later and warned you that the fake rings were just cheap costume jewelry that Garcia had gotten and they would tarnish soon if you kept wearing them. He also recommended that you and Spencer put in the paperwork with HR if you were ‘serious’ about the relationship. You knew that it was him wishing the two of you his best. 

A few days later when you came into work and found the HR request for an update of relationship status sitting on your desk, already signed by Spencer, you couldn’t help but to smile.

...

A/N: This is a oneshot, so there will not be a continuation or a sequel to it. If you are going to comment, please comment about the body of work that I have written, rather than asking me to write 'more'. If you want to see more things that I have written about Spencer, feel free to check out my Criminal Minds Masterlist.

[longing-for-rain]

Katara and the “Mom Friend” Trope

Both in-universe and among fans, Katara has always been identified as the “mom friend.” While often used as a joke, the trope does reveal a deeper and more tragic aspect of Katara’s character: the way the war has forced her to grow up quickly and take on a parental role at a young age.

This is a frequently misunderstood part of Katara’s character, despite it being central to her arc. Since the show first aired, Katara has been the butt of many jokes and has always been one of the most hated characters by fans. From tasteless jokes about how she talks about the loss of her mother too much to accusations of being too emotional and bossy, Katara’s character has always been under attack by fans.

In past years, and still in certain parts of the internet, this behavior was blatant, but lately I’ve noticed a more subtle spin on this. As it becomes slightly less socially acceptable to say blatantly misogynistic things about female characters—particularly here on tumblr—I’ve noticed fans express the same negative sentiments about Katara, but dressed up to appear more progressive. The most common way I see this sentiment expressed is fans downplaying Katara’s role as “team mom” and trying to make it seem as if Katara is less mature and responsible than she really is.

Of course, these individuals would have you believe that their reasoning for these opinions is that they really care so much about Katara and want to “let her be a kid.” But in reality, when you ignore the way that Katara is forced into a parental role in canon, you also ignore and disregard the context for many of her character traits, leading into the accusations of her being bossy and overly emotional that I mentioned earlier. It erases, and therefore minimizes, a huge source of stress and trauma that weighs on Katara throughout the series.

The idea that Katara fans created the concept of her being a “mom friend” is ridiculous. This is mentioned so much in canon that it’s practically a running joke. Toph accuses Katara of acting like everyone’s mom in The Chase. A similar conflict arises again in The Runaway, when Sokka even admits that he thinks of Katara as a mother figure, despite him being her older brother.

Katara seems pretty hurt by this too, and it’s still never properly addressed again.

In The Headband, Katara actually pretends to be Aang’s mother.

And looking at everything we know about Katara, it’s very clear how she assumed this role. Think about what she says in the exposition of the entire show:

Katara: Ever since mom died, I've been doing all the work around camp while you've been off playing soldier! I even wash all the clothes! Have you ever smelled your dirty socks?

The moment Katara is introduced, the audience is given a critical piece of information about Katara—that she’s lost her mother and essentially assumed her role. While Sokka is more or less playing and occasionally hunting (we hardly ever see him do this in canon by the way), Katara is doing the overlooked, underappreciated labor that keeps everything moving. There is a great post here by @theotterpenguin that details this and the inherent misogyny in devaluing the kind of work Katara does, and how many fans tend to do this.

This trend continues throughout the course of the show. Katara is always the voice of reason who keeps things moving. She reigns in Sokka and Aang, who are constantly getting themselves into trouble.

There are countless examples, but to name a few:

As early as The Warriors of Kyoshi, she’s trying to get Aang to behave and not endanger himself to look cool. And having him mouth off when she gently suggests that he help with a minor chore.

In The Storm, Katara warns Sokka not to take a risky job, which he ignores and nearly gets himself killed.

In The Blue Spirit, Katara is trying the whole time to do something productive via Momo, remaining vigilant despite the sickness wearing her down.

In The Chase, being the one to politely ask Toph to help out, and honestly doing a pretty good job of keeping her cool as long as she did.

The entirety of The Desert episode. While everyone else was drugged up, hopeless, and even outright hostile, Katara kept everything moving and saved everyone’s lives.

Whenever Aang goes into the Avatar State, it’s always Katara tasked with calming him down, despite how dangerous and volatile the Avatar State is when not properly controlled.

Additionally, there are so many small details that add to this picture. Katara is always the one we see getting food, preparing food, doing chores, everything of that nature. Everyone else would be completely lost without her.

And sadly, this is something never properly addressed by the narrative nor acknowledged by fans. There is a great post here by @ecoterrorist-katara explaining the tragedy in this. Katara is constantly burdened with the responsibility of keeping everything moving and doing the invisible labor that is never appreciated but keeps everyone moving, which is the reason why she’s viewed as being in a maternal role. Because that’s what she very clearly is to her friends.

This really wasn’t meant to be a ship related post, but it is kind of the elephant in the room here. I know a lot of the motivation in downplaying Katara’s “mom friend” role stems from shipping discourse, in particular, the hatred of the idea of Katara and Zuko acting as team parents. Some people associate Momtara as a Zutara trope and as a result, relentlessly bash it as they do anything even tangentially related to Zutara. But did you ever consider why it’s a Zutara trope? Because a lot of fans recognize everything I mentioned previously, and enjoy the idea of someone helping to share that responsibility. Sokka, Aang, and Toph clearly didn’t, so that leaves…guess who.

Zuko: You should get some rest. We'll be there in a few hours. You'll need all your strength.

It’s tiring seeing this trend from people who clearly don’t care about Katara or her character. Sure, you might try to act like you’re downplaying Katara’s maternal role and how a huge part of her canon character was the war forcing her to assume that role out of “wanting her to be a kid” but you really aren’t that different from more blatantly misogynistic fans who call her immature and annoying. You don’t recognize or respect the work she’s constantly putting in to protect those around her, and then you have the audacity to get mad at fans of Katara who actually like the idea of someone taking some of that burden off of her shoulders?

Same Katara hate, different font. She is forced into this material role, and refusing to acknowledge this is disrespectful not just to Katara’s character, but all the real life women and girls forced into similar roles who see themselves in Katara.

[alnair-jpg]

Olympics AU Info dump!

First, I am blown away by how much love the series is getting, thank you all so much! I do really enjoy all the comments and reactions in the tags. Know that they all delight me and the only reason I don’t reply to everything is because there are so many! But I read them all 💕

General questions:

Can you draw the designs or concepts? Write fanfic in this AU?

Yes of course! I’d love for you to tag me if you post them so I can see

Do they all know each other?

At first, I would say no- with the exception of Nico and Will (they’re developing a whole backstory in my head that I cannot and will not stop.). But they all meet in the Olympic Village after the opening ceremonies and quickly become friends. They all try their best to attend each other’s events. (Someone please tell me how Percabeth becomes a thing. Please. 🙏 )

Why didn’t Percy win gold?

Percy was an Olympic medalist in swimming before moving to diving. After competing in several swimming events and feeling like they were all just small variations of the same thing, he wanted more of a challenge. He chose diving to stay rooted in to the water, but to add a new dimension to his bodily awareness and control.

What’s Annabeth and Luke’s rivalry?

They most definitely trained together, and it was Luke’s skill that motivated Annabeth to aim for the Olympics. But, she wanted to compete for her home country, Greece, which Luke thought was just a shortcut since there was a clearer path to an Olympic team in a smaller country. Annabeth is constantly trying to prove to him that she would have made it to the top of the sport either way.

Also, apologies to the IRL fencers out there for the inconsistency. I know fencing is a gendered sport, and Annabeth’s gear/style are inconsistent, please forgive the oversight ☺️🫶

Volleyball?

The whole Hunters of Artemis are a volleyball team (that apparently has no country 😅). Thalia ends up the captain. When Reyna moves on from tennis they welcome her with open arms.

Rejected sports

Will as a runner. Canonically, he’s super fast, but just having him as a sprinter didn’t fit with his personality.

Will as a pole vaulter. Specifically the guy that lost because he was ‘blessed a little too much’ and knocked down the bar. I will not explain further.

Will as a gymnast. He was this || close to being a gymnast essentially modeled after Steven Nedoroscik, I had the sketch and everything. (I shared it here!) But when an anyonomous ask clued me into the sick medical team uniforms it all fell into place from there. (Thank you no-longer-anon @helyeahmangocheese !)

Percy in anything equestrian related. I see him not having the patience for all the formality of it all, but he definitely crashes Hazel’s shows and chats up all the competition (the horses.)

Annabeth on a sailing team. Also, related to that, Reyna on a sailing team. It was a fun idea, especially for Reyna and her history with pirates but ultimately it was really hard to capture in a few illustrations.

Nico in several winter sports. For consistency mostly. He could fit for a lot of winter sports - ice skating and snowboarding are my personal favorites.

Leo as a shooter. He would most definitely build his own gear and make tweaks to his weapon. Which would get him immediately disqualified.

Jason in discus. Jason as a basketball player. Golf is just… fitting. 😂

Other Characters I’ve been thinking about

(that may have art in the works… and may not actually be athletes!)

Clarisse

Meg

Grover

Rachel

Lester / Apollo

Mr. D

Chiron

[mc-i-r]

Disposable Heroes

Part one, Part two, Part three, Part four AO3 link

A/N: hi yes so sorry for how late this is, it turned into a huge monster of a fic that I’m still working on but I figured posting the first part wouldn’t hurt. This is based on this post by @liightsnow, @acowardinmordor, and @00biscuit while back and I decided to expand that concept a bit and here we are. I'll be tagging anyone that seemed interested in the concept at the end of the fic! Warnings are below but I just wanna say that Steve is struggling with his sexuality in this one so most of it comes from that. This will absolutely have a happy ending, just not right now. Enjoy the angst!

Tw: internalized homophobia, homophobic language, mentions of canon violence, dissociation, panic attacks

———

It’s a Sunday afternoon when he realizes it. Steve is sitting on his couch, eating a shitty frozen meal and watching a random movie on TV when it hits him. The kids haven’t asked him for a ride in two weeks. Two Saturdays have passed and there was not one call— either on the phone or over the walkie— from any of the kids. Not even Dustin, who has seemed to make it his life’s mission in the past couple years to annoy Steve into an early grave.

It’s not like he hasn’t seen them at all. He still practices basketball with Lucas on Thursdays, even though the season is long over. His weekly dinners with Claudia and Dustin are still going strong every Wednesday. Joyce seems to invite him over for dinners every couple weeks. From the outside, everything seems fine. And maybe it is, but Steve’s noticed things.

See, he’s not as stupid as people think he is. He may not be academically smart but he can read. However, instead of books, it’s people. He can read their micro-expressions, notice little signs in their body language that help him understand the person. He can tell when people are nervous when they avoid eye contact, can tell how anxious they are when they distract themselves by picking at their fingers. It’s how he’s so good with the kids. They’re in the stubborn stage of their teenage years, the time in which the only answer you’ll get is ‘I’m fine. Leave me alone’. But he can tell if there’s something on their minds, if there’s something eating away at them.

He can tell that Mike’s anger and pointed barbs are directed towards himself, how he’s struggling with something he can’t quite admit to himself yet. How Max is frustrated with her body, with accepting help, because she’s always had to rely on herself and putting that much trust in someone else has never been an option for her until now. How Lucas is trying to find joy in doing something he loves again, because his love for basketball has been ruined by Carver and his trusty band of assholes. How Dustin is trying to deal with almost losing Eddie, how he’s processing the feelings of almost losing a brotherly figure along with one of his friends. How Will is hiding part of himself, struggling to accept it in the same way Mike is. How El is trying so hard to find her new normal, to adjust to getting her life— her father— back.

There’s another thing he’s noticed, however. It’s that the kids are obsessed with Eddie. Steve from a couple years ago would feel jealous of Eddie, and would try to hold it against him. Now, though, Steve just feels… sad. The kids constantly talk about how cool and badass Eddie is for still being himself despite all the shit Hawkins has thrown at him. They talk about how Eddie takes them places, gets them little trinkets for their nerd game, and takes them fun places. Eddie does all these little things for the kids, lets them just be kids, and really, Steve can’t be mad at him for it. He tries to let them have fun, but his constant worrying overwhelms them. It brings them down. Eddie doesn’t do that. He joins right in with them, basking in the fun and letting himself go. Steve… can’t. Not with all the shit he’s seen. Letting his guard down is something he can’t afford to do anymore.

He sighs down at his meal, chucking it on the coffee table as he loses his appetite. His glasses land next to the disposable plastic tray, sliding across the finished wood surface from the force of his throw. He rubs harshly over his face, hands digging into his eyes until he sees stars.

Steve knows he’s not perfect. Hell, it took an interdimensional monster trying to kill him in order for him to realize that he could be a better person. That the only person truly able to change his life is himself. He used to think he had no choice in his life— whether it was his parents' high expectations of him or his friends trying to mold him into their perfect little plaything— but he knows better now. He knows that he shouldn’t have become King Steve, that he shouldn’t have hurled all his hate and anger towards other people who didn’t deserve it. He knows he shouldn’t have called people names or slurs, that he shouldn’t have spray painted lockers or ripped up books or shoved people against hard asphalt. He knows that, but knowing it was wrong doesn’t erase the fact that it happened. That Steve did those things and hurt people.

Part of him knows that his past is what made the kids turn towards Eddie. Why wouldn’t they? Steve was a bully, thought he was hot shit in school and made it everyone’s problem. Eddie was simply himself. His unabashed, unashamed self. He stood on cafeteria tables, made dramatic speeches, and shared his opinions to anyone and everyone who would listen. He’s so genuine and so, so much better for the kids. He teaches them how to be themselves, how to shove off the hate and embrace their weird side. He’s perfect for them, and Steve knows deep down that this is good for them. The kids need a good role model, one they can rely on, and Eddie has his herd of little sheep to teach and protect. It’s perfect. They’re perfect.

Steve remembers the time last week at the Byers-Hopper house when their little obsession truly became real. They were waiting for the bread to finish baking in the oven, and Steve saw that Will was seated alone in the living room. Joyce and Hopper were in the kitchen, talking and keeping a lookout so the bread wouldn’t burn. Jonathan and El were listening to music in his room, the synth and guitars echoing down the hallway. So, Steve decided to finally talk to Will. It’s not like they don’t talk ever, just… not much. Will is quiet, blends into the background, and Steve never felt like the kid would be comfortable with him trying to get in his business. However, he needed to ask the question that had been on his mind for a while.

Steve sat down on the couch next to him, keeping a fair amount of distance between them, and rested his elbows on his knees. Will was reading a comic, the cover full of bright colors and words, not paying attention. Steve sighed, pushed his glasses up, and ran a hand through his own hair.

“Hey, um… can we talk for a sec?”

Will startled a little, like he didn’t realize Steve was there, and closed his comic. He nodded, and Steve tried not to feel bad about the hesitation in his eyes.

“Is there something going on that I don’t know about? Like with the others?” Will’s eyebrows furrowed, a confused expression taking over his face.

“Um.. what do you mean?”

“Just… have I done anything to them to make them mad? I just… I don’t know, I feel like I’ve done something but I don’t know what,” Steve confessed. He must have looked as distraught as he felt, because Will seemed to soften at his explanation a bit.

“Why do you think that, Steve?” Will asked softly, and Steve had a moment of realization that Will seemed years older than he looked. Steve sighed, and explained that the kids haven’t really been hanging around him much and instead like to spend time with Eddie. He’s quick to clarify that he doesn’t mean anything bad by it, just wants to know what happened. It was Will’s turn to sigh, and he looked at Steve with something akin to sympathy.

“Steve, I don’t say this to be mean but… Eddie just relates to us more, you know? He shares more interests with us, and he seems to get us better,” Will expressed. His eyes widened and he hastily added, “it doesn’t mean there’s anything wrong with you! Just… it’s nice to have somewhere else to go, you know?”

The rest of the evening was spent with Steve silently eating his dinner, Will’s words echoing through his head as he munched on half-burnt bread.

Steve decides then, TV dinner half-eaten and work vest still on his shoulders, that he’s going to make this better.

The next day, Eddie comes into Family Video to pick up some movies, definitely for a movie night judging by the titles— he seriously doubts a metalhead would willingly watch The Goonies, The Dark Crystal, and Ghostbusters by himself on a Saturday night. Eddie bounds up to the register, movies in hand, and does a dramatic bow as he presents them to Steve.

“I wish to borrow these, my liege,” Eddie declares, his voice deep and in a horrible mockery of an English accent. Steve scoffs and rolls his eyes, unable to hide the small grin on his face at the other man's theatrics.

Eddie looks so effortlessly pretty, his hair tied back in a ponytail and his tattoos exposed through the large arm holes in his homemade tank top. Steve shakes his head to get rid of those thoughts and takes the movies to check them out, ignoring the late fee balance on Eddie's account. A glance at the man in front of him, who is bouncing on his toes and looking around the store, gives Steve an idea.

“Hey, is Hellfire still going on?”

Eddie snaps his attention back to Steve, looking a little startled to be asked such a thing.

“Uh… yeah, it's still going on. We have to play in Gareth’s hot ass garage since school is out but we’re making it work. Why d’you ask?”

“Oh, uh… the kids complained awhile back that they didn’t have a good spot to play anymore and I was just wondering,” Steve explains. Eddie raises an eyebrow at him, and Steve can feel him staring. Can feel him looking at him closely. Too closely. He clears his throat and looks back down at the counter, pushing his gold, wire-framed glasses further up his nose. “I uh… I actually wanted to offer up my place? My parents aren’t home much”— more like never— “and I’ve got plenty of space for the gremlins and the other guys. Plus, my A/C works and I’ve got a shit ton of snacks. I’ll stay out of your hair and-“

“Actually uh…” Eddie cuts him off with a strained voice. Steve looks up to find his face contorted like he ate something sour, and he knows what his response is going to be before he opens his mouth. Eddie wipes a hand over his mouth before shoving it in his pocket. “Yeah, the other guys just… really wouldn’t want to be there.”

Steve nods— tries not to let the denial sting— and looks down at the movies in his hands. Ignoring how they shake, he sets them on the counter and slides them towards Eddie.

“That’s okay man, I get it. I need a break from the little horrors anyway,” he huffs out, the words digging their way into the pit in his stomach. He puts on his best customer service smile and looks up at Eddie, finding him looking a little wary. Eddie hesitates, as if debating with himself on whether or not to say anything, before rapping his knuckles on the counter in a little rhythm and picking up his movies. An awkward smile finds its way to his face, and Steve thinks it strange and out of place. It’s so.. un-Eddie-like. The pit grows deeper.

Walking backwards towards the entrance, Eddie throws a little salute his way before turning and swinging out the door. A belated “see ya, Harrington” drifts through the closing door in his wake.

Steve slumps over the counter when he’s gone, holding his head in his hands and feeling the childish urge to cry make its way up to his eyes. Even after everything— after walking through hell together, dragging his lifeless body out of the Upside Down as his blood dripped down his back and soaked through his clothes, standing vigil at his side until he woke up two weeks later— Eddie still seems to hate him.

But Steve… he feels the opposite. He has this overwhelming desire to be with Eddie. To hang out with him in the back of his van, drinking sodas and eating snacks as they look out over Lover’s Lake while the sun sets. To talk to him until the early hours of the morning until there’s nothing left to say. To go for drives late at night and listen to his loud music on the radio while holding hands over the center console. He has feelings for Eddie he’s never had before. Not for any past romantic conquests nor any girl. Hell, not even for Nancy. He’s never felt this intense need to be near someone before, and it scares him. It truly terrifies him.

He’s not homophobic— his platonic soulmate is a lesbian, for Christ's sake— but the fact that he feels this way is just… wrong to him. How is Steve Harrington, ladies’ man and charmer extraordinaire, into dudes? What is he, like, half gay? It just doesn’t make sense, doesn’t seem right, for him to feel like this. He sighs into his hands, digging his palms into his eyes until he sees stars. He can’t be thinking about this now, he can’t be thinking about this at all. He needs to shove it in the box in the back of his head where all the hard feelings go, waiting and festering to be dealt with later. He needs to, but he doesn’t know if he can.

Fuck, he needs to talk to Robin. Shit- can he though? What if what he’s feeling is a fluke or something? What if it’s just in his head because he’s desperate? What if Robin thinks he’s making fun of her and won’t take him seriously? It’s not fair of him to throw all his problems on her, even if he thinks she could help. It’s not her job to look after him, to take care of him. He can do that himself. He can figure this out himself.

Distantly, the words of Richard Harrington play in his ears. About how being gay is wrong, how it’s a disease. How it’s a sickness that slowly takes over until there’s nothing left. How it’s a disgrace.

He remembers sitting in the living room with his parents on a rare occasion in which they were home, watching the news channel as it talked about an epidemic spreading through young men. His father scoffed at the screen when they started talking about potential cures.

“Cures? They should just let those fags die. They brought this on themselves, you know. Typical of them to complain about the fucking consequences,” Richard had spat out at the block TV, standing to refill his bourbon. Steve had clenched his fists at his side, his already stiff posture straightening still. He felt angry at his fathers words, something pure and burning in his gut.

He didn’t know what it was at the time, but maybe he should’ve known. Maybe him being queer shouldn’t be as much of a surprise as it feels. Maybe he’s always known and just couldn’t bring himself to admit it. Maybe that anger he felt at his father’s words was partly on behalf of himself, too.

A wince shudders through him as he remembers how that night ended.

Steve had stood up from the couch, watching the dark liquid flow into the crystal glass in his father’s hand.

“What’s so wrong with being gay? I don’t understand how you could just.. hate people like that. Hate them for just existing,” Steve countered. His father had frozen at his words, slowly setting down the decanter with a solid ‘thunk’ against the metal tray where it belonged and turned to face him. His face was slowly gaining a reddish hue, a sign of the anger rising within him.

“What did you just say?” He demanded, voice scarily calm but laced with an icy rage. Steve swallowed.

“What… What's wrong with being gay, sir?” Steve hesitated, voice failing him. Richard had downed the glass of bourbon before throwing it at Steve, the crystal shattering on the mantelpiece behind him and sending shards flying.

“What’s wrong, Steven, is that you think it’s okay. No son of mine will think like that, not on my watch,” his father boomed, taking long strides towards him. Steve didn’t dare move, only watched his fist grow nearer as he punched him high on his cheek. He fell to the floor, arms trying to protect his head but it was no use. Richard had ripped his arms away, gripping the front of his shirt and making Steve hover above the ground.

“I didn’t raise a fucking fairy, Steven,” he spat. “A faggot.” Steve recoiled, physically feeling the vitriol his father aimed at his face. Richard had sneered, pulled him close and whispered, “Never forget that, Steven,” before shoving him harshly onto the ground and walking away. Black had clouded the edges of his vision, and he laid on the plush rug until it cleared up. He looked over, found his mother silently watching the TV and sipping her wine, and begged with his eyes for her to help him. To say something. Anything. She didn’t, and Steve had to haul himself off the floor, grasping the couch when his vision swam, and stumbled his way to his room.

The rest of that weekend was spent in his room, gingerly cleaning his face and the couple places where glass had cut him on his arms with a wet washcloth and soap. It was the first time he had ever gotten a concussion. He was fifteen.

He remembers replaying the fight over and over again, feeling like those barbs were directed towards him, too. In hindsight, maybe they were. Maybe his father just knew. Knew he was queer long before Steve ever did. Maybe that’s why he’s always so angry with him, so… disappointed. A groan escapes him and he runs a hand through his hair. He’s been thinking way too damn much for it to be this early in the day.

God, he really wishes Robin was here. He knows he can’t talk to her, but it would be nice just to have someone here to keep him from spiraling and drowning in his thoughts. He pushes himself off the counter and goes over to the cart where the returns sit, hoping that busying himself will occupy his thoughts. He sets a few on the shelves when what Eddie said earlier barrels into him full-force.

“Yeah, the other guys just… really wouldn’t want to be there.”

Jesus fucking Christ, he’s stupid. Of course the other Hellfire guys wouldn’t want to be at his house, they probably still see him as King Steve. Most people do, nowadays. Only the ones he went through hell with know he’s different now, that he’s changed. So really, he can’t fault them for being against the idea of Hellfire at his house. He wouldn’t believe it either if he was in their shoes.

Then again, wouldn’t Eddie or the kids try to convince them he’s different? That he’s not a dick? Shit, he’s been through four apocalypses, three concussions, and survived Russian torture— surely they would give him the benefit of the doubt, right? He’s dropped the bad influences out of his life, found better friends, better family— or can he even say that anymore?— to be with. Wouldn’t they try to stick up for him? Or... is he just not worth it?

Steve clenches his eyes shut, willing his bubbling emotions back down, and grips the movie in his hands so hard the plastic begins to creak. The little voice in his head, one that sounds suspiciously like Robin, tells him to breathe. He does. Deep inhale, hold, long exhale. Over and over and over again until he’s calm, until his head is clear.

He knows what he needs to do now: apologize. If it's one thing Steve Harrington knows, it’s how to apologize. Hell, he’s done it more times than he can count. He knows how to repair burnt bridges and how to get past the tough exterior of a person to pull at their heartstrings for sympathy. He knows the key; he just has to make himself useful. If he can provide things for the kids, for Eddie and the Hellfire crew, then they’ll want him around. That’s how it’s always been. That’s how it is with his parents, with school, with his past friends, and now his current ones. He vaguely recalls his junior year art teacher saying that, "once is an accident, twice is a coincidence, but thrice is a pattern." Which means this, this is something he has to make right.

With a plan solidified in his mind, he goes back to work refilling the shelves with movies, brainstorming ideas to get his family back.

Over the next week, Steve becomes a one man show. He offers up more rides, more movie nights, more free reign of his house and his pool and his car and his money and himself just to make the kids happy. He picks up extra shifts at work just to get extra spending money for them, knowing that they go through twenty bucks in no time.

But… it doesn’t work. Because bit by bit, ride by ride, movie marathon by family dinner by game night by post-nightmare phone call, it becomes painfully clear. Everyone puts on a mask around him. One that says they’re happy to see him, that they’re glad he’s here, but he knows it’s a lie. This, really, shouldn’t be much of a surprise. People don’t stick around him much, so why did he think this was any different?

Maybe it’s because he was finally himself around them, he finally opened up and showed a bit of his true self, and was still rejected. Still pushed away. He wasn’t cowering behind a mask this time, he was just Steve. But it wasn’t good enough. He wasn’t good enough.

To their credit, it starts off slow. Casual comments that are cut off quickly, kicks under dinner tables and pointed throat clearing. It’s one instance during game night where it all clicks.

The Monopoly board is spread out before them in the Byers-Hopper living room. Steve, of course, is losing. He’s not good with investments and savings and he keeps landing on the goddamn ‘jail’ space but he doesn’t really care, not when he’s finally having fun with the kids. He groans when the dice make him land on one of Mike’s properties, shuffling his fake cash to pull out the tax money.

“C’mon this game is totally rigged. How the hell am I losing to a bunch of teens?” He grumbles as Mike proudly snatches the money from his hand. Max snickers from her place beside him, her pale blue eyes rolling as she looks at him.

“You know, if you actually used your brain then maybe you wouldn’t be losing. Ever think of that?” She quips, and Steve huffs. Leave it to him to be called out by a fifteen year old.

“I’m surprised there’s even a brain in there to begin with,” Dustin states. He’s seated across from Steve. “I mean, why else would he have-“

His comment is cut off by Lucas smacking his arm. Dustin looks at him like he’s about to protest when Lucas raises his eyebrows, looking pointedly from Dustin to Steve and back again. Steve can’t hear from his position so far away, but he swears Dustin mutters “shit” before crossing his arms and looking down at the board. Steve looks around at the rest of the group, noticing how none of them seem to want to look at him, choosing to focus rather intently on the cardboard before them.

The rest of the game is filled with awkward silences. Steve can feel them looking at him when he’s occupied, and it makes him feel like shit inside.

It’s on the drive home when it hits him. He is the one that doesn’t fit into their group, into their family. They’re slowly but surely removing him and replacing him with Eddie. With someone who fits. With someone better. It hits him so hard, so fully, that he has to pull over on a quiet street to sob in his empty car.

The first time it's fully solidified in his mind is at a barbecue at the Byers-Hoppers house. Robin can’t come, her aunt from up north is visiting for the weekend and she has to stay home. Steve walks through the house, planning on saying hello to Joyce before joining the party outside. He finds Joyce talking low to Eddie in the kitchen and he pauses in the doorway, watches how Joyce laughs at something Eddie says. How she places her hand on his arm as her eyes crinkle with the weight of her laugh. Eddie is smiling, open and wide, with a flush high on his cheeks that stains his skin pink. His dimples are on full display and it takes pure willpower for Steve not to go and poke at them, to settle his thumb in the divot of his skin.

Joyce leans close to Eddie and says something under her breath, making him blush purely red now and shush her, causing another wave of laughter to ripple through the both of them. The kitchen is filled with warmth, the afternoon sunlight streaming in through the sheer cream-colored curtains that line the two windows as laughter fills the room. It’s light, it’s happiness, it’s love. It’s something Steve hasn’t felt in years.

Steve knocks on the doorframe, waggling his fingers in greeting. They both turn to look at him, and all that warmth from before flees the room. If he hadn’t just seen the thin rays with his own two eyes, he could have sworn even the sun went down as well. He feels a stab of pain in his heart, so sharp it makes his breath stutter. He fights to put a smile on his face, briefly clearing his throat and praying his voice doesn’t sound as faint as he feels.

“Hey, Ms. Byers. Eddie,” he greets. Steve runs a hand through his hair, just to give himself something to do. “Just wanted to say hi before I go outside.”

Eddie’s face has gone completely slack, the only thing convincing Steve he didn’t hallucinate the entire exchange earlier is the flush that had yet to leave his cheeks. In fact, Eddie looks even more red now that he’s made his presence known. Joyce, to her credit, has a small polite smile on her face.

“Thank you, Steve, that's very kind of you,” she replies. She casts a glance at Eddie out of the corner of her eye, something Steve has noticed a lot of people do to each other when he’s around. “You go on outside now, okay? I’m sure the kids are missing you.”

Steve holds back his remark of “yeah, I actually doubt that” and nods, leaving the two of them in the kitchen as he continues down the hallway. He tries hard not to let the harshness of their quick whispers dig further into his already injured heart.

Once outside, he’s greeted by no one. Dustin and Lucas are discussing something rapidly to one another, Dustin gesturing wildly with his hands as Lucas nods along and adds details. Max and El are sitting on a lawn chair together, Max seemingly teaching El how to braid her hair. Mike and Will are sitting in the grass a bit away from the group, shoulders touching and heads bowed together as they talk quietly to one another. Steve smiles softly at them, knowing.

He makes his way over to Hopper, who is manning the grill with a beer in one hand and a spatula in the other. Steve waves and gives him an awkward little smile, and Hopper nods his head, pointing towards a cooler with his beer. Steve grabs one, popping it open and taking an, admittedly, big first swig. Hopper doesn’t notice, or at least doesn’t comment, and Steve looks out over the people he still considers his family. He catches Dustin’s eyes, hoping to have someone to talk to, but the kid only looks away and continues his conversation.

So now Steve is here by himself, slowly nursing a beer, and trying to keep his emotions in check.

It’s just that… he doesn’t know what he did. Was he too overbearing or did he not care enough? Was he too pushy or too distant? Was he just annoying them? Was he just an inconvenience? Did they ever really like him or did they just put up with them out of necessity? Or because they felt bad?

He takes another sip of beer, hating the way it tastes on his tongue but it’s better than the bile slowly rising in his throat. All he wants is for someone to see him, to see who he truly is and like it. To stick around. To stay.

And it’s true, he does have Robin, but sometimes she can’t give him what he needs. Call him a romantic but Steve wants that love, that connection, that intense feeling you get with a partner. He craves it more than anything. He wants to touch, to taste, to feel someone else.

Eddie. He wants Eddie.

A voice interrupts his thoughts.

“Kid, will you go get me a plate for the burgers?” Hopper asks, his gruff voice shoving all of his mushy thoughts aside. Steve nods, sets his beer on top of the cooler, and makes his way inside. He silently dreads ever walking in that room again, dreads having to feel the chill from before. However, the scene in the kitchen is drastically different this time. Joyce is by herself, Eddie nowhere to be seen, and is mixing together slaw in a big tupperware bowl.

Steve knocks on the frame again and is met with a small smile from the older woman. It’s infinitely more warm than the one he was met with when he got there, and he thinks it’s partly due to the lack of a certain metalhead in the room. Joyce sets down her spoon, wiping her hands on a nearby towel, and holds her arms out.

“C’mere, honey,” she murmurs, and Steve tries not to let her soft tone get to him. The last thing he needs is to cry in front of everyone. He walks forwards into her hug, leaning down a little to wrap his arms around her properly, and sighs when she rubs her hands up and down his back. Steve clenches his eyes shut, taking in stuttering breaths that he knows she can hear but thanks every god out there that she doesn’t comment on it. She taps her hands twice on his back and pulls away, reaching up to push some of his hair off his forehead and Steve wills himself to not lean into the touch too much.

“Sorry for not saying a proper hello earlier, I was a bit preoccupied. Eddie- well, that’s not my thing to tell but he needed some help with something and… well, you get it,” she smiles, laughs a little, and Steve smiles back.

This. This is what he wishes he could have with his parents. This lightness, this love. He never will, he knows that, but the little moments like this with Joyce, the way she hugs him and cares for him, are ones he treasures. Ones he wishes he could have everyday. Joyce is a wonderful mother, and part of him wishes he could have her as his own. Hell, she’s been more of a mother to him in the four years he’s known her than his mother ever has. But he knows that isn’t fair. It isn’t fair of him to put his parental issues on her or anyone else. So he doesn’t, and shoves his hands in his pockets instead.

“It’s okay, Ms. Byers, I get it. Sorry to interrupt you two, though,” he apologizes. She waves her hands in a shooing motion.

“Oh don’t apologize for that, honey, it’s okay,” she smiles, then hesitates. “I do want you to promise me something, okay?” Steve nods, and Joyce places her hands on either side of his face. “Promise me you’ll be careful with people, be gentle. Not everyone can be treated the same, some people… they’re special.

“Sometimes, it’s better to listen. Promise me, Steve, that you’ll always listen, okay?” She asks, and Steve has to swallow before he responds.

“I promise, Ms. Byers,” he replies, and she pats his cheek. Her smile has grown, and her eyes have softened.

“I love you, Steve, you know that, right?” Joyce asks, and it’s like the world has stopped moving. He didn’t know that, not really. Sure, he knew she liked him but he didn’t know she…

He doesn’t realize he’s tearing up until Joyce coos at him, wiping away a few stray tears that have escaped with her thumbs.

“I-I didn’t know you- I’m sorry, I don’t-“ Steve stutters out, but Joyce shushes him.

“You don’t have to apologize, Steve, it’s alright,” she insists. Her thin arms pull him into another hug and he buries his face in her shoulder. The angle is a little awkward, but it’s a comfort Steve hasn’t had in ages so he stays. “It’s gonna be alright.”

Her small hands rub up and down his back as he holds back tears. He regulates his breathing, taking in deep breaths and letting them out slowly, until he’s sure he won’t cry. He pulls back from the hug and wipes at his eyes, sure that they're red-rimmed and a little puffy, but Joyce only smiles that warm smile and pats his cheek again. Steve smiles at her, the first genuine smile he thinks he’s had in awhile, and it feels good. To smile and know it's real.

Joyce turns to the counter behind her and picks up a plate, handing it to Steve. His brows furrow, and he hesitantly takes the offered crockery.

“How did you-“

“I had a feeling,” she interrupts him with a wink. “Now go on before Hop burns the yard down.”

Steve smiles and goes back outside, handing the plate to Hop and ignoring his grumble of “took ya long enough”, before picking his beer back up and taking a much needed swig. A few minutes later, they’re all eating. Eddie has joined Dustin and Lucas in their rambling, all three of them loudly talking over one another. Steve watches them; wishing, wanting, yearning. Joyce bumps her shoulder into his, making him swivel his head to look down at her. She smiles, almost knowingly, and Steve blushes. He clears his throat and looks away, focusing on fixing his burger rather than whatever the fuck that was.

He sits alone away from the group, catching occasional glances from Joyce, Dustin, and Hopper. Joyce is concerned, he can tell that much, and part of her almost looks sad. Dustin looks conflicted, like he can’t decide if he wants to be mad from a distance or just come right up to Steve and say it to his face. Steve wouldn’t be surprised if he did the latter. Hopper, to Steve’s complete unsurprise, looks uninterested and, frankly, fed up with this whole situation. Steve doesn’t blame him, he is too.

After the food is gone, and dessert is served, Steve heads inside to help clean up. He washes dishes quietly with Joyce, while she dries them and puts them away. As he finishes up the last plate, Will comes into the kitchen.

“Hey, Mom? The party wanted to play some board games, is that okay?” He requests, and Steve can feel Joyce soften beside him. She smiles.

“Of course, honey. Make sure you ask the girls what they want to play, too, okay?” Will rolls his eyes and smiles, a mannerism Steve notes he definitely got from Mike.

“Got it, Mom,” he replies, and runs off. Steve turns back to the sink, realizing he’s been scrubbing the plate well past the point of clean, and rinses it off.

“I um.. I think I’m going to head out, Ms. Byers,” he begins. He hands the plate to her. “I’ve got a shift tomorrow and uh… I don’t want to intrude or anything.”

He doesn’t mention that he doesn’t want to repeat the last game night, where everyone kept glancing at him like he was a bomb set to explode at any moment. He doesn’t say that he can’t handle their stares for any longer than he already has.

“Oh, are you sure? You’re welcome to stay here as long as you want to,” Joyce offers, but Steve shakes his head.

“I really should be going, sorry.”

“Alright, dear. Let me walk you out,” she insists, moving to take off her apron.

“I’ll walk him out, Joyce, don’t worry about it,” Hopper's gruff voice interrupts from the doorway. Steve swallows and nods, drying his hands off on a towel. He looks at Joyce, seeing her share a glance and a smile with Hopper before looking back at him. He smiles, finally beginning to think that maybe… maybe things will be okay.

“Thank you, Ms. Byers. For everything,” he expresses. He leans down to give her a hug, her arms quickly hugging him back.

“It’s alright, dear. You come to me if you ever want to talk, you hear?” Steve pulls away from the hug.

“I will, promise,” he hesitates. Steve looks down at his hands, shaking from where they’re clutching each other, and takes a breath. “I… I love you too.”

He looks up right as Joyce pulls him into another hug. He laughs a little, and she pats his back before pulling away with a “be safe”. Hopper clears his throat from the door and Steve takes a step back, nods to Joyce, and follows the other man outside.

They step out on the front porch together, and Steve is prepared to continue walking to his car when Hop places a hand on his shoulder. He stops, and turns to find the man looking at him seriously.

“Son, I want you to promise me something,” he grumbles, and Steve begins to feel a strange sense of deja vu. While Joyce’s tone was soft, Hopper’s is deep and leaves no room for hesitation. He vaguely has a thought that this is what his father would have been like if things were different. If he were different. Steve nods.

“Promise me you’ll fix our shit, alright? I don’t wanna get in the middle of… whatever the hell this is but promise you’ll be better, okay?” He commands, and all the thoughts Steve had earlier about thinking things would be okay fly out the window.

“Y-yes, sir,” he stutters out. Hop claps his shoulder, mumbles a “get home safe”, before pulling a pack of smokes out his pocket and lighting one up. Steve turns, shoves his shaking hands in his pockets, and walks to his car.

Getting in his car is a blur of unconscious actions. He’s driving down a barely lit backroad when he registers that his eyes are stinging, and something warm and wet is dripping down his cheeks. He pulls over on the side of the road, shifting his car into park, and he sits there. He reaches up with a shaky hand and wipes his cheek, his hand coming back wet and shining in the faint glow of the moon. The sight breaks him, and an ugly sob rips its way out his throat. He chokes on an inhale as tears fight their way out, and he hugs his arms around himself as a sad semblance of comfort. His forehead finds purchase on the steering wheel, and his tears stain the leather before dripping on his lap.

He cries because he knows he’s the problem, that he’s the one fucking up. He cries because everyone thinks so, everyone knows. The kids know. Eddie knows. Joyce knows, but she’s just too kind to say it to his face. Hell, even Hopper knows. He cries because he doesn’t know what he did wrong. He cries because he doesn’t think anyone really wants him to fix it.

It’s the second time on a drive home from the Byers-Hopper house that he has to pull over and cry.

He struggles to inhale a deep breath and sits up, harshly wiping his tears away with his hand, uncaring that it rubs his skin raw and red. Sniffling, he puts his car in drive and goes home. Toeing his shoes off at the door is the only thing he thinks to do before he stumbles his way upstairs and collapses on his bed, snuggling into the thin comforter and falling into a fitful sleep.

After a slow shift at Family Video the next day, Steve returns to the darkness of his home with a plan. He can still be useful. They may not have to know, but he can still do something to help. To try and save them before they need to be saved. He can be a preventative measure for them, can stop them from getting hurt before they even know they’re in danger.

He shrugs off his work vest, throwing it on his desk chair as he searches his closet for an old sweatshirt. He finds one, the front adorned with white block letters that read ‘Tigers Swim Team’ and tugs it on. His nail bat finds purchase in his hand as he tucks a flashlight in his back pocket. The walkie Dustin gave him is hooked in his belt loop, just in case. He leaves all the lights on in the house and shuts the door, skirting around his house to begin his walk in the woods.

After four bouts with the Upside Down, he doubts that they’re in the clear, that it’s finally over. He thought it was the first time, then the second, and by the third he was skeptical. Now, though, he doesn’t know what to think. He wouldn’t be surprised if there was a round five, or six, or seven. Hell, he wouldn’t be surprised if it never stopped. But each and every time, they were unprepared. They were surprised, and it nearly cost them every time. But if Steve could prevent that surprise, give them all a heads up before it becomes a big problem, then maybe— just maybe— it’ll come in handy. He’ll come in handy. He’ll be useful again.

So, he walks the woods of Hawkins. His feet crunch the dead leaves piled underneath trees as he trudges through the woods. The flashlight shines long shadows on the ground in front of him, lighting up the pale gray bark of trees and making the eyes of rodents and raccoons shine amber and red.

A rustle sounds a few feet away and he jumps at the noise. He pauses and stands still, listening for the shrill chittering of demodogs or the heavy, thudding footsteps of a demogorgon. He waits, and his flashlight reveals a small fox walking out from behind a tree. He lets out a breath he didn’t know he was holding and continues walking.

His feet carry him to Lover’s Lake, the water lapping lazily at the shore with the warm summer breeze. Out here, the lights from town are distant, making the stars shine brightly and reflect in the water. Steve stands there, watches as the artificial light of his flashlight reveals the small ripples on the surface of the water, and waits.

He waits for a lumbering figure to emerge out of the murky depths, to claw its way onto the shore and stalk off into the woods. He waits for chirps muffled by water and splashing to sound in his ears as four-legged creatures swim to the beaches. He waits for the screeches of demonic bats to echo off the trees around him as they fly out of the water and take to the sky. He waits, but it never comes. The lake stays silent.

So he walks.

He follows the road leading to the lake out, letting it take him to the highway that leads out of town. His feet stop as they come across a crack in the road, the crack he took in the other world to get Eddie home safely. The crack that is closed over with black tar, leaving a dark line on the ashen gray asphalt. He remembers clawing his way out of that crack, Eddie’s lifeless body over his shoulders as he slowly bled out.

Nancy had driven her station wagon over, opening the back so he could lay Eddie down as they rode to the hospital. She had asked Steve to drive so she could patch him up, but he refused. He couldn’t leave Eddie, not when he finally got him out. Not when he was barely hanging on. So she threw the first aid kit she had stashed in her car at him and drove to the hospital. Steve had done his best to stop the bleeding, the stark white cloth immediately turning red when he pressed it to Eddie’s skin. They almost lost him. But they didn’t. He’s alive.

Eddie. Eddie.

His head swivels to the forest next to him, the one that leads straight to the trailer park, and he runs. He jumps over fallen trees, feet thudding against the dry earth and leaves as his breath picks up. Orange street lights shine through branches as he draws nearer, and he only slows his pace when he breaks out from the line of trees. His feet swiftly take him to the sight of Eddie’s old trailer, the vacant lot standing out against the fullness of the park. The wooden front steps are still there, partially broken and shifted. The grass has yet to grow in fully, bare spots of dirt showing through the green. His shoes crunch on the gravel as he takes a step closer, inspecting the ground and poking at it with his bat as if it would move. As if the gate would open up just by him being here.

It doesn’t. Steve steps back.

He turns to leave the park, eyes wandering and finding a familiar cream-colored van parked at a trailer a few rows away. Eddie and his Uncle were granted a new trailer for their trouble, really the bare minimum they deserve after all the shit they went through, but they took it in stride. Eddie and Wayne spent the first few weeks after spring break making it into their new home once Eddie was released from the hospital, and Steve had done his best to help them out. But he knew they needed time alone, time to heal, so he let them be. He hasn’t been back there since then.

He kicks a stray piece of gravel, watching as it tumbles a few feet away and disappears into the grass, as he makes his way out of Forest Hills. Houses blur by as he walks the residential streets, only stopping when his own comes into view. Steve sighs, and walks up the concrete driveway, through the large wooden doors, and into the silence of his house. He doesn’t bother taking off his shoes, reveling a little in the dirty footprints he leaves behind on his mothers’ ornate runner that covers the length of the hallway. The analog on the stove tells him it's a little past three in the morning, and he sighs. Grabbing a glass from the cabinet, he fills it up with water before shuffling out of the kitchen. He flops on the couch, sips his water, and waits.

He waits for the sun to peek over the trees in the backyard, casting long shadows on the curtains that cover the windows and glass doors. He waits for the warm rays to shine through the large window in the living room, the one that faces the road, and light up the rug that rests under the coffee table in soft hues of yellow. He sits his empty glass on the table. He waits. And he gets up.

He goes upstairs, changes his shirt, and grabs his vest. Steve slips the walkie off his belt loop and places it on his desk, the flashlight landing right beside it. He props the bat next to his chair, and Steve looks at it, looks at the bent nails sticking haphazardly out of the wood and how it splintered in places from too much force. How some of the nails are covered in dried, blackened goop and dirt. How it's sharp and dangerous, a weapon. How it’s chosen to protect.

At this moment, Steve feels like the bat. The rough wood is his exterior, the splinters through it are the cracks. The holes in his facade. The places where people got too close, where people hurt him. The nails are what makes him strong. They’re the kids, Joyce and Hop, Eddie and Robin. They’re his family. They mold him into a weapon meant to protect, to keep them safe.

But just like Steve, the bat isn’t needed until it’s necessary. Until the world is ending. But until that time comes, the bat is left out of sight. It’s hidden away, moved from place to place just in case, but never used. Never wanted.

Steve walks out the door.

His shift at Family Video passes by like every other day, slow and full of know-it-all customers that never seem to understand that he can’t magically summon movies out of his ass whenever they ask. Robin comes in around lunchtime, and they spend the rest of their joint shift making fun of the ridiculous movie covers that adorn various romcoms. He goes home alone, sheds his vest, and once again walks the town of Hawkins.

He does it again the next night. And the night after that. And the night after that. Until it’s been a week and Steve hasn’t slept for more than a couple hours a night. He doesn’t mind, just means there’s less nightmares to wake him up before sunrise.

Less nights where chittering and the thuds of heavy footsteps strike fear down to his core. Less nights where the chill of fog and night air pierce his skin, warring with his senses against the hot breath hitting the back of his neck from deadly flower-shaped mouths. Less nights where the harsh scraping of monstrous nails against rusted metal and the echoey bangs of heavy, meaty bodies against solid bus walls fill his ears. Less nights where he can feel the thick, choking air of the tunnels, can feel the wispy particles filling his lungs and coating the inside of his mouth.

Less nights filled with muffled Russian echoing in his ears, the harsh texture of rope around his wrists, arms, and chest. Less nights where the sickening crunch of fists against bone and the metallic taste of blood in his mouth linger for hours after he’s awoken, shallowly breathing and pleading to be let go. Less nights where he can feel the blood in his teeth, coating his tongue and dripping down the back of his throat, and he has to run to the bathroom to puke the phantom feeling away.

Less nights he wakes up alone, empty house hollow around him. Less nights he cries to himself in the silence of his room, wishing, hoping, yearning for something. For something to happen, to change. For something to get better. For him to get better.

On the eighth night, he finds his feet have taken him to the edge of Hawkins. The brown road sign reads ‘Leaving Hawkins! Come Again Soon!’, and it stares at him from a few feet away. He looks past the sign at the stretch of road that disappears around a curve, trees following the line of asphalt and distant street lights lighting up their leaves with an orange glow.

He thinks about what it would be like to leave Hawkins, to pack up his clothes in his car and leave town. To follow the road and go around that curve, to not worry about ever coming back. No one needs him here, not anymore, so what’s holding him back?

Maybe this will fix him.

Robin might miss him for a bit, probably curse him and his whole family when she figures it out, but she’ll move on. She’ll find someone better. Hell, she’ll probably go to Eddie too. They already have some sort of secret friendship thing going on between them anyway. Really, he wouldn’t blame her.

Eddie probably wouldn’t care. Shit, he might even throw a party celebrating the fact that he’s gone. Steve snorts at the thought, closing his eyes and taking a breath.

Would it really be so bad if he just disappeared?

But then there’s the kids, left behind with no one to protect them. Sure, Robin and Eddie and Nancy are here, but Nancy is off to Emerson in the fall, Robin surely bound to follow in similar footsteps, and Eddie has made it well-known that he’s getting the hell out of here. If everyone is gone, who will be here to protect them when it comes back?

He rakes a hand harshly through his hair, pulling a bit at the ends and hating how greasy it feels on his fingertips. He can’t think like that, he’ll just worry himself into a panic and that’s the last thing he needs right now; a panic attack on the side of the road. He turns around, walking back towards town as the sky fades into light. He gets home right when sunlight begins burning the tops of the trees and collapses on the couch, sleeping until his noon shift.

He’s exhausted when he gets home, having to close up Family Video after a ten hour shift by himself, but he knows he can’t sleep. Not now. So he does what he usually does now when he gets home and grabs his essentials for his rounds, something that’s become routine for him.

He shrugs off his work clothes, replacing it with what has become his patrol outfit; the old swim team sweatshirt and a faded, ripped pair of light blue jeans. The sweatshirt is filled with holes, the baggy sleeves having caught on briars and branches alike, that allow the white of his shirt to show through. The jeans share a similar fate, the knees scraped up and the denim fraying from the unhemmed edges.

His white Nikes are stained a gray-ish brown from the nightly treks through the woods, small bits of leaves and debris sticking to the laces and in the grooves of the tread. The flashlight finds its place in his back left pocket, an extra pair of batteries landing in his front pocket after an incident a few nights ago where his flashlight died on him out in the middle of nowhere— he was forced to stumble through the woods until the sun began to rise and he was able to find his way back home. He didn’t sleep that night.

The nail bat is crusted with dried bits of mud sticking to the slowly rusting metal, shredded bits of leaves and undergrowth tangled in a green and brown mass. Clumps of dirt litter the floor under the bat, and likely mark a line in the hallway from his room down to the front door. Steve hopes it's still there if his parents come home.

It’s dark outside, only the street light at the end of the driveway illuminates the concrete and stepping stone pathway to the front door. Steve steps out on the front stoop, taking a deep breath of cool summer night air, and starts walking.

He walks out onto the street, uncaring at this point if anyone sees him or not. What does he have to lose? Hopper would probably tell him he’s stupid— something he’s well aware of at this point— and tell him to go inside. Or maybe he would drive him home, take the bat, and leave.

A small, traitorous part of Steve wants Hop to find him. Wants him to ask what the hell he’s doing walking around at night alone in the dark. Wants him to coax him in his old beat up truck and take him back to the Byers’ house. Wants some of Joyce’s hot chocolate as he sits on the couch and explains what he’s been doing, what’s been going on. Ask, desperately, why everyone hates him. Wants them to tell him he’s wrong, that no one hates him. That it’s just a misunderstanding.

But it doesn’t happen. All of that is a lie.

It’s a lie Steve has secretly been telling himself under the cover of darkness alone in his bed, lying awake and exhausted but unable to sleep. It’s a lie he tells himself when he sees any of the kids so he can act normal, act okay. It’s a lie he tells himself when Eddie grins at him, wide and gleaming, eyes sparkling with the afternoon sun beaming in from the storefront windows.

It’s those grins, those looks Eddie gives him sometimes that almost convinces him the lie is fake. Like Eddie is sharing an inside joke with him, only Steve doesn’t know what it is. Eddie doesn’t come around often but when he does… god, it’s like he’s the only one in the room.

Eddie looks at him with his whole body, always focusing on him so wholly and touching in some way. A hand on his bicep, an arm slung around his shoulder, even his arms wrapped around his waist one time. He was friendly, they were friends, until he wasn’t. Until Steve did something stupid that he still can’t figure out and Eddie is avoiding him.

The crunch of gravel under his sole brings him back into his head a little. He looks up, finding the pale orange glow of a lamp through a trailer window, and curses. His feet have brought him to where his mind always seems to go these days: Eddie.

He stands outside of the trailer, watching the way the little bits of weeds around the base shift and sway in the wind. The sky is filled with patches of clouds, light gray ripples standing out against the black sky from the glow of the moon. Steve isn’t completely sure how he got here, only that he started walking and didn’t really… stop.

Wayne’s truck is gone, leaving only Eddie’s cream-colored van among the gravel and grass. Which means Eddie is home and, judging by the light in the window, awake. Steve has a fleeting thought that he should turn around, walk back home, and try to forget he ever came here. Try to forget that he didn’t mean to, that his head and his heart are traitorous beings that have conspired against him to bring his body to the one place— one person— where he isn’t welcome. He tries to move, to will his legs and his feet to catch up with his brain and the urge to run. But they don’t. They stay frozen to the ground, rooted in place as if they belong here. As if he belongs here.

A voice cuts his thoughts off, one that he could pick out in a crowd full of people. His eyes snap to the front door of the trailer, now open and spilling warm light onto the wooden steps that lead down to the gravel drive. A figure grows near, tall and lanky and Steve feels like he’s trapped. His thoughts get louder, yelling and screaming at him to run run ruN RUN RUN-

Hands on his shoulders. Eddie’s face in front of him.

Eddie looks panicked, his dark eyes wide and dancing around as if searching Steve's face for… something. He must not find it, because the two little lines between his brows appear and his mouth starts moving. It’s all muffled, like he’s trying to talk through glass. Steve blinks.

“-ington? Steve,” Eddie’s pleading voice finds his ears as he shakes his shoulders, the fog in his head dissipating as the strained way his name falls from his lips. Steve hums. He blinks again.

“Oh,” he breathes out, voice barely louder than a whisper. Eddie is here. He’s in front of him. He can see him. He’s here and he can see and Steve shouldn’t be here he needs to go-

“Stevie, are you okay?” The fear in Eddie’s voice cuts off his train of thought— something that seems to happen a lot nowadays— and Steve feels every sensation return to his body. The heavy hands on his shoulders, soft and warm and missing their signature rings. The distant chill of the night air on his exposed bits of skin seeping away at the small amount of space between them. The faint puff of air on his face from the man before him. The fact that all of those things are from Eddie.

Steve clears his throat, swallows. Tries to focus his eyes on Eddie’s face.

“I’m fine, Eddie. I um.. sorry,” he trails off. He tries to smile, at least give something to reassure him, to keep him from asking questions. Steve doesn’t think he could answer them.

To his surprise, Eddie lets out a breath of relief, the fear dissipating from his eyes as they clench shut and his head drops. His shoulders move with his lungs as he takes a breath before looking back up at him.

“Jesus H. Christ, you scared the shit outta me, Steve. Thought…” he trails off. His voice wavers. “Thought you were gone. Like… like her.”

Oh. Chrissy. Fuck.

“Shit- sorry, Eds, I didn’t even realize- fuck, I’m so sorry,” Steve pleads. He takes in his surroundings, realizes he’s been standing out here, alone, for who knows how long. He needs to leave. “I-I should go.”

Eddie’s brows furrow, and he tilts his head. “You don’t have to leave, Stevie, it’s fi-“ he cuts himself off.

Steve looks up at that, unsure of when he stopped looking at Eddie, and takes in his pinched expression. The one that’s trained to the ground. The one that’s trained towards-

“What the fuck is this?”

Shit.

“I-it’s not what it looks like, I swear!” He begs, voice sounding unfamiliar even to his own ears. It’s raspy and breaks after a few words. When was the last time he really spoke to anyone today?

“I don’t wanna hurt you, Eds, I really don’t- please, believe me,” he pleads. “It’s just for protection! I don’t-“

“Why are you covered in mud, Steve?” Eddie cuts him off, voice strange and cautious and his hands tighten their grip on his shoulders. Steve knows he doesn’t look the best, knows that his clothes are dirty, but he looks down at himself anyway. His eyes focus on a leaf stuck to his shoelace. He shrugs.

Eddie moves in front of him, a quick thing that Steve suspects is him shaking his head. He mumbles something he can’t hear, voice only a rumble in his throat but Steve knows enough to know that people only talk under their breath when they’re mad. When he’s done something wrong.

He pulls away. Eddie’s hands drop off his shoulders.

“I-I should go. Sorry for bothering you, an-… and keeping you awake,” Steve stutters out, clearing his throat when his voice breaks. He chances a look at him, finding concern written on Eddie’s face. It softens when they make eye contact, and Eddie shakes his head.

“I wasn’t asleep, Stevie. Don’t really, uh.. sleep much, these days. I usually just wait around for Wayne to get home to catch a couple hours. Doesn’t feel safe here by myself, you know?” Eddie confesses, mouth turned upwards in a small, sardonic smile. Steve nods. He does know, he’s never felt safe in his home. With or without people. He’s been going through it for years, long before the events of ‘83. He doesn’t say any of that though, doesn’t think he has the right to.

Eddie steps towards him, closing the bit of distance Steve made between the two, and rests his hand on the arm holding the bat.

“Come inside, Steve,” Eddie requests, voice low and soft. Eddie’s smiling at him. It’s that soft, small, Eddie smile. One that Steve has only seen a handful of times. It’s asking him to say yes, and Steve… he’s weak. So, so weak.

“Okay.”

Eddie’s smile grows.

His hand wraps further around his arm, tugging him towards the open trailer door and Steve feels betrayed that now is when his feet decide to move. He follows Eddie, watching the way he’s glancing at him the entire time. Eddie pauses at the doorway.

“Steve,” he whispers, and Steve looks at him. His hand travels down his arm, causing goosebumps in its wake despite the layer of fabric between their skin. It pauses over the hand still gripping the bat, thumb brushing along his knuckles. “Let it go.”

Steve looks at him, searches those dark brown eyes for fear or hate or anger but finds none. He only finds care. Concern. Love.

It’s terrifying.

He loosens his grip and Eddie takes it from him, the comforting weight of the bat replaced with the warmth of Eddie’s hand. He props it just inside the door to the trailer and leads him over the threshold by the grip on his hand. He’s led over to the couch where a hand on his back urges him to sit down. Steve does, and instantly sinks into the well-worn cushions.

“I’ll be right back, okay? Just gonna get you some water,” Eddie informs him, squeezing his hand briefly before releasing his grip and turning the corner to venture into the kitchen. Steve watches him go, the way the baggy and worn band shirt hangs off his frame. The way his sweatpants are bunched up at the ankle as if they’re too big for him. The way his hair is pulled into a messy bun at the back of his head that swings a little when he walks away. Even now, he’s beautiful.

Shit. He’s so gone for this man.

Eddie returns with a glass of water and flops down on the couch beside him, pressing the cool surface of the cup into his palm. He takes it with a shaky hand, his other joining it to help stabilize the glass. It doesn’t work.

He takes a small sip of water, the liquid feeling like heaven against his dry throat. They sit in silence until Steve finishes half the glass. Then, Eddie speaks.

“Why were you outside at two in the morning, Stevie?” His voice is gentle, and it makes Steve want to cry. He swallows.

“I- I don’t know,” he deflects, lies. Anything to not talk about it.

The harsh sound of a mock game show buzzer startles him, and he turns to find Eddie with his hands cupped around his mouth. Steve grins and lets his head drop, and Eddie nudges his shoulder. He takes a deep breath, focusing on the surface of the water in his hands.

“I have to keep them safe, Eddie,” he confesses. Eddie stays silent, hand gently rubbing his forearm. “It’s what I need to do. What I have to do.”

Silence stretches between them, then, “who, Steve? Who do you have to keep safe?”

‘You,’ he wants to say. ‘You almost died. It’s never been that close before, not in the four years this shit has been going on. You and Max almost died, and I wasn’t there to protect you. I wasn’t with you and Dustin to keep you both safe, to help fight off the bats and urge you through the gate. I wasn’t with Max and Lucas and Erica, wasn’t there to fight off Carver and save Max just a little bit earlier. I wasn’t there, but I should have been. Carver should have beat me to pieces, not Lucas. It should have been me the bats got to, not you. It should have been me, it should have been me, it should have been me.’

Hands fall over his as Eddie takes the glass from him. He didn’t realize his hands were shaking that bad in his revere, causing the water to spill over the sides and onto the brown carpet below them. The glass thunks on the coffee table before Eddie rests his hands over Steve’s, stills their shaking.

“Hey, talk to me, Stevie,” he practically begs. “What’s going on in that head of yours?”

Steve looks at him, sees the worry in his eyes, and wets his lips with his tongue. Doesn’t miss the way Eddie’s eyes flicker down at the movement. He clenches his fists.

“Please don’t tell Robin,” he pleads. If she found out about this, if she knew, he wouldn’t be allowed outside alone ever again. She would worry about him, keep him under lock and key to make sure he wouldn’t do anything stupid. She would stay with him during the night, insert herself firmly by his side until she was sure he was okay. She would make him sleep in his own bed, trapped between his own walls. Trapped in his own house. He can’t stand that place, can’t handle the echoey walls and empty rooms. Can’t stand not being able to do anything for anyone. Can’t stand to be useless.

He’s just wasting time right now. He shouldn’t be here, talking to Eddie, when he could be checking the gates. He should be out there trying to save people, not himself. He should be trying to save his family. He could already be too late. It might have already come back while he was distracted and they could all be gone. It could have been waiting until he was occupied, waiting for an opening to strike. They could be in danger right now. They could be dead.

“Alright, I can do that. I won’t tell her but… Steve, why-“ Steve cuts him off by standing up on shaky legs, hands clenching and unclenching at his sides. “Steve?”

“I need to go, Eddie, I need to- they could- I need to go,” the words tumble out of his mouth, words he isn’t quite sure even make sense but he doesn’t care. He just needs to get out.

Steve walks over to the door, eyes locking on the bat propped there, before he hears Eddie stand up behind him. He turns to find Eddie holding his hands out in front of him like he’s trying to placate a wild animal and, at this moment, he kinda feels like one. His heart is beating too fast and he can feel his breathing quicken. His throat closes up as panic claws its way upwards and clouds his vision, muffling his hearing. Eddie’s mouth moves but Steve can’t hear it through the cotton in his ears. He backs towards the door, hating the fear in Eddie’s eyes as he does so.

His back hits the wall next to the door and he turns, hand finding the rough wood of the bat almost instantly, before he runs out the door. The small “sorry” he lets out is an afterthought, thrown over his shoulder right before the trailer door slams shut behind him and his feet crunch on gravel as he runs towards town.

His blind panic takes him to Dustin’s house first, finding all the lights turned off save for the faint glow of the hall night light through sheer curtains. He stays there for a minute or two, waiting for the sign of flickering lights. Nothing comes.

A couple streets over, he stops in front of Lucas’s house, finds the same thing. Dark. He stands there and waits. No flickering. He runs.

The Wheelers. Dark. He waits, no flickering. He runs.

The Byers-Hoppers. Dark. Waits. No flickering. Runs.

Max. Dark. Waits. Dark. Runs.

Robin. Dark. Waits. Dark. Runs.

His house. Light.

They’re safe. He collapses.

He sits heavily on the front stoop, bat falling to the ground and knocking against the concrete with a thud. His knees come up to his chest and his arms wrap tightly around them as he rasps for breath, the air coming in short, quick bursts. His fingers dig into the soft flesh of his calves, hard enough to leave bruises. His forehead rests heavily on his knees and his eyes sting, welling with tears as the fear slowly fades away.

He sits outside, struggling for breath until the sun begins to rise, and waits. When the sun finds its way over the trees, he makes his way inside to get ready for his opening shift.

The bat finds a new home in his trunk.

Taglist: @tea-beloved @starry-eyedlune @hyperfixationgoddess @zerokrox-blog @nicovania @invisibleflame812 @chaoticvictorianspirit @justforthedead89 @dacremontgomeryay @vhelt @adhdsummer @nerd-and-nervous @i-have-three-feelings @mimicori @remuslupinisthevoiceofgod @solliesolesito @romanticdestruction @vanillatwist @bowl-o-queerios @grimmfitzz

(If you want to be added or removed please let me know!)

[burst-of-iridescent]

i've written before about how fire lady katara isn't an inherently disempowering or racist trope, as have many others, but lately i've been thinking about how arguments against fire lady katara often tend to utilise a surface-level interpretation of colonial trauma.

[edit: this post will use the term "colonial trauma" because those who argue against fire lady katara usually use the same wording or are referring to that concept. but it's important to note that according to show canon, the fire nation did not colonize the southern water tribe and zuko and katara did not have a colonizer/colonized relationship.]

antis who present this argument usually posit that marrying zuko would be a form of re-traumatization for katara, while marrying aang would "protect" her. katara is supposedly more shielded from confronting the impact of colonization in the southern water tribe or on air temple island than she would be with zuko in the fire nation, which contextualizes colonial trauma purely through the lens of physical interaction with the colonial power (ie. living in the fire nation or looking after the people of the fire nation). whether intended or not, this argument inadvertently limits colonial trauma to the geographical boundaries of the colonizing country and implies that it can be reduced or averted solely by minimizing contact with said country.

even leaving aside that we have seen katara in the fire nation (and enjoying herself there), the implication here is that active engagement with a colonial power as a member of colonized peoples is an inherent form of re-traumatization... which i take issue with for multiple reasons.

firstly, katara lives in a world that has been permanently shaped and changed by imperialism, and that's going to affect her no matter where she goes. sequestering herself in the south pole her whole life and never seeing a glimpse of fire nation red again won't allow katara to escape the legacy of colonization or the trauma it has caused her, because its influence is rooted in everything from her family to her tribe to her own bending. believe me, i understand the appeal of a world where women of colour can avoid reckoning with the impact of colonization by simply never setting foot in the colonizing country again, and why people might be uncomfortable with zutara individually as a result - but i can't accept it as a valid argument against the ship, because that's just not how colonial trauma works.

secondly, the idea that this "protects" katara reeks of paternalism because katara is not a character who chooses her path simply based on how safe or comfortable it is. if that was the case, she would never have left the southern water tribe at all! she could've remained there her whole life and likely been safe, since the fire nation had no real interest in the south pole any longer. katara is fundamentally defined by how relentlessly revolutionary she is - over and over, she chooses to do what is right, what is hard, what is unexpected, even at cost to herself. she challenges injustice and discrimination and bigotry; she fights for the downtrodden and speaks for those who can't speak for themselves; she will never ever turn her back on the people who need her. does that truly sound like someone who needs to be hid away and protected from her own supposed re-traumatization?

thirdly - and i fully accept that there are those who might disagree with this - katara actively choosing to engage with her colonial trauma can be empowering just as it can be traumatizing. don't get me wrong: as a woc and a minority in my own country, i understand how tiring it is to do this. i understand the exhaustion of confronting what was done to you and your people, of facing down bigotry over and over. i understand the desire to run away from it all, and why it can be wish fulfilment for others to let katara do so. i really, really do.

but there is also wish fulfilment in letting katara fight, as a brown girl with power and resources that few brown girls in the real world hold. there is a power fantasy in seeing katara head into the belly of the beast and emerging triumphant. there is empowerment to be found in seeing katara struggle with racism and ignorance and mindless hate to enact change - and succeed. i love reading and writing about katara unpacking her trauma regarding the fire nation, about growing to love the place she once hated, about reconciling both her homes and healing from the wounds of her childhood.

and ultimately, i think that's what katara would want for herself. after throwing herself head first into the fight against the fire nation, after facing down her greatest trauma instead of letting it consume her, after helping and protecting the people of the fire nation, after refusing to let the fire nation take anything else from her - i firmly believe that the last thing katara would do is allow herself to be ruled by the fire nation instead of being the one ruling it.

personally, i find that a more hopeful and victorious narrative than one where she remains safe and sheltered away from the fire nation, but forever haunted and dictated by her trauma. would that be realistic? perhaps. but the entire point of foiling katara with characters like jet and hama is to show that she's not doomed to be mired in the pain of her past. that where their stories could only end in tragedy, hers can - and does - end in hope for something better, as she always believed it could.

[yan-lorkai]

Hello lorkai, I hope you are well! I don't know if your requests are open, but if they are, could you make a Drabble, head canon or whatever you feel comfortable working with, where Yandere Alucard has a human girlfriend who doesn't talk too much, is shy, the rest They think it is because the bride is very afraid of the great vampire, but it is quite the opposite.

If you don't receive any more requests, you can ignore it, I hope you are feeling well and hydrated properly! ^_^

.⁠｡⁠*⁠♡ A/N: Hiii darling (⁠｡⁠･⁠ω⁠･⁠｡⁠)⁠ﾉ~, they are open indeed. I never close rqs btw. Did some headcanons but honestly I might write a drabble with this concept later. You too drink some water dear, it's been really hot these past few days!

.⁠｡⁠*⁠♡ Warnings: Yandere content, fem!reader, mmm fluffy (?), Alucard being Alucard btw

.⁠｡⁠*⁠♡ The vampire king and his bride, so different in the eyes of anyone who can observe them for a few seconds. No one is able to understand the interaction you have, they are so used to Alucard's bloodthirsty and dangerous image, his provocations and sadistic laughter, that seeing him be soft with you, a human nonetheless, is something incredibly new. And incredibly terrifying too.

.⁠｡⁠*⁠♡ You are so quiet and skittish that Hellsing soldiers can be found whispering about you and your relationship whenever they see you two together. Did Alucard forced you to marry him? Did he threaten you? Does he scare you and that's why you don't talk to anyone? Honestly they came up with so many theories about you. But they'll never gonna downright ask you about those theories though, as they are afraid of what Alucard could do to them if he knew they were pestering you with their silly questions.

.⁠｡⁠*⁠♡ They could never even imagine the way you laughed and screamed in delight whenever Alucard surprised you with a tight hug. His hot breath tickling your neck as he held you close, telling you all about his boring missions and the vampires he killed, in vivid description by the way, unless you don't want to hear the details, if that's the case he won't go into much detail about him ripping off their arms and leaving bullet holes in their bodies. He also tells you about the beautiful sights he had seen and that he wished you was there with him.

.⁠｡⁠*⁠♡ You are opposites like yin and yang, light and shadow, husband and wife. When you are with him everything seems right and safe, as if nothing could ever go wrong. You find so much easier communicating with Alucard than with most people, which is funny since Alucard is, well, him. You are quite timid when you have to interact with others and your husband likes to tease you a little bit about it.

.⁠｡⁠*⁠♡ Plus he like how you depend on him to relies to others what you wanted to say. It feeds his ego a little when you cling to his arms while you two wait to order takeout or when you two are in public and it's crowded that you asks him to take you to somewhere more calm. Usually somewhere dark too since he doesn't like to go out in the morning but will do if you want. Honestly he might just take you to cuddle inside his coffin while he take a nap, this way you don't have to talk to anyone and you also can spend time with him. It's a win-win in his opinion.

[cryptocism]

Since I think about clones like I’m getting paid for it, I've been rotating those alternate universe "what if Bart and Thad were actually raised together" scenarios in my brain, with Thad either post-redemption-arc or pre-villainy. Because adjusting Thad's character to fit an ally role while still keeping true to his core motives and personality is so so fascinating to me.

Like I think there's an immediate first instinct to slot Thad into a "bad" twin category: ie rebellious and prickly, doesn't get along with people, mean lil shit. And obviously it's not wrong bc we're outside the realm of canon, but the reading still feels a little left of center.

Because Thad is mean and prickly in canon. In the Impulse comics he belittles Bart and Bart’s friends/family constantly in his appearances. He loves to goad, and monologue about his own superiority and intelligence. He’s very Not Nice, and he causes many problems, and he even does it on purpose.

But, I think it’s important to consider the context. From the jump Thad knows very little about anything except which team he’s on and who he’s playing for. He gets his orders from an unseen authority and he carries out his tasks because success means his team wins.

For all his self-aggrandizing talk, everything he does is in service of an end goal that doesn't actually center him. He's trying to get revenge for grievances he's never personally suffered, retribution for actions never committed against him. Everything he does is on someone else's behalf.

Thad sees in black and white, us or them. Up until the final few issues of Mercury Falling, Bart and co. are Thad's enemies, of course he's not going to be nice.

So Thad's motivation seems pretty simple: Thawne Supremacy™.

But it’s in Mercury Falling where this starts to fall apart, and the real core of his motivation gets revealed. Thad pretends to be Bart and suddenly Helen is nice to him. Bart’s friends think he’s funny. Bart’s teachers are impressed with his grades. Max ruffles his hair and gives him hugs and tells him he’s done a good job.

If he was actually an inherently mean and standoffish character, if Thad actually had significant personal stake in the Thawne VS Allen conflict, the weight of such tiny acts of kindness wouldn’t completely break him the way that it does in canon.

Thad thinks his goal is superiority and revenge and Thawne Supremacy™, but he's chasing validation. Thad doesn’t have a personal stake in the Thawne VS Allen conflict. He wouldn't get much satisfaction if he actually destroyed Bart and his family. Thad's personal victory would be the recognition after the fact: the praise and attention from the other Thawnes (a group of people he has literally never met) for his success.

He wants validation. That's basically it. And the fact that he gets it so easily from Bart's family and friends doesn't align with how he's told himself things are supposed to work.

Actually tangentially, Bart and Thad’s respective relationships to authority is so diametrically opposed and tbh kind of subversive in a superhero narrative. Where the hero is the one carving his own path without regard to social or societal rules, no fucks to give what anybody thinks of it. And the villain is a chronic people-pleaser.

Just based on Thad’s reaction to simple praise and affection from Max I really think Thad’s motivation has more to do with the response he gets than whatever the details are of any given task. He has no actual personal convictions beyond getting positive attention, and whatever he did have crumbled as soon as Bart’s friends laughed at his joke one time. Which of course leads into the core of his whole conflict at the end of Mercury Falling. He cares too much about Bart’s friends and family now, he doesn’t want to kill them, but worse than that, he’s faced with the sudden realization that he’s on the wrong side.

The Allens gave Thad everything he actually wanted and needed, but his conception of himself is inexorably tied to the Thawnes: who gave him jack shit. These two facts are in opposition to each other, and he can’t reconcile the reality of it.

Anyway all this to say, in an AU where Bart and Thad are raised together or Thad gets an actual redemption arc etc etc, I think my personal take on Thad’s personality whether it be pre-or-post-villainy would be one that is extremely socially conscious. He is much more of a people-person than Bart. Whether he's actually accurate in assessing people's feelings and how to respond to them can be hit or miss, but he wants to behave in a way that gets people to like him.

Pretending to be Bart isn’t remarked upon as, like, a difficult task for Thad. In his internal monologue he’s literally bragging to himself about how easy it is. But what’s especially notable to me is where his act differs from Bart's typical MO. Everyone notices, and lots of people comment, and presumably if Thad didn’t have the excuse of Max’s illness to “motivate” Bart to do better he would’ve been found out immediately. And those things are, specifically: paying attention in class, doing his chores, staying on task, and being helpful around the house. The one thing about Bart he chooses not to emulate is Bart’s rebelliousness.

Thad wants to prove himself, constantly, to whatever authority he respects (probably Max in this scenario) and will do whatever it takes to make that happen. In contrast to Bart, who only listens to authority when the shit they're saying actually makes sense to him. It’s excessively difficult to convince him to go against his own interests. (And I think a key part of that is Bart’s security in knowing that no matter how much he fucks up or doesn’t listen, the people he loves will always love him back.)

Thad’s got the people-pleaser in him that has to deserve whatever he’s given. It’s why he’s happiest when he’s given a clear goal or objective to complete, because it gives him an opening to prove himself.

All this to say that if we are quantifying Bart and Thad as a "good" or "bad" twin, in the eyes of every authority: Bart is the bad twin. Bart is the bad twin, Bart is the bad twin. Bart is the one who doesn’t care about school and whose grades vary wildly depending on his personal interest. He’s the one who goes off to do dangerous shit for fun and gets in trouble constantly and doesn’t do his chores and is thoroughly unconvinced by any authority figure trying to sell him bullshit. 

Thad is the one who needs to know all the rules just so he can experience the joy of following them. Relentlessly obedient. He'll put all his effort into doing all the right things that’ll endear him to whoever he wants to impress - meaning he’s the asshole who reminds the teacher about the assigned homework. Bart might be the most popular boy in school, but Thad is a pleasure to have in class.

Like Thad can (and should) still be high-strung and short-tempered and sarcastic and edgy and mean, because he is. But he can’t be doing all that without rhyme or reason. Colouring every interaction has to be that one-zero binary of ally or enemy. He needs to have somebody he’s proving himself to: a team he’s on and a team he’s against. He’s not an inherently rebellious character. He can go up against The Enemy, whoever he deems as such, but it has to be in service of a hypothetical future in which somebody eventually tells him he did a great job.

And in the interest of continuing to beat a dead horse, it connects to their respective upbringings. Thad and Bart were both raised in VR, but Bart’s experience had the side effect of basically hard-wiring him against insecurity. His world was a playground tailor-made for him, and he was never made to feel bad or insufficient about any aspect of himself. His first interaction with a real human person was Iris moving heaven and earth to save him, without him knowing her, without her knowing him, with no reasoning for the act needed beyond Being Her Grandson. Which is probably a significant factor in why Bart moves through the world with frankly atomic levels of autistic swag.

Thad’s VR upbringing installed self-consciousness in his psyche before any other personality trait. As in: he is immediately made conscious of himself and his relationship with everyone he will ever encounter. He’s told two things: he’s a clone of someone else (inherently derivative, lesser) and that he was made to be superior (a status to achieve). Which is such an instant clarifier for Thad’s everything. Where superiority is a condition that everyone either has, or does not. It’s the one-zero binary again: are they better than me or am I better than them. Being above others is mandatory, and if his superiority is ever challenged by hard evidence or god forbid nuance Thad’s brain physically cannot take it. He needs to be better, to be worse is unthinkable, and there is no other way to be.

And this status of better or worse is, crucially, not up to Thad to decide. He needs The Authority to validate him. Bart never tries to prove himself because he has nothing to prove. Thad’s entire identity hinges on the self-worth he gets from doing a Good Job.

It is such an inherent part of his motives in the Impulse comics canon, which is why it always feels a little off when he’s interpreted as a jackass indiscriminately.

Like I don't think he needs everyone to like him. But I do think he has either one person or a set of very particular people that he needs to like him. Everyone else is either in that circle or outside of it.

(Which is why Bart is such a great foil for Thad tbh. There is no set of words or behaviors that’ll change Bart’s opinion of Thad, because Bart is unaffected by obedience or charm. So ironically Bart is probably one of few people that Thad doesn’t bother to put on even a little bit of an act for.)

While Bart goes with his instincts, his personal beliefs and convictions at all times, Thad is hyper-conscious of big-picture goals. They balance each other out that way. Thad's keeping track of whatever expectations he has placed on him, and how his actions reflect on him and the team beyond short-sighted solutions. He's a team player. AND he's an asshole.

[juliasgoodusername]

Sometimes a girl has to go a little crazy. Sometimes a girl has to make a book-accurate floorplan for 300 Fox Way. These things just happen, sometimes.

Obsessive annotations under the cut ✨ but be warned, there's a LOT

Exterior

Okay first of all, I'm no architect, and my only knowledge comes from work experience in the real estate industry + a lot of Sims. The style is sort of neo-rural French colonial. I didn't set out to adhere to that standard so much as I made an amalgamation of homes in Blue Ridge Mountains-adjacent towns in Virginia. Specifically, my headcanon Henrietta template is Orange, VA (I'll save that explanation for another post) so I took inspiration from real estate listings from there.

Alright alright I know there is supposed to be one bathroom, but I simply can't tolerate that in a house with 6+ residents. I can't. There was a possible contradiction in the descriptions of "the single shared bathroom" that I used as an excuse to add a 3/4 bath, and I threw in a powder room for free. Because technically there is still only one full bathroom! But seriously with that many women over 30 most of them probably have IBS or chronic constipation and I'm not making them all share a toilet.

Officially we only have 4 bedrooms listed in text: Blue's, Persephone's, Maura's, and Calla and Jimi's shared one. Everyone else gets rooms that don't qualify as bedrooms via Virginia residential building codes (such as the attic, obviously, which falls below the combined ceiling height and square footage requirements). That really just leaves Orla unaccounted for but I'll get to that later. Other aunts and friends seem to visit during the day and live somewhere else, because in The Raven King only Jimi and Orla were described as needing to move out of the house during the demon stuff.

I designed the entire interior floorplan before I even touched the exterior, so there's a few issues, like how I'm totally missing shutters on the windows that functionally need them most. 🫶 I didn't feel like making the windows smaller to fit them, and I could have added faux-shutters but I think those are stupid. 😘

First floor

"This house is lovely. So many walls. So, so many walls," Malory said as Blue entered the living room a little later.

- Blue Lily, Lily Blue, Chapter 30

Right off the bat, we have an insane number of doors and walls. Old colonial houses are pretty much the opposite of open concept. Functionally I believe that's because it's easier to control heat with closed off rooms, but Virginia is not particularly cold so idk. As for the number of doors, I mean....😤😤😤 I prefer archways/doorless frames in small high-traffic spaces, but every time I thought I could get away with it Maggie would specifically describe doors opening and closing (For example BL,LB Ch 41 gives the reading room double doors, and even the living room gets one in Ch 11. What kind of living room needs a door???). I'm actually missing one of the doorways described in canon, but if you know which one I'm talking about I DARE you to find a place to put that thing!! But I digress.

“Mom," she said as she jumped down the crooked stairs.

- The Raven Boys, Chapter 3

I'm liberally using "crooked" to establish the corner turn stairs. Blue steadies herself on the stair railing when she identifies Gansey for the first time (TRB Ch 15), so I wanted the stairs to have good visual access to visitors. It also sort of has a feng shui-ish effect of separating the public and private energy zones in the house. If that statement made zero sense, I think one of us doesn't know enough about feng shui 👀 and it might be me.

I'm also using that quote to establish Maura's room downstairs, if Blue generally expects to find her mother there, but mostly because everything else was upstairs and it was getting hard to fit. Granted, at one point Blue leads the boys "up the stairs to Maura's bedroom" (TDT Epilogue) but since they were just arriving at 300 Fox Way those stairs could easily be the outdoor ones. There's a handful of little things to support me here, such as Adam grabbing a scrying bowl from Maura's room to use in the reading room (BL,LB Ch 41) implying that her room was the closest place to find one. And speaking of Maura's room-

Calla was overwhelmed by how much shit Maura had in her room at 300 Fox Way, and she told Blue this.

... The mess was taking years from her life. ... Maura liked chaos.

... The psychic hotline rang in the room next door. Calla's concentration fluttered away.

- Blue Lily, Lily Blue, Prologue

Maura is my favorite hypocrite. She claims to detest clutter (TRB Ch 34) and yet her room is literally described as chaos. She probably treats her room like a college student and moves the furniture every time she gets bored/stressed. Thus, I gave her the most insane furniture configuration I could think of while still matching all the contents described.

The phone ringing next door might imply that she neighbors the phone/sewing/cat room, but that area is pretty well described and Maura's room is never mentioned there in any other instance. That leaves us with the kitchen phone (TRB Ch 27) which I put in the hallway with kitchen access as a compromise so it would technically still be in a room next to Maura's.

In the reading room, the man looked around with clinical interest. His gaze passed over the candles, the potted plants, the incense burners, the elaborate dining room chandelier, the rustic table that dominated the room, the lace curtains, and finally landed on a framed photograph of Steve Martin.

- The Raven Boys, Chapter 13

There are so many quotes about the reading room that I just don't feel like citing them, but other details include the mismatched chairs, the shelves, doors etc. It's also described specifically as Maura's "front room" (TRB Prologue) so it's one of the cornerstones that I designed the rest of the layout around. Because of the plants, it makes sense that this room would be south-facing too. (Although idk how much light they get with the wraparound porch awning in the way. Oops lol!)

The outside suddenly seemed vivid in comparison to the dim kitchen. The April-bright trees pressed against the windows of the breakfast area, ...

- The Raven Boys, Chapter 3

Blue Stormed into 300 Fox Way's kitchen and began a one-sided interrogation with Artemus, who was still hidden behind the closed storage closet door.

- The Raven King, Chapter 9

Likewise, I'm using the particularly dim kitchen to place it on the north side, where we also know there's trees in the backyard.

I'll say the kitchen layout is weirder than it strictly needed to be because in the Virginia homes I referenced I adored all the strange kitchens, especially with old timey 'servants area' vibes where laundry kitchen and pantry are all connected. Instead of a kitchen island, they get one of those rolling kitchen carts which I doubled as a bar cart for the drinks they have in the living room.

The kitchen has a doorway to the hall (TRB Ch 13) and the living room is within view when Blue's on the kitchen phone (Ch 27).

Speaking of chapter 27, that's when we get the description "The morning light through the windows turned the drinks a brilliant, translucent yellow." So I put the living room on the east side of the house, where the rising sun would cast really strong light like that.

Second Floor

When she woke up, her normally morning-bright room had the breath-held dimness of afternoon. In the next room over, Orla was talking to either her boyfriend or to one of the psychic hotline callers.

- The Raven Boys, Chapter 3

Blue headed toward the red-painted door at the end of the hall. On her way, she had to pass the frenzy of activity in the Phone/Sewing/Cat Room and the furious battle for the bathroom. The room behind the red door belonged to Persephone, ...

- The Raven Boys, Chapter 11

Blue's room and the Phone/Sewing/Cat room are our cornerstones for this floor. In several examples we know that the Phone/Sewing/Cat room faces the street and has a window (TRB Ch 15, BL,LB Ch 4). While Blue's room is "morning-bright," we also get descriptions of guests at the front door "backlit by the evening sun," (TRB Ch 15) so once again we're probably talking about south windows if it's sunlit at both times of day.

Adam sat awkwardly on the edge of Blue's bed. It felt strange to have so easily gained access to a girl's bed- room. If you knew Blue at all, the room was unsurprising - canvas silhouettes of trees stuck to the walls, leaves hanging in chains from the ceiling fan, a bird with a talk bubble reading WORMS FOR ALL painted above a shelf cluttered with buttons and about nine different pairs of scissors. Against the wall, Blue self-consciously taped up the drooping branch on one of the trees.

- The Dream Thieves, Chapter 49

We get some great descriptions of Blue's room (especially TRB Ch 43), although the above one is my favorite (#wormsforall). Every piece of furniture is accounted for exactly as described except the desk which I added because it seemed practical, and Blue is nothing if not practical™.

Persephone's room is also very well-described, all the way down to the furniture and lighting placement (BL,LB Ch 4 and TRB Ch 11) and it's surprisingly similar to Blue's room, if not a bit smaller. Her room gets strong afternoon sunlight, so I put it on the south too (BL,LB Ch 43).

Calla and Jimi share a room that's also upstairs (TRK Ch 16). Because they are the only two who have to share a room, I have justified that it must be the "master bedroom" (sorry for using that term) and is far bigger than the other bedrooms. I managed to fit two queen beds in there, but some scholars [me] would argue that Jimi and Calla might also share a bed because they are in love. Can you prove me wrong? No, you can't.

As for the bathroom, remember when I mentioned a possible contradiction? Famously, Maura draws the ley line symbol in the steamed up shower door (TRB Ch 1). However, much later we get Maura, Orla, Calla and Jimi all sitting in the bathtub for some kind of ritual (TRK Ch 9). No matter how I picture it, I can't put 4 full grown women in a bathtub together without someone partially sitting on/spilling over the side. But that would be impossible in a combo bath/shower enclosed by glass doors!! Thus, I gave The Bathroom a nice tub and put a small shower in the en suite of Jimi and Calla's room. I know this is a stretch but I don't really care.

Attic

Blue had never been a big fan of the attic, even before Neeve moved in. Numerous slanting roof lines provided dozens of opportunities to hit your head on a sloping ceiling. Unfinished wood floorboards and areas patched with prickly plywood were unfriendly to bare feet. Summer turned the attic into an inferno.

... In one of the narrow dormers, two full-length, footed mirrors faced each other, reflecting mirrored images back and forth at each other in perpetuum.

- The Raven Boys, Chapter 34

Trying to fit the attic access in after everything in the second floor was my biggest challenge, because stairs normally take up a lot of space and you have to be careful about head room. I'm the end, I decided it was one of those fold out attic doors that you have to reach from the ceiling of the hallway. We might get a lot of instances of the attic door being opened (😤 seriously, Maggie... 😤) but technically a trap door in the ceiling is still a door!

Dormers pretty much cemented the French colonial style for me. And you know the drill by now: a hot room probably means a lot of sun, which means I give it a south facing window!

Mud Room/Cellar/Basement

This cellar has absolutely zero mention in the text, but my justification is based in the architecture. So far we've got a funky old colonial house, built without a garage, lots of walls etc. Especially in a low-income/semi-rural area, it's not crazy to assume that 300 Fox Way was built before most residents had refrigerators (1930s-40s). Besides iceboxes, a major way to keep food fresh was root cellars. Modern renovations for old homes convert these to concrete basements, but that's why the basement is so small and connects to the kitchen.

My headcanon is that Orla originally shared a room. Pick whoever you want: Maura, Blue or Persephone, any of them would easily be such a chaotic roommate that Orla snapped and in a fit of teen girl rage moved herself down to the crummy dark basement. Over time, she made efforts to glamorize it, such as a vintage dressing screen to hide the flood drainage pump. The privacy also allows her to bring boyfriends over, even sneaking them through the mud room.

This is really just my artistic license, but I swear it makes a surprising amount of sense in context. There's cases of Orla sneaking into the kitchen (easier if she has a back entrance) and she's almost always using the phone upstairs or in the kitchen (because a basement would get bad reception) even though her calls get kinda ~intimate.

Aaaaaand I think that's everything. Sorry it doesn't look like the photo from the wiki at all, but I couldn't find a source for it and Victorian style wasn't super common in the areas I researched. Let me know if I missed anything major! I'll probably cry myself to sleep if so.

[spookberry]

Shadow High series 3 my new beloved

I didnt even like most of em until i saw them in person, but the knowledge that they'll probably never be in the show has my brain in a "well its free realestate" kinda mood

Random list of information cuz ive been plotting out friend dynamics and background lore

-i like to pretend Rainbow High/Shadow High are actually Rainbow University/Shadow University cuz im in art college Right Now and i think it makes more sense with the whole dorm room situation. And also major makes more sense than focus IMO

-I changed Pinkie's major from film to just undeclared. I think she eventually does land on Film. She just has a lot of interests! Her dream has always been to one day direct films, and I think she comes to love them even more while developing ideas her with the group as she winds up in a Director/Producer position for most of them. BUT also every time she takes a class in a different program she cant help but fall in love with that way of making art too. So she has a hard time picking for a while and changed her major a couple times before landing on Film.

-Pinkie and Berrie bond a lot over a shared interest in vocal synths (tho Berrie knows more about them than her).

-The two made Pinkie's vtuber model together!

-the fandom wiki says PJ is from germany?? Idk how canon that is tbh but ive decided to embrace it i guess

-Rooney's canon name is Scarlet Rose, but i thought it was kinda lame especially when Rosie Redwood is also in this line sooo I renamed her! Stuck to the color name puns tho. Mar Rooney. Maroon. Haha

-Speaking on her though i love that shes from texas and likes writing scifi mystery type stuff and that being said i just Know deep in my bones that she was a Voltron Legendary Defender fan and Keith was/is 100% her favorite. She has a continued fondness for mothman specifically cuz of this.

-PJ and Rooney actually talk about fandom and shows/movies ALL the time. They dont have a ton of overlapping interests, but where they do? The two literally never shut up.

-Rosie is such a random character, like outside of her design she feels very poorly considered. So I scrapped the cosmetology thing and made her an illustrator instead! I think it works better with her love of making art in nature. I can see her being really into illustrated guide books. I think shes a bit snooty when it comes to art too. It takes being friends with other artists to become more open minded.

-I like the idea that Rosie is mainly friends with Rooney and Berrie ontop of that. The three of them often tag team storylines and how theyd interpret them into different mediums. Rosie will draw up a bunch of concept stuff while Rooney writes up a pitch bible and Berrie will start making shit move and throwing in her own ideas on camera angles and character designs.

-as an animation major Berrie was required to take a sound design class early on, which is where she met Oliver! Hes very laid back, and likes to go with the flow, but functions a little like the "mom" of the group. Often reminding the girls to take breaks, drink water, stop looking at their screens lest they get eye strain etc. He's multi-talented tbh but Music is his one true passion and he likes how the girls are always giving him collaboration opportunities.

-Oliver and Rosie like to talk sports a lot, both having played a bunch when they were younger and throughout high school.

-Lavender Lynn is Oliver's number one "person who needs constant reminders to settle down" she is in a constant buzz of trying to get the best shots and is utterly obsessed with the process of artistic documentation. Everything must be documented.

-the whole school loves her for this actually, she has a whole side gig where other students hire her to help photograph their projects. She saves everything she earns from this for her future dream plans to visit paris. She has it set really, many of the artists who she helps photograph now will remain steadfast clients of hers forever onward.

-PJ and Lynn actually took a print media class together at one point. Which didnt at the time spark an everlasting friendship. But it did give PJ an easier in to ask for Lynn's help documenting a project the group was working on. One of Lynn's first times photographing them work happened to fall on a day where Rosie had planned to trick everyone into going on a nature walk sans devices... Lynn wound up really appreciating this outing and decided to continue hanging around the group even after that project had ended.

[kentopedia]

Can you drop some long series recs (any fandom!)?! I haven't had any come across my dash >.< Would love to read some!

omg of course!! I HAVE SO SO MANY RECS! a lot of the ones i've seen recently are ongoing, but i hope you give them a go & keep watching for updates <3 i have read quite a variety, so hopefully there's something for you tehe. some of them i haven't read yet, but have been on my list bc i enjoy their other works :) so i recommend them to since i know the writers are amazing!!

to have and to hold by @fedyenkas (chuuya, ongoing) - i just started this one today & it's so so amazing so far !! chuuyas characterization in it is sooo yummy. i haven't read a hybrid series before, so it's super unique to see how that fits into the bsd universe.

noble blood by @forest-hashira (satoru & suguru, ongoing) - i haven't read this one yet, but both of fallon's entries for my collab were incredible, so i can only imagine this is too! plus, the premise is SO insane, it's about dragon riders, and there's an entire sheet with all lore that they've created !! i can see how much love and care was put into this one, so i can't wait to check it out !!

oh, baby! by @tetsuskei (kuroo, ongoing) - i have yet to read the first part (everyone throw tomatoes at me) but risu posted some parts on her old blog & i read it there! it's so so sweet!! i looove all her writing, and dad!kuroo is just the cutest thing EVER.

waterloo by @fyorina (dazai, ongoing) - i haven't read this one yet either but i am SO SO incredibly excited to get to it. this one is going to be long, so it might be what you're looking for !! the first two parts are out already, and there's a posting schedule if you want to know when they're coming out :)

bulletproof love by @staryukis (gojo, ongoing) - i've really enjoyed this one so far and logan's writing is so captivating <3 it feels just like missing scenes from in between the canon jjk storyline. logan also has a mini zombie apocalypse series i've been excited to read after reading the other series !! it's dying (for your love).

regrets by @/kingkonoha (levi, complete) is so good !! i still need to finish it, but the concept is super cool & the reader is the antagonist so it's a really interesting spin on levi's actions in the canon universe.

tidal temptations by @fyodorloveclub (fyodor, ongoing) - i have also yet to read this one (cries myself to sleep my tbr is never ending), but everything flora writes is incredible, so i have no doubt this one is too. it's a merman fyodor fic, which is such a cool concept i'm so excited to see where it goes !!!

hell within reach by @/ddarker-dreams (chrollo, complete) - omg. ok i read this one like 2 years ago LOL, but it's finished and its about 80k long, and it's so good <3 i used to be an insane chrollo girlie & this is one of my favorite fics about him.

lover's delight by @lovelyluc (diluc, ongoing) - i don't even play genshin or know anything about it HSHFSDFH but this one is so sweet <3 you can really see how much awea loves diluc in this series, which is my favorite thing about reading fics, and it has so many of my favorite tropes !!

geheinisse by @honeybleed (jean & reiner, ongoing) - only the first part of this is out but it's SO INCREDIBLE. there's so much drama already, and nara does such a great job of setting the scene while getting you hooked immediately. nara also has a two part reiner fic (the first part is decades) that's completed and over 10k words that i'll never forget! her characterization of reiner is so yummy.

if it wasn't for him (would you have me) by @gojoath (yuuta, ongoing) - cella's the ceo of yandere yuuta, so if you're into him, i can't think of anyone else to recommend !!! cella wrote another yuuta series that i think is completed, so there are lots of amazing things to read on her blog <3

@osaemu has a streamer!gojo series that are all in the same universe & connect! they're so funny & everything sabs writes is amazing, so i encourage you to check out her work if you haven't

the lakehouse by @tetzoro (kuroo, ongoing) - rahhh i'm the worst bc i still haven't read this but aims is one of my favorite writers on here, so trust me it's amazing. this was written for october, so if you're missing autumn rn def read this one! aims also has another kuroo series coming soon <3

i know i left some people out, so if you're ever in need of any other recs, pls lmk tehe. and if you're a mootie of mine but have a series i didn't include, send it my way <3 but hopefully all these amazing ones will get you started!

[dotthings]

Congrats to the fans of the wee woo show. I don’t go here but it makes me happy to witness how this arc for Evan Buckley got to bloom and I’m happy because I hope this reflects another shift in the TV industry.

For some media commentary context for you: ABC network is owned by Disney. Fox network was owned by Rupert Murdoch. So I can see how the network change for 911 can easily be a factor on how this got greenlit, after years of creator Tim Minear’s intention to work in hints, on the off chance he could take it there. (I don’t go here, but I did my reading). Oliver Stark who plays Buck also revealed he's been for it and couldn't say anything, until he was sure they could do it, until it aired and was out there. (*steeples fingers*)

For further context, Bob Iger—with George Lucas’ vocal support—just fended off a right wing coup on the Disney board from the kinds of people (like Peltz) who complain “why do we need so many female leads” “why do we need movies with all Black leads.” While it doesn’t mean Disney is no longer an evil megacorp, I’m pointing out that its CEO defended inclusive Disney brand content to the shareholders and the board, as well as dismantling the idea that it can’t be entertainment while being diverse.

The ripple of this goes outside of the wee woo show fandom. I’m seeing the joy on my dash from people who don’t watch the show or don’t watch it regularly, as well as from people who have been watching a long time and noticed things and realized there was a progression and it was there all along, and I know how much this must mean to a lot of people. With the world being how it is, with what people are facing inside the US from the far right, in their real lives.

It’s very hopeful in general for inclusion levels on a major network TV show, owned by a big evil megacorp. Representation matters.

Also I'm aware the wee woo show already had a queer couple, plus it's already an intersectional inclusive series, that’s great.

There shouldn't be limits placed on inclusion though. “But you already have X” shouldn't be weaponized to tell people to shut up. There is no “enough” or “too much” when it comes to inclusion. While I'm not for undermining the inclusion that's there, I've seen that weaponization used with a series that hasn't been great on inclusion, and I've seen that weaponization used for 911, which is. It's a sus argument.

Indirect and unintentional as it is, also bi Buck shut down every concern troll, every gaslight, every denial, every rationale I've ever seen people deploy against bi Dean. Everything from people who don’t understand what bi actual means—“but he likes girls so he can’t be bi”—to “but he wasn’t declared bi from the start of the show so he can’t”—yes he can and the wee woo show just did. On one of the original big three networks. Or people who say it would "ruin the character." Really? “But he’s an action hero”—so what? Evan Buckley is a hero, Dean is a hero, both badass action heroes. “People who see this as canon are delusional”—Evan Buckley went O RLY? Not so delusional now, is it.

Evan Buckley avenged bi Dean.

It’s self-evident. It’s right there. Different show, different network, but the concepts are familiar, the situation has a certain familiarity. This turn of events on an ABC show didn't just make bi Dean fans valid. bi Dean fans were always valid, the bi Dean reading was always valid. But I appreciate how much what happened on the wee woo show bonked people with a truth stick, about self discovery, character arcing, queer readings, queer coding, and the validity of merely noticing things.

[complete-clownery]

Not me deciding that I wanna figure out how does Macaques dojo work, cuz I couldnt seem to find any ideas of it on the internet lol

Okay so long long LONG rant:

Ik that in canon the whole place looks kinda-- moldy and shit and I get the lot of hc about how Macaque probably doesnt even live there since its in a very industrial outer neighborhood of Megaplois, and also it probably isnt really decorated or looks like someone is living in there at all, but I like to think that he has standards and they put like 272636373 nois cancelation seals on their bedroom so he can sleep camly when he actually can sleep (since in my hc Macaque suffers from insomnia (its a pretty common hc tho, but you get it)) and I think the outer circle of Megaplois is even tho industral and under constructuion on most parts, its probably more quiet than downtown

And I also like to imagine, Macaque even tho if not commited to a place will make it more homy. But looking at my reference pictures, in the dojo there were also a lot of posters and paintings (and in MKAGC Macaque did mention he might have a poster of wukong soooo~~)

For the layout I went after whatever felt right, since I had like 4 pictures to piece together a two-story house with a gallery(??) so its actually just me deciding what I want and where I wanna put it

(Here are the screenshots from lmk s1ep9 I used:)

Okay Okay if you couldnt tell, for some reason im really hyped about this stuff so im going to lead you trough my thougtprocess, when imagining this whole thing, in order from ground level to gallery

1. Ground level:

Ahh yes ground level: the problem child

(Im going to keep it somewhat brief here cuz I wrote a shit ton of explanations for it, but that somehow got deleted which I am super pissed about btw)

So I saw that a lot of hc with Macaques place are mostly that first floor is the dojo and the second floor is the living area, buuut~~ based on the screenshots of the series that doesnt make any sense. My reasoning? Simple really, its bc you can see the ceiling If you are standing in the dojo. This could lead to the conclusion that:

"Okay maybe then there is no second floor just a gallery in there somewhere and thats it".

Sure we can say that, but then you would ignore the fact that you cant see the front door of the building when Macaque slams Mk into a weaponstand.

"Okay then its on the other side of the room that we never got to see in the episode"

I mean maybe sure but to me from an animation point of view it just doesnt make sense, just why would they flipp the camera angle like that (I mean anyone can think whatever they want, everyones opinion is valid, its not like anyone would ever argue me on this one ((or read this whole brainrot trough in the first place lol)))

Haha anyways regardless of anything, let's go back to talking about the first floor, shall we?

Everything is pretty self explenatory: when you come in on the front door youll see a little shoe rack where you can but your shoes, and one stair to seperate the ante-room from the rest of the house

Then theres a long hall that leads to the enterence of the storageroom, the random room and the staircase that leads to the second floor

I couldnt decide on what to put in that big room-- I had no clue -- I was thinking maybe Macaque could let other people rent it for a few days of maybe theres a shop with an owner whos ranting the place from Macaque (I think thats an interasting concept, but I didnt explore any of them) oh well thats that tho

"""somewhat brief""""

Second floor:

This was probably the easiest, since 90% of it is the dojo

But before that when you walk up to the second floor you can see a big boubel door that opens to the dojo, and a normal door that opens to the bathroom, which is strategicly placed there by yours truely. There is big brain logic behind it,, it might be inconvinient for Macaque to walk down the stairs from his bedroom trough the dojo to the bathroom (but also he can just shadow portal there--), but when ocasionally he mentors Mk, he might have to go to the bathroom while hes at Macaques place and I dont think Macaque would apritiate someone stomping trough his personal area, and thats why the bathroom is conviniently placed next to the dojo and not that far from the bathroom I know im a genius (**read everything in the bathroom part with a lot of sarcasm**)

Anyways, we couldnt even see all four of the dojos walls so that was also a 'gamble', but I went with a simple bouble door that I mentioned before and two weapon stands (yes those are weapon stands) and other than that you can see the rest of the room on the screenshots, theres also the staircase and that has some closet underneath it, but thats about it

The gallery (my personal favorit):

Looking at my reference pictures i could see that the dojo took up a lot of space almost taking up the 1/2 of the building, which I think is reasonable and kinda cool, but that means small living area which I think is even cooler (I am a huge fan of small practical spaces, they feel so so cozy)

So Yeah the living space: mostly two rooms that I also illustrated on top of this post, (you probably saw it) with a balkony thingy before the enterence of the rooms, where you can look down and see the entirety of the dojo, good for observing.

When you go in the door (actually havent decided if I want to put a door there or curtains for style but meh who knows who cares), youll enter the small but spacious kitchen. I dont see the Six Eared Macaque as a homecook, more of a fake cooking guy (only making basic foods like eggs or toast, maybe ocasionally pancake), hints there is no built in stove or owen just a portable stove, a kettle and a toaster and a small fridge that has MKs drawing (that he drew for them at the end of season 3) magneted there :]

Other than that theres a sink and an old television, he got from the randomest place ever, maybe he fished it out of the trash idk, but he put it on top of the cabinets (rarely watches anything on it)

On the baseplan you can see that there was supposed to be a small table next to the sink with a chair, but it didn't make it to the final drawing cuz let's be honest: drawing interior in correct perspective without a reference picture is just not my strongest artskill I posess, so I got pissed and put a trashcan in there, Macaque can eat in his bed

Talking about bed, let's move on to the Six Eared Macaques room:

It is very small but pretty comfortable with a small bed but a shit ton of pillows for a good nights sleep, other than that there are a nightstand that has the Lantern on it (I know it sorta got lost/destroyed after defeating LBD but I wanted to put it there) and a drawer.

The nightstand probably doesnt have a lot innit, just some nick-nacks and tissues and maybe snacks, or a book or something, the drawer stores some of his clothes, but since I like to think that Macaque is a fashion icon that wont be able to fit most of their clothes, so maybe he stores them in a pocket dimension of shadows, and only has some esentials there when he needs to get ready quickly.

And we could talk about the posters plastered around the room, but most of them are kinda self-explanatory, but there are the poster of his shadowplaly of the hero and the warrior, some drawing, a "Hang in there babygirl!" Poster with a cat on it hanging in there, a poster of the monkey king (heh), phantom of the opera poster and a-- well--- that ones for my bestie hope she'll notice it, its a spies are forever poster (really fun musical a of spies, go watch it its on youtube), and a drawing he brought( maybe)

And thats about the bedroom

And we are still not done, how are we feeling about that?? Huh?? (You dont have to answert, this shit took me about 2 hours to write :] )

LAST PLACE: the corner of the windows opposit the kitchen and the bedroom. Its just a chill little place with pillows and blankets, where someone can bundle up and enjoy some tea or read a book or brood, whatever the monkey prefers. The special thing about it, is that you cant access the place without knowing how to levitate, fly, jump high, or use portals, not that much of a game changer since more than half of the lmk cast could get up there, but still a bit of a barrier in my opinion

AAAAAND~~~ thats it omg

Hi hello if you read this trough could you please comment or reblog with this: "🐵" cuz I wanna know about the brave soilders who went trough this immense amount of clownery,,, holly mother---

If you read this all 👏👏👏 you are amazing thank you for appreciating my work this much, have an amazing day or night ✨🪲

[ranticore]

selected pages from Shapeshifter Problems, a small exploration of old old concept art & thoughts on shapeshifter tropes (specifically the question of the 'true form') i posted to patreon earlier this year. there's a bunch more haha. here's some OLD art and bg process for writing said the black horse. I don't like my old art but looking back at it I'm really happy how I've developed since, I used to make everything too sharp, straight-sided, or skinny. I had to make a conscious effort to change that and now it's so much better.

image transcriptions under the cut (just the text sorry)

Image 1: "These are more of those older designs - the horns were a deliberate play into devil imagery on Puck's part while giving Félix this form (all to cause more torment of course) but again I couldn't vibe with it. Such clear statements of intent didn't work for me.

The scars remain canon but not quite so stark, more a difference in texture (again, moving away from visual details). His forehead scar is ALWAYS there."

Image 2: "Félix. These are really old - from 2019-2020. They're the first attempts at Félix's horse form. At the time I was leaning into some goat-like attributes. I liked the idea of something that looked like an emaciated amalgam of many familiar creatures but if you look closer, it actually doesn't look like any animal at all. The original body shape and proportions were inspired by moose. I didn't know how to draw convincing horse shapes which is why he had these hands and claws for so long. I still draw the little flower wheel pattern on his sides sometimes... a secret just for me. His belly fur, squared off ear shape, and beard are still defining characteristics"

Image 3: "More old art from 2020. Bottom left is my first ever painting on my iPad using Procreate. I still prefer SAI for creature drawings, or at least the original sketches underpinning a lot of my art. Below on the bottom was my attempt at a scarier form for the character but I ultimately decided that it ran contrary to the atmosphere I was trying to create. Top left is my first 'real' horse painting and it includes the tail shape which has not ever changed, and feathers, which I nixed because I wanted to learn how to draw the feet and legs properly and not rely on covering them up with flowing hair (my favourite thing to draw)"

Image 4: "Like the black horse designs, these humanoid designs for Félix (circa 2019 - OLD art!) started very complex and simplified over time. I decided to avoid visual complexity, but made the mistake of solidifying specific 'rules' for how the Púca servants' bodies work, and I deeply regret this. Because I wrote Said the Black Horse in 2021, I was still operating under the old mindset and that caused it to become somewhat established canon.

In his original iteration his tattoos represented magical contracts between him and various faeries, so they were supposed to be always visible as a reminder of that contract.

<- a really early furry version, I was playing with the eye on the neck as a design feature. Ultimately I feel that although it looks cool, the medium he exists in is proser. So I needed to move away from visually complex designs and towards designs which were interesting to different senses instead."

Image 5: "As time went on the design simplified. I enjoyed making fun textures using procreate brushes. These designs lack his forehead scar but do include his impalement scar. If you've seen my Hanged Man card you'll know how he got that one. But when I made the charts like this about how his body 'worked' in 2020, again I ran into the same issue I always do when writing about faeries... the more I explain it, the most 'logic' and 'science' goes into it, the less it feels like a faery story to me. Overexplaining is anathema to the faeries of Inver. so even though I like these design notes they just don't fit in this setting."