#I have entire gameplay ideas but for know just them

[katboykirby]

"Low quality" is entirely subjective. It's totally understandable and expected that players won't all enjoy every facet of the game equally. You might think that certain content is "low quality" but other players will absolutely love it. I've personally seen plenty of people complaining about how much they hate WW and FabSnap, but I've also seen just as many people gushing about how much they love those features. This isn't ever going to be a good metric to use when discussing game development because literally every player will have different tastes and opinions. Not discrediting your feelings about it, just saying that it's not an objective measure.

As for the point about dating characters in a dating game - this is an issue that probably could have been mitigated somewhat by giving the new feature a different name. If they had called it "Private Moments" or "Private Time" with your favourite character, that might have helped. I've seen plenty of people making this point, and while I understand where you're coming from, it's still just a bonus feature. It's optional, it's not mandatory for progressing in the main game, you're not obligated to buy it. There's still romantic moments in the Main Story, and in Pop Quiz events, and in Devilgrams. There's still kisses and romance with the characters in the rest of the game. Believe me, I would love if they leaned harder into the romance aspect. It's one of the things I've personally told them myself, both in Player Feedback Surveys and when talking to the staff face-to-face. But the idea that they're locking the romance and dating behind a paywall is simply false. They aren't removing romance from the main game, it's still there.

As for Lucifer and Mammon being the first two characters available...you don't think that has anything to do with them literally being #1 and #2 in the character lineup? They tend to release these things in order, which means Lucifer first, then the rest of the brothers, then Diavolo and Barbatos, etc. Just like the release schedule for the Character Songs. And multiple sets of merch. And so on, and so forth. If they're doing it in batches of two, then we can expect Levi and Satan to come next (or perhaps Levi, Satan, and Asmo will be released together, then Beel and Belphie as a pair, etc) like they're literally just going through the characters in order. The fact that Lucifer and Mammon are also the most popular is coincidental.

Anyway.

Yes, they can definitely improve this feature by adjusting the price or providing more options. Yes, people's grievances are valid and no one is telling you that you're not allowed to be disappointed. Yes, I would also love it if they leaned harder into the romance in all aspects of the game. But at the end of the day, it's a completely optional bonus feature. It doesn't impact the gameplay and it's not required for story progression. It's just a fun little side thing that you can get if you want to get it. And if you don't want to, you don't have to. It's all good.

Here's the link to Solmare's contact page, where players can email the Support Team directly. I encourage you guys to actually email them and let them know your thoughts. Because the concerns about prices ARE valid. The desire to see more romantic elements in the game is valid! I'm in complete agreement with you there! And telling Solmare directly is the best way to make your feedback heard.

Going to play Devil's Advocate (ha) here for a moment, as someone who has experience working in the industry & game development:

Remember, every single time that any new feature is added to the game (even if that new feature is "just a new artwork and phone call") it means that Solmare is -

Paying artists for the new artwork

Paying writers for the new scripts

Paying the voice actors to record the new voice lines

Paying the game devs, coders, debuggers, etc, to actually implement the new feature into the game without breaking anything

Paying for QA

Paying the translators for all the different language versions (Obey Me is currently available in 4 different languages)

Paying the localisers for all different language versions

Etc, etc

This is all on top of the monthly costs of keeping a live service mobage like OM running smoothly. Anything that isn't paid for by the players is being operated at a loss. This isn't a flaw with OM itself, this is a fact that exists on an industry-wide level.

Secondly, while any concerns about the price are entirely valid, I think that a lot of people are glossing over an important point - Solmare is not charging you $30 for a Date Ticket. Solmare is charging $30 for a BUNDLE, which includes the Date Ticket as well as 300 DP. So this is similar to all the other sales bundles that have been rolled out in the past.

And the price is consistent with the standard price for DP in Akuzon. It has always been about $30 for 300 DP, so the price has not actually changed or been increased. This is an optional, $30 bundle for 300 DP that essentially includes the Date Ticket as a bonus for free.

You're totally justified if you don't want to spend $30 on this. I'm definitely not arguing that. While I think that this feature isn't as bad as some people are saying (I never would have expected any new features to be totally free) I do think that Solmare could have rolled this out in a better way than they did.

I think that most, if not all, of the complaints would disappear if they simply offered different bundles for different price tiers. This is something they've already done in the past, even! Just give people alternatives, like...

$1.39 for the Date Ticket by itself

$10 for 100 DP + Date Ticket

$20 for 200 DP + Date Ticket

$30 for 300 DP + Date Ticket

And so on. I think this probably would have alleviated many people's concerns, and would have made the new feature more accessible for more players.

Now, I don't think that harassing the official Twitter account is the way to go about communicating your thoughts. There's a difference between genuine constructive criticism/feedback given in good faith, and needlessly rude hate comments. "Fuck you, hope your game goes broke" doesn't help anybody, and will only make Solmare less likely to listen to the EN fandom. They've dealt with a lot of harassment from Western fans before, including death threats, and you aren't communicating anything useful or constructive by sending hate to the EN social media account.

Solmare has a Support team that you can email, if you have feedback and you actually want to reach the JP game devs. If you want to let them know that you want other/more affordable options for the new Date Ticket feature, this is the best way to do that. Just remember to be civil, since harassment and hate mail are extremely likely to simply be thrown out before it reaches the hands of anyone in charge.

[eggobuggo]

Cats that certainly don’t share similarities to certain robots.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.

[crystallizsch]

hellooooo sunset savanna event

not me just eating up the lil jamil crumbs (he doesnt even show up here)

also damn??? jamil CANNOT get a break. like kalim said there’s already a bunch of staff coming from scalding sands why do they still need the 17-yr-old college student 😭

you could argue he’s exceptionally great and capable at his job that’s why he’s still chosen to help but omg this poor guy just leave him alone 😭

dsfsd anyways this made me laugh (it was a note given to kalim by jamil) i love these two a lot

ALSO YUU AND GRIM ARE MATCHING AGAIN RAAHHHH

i actually havent seen grim’s cloudcalling ribbon??? so it was a really cute surprise when he showed up with it 🥺

“SURPRISINGLY NORMAL” “NOT STRANGE” BRO ARE THOSE SUPPOSED TO BE COMPLIMENTS OR???? 😭😭😭

i mean thank you to vil for calling us charming i guess even though it still feels a tad bit backhanded

aight back to the jamil torment

jamil you poor poor soul but this is so hilarious there’s just zero breaks for this guy

welp i finished the whole event in one go cant wait to see what’s next 😤

[finalexpenses]

i will forever think about my deconstructed damsel chapter 3 idea . god it could have been so good

[hairmetal666]

Never in a million years did Steve Harrington think he'd be standing in the drama club room in front of Eddie the Freak--who's sitting on a goddamn throne with his full lips pulled into a smug grin--asking to be taught how to play Dorks and Goblins. Yet, here he is, face a burning shade of crimson, as he explains for the sixth time what, exactly, he needs.

"Munson, it's not that hard. Henderson wants me to play in the--the game thingy they're doing when Will is home for a visit."

"Yeah, Harrington, and I stop listening every time you call it a game thingy. You obviously don't care about this at all, so why should I waste my time helping you?"

Steve rolls his eyes. "What if I pay you?"

Munson's face goes through a complicated series of changes before falling into a neutral mask, no smirk or teasing smile to be found. "You'll pay me to teach you dnd? Are you fucking kidding?"

"No?' Steve draws a hand through his hair, watches as Munson's dark eyes track the movement. "I thought you might help me out cause those kids never shut-up about you, but I'm willing to put money on it."

"Huh," Eddie says. He steeples his fingers under his chin. "Maybe I misjudged you, Harrington."

Steve lets himself smile at this. "I don't think you did. I don't give a shit about this game."

"Didn't take you for one to have a bunch of nerdy child friends."

"I'm their babysitter," he says, realizes immediately it was a mistake.

Eddie cackles until it turns into a full-bodied laugh, tears leaking from the corners of his eyes. "You are something else, Harrington," he manages.

For his part, Steve hopes Munson hasn't noticed how bright red his face is. "Does that mean you'll help me?"

"I guess," he rolls his eyes. "But if you're just screwing around, I'm out."

"No, yeah, totally," Steve nods too hard, sends his hair cascading into his face. "Sounds good. How much?"

"Huh?" Eddie tilts his face up, giving Steve a perfect view of the smattering of faint freckles across the bridge of his nose.

"I said I'd pay you. What's the going rate for dnd lessons?"

"Oh, nah, free of charge, Harrington. Henderson would eat me alive if he knew I made you pay."

The smile they share is soft, tentative, and Steve doesn't notice the swathes of pink decorating Eddie's pale cheekbones.

---

They meet up in the drama room after the last bell. Eddie is waiting on the throne with his feet propped on the table, sipping a Mt. Dew. His eyes widen when Steve walks into the room.

"You're on time," he says.

Steve scoffs. "Why wouldn't I be?"

Eddie shrugs, sets his feet on the floor. "Just wasn't aware that the King put a lot of stock in punctuality."

"C'mon, man, I'm trying not to be that guy, and I'm definitely not king of anything. Unless maybe it's Family Video, but even then, that's Robin."

"You're kind of weird, Harrington, you know that?" Eddie's dimples bracket his smile. The sight does weird things in Steve's chest.

"I've been told, yeah." Steve smiles back. "Where do we start?"

They start with dice, with a character sheet.

"Chaotic-good human Paladin?" Eddie asks.

He shrugs. "That's what Dustin keeps screaming at me. I got no idea what any of it means."

"That's not entirely true," Eddie says. "You've kept up with me so far."

"Yeah, that's you. Dustin rambles and then accuses me of not listening when it's over my head. When he goes on long enough, I start to get a headache right here," Steve rubs the spot between his eyes.

"That kid," Eddie says with the right combination of affection and frustration. "I don't know, you seem to have picked up on some of the stuff he said. You have a solid idea on gameplay, at least. I'd say you're doing pretty good."

"Thanks," Steve laughs. "No migraine yet, so that's a point in your favor."

"Migraines?"

"Head trauma."

"Byers?"

"And Hargrove."

"That was Hargrove?" Eddie asks.

"Hit me in the head with a plate."

"What the fuck."

"He was pissed that Max was friends with Lucas. He came after them. I couldn't just let him--I think he would've killed Lucas."

Eddie nods, hands fiddling with a die. "No wonder those kids love you," he says.

"We've been through some shit together."

"Guess it makes more sense why you wanted to learn dnd."

"As much as it pains me to admit," Steve rolls his eyes. "I love to make those little shitheads happy."

"Well, based on the way they talk about you, you succeed."

"You too, you know?" Steve offers. "All I've heard about the last three months is 'Eddie's so cool,' 'Hellfire's so fun.'"

"Jealous?" Eddie laughs.

"Completely," Steve admits.

"Don't worry, Harrington, I'll make a nerd out of you yet."

---

They meetup after school every day they can over the next two weeks. At first, Steve is surprised that he doesn't really mind spending so much time with Munson, that he actually, kind of, has fun. And the more time they spend together, the more Eddie infiltrates his space. Leans into Steve's side as they sit next to each other, brushes their hands together, hovers over his shoulder, faces nearly touching, as he checks stuff on Steve's character sheet.

It makes Steve feel--well, it makes him think of what it would be like to run his fingers through the soft gloss of Eddie's curls; wonders what that plump mouth would be like pressed against his own; can't stop thinking about if Eddie is as vocal in bed as he is everywhere else. He knows he also likes guys, has for a while, but he's never in his life wanted someone this viscerally; so much he can feel the ache of it in his teeth.

It's the last day before the campaign for Will, and Steve is fucking sad. He thinks maybe Eddie is too. He's at least quieter than normal, explanations not at their usual fever pitch. An hour before they usually call it quits, he claps his hands together (too gently, too unlike himself), says, "That's it, Harrington. You're not going to be more ready than this."

"Right," Steve says. Can't help his eyes from darting over Eddie's face, aching to know what he's thinking. "You'll be there tomorrow?"

Eddie bends his head over his notebooks. "Nah, I don't need to intrude."

"But--"

"It's okay, Stevie. I get that it's family only." He looks like he really means it, but his eyes are sad, don't shine like they should.

Steve doesn't know what to say to that, just nods, and then there's nothing else. They stare at each other for a few very long, quiet seconds, before Eddie says, "I'll see you around, Harrington."

"Right, yeah. You too." And he walks out of the drama room with the heaviest heart he thinks he's ever had.

---

Steve thinks he won't miss Eddie. That if he doesn't dwell on those hours spent with Eddie, learning dnd, that the missing will go away.

It doesn't.

Which is how he finds himself back at the high school on Wednesday, standing in front of the drama room door, willing himself to go inside. Eddie's on the throne, the typical notebooks and binders and Mt. Dew cans clustered around him, but he's not engrossed in imagining up a new campaign for Hellfire. No, his head is in his hands, knees drawn up to his chest.

"Eddie?" Steve asks.

His head pops up, and even in the low light, Steve notices the silvery tracks of tears down his cheeks.

"Steve! What are you--" he hastily wipes at his face with his shirt sleeve. "What are you doing here?"

Steve's acting only on instinct, crossing the room and dropping to his knees, taking Eddie's jaw between his palms, thumbing away the wetness on his cheeks.

"Did someone hurt you?" he asks.

Eddie's laugh is wet. "Nah, Harrington. I only have myself to blame for this one."

"Can I do anything?"

"Are you trying to kill me?"

"Sorry?"

"You, Steve Harrington, kind and compassionate? Learn dnd to make your little nerd friends happy? Who are you?"

"I'm just me, man," Steve blushes. "But, uh, I came to thank you." He's still holding Eddie's face in his hands, can't help but notice the way he flushes, how his dark eyes dart away from Steve's.

"I really liked hanging out with you," Steve says. This close to Eddie, his mind doesn't quite feel like his own. All he can think of is big eyes, soft curls, full lips.

"Yo--you did?"

"So much," Steve whispers. He doesn't quite remember moving, but now their foreheads are pressed together, warm breath mingling, lips almost, almost touching.

"I liked it too," Eddie breathes. After a few seconds, he laughs. "Knew I'd make a nerd out of you, Harrington."

"Shut-up," Steve laughs.

"Make me," Eddie says, and it's just that easy. Steve crosses the space still separating them, presses his mouth against Eddie's.

The kiss is slow, exploratory, the gentle discovery of how they fit together, the promise of all the things they can do in the future, all the pleasure they can bring.

"I'm not a nerd," Steve says when they part.

"No, you're right. You're like a nerd by marriage. Nerd-in-law," Eddie giggles. His eyes are bright, face pink, the most beautiful thing Steve has ever seen.

"Shut-up," Steve giggles right back.

Eddie raises an eyebrow, the dare obvious, and Steve doesn't hesitate to kiss him again.

"You wanna get out of here?" Steve asks when they part, significantly more breathless, jeans significantly tighter, than when he arrived.

"You're gonna have to role persuasion for that, Stevie," Eddie smirks.

[simpjaes]

req by 👩‍❤️‍💋‍👩 anon: im also back on my enhypen with two girls bullshit and today’s thought, featuring frat jake, is playing something like truth or dare at a party (i know, i know 😭) and he dares you to make out with jay’s girl .. i don’t mean to make him look like a weirdo but i have the feeling he’d like to watch (like… i think he’d be into lesbian porn….) 🤕

wc: 1k

tags: perv frat jake (definitely likes the idea of watching two women, it's fiction so he's allowed to be weird here on simpjaes), cuck-ish jay, drunk truth or dare, detailed descriptions of making out with a hot nameless girl, implied further sexual gameplay.

"Truth or dare?" Jake is practically crawling in his skin at this point, having hyped himself up for the past ten minutes in game waiting for the questions and dares to become just flirty enough that he doesn't look like the weird one.

After all, it's a fucking frat party. No one is playing truth or dare without the idea of someone either getting naked or fucking at some point by the end of it. At least when all sexes are involved anyway.

And he's looking at you when he asks. You smile mischievously, the alcohol in your system buzzing to the point you feel warm, confident, social, and fucking giddy at playing this game with him.

It's the first time you've been personally invited to one of these infamous frat parties too. Always hearing about the crazy nights and insane antics people get up to in this very house. You weren't exactly expecting to be in what you presume to be Jake's room with one of the other frat guys and his girlfriend either.

Still, in your drunken state, you feel flirty and excited to finally be invited. After weeks of small talk with Jake, you were starting to think he was just being nice. Until you were invited anyway. Until you noticed him sharing consistent side-eyes with his frat brother.

"Dare." You announce boldly, tipping back your cup and finishing off the drink before grabbing at Jakes. He happily lends you his cup while simultaneously stealing Jay's instead.

"Dick." Jay scoffs, tapping his girl's leg and pushing her from his lap (previous dare). "Gonna grab a few bottles before the game gets good," Jay continues, looking Jake square in the eye with a smirk. "Any requests?"

You, Jake, and Jay's girlfriend all offer up a "anything strong" before Jay sees himself out. Only for a moment, you suspect.

And when the door is closed and Jake is sitting, staring at two pretty drunk girls, all he can do is beam that charming ass smile at you before chuckling.

Jay would definitely be annoyed that he's not gonna wait for him to get back, but whatever. "Dare, you say?" Jake says in a half-hearted voice of concern. "You sure?"

You nod happily, sipping the last of the stolen drink and looking to your new friend, Jay's girl.

"Make out." Jake drops the words on you like it's nothing at all to be shocked at. And in a way, it's really not.

Again, frat party, drinks, whatever.

"With who?" You ask, silently and excitedly preparing yourself for him to present himself to you by tapping his lap or something much like Jay did previously for his girl.

But, well, you're not Jake's girl. As much as you'd very much like to be the arm candy of the most charming frat boy you've ever met. And he's not presenting himself.

You watch as his eyes shift from you to her. Back and force twice before that charming smile turns into a bottom-lip tugged between his teach.

"With each other. Make out." You look to her with a smile, entirely willing to put on a show considering she's very pretty. If she's down, so are you. And not entirely for the pleasure of Jake, or anyone else for that matter. Her lips are pretty, and her voice is tender. Quite cute when you watch her, drunk out of her mind but still entirely sweet like candy. She lends you a nod, cheeks flushing but licking her lips all the while as if to gloss them up for you. And so, you do, crawling across the floor of Jake's bedroom just to brace your hands on her shoulders and lean in to kiss her square on the lips. Her eyes beam up at you when you pull back with a cheeky smile, only to dip back in once more, twice more, and then you slide your hands to her jaw on either side of her face and really get in there.

Licking into her mouth, feeling her hands grip your waist and wildly run up and down up until she's blatantly grabbing your ass as she kisses you back with those sweet-alcohol tasting kisses.

"Holy shit." Jay's voice echoes through your ringing ears as you kiss his girlfriend, but you don't stop. Especially when she chuckles into the kiss and only pulls you closer, into her lap by the ass as she skews her head to kiss deeper.

"Check that shit out." Jake says, breath caught in his throat because truly, no matter how many times he sees two girls do this kind of thing in front of him, he can't fucking help himself. "Fuck yeah."

It's so hot for him to see two pretty girls, all breathless with their wet lips and pussies sitting so close together. Damn. Who care's if it's Jay's girlfriend? By the looks of it, Jay seems entirely into it too. And for a minute, you almost forgot that this was a dare. So, you pull back with a gentle smile at her. Landing one more kiss to her nose before scooting back and off of her lap. She looks at you through dark eyes after the act. As if the two of you are no longer just acquaintances, and you choose to take note of that for later. Surely you'll be seeing her again. Only after you've sat back and grabbed a new drink did you take note of the two men in the room. Jay appears to be a bit more touchy with his girlfriend now, you watch him pinch and pull at her with a drunken smile and little hidden whispers before you turn your attention to Jake.

God, you've heard of how fun the guy is. But fucking hell he's shameless. You see the bulge in his pants and the way he spreads his legs out wide with that smile on his face. Only briefly do you note the way he lays his hand across his lap, gently rubbing his knuckles along the length of his hidden cock before he speaks with a new voice.

"Come, sit." He croaks, voice deeper and almost velvety as he uses that same hand to tap his lap. "It's your turn babe, make it good." He follows up after you do exactly as he says, right against your ear, breath fanning your neck. And you can feel the way he intentionally twitches under your ass as a form of encouragement. And of course, you do make the next round even better than the last.

[thatdeadaquarius]

I have a random idea for some sagau crack loosely based on my dynamic with my friend so Im giving it to you because I have been enjoying your sagau language stuff :D

Imagine there are two readers that are two different people. Like, not as in clones they are just two separate people that are rlly good friends on earth. They both really like genshin and play the game, and they both have self aware teyvat citizens. Reader 1 is a whale. They invest a l o t of money on the game, have all the characters, and all the characters have five star weapons. They are like the usual sagau reader you see. They have used up so much money on getting all of the characters, and I mean A L L of them, best weapons, constellations and put a lot of care into it. The place where they really get to show off is their knowledge and love for the lore, and are really invested into it and read all of the artifact descriptions and books. They know about primordial one, the four shining shades, random useless facts about items and often rant to reader 2 about their theories. Their quest bar is always empty because they did them to check out the lore of the game, and are always searching for more lore. They basically play everyday and are always reacting and talking to the characters out loud, unaware that they can hear them.

Meanwhile, Reader 2 is a f2p who is only interested in the archon quest lore and the lore of their fav characters. Because they are f2p, their options are limited so there is some blatant favoritism. They choose their fav character to save up for, and then pull for them. After they get the character they want, they will no longer pull and save up from there. Because of this, they only have like 5 five stars and only have zero five star weapon. Their favourite character is their main(*cough* wanderer *cough*), and unlike reader 1 who uses all of their characters regularly, reader 2 sticks to this character for most of their gameplay unless they need to use someone else. However, reader 2 takes almost an entire month to finish building a character, because they go overboard with the artifact stats. You would expect to normally have a 50 180 crit ratio, but reader 2’s dps characters always, and I mean ALWAYS have 50 200 crit ratio or more. Like, their main (it doesnt have to be wanderer but Im putting him here anyways) has 70 and 200 crit ratio, is crowned, full 4 pc best in slot, and is even crowned and faruzan only needs like 200 er but reader 2 gave them 300. (Im totally not putting this here because this is what I did/j) Reader 2 is also the type to never speak while gaming, so the first time they spoke everyone turned it into a national holiday to be celebrated. They also play a lot less than player 1. Player 1 plays everyday while player 2 plays for a month straight and then takes a long break to wait for the content to pile up.

So these two gremlin besties are always speaking with each other, and are always on coop. Whenever player 1 needs help making team comps or building characters, they just ask player 2 for help. And whenever player 2 needs help understanding the lore of the game, they ask player 1. But all I can think abt is the first time they cooped. Imagine player 1 was using childe and then when the coop starts, both childe and wanderer are very confused as to wtf is going on. Like, childe is confused because he sensed a strange aura coming form them like whenever someone gets controlled by reader 1, and wanderer is confused because reader 2 seemed so excited that they were talking, but its just childe? Reader 2 always skips childe’s banners.

Thats it lol, hope this wasnt too long.

Not long at all! Or more like, I like long asks so feel free to share! :D

IM SO SORRY ITS LIKE MONTHS LATER TO GET TO YOU I PROMISE I LOVE UR STUFF AND AM SUPER EXCITED TO SEE IT,

IM JUST SLOW AND GOOFY 😭😭

Said friends in genshin like: ^^^

this kinda inspires me/reminds me of @mists-reading-nook soldier/poet/king post, you should check xe stuff!! Gave me brainrot to this day tbh, like im imaging how that “3rd King style of worship” would look like even now lmao ive been down bad 😭

☆

Sun: 2 Readers! (as desc. above), (you/they/them)

Orbit: Headcanons-ish

Stars: wanderer/childe, mentions of others i forgot to focus on any one character or nation :/

Comets & Meteors: Content Warnings: mild cussing language, & Trigger Warnings: none known.

Please comment if I missed any. /gen

dual symbolism everywhere, obv you both thought “for the twins” but it just kept getting out of hand the more the game updated over the months lol

like shrines/temples/churches showing up more often in new countries/areas and always identifying the same 2 gods

obv the for-the-lore player picked up on it first, and by the time the trickle-down effect happened, where characters/NPCs were outright talking about these gods, the 2nd was asking the lore knower to explain lol

the 2 gods kept getting referred to by a few names, like “The Soldier and the Scholar” or “The Sage and the Warrior” or “The Keeper and the Pursuer” etc.

after awhile of comparing both of your games, you realize that some vision users/gods tend to use the soldier/warrior/pursuer titles more often when talking about one of you, and the other gets the sage/scholar/keeper more often

u both get excited, maybe its bc you chose diff travelers or some other reason, but when u try and post abt it or otherwise ask other players u get a lot of negatives/”hasnt happened for me”s??

u both just think the games glitched or some dev is playing a prank on you two maybe,

it gets weirder when u both realize the lore player be over here getting random gifts from all the characters in the mail all the time

and just as grinding players like “ :’( my favs don't like me?? but they have the best artifacts and maxed friendship levels..”

they get flooded with multiple gifts from their main characters, most of which benefit the grind tbh lmao (like a bunch of cheaper materials or crystals to level up artifacts/weapons or to ascend that character = no more slaughtering every samurai on sight for their handguards or collected a fuckton of those blue layered mushrooms for wanderer)

god u were both grateful to this glitch ngl, it saved a lot of dumb misc tasks and was just a nice touch

no but the amount of confusion inside the game from when u first started playing together, like each of ur games began with stuff abt 1 god, then as u co-oped moved onto 2 gods (like said at the beginning)

the lore player is blabbing away like you do, which begins to be heard by the other player’s game world

like it starts as whispers in battle, then all the time, then a quiet convo in the background all the time, until they can just hear u out of earshot esp word for word when they focus!! at first the vision-users/gods got all excited bc their god was speaking!! finally!!! until I'm sure they heard narration that didn't fit/it was there sometimes even when their god’s presence wasn't?/voice sounded “off” to them/didnt fit their god…??

ok ik u were joking abt the national holiday,,, but I’m not. 😈

THE FIRST WORDS 2ND SPOKE BEING IN A PROPHECY, REGARDLESS OF WHAT IT IS THEY SAY.

Player 1, playing as Childe, steals a singular (1) sweet flower from Player 2, who has Wanderer out:

P2: “I seriously hate you. Listen to what I’m saying, I can’t stand you.”

(Wanderer panicking that its abt him- Childe freezing bc he managed to piss off a god that feels as powerful as his own- the PROPHECY LMAO- )

P1: “… you miss me.”

(everyone else: 💥vine boom sound 💥😦😨😰???)

P2: “I hate you.”

P1: “You miss me and you love me, why must we fight??”

(everyone else: 💥vine boom again💥🤨🫠??…)

P2: “I hate you-”

P1: “-we gotta good thing going on, you and I, why must we tussle??”

(everyone else: 💥yet another vine boom💥 💀💀)

(the absolute deep anxiety/pure confusion as the two harbingers heads just ping pong back and forth towards the voices lmao)

u two scare the shit out of any characters u do this with lol

they do get used to it as u talk, and the characters even manage to interact (thru hacking magical shenanigans and discord)

to send thank you gifts to player 1 for getting player 2 to talk more lol

along with sending copies of any lore books that player 2 has gotten that player 1 hasn't!

and it becomes common/tradition to exchange gifts like this to thank or appreciate the other god, like player 1 characters sending thank you gift copies of rare materials or ascension stuff that player 1 had that player 2 didn't (esp making sure to send during resinless hours lmao)

overall, 10/10, whats better than 1 god that plays one way? 2 gods that compensate for each other and now u have 2x the worshippers

(i wonder how meeting alternate versions of themselves would go, bc id like to headcanon that each of ur behavior towards them/ur unique influence has changed them a bit comparing, like they arent carbon copies anymore, not like they used to be…)

☆

hey sorry for slowing down guys!!

i just feel bad its taken me forever to get to these asks, so i wanted to take what time i could lately and charge thru them so i could spam post lol

I've also been working on fics! so that's delayed things by a lot, bc fics take longer to “respond to” than short asks or replies

my poor bsd fic

Anyway thank you so much for sending this in!!! I'm so sorry i took forever to get to it, and i hope u enjoyed response/my brain shitting this out lol

have a good weekend!! :D

Safe Travels Anon!!

💀♒

If you wanna join a taglist, DM me what for! "Pspspsss, please tag me for [All SAGAU posts, Only SAGAU Language AUs, diff fandom, etc.]!"

(If you ever wanna drop, just DM me! "No more taglists/[specifically this AU/fandom] please!")

♡the beloveds♡

@karmawonders / @0rah-s / @randomnatics / @glxssynarvi / @nexylaza / @genshin-impacts-me / @wholesomey-artist / @thedevioussmirk / @the-dumber-scaramouche / @chocogi / @fallen-starr / @areaderofbooks / @devilangel657 / @esthelily / @justinsomniachild / @nanithefuck / @questionotmystopit

@kiyomi-uchiha777

[crazyforclones]

I am so ill over Mario and Peach

Continue reading to listen to me absolutely lose my mind over these goobers

Establishing character:

I just adore Mario and Peach so much. And before I get those funny people always like “oh Mario hates peach,” or “peach never “gives” Mario anything for saving her! He probably only does it to get something from her-“ Ima need yall to shut your trap ok 👹

First of all, Nintendo, especially with Mario characters, had no idea how to characterize their characters in the beginning. Peach changes in almost every single different medium. Take the old Nintendo power (I think) comic called the “super Mario adventures.” in which Peach is a lot more outgoing, strong, sassy, and a literal general.

Not saying this is a bad rendition of peach I actually like it! But I use it as an example of how these characters have changed over the years. And also, often times in games or stories like these where they focus more on the characters than gameplay, we see a more accurate and fleshed out character. Which is why in some other Mario games, characters often say things that might seem rude or out of character but is put there for comedy. (Nintendo obsession with making fun of Luigi in every rpg game is an example 💀). And the same goes for Mario, he’s changed a lot. But I feel in the current renditions of the characters, they have a much more stable idea of their character.

Also another cute picture from the comic-(sorry quality poopy I took it from mine)

This is peach dreaming about marrying Mario btw.

Mario’s character:

From what we see now, Mario is just an average blue collar man in his late twenty’s who is quite short and also plump. Despite this he is still THE most brave, athletic, talented, determined, occasionally hot headed, and an overall idol to the entire mushroom kingdom. He is often labeled as THE Mario. And people also express their surprised when they actually see what he looks like 💀. But the reason I bring this up is Mario is quite literally just some guy. He’s some guy who entered this foreign kingdom, heard there was a Princess in trouble, and as a New York Italien blue collar worker he could’ve easily just went on with his day or ignored these random peoples pleas, but instead, he immediately decides he will travel multiple worlds so he can save this princess and help the kingdom (also cause the game needed a incentive but still-). From the get go mario was ready to help people. He helps them not expecting anything in return, but because he has a good sense of Justice. There’s hundreds of side quests you can do with Mario, sometimes they’re ridiculous. But you know what? Mario will do it. Because he likes helping people. Because he’s a role model. And because he’s just a good guy.

Mario and Peach as a couple:

Most of the time, people who criticize or make fun of their relationship are often doing it as a joke which is fine, but this is for the people who genuinely think Peach is a jerk for not giving Mario “more” for what he does.

People often say “Mario has saved her so many times and all he gets is a kiss on the cheek!”

Now despite the fact Peach doesn’t owe Mario anything just because he saved her, I can see why people might be upset over this. However, like I said before, Mario does things not expecting rewards, but just because it’s the right thing to do and he has a duty.

People forget one dire things when it comes to love like this:

Love can be shown in many different ways

Peach kissing Mario in the cheek wasn’t proof that they were in love or together. I’d argue they weren’t really at all in the beginning. Except maybe a slight crush. A kiss on the cheek is often just a gesture of gratitude. Peach usually kissed anyone who saved her. It’s just her way of saying thank you.

What really shows that Mario and peach love one another is how they interact. The things they say and do. They don’t need to kiss to prove they’re in love, it’s simply implied with how they interact with one another. Whether it’s small gestures like holding one’s hand before a big game, or something such as trusting the other person to give you a boost so you can save your partners rabbid version of themselves from an evil space fish.

Or! It can be something more direct, like peach literally looking Mario in the eyes and saying this:

Or when she is scared but assured herself she will be ok as long as she has Mario!

It’s these little things that speak larger than words. Mario and peach simply have a relationship that is there but doesn’t need to be forced down your throats to convince you that they’re in love. They simply are. And their love is shown in many ways. Love comes in all shapes and sizes, and so does Mario and Peach!

Now have Mario dancing like a middle aged dad snapping his little fingers to make Peach laugh :)

[archeo-starwars]

You wouldn't happen to have an extensive layout dissection of the Jedi Temple on Coruscant? Or even a list of all notable and obscure sections of the Jedi Temple? OR or even labelled areas that are public and reserved for only temple residents. Both from canon and legends, please and thank you!!!

The best I managed to find comes from Star Wars Complete Locations - you may check out the whole archived version here. The “zoom in” option is pretty good for reading details. Below the pages (I suppose the best is to open them in new tab for better reading):

As for the list of locations, I recommend wookiepedia's list. Plenty of data, both for Legends and New Canon.

Additional sources worth to check out:

Jedi Temple Locations & Jedi Temple History - both published as official material on star wars.com in regard to prequels and New Canon sources. Pictures and references to various places inside Temple.

Star Wars.com's The Clone Wars episode guide + videoclips from the series, like

A) Jedi Archives Tour (the entrance to one of the most restricted areas of the temple: The Holocron Vault).

B) Layout of Jedi Temple Library (source)

C) Jedi Temple funeral room + environment illustration by Tara Rueping (source)

Old Data Bank for Jedi Temple

HoloNews mentioning "a mob of 20 university students attempted to infiltrate the Jedi Temple" and "managing to get as far as the Second Atrium Lobby"

Star Wars Battlefront (2) game wiki provides some map and location description

and if you have time (and patience) you can watch gameplay from 501st Legion's mission in Jedi Temple for reference, like this one

The wookiepedia's articles should give enough good idea of the rooms, their location and functions, but I'm adding a few source pages:

STAR WARS: FACT FILES #36 provides a lot informations what and where was inside the Temple and some general data about visitors, security, Grand Balcony, Grand Corridor & Towers. Not all is super specific, but worth checking out for sure.

The Complete Star Wars Encyclopedia mentions this:

and for Jedi Temple entry:

As for the named locations that are public or reserved for only temple residents, there is definitely a division like that, however I'm not sure if this issue was very well explained. The source gives us some ideas, like for example, Jedi Archives have data accessible only for Jedi with rank of Master or higher (thus most likely separated areas to study). At the same time, Fact Files #25 says that Jedi Archives offers an "excellent resources to researchers, including star-map hologram consoles", but also an access to entire scientific and historical knowledge of the Republic

so non-Jedi were allowed to use Jedi Library/Archives for their own research and work-related needs. We also must remember that the Jedi Order had various scientific branches, including archaeology, exploring unknown regions, and medicine, so logically thinking Jedi worked with other, non-Jedi specialists of many fields.

We also know from various sources, that politicians and important guests were invited for various occasions. We could see in Republic comics series that Bail Organa, Mon Mothma and senator Ask Aak were allowed to listen to Jedi reporting before High Council about his last battle

or attending Jedi Funeral like Duchess Satine and Padme Amidala did for the (fake) Obi-Wan's one or just visiting as a friend/comrade-in-arm

I would need to make more research about this issue as there is plenty tie-in material to Jedi Temple on Coruscant that would take a lot time to study, but at this moment, I think the best is assume how far a non-Jedi may walk into Temple will depend greatly who is that person and what is nature of their business with Jedi.

At the same time, Purge: Seconds to Die has this line "Clone Troopers? This deep in the Temple? Not permitted."

The Jedi was in Archives herself, so it is worth to take into account that clones could have more limited access to Temple than the average guest before war did. At the same time, clone troopers could make a report before Yoda and Mace Windu/High Council, as was presented by Star Wars Tales (Honor Bound):

so it is not like they were outright forbidden to enter the temple either.

Hope it will help!

[dailyadventureprompts]

DM Tip: Creating a Campaign Skeleton

Learning to be a better dungeonmaster was a protracted process. A younger me was often so stressed out by the desire to be a better artist that I'd have legitimately mauled a person if it would've revealed to me the wisdom I sought (with my hands or even an actual maul given the chance).

One of my biggest hurdles was the idea of a universal framework for d&d adventures, a guideline that would tell me if the things I was creating were on the right track. It was sorely needed, I loved the process of being creative but without an understanding of how my creative energy was best used I ended up sinking days, weeks, or even months worth of energy into projects that went nowhere. Worse yet, when I DID get a chance to put my ideas into practice at the table they'd frequently spiral out of control and crash, resulting in even more stress.

Over time I learned from these mistakes, I got better, and then I got good. I moved from conscious incompetence to competence, and I ended up having a run of absolutely stellar campaigns that were everything my younger self could have dreamed of: stable, enjoyable, meaningful, and most importantly an absolute delight to my players. Routinely I'd have people, including folks that'd only played with me a few times, mention that getting together to roll dice and listen to me babel on in silly voices was a highlight of their week.

It was as one of these campaigns began to wind down (three years! a satisfying conclusion on the horizon!) and I started looking for a followup scenario that I decided to study all my really successful campaigns and figure out what connected them. The end result was something I'd been looking for for nearly a decade, a reliable format that I could build campaigns around.

I want to preface this section with the understanding that while this information is laid out in a vaguely chronological fashion there's no guarantee that these ideas will occur to you in any particular order. Inspiration is a funny thing, and each idea flows into the others to make a cohesive whole. Due to foreshadowing and setup reasons you're also going to need a pretty solid idea about all of these when starting a campaign, though exact details will likely change/ can be vague up until the moment they're needed.

The Reason: Who are we and what are we doing?

Gives your players a solid background to build their characters around and give them a reason to travel together, rather than having to ad lib one on the spot. Likewise sets expectations of what the campaign is "about" that you can build on or subvert in time. The reason doesn't need to hold true for the entire game, just long enough to serve as a framing device. EG: The Witcher starts out as a "monster of the week" setup and then uses that framework to pivot into politics and prophecy once we've seen the premise play out.

The Pilot/Crashtest Adventure: What's first?

I’ve already written about these, but the general concept is to give your party a mostly contained first outing that doesn’t have any larger bearing on the plot so they can focus on learning how their characters play/building the party dynamic.  By the time the party's finished this first adventure they'll have already started putting down roots in the world: they'll have in jokes, npcs they've started to care about, an understanding of what's on the horizon, and an idea of where they want to go next.

The Central Gameplay Pillar: How does this all work?

It's important to have an idea what your campaign is going to be about in a mechanical sense in addition to its plot and themes. There is a difference between an adventure that has the party delve a dungeon, and a dungeoncrawling focused campaign. I like to lead with these outright during the campaign pitch so that players can know what they're getting into. Your playgroup will likely have strong opinions about what they like and dislike, even if they don't have the words to describe it, so you might need to explain the ideas for them.

The Hub: Where are we?

I think every good campaign has a hub, some kind of settlement that the party returns to between adventures to offload loot, pick up supplies, and sift through the latest gossip to look for the next questhook. Letting the party return to the same place lets them build up a relationship with it, clarifying the picture in their mind as new details are added and they grow more and more attached. It's possible to have multiple hubs over the course of a campaign, but I'd advise really only having one per arc to best concentrate your efforts. Fill up your hub with distractions and side adventures, shorter stories that the party can get tangled up in while the larger adventure slowly reveals itself. Returning to the same hub also means returning to a familiar and expanding cast of NPCs, which helps your party become more and more invested in the setting

The Main Event: What's going to happen?

Here we get to the meat of the issue, the big story you want to be telling using this campaign. To pull off the sick narrative kickflip you wish to perform, you're going to need to lay a lot of groundwork, seeding in details left and right as well as giving the party a chance to stumble across evidence of your schemes without ever realizing the whole thing. To do this, you're going to work in the building blocks of your big reveal/twist/pending disaster into the setting along with those side adventures from the hub. This will give your party an idea that something is going on, but with more pressing matters to take care of they're going to be distracted up until the moment you decide to pull the trigger.

The Setting: What's over there?

While things like genre and tone are definitely things you should have a handle on from the outset, I personally feel like the details of a setting are best constructed on an ad hoc basis, either in a direct response to something required by part of the narrative (be it side story or main event), or pencilled in at the margins as the party explores the world.. That said, creation of the hub and setting often go hand in hand because it's important to match the settlement to the environment and then shape the environment to the quests inside the settlement. As for what's beyond your hub, I happen to have just written something about building out settings.

Now, this next option is one that I recommend you start thinking about only once your campaign is fully underway, so it doesn't clog up your creative process by focusing on something that you might not even get to

The Change: What the fuck?

A little while after the main event has kicked off and your party is off on the quest that will turn them from mere adventurers into heroes, they start to hear rumours of strange happenings. It's certainly not related to the present scenario, it may even be an unexpected windfall, but it's not something they have time to look into. Time ticks on, the land is saved, and the party is able to enjoy their victory lap as well as some dearly needed time off. Before they can get comfortable however they're slammed by some strange occurrence that they could have never predicted that changes the state of the world. A neighbouring kingdom invades, an important ally is murdered and they're blamed for it, a dragon starts rampaging through the realm. Its important that this event is outside the party's skillset, not necessarily diametrically opposed, but counter to what they were planning

artsource

[ganondoodle]

totk cataclysm event wasnt just a great (but utterly missed) opportunity to change the map in techincally little ways that has drastic consequences both in stakes and in gameplay (like i mentioned before, flooding the gerudo desert would have meant devastating consequences for its ecosystem- like imagine little islands of sand still poking out, acting as a sort of last doomed refuge for sandseals- but also cahnged the entire gameplay of it, good chance to introduce some neat new ways to surf on water like a new ridable creature or an ice shield freezing a path while you surf on it, the gerudo being forced to save the city from drowing in various means or now living on the roofs, trying to adapt by building boats ect - also call back to older games?? since totk loves that so much ..-, vah naboris serving as the savest refuge being high above the water, even if non functional; similarly takign away ALL water from the zora region, gaving it all dry out would imemdiately turn into something way different and could mean death for the zora- forcing them to move to the lower parts of akkala for example- maybe vah ruta is still halfway functioning bc the faith the zora have to mipha, dorephan and sidon is, while not enough to keep it fully functional, but enough to generate some water so the most stubborn or brave zora set up around it like a last oasis; i know its somewhat done with death mountain but the gorons dont really suffer from it bc their only problem is a drugged rock that makes them mean and lazy ..- what about collapsing or exploding it, leaving a large crater that over the course of the game could start to grow with plant life since vulcanic earth is so fertile- some never seen before ones that was dormant in the lava and now that its cooled off is springing to life, which might seem good at first but for the area and its wildlife means loss of their habitat; the rito freezing over, but actually having to move, maybe into the tabantha canyon, building their new makeshift homes in between the walls of it- generally just switiching things around a bit would have done so much wihtout having to edit every last detail ((seriously tho, how did this game take so long given that botw took similar but they did that ENTIRE main map as detailed as it is AND made it all coherent with itself and its themes- im ranting again ..)

-but it ALSO would have been the perfect opportunity to introduce new weather types created by the sudden change in environment, somethign like a super strong wind that slows you when walking agaisnt and lets you jump much farther when with it- a darkness thing that clouds the world in utter darkness with only little light getting through anything that is caused by mushrooms from the udnerground invading the surface and their spores snuffs out all light (which could explain the weird darkness in the ruins from botw too!!), or just simply mist! making everything misty changes the entire feel of any environment drastically- you could make vertain enemies spawn only in certain weather conditions, lessening the repetive overuse of them; and that is only on the surface- what if the sky had sunbeams so strong it sets anything on fire if you dare to leave the shadows- to comabt it get a armor with a giant hat!! the underground could have been filled with different environments in the first place, but then of course thered be those dark spores of mushrooms, an entire forest you have to carefully travers other wise making them release their spores and make it all more difficult, glowy mushrooms, MORE glowy mushroms, theres so many weird ass shrooms IRL you could take inspo from!! maybe soemthing like a forest of kelp, long flowy plants obstructing view and making you anxious by any movement- there could be one thats a mimic or infected with miasma, slightly off color and its knobs are malice eyes that open only if it thinks you cant see it

(also for the idea of taking botws stuff and recontextualizing it, the guardians or shrines, now non fucntional, could be infected my miasma sometimes, maybe randomly to keep you guessing- an overgrown shrine suddenly lifting itself up with hands clawing at you when you get too close or do sth wrong to distrub it- similar with guardians tho the effect might be less since you know them as a threat already- or sth i mentioned in another post, a tower being used as a weapon by a gigatic miasma monster- the one in the gerudo region with the bottomless pit for example, perfect for an arena for you to run around in the spiral while its swinging at you etc etc)

JUST taking what botw had and mixing it up, expanding on it, even if technically little change, it could do so much but in the actual game death mountain and rito is the only ones that saw anything of a change like it, and it largely .. didnt change anything or was reversible easily, and had no actual consquences that meant anything, neither stakes nor environmental or narratively (the gerudo felt like it at first but its also largely reversible, its just kinda .. adding a bit of city)

i hhhhhhhhhhhhhh have so many thoughts still, i am just better at holding them back .... also dont wanna annoy lmao

[inbarfink]

One of the major themes of ‘Ace Attorney’ has always been trust, obviously. Like, this is the most important creed that Mia Fey passed down to Phoenix and from there to anyone he has touched.

As well as just generally being one of Phoenix’s most important positive qualities.

The entire arc of the first game hinges on the idea of the Power of Trust, with it being a core pillar of Phoenix's relationships with both Miles and Maya.

And even the main gameplay themes of ‘turnabout’ and ‘turning your thinking around’ are linked to this theme of Trust. The whole idea around the narrative of a ‘turnabout’ is that the Defendant seems obviously totally guilty, but the defense attorney proves them innocent by Trusting in their innocence. 

And ‘turning your thinking around’ is generally framed as - rather than the general mystery-solver mindset of trying to deduce what has happened from the evidence given - trusting in your client’s innocence and looking for evidence that should be there if they are innocent/that other person is the culprit. Using the Trust in the client as the foundation to build your logic from.

And being such a core theme of the franchise, the games started reiterating on and deconstructing it almost immediately. “Farewell, My Turnabout'' having a Guilty Client feels like the most obvious example, maybe. But actually the game starts casting suspicions on Engarde pretty early on, and most of the emotional turmoil related to him is more of the, like “will Phoenix sacrifice the truth for Maya’s sake” hostage situation stuff. 

I think the more important stuff in that case is more about the Phoenix-Edgeworth drama. How Phoenix’ sense of trust, which seems like such an unwavering and unbreakable virtue in the first game, does actually have limits. Phoenix feels that Miles has betrayed his trust by, y’know, running off to Europe and making him think he was dead - and it takes him time to learn how to regain this sense of trust in him.

Meanwhile, Matt Engarde, he considers himself strong because he trusts in no one. In contrast to Adrian, who both he and she herself see as ‘weak’ because of her tendency to blindly trust the person she is dependent on. But at the end, it’s Matt’s distrust in everyone around him that brings on his own downfall. 

And the game after that adds in Dahlia Hawthorne who is, as Mia Fey’s nemesis, a sort of representation of the dangers of trust. A character who uses and manipulates those who put their trust in her.

“Apollo Justice: Ace Attorney” establishes its more cynical and deconstructivist tone compared to the original trilogy in part by always putting some sort of element of distrust between the Lawyer and the Defendant. With Apollo basically unable to really have a decent conversation with any of his clients, many of them being antagonistic towards him or hiding things from him. Phoenix Wright was basically the only defendant Apollo went into court actually 100% putting his trust in him… and we all know how that worked out.

And this moment is especially effective because… if you’re playing this game unspoiled after finishing the Phoenix Wright Trilogy, you probably trust Phoenix as well! The emotions Apollo feels as he sees who Phoenix had become are meant to mirror the emotions the Player probably feels at this very moment. And the hints and questions about what Phoenix did in the trial seven years ago are a challenge to the trust of both Apollo and the Player. Both of them are stuck between what they knew of Phoenix before and the revelation of what Phoenix confessed to in “Turnabout Trump”. Apollo’s uncertainty is the player’s uncertainty as well. 

And even if Apollo’s image of Phoenix is somewhat improved by “Turnabout Successions” and it’s clearly established that, no, Phoenix never knowingly used forged evidence as an attorney… There’s no big reconciliation that fixes everything like with Phoenix and Miles. It’s clear that Apollo’s sense of trust, in Phoenix Wright and in general, never quite recovered from the events of AJAA. Later games do still reiterate that he’s a lot more distrustful than other playable attorneys.

(And that’s also a point where the Player-Player Character Synergy from ‘Turnabout Trump’ kinda diverges, since I think most Players do regain their trust in Phoenix by the end of AA4 at least. Especially as unlike Apollo, we actually got to be inside his head again - that’s not exactly an experience Apollo will ever get to have. )

But, well, maybe it’s because it’s just really fresh in my mind, but I just think what ‘The Great Ace Attorney’ Duology does with this theme is just… really cool!

These games really play on the idea of challenging the trust… not just of the Player Character Ryunosuke, but also of the Player themselves. Because Ryunosuke also gets to have a Guilty Client… as his very-first actual client who is not himself. And since the game doesn’t lay on the suspicion quite as thick as with Matt Engarde, and since there’s no hostage situation of course… This plotline can have emotional synergy between the Player and the Player Character and focus a lot more about the emotional repercussion of putting your trust in someone totally absolutely unworthy of trust. 

And how this betrayal of trust haunts the characters moving forwards. How Ryunosuke now finds himself being held back by his doubts due to the memories of this terrible trial, and... not necessarily a lack of trust in others as much as a lack of trust in himself. How Susato is driven to do something she considers unforgivable - tempering with the Crime Scene behind the police’s back - because that trial had made her lose trust in the entire British Justice System.

The entire climax of the first game is thus a reaffirmation of the power of trust. By unwaveringly defending Gina - a girl they have bonded with, but has also been extremely uncooperative, shady, dishonest and literally involved in what went down in the McGilded Trial, in a very grueling and seemingly unbeatable trial  - Ryunosuke and Susato rediscover their ability to trust their defendant. Because, yeah, trust is a leap of faith - you never know when you’re gonna meet a McGilded or a Dahlia Hawthorne - but it’s also absolutely worth it.

And then with the themes of conspiracy strawn throughout the games and especially ramping up in the second game, that’s really kinda a thing that’s bound to sow seeds of paranoia and distrust in the Players about… all sorts of characters. Like, okay, I am fairly sure that pretty much every player who first walked into the Lord Chief Justice’s office and saw Mael Stronghart was like “Oh look! That’s the Final Boss!”. But with the hints for there being some sort of web of intrigue being hidden in the shadows, there’s plenty of other characters that skirt the line between feeling suspicious and trustworthy. The reveal that Seishiro Jigoku is actually a culprit was one of the best-done reveals in the whole franchise. And on the other hand, there are many reasons to be suspicious of Yujin due to the amount of secrets he clearly keeps, and yet he turns out to be a very straightforwardly heroic character. 

And then there’s Kazuma. And Mael Stronghart might be the Obvious Final Boss to the Conspiracy and Murder Mystery parts of the game, but within this thematic throughline of the challenges of trust, Kazuma is pretty much that part’s Final Boss. 

Initially designed to be someone both the characters and the players intently trust, both in terms of the meta-perspective of how he’s set up to be a kinda Mia-Miles hybrid and any Player with knowledge of the previous games will know that’s a kind of person you can rely on. And in general, even to newcomers, everything he says and does in the first two chapters of the game make him feel like just a very upstanding guy you can trust.

Then, when he comes back in the second games, he comes back with a new attitude that feels colder towards Ryunosuke (and thus the Player) and that’s also coupled with a whole bunch of mysteries about him that were hinted in the previous game, but are now coming to the forefront. 

And as the Trial of Barok Van Zieks progresses, it becomes increasingly clear that Karuma has, theoretically, all the possible motivation to kill Greyson and frame Barok for it, that he was one of the last people to see Gregson before his death and that he literally brandished a sword at him. And despite how cagey and shady he acts, he still insists he never killed anyone.

And the reveal that he has knowingly participated in an assassination plot behind the backs of both Ryunosuke and Susato is bound to cause a feeling of shock, confusion and betrayal not just in these characters - but also in the Player. The Player and Player Characters are in a lot of emotional synergy through this entire Kazuma storyline. These feelings of conflict between wanting to trust Kazuma after seeing him in his best and all the mounting suspicions due to all the revelations about him are really felt by all three of us.

And in the end the challenge for Ryunosuke and Susato is not to abandon Kazuma completely, and it’s not to continue blindly trusting their old idealized view of Kazuma - it’s to face the fact that he has kinda lost his way for single-minded revenge, while also still trusting that he is deep-down the same good not-murdery man they have known him as before.

[raven-at-the-writing-desk]

Hii, I hope your day/night is going well! I don’t think you’ve ever been asked this from what I’ve seen; but do you have any idea how the NRC school system works? my pea brain I cannot figure it out for the life of me 😭 I know that they have magical subjects ofc (magical history, alchemy, etc.), and they also have the more practical ones like math (unfortunately), but they also mention having electives. I know Azul and Ace have mentioned sharing elective(s) with others, which just leaves me to wonder how many periods they have or if they rotate classes around each day if that makes sense? And on top of that, the lesson chat things of the characters (including upperclassman/people not in 1A with ADeuce?) saying they’ll go along with the schedule we [Yuu] have in mind for the day.

Sorry this got to be so long and you don’t even have to answer at all, just a question that’s been in my mind! :)

As far as I'm aware, we are not told much about how class schedules work at Night Raven College. We don't know how many classes there are in a day, or if the students take the same classes every day or have them on rotation (for example, Magic History on Tuesdays and Thursdays only). We can, however, do our best to extrapolate from what we have!

We have a partial schedule shown in the Episode of Heartslabyul manga (volume 2, chapter 8). In it, we follow Adeuce, Yuuken, and Grim through the school day and right up until lunchtime. They seem to have 3 classes (Alchemy/Potionology, Magic History/History of Magic, and P.E.) and then a lunch break. In book 7 of the game, Ace is having lunch and mentions his "next class" being in the lab, though it's not said what course that is. That line (assuming the "lab class" is Alchemy/Potionology) could imply the schedule is shuffled around depending on the day, but it's at best an assumption.

We also have an idea about a decent chunk of Azul's class schedule, if you can believe that. In 3-7, we get to see his first three periods (Music, Animal Linguistics, and Potionology/Alchemy, in that order). He then goes to lunch. This would seem to imply that all students have three periods and then a lunch break. We don't know how many periods follow after lunch, but I think a safe guess would at least another 3.

In Jamil's Lab Wear vignettes, we learn that class 2-C (Azul and Jamil) take Alchemy/Potionology after Riddle's class, 2-E, does. This means Riddle and Jade take Alchemy/Potionology or some other labwork for second period. We additionally learn in Jade's P.E. vignette that he and Riddle have P.E. for fourth period, which must be after lunch. This implies that required courses are likely taken with students in one's grade level and maybe homeroom, as this is true of Jamil/Azul and Riddle/Jade combos. This doesn't appear to hold true for electives like Master Chef/Culinary Crucibles and Poison Making/Poison Refining, which receives a mix of students.

Classes at NRC appear to be back-to-back, with everyone sharing the same lunch period. This is because we often see many of the main cast in the lunchroom at the same time (book 1 when Yuu sees students from every dorm, book 7 when the first years chat about Mickey, etc.). There aren’t big breaks in the middle of the school day aside from lunch, as far as I’m aware.

I would be hesitant about treating Lessons as 100% canonical, as the gameplay elements of TWST sometimes contradicts the lore we are given in the story and voice lines. For example, you as the player are able to put first years, second years, and third years in the same Lessons when, in reality, this would not be feasible, especially not ALL the time or whenever you want them to be merge. Some courses would have prerequisites that the first years have yet to complete, and not everyone would realistically be choosing to take the exact same electives. Additionally, second years and third years would have to be taking different sections for some subjects which cover entirely different content than what is given to first years. (For example, students don't learn about the Righteous Judge until Magic History II, which you take in your second year. This is why the first years don't know who the figure is when asked about him in Glorious Masquerade.) It’s true that sometimes there are joint classes for PE and even lab classes, but you as the player would not reasonably be able to dictate when those joint classes happened or who else is in attendance.

I'm sure that some of the information dropped in Lessons are true (ie lines from the characters' Chats and the lines they drop during the actual Lessons/when they're gaining stars). However, the things directed at Yuu are dubiously true in my eyes since the pre-Lesson lines are directed as much at the player as they are to Yuu. They're lines meant to make the player themselves feel like they're forming friendships with the boys and participating in learning with them even though this (again) wouldn't make complete sense in-universe. Yuu can't use magic, so they wouldn't be able to participate in upper-level classes which require the use of magic. They wouldn't be following second and third years to those classes. It's also nonsensical to think that the school would allow for any student to just make up whatever schedule they feel like doing on the spot for the entire year. I believe the wording is like this ("Oh, I'll do whatever you want to do, Yuu!") for Lessons to, again, give the player a sense of freedom, and feel like they're taking initiative to bond with their favorite characters.

That being said, here's what else I could find regarding NRC's curriculum:

Crewel heads the Science department, Trein the Humanities, and Vargas Physical Education.

Students are not allowed to use UMs/signature spells during class. They are, however, allowed to use general magic if directed to by the instructors.

First year students focus more on concepts and theories. The older students have classes which involve more use of magic than theory.

There are sometimes joint lessons, or classes running concurrently with one another with students of different year levels involved.

History of Magic/Magic History seems to be a required course; its materials are divided up into different sections and taught based on your year in schooling. The Righteous Judge, for example, is covered in year 2.

Flight/Flying is described as an elective class; not many Pomefiore students take it.

Alchemy is another required course; it seems to provide the base knowledge for potion making before students qualify for other more complex science electives. For example, Crewel berates the first years for touching equipment in the manga and instead has them identify plants.

Potionology (or Magic Pharmaceuticals) seems to be a potions making class.

All students must take Physical Education.

Some students remark on sharing electives with others. For example, Ace and Sebek are in Enigmics/Magic Analysis together, Deuce and Epel are in the same Flight class, Vil and Cater and Lilia take Poison Making/Poison Refining, Silver and Kalim share Astrology and Practical Magic, Jamil and Azul have Potionology, etc.)

Though all 22 NRC students have/will have an Apprentice Chef card, we don't have confirmation that they all took the elective in the main story canon. The exception is Sebek, who has a line in book 7 stating that he's glad he took the Master Chef course.

NRC offers electives like (Visual) Art and Music/Musicology, which encourages and expands one's imagination. This is important because spellcasting is enhanced by having a strong imagination.

The TWST 4koma shows us that third years are able to infuse their artworks with magic, thus bringing them to life. It seems that first and second years do not attempt this magic yet.

There is an elective called Animal Languages/Animal Linguistics, but the name is broad and doesn't specify which animals you're learning to communicate with. This appears to be similar to a real-life foreign language course.

Practical Magic involves using spell formulas in order to achieve a practical goal, such as autocleaning. This is a required subject; failure to pass means you are held back one year.

Enchanting objects is described to be a "basic, rudimentary magic" that even first years are capable of performing.

Physical Training and Swimming seem to be P.E. electives.

Electives we don't have much information about: Protection/Defense Magic, Summoning/Conjuration, Biology.

Master Chef/Culinary Crucibles is an elective designed to give the students the practical skills to provide nutritious meals for themselves. This and P.E. are meant to help keep the mages healthy and in good shape to perform their magic.

Enigmics/Magic Analysis is a mathematics-based course. Ace describes it as solving logic questions using formulas.

Ancient Magic involves reading old texts and deciphering their meaning.

Astrology involves reading the stars and using them to make predictions.

Third years must choose between Poison Making/Refining and Changes & Comparisons of Abbreviated Spells in Ancient and Modern Magic History as an elective. The latter is a lot of writing and making chronological tables.

To graduate NRC, students must complete mandatory off-campus internships in their fourth and final year; this is a structure common among magic schools. Third years attend an orientation meeting in the springtime to prepare them for the application process.

Internships begin in September, around the same time classes start. There are three periods for the internship; students can choose to remain at the same site or take up to three different internships, each lasting 3 months.

A student's internship site options will vary depending on the individual's electives, class credits, and grades.

Some internships require special technical exams and/or interviews. It is also possible that some internship sites will scout desired students in advance. This was the case for Idia, who was given several internship offers after his presentation at a cultural fair.

Each quarter, fourth years must receive an evaluation of B or higher, as well as submit a written report about their experience. A student must receive credit in at least 2 out of 3 internships in order to qualify for graduation.

There is a final exam you need to pass for graduation.

[whatkindofromance]

Analysing the Soap x Ghost ship 🫡

(looking at the reboot MW2 for this post but might dabble in MW3 & og goap later on…)

Kicking off with my most controversial opinion…The most important quote for this ship is when ghost tells soap:

“Friendship is not in the field manual,Johnny.”

This sentence in itself if a hilarious contradiction. Ghost rejects the formality of using sgt or his callsign and opts for the personal first name usage. I think this serves as a metaphor for their entire relationship where Ghost puts up boundaries and adheres to formality with his colleagues, unless it’s soap. This quote is interpretable as ‘I don’t have personal connections with colleagues, but I will reject that notion for soap.’

Another, far more blatant, show of the bond between these two soldiers is this interaction between soap and Alejandro

A: “I can’t call soap ‘Johnny’…”

S: “don’t. Only Ghost can pull that off.”

I’m sorry…WHAT 😀 I don’t know if this is my personal experience but when someone is given a nickname in a group environment (e.g. sports teams, friend group, in this case military task force) it will always be a nickname for the group. The ONLY times I’ve ever had people say “only ‘…’ can call me that” is when the nickname was given to them by either a family member or a significant other.

BUT… how do we know they’re more than just really close buddies?? I hear the masses ask… Well, as with most ships there is no blatant declaration or concrete evidence for for this paring however what I find sets these two apart from other queer ships is the lack of denial. Soap and Ghost never explicitly state anything regarding either their sexuality or their love interests. The closest thing we get the topic is the light banter discussing Ghost’s appearance/attractiveness.

S: “are you ugly?”

G: “quite the opposite”

This is just one many snippets of dialogue between the pair where the tone of conversation tips from just banter to flirtatious banter. There are to many more examples I could give for that. I know it’s very common for straight men to jokingly flirt with each other (I coach a male sports team they’re insufferable) but as ghost said before, friendship’s not in the field manual.

In addition to this, ghost and particularly soap are shown having close friendships to other characters. It’s mostly Alejandro and Rudy in mw2, and they’re shown exchanging nicknames and banter, but it lacks the same flirtation and closeness shared between soap and ghost.

Ghost is a cold man and throughout gameplay he is shown to be unwavered by his teammates and fellow soldiers deaths. I understand that this is a necessary factor for him doing his job however it contrasts heavily with how he treats soap in the mission Alone. He stays behind endangering his own life to help soap’s escape. There is also a tone of worry evident in his voice when Johnny is shot and when he can’t get a hold of him immediately on the command. He doesn’t express emotion in this way to any other character.

While he trusts the whole 141 and Los Vaqueros with seeing his face, he never treats anyone as if they’re more than a teammate. He conducts himself incredibly professionally in that sense, until he’s talking to soap. I really feel like the character is able to separate the idea of ‘trusting’ a teammate and ‘liking’ a teammate.

I could yap for days about this but these were just some of my more pressing thoughts.

[thosegothsims]

RE: Not So Berry Legacy Challenge

howdy! so a long, long time ago in like 2019, i decided that i wanted to rewrite the not so berry challenge originally by @lilsimsie and @alwaysimming to fit in some more of the occults and other packs we’ve gotten over the years since their challenge was originally created. this was also partially inspired after seeing @sweetlysimss had created an updated version of the original NSB challenge as well around the same time, so credit where credit is due! check out both the original challenge and sweetlysimss’ updated version — without them i wouldn’t have been able to be confident in recreating the challenge to suit my own tastes and interests! ♡

the challenge still follows a similar structure to the original challenge, but i’ve adjusted many of the generations to fit storylines that i find more fun, adjusted the rules to things that i personally would like to explore, and make use of packs that i don’t find myself playing with to their full potential too often. i especially added a lot of occult gameplay, because i tend to just make occult sims and then don’t do much to play with their specific gameplay or with the aspirations that come with the pack they’re in.

if you’d like to see a full rundown of the entire legacy, click here to see the google doc i’ve made with all of the generations’ rules laid out for you. below the cut is the first generation’s rules so you can get an idea of what the full challenge will be like!

GENERATION ONE: MINT GREEN

You are an alien who doesn’t quite understand all of what earth has to offer. You and your minty self decide to take the best course of action and learn about the world around you—through science! With the power of two worlds (literally) in your hands, you go a little...crazy with the power at your fingertips, and strive to become the world’s first alien mad scientist.

> The Sim

Traits: Genius, Ambitious, Materialistic

Aspiration: Chief of Mischief

Career: Scientist

Species: Alien

> Rules

Skills, Career, and Aspiration

Master scientist career

Complete Chief of Mischief aspiration

Master mischief and logic skills

Personal Life

Marry human spouse

Have at least one enemy (optional: who has a voodoo doll attached for...purposes)

Use the Electroflux Wormhole Generator to visit your home planet of Sixam

Number of children this generation doesn’t matter, but heir must be human

Optional

Complete the elements collection — you have to know all about the elements on this planet!

Live in StrangerVille & solve the StrangerVille mystery with your spouse. Why does the flora around here seem so familiar?