#I love how shiny everything in that first panel I'd

[saltysunflowersugar]

*DEATH BY GLAMOUR AND CARAMELLDANSEN SIMULTANEOUSLY INTENSIFY*

Bonus:

[dduane]

Re: Magic systems

kosmonaunt asked:

I have the weird hyper-fixation of wanting to know all their is about The Speech and just how everything works!! I love learning about how power systems work, and it helps since I’m trying to develop my own. I’m always stuck on soft or hard magic systems. Since I don’t know all there is to really know about my system. Do you have tips on crafting magic systems? How do you feel about someone being inspired by pieces of your system?

Inspiration is fine! What you want to make sure you do with whatever inspires you, though, is to work hard to make your own take on it different from or better than what you borrowed. Around here we refer to this as "the magpie principle:" if you're going to pick up and play with/make off with a bright and shiny idea, you need to be working to produce something even brighter and shinier as your part of the "exchange". Whether or not you succeed at this (or can succeed), either sometimes or never at all, isn't the point. The point is to always be trying.

As regards building magic systems: there were three different ones in the foreground or background of my first novel alone—all of them with features that at this end of time I can recognize as being inspired by elements of magic systems in other writers' work. But by the time I'd more fully developed them, each had become something unique. The system I'm probably better known for—the system based on the wizardly Speech and its use—sprang more or less automatically from the increasingly complex answers to the question, "What if there was a manual that could tell you the truth about/the secrets of what makes the world go?". (Because once you answer one question, another pops up. "Where did that manual come from? What're you supposed to do with it? What's wizardry for?" Etc., etc.) I've spent the last few decades, on and off, answering that question in ways that (intentionally) mirror the main characters' exploration of the art of wizardry, and what it means to engage in the business of errantry in a world that mostly thinks wizards are a fairy tale.

Before getting into describing my own approach to building a system, I needed to take a little time to look around and make sure I knew what you meant when you mentioned hard and soft magic. My best guess is that you're referring to what a lot of people are calling "Sanderson's Three Laws of Magic" (fairly enough, as Brandon calls them that himself). I had a look, and have come to the conclusion that they're more general guidelines than laws... as in each of his three essays on the subject, Brandon no sooner names his basic laws/principles than he starts punching holes through them to make room for systems that don't follow them rigidly. (And frankly I find this kind of endearing.)

With his first one, in particular, I have no quarrel at all: the concept that in one kind of magic, which for his purposes he defines as the "hard" kind, rules are extremely important. (Which is why I'm kind of horrified that he apparently got dogpiled about this take on a Worldcon panel, because to me it seems so intuitive. Some of the best fantasy storytellers I know, like this one, would agree with him.) Then later he gets on to the equally valid ideas that limitations on magic are really important, and that culturally interconnecting multiple systems is useful; and here too we're in agreement. This is reassuring to me, considering that I built my first four systems—all of which feature approaches resting on similar concepts—while Sanderson was between four and six years old. :)

People using Sanderson's Laws will look at the three systems in the Middle Kingdoms books and classify them as varying sorts of relatively hard magic, with their power rooted in two or maybe three different sources. (The blue Fire is a gift of the Divine, nearly lost since ancient times and much damaged, but now slowly being recovered: sorcery is a language-based art in which no one's terribly sure where its power comes from: and the so-called "royal magics" probably started out as a blood sorcery that over centuries was shifted toward very specific uses by the power of the demigod-descendants who employed it.)

The Young Wizards novels, though, feature an extremely hard magic deeply rooted in science and (more or less under the hood) very, very rules-intensive... while its power relies on correct use of the language used to create the Universe, and the active cooperation of the Powers still busy about that work. And this is the reason why, though people are going to naturally be curious about the Speech itself, no one's going to hear very much from me about its actual words.

This is because the Speech is canonically described as so powerful that its use is something you can feel in your body and mind (and theoretically your spirit): bone-shaking, life-changing, unmistakable. And there's no way that made-up words on the page can realistically be expected to evoke physical sensations like that in the reader... or like the sense of the universe going silent around you, leaning in to listen, as you speak your spell. The careful writer knows that it's unwise to attempt to produce responses in the reader that, when they fail, will only emphasize how that thing is not happening, and stands a good chance of shattering the illusion one’s trying to weave.

So a Speech-word gets dropped here and a phrase there, but no one's ever going to get enough of it out of me to try to build a spell. Readers are better at doing that work for themselves in their own heads, out of hints and whispers. Over ten books and their interstitial material, there are plenty of those scattered through the text: not to mention the most basic principles of wizardry, which are laid out before the end of the first chapter of the first book in the series. So I'll leave you to get on with deducing what you can from canon.

Meanwhile, if I was about to build a new system, I'd look at my main characters—in the setting of their home cultures—and ask myself for answers to these questions:

What do they want more than anything?

Why can't they have it?

What kind of power will help them get it?

When they do eventually get within reach of the power / the desired thing... what will its achievement cost them?

And will they pay the price?

...Because the payment of such prices is where you find out what your heroes are worth. (Or aren't.) The above arc succinctly describes, in broad strokes, both The Door into Fire and So You Want To Be A Wizard, and a good number of the books that follow them. (Because why abandon what works, or try to fix what's not broken?) :)

With answers to the questions above you can start feeling your way toward what you need—always looking closely at the cultures your characters spring from, and how those cultures will shape their response to the magic they seek. (Or that finds them.) Maybe it's no surprise that the preferred arc structure of a writer who was a psychiatric nurse will be deeply involved with questions of motivation: because motivation is at the heart of almost all human behavior. Find the motivation and you find the character's heart—and, often enough, what kind of magic they need to make their desire and intention overflow into triumph.

...There are quite a few "How to design your magic system" pages out there. You might glance at these to see if there's anything useful in them for you:

How To Build An Amazing Magic System For Your Fantasy Novel

How To Create A Magic System In Six Simple Steps

Building Your Magic System: A Full Recipe

How To Create A Rational Magic System

However, my favorite is the "So You Want To Write A Functional Magic System" page at TV Tropes, which is nicely arranged yet also completely nonprescriptive—a pick-'n'-mix jar of prompts, things other writers have done that've worked, and generally useful ideas. (And try not to vanish too far down the many interconnected rabbitholes...) :)

Now get out there, build the world, and make the magic(s).

[theblogwithoutfear]

Thoughts on the Ahmed run (spoilers)

I know we're only three issues in, but I thought I'd ramble about the current state of the union

My main complaint is the memory loss story--it's a little disappointing. I was hoping that arc would go further and have a lasting impact on Matt; but he remembers everything so fast. Within the first issue he was back in the suit, and it feels like he moved on so easily from the trauma of everything.

Idk, I think it makes his sacrifice from Zdarsky's run feel a bit meaningless.

However, I'm willing to give it the benefit of the doubt, and wait for a while to see how it goes.

I'm loving Matt as a priest at the group home. It feels a little bit like a nod to the Netflix show, with Sister Maggie and the orphanage. Maybe I'm just reading into that, idk. I realize a lot of people hate when the comics start taking things from the show--but I don't mind in this case. Plus, seeing Matt interact with kids is always a win for me

And the religious overtones/dark imagery? The moral complexity of his head vs. his heart? The duality of what he does in the day vs. the night? Love it. give me more.

I do miss lawyer Matt, though. It's been a hot minute since we've seen that, and I'm really hoping Ahmed will take Matt back to his roots at some point.

I'm torn on the artwork. There are some BEAUTIFUL panels (this one is one of my favorites) and the coloring is so vivid and dynamic. And Matt is hella attractive in this run so far, so that's a big plus

but also, there's something a little too... like... shiny? About everything? Things look polished almost, in a way that's a little weird. Sometimes the faces don't feel very defined.

I also think there's less weight in the artwork. The movement is a lot less dynamic and fluid than the last run. Everything feels a little like it's floating, the punches don't carry much weight, and it just makes everything feel... lower stakes, I guess.

I don't know, I'm a big Checchetto fan, and his artwork felt really solid and grounded. So maybe I'm just still adjusting--I'll give Kuder some time before I really make a judgement call.

Because again, there's still some really beautiful and dynamic things here. He's doing neat things with panel placement/shape, which breaks up the page nicely and has cool effects on the pacing

I've also got mixed feelings about the tonal change thus far. Maybe this is a hot take, but I'm not into quippy Daredevil. I think he functions best as a character when he's really serious. He's usually got a gravitas that really informs the way he conducts himself. The quips in the latest issue take away from that, at least in my opinion.

Then again, Mark Waid made it work really well. Ahmed could very well be trying to do something similar. Again, it's something I'll reserve judgement on. I'm not against a lighthearted Matt, per se. I just think the darkness makes the storytelling so much more compelling and grounded (which is the reason I think people are also tired of the quippy humor in the MCU lately).

I hope the goofiness isn't going to be a long-term thing, but I feel okay about it for the time being. Especially since it's only every so often (at least so far). The run overall still feels fairly gritty and grounded.

I'm intrigued to see where he's going to take Elektra as the Woman Without Fear. I was pleasantly surprised by that arc in the Zdarsky run (wasn't much of an Elektra fan until recently, tbh) and I'm curious to see what's next for her. We haven't seen as much of her as I'd like so far, but hopefully that will change.

All that being said, I'm actually really enjoying this run so far. I'm not enjoying it quite as much as Zdarsky, but I still think it's really excellent. Ahmed's doing some interesting things with the character, and I'm really excited to see where he takes it.

Anyway, I'm curious to know if anyone else has thoughts on the run thus far. Opinions? Thoughts? Vehement disagreements?

(bonus picture because I'm obsessed with the priest vigilante look)

[bontenten]

Efficiency

Pairing: Daishou x f!reader

Word Count: 4.4k

Warnings/Tags: smut, exhibitionism, voyeurism, fingering, unprotected sex, creampie, praise, light degredation, aftercare, established relationship

Thank you so much @/bakatenshii and @/thirstyforthem2dmen for beta-reading. This is a repost from my main after it went fully sfw. Originally for the hqhq (now Anilysium) hard at work collab.

Pen scrawls and keyboard taps sound throughout the conference room as your boss goes over current client projects. Daishou is sitting across the table and you notice he's wearing the tie you gave him for his birthday last year. Looks good, you think to yourself. It's not just the tie, it's his entire outfit, and him.

Daishou notices your lingering stare and makes eye contact, granting you a cheeky grin and a head tilt. Pompous bastard. In response, you send back an expression of mock disgust before turning your attention back to your laptop.

For any newcomer at the firm, it might seem like the office is split down the middle into either your camp or Daishou's, with opinions and jabs on completely opposite ends of the spectrum. Why else is there so much spite being tossed around between the two of you, if not due to a deeply entrenched layer of grievances?

It might leave the newbie confused as to why Daishou affectionately calls you his "most significant problem". Or why you preface notes to him with, "to whom this may piss off, my royal pain-in-the-ass".

Then there comes a revelation to the newbie that you and Daishou are not mortal enemies, but rather the most wretchedly in-love couple in this skyrise building. It's a bad decision to cross either you or Daishou for any matter. Not only are the both of you perfectly vindictive, crossing one means submitting an application to be on the blacklist of the other. There's no doubt, in your humblest opinion, that Daishou, even if he'll never outright admit it, absolutely worships the dirt under your heels. And when you are in remotely a good mood, fine, you don't mind his coffee breath either.

It's heartwarming, that in this tower of cold, hard stainless steel and immaculate glass panels, there's love floating around the disinfected air of money, money, and more money. When it counts, you can be sure that Daishou will stand on the same side of the fence as you.

While the meeting goes on and you multitask with the spreadsheet open on your screen, you think you hear your name being tossed around. To your knowledge, everything is lined up already and unless there is some sort of overnight emergency, there's absolutely nothing left on your plate to take care of.

At the same time, there is also the off-chance that someone decides to drag you into hell with them and include you in a project. Now, who could possibly have the audacity to put you into the wringer with them?

"Daishou! Excellent, I'll leave this to you," the boss exclaims. "This pitchbook needs to be done by tomorrow. It's high urgency and the client just sent the numbers in."

A sinking feeling begins to churn in your stomach. You pause your frenzy across the keyboard and pay attention to the meeting to hear the rest of what Daishou has to say.

"If I may," Daishou curtly asks with a smile that's a tad too wide, "I'd like to work with Y/N on this. As you know, we work best together. It'll be done before the meeting tomorrow."

You can feel everyone's eyes turn to you in the meeting room, begging you to please say yes to the man holding titles such as your boyfriend, co-worker, and also 'royal pain-in-the-ass'. You force a smile and match Daishou's client-ready, saccharine expression. "Of course, we'll have it done tonight."

Suddenly, the atmosphere of the entire meeting room relaxes by ten notches. Bastards, all of you.

"Our firm's best duo!" the boss praises, "We'll leave it to you two then. Meeting adjourned."

It's the two words everyone has been waiting for. The moment the syllable falls, the conference room is filled with the sounds of shifting seats and scuffling feet eager to leave work for the day. With a huff, you shut your laptop and see Daishou coming around the conference table with his laptop and files tucked under his arm. He adjusts and tugs on his tie.

"Guess it's you and me again tonight," Daishou comments.

"And here I wanted to leave work early for once."

"Hey, just a special date night. It's called 'overtime', sounds pretty sexy don't you think?"

You snort and walk past him, going towards the direction of the elevator. Daishou eyes your figure strutting down the hall. The lines of your ironed shirt and the pencil skirt that hugs your figure perfectly match the echoing clack of your heels striking shiny tiles.

Even if you don't remember, Daishou's impeccable memory absolutely remembers how the last time you paired that shirt and that skirt together, it was an overtime situation very much similar to tonight. And the cock that's starting to grow hard in his slacks certainly remembers a lot more. He can feel it twitching just trying to conjure up the sensation of your gummy walls milking him in the breakroom a month ago.

"You coming or what?"

Daishou sees you holding the elevator door open and waiting for him. Daishou won't ever admit to this, maybe to you in privacy, but Daishou will rather be dead than admit to anyone else how lucky he feels to have someone as incredible as you in his life.

He takes a few quick steps and enters the elevator.

"How sweet," he coos. "I knew you wouldn't just leave me hanging and working in this dismal place all alone."

"Shut-up, Suguru," you snap, but you lean your head against his shoulder anyway. It's been such a long day already, and the night is only going to be longer.

"Stay the night at my place later? I'll order your favorite."

"Let's get this project over with first."

"I caught you staring at me during the meeting."

"Huh, is that so."

"Practically stripped me naked with your eyes. Ooh, I felt tingles all over."

You lift your head from his shoulder. "You're so full of yourself Suguru," you remark before tugging on his tie to pull his face closer to yours. "If anything, I think you're the one getting hard at work."

Daishou leans in even closer. A hand encircles your wrist and his thumb brushes your inner-wrist across the bump of the vein. Your pulse is throbbing against his fingertips. You feel your adrenaline and anticipation rushing through your body as your heart pounds harder and faster.

"Then do something to help poor lil' me out?"

"At your place later, we—"

"But I want you so badly right now," Daishou breathes out, body tight against you so you can feel his straining desires through the layers of fabric. "I want—

Ding.

The elevator opens up to the floor the two of you work at. The co-workers waiting for the lift can only see two pristine and exemplary office workers without any semblance of dishevelment walk out. Daishou even says a polite "see you tomorrow" to them.

"If only the elevator stopped working," you joke after taking a deep breath to swallow the fire building in your core. "Sly snake, no one here in the office knows your true colors."

Sometimes, you wonder just how Daishou can switch his persona so quickly. Or maybe he just likes the precarious edge of being horny at work.

"Love you too dear," he sneers.

A couple workers are still at their desks scrambling for their deadlines. You and Daishou take a seat at your work stations and begin to chip away at the urgent, overtime project. Every now and then, you'll say good-night to the other remaining co-workers finally able to go home. It doesn't take long before the halls are completely vacated and empty except for the two of you still slaving away in front of the bright monitors for hours into the night.

"Where are you going?" you ask Daishou who is returning to his seat after disappearing down the hall again. "This is the third time in the last hour. Are you shitting in the toilets or dumping all the work on me?"

Daishou comes by your desk and leans on the back of your chair. "Just making some phone calls. Want to go home now? It's getting late."

"Uh...work's not done yet."

"It's fine, let's have dinner first, we can just work remotely at my place. The bulk is done anyway."

You glance at the clock and ponder Daishou's offer. It doesn't hurt to leave a little early and continue the work later in a more comfortable setting. "Okay, let me pack."

After cleaning up the workstation and packing everything the two of you will need, you and Daishou are back in the hallway waiting for the descending elevator.

Daishou takes the heavy tote bag from your shoulders. “I’ll hold onto this,” he explains.

“Why so nice today, Suguru? First luring me over with food, the compliments, and suggestions to leave early…” You trace a finger along the line of his spine and observe, pleased with the nervous grin spreading on his face. “Someone’s losing patience, hm?”

Daishou gives you an ingratiating smile. “Princess, as fancy as our work is, we still work in client-services. What can I say, I live to serve and please.”

“Cheeky.”

The elevator arrives and the two of you enter the space.

"How long do you think we still need?" you ask Daishou.

"Must we talk about work, right now?"

"You're just horny, Suguru."

"Oh, so it's 'just' me, is that what it is?"

You shrug and admit, "Nah, I was wondering why you didn't suggest anything earlier when the office was empty."

"Baby, if you wanted me that bad, you should've just climbed on my lap."

You laugh at Daishou's retort and prepare a comeback. "I think—"

A loud screech sounds through the elevator and the lights flicker briefly before a jolt causes you to stumble. Your hand automatically flies to the handrail. Daishou also wraps an arm around you tightly to steady your balance.

"Is the..."

"Seems like we're stuck," Daishou comments.

You rapidly press the service bell button, but it's no use. "No one's picking up, it's like the signal got cut. Should've just taken the stairs!"

The cell signal is also terribly weak in the elevator space. There's nothing else to do but wait and see how things play out.

Daishou laughs dryly and smooths his hair back. "We work on the 18th floor, since when do we take the stairs?"

"There's that one evacuation drill..." you reply weakly.

Daishou raises an eyebrow, giving you a look that says, really now?

"You're right, we're doomed. Last moments and—"

"With the love of your life, isn't that pleasant a way to go?" Daishou tightens his arms around you. "Don't worry, it's all going to be okay."

You reciprocate and respond to his hug, while your brain searches for a solution. "I once saw on the internet that if the elevator drops, you have to time your jump right before the elevator hits the ground floor. Otherwise—"

"Shhh," Daishou shushes you quietly with a quick kiss. He rocks you from side to side and reassures you again that everything is okay.

"Trust me, it'll be okay. Let's just have a little fun while we're waiting," he suggests one hand already tracing up your thigh. "Maybe it'll relax all those nerves you've been holding onto."

Daishou wants to laugh. Whose nerves exactly? Do you have any idea how he’s been counting the minutes and seconds for this moment while you innocently worked on the project like the good, model worker that you are?

It took everything in him to somehow put down a few excel formulas and not shove the monitors onto the floor to fuck you senseless across the worktables. Not to mention, the pleasure of having those witty remarks that spurt out from that little mouth of yours replaced with incomprehensible whines and begs for your precious Suguru to fill you to the brim. And now that you also admit to thinking along the same lines earlier, Daishou knows the dirty little thoughts clouding into your mind already.

Some slut that you are, acting proper and put-together at work, basking in the praise from co-workers and the boss; they just don’t know how ten minutes after those morning touchpoint meetings, you are bouncing on Daishou’s cock in a hidden corner while the financial markets open for the day. It’s an art, really, the number of quicks you two manage to fit into the crevices of a busy office schedule. But that’s why Daishou is one of the best employees of the firm. Daishou Suguru works quickly. He works efficiently.

The patterns Daishou's fingers trace tickle and send shivers up the skin. His low voice and hot breath across your ear elicits a soft gasp as you press your thighs together in the tight, figure-hugging skirt, seeking some hidden relief for the needy throb inside. The scrap of fabric down there is barely able to soak up the wetness beginning to pool. You are pressed up against him for comfort and security, your breasts plush against his chest. Each inhale and exhale you take is a test of patience.

"T-there's a camera," you remind him through shaky breaths, eyes flickering to the black mechanism in the corner. This is your final thread.

Daishou eyes the camera that is staring expectantly at the tryst about to happen in the cramped space with a wicked grin. Like that has ever bothered you, but if you want to play coy, he’ll humor you. He pinches the soft flesh on your thighs. "But we both know you're an attention whore. Always wanting to be the center of attention?"

You bite your lip to stop a whimper and look away, unwilling to admit that Daishou is completely right. You're already squirming in anticipation and delight. How cute, Daishou savors before deftly undoing the first two buttons of your crisp blouse. He has all of your clothes memorized, and how to take them off in the least amount of steps. At this point, it's completely second nature, and even if it isn't, the particular outfit you are wearing today has a special pedestal in Daishou's memory of interests. He pulls the tucked fabric apart to expose your delicate neckline and the soft curves of your breasts in the bra.

Oh, this one? What a coincidence then. He buries his face into the crook of your neck and deeply inhales the scent of your lingering fragrance. His hot breath and tantalizing lips drag across your collarbone, brushing your sensitive skin.

"So fucking sexy. Let's put on a show shall we?"

The thread snaps.

You harshly tug on the Daishou’s tie and capture his lips with yours. Daishou presses his body even closer, resting a forearm right above your head to cage you against the elevator wall. You wrap your arms around his neck, threading your fingers through his hair, as you meld into the searing kiss. The zipper of your skirt is tugged and the fabric is pushed up to your waist. His hand snakes up your thigh and a thumb hooks the side of your panties, pulling the soaked scrap down.

"Step," he instructs, pulling your panties down all the way and guiding your heeled feet out. "Don't want them dropping on the floor," he says, tucking the bunched fabric into his shirt pocket.

"Touch me, please," you beg, pulling Daishou back to you. You grab his hand and lead him to between your legs, grinding yourself against his thick fingers for some relief.

“No need to rush, the elevator isn't getting fixed anytime soon," he coos, "We're not going to get distracted this time."

Daishou spreads your lips apart and rubs along your sensitive bud, coating his digits with your slick. "Fuck, you're so wet already," he marvels before slipping a finger in and then another.

Daishou pumps his fingers in and out of your sopping pussy, occasionally dragging over to circle your clit. "That's it, isn't it?" he groans, feeling your walls clench around his fingers when he finds the spot that has you falling apart into streams of whines and mewls.

Daishou withdraws his fingers and brings the glistening digits up for you to see. "How much are you enjoying this? Wanting to be fucked in an elevator, watched by who knows who behind that camera."

You whimper and watch Daishou take the coated fingers in his mouth, licking off every drop of you. "You taste so good," he breathes, before pulling you into a kiss and letting you have a taste of your own arousal.

You break out of the kiss and turn around, resting your hands on the handrail. "S-Suguru, want you in me," you beg. You bend over just enough for your Daishou to see how much more wet you've gotten from tasting yourself on him. Your glistening hole is dripping and desperately clenching around nothing.

"Patience, princess." Daishou quickly unbuckles his belt and lets the cock pressing against his tight slacks spring free. He prepares to give himself a few more strokes but you reach behind and slap his hand away, replacing the hand on his cock with your own.

"Fuck," he groans, bucking his hips into your hands. "Always the impatient one."

"Hurry...please."

The building anticipation is making your knees weak and head dizzy already. You keep both hands on the handrails for support and squirm over trying to better line yourself for that thickness you need to fill your hole.

"Shit, stop teasing me!"

Beep.

The emergency intercom you pressed when the elevator first malfunctioned finally lights up. The line connects after a moment of static and radio noise and temporarily shocks a thread of rationality into your thoughts.

"Hello? Hello? Are we connected now, finally? Hello? Can you hear me?" the voice urges from the other end.

"Ah-" you gasp out, feeling Daishou fingers draw out slow circles on your clit. You press your lips tightly together to muffle a moan.

"Ma'am? Ma'am, can you hear me?"

Daishou leans next to your ear. "Answer them, sweetheart." The tip of his cock teases the entrance of your pussy, running along the wet lips. "Do well and I'll give it to you."

You manage, with difficulty, squeak out, "Y-yes!"

"Good girl."

Your legs buckle slightly when you feel Daishou's thick cock being pushed into you, finally giving you the gratification you have been craving during Daishou's ministrations.

"Oh, careful now, don't want you falling over," Daishou's grip on your hips tightens and he groans at how warm, wet and tight you are around him. "Fuck, you feel so fucking good," he mutters under his breath.

The speaker buzzes again. "Great, finally connected. Ma'am are you doing okay still?"

"Yes!" you cry out as Daishou gives a firm and deep thrust; a wave of pleasure shoots through you.

"Don't panic, our team is already coming—" The line disconnects as abruptly.

Daishou revels at how your soft walls hug and clench around him. By all means, he didn't expect the interruption happening at all. It seems like you are not the only impatient person, he wonders, before flashing a nasty look at the camera in the corner and flipping said object off.

"Come on, princess,” he encourages and pats the side of your ass lightly. “Let me hear how pretty you sound."

"Sugu—" you gasp out, feeling the tip of his cock rocking into you. "R-right there right, ah—"

"Yea, you like that?" Daishou groans, pushing into you again feeling your walls clamp around him so tightly. So perfectly. It's addicting and all he can do is thrust in and out, over and over again. Each time seeking out the sounds of your pretty moans when you are completely filled and stuffed with him.

Lewd squelches and the slaps of skin meeting flesh fill the elevator space, along with Daishou’s grunts and your pants. Your hips meet each of Daishou’s thrusts in perfect rhythm, taking his entire length until the base. You can feel each stroke dragging along your walls, the size and length of his cock pushing against your tightness and prodding your cervix.

Neither of you can bother with any other distractions now that bliss is just teetering on the edge. Daishou pulls out and turns you around so you face him. He then scoops you up from under your ass with your legs spread over his forearms and hoists you up against the elevator wall. You feel the stinging cold from the cylindrical edge of the handrail as a dubious support against your heated skin.

"Suguru!" you squeal out, "I'll fall! I'll—"

"I got you, don't worry," Daishou reassures, "You're okay, I won't let you fall."

Once he feels your arm wrapped tightly around his shoulders, Daishou slides into you again with a loud squelch.

"We're right outside now! Won't be long before we get you two out." A loud voice calls out from beyond the shut elevator doors.

"Smile for the camera, princess," Daishou encourages before picking up the pace, chasing the high that's just around the corner. His thrusts become faster and rougher, hitting your sweet spot deep inside you over and over again making your mind spin. The countless reflected images of Daishou's unrelenting pursuit and speed, and the expression of your fucked out face collide together in a blurry, infinite kaleidoscope.

“Gonna cum! Gonna-”

All thoughts leave your mind with each ragged breath as you near your own edge. You can only cling onto Daishou tightly, nails digging into his shoulder and back. You don't hear the sounds of mechanical whirring outside the elevator. Whatever it is that the people are shouting outside does not matter. The bright lights don't make any sense to you anymore. You don't even remember what Daishou Suguru looks like.

The blank stare from the camera is the last thing you see before you squeeze your eyes shut, face tucked in the crook of Daishou’s neck, and body feeling like putty in his arms. All that's left is the euphoria sparking through and broken syllabylic babbles you struggle to utter out.

With a few final thrusts, Daishou grunts and pulls you completely flush against his hips, finally spilling himself into you. Release after a long day never feels this sweet, Daishou muses as he holds your languid body close. Each deep breath you take only pushes your soft breast against his chest, and Daishou can feel your spasming walls still hugging him. He peppers a few kisses on your sweat covered brow. So good, so fucking good.

The voices and mechanical whirs outside interrupt Daishou’s moment.

That’s right, we’re still in this damn elevator. Daishou carefully pulls out his softened and twitching cock and lowers your wobbly form down from your make-shift seat. He takes a handkerchief from his pocket to wipe the drool from your face then lightly dab away the trail of mixed fluids seeping out of your puffy cunt. The overly saturated handkerchief does a poor job soaking away the mess the two of you made.

Daishou reaches for the crumpled panties he shoved into the shirt pocket, but decides against letting you wear it. In your current state, your legs are like a newborn deer, barely able to support you let alone try to maneuver into underwear.

"Once we get back to my place, I'll draw us a bath.”

The increasingly loud mechanical clamor and sounds of the elevator workers pull you out of your daze for a moment too. You try to fumble around and haphazardly button your shirt, but the buttons miss their proper buttonhole by one. You pout and look at Daishou who just buckled his belt and tucked in the edges of his crumpled shirt. He looks ready for a client meeting already, if not for the obvious smell of sex clinging into him.

Daishou chuckles at your state and helps you slip into his long coat. He kisses your brow again in apology. "Sorry baby, just bear with it for a moment."

"Hungry."

"Yes, yes. I'll order your favorite too, like I promised."

You nod, pleased with his answer.

Ding.

The doors of the elevator open, to the relief of the elevator workers outside. They were in the process of getting ready to pry the doors open, but it seems like the elevator is back to normal already.

"Sir, Ma'am, we apologize for our tardiness."

Daishou waves a hand. "Not at all, it was fine. My girlfriend," he nods to your hidden form in the coat, "a bit frazzled, that's all."

Daishou's coat is like a bathrobe and hides absolutely everything. Turn up the collar, hide your face in Daishou's neck, and no one can see the mess that you are still underneath the thick layer. If they don't look, they won't know about the cum that's already dripping out and trailing down the curves of your legs into your scuffed heels.

"Is she okay? If there are any problems, we can direct you to-"

"Don't worry, I'll take good care of her. Thanks for helping fix the elevator." Not that there was anything wrong with it to begin with.

"We'll be inspecting all the elevators in the building as well. We assure you this will never happen again."

The musty smell of sweat and sex is all that lingers in the elevator, but it'll dissipate soon enough. Maybe there are tiny puddles of your juices on the tiles but the 5 A.M. cleaning workers will wipe it all away. By tomorrow, the elevator and rest of the building will be just the way it always is again. The stainless steel is cold, and the glass panels are pristine. In the early hours of the morning, leather shoes and heels will be strutting around on the marbled floors. Phone calls. Printers. Clients. Meetings. And more overtime.

Daishou smirks to himself, supporting just about your entire weight. His phone rings in his coat pocket. He reaches for the device and answers the call. Those bastards.

"Heh, glad you enjoyed the show you fucker. And tell Kenma, 'that was a dick move he pulled back there.'"

He listens to the response from the other line.

"Yea sure, thanks for hacking the system...uh huh, tell him to cum in your dirty sock-rag then...yea whatever, go eat shit."

Daishou ends the call and shoves the phone into his pocket.

"Su-gu-ru..." you mumble.

"Yes princess?"

"...Pitchbook..."

Daishou presses a light kiss to your forehead. "Don't worry about it, sweetheart."

Even all fucked out, you still manage to not forget about corporate responsibilities, some overachieving show-off you are. After getting you cleaned up and warm, he'll finish up any remaining work. Daishou Suguru works quickly. He works efficiently.

[featherlinnea]

Nother Update

Lol always writing these when I am not home.

So last update wasn't to long ago. But eh I like writing.

First things first: Like I said I am in my first semester of my Bachelor of Science so a large chunk of my time involves studying. Despite that there is still plenty of time to do work on other stuff!

Second: Journey of a Wott will be back next month! Once chapter two is done I may rework the design. I will at the earliest upload a page on the 3rd(Don't want to upload on April fools, + time zones) but at the latest between 3rd and 15th of April. Pages will not follow a strict upload schedule, there will be one every other week.

Third: My own projects, there are plenty from fanfiction, videos to animations etc. For now I am easing into things, I afterall get overwhelmed quickly. My shiny hunting channel is my way to ease into it, learning some things along the way.

Some projects that I am working on seperately are:

-> Fanfiction(Unlucky is the stranger) which I'll only upload when the first version gets its rewrite lol. Currently taking a break in favour of school and making a proper plot and worldbuilding. I write for hours so I can only work on this on days I know I have no obligations. (I lost track of everything around me last time, so I am a bit scared of losing track again, therefore I am more cautious on how and when I'll work on it)

-> 2.)Plushies! Working on the Finneon plushies, I was a bit discouraged since I said I would work on the next ones of Batch 1, but from the get go I wanted to finish the next 3 Finneon plushies first. So that is what I am going to do! Due to colour variations it will be 4 in the end. After the next one(number 2) I intend to redraw the pattern entirely, just had a few issues, but also want to make a pattern that everyone can freely use. I work on the plush whenever I feel like it or need a break from other stuff.

-> Youtube, generally I'd love to do all my projects at once, but I know how badly I'd fail if I did that. So the shiny hunt channel is up. Like I mentioned it is like a test run and to ease more into work, editing etc. It also serves as my archive for my catches. I use a tumblr blog for archiving my shiny hunts as well. My plan is to animate my intros/outros for all of my planned channels, even if I won't do anything with the channels until I am certain that I won't be overwhelmed. I do plan to do an animation, gaming and commentary/story telling channel, but that would be too much on me right now. But that said Main channel would consist of stories/commentary of stuff that interest me and shorts similar to the comic I mention later. The animation channel would be Map parts, practices, animated songs and animation memes. Then there is also the gaming channel, which I thought about doing silent playthrough and stream re-uploads(my twitch streams). But that is all dreaming big and for now unrealistic to approach.(Unlike the Shiny channel obviously none of the channels would have daily uploads lol)

->Comics, like mentioned JoaW will come back soon. Even if I did not practice as much as I would have liked, I feel a lot more confident about my art! My backgrounds still suck though lol. Anyway I do plan to do a comic series of my own, but more of one-shots, like these 4 panel comics. Which is what I want to use my 6 legged characters for. But! I'm not ready to do that yet lol. I still have to design 6, maybe even more characters since geez I have plenty of different hobbies and fields and they represent a field each. Relateable comics/or simple jokes. That way I get to draw them and make some comics afterall. All my other comic projects which I surely mentioned before are cancelled or better said on hold until I actually manage to work on them. Just don't expect anything but JoaW(Kilian bless your patience with me, really) and that new comic.(that said no idea when I do that comic series, I'll take my time with JoaW and ease back into a healthy workschedule and mindset first)

->On the otherhand when I do have the time I'll go ahead and study/learn to make my own music as well as 3D modelling. In general I want my own music to use and make my own remixes and so forth, just always interested, but never took the time to properly study. 3D Modelling is too aid me in plush making as well.

-> I pushed back my plans in Game development and book writing. Fanfictions themselves right now are for preparing me for writing books in the next couple of years. That and I don't want to publish anything under my current name. I want to transition first, specifically change my name first. I just hate the thought about publishing anything under my deadname, bad enough that I am a closet case everywhere but online and my closest family. I am currently slowly easing i to a proper work/healthy schedule and work load. Which consists of 3 things lol, School, Shiny channel, soon comic again. That and boosting my self esteem. Since at the moment social anxiety is pretty unmanageable. (the point of need a therapist but like I have too much anxiety to go/find one) So... slowly I'm building up my confidence to find a therapist for that (I obviously need one after all). Granted I am no where near as bad as like 1-2 years ago, but dang. I'm adult, can't always asked family to help me out. Not that they(some) take this struggle seriously. :/ But that is just me venting. I found some ways to cope which improved lots for me as well as giving myself talks to boost my confidence/self esteem. Just need to remind myself of a specific goal of myself really, and viola I am motivated again hehe. That and the reminder that I stress myself over nothing all the time. Ah but I rambled enough.

Tldr: JoaW is coming back in April, I have a shiny hunt channel to ease into (youtube)work, and I am doing my bachelor meaning spent lots of time studying. I have lots of stuff planned, but until I can manage it won't even be started.