#I have no idea who or what they're talking about

[peppermintquartz]

Buck volunteers for the Thanksgiving shift. When Maddie asks, he apologizes, saying, "I don't really feel festive right now. But keep some leftovers for me?"

On the day, firehouses around the country all have similar calls to deal with: kitchen grease fires from frying turkeys, sprains in backyard games of football, people injuring one another because "did you hear what she said about our Emma/Francis/Kailey?". Buck is kept too busy to think, and it's nice having the time to catch up with Ravi, who's thinking of going to school to study law.

Their brothers and sisters in uniform also drop off dishes at the station, so between calls, they get pretty good food. Captain Graham gives them an hour offline after four consecutive calls. Buck collapses into a chair and serves himself pasta salad and a delicious honey baked ham, while his dinner rolls warm up in the oven.

He's scrolling through his phone, diligently avoiding the messaging apps, when a message preview pops up.

Tommy.

Buck almost drops his fork. He scrambles away from the dinner table, even though no one on C shift will try to take his phone from him, and finds a spot in the stairwell to read it.

Tommy: hope you have a good & safe Thanksgiving

As he's reading, another bubble appears and Buck's heart skips several beats, but this time it doesn't disappear. A second message arrives, followed by a third.

Tommy: don't know why I texted that

Tommy: guess I just wanted to say something to you

Tommy: you don't have to reply

Tommy: anyway. Happy holidays

Buck feels a slight loosening of the vice around his heart that has been there since that night. With a smile on his face, he types, deletes, types again.

Buck: happy Thanksgiving to you too

Buck: how many kitchen grease fires you got this year? We had 3

Tommy: you're working today?

Tommy: 4, but one of it was in the backyard

They're having a conversation. They're having an actual casual conversation, as easy as they used to on calmer shifts. Buck wants to cry. But he has to answer Tommy's question or have this conversation end too soon. Thinking about his options, he decides that he has nothing to lose anyway.

Buck: I didn't wanna sit around and smile and pretend I'm thankful for everything

Buck: it's better to keep busy

Tommy: I know that feeling

Tommy: I'm sorry

Buck: I'm sorry too

Buck: I wish we could've celebrated together

Buck: I would've said that I'm thankful for you

Tommy: I would have said that too

Tommy: I'm still thankful for you jsyk. I'll always be grateful to have got to know you

Does Tommy think he can't stay in Buck's life just because they broke up?

Buck: I don't think you know me well enough

Tommy: sorry

Buck wishes he'd run after Tommy that night, or done something since to show that he wants Tommy. Well, here's your chance, his brain reminds him. Do something.

He takes a deep breath. Then he types.

Buck: I want to meet. If I come over after Thanksgiving shift, will you please be home?

Tommy: is that a good idea

Buck: idk. But I can't stop thinking about you, and I miss you, and I wanna know what I did wrong. I wanna meet.

Tommy: I miss you too. You didn't do anything wrong, I just didn't want to... Idk. I didn't want to get my hopes up too much.

Buck: we need to talk in person. Texting is not good enough.

It isn't. He needs to see Tommy again. Tommy with his storm blue eyes and tender smile and broad shoulders and soft clothes. Tommy whose crinkly smile drives Buck a little (a lot) insane. Tommy whose lips he now knows the shape of by touch alone, whose body he has mapped out in detail, who knows how it feels to be inside Buck in the most intimate of ways.

He waits for a response. Hopes there will be one. It comes several minutes after, like Tommy had to really think about it.

Tommy: maybe not immediately after Thanksgiving shift

Tommy: are you off on Monday

The relief that crashes into Buck feels almost as overwhelming as the tsunami he was caught in years ago.

Buck: yes

Buck: your place this time

Buck: I'll bring cake

Tommy: you don't have to bribe me to open the door

Buck: no I just baked too much stuff is all. I'll explain when we meet

Buck: I'm really thankful you texted

Tommy: I'm thankful you replied

Tommy: have a good rest of the shift, Evan

It's Evan again. Buck can't hide his smile at all. Tucking his phone into his pocket, he goes back to dinner. Monday can't be here fast enough.

[dilf-docs]

All Roads Lead To Rome

pedro pascal x younger!reader

summary: your boyfriend swears he isn't annoyed at your little surprise visit on the set of gladiator II; you might have to help him release his anger, one way... or another.

warnings: 18+ (minors dni), age gap (BARK BARK BARK), smut, p. in v., bit of exhibition kink cause they fuck on his trailer, he swears he's mad but he just wants head, oral (m. receiving), he also uses his armor and skirt while at it bc its hot and not bc i totally want that to happen to me or smth!!!, brat taming, orgasm denial, breeding and daddy kink lowkey, i'm so down bad for him so there's fluff!!! + pedro being whipped cause that's exactly what i want in my men, the cast makes cameos bc i love them!!! use of spanish (i'm latina so don't even try me), pedro wearing a skirt tehee

word count: 3,519 words

side note: i'm about as FERAL and horny as much as one could be!!! damn u pedro, making me walk out in the middle of class and walk on foot to the nearest theather for an early gladiator II screening (bc they're cheaper and i'm a jobless broke student lmao) that mind u it's my first solo trip to the movies but it's okay!!!! nobody interrupt me on my horny dilf hours amirite I TELL U that cinema was almost empty: just me, pedro and hey there's a spot if u wanna join mescal (look at my blog banner IYKYK) so yeah!!!! enjoy this porn lovechild that steemed from it; my pedro renaissance that'd been asleep since tlou dropped AWAKES (u don't get it, i literally watched narcos just for him) i'm so fr i need this man BIBLICALLY!!

"Lemme guess, that's her, right?"

Pedro looks up from his phone, slightly red and embarrassed. He would blame the color on the sun, and as an actor, fake his way out.

"No idea what you're talking about, Paul"

The young man chuckles.

"I mean, every break we get, you take your chair, sit the farthest and pull your phone with the most ridiculous grin I've ever seen. I'm afraid to tell you, friend, you aren't as slick as you think"

He leans back against the chair, covering his face with his large palm.

"At least I tried" he finds no point in lying anymore, "seems like I'm addicted, but if it wasn't for y/n, I wouldn't touch it"

"I'm curious, though" Paul scoots his chair closer, "who texts who? You or her?"

"Me" he answers, but then corrects himself quickly, a bit ashamed of how that makes him sound, "but it's mostly her first".

"Right" he doesn't sound convinced, rather curious and annoyed, something he's too old and tired for, "I don't believe you"

He's about to lock his phone, but the wallpaper (a selfie with you) would probably earn him another mock from Mescal.

"Too bad I don't need you to"

Before he can do so, the irish man yanks his phone away.

"Give it back!" he shouts, earning a few glances from the crew around them, "what are you, ten?"

"No, twenty-eight" they look like kids bickering. "No need to fight me, Mr. Pascal, they haven't taught us the new fighting choreography yet" he mocks, before the phone chimes; they both stop at the sound.

"What does this mean?" Paul asks. "Malta's nice" he reads out loud, "were you talking about possible future vacations? I might have to tag along"

He doesn't follow the man's joke, instead, looking at the message on your chat. Malta's nice, says the little cryptic message, and yes―it is cryptic, because you were just talking about missing each other and some other corny stuff he'd take to his grave. Not vacations, and certainly, not about the european island, which happens to also be the place were he's filming his latest movie.

"No, we weren't" he replies confused, "what do you think it means?"

"Well, obviously, you boys don't know anything" May pops up from behind, laughing.

"Were you eavesdropping?" he asks playfully, albeit, a little offended.

"No, you guys are just too loud" she replies nonchalant. "Besides, you aren't very good at hiding it, either"

"That's what I said!" Paul backs, laughing on his face.

"Stop being misterious and just drop it"

"It means" she pauses―laughing at her own little dramatic effect, "that you're getting a visit soon"

When you met Pedro, you were working in The Last Of Us. Nothing fancy, just part of the technical cast of the show: helping with the filming and stuff.

During those months, it was easy to find yourself falling for the main star (alongside Bella Ramsey), especially when you spent months behind a camera, capturing all of his perfect features; learning them by memory until you could draw them without seeing his face.

Yes, you had fallen for the older man, because it was as natural as breathing; easy as being alive―the fall so gentle and so easy, it was hard to know when the feelings started. You just woke up one day, feeling different.

You liked to act up―always had what you wanted, and times had changed (so it's not like he had to ask first): why not? Which is why during your last day of shooting you took some liquid courage on your veins and went up his way. It was at a little gathering the crew you've grown to call family organized, while wearing your favorite and tightest dress, that you approached him.

It surprised you that he even recognized you, but that's who he was: warm, welcoming and caring.

To augment the surprise, turns out he had eyed you already, but was too shy to do anything. Yes, the worlds most famous Chilean man. It did stroke your ego, and maybe that's why you feel like most of the time, you've got the upper hand on your relationship, despite the years in between.

Still, you feel like the last message you just sent was a bit too blunt. Now you sit at the tiny airport, pondering your next move.

You know your boyfriend isn't exactly the type to scold or get mad―despite his strong figure, but going against the only thing he asked you might test him. Which is why you feel nervous, despite the happiness around you, everyone in the airport looking straight out of a picture perfect summer edition magazine.

And your theory is proven exactly right when you arrive impromptu at the Gladiator II set: making heads turn and guards almost kick you out, thinking you're a fan.

"You don't get it!" you protest, "he's my boyfriend".

"Sure", they laugh on your face. "you're not the first to say that".

"She's not lying" oh, how you love that gravely voice. But not today: not when he sounds like a parent scolding a naive child. Not when his eyes bore into you, slightly irritated.

So now he's dragging you among the set, right to were his trailer is.

"Aren't you going to introduce me?" you ask, puffing your cheeks out in annoyance. He keeps dragging you by the arm, without sparing a glance in your way. Who does he think he is? "I wanted to tell Paul he made me cry―twice. You know I don't play about Normal People and Aftersun"

"But you do seem to play about my orders" he grunts out, opening the door to his trailer. The sunlight reflects against the white, slightly bothering your eyes with its shine, contrary to your boyfriend's gloomy behaviour.

"Are you being serious right now? You're not my dad to scold me. I just wanted to surprise you" you stand still, refusing to get inside. Pedro knows your character tends to be stubborn, and thought he finds it hot to reel you up sometimes, there are other times where he can't just stand that juvenile spirit of rage you tend to have when things don't go the way you want them to. "What's gotten into you?"

"I could ask you the same" he mocks. "Get inside. Now"

"Rude" you scoff, but obey regardless, and he breathes out relieved you didn't do a scene like last time; he still can't show his face on that restaurant to this day.

"I thought you'd be happy to see me" you say a tad bit dissapointed, and Pascal feels the pissed off feelings clouding his brain start to dissipate.

"I do, amor" he sighs, "just hate to see you do things I tell you not to; waltzing in here like you own the place".

You don't see the mistake, though. What's wrong with wanting to do a little surprise? It's not like you were a stalker or something; just a very clingy girlfriend who happens to miss her boyfriend.

"So, you're not mad?" you venture, "tell me you're not embarrassed"

He looks at you, the fondness of his gaze betraying him.

"I'm not the one wearing a skirt while trying to sound intimidating" you joke while caressing the crook of his nose, knowing you always get on his good side. Being mad isn't something that lasts, "if anyone should be embarrassed, that's you"

"Are you saying I shouldn't wear one because I'm a man?" your boyfriend looks offended, "Have you forgotten the movie I'm starring in? People feared the skirt-wearing Roman army"

"Well, I'm not intimidated" you stand defiant, and something dark tints his brown eyes. You can feel the excitement begin pooling in your stomach.

"You're not?" he grips your wrists and yanks you to him, then holds your chin, tilting your head between his calloused fingers. "Well, cariño, you should be"

Your body slams against one of the trailers walls, and you have to suppress a whine.

"You must be punished for what you did today"

You give him a doe-eye look, pretending to be all innocent, as if you weren't enjoying the punishment.

"I don't know what you're talking about. I've been a good girl"

"You know exactly what I'm talking about" he clicks his tongue, "don't play dumb with me"

"I just came to visit you" you murmur, voice husky against his ear. He grunts, and with the proximity, his hard-on rasps against your bare legs, only partly covered by the flowy summer dress you're wearing, "is that so bad?"

"It is. Has sido mala, cariño" his hand travels down under your dress, carresing with his large palm the silhoutte of your ass. The rings on his fingers create a shock, cold metal against your warm sun-bathed skin. "Naughty girl"

"I promise I'll be good, papi" you purr, using that honeyed voice of yours that makes it hard: hard to say no and hard between his pants.

Pedro sits on a small couch he has inside the trailer, guiding you with his hand enveloped around yours, motioning you to follow with a care so soft, you'd doubt he's about to do to you what he is about to do to you. He pulls you across his lap, smiling (God, you love his smile) as your stomach presses against his tights.

"Don't worry" he breathes low, his voice barely above a whisper. "I'll make you a good girl. Tell me, aren't you?"

You swallow, "I am"

He moves the panties easily to the side, rubbing your pussy a little. He then spanks it softly, making you mewl at the sting.

Pedro continues to trace over it, "Are you sure about that?"

"N-no" you shiver in delight, resolve dissolving as quick as it came. "I'm naughty"

"It's good to be aware" he murmurs, "Dilo otra vez"

"I'm a naughty girl"

He lifts your head by your hair. "Tell me what you did"

"Disobeyed your orders, coming to the set" you whisper. He lets go of your hair, his hands traveling down again, slowly teasingly rubbing your pussy while he humms.

"You were a little brat, amor"

You whimpered and mewled in delight. "I was a very naughty brat"

He pushed his fingers inside you, plunging his fingers into your pussy.

"Look at you. You're soaking wet" he pumped his fingers in you, making you moan, "Is that why you came to see me? Couldn't wait any longer for daddy to be inside of you?"

You bucked a little, making him stop. He drags his fingers out, causing you to beg for him to go back.

"Answer my question you greedy thing" He leaned closer to your ear. "Did you need my cock this much?"

You whimper, "I do! Missed you so much"

He pushed his fingers back into you, provoking a moan out of you.

"You're always so needy for me" your core tenses, making you shiver. "How badly do you want me? Tell me"

You whimpered "Badly, papi"

"Say it" his face contorts in satisfaction at your pathethic display; crying little mess, "Who's cock, fingers and mouth make you feel good?"

You can't think at this point, your brain fuzzy and pussy hot, leaking. You kiss his lips, moaning against them, "you!"

"Just me, yes? Nobody else can make you feel this good?"

"No one!"

You involuntarily roll your hips to aid you in pleasure, yet Pedro stops you just before you can reach your orgasm.

"Little brat." he tuts, making you groan. "Did you think I'd let you? You were naughty today, baby"

You huff in annoyance, used to having your way.

"That's your punishment"

"But I'll behave" you mewl against his ear, "I promise"

“Good, because I'm planning on fucking your brains out” his hot breathe whispers in your ear seductively, trying his best not to slur the words at the drunken haze that your arousal provokes in him, "but you have to help me first"

You get on your knees, looking at the garment he's wearing. The skirt and general costume makes this all the more hot, mouth watering at the sight. You raise the skirt, glancing at the briefs; just seeing his dick strained against the fabric makes you wet in anticipation.

He sees the pleasure bore into your orbs, and before you do any dirty idea of yours, he's already warning:

"You have to take this off, what if we-"

"Alright" you cut him off, "but the skirt stays"

"Sigue, pues" he growls, voice low yet demanding, following you in your little game.

As you pull the briefs down, his erection springs out enthusiastically, slapping up against his lower abdomen. You shifted your gaze up to meet his, his eyelids heavy and his proud smirk driving you absolutely wild.

"That's right" he chokes out, "show me how much you missed it"

You give him a proud lick, and Pedro hisses at the moment his preseminal fluid goes in between your hungry lips.

Your tongue darts to the head of his cock, running over it several times before bobbing your head down, taking most of him in your mouth. He keeps praising as you pump the base of his cock with your hand. Your head bobs, yet you peek up to hear Pascal's little sounds and facial expression, a motivation so intimate in the way his brows furrow and eyes roll, mouth agape at your movements while his lip suck on those pretty lips of his. It makes you keep going. With every bob you take as much of him in your mouth as you can, before slowly moving your way back up to the tip, increasing your suction the closer to his head you got. A throaty moan escapes the man above you when you now focus on the final lick, making him closer to coming, all while maintaining eye contact the entire way through.

"Don't do that" he rasps, yanking you by the hair again, as of punishment, but he knows you enjoy it, "you promised you'd be good"

You can't answer, so instead, you reach the head of his cock again, and now his eyes roll back, mumbling profanities that sound like heaven.

"Do you want them to hear us, brat? Qué necia eres" he manages to chastise while moaning.

You feel his dick stuck in your throat, and the way he's about to come; you think that after some time dating, you know him well enough.

You're about to leave with your mouth when he stops you.

"No" your eyes open in shock, "what? Did you think your punishment is over?" Pedro laughs, "don't look at me like that. Like you have never done it before"

He keeps you in place by the hair, the rings prickling against your scalp. You feel his muscles tense up, and before you can think anything else thick and hot shots of cum invade your mouth, making it sticky and warm.

"Don't pretend you don't like it" his voice goes dark, husky. "Swallow it all. Te han enseñado a no desperdiciar nada, ¿verdad? Show me your good manners, then"

When you pull out, your throat feels raspy.

"You gotta reward me" you cough out.

"I promised, didn't I?" his fingers trace your face delicately, with adoration.

"It's all about duty, General Acacius" you purr, and the dick springs out again. Hard.

"Princess..." he warns.

"For the glory of Rome" you joke and laugh, then cough, as your throat is still sore.

"Have you been reading my script?" as you avoid to answer, he just chuckles, "ay, nena"

"C'mere" he motions, and you sit on his lap again. Pedro lifts your dress, exploring the curve of your ass. There's anticipation as he hooks his finger around the waistband of your panties, pulling them down to access your core.

"Fuck" you squirm at his touch, grinding your freed cunt against his hard cock. He grabs you by the hip, adjusting you right on his lap.

"You taste so good" he kisses down your throat, ending at the chest were your tits peak.

"Want them?" you offer, pulling your dress down. He kisses them, gently nipping at your perked up nipples.

A wave of pleasure courses through you, and with whines and moans, you show how desperate you are, the hunger making the meal taste better. After all those weeks missing him, you just want him to fuck you senseless.

His lips are rosy and swollen against yours, mouths clashing; starved of the yearned contact. Truth is, no matter how much you know how to touch yourself, it'll never be the same as having his hard cock tear through your tight folds.

Pedro easily aligns his leaking cock with your uncovered pussy, all while mantaining the kiss. He pushes down on you, your dripping cunt taking all of his rock-hard cock, fingers holding onto the soft brown grey sprinkled locs.

"Pedro" you cry out his name, full of ecstasy as the stretch burns so sweetly. His low grunts only fuel your desire.

You trace with your eyes his body, now bare without the upper part of the costume: his pecs and abs, flexing with every pump. With now free hands, your fingers travel to softly caress his stomach, even if your tits are jiggling and the pace is rather frenetic.

"I miss your tummy" you pout.

"I miss eating too" he whispers out, tiredly. He's reminded of his old age, forgetting about it as soon as you two kiss, because you bring out a stamina he thinks he doesn't have anymore; almost animalistic. His bones creak and adding the tiring filming day under the hot sun, he feels his body start to give up, the orgams closer and closer.

"No matter how you look" you clash your lips onto his, the adoration translating through the smile you press against, a trail of saliva that symbolizes how interwined you are, "you always look so fucking good"

He blushes, feeling like a stupid school boy with a crush. What did he even do to deserve you? Never thought a pretty young wild thing like you would even spare a glance on his way, but now you're taking all of his cock inside with such greed yet loom into his eyes with a love he's only dreamed of.

You're real, and his.

As soon as those words leave your mouth your orgasm spills over him, some of it dripping onto the skirt, making him curse. You can't stop, still meeting his thrusts halfway, despite your trembling body after reaching your high.

"Mierda" he groans against your mouth,

You feel yourself collapsing on top of him, the weight of the jet lag catching up.

"Getting tired, baby?" he coos. "Shit, and I thought I was old"

"You are" you reply back; you can never not have the last word. And he lets you, because, God, doesn't he love you? He pretends to look offended by it, but the way your eyes shine tell him you didn't mean it that way. "You and your white hairs" tracing over his moustache, a soft hand combing through his locks, "These wrinkles... don't you know how much I love them? how much I love you?"

"And you have no idea how much I love you" he squeezes his eyes shut, feeling it coming through. "God, wanna make you mine. Sólo mía" his pace slows. It's coming, and yes, you will take it all. "Wanna make you a baby, mami. Want you to take it all like the good girl you are"

When he comes, filling you with burning hot cum until you feel like you might burst, you're numb. But there's a feeling so content that pools warmth in your chest, that you can't say anything else, resting your head against his bare chest, both covered in sticky sweat.

"No sé cómo voy a explicar esto" he speaks through ragged breathes, and you can only smirk, "a squirted and cummed roman skirt".

"That isn't my problem" he scoffs, and you feel your head rise against the movement, earning a laugh out of you, "I'm not part of the movie"

"You'd sure think so, with the way you walked in here"

You roll your eyes, face hidden against his chest, "can you let that go?"

"You're right" he pulls you closer to him, hand enveloping you behind your bare back. The quiet doesn't bother you as you lie closer to his chest, his heartbeat the only thing you need to be at peace, "I think punishment time is over. Think you've learned your lesson"

"Then, how about we go out? I've heard Malta's beaches are pretty"

"Relájate, cariño. Seems you've gotten your energy back" he quips, then kisses your forehead. "We need to wait for everyone to get out"

"That embarrased you are of me?" you joke.

"No" he can already imagine his fellow cast members making fun of him, starting with Paul and Joseph when they see you and Connie who will totally notice the fun sticky stains on the costume, "but embarrased of the explanation I'll have to give"

[anistarrose]

[ID: Tweets by Alexandra Erin (@AlexandraErin) as follows:

The Shirley Exception is a bit of mental sleight of hand that allows people to support a policy they profess to disagree with. It's called the Shirley Exception because… well, I mean, surely there must be exceptions, right?

Let's imagine that in response to suspicions about overbroad use of service animal rules, a city somewhere decides to just swing the pendulum 100% in the other direction. Restaurants, public accommodations, etc., no longer have to recognize any service animals.

And in the aftermath of the change, existing rules about where animals may and may not go apply full force.

A lot of people would back the change because Obviously Some People Take Advantage. (Positing that someone, somewhere is taking advantage is a great way to get the masses on your side in our politics, sadly.)

Now if you point out the existence of a blind person or an epileptic person who has a service dog for everyday navigation of life or for life-saving purposes, the Good People who just don't want anyone to take advantage will tell you:

"No one's talking about legitimate cases."

And if you point out that the rule that they're backing would affect what they call "legitimate cases", the response will be:

"But surely there will be an exception."

If you back up an anti-abortion activist to the point where they actually have to grapple with a case where the parent would 100% die delivering a 100% non-viable fetus, you'll get the same answers: "No one is talking about those cases." and "But surely there will be exceptions."

All of those studies of people in Trump Country USA who were shocked, shocked, that the kind man next door who is a good father and a great neighbor and a real part of the community was dragged away by ICE?

They all thought that surely he'd be an exception.

If you point out that the laws/policies they're talking about don't offer such exceptions and in some cases explicitly forbid them, if you say "So let's put those exceptions in writing."… well, then you're back to Surely People Will Take Advantage.

See, the people who are sure that Surely There Will Be Exceptions are very comfortable with the idea of justice being decided on a case-by-case basis. They've always had teachers, bosses, bureaucrats, even traffic cops giving them some slack for reasons of compassion and logic.

I mean, if Officer Smalltown von Cul-De-Sac could give them a warning when they were caught with recreational amounts of pot as kids because it was harmless and they Had Futures, then Surely there must be similar exceptions for everyone?

That post about "I never thought the leopards would eat my face, sobbed woman who voted for Face-Eating Leopards Party" is very true, and it goes farther than personal immunity to a very generalized and broad Just World Fallacy.

Surely, they think, surely the leopards will know to only eat the right faces, the faces that need eating, and leave alone all the faces that don't deserve that.

But if we try to lay out rules to protect faces from being eaten by leopards, people will take advantage. Best to keep it simple and count on decency and reason to rule the day.

So moderate conservatives, what we might call "everyday conservatives", the ones who don't wear MAGA hats or tea party costumes and think that Mr. Trump fella should maybe stay off of Twitter, they will vote for candidates and policies that they don't actually agree with…

…because in their mind the exact law being prescribed is just a tool in the chest, an option on the table, which they expect to be wielded fairly and judiciously. Surely no one would do anything so unreasonable as actually enforcing it as written! Not when that would be bad!

And then they are confused, shocked, and even insulted when people hold them accountable for their support of the monstrous policy.

"I didn't vote for leopards to eat your face! I just thought we needed some face-eating leopards generally. Surely you can't blame me for that!"

The old "Defense of Marriage" laws are another textbook example of this.

Many of them included language that expressly forbade giving similar benefits (like hospital visitation) to same-sex relationships.

Yet the people who voted for them, in many cases, wanted it to be known that No One Is Talking About Stopping You From Visiting Your Loved One In The Hospital. And Surely There Will Be An Exception.

The Shirley Exception is how people who are only mundanely monstrous, moderately monstrous, wind up supporting policies that are completely monstrous.

And when they do, they always want credit for their good intentions towards those they see as deserving, not the outcomes.

I'm describing a phenomenon here and I don't have a solution to its existence. While convincing people that laws that don't specify exceptions functionally don't have them might work sometimes on (ironically) a case-by-case basis, what is really needed is a broader shift.

People need to get used to thinking about the harm policies will do as a real part of the policy, not a hypothetical that Reasonable People of Good Will Can Surely Work Around.

Maybe the tack of saying, "If it was your life on the line, wouldn't you want that to be in writing?" would work. I don't know. Like I said, I don't have a solution here. This is just a thing that happens.

End ID.]

The Shirley Exception

[buddhistmusings]

Why do you care so much?

I've been asked this question a few times in the past year - why I spend so much time thinking, reading, and reflecting on antisemitism, especially because I am not Jewish myself. There are a few reasons, really. One of them is that I think antisemitism is a hatred that spawns other hatreds, but even if it did not, it would still be worth studying, because the fact that it is a hatred at all is enough. The fact that antisemitism impacts Jewish people is enough of a reason to oppose it.

It's also because it's important to oppose because of the way it damages the thinking habits of people who believe it. I saw somebody say, "Jew-Hate makes you dumb," once. And though I think it was probably an off the cuff statement for them, it stuck with me, and I think they're right. In my religion, we say hatred is one of the three poisons - it can seriously harm your mental well-being in a way that deepens your suffering in all aspects of life. Often, hatred can also be spread like a contagion. It's something that destroys social harmony and causes severe social dysfunction. And right now, I think antisemitism is the most contagious of hatreds - I've seen people in my life fall off the cliff, I've been able to talk some back from it, and I've seen how so many people wander towards it without any idea that that's what they're doing.

Part of the problem is that antisemites consider themselves righteous in a way I think most racists don't. Often, you'll see "I'm not racist but" I almost never see that with antisemitism. They don't add that qualifier. They just say it. Most racists I know will make a tacit acknowledgment of the racist implications of what they're about to say - antisemitic people don't. They often even engage in anti-Jewish racism while invoking anti-racism.

I don't really know any Jewish people in real life, perhaps only two. But I don't need to know them to know that hating them is wrong. I think I also have a debt of gratitude to many people in the Jewish community because of the advances in Buddhist Studies made by Jewish people, which sounds strange - but it's true that many leading voices and researchers, both in academia and within Buddhism itself happen to be Jewish. I'm not sure why this is, but it's absolutely true. The most prolific translator of Pali into English that I can think of is Jewish. The most impactful Vipassana instructor in America I can think of is Jewish. The most impactful voice in Deity Yoga, for Tibetan Buddhism, is Jewish. People who are Jewish, for some reason, contributed probably more than ex-Christian Americans or atheists combined to the proliferation of Buddhism in the United States.

Buddhists and Jewish people are known to have a close relationship. There are a lot of different reasons for this that I would suggest, but none that add up to explain the amazing contributions to Buddhism made by American Jews.

I think another reason I have for being so interested in antisemitism as a non-Jew is the kind of... political disillusionment I've been experiencing? It's been a disturbing few years, and I haven't seen many people elaborate very well on this feeling of abandonment and horror, witnessing people who you thought shared your values become hateful and deeply violent in their beliefs. The only people I've seen consistently speak about it happen to be Jewish.

I think all of this has helped contribute to a feeling of closeness to Jewish people as a group, despite that I don't really know Jewish people in my real life, and only have one or two Jewish friends online. This year has been a horror show of watching people's minds become twisted - it's so scary in a way I can't quite capture with words right now.

I also sometimes have a back and forth with myself about when and if to mention I'm not Jewish when I talk about antisemitism, because I do think it's totally necessary to explain the perspective from which I speak, but to be honest it feels kind of icky to be like "I'm not Jewish, but antisemitism is bad", because antisemitism is bad whether or not the person saying so isn't Jewish, and I think it might be a negative for people to think "not being Jewish" is something which makes it any less valuable to be against antisemitism, and talk about how against it you are. It's very real that people who talk about antisemitism are perceived to be Jewish, and obviously, it's important not to lead people into thinking you're Jewish when you're not, but adding an "I'm not Jewish" qualifier to statements about antisemitism I worry might contribute to the perception that those against antisemitism are Jewish.

Antisemitism is such an insidious ideology. And it's everywhere. I see it daily in so many different spaces. It has the largest impact on Jewish people, but it also impacts non-Jewish people at times. I distinctly remember being mocked throughout school for "looking Jewish." I think about that Greek restaurant which was attacked because they were thought to be Jewish. Or that man in the Amsterdam violence who tried to help and was then accused of being Jewish himself. It's so deluded, violent, and manages to consume people's thoughts like a parasitic worm in their brain.

Anyways, I planned for this post to be more organized. Oops.

[thankskenpenders]

Today we got some news regarding a big change for the Ian Flynn's Q&A podcast, the BumbleKast. As outlined in a blog post by Ian, starting in 2025, all Sonic-related questions submitted to the show will first need to be screened by Sega. (I have to assume this is also why Ian announced they'll no longer be doing live Q&As starting next year.)

Frankly, I can't say this is particularly surprising.

While the BumbleKast is ostensibly a podcast about Ian's work as a freelance writer for all sorts of things, and also just a place for him to shoot the shit about stuff he likes, he's still predominantly seen as The Sonic Guy. Sure, he also does a bunch of other freelance work for other series, and original comics like Drogune, and he's also the narrative mastermind for the whole Rivals of Aether franchise these days, but it's his insights into what goes on behind the scenes with Sonic that people really care about. Your average Sonic fan can't just go up to Iizuka or whoever and ask him a question about the current state of the lore, but Ian's inbox is always open.

Because of this, I've thought a lot about the BumbleKast's place in the fandom and The Discourse in recent years. Ian wants to be as open and honest as he can about his work, and I think that's admirable. To me, hearing about creators' struggles and the shit they go through just to get a story out the door tends to make me sympathize with them more. Sometimes a story just doesn't turn out as well as you'd hoped, but you're on a tight deadline and all you can do is move on to the next project. I've even softened a bit on Penders over the years as he's shared more about the absurd situations and odd creative demands made behind the scenes at Archie. Unfortunately, not everyone has that mindset.

Ian's basically always had obsessive haters who were eager to take everything he says out of context to try and stir up shit, but that used to be contained by the niche nature of the Archie comics. Most of the fandom didn't give a shit about what Ian was doing with Sonic and Sally's love life or whatever. Most of the fandom wasn't even reading those comics. But Ian's gone from being a writer for a non-canon spinoff comic, to being the initial lead writer for the first ever canon Sonic comic series, to being the new main writer for the games themselves as part of the official Sonic Lore Team. Way more Sonic fans care about his work now, and when he's so open about his work that makes him an easy scapegoat.

It feels like damn near every week on Twitter Ian's personal trolls have posted yet another BumbleKast clip out of context to rile up the fandom and make it look like he has no idea what he's talking about or like he has some kind of agenda. And, unfortunately, people often fall for this. Of course, it also goes the other way, with people more sympathetic towards Ian taking things he says about Sega and framing them as proof that Sega has no idea what they're doing with the brand. Which, well, let's be real, isn't always the most unreasonable thing to think, given Sonic's rocky history. But I'm surprised it took this long for Sega to start paying more attention to what gets said on the BumbleKast when fans use it so regularly as a source of drama.

I've also often felt that they just need to be WAY more selective about what messages they respond to on the show. Questions Ian can't actually answer due to NDAs, questions that are borderline incomprehensible, "questions" that are really just fan ideas. And the haters, oh, the haters. Ian does not need to put up with angry rants about how he should make SonAmy canon or what the fuck ever. Even if Ian's willing to put up with it, as a listener it can make the show just super unpleasant at times when someone aggressive pops up with an inflammatory question. There have been entire BumbleKast Mini episodes I had to skip because they were just obsessive critics of Ian's paying to grill him on a dozen different things and treat him like an idiot.

But at the same time, I get why the show got to be this way. It's become a part-time job for Ian with multiple new episode a week. Given how piss poor the pay tends to be for freelance writers, I can't really blame him for wanting to keep this secondary stream of income open, and to not have to refund people left and right for rejecting their questions. The man's got bills to pay. (And so does Kyle, for whom managing the BumbleKast seems to have become a full-time job.)

I dunno. The man's got the patience of a fucking saint. I would've quit the franchise if I was in his shoes, with people wishing he would die for shit like minor disagreements over Sonic's characterization or him misremembering an obscure old lore thing. While I do hope that Sega doesn't keep too tight of a leash on him moving forward, and I hope that he's still able to speak his mind about his work, part of me also hopes that having to be much more selective about Sonic questions results in less bullshit like this.

[v3lv3tsin]

bad time, good time: nishimura riki

| pairning: nishimura riki x reader

I genre: fashionmajor!niki, lawmajor!reader

I warnings: no warnings <3

I word count: 1.5k

I stefy's note: i know i should be focusing on the jungwon series but i suddenly got this idea at 3 am (i mean who isn't obsessed with korean convenience stores now lol), so enjoy :)

[ BACK TO MASTERLIST ]

"Towards the middle of the thirteenth century inquisitorial procedure..." You felt your eyes glaze over the page once again, trying to focus on the words once again. Finally checking the clock on the wall opposite to your desk on the right side, to your surprise it showed 2 am. 

No wonder why you felt tired in the first place. You've been studying and writing assignments ever since you woke up. Exams were coming soon so you couldn't and shouldn't be waisiting any time. Getting you out of your thoughts was the sound of your stomach rumbling which reminded you of your hunger. 

Shit. Yeah. Maybe some snacks and ramen would help. 

That's how you found yourself looking at the ramen isle in the small convenience not sure what kind of buldak ramen to have for dinner. Holding tightly onto the plastic glass cup filled with ice and the grape ade plastic bag you tiptoed hoping to reach the top shelf. You couldn't reach the one you wanted, before an arm extended from behind you and grabbed the ramen cup for you. 

"Here!" Niki said, handing the ramen to you. Turning around to take the cup ramen from his hand you're met with a pair of brown eyes. The mysterious man was tall from what you could grasp. 

Not wanting to stare for longer than expected, you answer. "Thanks." Pausing for a moment, you continue on the same surpirsed tone not expecting him to help you. "You didn't have to." Taking the cup ramen from his  hand you take another look at him. 

"Carbonara, huh?" Niki asked with a small grin on his face as he looks at the floor, then at your choice of noddles for dinner. It shouldn't be a surprise that you would choose the carbonara noodles since they're the best. Of course. 

Seeing your confused face he decides to tease you. "You might need some cheese for that." Niki points at the sides isle hoping to make you understand what he meant in the first place.  

"Yeah." You answer realizing that you forgot to get some cheese as buldak noodles are always better with a bit of cheese. Pausing to somehow manage to explain yourself you continue on the same confessing tone. "I totally forgot."

"I'm Niki, by the way." Niki says finally introducing himself, thinking it was high time he does so since you have been talking for some time now. 

Extending his hand you take it hesitantly before introducing yourself to him. "Y/N." Shaking his hand you give him a shy smile before turning to leave and get the cheese you talked about until then. 

"I guess i'll see you around." Niki adds seeing that you looked almost rushed to be anywhere but here. It was clear that he wanted to continue talking to you, but that was not the case for you. 

Or so he thought.

Laying down onto the bed tiredly you open the history book to get back to reading you think to yourself. "Niki." Taking a bite from the noodles followed by a sip of the grape ade you bought moments ago you decide to check his instagram, hoping to at least to find some more information about him. To say the least, you were curious.

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|  INSTAGRAM POST - NOV 15th.

niki_kikiki

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niki_kikiki ⏱️👔

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wonkiten he's not a baby mandu anymore

icehoon where's my credit

user01 THE SECOND PICTURE?! OMGG NI-KII 😫

───────── ౨ৎ ─────────

What the actual fuck? How does he look so handsome? And in a suit also. What's his major? 

Taking another bite from the noodles as you decide to check another photo from his instagram hoping to see him in a different outfit and a hint probably of his major. That's when you clicked on the most recent photo that he had posted only to see that it was posted 5 hours ago. 

───────── ౨ৎ ─────────

|  INSTAGRAM POST - 5 hours ago. 

niki_kikiki

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catseong coolest dude i'm so serious

byfsjy WOAHH OKAYY BUDDY OKAY

user02 THE THIRD PICTURE HELLO!?!!!?

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As you were just about to take a sip of the grape ade you boughts hours ago seeing those pictures definetly shocked you. He looked so good. So hot.

Finally finishing your meal after taking one last look at Nikis instagram photos you get the history book that has been onto the bed the whole time. Looking over the pages trying to get back to reading the last word you remember is "Inquisition" before darkness steals your vision living you blind.

───────── ౨ৎ ─────────

Days later you found yourself in the same convenience store looking at the same ramen isle trying to choose what to have for dinner. Shaking you off your thoughts, as you were about to reach for your usual carbonara buldak noodles is a deep voice, almost familiar. Behind you. 

Putting his hand against the metalic shelf, consequently trapping you between his body and the isle. "I didn't think i would see you again." Niki confesses in a low voice. 

Turning around to be met with the same dark brown eyes from two days ago as you slightly blushed. Tilting your head you look at him confused for a second as you didn't expect to see him either. Especially not at this hour. "Well i'm here."  You answer him not knowing exactly what to say. 

Coming closer with his body to yours, Niki extends his hand to take two carbonara buldak noodles cups. He was close. Too close. Taking both of the noddle cups into his hand and holding them into his hand Niki finally answers you. "I was thinking..." Pausing for a second to rub the back of his neck as he looked down onto the floor he continues in a low voice. "Maybe we could eat together here."

Holding onto the plastic cup filled with ice and this time, a peach ice tea you looked at him and then onto the floor blushing. One thing was for sure, that you didn't expect to hear him say that. Before you could answer him or at least let him know what you felt about this idea his deep voice interrupts you. 

"Here...I meant anywhere, not only here." Niki explains himself to you, hoping also for a positive answer. "We could eat somewhere else." Niki adds as he continues to explain himself to you. Giving you more ideas to where you two could eat together.

"I would love to" You answer him as you come closer hoping to calm him down as you could see that he wanted to continue talking. Looking at what he was holding into his hand you then decide to ask him in a teasing voice wanting to have less tension between the two of you. "Are you only getting ramen?"

"No, of course not." Niki answers before turning around to get a plastic cup filled with ice from the freezer only to be followed by you on his way. While you were walking to the freezer a jeonju bibimbap triangle kimbap caught your eye so you decide to take it. Turning around Niki eyes you before taking the plastic cup and his drink of choice, a caramel ice americano.

"Since we're eating together i was wondering maybe we could get some snacks." He suggests on a shy tone wanting to spend more time with you as the last time he wasn't able to. He wanted to get to know you.

Nodding you follow him to the chips isle where you took different kinds, some that you have tried before, some that you haven't. Laughing about your height was also Niki as most of the times you couldn't reach the top shelf. Finally reaching the register with the basket full of things you and Niki both wanted to try, when you wanted to pay he didn't let you, with the excuse that "it's on him."

It's not a date,right? It's a date. Is it?

Was all you could think of when he decided to pay for the food. Sitting down at the table at the convenience store as it started raining only yours and his laughs could be heard. Niki would mostly tease you about your snack choices or even the simple fact of what games you play.

Your prediction from days was true, he was in fact a fashion major. No surprise there. Niki would talk about how much he loves it because he is able to express himself. Later in the evening you found yourselves walking on the way to your apartment as he especially mentioned that "a girl shouldn't go alone so late at night."

Before entering the apartment, without any warning, you come closer to Niki with the original intent of kissing his cheek and saying "thanks a lot for the night." But he had other plans. That's when you could feel his lips on yours. You on your tiptoes having to reach his height as you wrapped your hands around his neck, pulling him closer.

"Wow." Taking a deep breath after he pulled away that's all he could say. "I...." Pausing for a second he rubbs the back of his neck while looking at you before continuing. "I guess i'll see you around."

───────── ౨ৎ ─────────

Days later you get a notification of a post you have been tagged on. Opening your phone, while in the middle of the contract law lecture you're surprised to see a photo of Niki and you, along with two other pictures of him with the outfit he wore that night. You didn't expect that, so it surely surprised you.

It was cute. He was cute.

───────── ౨ৎ ─────────

|  INSTAGRAM POST - NOV 20th.

niki_kikiki

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niki_kikiki 🌃

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yourusername <3

01boy broo that's why you missed game night

ppysnoo cuties

user03 and now he has a girlfriend

USERNAMES GUIDE:

1. niki_kikiki = niki

2. wonkiten = jungwon 

3. catseong = jay 

4. icehoon = sunghoon 

5. byfsjy = jake 

6. 01boy = heeseung 

7. ppysnoo = sunoo

© V3LV3TSIN — do not translate, plagiarise or claim any of my works as your own.

[filipfatalattractionrblog]

The thing about Episode 7, Jayvik and Timebomb

We like to joke about the whiplash from constantly shifting between Ekko's visit in paradise and Jayce's suffering, but....

I actually have to put the shipping googles back on for this one.

When Ekko and Jayce meet, Timebomb and Jayvik have basically been torpedoed. Ekko almost killed Jinx last season, and only hesitated at the last moment. He spent so much time telling himself Powder is dead and Jinx killed her, but now he is no longer so sure. Jayce meanwhile kept drifting away from Viktor and every time he thought he would bring them back together, he would fumble, last time they meet he was yelling, unable to understand why Viktor given up on him, as if Jayce haven't broken every promise he made to him by not destorying the hexcore and by weaponizing hextech. Ships aren't completely sunk, but they're gaining water fast.

And then the Wild Rune sent Jayce and Ekko to different worlds. Ekko gets the world that could have been, Jayce gets one that may be.

Ekko's life in a near-utopian version of Zaun quickly focuses on him falling in love with Powder that could have been. And why wouldn't he fall in love with her? Shems a genius, she's funny, she's creative...but I think with time he realizes that all these things can still be found in Jinx. He realizes Jinx didn't kill Powder, Jinx is Powder lashing out in pain.

And yet, this Powder is not free of pain either. It's different pain, that he actually stupidly pokes early on. Pain caused by different trauma, which she got to deal with, while having a better support network, but sitll present (I have seen somewhere a good argument she shows signs of depression, but forgot where). It's not that she deals with her pain better than Jinx, it's just different. And I see with time Ekko realizes that and realizes how wrong it would be to give up on Jinx, that the same person he loves is in her world, but she has no one to be for her what this Powder has in her Ekko, Mylo, Claggor, Vander and Silco (that last one is an assumption on my part, it's unclear how close he is with Powder in this world, but considering he apparently co-runs the bar with Vander, he has to be present in her life in some way). When Ekko decides to come back, he isn't doing it only because it would be unfair to Ekko of this timeline and to Powder and everyone who loves that Ekko. He also does it because he realzied what an asshole he'd be to give up on Jinx.

And remember, he has no fucking idea about the seven hells of bullshit that went down in his world when he was absent. He doesn't know about martial law, about Warwick, about Viktor, about Noxus. He's coming back expecting to deal with his tree being sick and Chem-Barons war.

Now let's look what Jayce goes through. He gets sent to hell where his dream goes horribly wrong, yes. But what quickly happens to him? He breaks his leg falling down the chasm. He ends at the very bottom of where Piltover used to be. Correction, where Zaun used to be. The enviroment is slowly poisoning him. He is forced to fight every second to survive. Poisoned by enviroment, limping, forced to use leg splint and a staff as a crutch. Sounds familiar? Moreover, he is then forced to climb his way from the bottom all the way to the highest tower of Piltover. I'm surprised more people aren't talking about this, the metaphor is laid down pretty thick. Jayce gets crash course version of Viktor's life, he is literally forced to walk miles after miles in his shoes. They even made his leg splint look like one League of Legends' Viktor had until 2024.

he never really could understand where Viktor is coming from, even at his lowest he still was a minor noble house, he still lived in good part of the town. And sure, he and Viktor became close, but then Jayce got seduced by the fame, by glamour, by being man of progress, by being savior of the future, by cushy council seat. Power makes it hard to see evil, and privledge makes you blind to human the suffering. This experience was eye-opening to Jayce. I wonder how many times he must have stopped himself and realize this is what Viktor goes through on daily basis. And, as we learned later, after Jayce climbed this way to the top of hell, he saw how much HE means to Viktor, how HE is the only person who can give Viktor hope and save him from his own internalized ableism. He goes back to save the world, but he also goes back to save Viktor.

These stories weren't paired jsut to fuck with us, they're pararells. Jayce and Ekko both were blinded, one by glamour, the other by hardship, they could no longer see real Viktor and Jinx, too wrapped up in the people the world forced them to become. Each one was forcefully stripped from his ideantity, and therefore his biases, and forced to actually SEE the person they love, not the false image they built, but real them. And then each one went back and each one reached to their respective love and save them. And jsut like Ekko went back in time over and over to make Jinx see he's there for her even if she hates herself, Jayce was willing to sacrifice it all to show Viktor he doesn't need to be perfect to be loved, because for Jayce he always was beautiful.

And I could probably write a whole separate essay about how this theme of tearing through your own bullshit and actually SEEING the other person is present in this season. How Jinx and Vi are forced to go through microcosm of each other's experience to rebuild their love. How Caitlyn is saved from her own descent into villainy by being forced to see how much pain she caused Vi, see a human in Warwick, see a wounded child in woman who killed her mother. How Vi stops her self-destruction by trusting Jinx and seeing Vander in Warwick. How Mel literally has to fight Illusionary Sorceres, a.k.a. LeBlac THE DECEIVER and defeats her with words "I see you". How Ambessa is the only person who doesn't go through this identity destruction this season, even i nthe opening proudly wearing red of Noxus, and that's why she fails. How Maddie being a spy is telegraphed from her first appearance, where she's blocking the sun, effectively obscuring Vi's vision and making herself harder to be seen. How Jinx and Sevika are forced to see people in one another now that Silco's gone. How even during sesbian lex Vi doesn't let Cait get bogged down in guilt because she sees the woman she loves and that's all that matters. How Ekko defeats Viktor by showing him he's wrong to think only he can achieve power of Wild Rune, but also by literally tearing off the mask of god from his eyes, so that Viktor can SEE Jayce again.

But it's 4 in the morning as I type this and I'm no longer being coherent. Episode 7 is literally the microcosm of the whole season and Ekko and Jayce go through the same character arc in it.

[senseandaccountability]

HR department romance plots

I just… beyond the surface level of enjoying a new game with new relationship dynamics to explore, I really can’t feel much about the DAV companions or their romances.

They all just seem so disconnected from the story, from Rook (who in turn is entirely disconnected from all kinds of feelings because Rook is just Employee Of the Year), from the world, from themselves. I feel like Cole here, looking at them and saying in my gentle, fleeting voice: even the dwarves don’t really remember dwarves. It really feels like the interpersonal relationships are written by the HR person who sits with you as union rep to tell you that you should use a positive language, that "we are all simply employees here, it doesn't matter what title you have", give a little pep talk about teamwork and how to get the job done. That's what we're here for. Everyone's equal. We all want the same thing here, your boss is your friend. Have you tried talking to this person, see their side of things, mmmm? It's just... yeah, they're cute, all of them. But why do they like each other? Why do they want to be with Rook? Who are they even in relation to the world of Thedas, what do they believe in, what have they overcome, what do they hate, what sort of prejudices do they carry around? I have no idea.

And since I’m also replaying DAI again, I wanted to compare these romances to my canon romances in DAI.  With Blackwall, you immediately get a sense of attraction and a sort of flirting on his part that suggests this is something he falls into quite easily - “you know a lot about girls” to quote Cole - BUT it’s also something he really, really thinks he shouldn’t be doing now. Why? He is tied to the Warden plot, if you bring him along you get a sense of a man hiding shit but you don’t really understand what, and he still comes to see you (flying/climbing up your balcony wall idk) because he can’t step away. You get to tell him he’s a good man even though you know shit about that at this point, like with Anders in DA2 you can give your PC over to this passion/love despite knowing that there’s something off, something potentially harmful or dangerous. There is conflict, there are things that jar, that can even make you uncomfortable. 

Blackwall as a character is open and compassionate. He approves of mercy, shows mercy, he isn't judgmental of others. In sharp and delicious contrast Blackwall’s crime is vile. He isn’t bound by any sort of oath, he can back down, there is no greater good whatsoever in his actions. It’s inexcusable. And yet. YET. You can CONTINUE THE ROMANCE. He killed a wagon full of kids, THEN RAN AWAY AND LET HIS MEN TAKE THE BLAME and hates himself so much that he tries to become someone else by erasing his previous self from the face of the earth. You can still kiss him and tell him you want him to live and redeem himself. It’s fucking incredible to think about this in the light of Veilguard actually. Your LI, the child murdering coward. 

With Iron Bull you have the doubts all spread out on the table. He’s a spy, how could you ever trust him? He also doesn’t respond to your flirting, why the hell not when you hear through ambient dialogue that he’s fucking half the chantry, isn’t he supposed to be a fuckboy? But he’s fun, he’s a mystery, he’s got fascinating banter with everyone, he’s brought his found family along, he’s a Qunari who at least somewhat believes in the Qun - he’s got AMAZING conversations with Solas that characterizes Bull as deeply intelligent (and Solas as much more caring than he’d let on) and knowledgeable about surprising things like architecture. Cole, as always, gives us more insight into Bull’s mind along the way and even before the offer to ride the Bull, the idea of him has been through some adjustments. You change his idea about a lot of things and in return, Bull challenges your idea of him, your idea of the Qun, your idea of the world and possibly, depending on how you react to his romance, your idea of intimate relationships. The game’s writing allowed me to imagine a rather frumpy circle mage in her mid 30s reluctantly forming a friendship with this strange fellow, only to find herself very much attracted to him, only to find herself being cared for in a way she would never have let anyone do before simply because Bull told her that was the only way he’d be with her. This is how we’ll do it, are you in? Your LI, the service top Qunari spy who is terrified he’ll run mad without his belief system to dictate his actions. 

And Solas. I mean mythical love stories culminating in mythical endings aside, what I really fell for in this relationship was the refreshing dynamic not of enemies to lovers but of two souls just sort of connecting instantly during strange events, taking a few hard looks at each other and going oh shit it’s you, you get me HOW is it possible you get me when nobody else does? There’s so much external drama surrounding them, which is why I personally LOVE and ADORE how calm their internal connection actually is. They know, so early in the game, that this is it. You’re my home, you understand the bones of me, you ask questions no one else thinks of asking, you care about the world in a way I haven’t seen anyone else do. He is LITERALLY the only one who understands your Lavellan when they make her the herald, when she protests and they keep pushing and pulling and sing their song after Haven, and Solas is there to be sarcastic about it. If nothing else, I'd fall in love with that. And there’s this sense of impossibility from the very beginning, a sense of it being almost unreal because the first kiss is in the Fade, the second is in a frenzy where Solas goes from 0 to I LOVE YOU, MY HEART and then leaves and you know, you know how this is coded and YET - he seemed so wise and kind and sad, it goes like this, the fourth, the fifth. And even with this connection of souls, things chafe - he’s an absolute bastard about certain things, he mocks your heritage and you don’t know yet that it’s because a huge guilt blanket rests on top of him since thousands of years back, you can just argue back and receive his disapproval. He says it’s selfish of him to start anything with you yet he does - WHY DO YOU DO THAT, SAD EGG? Your LI, the ancient god of rebellion, treachery and lies, depending on the story. 

Even beyond my favourites, there are conflicts. Sera is A LOT (affectionate) if you're an elf, with Cullen you get a substance abuse story-line tied to his general dismay about his past as a really fucked up templar, Dorian has personal trauma and cultural prejudice he struggles with for the entire game, Vivienne is so complex half the fandom hates her and has very awkward and uncomfortable banters with almost everyone (save for Bull because he treats her like he would a tamassran), Cassandra is constantly challenged in her personal beliefs, very clearly reflected in her conversations with Solas and Cole has a whole personal plotline about deeply existentialist matters. What does it mean to be alive? Who is a person and who gets to decide that? He could have been a person, Varric says. Isn't he already? Does this unit have a soul? Not to mention that Cole functions chiefly as a speaker of truths, bringing a lot of complexity to the others. 

DAI is not perfect by any means but I feel like I know these bastards. I feel like my PC or even I could actively dislike some of them, because they are written to create dynamic conflicts inside and outside of their own arcs. I can write fic about them, I can imagine what they're doing during the events of DAV because I know them.

Because they are written like actual people in a world where some people have power over others and some people have been raised with a certain belief system and some people just have shitty takes on society, may they learn. 

[imperatorrrrr]

T!! in honour!! of Nico Natural Hatty!!! tell us your top 3 pieces of Nico lore 🥹🥹🥹 (someone hand this man the whole world he deserves it 💗💗💗💗💗💗)

this is late, but do I ever answer an ask on time? (no, no I don't)

T's Top Three Favorite Nico Hischier Lore Drops:

Nico Hischier did not have his New Jersey driver's license his first couple of seasons playing on the New Jersey Devils. - Nico got his Nova Scotia driver's permit while living with a billet family in Halifax when he played for the Mooseheads from 2016-2017, and got his license in Switzerland in the summer of 2017, but he didn't have his New Jersey driver's license his rookie season. You know who else didn't have their license? Jesper Bratt. So Nico and Jesp used to go to the rink every day with Pavel Zacha (Pav) and Blake Coleman (Pickles). They would drive these two to and from the rink every day. Nico and Jesp were relegated to the back seat which they would refer to as "the couch". This carpooling also gave us some of my favorite Nico videos of him playing Swiss rap in the car and annoying the shit out of his teammates. Nico did not get his New Jersey license until early 2019 if anyone is wondering.

Nico Hischier is always late. - so I don't know if this is still true, but one of Nico's biggest things that his teammates would chirp him about during his early seasons was how often he was late. If they're going somewhere or meeting up, he's always the last one to show up. Its nothing egregious, just five minutes late here and there. This has a lot to do with the fact that he is not a morning person whatsoever, so when he'd be meeting up with someone to go to practice or something he's usually late because it takes him a bit to get up in the morning. There's a story from his rookie season where some of the guys started doing special fines for Nico when he was late and he'd have to hand whoever he left waiting like five bucks each. I don't know if this still holds true. I bet his Captainly instincts have kicked in by now.

If Nico Hischier didn't follow through with his hockey career, he would have finished school and continued onto university. - In an interview with his brother early on in his career when he was asked what he would have done if he didn't have hockey, Nico said he would have finished his schooling and gone to university. His favorite/best subjects in school were the languages. And if he wasn't a hockey player he said he would maybe be a teacher. When Nico was out for about a month last season due to his injury, he got into the Roman Empire and history documentaries/history in general due to the "How often do men think about the Roman Empire" meme. He also has a soft spot for history related shows with Peaky Blinders and Vikings Valhalla being some of his television choices. I just love the idea of nerd adjacent Nico. He's talked a lot about wanting to always be learning and I haven't been able to get post-hockey Nico returning to school. And now that we've learned that he likes to talk philosophy with his mother!

Honorable Mention: Nico Hischier and Jack Hughes and their pre-game three hour naps when they were road roomies Jack's rookie year.

[eggfriedricedwasian]

Tim has dermatographia, the batfam finds out in this way:

Tim is thought to be the most suicidal after the Bruce Quest, so they all subconsciously and consciously look after him to make sure he isnt hurting himself.

One day, at dinner probably, they're all eating and a raised line is shown on Tim's forearm. Dick, who sees it first, grabs his arm and asks him about it.

"What is this!? Tim!"

They all look and low and behold there are several raised lines all over his skin.

"What? Oh."

"Oh? That's all you gotta say? 'Oh'?" Jason looked genuinely worried, which horrifies him. Damian too.

"Are you... you know you can talk to us, Tim." Bruce tries to go with a more human approach, Tim has no idea what he's actually doing.

"What? What are you- Oh. Oohh!"

He bursts out laughing, leaving everyone else in the room worried. And mortified. And horrified.

"No! I'm not hurting myself. I have dermatographia."

"Derm- what now."

"Dermatographia. I can write on my skin and it shows up. See."

He takes his fork and using one prong he draws a heart on it skin. It takes a few seconds but his skin raises in the shape of a heart.

"Ooooh"

Safe to say they stop having suicidal scares every time they see a raised red mark on his skin. For the most part.

[balioc]

Looking at the world from a manager's perspective, you can productively model the pool of workers as being divided into a few basic groups, which are defined and characterized by their driving motivations.

Insert all the usual disclaimers for this sort of thing - this is the roughest type of rough typology. I pulled these categories out of my raw intuition, and possibly a few more would crop up with some additional thought. In reality, the boundaries of these categories are incredibly fuzzy, and almost every individual is actually going to be motivated by a complicated mix of all the relevant motivations; we're talking REALLY SIMPLE HEURISTICS here. Etc.

There have been other well-known worker typologies that share a lot in common with my thoughts here; this is mostly not novel, it's mostly meant to refine a few ideas for particular purposes.

Hustlers are motivated by concrete personal advantage. Most commonly, and most straightforwardly, they want money - as much of it as they can get. They may also be interested in fame, idiosyncratic perks, etc. They do whatever they have to do in order to get what they want.

No surprise: you see huge preponderances of these guys in fields that provide outsize concrete rewards, e.g. finance, the upper echelons of management, etc. But not every natural-born Hustler is in a position to enter a glitzy high-paying field, and in fact you find Hustlers all throughout society and all throughout the economy, finding or making hustles wherever they go.

Having Hustlers working for you is mostly pretty great. They get shit done. They can be induced to work incredibly hard - probably harder than anyone else, under most circumstances - and they'll shank their own mothers if the price is right. If you need anything really important from them, anything at all, it's just a matter of bribing them enough.

...they will also, of course, cheerfully shank you if the price is right. Hustlers aren't the only wellsprings of institutional politics and infighting, but they're the most dangerous ones; they're always potential rivals to everyone around them. Also, you need to keep the tangible rewards flowing in a steady stream in order to get anything out of them, or else they'll put most of their effort into jumping ship (one way or another).

Craftsmen are motivated by the desire to do good work in their chosen fields, for its own sake and for the sake of their treasured self-image as people who do good work.

As you'd expect, for the most part, they're excellent workers and should be prized. But they're not perfect workers. Common weaknesses and downsides include:

They tend to have their own ideas about How Things Should Get Done; they're often resistant to externally-imposed product/service requirements or process changes (and bad at implementing those things) (no matter how important or well-conceived they are), and they're very resistant to "just get it out the door, right now done is better than good."

Being driven chiefly by internal motivation is great, but sometimes it's useful to be able to push things along with external motivators, and Craftsmen are pretty resistant to those. They don't like working more or harder than they're naturally inclined to work, they mostly sneer at carrots, and sticks make them sad and unproductive.

It's important to note that, while noteworthy skill within a field correlates with having a Craftsman temperament and motivation suite - for obvious reasons - those things are not identical at all. Plenty of Craftsmen are bad at their jobs, or just average, and plenty of the best workers are most motivated by things other than the Excellence of the Work Itself.

Fanatics are a relatively rare and specialized group, whom you find mostly within a few specific sorts of culturally-valorized fields. They're motivated by a desire to be part of something Important and Good in a Broader Sense: to Save the World, or some smaller-bore version of that.

They make amazing front-line soldiers, in the sorts of institutions that have "front-line soldiers." They work super hard, and you don't even need to bribe them, you just need to keep them hopped up on inspiration.

The big problem with them is that they're mostly motivated by a feeling - the feeling of Being Righteous - and it's not easy to control where they get that feeling, in any kind of precise way. They're just as resistant to external motivators as Craftsmen are, or even more so, but they're also not being guided by an ideal of effective quality. (No, not even if their chosen cause is theoretically all about an ideal of effective quality, hem hem.) They will happily waste vast amounts of time and money doing useless things, or even counterproductive things, so long as they're engaged in tasks that hit the right psychological buttons for them. There's also a constant risk that a Fanatic will decide that his employer is unrighteous, or that one of his coworkers is unrighteous, and start an internal conflict; the risk scales in a more-than-linear fashion with the number of Fanatics you keep around.

The biggest group, unsurprisingly, is the Normies. In most fields, it is much the biggest group. Normies are motivated by the desire to be members in good standing of their communities, to have positive relationships with the people around them, and to live up to basic norms and expectations.

Managerial skills, in the traditional sense, are incredibly important with Normies. If you want them to do good work for you - and you should want that, as a manager, you've almost certainly got a whole bunch of them - not only do you have to keep them pointed in the right direction, you have to make sure that they're supporting each other. With Hustlers, you just have to throw money at them (and avoid their power plays); with Craftsmen, you just have to let them do their thing, and occasionally badger them into giving you what you need; with Fanatics, you just have to be inspirational; but with Normies, you have to lead, and construct a productive community. You have to set reasonable, achievable norms and expectations that will get you what you need.

This wouldn't be complete if I didn't talk about the Defectors. The Defectors are motivated by not working. They don't want to be there, they resent having to do their jobs, and their primary goal is to shirk as much as possible. They will, by default, put much more effort into shirking than into their assigned tasks.

Obviously, managers don't want to have to deal with them, for good reason. But they're out there, in large numbers - not always in the places and fields where you'd expect to find them - and learning to manage them is sometimes more viable than trying to get rid of them. ("Moving Heaven and Earth to find them jobs that will change their attitude" is often a good plan, although of course it's not always possible and not always worth it.)

Crucially, Defectors are not Normies. If you start with the assumption that the average baseline worker is lazy and sour, you will make some incredibly stupid decisions. There are some fields where, for structural reasons, you can expect that a very large number of your workers will be Defectors; this is a huge and complicated challenge, well beyond the scope of this post, and good luck to you if you have to handle it, but it's not the default.

----------------------

Once you have those categories in your head, and can play with them, a number of obvious-seeming ideas present themselves. Just a couple, for now:

Most high-level executives are Hustlers, or have strong Hustler tendencies, for obvious reasons. Most of the people around them are Hustlers, or have strong Hustler tendencies. This means that they tend to overweight the Hustler outlook, by a lot, when they try to model what their workers are like. More specifically, I'd wager that a lot of them intuitively divide the world into "good workers" ( = Hustlers) and "bad workers" ( = Defectors). This will lead to a heavy overreliance on tangible rewards, a systematic shortchanging of community-building, etc. Which is in fact just what we see.

In particular - crucially - Hustlers and Defectors are the only worker types who ever become more productive under heavy stress. Hustlers actually benefit from it, because it raises the stakes of the game that they're already playing. (If you succeed, you'll be king of the world! If you fail, you'll be shark food! Go go go!) Defectors suffer terribly from stress, of course, but they can sometimes be spooked into doing their jobs as opposed to doing nothing, and sometimes that's the best/easiest way to get something out of them. But stress is terrible for everyone else. Craftsmen lose their focus. Fanatics lose their hope. It's worst of all for Normies, because they take all their cues from the vibes around them; they're productive when they learn to associate work with comfort and happiness, and when you fill their working world with frantic desperation, you just put them in a permanent cringe state.

stop trying to pit your Normies against each other in competitions for status and rewards dear God what are you stupid

To some extent, you can control your institution by controlling what types of workers you have. But only to some extent. There are only so many Hustlers and Craftsmen to go around, and if you want them, you will have to (a) be able to identify them reliably on little information [HINT: you are probably very bad at this], and (b) provide them with what they want [tangible rewards / comfortable security and interesting work]. "We are going to employ only the good special people" is feasible if you're an outfit of four workers; at a dozen, it's already become a stretch; at a few hundred, uh, pfffffffft. If you want to operate at scale, you need to be able to make Normies do good work, there is no substitute for it.

[elkian]

More about GGG's finale and core plot (that is, BIG SPOILERS BELOW)

One recurring trend is loneliness. King's actions help connect people, and our protagonist continues in her footsteps, but the loneliness of the characters who play antagonists is especially notable.

The God Awards (which I've mentioned before, the whimsy of them made me totally blip over the red flags and implications) mention Inspekta doing everything for them. What would they be without him, Capochin asks?

"Lonely!"

Inspekta gathered the lonely hearts together. Gave them purpose. Gave them a charismatic leader to follow.

Saul is one of the most antagonistic non-Bizzy humans, and a recurring refrain in Milldread is how lonely everyone is. How gatherings are now somehow either discouraged or outright illegal (hmm, wonder whose idea that was). In fact, most of the Milldread citizens only have good or at least compassionate things to say about him.

(Sometimes I feel like the antagonists are shown a little much compassion given the way this plot goes, but it is also important to remember that deprogramming cultists etc. is based around showing compassion and reminding them that the world is not innately hostile to them. And there's only so much a single game can say in the span of a few hours, so, like, I get it.)

In fact, you have to insult Saul twice to progress in Milldread. How do you do this?

One, you get a dog to make a dog noise, and Saul loses it and comes over to harass the dog (and fail).

Two, after this point, he'll say that he "hates that shaggy little man". This is the line you need to give Budd to progress. When he asks for an insult levied at Saul, you can travel the town... and find that everyone has good things to say about him. He's misled, he's actually very sweet, his friends miss him.

It's very telling that the only way to effectively insult Saul to Budd is to use his own words to do it. Even writing this, I realize that this also implies a bit of a persecution complex with Saul - the people around him don't hate him, or even think he's particularly incompetent. They're worried about him. They understand that he's stressed. He was lead astray by a bad element but he snaps out of it (with help) in time to rejoin his community.

And speaking of throwing words back in faces...

Capochin shows a pretty regular skill for recognizing voices when you fling words at him - it's funny, because a lot of people in this game don't, so he's an outlier and that's amusing. In the battle against him, it means you have to work around him - you can't use his own words against him directly.

Instead, you put words in "Inspekta"'s mouth and bring that to Capo.

He shows an awareness, to a level, that this isn't really Inspekta talking. But this realization is a long time coming, and he can't repress it anymore. He can't deny reality when it's thrown in his face, when he's all alone, when nobody wants to work with him anymore. When even his god is only using him, spending more time with the Godpoke, leading him astray.

The Bizzyboys (and Hector; Yugo Limbo said that all of them come from Drain, hence them looking alike(?) ) evoke a very specific type of person, to me: the incel. Or at least, something adjacent. They're all referred to as "he" as Bizzys (I'm of a mind that Bizzyboys are all he/him while Bizzy, as, like, an honorary gender, mostly because it's just a silly idea; though in retrospect it also meshes with the enforced similarity situation). They're all lonely. They've banded together under a mutual purpose, but they don't really support each other.

And when they start to, between Hobbyhoo and BuzzHuzz? When they begin to collaborate, talk about taking a break from all this fash shit "investigating"?

Capochin shuts them down. Hard.

And Patty says he's scared of Capochin, but the other Bizzies say he would never hurt any of them. But when Capochin blows his top, all of them get really timid.

Capochin not getting involved in the violence until there's literally no one else to hide behind is so cliche that it almost just seems like a joke, until I took in the rest of the story.

Playing this game makes me think a lot of Fallout: New Vegas, a game where you can also destroy fascism and avert a cataclysm as a vaquero-themed courier.

One thing that becomes achingly clear in FNV is how the Legion is a cult of personality: it's not just the Legion, it's Caesar's Legion. Legate Lanius is terrifying, yes, but nobody talks about him as a leader so much as a warrior. Once Caesar dies, it seems obvious to me that the entire thing is going to crumple like a house of cards. Caesar didn't leave any backup plans, any true heirs, because the whole thing was his vanity project. There's no point to the Legion without Caesar, and he never once considered that there should be.

Inspekta and the Bizzyboys work very similarly. The whimsy and goofiness of the setting, which we also see in Smile For Me, lead me to miss some major red flags (I am also just. very dense.), which is a known problem in real fascism - the use of cutesy facades to cast absurdity on any claims of propaganda.

Anyways. My point is that the Bizzyboys seem at first to be a group, but are really more underlings in a cult of personality. Everything falls apart when faith in the system - in Capochin, in Inspekta - is lost. And Capochin is the Joshua Graham to Inspekta's Caesar; both of them culpable, both of them seeming in charge, with Capochin primed to take the fall as soon as things go wrong. But he volunteered for that! He wanted to be Inspekta's #1! The right-hand chump! The prime goon! He's getting everything he ever worked for, so don't question the system, Capo, because that's the same as doubting Inspekta. And doubting Inspekta means you're not a good Bizzyboy. Means you're ungrateful. Means that maybe what you have should go to someone who'll appreciate it.

They literally have their names stripped away - and I think the constant belittling and name-withholding of Patty, who genuinely displays real competence and intelligence at points if you pay attention, is a deliberate ploy. You don't want to be like P. You don't want to be a failure. Look at you, earning your letters! You almost have a full name! Not like that loser at the bottom of the barrel. You're a real winner, here.

And you, P? You need to try harder. Look how Alexei has his whole name back for doing hardly anything! How can you fail to get even a single letter back, compared to him? When Patty asks for his name back in Milldread, Capochin mentions solving mysteries - mysteries of "what does Capochin want for lunch", etc. It's silly, but it's also sinister. It's the most overtly self-centered bit of Bizzy lore we get for maybe the whole game. Capochin outright says he comes first and we laugh because of the delivery.

(The videos are fantastic, because they really set up the reveal in a lot of both subtle and unsubtle ways. Even the very first video, where Capochin insults Patty for asking a scripted question, before moving into the answer, is foreshadowing for the constant emotional abuse all of the Bizzys and Patty in particular are subjected to. There's probably much more I'm forgetting.)

Under the whimsy and humor of the game is a very real statement about cults and fascism and the kinds of people they recruit, and how they do it. They amplify the concerns of the disenfranchised and alone, people who have difficulty connecting with a community. They give those people somewhere to belong, ideals to uphold, and targets to gang up on.

Anyways. Good game.

[rancidslime]

Hold on I'd actually love to talk about Archie comics and the forces behind Riverdale for a second because they're legitimately fascinating.

So, before we talk about why Riverdale's so bonkers, we gotta talk about Kevin Keller. Archie's cast and those of its spinoffs being thrown into Situations of wildly differing tone and periods is a time-honored classic of the series, but that started to mean more than just "here's a story about the gang finding out what kissing is in prehistoric times" after the successful introduction of Kevin in 2010. For those who may not know, Kevin was the first openly gay character in the Archie comics, and his release was kind of a huge deal - Archie had always been seen as this squeaky-clean symbol of (white) Americana, so something like that happening in the new 10's - to fucking Archie - was legitimately groundbreaking. (He's since been followed up with characters like Toni Topaz and Eliza Han, but Kev was the first.)

Remember, Archie is the kids' comic book in America, for better or worse. Superhero comics can vary wildly in tone and intended audience, but if a parent grabs their kid an Archie comic from the shelf at a grocery store, they basically know what they're getting and don't have to worry about someone's neck getting ripped out on-panel. Getting something like Kevin in the "safest" comic short of Family Circus was kind of a watershed moment.

(As an aside: some have pointed out that Kevin isn't a terribly interesting character, being something of a masc everyman All-American Boy™, but I would argue that that's basically all Archie is, and at a time where all the "gay representation" kids were getting were horrible caricatures of fem men as envisioned by straight people, whitebread masc guy Kevin is kind of exactly what the doctor ordered. I would go so far as to argue that presenting this gay teen as unquestionably part of the gang, slotting into Archie's idealized 50's aesthetics perfectly, was one of the best moves they could have made for the era and surrounding climate. This was a time when "Gay men are just as capable of performing masculinity as straight men" was a legitimately transgressive statement. I'm a Kevin apologist. A Kevin defender.)

So, Kevin's release is huge. He's very popular with kids and adults alike, to the point where his introductory comic and miniseries sell out faster than any other Archie comic in history. He got his own spinoff within two years. People love Kevin.

So what does this have to do with Riverdale, beyond Kevin being a character in it? Well, Kevin Keller proves to the leads behind Archie that modernizing the series has the potential to be very lucrative indeed, and this is where Archie starts to get shockingly experimental. (Relatively speaking, anyway.) The new 10's see the release of Life With Archie: The Married Life, (a dual-timeline soap opera exploration of his married life with either Betty or Veronica) Afterlife with Archie, (a zombie story incited by Sabrina trying to bring Jughead's dog back after he was struck by a car) and of course, the infamous Chilling Adventures of Sabrina. (This one got a Netflix adaptation, but in case you need the cliff's notes, basically it's Sabrina the Teenage Witch only the witches get the power from worshiping Satan.)

These series were also well-received. Enter Roberto Aguirre-Sacasa, the guy behind the aforementioned Afterlife with Archie. After the success of the title, he was made Chief Creative Officer, and he's also the showrunner of Riverdale, and here is the reason Riverdale is Like That.

So while Riverdale is undoubtedly an incredibly weird cultural object, I think a lot of people who aren't familiar with the show or franchise get the wrong idea about it. I think the biggest point of confusion among onlookers is "How in on the bit is Riverdale?" and I would respond: extremely. Are you kidding? Why is there even any doubt about this? Sacasa is a gay guy who got cease-and-desisted for writing a play that reimagined Archie as gay in 2003. This dude got promoted specifically for playing with genre and making Archie weird as Hell back when it used to be considered a dull, whitebread relic. You think shit like the "I'm weird. I'm a weirdo." speech and "That means that you haven't known the triumphs and defeats, the epic highs and lows of high school football." happened by accident? You think it just stumbled into doing an entire Hedwig and the Angry Inch episode? Oh, no, my friend. That shit was the result of a demented fag writer doing what demented fag writers do best; produce camp masterpieces. Everything about Riverdale is completely intentional.

Now, is it good? No, of course not. It is, however, great fucking television. I don't really watch the show outside of a few isolated episodes, but I am really glad it exists.

Gritty sci-fi webcomic where partway through the third major arc the protagonists get trapped in some sort of utopian false reality by a mysterious godlike being, except they never escape and the comic just changes genres to quirky coffee-shop slice of life until it's unceremoniously cancelled six years later.

[arrowheadedbitch]

Overview of the things I've decided are canon for my son of zeus au so far (hopefully I don't forget any):

The gods are dicks. They arent *always* dicks, but I don't want to sugarcoat them from their original myths, they do bad shit and often

Denki is favored by Apollo, Dionysus, and Hermes the most, Persephone also likes him pretty well

Zeus is Zeus, meaning who knows when he'll decide he loves his son or hates his son or just genuinely doesn't care, he's such a little hypocrite bitch ain't he

Quirks are the exact same as they are in canon, the presence of the Greek gods didn't affect that at all, the gods have nothing to do with quirks and while they still are probably banging like rabbits they aren't really that active in Japan so no, no one else at UA is a demigod

Zeus slept with Kaminari's mom because he was intrigued by a mortal with a power in his domain (electricity) that didn't come from him

Since Kaminari's powers come from both his quirk and his dad, there's some complexities to them

Kamimari was born with lightning powers but they worked differently before his quirk actually manifested (I'm toying with the idea that his quirk manifested while being smiled by Zeus with lightning? I haven't decided if I like that or not yet)

Kaminari doesn't want other people knowing he's a demigod for classic hero story reasons but also because 1. Greek gods being real is a secret and he ain't about to be the one that spilled it 2. It'd be really complicated and annoying to explain and let's be real, at least one person would come out of that thinking he went crazy

Athena doesn't like him because, well, dunceface, duh. She does appreciate his strategic abilities though

Ares also doesn't like him because he doesn't like killing people, Ares and Athena hate that they dislike the same kid so much that they'd consider changing their tune about him on just that alone

In junior high he went on a big quest, I haven't decided on any details of it, but it involved a lot of fighting way to strong people while way too young as most quests do, this is also how he got into Apollo, Hermes, Dio, and Persephone's (and by extention Hades since he loves Persephone enough to deal with anyone she likes) good graces, the quest was likely given by Zeus and likely involved Hera trying to kill him

He's not really surrounded by people in the ancient greek community, it's not like he has a camp half blood and even if he did he'd skip it to go to UA training anyway, but he is pretty well known in those circles post big quest

I'm toying with the idea that he failed his first quest and thus had to go on a redemption quest

Kaminari doesn't like being serious, but despite what his classmates and teachers think, he CAN do serious, how else would he be such a big shot in the Greek community?

Imma be real, there was probably some kind of war that Kaminari had to lead an army in or something. I'm sorry, child soldier stories just have so many layers to dissect it's not my fault that they're compelling in a way

My point is, serious Kaminari is like war general levels serious, but not even LOA attacks are bad enough to bring out serious kaminari, are you kidding, did you gloss over the part about god war? He's having a little trouble taking literally any threat at UA seriously and he'll have trouble taking almost every threat as a pro hero seriously, it's not his fault junior high set the bar way too high on what situations are serious!

One of Kaminari's demigod powers, as the son of Zeus, is that he can't take fall damage. No matter how high up he falls from, he will never ever get worse than a few scrapes

Pissing him off really badly makes the sky get stormy, I'm talking immediate clear skies to nothing but gray clouds moving in and you can't even SEE the sky anymore, also possibly rain, he doesn't do it often but he can and he'd probably be able to control it if he were to practice his demigod powers along with his quirk but we all know he ain't gonna do that any time soon

He can sword fight, he hopes this never comes up

He has to keep reminding Dionysus about the legal drinking age, Dionysus thinks it's stupid and therefore never listens, they have argued about it multiple times

Apollo and Kaminari play chess together on occasion

Hermes at one point gave Kami a special knife when he decided he liked him enough to give him a gift, it's a magic thief's blade which is just a dagger that cannot be found on his person no matter what you do. Pat him down? You won't feel it. Scan him? It didn't show. Metal detector? It didn't beep at all. But he can pull it out whenever. He won't but he does *have* it just in case. I'm also deciding if making it not be able to leave him would be too much. I don't want it to feel like a riptide ripoff, I'm thinking maybe it sprouts wings and flies to him?

Yes, I've just decided, the Thief's Knife will fly to him if left behind and can squeeze into any crack no matter how small to get to him

I'm shinkami trash so you KNOW shinkami is about to be canon in this au

In either 2A or 3A, Kaminari tells Shinsou his secret about the gods being real and him being Zeus' son, he spends a great amount of time explaining all the details to Shin and answering his questions, it's a lot

What can I say? Shinsou is gus confidant, he was gonna have to tell him at some point 🤷🏻‍♀️💅

He doesnt tell anyone else, but obv they've got to eventually find out somehow, what you think I'd just let it be lame?? Even after they find out, he won't tell them anything he doesn't have to, waits until it comes up to explain things, it's just too complicated he doesn't want to go through all that AGAIN and with twenty people this time

Oh and before you ask, I'm gonna say no on the flying thing. I know it could be a power of a Zeus kid, I know it could be cool, but no. No he cannot fly.

I can't think of anything else right now but I can't wait to wake up in a cold sweat tonight and realise what i forgot

Also, I'm gonna go ahead and tag @iys-cloud since I know iys really likes this au :]

[sophie-frm-mars]

why is it possible for anarchism to seemingly be congruous with both capitalism and communism?

Anarchism is the philosophy of radical critique and some people's critique is stupid

The black flag has been flown in many contexts but usually to evoke an idea of a radical "outside". In Islam the black flag has represented the Mahdi and the end of the world, at sea it has been a symbol of pirate crews who fly it to signal death both for their enemies and for themselves, Louise Michel started wearing all black and flying the black flag in the Paris commune in memory of the war dead, because she saw the absolute baseline as a need for the end to the mass slaughter.

We live in hyperindividualist capitalism, and so the black flag pairs with the red very well. Ideologically, a championing of collectivism and common struggle is a meaningful critique that slots neatly in with the core concepts of anarchism. I say all this to say that usually people just say "anarchist capitalism isn't anarchism" and that is true, but if you want to understand why capitalist "libertarians" come about as a phenomenon, it is important to understand that these people are gesturing at anarchist concepts of freedom, at least emotionally, it's just that they're only considering their own freedoms, and so their analysis is just dogshit

When you embrace this you can see that some American and European socialists who have been socially educated in a legacy of McCarthyism think of themselves as anarchists not because they have meaningful critiques of non-anarchist communism, but because the ideology of Neoliberalism, like an artificial reef in the ocean of their mind is shaping their thoughts and therefore shaping their conception of what freedom actually means. Then you talk to these people and they turn out to be liberals in their actual politics or socdems at best. There is, in other words, a failure of critique in some anticapitalist anarchists as well. It's not equal to the wrong headedness of "anarchist capitalists" but it is still there. Anarchism is the philosophy of radical critique and some people's critique is stupid

[shinkei-shinto]

Let's see if I can add MORE confusion in with my previous close reading of every single book in the series so that I could write my own Redwall novel!*

I see that you OP have heard of The Cookbook but for everybeast else: there's a cookbook! Most of the recipes are extremely simplistic but we'll get to why I think that is in a second.

WRT dairy: they make mention of "greensap milk" and I don't think any of their cheese comes without nuts. In ahhhh the one with the badger and his hawk, they talk more deeply about how cheeses are made (after you have the cheese) including wrapping them in nettles. So I Guess So since it apparently acts Just Like Dairy Cheese.

Yes! We are! Society doesn't exist yet! If you look at the books in chronological order, they move from using spears and sharpened stakes to swords and daggers and simple bows, and - in the last couple of books - crossbows. There's only one smithy and it's made in a dormant/dead volcano. They're literally just not that advanced at this point (although who knows where this would have gone if Jacques had been able to continue!) In earlier books, he refers to various tribes of species all living together in groups, such as squirrels in bands of trees, or the molehill of the Longladle family. Actually circling back to this there *is* one society that sort of rises up as a "city" -- in the Rogue Crew. There's a group of peaceable beasts who all live (mixed!) together in an enclosed sort of fort. It's one of the only other mixed-species places that exist, besides the Abbey and technically Salamandastron. (does Martin's temporary home have other species? I can't remember.) So this is also why I think recipes are a little simplistic. While they have so many vegetables (and don't UTILIZE THEM why are potatoes ONLY USED IN DEEPER'N'EVER PIE!? HUH??!) I think we're given to assume those are local and grown in their own ground, and they don't. have. spices/trade/etc yet.

*I* think the only idea of 'currency' is 'the currency of goodbeasts to do slave labor'. I think this one I would lean more heavily into "he was telling these stories to children" as an excuse; kids don't want to hear about money and capitalism they want to hear about pirates and heroes. But I also find this aspect of society confusing so I was mostly glad we didn't have to deal with money.

There's a bread dimension. That's my only excuse. As far as we know, the Abbey is very large - the front gates are tall enough to admit a full sized ship on wheels (a casualty of one mast) which is able to roll fully into the Abbey, hit a tree, and stop, without ever coming within weapons range of the front doors. We know there are lawns on either side of this path, a graveyard, a small-to-medium-sized spring-fed-lake, and a generous orchard. I assume Jacques was modeling this after abbeys in Europe/England, which I don't know jack and shit about, but that they did live there year round. shrug? I will note that there is a scene in a book (no I don't remember which one) where a gardener explains to a peer that 'we don't plant or harvest it all at once because then we'd have a bumper crop of parsley and what use is that? by planting some seedlings now, some later, we will have parsley throughout the season instead' so he was thinking about it, at least, even if it doesn't quite work out to reality terms. but there's just a fucking bread dimension, there just has to be, there's not enough room to grow the plants needed nor mills to grind them nor processing or ever making or even mention of flour. I GUESS we could talk about nutflour and other flour-like-flowers which the mice would have access to but BREAD DIMENSION. This was my one concession in my writing, I gave myself an out here because it drove me NUTS.

I don't think Jacques ever thought about this. We get ONE instance of a mouse adopting a. rat? what the hell is he. I think he wasn't the same species, I don't remember that one well, but there's him and Tagg, and that's "otter adopted by vermin" which isn't quite this either. I think this is probably another "kids story concession" which isn't an answer I like to give but it's the best I've got.

ha! ha! he actually retconned this! if you read Redwall the first book, he makes mention of several species (beaver? horse) which are WIPED FROM EXISTENCE in the rest of the series. There is a cart drawn by a horse which makes it seem like the mice and rats are living in a world with humans & human-sized equipment but that is RETCONNED. I do think the trees vary in size because we have various scenes of "two maidens bound hand-to-hand around a tree to keep them confined for the night" and "tied all [4-6?] of the vermin together with their belts, around a tree" in various locations in Mossflower and its environs. I don't? think? we ever hear of trees large enough to be giants to mice like they would in our reality. an addendum to this: I have never bloody been able to figure out the size of the fish. shrimps are the size of shrimp to us because otters eventually 'Skipper popped one in his mouth' in the kitchens which gives us an idea of how large they are to otters, at least. but fish??? ha. HA! we have the feast-day fish catching where multiple beasts are needed to reel in a huge trout or carp. we have pike, which are enormous man-eaters (mice-eaters?) but can also be beat to shit by a big otter and his rudder (Lord Brocktree iirc) and there is one kept as a tame uh, "pet", by an otter tribe. there is ALSO the wolf question. Gods know I don't remember which one this is but there's a book where a ... big fox? i think he is? is up far north, and he finds a dead wolf? and takes its skull and pelt and puts knives in for the claws? or some such. so we DO have extra-large-predators like wolves and wolverine, but then when we get. to the wildcats. oh the wildcats. they drive me NUTS. by rights they should be as big as badgers? when Martin fights Verdauga it feels like Martin is half the size of the cat? but then in every other way the cats seem to be as big as otters! or hares! uugghhh. BIRDS TOO birds are WILDLY inconsistent in size, I don't know how a mouse helps an osprey re-set his wing nor how a mousebabe rides on a flying eagle's head without disappearing.

do I have any burning questions still. hmm. OH I want to know what they make! their clothing! out of!!! WHAT IS IT. I also want answers about the far west, the scorpion??? and lizards??? as well as what the other side of the continent towards the east looks like, because in Martin's history we get to visit that coast AND we learn of several locations (TM) like Noonvale, which are never referred to again.

which BLOWS MY MIND because he made Brockhall + Castle Kotir literally affect the landscape temporally throughout his books. Brockhall is discovered and rediscovered and lost again and again, and Kotir eventually rises from the dead to menace the Abbey wall because fucking Germaine built a wall over the top of it when it sank into a mire. MA'AM. Even when we get to Doomwyte, the cavern they are in is a cavern mentioned in earlier texts! this is not our first interaction with the deep deep fissure in the earth that emits green gas!!!

oh and The Tapestry. I have so many questions about the tapestry. canonically the image of Martin was sewn by his (mother? wife? someone) and preserved through many things to eventually be set as the 'cornerstone' for the tapestry. And it "depicts vermin fleeing from him in all directions" and his "calm easy face" which seems to smile at Redwallers etc etc. but then. the SWORD. sometimes it it set next to the tapestry which to me makes sense; held vertically along the side it is accessible to many but not to babes. I don't think it is ever placed below the tapestry. but it IS placed ABOVE and there is a part where a goodbeast does acrobatic parkour to SNATCH IT FROM THE NAILS and I want to know HOW??? how big is the tapestry. how did you get that. is it landscape or portrait. what. WHAT. also where did the shield go! where did the sheath go! those were so important aaagaggghhhhhh.

Okay that's it I think I'm done. I hope any of this was useful or amusing, or better yet caused more chaos and questions 👍

^* I did in fact write most of this, 50k/100k words over two NaNos, but I could never get anyone to fucking read it or give me any feedback, despite handing out the first fifteen chapters to like seven people, so I lost steam. So if you're reading this and going "wow! I sure would like to read even more Redwall content and I would LOVE to get into in-depth discussions of shit in a fanbook, this sounds like a great way to build community," HI PICK ME.

hobbies include: close reading the Redwall series to answer my most burning questions. such as:

- can I replicate any of these delicious-sounding foodstuffs and would they in fact be delicious if I was able to

- corollary to the above: are we just supposed to read “oat cream” and “nut cheese” every time we see the words “cream” and “cheese”? I think so. bc if not, what tha hell are their livestock animals

- what is Society like? I don’t think we ever see a Mouse City or even Mouse Town though we do see castles and obviously an abbey. are we supposed to believe that most creatures are either in wandering bands or these societies based around a single structure (castle/abbey?)

- they appear to have an idea of what currency is (the bad guys always want treasure — maybe just to have, not to sell? but less ambiguous is some dialogue I just read, “acorn for your thoughts?” “you can have them for free”) but again, we never see anyone using money or making goods for the market. is this after the fall of Mouse Capitalism? are the bad guys (the idea of rat pirates gives me a headache, vis a vis the political/economic systems needed to power piracy) raiding preindustrial mouse societies for treasure/meat?

- corollary to the above: the abbey creatures have oats and wheat but we don’t see anybody farming or trading for farm goods on a large enough scale. is the abbey “orchard” really a like an indigenous forest farm of mixed foodstuffs? is that possible if you live in the same place the whole year or only if you travel each season? I have to do some googling

- both the lack of mixed-species families and the idea of mixed-species families give me a headache. has a squirrel never fallen for a handsome otter? what is the culture shock like if you marry into a subterranean mole family?

- this is the least “important” question but this read through I’ve been desperately trying to figure out What Size Everything Else Is. i’ve come to the conclusion that everything other than animals are at mouse scale, given that they can make seaworthy vessels their own size (a mouse sized vessel with real-world-sized waves seems impossible) and pick and eat apples and plums. but so far it seems like they’ve avoided mentioning how tall trees are — like a person compared to a tree or a mouse compared to a tree?