#I have cleared the story in PoE

[a-shrieking-cloud-of-bats]

you know I think one of my biggest beefs with action rpgs right now (besides the fact that in every single one you are killing increasingly bizzare demons) is that it’s sort’ve gone from an open build philosophy to railroading you Hard via stat expectations into certain like, class archetypes

even path of exile for all of the “build variety” shit you can say is really really difficult and you generally have to minmax to get into the postgame (which is honestly barely postgame; there’s so much shit in there it rivals the maingame)

a genre that from the beginning should’ve been about doing cool shit with a wide variety of variables has successfully made the most railroaded “open class design” game I have ever seen

[daincrediblegg]

Nothing wrong with me

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[paxtito]

birthday girl

pairings: wednesday x reader

word count: 5.2k

warnings: none really, kissing and swearing here and there.

summary: wednesday was born november 13th, 2006, it’s her birthday soon so enid- being overly invested in your relationship- convinces you to plan a birthday surprise. you steal a very expensive book and put together an addams family themed escape room.

a/n: i’ve written quite a few fics since august so i’m just doing a little clear out of my drafts. apologies in advance for any mistakes. i’m no edgar allan poe expert, don’t come for me if the price is wrong.

MASTERLIST

It’s officially November. Wednesday’s birth month. You wasn’t planning on doing anything for it out of respect to her boundaries but Enid’s constant yapping in your ear brought you to the brink of insanity.

“Jesus! Fine, Enid… We’ll plan something, okay? Stop talking my ear off.”

Enid squealed excitedly, clapping her hands together. "Oh my gosh, yes! This is going to be so much fun!"

You rolled your eyes but couldn't help the small smile tugging at your lips. Enid's enthusiasm was infectious, even if her ideas were sometimes a bit... much.

"Alright, let's brainstorm," Enid said, plopping down onto your bed next to you. "What does Wednesday like? Besides death and darkness, I mean."

You chuckled. "Well, she seems to enjoy solving mysteries and puzzles. And she has a thing for creepy crawlies… Dead things…”

Enid wrinkled her nose in distaste but nodded. "Okay, so maybe not a spa day then. How about a murder mystery party? We could invite everyone and have them dress up in costume!"

You shook your head. "Wednesday doesn't really do 'parties' or 'people'. She'd probably just end up killing someone for real."

"Good point," Enid sighed. "Hmm… What about a private escape room experience? Just the two of you, working together to solve some kind of creepy puzzle. That way it's intimate but still fits her interests."

You considered it. That actually didn't sound half bad. "Yeah, I could see her getting into that. Let me look into it."

Enid beamed. "Perfect! Oh, and don't forget her favorite foods - bugs and gross stuff. You could make her a special birthday cake with... I don't know, worms or something?"

You made a face. "I have to draw the line somewhere, Enid. I may love her, but I'm not putting actual worms in a cake… I’m not touching worms.” You grimace, a shiver running down your spine at the thought.

Enid pouted but nodded in understanding. "Fair enough. I guess you could always just make it look like there are worms in it. You know, like those chocolate bugs they sell online? That might be more her speed anyway.”

You shake your head firmly. "No food. Definitely no bugs or anything gross. I'm drawing the line there."

Enid sighs. "Alright, alright. No bugs in the food. But we need to get her something, right? Like a present?"

You nod, considering Enid's suggestion. "Yeah, a present is a good idea. But what do you get for the girl who has everything? Especially when 'everything' is basically just death-related shit."

Enid taps her chin thoughtfully. "Hmm... Maybe something personalized? Like a custom-made necklace with a little vial pendant that holds a drop of your blood or something."

You cringe. "Uh, no. Definitely not going to give her bloody jewelry. That's just weird."

"Okay, okay," Enid says, holding up her hands in surrender. "How about a book then? Like a rare edition of some creepy classic literature?"

You mull it over. Wednesday does love to read. "That's not a bad idea actually. I could look for a first edition copy of one of her favorite Edgar Allan Poe stories or something.“

Enid claps her hands together. "Yes! Oh, and you could inscribe it with a little personal message inside the cover. Something like 'To my darling Wednesday, may your days be as dark as your soul.' "

“Where would I get the money though?”

Enid smiles slyly, leaning in closer. "Well, you could always ask your parents for some birthday money. Or... you could sell some of your old junk online. I bet there are a ton of weirdos out there who would pay top dollar for your crusty gym socks or used toothbrushes."

You make a disgusted face. "Ew, Enid! That's gross. I'm not selling my dirty laundry to some freaks on the internet."

"Suit yourself," Enid shrugs. "But if you change your mind, I know a guy who runs a pretty lucrative online market for this kind of thing. He's always looking for new... supplies."

—

A week later, you and Enid are hunched over your laptop, scouring online bookstores for the perfect rare edition for Wednesday.

"Ooh, look at this one!" Enid exclaims, pointing at the screen. "It's a first edition of 'The Tell-Tale Heart' published in 1843. And it comes with a handwritten note from Poe himself!"

You lean in to take a closer look. The book does look impressive, with its aged leather binding and yellowed pages. But the price tag makes your eyes bulge. "$25,000?! Are you insane?"

Enid pouts. "C'mon, it's a collector's item! And it's not every day you find something this rare. Wednesday would love it!"

You shake your head. "I can't afford that, Enid. I'm just a high school student… I’ll steal it.. Where’s the store located?”

You lean back in your chair, rubbing your temples. Stealing a rare book from a specialized antique store sounds like a terrible idea, but you're desperate to impress Wednesday. Plus, you've always been pretty good at breaking and entering.

"The store is downtown, near the old theater district," Enid says, squinting at the screen. "It's called 'The Raven's Nest' - fitting, right? They specialize in rare horror literature and occult artifacts."

You smirk. "The Raven's Nest... I like it. Okay, here's the plan: we'll case the joint tonight, figure out their security system. Then tomorrow night, I'll break in and grab the book while you keep watch outside."

Enid looks nervous. "Are you sure about this? I mean, what if you get caught? What if there's some kind of magical protection on the book?"

You roll your eyes. "There's no such thing as magic, Enid. And I won't get caught - I'm the fucking master thief of Nevermore Academy.”

—

As you and Enid walk down the darkened streets of downtown, you can't help but feel a thrill of excitement coursing through your veins. The anticipation of pulling off this heist and surprising Wednesday with the perfect gift is almost too much to bear.

"Alright, here's the plan," you whisper to Enid as you approach the old brick building that houses The Raven's Nest. "I'm gonna scope out the back entrance while you check out the front. See if you can spot any security cameras or alarm systems."

Enid nods nervously, clutching her jacket tight around herself. "Got it. But be careful, okay? I don't want you ending up in jail or worse..."

You flash her a cocky grin. "Relax, Enid. I've got this. Nothing can stop me once I set my mind to something."

With that, you split up, each of you slipping into the shadows to survey the store. The back alley is dimly lit, with only a single flickering bulb casting a weak glow. You notice a rusty fire escape leading up to a second-story window - the perfect entry point.

Enid shivers, pulling her collar up against the chill night air. She scans the front of the building, noting the ornate iron gate and the dim lights from inside. There seem to be cameras positioned above the door, but no obvious alarms.

You quietly ascend the fire escape, each step sending a faint creak echoing through the alley. At the window, you peer inside, spotting rows of shelves packed with dusty tomes and strange artifacts. In the center of the room, a glass case catches your eye - and inside it, the priceless first edition of "The Tell-Tale Heart".

You carefully pry open the window, wincing as the old hinges let out a soft groan. With a deep breath, you hoist yourself inside, landing softly on the creaky wooden floorboards. The musty smell of old books and mothballs fills your nostrils as you creep through the shadowy aisles, your heart pounding in your chest.

As you approach the glass case, you can't help but marvel at the beauty of the ancient tome. The leather cover is worn and cracked with age, but the gold lettering still glints in the dim light. You reach out, your fingers trembling slightly as they brush against the cool glass.

Just then, a sudden noise from the front of the store makes you freeze. Footsteps, slow and deliberate, growing louder with each passing second. You glance around frantically, searching for a place to hide, but the open layout of the shop offers little cover.

Panic rising in your throat, you duck behind a nearby shelf, praying that whoever it is won't spot you. The footsteps grow closer, accompanied by the jingle of keys and the click of a lock being undone.

You hold your breath, pressing your back against the wall as the footsteps draw nearer. Your heart hammers in your chest, threatening to give away your position. The shop door creaks open, and a beam of light slices through the darkness, illuminating a section of the floor just inches from where you're hiding.

"Who's there?" a gruff voice calls out. "I know someone's in here!"

You remain perfectly still, barely daring to breathe. The light from the doorway sweeps across the room, and you shrink further into the shadows, praying that your black clothes will camouflage you against the dimness.

The footsteps move closer, the owner of the shop clearly searching for the intruder. You consider making a run for it, but the thought of being caught red-handed with the stolen book makes you hesitate.

The owner's footsteps pause just outside the aisle where you're hiding. Your palms are slick with sweat as you grip the edge of the shelf, preparing to bolt if necessary. The seconds tick by agonizingly slowly, each one feeling like an eternity.

Suddenly, a hand reaches around the corner, grasping at the air mere inches from your face. You flinch instinctively, but manage to hold your ground, not daring to make a sound. The owner steps into view, his thick-rimmed glasses reflecting the dim light as he scans the area.

"I've got you now, you little thief," he growls, his breath hot and rank as it washes over you. "Come on out, hands where I can see them!"

Your mind races, desperately trying to formulate an escape plan. You could try to overpower him, but he's significantly larger than you, and the risk of him calling the police is too high. No, you need to be smart about this.

As the owner takes another step forward, you make your move. Ducking low, you sprint past him, heading straight for the back of the shop.

The owner bellows in anger, his heavy footsteps thundering after you. "Stop, thief! I'm calling the cops!"

You don't dare look back, pouring every ounce of speed into your desperate flight. Your lungs burn as you race through the cramped aisles, dodging past stacks of books and leaping over precariously balanced piles of occult trinkets.

Just as you're certain the owner is about to catch you, you spot the back door. With a burst of adrenaline, you lunge for it, your fingers scrabbling at the handle. The door swings open, revealing the darkened alley beyond.

You tumble out into the night, the cool air hitting your face like a slap. Behind you, the owner's furious shouts echo from the shop, followed by the shrill ring of a phone - no doubt calling the police.

You don't stop running until you're several blocks away, your chest heaving and your legs burning with exertion. Only then do you allow yourself a moment to catch your breath, leaning heavily against a brick wall as you gasp for air.

You turn to Enid who’d been running after you, “you’re an amazing lookout..” You mumble sarcastically.

Enid looks absolutely terrified, her eyes wide and her face pale in the moonlight. She's breathing hard, her chest heaving with each ragged gasp. "I... I tried to warn you," she stutters, her voice trembling. "I saw him coming in and I ran to find you, but... but you were already gone."

You push off the wall, your legs still shaky from the adrenaline rush. "It's okay," you say, trying to sound calmer than you feel. "We got away, that's what matters… I got the book.”

You pull the book from your jacket, holding it up in the moonlight. The leather cover glistens, and you can't help but feel a surge of pride at your successful heist.

Enid's eyes widen as she takes in the ancient tome. "Wow," she breathes, "you actually did it. You stole a first edition Poe book!"

You grin, tucking the book safely back into your jacket. "Of course I did. I told you, I'm the best thief in town."

Enid shakes her head in disbelief. "I can't believe you just broke into a store and stole something. That's so... so..."

"Cool?" you suggest, raising an eyebrow.

Enid laughs nervously. "No, not cool. Crazy! You could have gotten in serious trouble."

You wave a dismissive hand. "But I didn't. And now Wednesday is going to have the most amazing birthday present ever."

Enid bites her lip, looking uncertain. "Are you sure about this? I mean, what if she finds out you stole it? She might be mad."

“She won’t. Trust me.”

—

After weeks of planning and anticipation, the day has finally arrived. You've managed to lure Wednesday out of the house under the pretense of a "special surprise", blindfolding her before she could ask too many questions. Now, as you guide her down the street towards the escape room, your heart is pounding with a mix of excitement and nervousness.

"Where are we going?" Wednesday asks, her voice muffled by the blindfold. "This better not be some kind of lame party or something."

You can't help but chuckle at her grumpy tone. "Relax, Wednesday. It's nothing like that. Just trust me, okay? I promise you're going to love it."

Wednesday huffs but doesn't protest further, allowing you to lead her onwards. As you approach the escape room, you can feel a sense of anticipation building in your gut. You've put so much thought into this surprise, and you're determined to make it perfect.

The door to the escape room looms ahead, and you take a deep breath before pushing it open.

As you guide Wednesday inside, the blindfold is removed, revealing a dimly lit room decorated with eerie candles and macabre artwork. Wednesday blinks, her eyes adjusting to the gloom as she takes in her surroundings.

"What is this place?" she asks, her brow furrowing in confusion. "Some kind of gothic-themed restaurant?"

You grin, shaking your head. "Nope. It's an escape room. And it's all for you, Wednesday. Happy early birthday."

Wednesday's eyes widen, a flicker of surprise crossing her usually stoic features. "An escape room? Seriously? You know I hate those tourist trap things."

You place a hand on her shoulder, giving it a gentle squeeze. "I know, but this one is different. It's tailored specifically to your interests. Mysteries, puzzles, all that creepy stuff you love. Plus, it's just the two of us. No annoying strangers to deal with."

Wednesday narrows her eyes, studying you intently. "Okay, I'll bite. What's the catch? There's no way you'd actually think I'd enjoy some dumb escape room."

You can't help but smile at her skepticism. It's one of the things you love about Wednesday - her sharp mind and unwillingness to be fooled by empty gestures.

"No catch," you assure her, holding up your hands in a gesture of sincerity. "I know how much you love a good mystery, and I thought this would be a fun way to celebrate your birthday. Plus, I may have mentioned to the owners that you're a bit of an expert in this kind of thing. They're really excited to have you try it out."

Wednesday's expression softens slightly, a hint of curiosity sparking in her dark eyes. "They know about me? How?"

You shrug, trying to play it cool. "I may have dropped a few hints about your... unique skill set. But they were sworn to secrecy. This whole thing is just between us."

As you and Wednesday enter the dimly lit escape room, you can't help but feel a rush of excitement. The space is decorated with an eerie attention to detail, filled with cryptic symbols, antique furniture, and a general atmosphere of macabre intrigue.

Wednesday's eyes dart around the room, taking in every detail with a keen curiosity. "Looks like they did their research," she murmurs, running a finger along the spine of an ancient-looking book resting on a nearby table.

You nod, grinning with pride. "I told you, I made sure it was the perfect fit for you. And trust me, the best part is yet to come."

Wednesday raises an eyebrow, but before she can respond, a low, ominous voice echoes through the room. "Welcome, dear guests," it intones, "to the Addams Family Escape Room Experience."

Wednesday's head snaps up, her eyes widening with surprise. "Wait, what?"

The voice continues, "In this immersive adventure, you'll navigate the twisted world of the Addams family, solving puzzles and unraveling secrets.”

The voice pauses dramatically before continuing, "Your objective is simple: escape the room before the clock strikes midnight, or risk being trapped forever in the Addams family's morbid mansion."

A sinister laugh echoes through the speakers, sending a shiver down your spine. Wednesday, meanwhile, seems entirely unfazed, her expression one of intense focus as she begins to examine the room more closely.

"Impressive," she admits grudgingly, running her fingers along the intricate carvings on a nearby bookshelf. "They've really captured the my family’s aesthetic."

Wednesday's eyes narrow as she takes in the details of the room, her mind already working to piece together the clues. The walls are adorned with eerie paintings and strange artifacts, each one seemingly hiding a hidden meaning or secret.

"Okay, let's start with the basics," Wednesday mutters, more to herself than to you. She begins to methodically search the room, her movements precise and purposeful.

As she works, you can't help but marvel at her incredible focus and deduction skills. It's like watching a predator stalk its prey, every action calculated and deliberate.

Wednesday pulls a dusty old book from the shelf, its pages yellowed and brittle. As she flips through the pages, her eyes widen. "Found something," she says, showing you a page filled with cryptic symbols and riddles.

You lean in closer, trying to decipher the message, but it's like reading a foreign language. "What does it say?" you ask, feeling a bit lost in the face of Wednesday's brilliance.

Wednesday's lips curve into a small, enigmatic smile as she traces her finger over the cryptic symbols. "It's a riddle," she explains, her voice low and conspiratorial. "A challenge, of sorts."

She reads the words aloud, her tone almost reverent:

"Seek the key that lies within

The heart of darkness, where the shadows begin."

Wednesday closes the book, her gaze sweeping the room once more. "Darkness, shadows... I wonder if that's literal or metaphorical."

She strides over to a large, ornate mirror hanging on the far wall. As she approaches, you notice a faint glow emanating from the frame, pulsing in time with some unseen heartbeat.

Wednesday reaches out, her fingers hovering just above the surface. "Interesting," she murmurs, her breath fogging the glass. "This could be it. The 'heart' of the room."

She turns to you, her eyes glinting with a newfound intensity. "I'm going to need you to do something for me," she says, her voice steady and commanding.

"I need you to stand behind me," Wednesday instructs, her voice low and authoritative. "And when I give the signal, I want you to push me against the mirror as hard as you can."

You blink, taken aback by her request. "What? Are you sure that's safe? I don't want to break it or hurt you."

Wednesday's eyes narrow, a hint of impatience flashing across her face. "Trust me, Y/N. I've done my research. This mirror is reinforced, designed to withstand pressure. It's part of the puzzle."

Still uncertain, you nevertheless comply, moving to stand behind her. Wednesday positions herself in front of the mirror, her stance wide and her muscles tensed. She nods once, a silent signal for you to proceed.

Taking a deep breath, you place your hands on her shoulders, feeling the firmness of her muscles beneath your palms. With a grunt of effort, you push, propelling Wednesday forward into the mirror.

As Wednesday collides with the mirror, there's a blinding flash of light and a crackling sound, like electricity surging through the glass. For a moment, you're blinded, your vision swallowed by the brightness. But as the glow fades, you blink rapidly, trying to clear your eyes.

When your vision returns, Wednesday is gone. Vanished. In her place, the mirror reflects an image of a dark, shadowy hallway stretching into the distance.

For a heart-stopping moment, you're frozen in shock, your mind struggling to process what just happened. Then, as panic starts to set in, you hear a voice echoing down the hallway, distant but unmistakably Wednesday's.

"Y/N! I'm in here!"

You lean closer to the mirror, your breath fogging the glass as you peer into the shadowy depths. "Wednesday?" you call out, your voice sounding small and uncertain. "Where are you?"

There's a pause, and then Wednesday's voice returns, sounding strained and urgent. "I'm stuck, Y/N. I need you to follow me. Quickly!"

"Hurry, Y/N!" Wednesday calls out, her voice echoing strangely in the shadowy hallway beyond the mirror. "I think I found the key, but I can't get it out."

Your heart pounds as you lean closer to the mirror, your reflection staring back at you from the darkened glass. The image of the hallway wavers and shifts, as if the shadows themselves are alive and moving.

Taking a deep breath, you reach out and press your palm flat against the mirror's surface. The glass is cold and smooth beneath your fingers, but as you apply pressure, you feel it beginning to give way, like a door yielding to a firm push.

With a grunt of effort, you step forward, feeling the resistance of the mirror against your body. For a moment, it's as if you're being pressed between two planes of existence - the real world behind you, and the shadowy realm ahead. Then, with a final heave, you stumble through, tumbling into the darkness beyond.

You land on your hands and knees, the floor beneath you cold and damp. As you push yourself upright, you see Wednesday standing a few feet away.

She's standing in a shadowy corridor, her face illuminated by the faint, eerie glow emanating from the walls. Wednesday's eyes widen as she sees you emerge from the mirror, relief and urgency flashing across her features.

"Thank god you're here," she breathes, her voice trembling slightly. "I was starting to think I might be trapped in here forever."

You take a moment to orient yourself, taking in the strange, otherworldly environment surrounding you. The walls seem to pulse with an inner light, casting shifting shadows across the floor. The air is thick and heavy, carrying an unsettling scent of decay and old secrets.

"What is this place?" you whisper, your voice sounding too loud in the oppressive silence.

Wednesday shakes her head, her eyes never leaving the object clutched in her hand. "I'm not entirely sure," she admits, her tone uncharacteristically uncertain. "But I think it's part of the escape room's final challenge."

She holds out the object for you to see - a small, ornate key, its metal surface etched with strange, twisting symbols.

Wednesday holds the key up to the flickering light, examining its intricate design. "The inscription... it matches the symbols from the riddle in the book. I think this is what we've been searching for."

She glances around, her eyes scanning the shadowy corridor. "But there's no lock here. We need to find where this key belongs."

You nod, following Wednesday's gaze as she begins to move down the hallway, her steps cautious and deliberate. The walls seem to shift and sway as you pass, the air growing colder with each step.

Wednesday stops suddenly, her head tilting to the side as she listens to a distant sound. "Do you hear that?" she whispers, her voice barely audible over the oppressive silence.

You strain your ears, trying to pick up on any noise. At first, there's nothing, but then you catch it - a faint, rhythmic thumping, like a heartbeat echoing through the darkness.

"It's coming from that way," Wednesday says, pointing down a side passage branching off from the main corridor. "We need to follow it."

As you and Wednesday move deeper into the shadowy realm behind the mirror, the atmosphere grows heavier and more oppressive with each step. The thumping sound grows louder, more insistent, echoing through the dark corridors like a macabre heartbeat.

Wednesday's brow furrows in concentration, her eyes scanning the walls for any clue or hidden passage. She moves with a predatory grace, her steps silent and purposeful as she navigates the twisting labyrinth.

Suddenly, she stops, her hand shooting out to grab your arm. "Look," she hisses, her breath hot against your ear.

You follow her gaze to where the wall seems to ripple and shift, like water disturbed by an unseen hand. As you watch, a shape begins to emerge from the shadows - the outline of a door, its surface covered in the same eerie symbols that adorn the key in Wednesday's hand.

Wednesday's grip on your arm tightens, her nails digging into your skin. "This is it," she breathes, her voice trembling with a mixture of excitement and trepidation. "The final challenge."

Wednesday's hand trembles slightly as she raises the key, the metal glinting in the eerie light emanating from the walls. With a deep breath, she fits the key into the lock, the symbols aligning with a satisfying click.

As the lock disengages, the door creaks open, revealing the room they’d started in.

"That was... impressive," she says, turning to face you. "I mean, it was still an escape room, but at least it had some real challenges. Whoever designed this clearly knows their stuff."

You step forward, a mischievous grin playing at the corners of your mouth. "You're welcome," you say, pulling the carefully wrapped package from behind your back. "Happy birthday, Wednesday."

Wednesday's eyes widen as she takes in the small, rectangular shape of the gift. She reaches out tentatively, her fingers brushing against the smooth paper. "What is it?"

"Open it and see," you encourage, handing her the package.

Wednesday tears into the wrapping paper with gusto, revealing the pristine leather cover of the book underneath. Her eyes widen as she reads the title embossed in gold lettering: "The Tell-Tale Heart" by Edgar Allan Poe.

"Is this...?" she breathes, running her fingers reverently over the ancient binding. "A first edition? Y/N… How much did you spend-“ She begins, ready to scold you.

“-I stole it.”

Wednesday's eyes snap up to meet yours, her expression a mix of shock and awe. "You... you stole this for me?" Her voice is barely above a whisper, but there's an undercurrent of something else beneath the surface - something that sends a shiver down your spine.

"That's right," you confirm, stepping closer to her. "I knew how much you loved Poe, and I wanted to give you something truly special for your birthday. Something no one else could ever give you."

Wednesday's gaze drops back to the book, her fingers caressing the leather cover with a reverence that borders on obsessive. "This is... incredible," she murmurs, almost to herself. "I can't believe you'd go to such lengths for me."

You reach out, gently tilting her chin up to meet your eyes once more. "Of course I would," you say softly, your voice low and intimate. "You're worth it, Wednesday. More than worth it."

Wednesday's breath hitches as your fingers brush against her skin, her dark eyes searching yours for any sign of deception or ulterior motive. But all she sees is sincerity, and maybe something deeper - a longing that mirrors her own.

"Why?" she asks, her voice barely audible. "Why would you do this for me?"

You lean in closer, your lips nearly brushing against her ear. "Because I care about you, Wednesday," you murmur, your breath warm against her skin. "More than I've ever cared about anyone else. And I wanted to prove it to you, in a way that no one else could."

Wednesday's heart pounds in her chest, her body responding to your proximity in ways she didn't know were possible. She's always prided herself on her emotional detachment, her ability to remain unaffected by the whims and fancies of others. But with you, she feels herself crumbling, her carefully constructed walls beginning to fall away.

Wednesday's breath catches in her throat as your lips brush against her ear, your whispered confession sending a jolt of electricity through her body. For a moment, she's frozen, her mind reeling as she tries to process the intensity of the moment.

But then, slowly, she raises her hand, her fingers coming to rest gently against your chest. She can feel the steady thrum of your heartbeat beneath her palm, a reminder of the life and warmth that lies beneath your skin.

"Y/N," she whispers, her voice trembling slightly. "I... I don't know what to say."

You pull back just enough to meet her gaze, your eyes dark with desire and something deeper, more profound. "You don't have to say anything," you murmur, your hand coming up to cup her cheek. "Just let me show you."

And then, before she can react, you're leaning in, your lips capturing hers in a kiss that steals the breath from her lungs. Wednesday's eyes flutter closed, her body melting into yours as she surrenders to the sensation of your mouth moving against hers.

Wednesday's mind reels as the kiss deepens, her senses overwhelmed by the taste and feel of your lips against hers. She's kissed you before, of course - quick, furtive pecks stolen in the dark corners of school. But nothing like this. Nothing that makes her feel so alive, so utterly consumed by the other person.

Your hand moves from her cheek to the back of her neck, your fingers tangling in the silky strands of her hair. Wednesday lets out a soft moan, her body arching into yours as her hands come up to grip your shoulders. She's never felt so wanted, so desired, and it's both thrilling and terrifying all at once.

For a long moment, Wednesday is lost in the sensation of your kiss, her mind going blank as she succumbs to the heat of your touch. But then, with a sudden surge of willpower, she pulls away, her chest heaving as she struggles to catch her breath.

Wednesday's eyes snap open, her gaze locked with yours as she tries to regain her composure. Her cheeks are flushed, her lips swollen from the intensity of the kiss, and she can feel a warmth spreading through her body that has nothing to do with the heat of the moment.

—

[alltheirdamn]

Killing Me Softly | (Joel x teacher!f!reader)

Chap. 5 Nevermore

Chp. 5 Summary: It's hard to understand why everything feels so right. Rating: 18+ Explicit MDNI Word Count: 5.5k Warnings: Pre-outbreak AU, language, heavy kissing, unprotected piv sex, semi-rough sex, creampie, praise kink, (kinda) size kink, aftercare, fluff and a LOT of angst, light banter, lots of emotions, mentions of past trauma, brief flashback of trauma, another cliffhanger (sorry) A/N: Well, if you're here, I hope you're prepared for what's coming. A HUGE shoutout to @loonmartell for helping co-conspire the trajectory of this story. Anyway, I hope you all enjoy it as always <3

Masterlist | Ko-fi

I think he’s already falling in love with you. I think he’s already falling in love with you. I think he’s already falling in love with you. I think he’s already falling in—

“Miss Smith?” 

Your head jerked up at the sound, and the pencil you were drawing circles with fell against your desk. Bradley, one of your students, was standing at the edge of your desk with his test in hand.

“Sorry about that, sweetie,” you smiled, extending a hand. “Thank you.”

Bradley eyed you curiously before turning and skipping back to his desk. You dragged a hand over your face, wanting to crawl into the furthest corner of the world and never be seen again. Beth’s words had been plaguing you for days since you called her. Over and over again, they annihilated your thoughts, a constant broken record that you couldn’t shut off. You still had your nightly calls with Joel, talking past midnight and falling asleep together, but you kept making excuses not to see him. 

“I’ve got lesson plans to make,” you lied.

“I’ll help,” Joel had offered.

“You’re a distraction.”

“I ain’t that bad,” he huffed.

The next night, you lied and said you were going out with Maria, which was an even worse lie since you were avoiding her at all costs. Telling Beth the news was one thing, but telling Maria was another matter. She was nosey and a bit too loud-mouthed to trust. The last thing you wanted was for the entire faculty to know your dirty secrets. Joel had to remain a secret—at least for now.

It’s not like you wanted to avoid Joel; you were just scared. You were not ready for this new territory, and if Beth was anywhere near correct in her assumptions, it only made you want to shy away more. The only problem was parent-teacher conferences this week, meaning you’d have to see Joel and Sarah…together.

The class bell rang, and your free period between classes began. You dropped your head on the desk and took a few deep breaths, trying to wrangle some semblance of calm back into your body. The final class of the day would be Sarah’s, and you’d be lying if you said you were prepared to see her. The blaring reminder that her dad had fucked you sore over the weekend still hung over your head, and you couldn’t help but feel slightly guilty for it. How was your fall break, Sarah? Oh yeah, mine was great. Your dad fucked me so hard I ended up having a complete breakdown. 

Fuck. 

You wanted the day to be over. 

The free period went by much faster than you wanted, and as you watched the next slew of kids take their seats, you made a conscious effort not to stare at Sarah as she walked in. She wore her usual smile, the impression of her dimples digging into her cheeks. Some wild thought popped into your head that you had no time to recover from: if you and Joel went any further, God help you, you’d be Sarah’s step-mom one day. Your stomach rolled with nausea as you tried to will those thoughts away. Joel wouldn’t stick around that long; you were a lost cause. There was no chance that would happen. Right? 

Clearing your throat, you rose from your desk and made your way over to the projector to set up the lesson for the day. Since the school year was nearing Halloween, you decided it would be fun to teach Edgar Allen Poe, completely forgetting you had chosen “The Raven”—which was about losing someone. This would have a bite to it that you weren’t ready for.

“Okay, everyone,” you announced. “Did we all finish the reading assignment this week?”

There were a few nods and murmurs of agreement, and you quickly shifted to the first few slides of your presentation. 

“Alright, so who can tell me the overall theme for Poe’s ‘The Raven’?”

Georgia, one of your top students, shot her hand up without a beat.

“Yes, Georgia?”

“It’s about his grief for losing Lenore,” she answered.

“Good,” you smiled. “Can anyone tell me what other theme the poem contains?”

“Madness!” Another student chimed in, causing an uproar of laughter amongst the students.

“Okay, okay, settle down. Very good, you guys.”

You switched to the next slide, staring blankly at the words typed out. Lenore is gone forever. Something struck you as you silently read it, realizing you weren’t too far off from Poe in his grief. Although Bennett wasn’t dead, he wasn’t coming back. That fact hadn’t hurt as deeply throughout the last few weeks, especially with Joel around, but it still threw salt in the open wounds still scattered over your heart. 

“In stanza two,” you cleared your throat. “In stanza two, Poe refers to Lenore as ‘nameless,’ which can imply that she has died, and he’s now consumed with grief. Where else did you guys find his grief prominent?”

Georgia quickly raised her hand again, and you motioned for her to speak. 

“In stanza four, he talks about his dreams, which I think he means he’s dreaming of her to return to him. But if she’s dead, there’s no way she’s going to come back,” Georgia said.

Fuck. You felt the sting of tears rim your eyes and briefly paused to gather your bearings. Bennett left. He left, and you had spent years dreaming he would return. 

“Good,” you choked out.

You glanced around the room, your eyes connecting with Sarah’s. It took all your strength not to break down and cry as she studied you with the same concerned furrow in her brows as her dad would do. 

Clicking to the next slide, you exhaled, focusing on the following theme to discuss. Madness. 

“Now, with the theme of madness, where do we see this begin? Obviously, the dreams can be interpreted as his descent into madness, but what else do we find?” You asked. 

To your detriment, Sarah was the one to raise her hand.

“Sarah,” you sighed, nodding.

“It’s the raven,” she said plainly. “The raven is what drives him mad.”

“What does he do to drive Poe mad?” You questioned.

“The raven only says one word,” she explained. “And that word drives him mad until the end of the poem.

“And why does it drive him mad?”

Sarah shifted in her seat, looking around at her classmates before responding.

“Because it’s the answer Poe doesn’t want to hear. Poe doesn’t want to be reminded that Lenore is dead, but that’s the only response the raven will give.”

You were swaying in place, trying to hold yourself together as the memories started ricocheting back into your mind. Now wasn’t the time to collapse, not in front of twenty students staring at you, confused and concerned. You only responded with a nod and flipped the projector off.

“Good job, you guys. Now, does anyone have any questions on this unit? Any questions about the stanza format or the themes?”

Sarah raised her hand again.

“Did his madness kill him?” She asked.

“Who?”

“Poe.”

“Oh, um, no. Well, it’s a mystery, really. Some people say he died of delirium, so, I guess, madness. But other people speculate he drank himself to death.”

The class grew morbidly quiet, which made it harder for you to continue. No one else spoke up after Sarah, so you resorted to handing out the quiz and sinking back into your desk chair.

One by one, the students came up to turn in their quiz, and you averted your gaze each time with a nonchalant ‘thank you.’ When the final bell finally sounded through the room, you hardly had the energy to wave goodbye. 

Sarah was the last to leave, and that same concerned look lingered on her face as she shuffled out. 

That night, you didn’t pick up the phone when Joel called. You stared as it rang repeatedly, watching the light fade from the screen when the ringing stopped. You buried your head under the covers and tried to sleep, but then the nightmares started.

You woke up to your alarm, hyperventilating and drenched in sweat. Squinting at the morning sun streaming through the blinds, you grabbed your phone to check the time. Your fingers froze as you read the screen.

Seven missed calls from Joel

Two voicemails from Joel

With shaky fingers, you pressed play on the first voicemail.

“Hey baby, it’s me. I just wanna make sure you’re okay. I’m hopin’ you’re just asleep, but if you’re up, please call me.”

Then you played the next.

“Baby, it’s me again. I miss you, and I’m worried ‘bout you. Please don’t shut me out, okay? I just wanna hear your voice and hear ‘bout your day. If you don’t wanna talk, that's okay. I understand. Just please lemme know you’re alright. I’ll drive my ass out to you if I need to just to make sure you’re okay. Call me when you get this. G’night, baby.”

You dug your knuckles into your eyes to try and force the tears back. Last night, you had the worst of the nightmares: the memory of something you tried to forget. You hadn’t touched that memory in so long. It was just the brutal realization you were truly at fault for everything with Bennett. No matter how badly you wanted to blame him, it was always your fault. 

Glancing back at your phone, you rechecked the time: 7:35. Fuck, you were running late, and you really didn’t want to call Joel back right now. At least not right now. You’d muster the energy and strength to do it later, but you needed to gather yourself and get ready for work right now. Tossing off the sweat-slick sheets, you rushed into the bathroom and quickly showered. You couldn’t bother to put makeup on, so you opted to go without it and found a simple dress to wear. It was still in the high eighties in Austin, and a dress was the easiest option for the day. 

Scrambling for your purse and keys, you ran to the garage to start your car and head to the school. 

It wasn’t until you pulled into your parking spot that you realized you left your phone on the nightstand. 

“Okay, what’s going on?” Maria questioned, sipping her lukewarm coffee. 

She had nagged you into spending your free period in her classroom, demanding that you tell her everything that you had been withholding. You sat on the edge of her desk, your dress flowing over your knees as you stared out her class windows. 

“Nothing, Maria,” you lied. 

She said your name sternly, forcing your eyes to snap to hers. Her usual chipper demeanor was replaced with that ‘mother’ look, her lips pursed and eyes narrowed. 

“Something is going on,” she pressed. “Could have something to do with Mr. Miller?”

“Maybe,” you mumbled, fidgeting with the hem of your dress. 

“You did it, huh?” She raised a brow. 

You exhaled heavily, nodding your head—no point in lying now. 

“We talked on the phone the entire break, and when I got home, he insisted on taking me on a date. Then one thing led to another… and yeah, we had sex.”

Maria squealed, clapping her hands and grinning wide. You stared at her blankly, unamused by her reaction to your words. 

“This isn’t a good thing, Maria,” you said pointedly. 

“Why wouldn’t it be? You’re finally putting yourself out there! Oh my god, was it good?” 

“It was,” you sighed. “It was good—really good. He’s so sweet and caring.”

“I feel like there’s a ‘but’ in there somewhere,” she interjected. 

“But I can’t let it go any further,” you finished. 

Maria leaned forward and placed her hand on your knee. 

“Does he make you happy?” She asked softly. 

“So fucking happy, Maria. I hate it.”

“You deserve to be happy, sweetie. That’s all I’ve been saying for years, and now you have it! Don’t force it to fail before it even begins. I saw the way he looked at you at the father-daughter dance. You can’t fake that.”

“I know. I know. I just—ugh,” you slid off the desk with a groan. “He’s too good for me. I’m still trying to get over Bennett and everything that happened. He doesn’t deserve to be on the receiving end of all my misery. That’s not fair to him.” 

You were pacing around the room, your eyes darting between the science posters hanging along the walls of Maria’s classroom. You heard her desk chair scrape against the floor as she approached you. She gripped you by the shoulders and leveled you with a heavy stare, but her eyes remained soft. 

“He’s still around, right? I don’t think he’s going anywhere, sweetie. If anything, I think he’s in it for the long haul.”

You didn’t know how to respond, so you leaned into her, letting her wrap you up in a motherly embrace. She rubbed circles against your back, hushing you as you wept quietly. 

The rest of the day passed by in a numbing blur. You packed your things quietly and headed to your car, ready to drown yourself in a glass of wine. 

Joel’s truck was parked in front of your house as you turned the corner onto your street. His tall figure was leaning against the driver’s door; his eyes focused on your car as you pulled into the driveway. You inhaled sharply before putting your car in park, mentally preparing yourself for whatever anger he might unleash. 

You barely shut the car door before Joel had his arms around you, tugging you into a warm embrace. You couldn’t make sense of it; why wasn’t he mad? He should be angry at you. 

“Joel?” you whispered, your fingers twisting into his shirt. He smelt of cedarwood and smoke, the lingering scent of the workday still on his clothes. 

“I was so fuckin’ worried ‘bout you,” he muttered into your hair. “Been tryin’ to get ahold of you all day.”

“I left my phone at home this morning,” you explained. “I listened to your voicemails from last night. I’m sorry I didn’t call back. I was just running late this morning.”

“Why didn’t you pick up last night?’ He asked, pulling away. 

“I needed some space. I’m just trying to figure this all out. I want you—I want this. I just don’t know how to be fully vulnerable. I know that’s silly to say since I’ve cried every time I’ve seen you.” You laughed at the thought of it.

“You coulda just told me that, baby. I would’ve understood,” Joel sighed. 

“You’re not mad at me?” 

“Of course not,” he smiled softly. “Had me worryin’ like crazy, but I ain’t mad. I know this is all new, and you’re scared. Just don’t shut me out, ‘kay? I wanna talk to you and understand what’s goin’ on with you. I told you I wanna work on it with you.”

“I’m s—.”

Joel was pressing his lips against yours before you could say those two words. The kiss was all-consuming and tender, strong enough to erase every thought in your mind. Your mouths moved in unison, tongues intertwined and exploring. It was dizzying to be kissed this fervently; the first kiss couldn’t hold a torch to this moment. You tangled your fingers into the curls at the base of his neck, slanting your lips to open yourself even more to him. Joel’s hands twisted into the fabric of your dress that hugged your hips and pulled you tighter against his body. You whimpered at the feeling of his cock straining in his jeans, and he hauled you upwards until you were wrapping your legs around his waist. 

Spinning you around, he pinned you to the metal of your car door, breaking away from your mouth to kiss down your neck. Was it possible to be branded by a dozen kisses? He left a trail of sweltering kisses over every exposed part of your upper body, and all you could do was pant and moan helplessly. To hell with the neighborhood and their lingering eyes; the world around you could collapse, and you’d still be clinging to his body. 

“I told you I didn’t wanna hear those apologies,” Joel muttered against the hollow of your neck. 

“What are you gonna do about it, Joel?” You moaned, his teeth grazing your collarbone. 

“All I want right now is to hear you screamin’ my name, so you better invite me inside before I fuck you right here.”

“Jesus Christ,” you whispered.

“Wrong name, baby.”

With one strong arm braced around your back and a firm hand on your ass, Joel carried you out of the driveway and through the open garage. You wrapped your arms around his neck, pressing open-mouthed kisses against the bare patches in his beard. Joel stumbled into the living room and sat you on the edge of the couch. You clung to him, refusing to lay back, too afraid to disconnect from his body. There was something so addicting, so right about being in his arms—almost familiar. 

“Y’look so beautiful in this dress, baby,” Joel breathed. “Turn around.”

You unattached yourself from him, spinning until your thighs pushed against the leather of the couch. Joel’s hands roamed over your calves, dragging your dress up until it piled against your lower back. You gasped as his fingers tore apart your underwear, the scraps falling down your legs and piling at your feet. It was embarrassing how wet you were already, your slick coating your inner thighs. 

“Joel,” you whined as he swiped a finger through your wet folds.

“Use your words,” he hummed, slowly pushing in two fingers.

“I need you, Joel.” He curled his fingers against the spot that left you breathless, coaxing you to speak more. “Need it rough—please.” 

You needed to feel how bad he needed you; you needed to show him you wanted him, even if it meant doing it without saying it aloud.

“Y��want it rough, baby? I can do that. If it’s too much, you tell me, okay?”

“Okay,” you exhaled. 

Joel pulled his fingers from you, bringing them to your mouth and smearing your arousal over your parted lips. You hummed as you tasted yourself, pushing your ass back into him. You heard the clang of his belt and the soft sound of his jeans hitting the floor before he swiped his cock across your slick entrance.

“Don’t be gentle,” you moaned.

“Anythin’ you want, baby.”

That was all he said before splitting you open, the fullness of his cock inside you robbing you of all the breath in your lungs. Joel kept his hips flush with yours, his fingertips drifting down the fabric of your dress covering your spine. 

“Joel,” you whined. 

You shifted yourself onto the tips of your toes, nudging yourself back until the tip of his cock rubbed against the right spot inside you. You mewled at the sensation, wiggling your hips to find some sort of relief from the pleasure churning inside your stomach.

“Impatient, baby?” Joel teased.

He moved against you slowly, letting you adjust to his size. You had been in such a haze last time you hadn’t realized how big he actually was, but now you felt every glorious inch of him inside you. You let out another frustrated whimper, and Joel responded with an onslaught of forceful thrusts. Your body shoved further into the couch, your midsection rubbing against the edge every time Joel snapped his hips against yours. 

Joel’s hand snaked around your neck, drawing you back into his chest, the angle of his cock spearing deeper inside you. Your wails turned to sobs as you listened to Joel grunting harder behind you, his fingers squeezing rhythmically around your throat. 

“That’s it, baby,” Joel crooned. “That’s it. Doin’ so well for me.”

You gasped for air as the desire coiling within your core became agonizing and all-consuming. Your fingers wrapped around his hand holding you up, clawing at his skin as his thrusts became erratic and determined. You were teetering on the edge of euphoria, your body buzzing with pleasure. 

“Touch yourself, baby,” Joel whispered into your ear. 

You fought against your dress to find your clit, the instant connection of your fingers causing you to cry out. Joel’s mouth ravaged your neck, sucking marks into the skin as you drew tantalizing circles over the sensitive bud. It was right there— that explosive pleasure bubbling under the surface. 

“Don’t stop,” you begged, your voice strained under his grip. “Don’t—right there. Right there, Joel!”

Joel quickened the pace, your eyes blurring as your orgasm raced through your veins and set your nerves ablaze. Your sex clenched around his cock, forcing him to slow his thrusts as he groaned into your ear. 

“S’fuckin’ good, baby,” he punched out, releasing your neck.

“More,” you heaved. 

“Think y’can take it?” He asked, pinning you down onto the couch cushions.

“Just want you, Joel,” you said. Your words were muffled into the couch as you exhaled, “Want everything with you.” 

You didn’t know if Joel heard you, and you prayed he didn’t. Your brain was lost in some euphoric haze, dizzying you and your ability to control your emotions. Joel knew every part of your body, like the back of his hand. He knew exactly what you needed and what you wanted, and it was so confusing. 

But all your thoughts grew quiet as the lewd sounds of your arousal and his ragged breathing echoed around the house. Joel’s hand pressed into your hair as he pushed you further into the couch. Bent over this way, you were entirely at his mercy, putty in his hands, and helpless. 

“Swear y’were fuckin’ made for me, baby,” Joel grunted. “You’re mine, baby. Mine.”

“Yours,” you cried. “I’m—.”

You couldn’t finish your sentence as Joel seized up, choking out your name as he spilled into you. His body slumped over yours, the weight of his chest heavy against your back. The hammering of his heart matched yours as you both recovered in silence, the house growing quiet aside from your labored breathing. 

“Too rough?” Joel muttered into your hair. 

You shifted your face to the side, rewarded by his lips pressing into your cheek. 

“Perfect,” you sighed. “It was perfect.”

“You weren’t lyin’ when you said you weren’t a fan of vanilla, huh?” Joel chuckled, pulling out of you. 

You slumped further into the couch, laughing softly. 

“I was talking about cake, Joel. Get your mind out of the gutter.”

“Sure you were, baby. Stay right there, okay?”

You heard his footsteps disappear toward your bedroom, the distant sound of water turning on and off floating down the hallway. A second later, Joel was behind you again, the cool touch of a towel making you jerk away in shock. He gently rubbed the cloth over your inner thighs, taking extra caution of your sore entrance. You’d feel him everywhere tomorrow, and you didn’t hate that for some reason—you wanted the reminder of him. 

“C’mere,” Joel urged, helping you stand. 

He pulled you over to the couch, curling you into his arms and bracing you against his chest. Joel intertwined his fingers with yours, his breathing evening out as you shimmed further into his embrace. Maybe it was the sex, maybe it was just being around him, but all your doubts and worries seemed to fade away. It was just this moment; you and him with limbs entangled together. 

“Tell me somethin’ no one knows about you,” Joel whispered. 

“Only if you tell me something in return.”

“Of course, baby.”

You paused, considering all the possibilities of what you could share. You had forgotten pieces of yourself over the years, the layers of heartbreak and trauma suffocating the person you once were. You still weren’t sure if that girl you had once been was still inside you. 

“I hate pancakes,” you said.

Joel laughed, his body shaking behind you as you buried your head into the couch. 

“Pancakes? Really?” He teased. 

“I just don’t like them!” You defended. 

“Y’gonna tell me why?”

“I don’t know,” you grumbled. “They’re just too sweet.”

“So y’don’t like sugar in your coffee, and y’think pancakes are too sweet,” Joel mused. “What do you like?”

“Don’t tease me, Joel.”

His fingers prodded your sides, forcing you to shriek at the contact. You hated to be tickled and hated it even more when he kept you pinned to your chest with nowhere to go. You rolled toward him, squirming against his touch. Joel leaned in to kiss you softly, muffling your protests as you settled into his arms. 

“Your turn,” you sighed. 

“Hmm, well, I like pancakes.”

“Be serious, Joel,” you frowned. 

“Okay, okay. I love watchin’ cartoons.”

You giggled, watching that grin stretch across his face. 

“Been watchin’ them with Sarah since she was a kid,” he chuckled. “I still do sometimes, even if she ain’t home.” 

“That’s cute,” you smiled.

You brought your fingers to his face, scratching at the stubble covering his chin and jaw. Joel’s eyes shut as your touch drifted over the patchy spots, your fingertips drawing circles in the places his beard disconnected. 

“Tell me somethin’ else,” he said.

“I think you’re really handsome.”

It was a quick response—almost too fast—but you couldn’t swallow back the words. You glanced up at him, peeking through your lashes to see his brown eyes soften. 

“Handsome, huh?”

“Well, I can’t call you cute,” you scrunched your nose. “It doesn’t fit you. I like handsome more.”

“I like it,” he smiled. “Call me handsome all y’want.”

You dragged him to your mouth, saying everything you couldn’t form into words. Joel moved with you, his head tilting and mouth molding to yours. He made everything feel so simple; maybe that’s what scared you. It was too easy with him—falling into this idyllic routine. Joel mumbled your name, pulling himself reluctantly from your lips. You chased one more kiss and settled back into his chest. 

“Did you know it’s good luck when it rains on your wedding day?” You thought out loud.

Joel tensed up, his arms flexing around you. 

“Superstition says it means your marriage will last,” you continued. “I’ve always thought it was funny, you know? I used to believe in that before my wedding, but after that, I figured everyone had lied to me.”

“Baby,” Joel whispered. 

“No, it’s okay. There’s a point to this, I promise.”

“Tell me,” he urged softly.

“I think the rain was good luck. Maybe not in the way people think, but I don’t think Bennett and I were meant to get married. My sister hated me for going through with it. We didn’t really talk once Bennett and I got engaged. Everyone warned me about him; they told me he wasn’t who I should be with. I was so stubborn to make things work. He—he was there for me during a really awful time in my life. I thought I owed it to him to stay.

“But then here you are, and it makes me re-think everything. The rain? It’s still good luck, just in a different way. I wasn’t meant to be with him because maybe… maybe I was meant to be with you.”

Joel was painfully quiet, his eyebrows furrowing together as he closed his eyes. Oh, fuck. You had rambled out everything you were scared to say, and now it was biting you in the ass. This was why you were too afraid to acknowledge your feelings: the rejection. Joel didn’t see it the same way; he didn’t think of you in the same way, and you just made a complete idiot of yourself. 

“Shit, I’m sorry,” you muttered, trying to pry yourself out of his grip. You kept the tears at bay, trying not to let yourself succumb to the heartbreak shattering inside you. 

Joel’s hands wrangled you back to his chest, his eyes leveling with yours. You inhaled sharply as his fingers brushed away the rogue tears falling down your cheeks. 

“There ain’t a doubt in my mind y’were meant for me, baby. I’m thankin’ God every day for bringin’ you into my life,” Joel confessed. “I know this is all new, but I promise to keep provin’ myself because whatever this is between us, it’s real.”

“It’s real,” you echoed. 

“Don’t run away from me,” Joel pleaded. “Gimmie all the good and bad stuff. I swear I can handle it.”

“What if you get tired of me? What if I’m not enough?” You rambled. 

“I could never get tired of you, baby. If anythin’, I keep wantin’ more.”

You snuggled further into his embrace, inhaling his scent as you pressed your nose into his chest. Joel ran a hand through your hair, his fingers catching on a few knots left from earlier. 

“What’d you mean when you said he was there for you durin’ somethin’ awful?” Joel asked after a beat of silence. 

Flashes of the crash came back into your mind, or at least the ones you could recall. You squeezed your eyes shut as your nightmares began to see the light of day. It was a memory you never liked to revisit.

“Easy,” your mom whispered. “Easy, honey. Don’t move too much, okay? Take it slow.”

Your eyes fluttered open, the harsh lights above you burning into your retinas as you tried to adjust to the room fading into the forefront. You were tucked into a hospital bed, IVs and tubes sticking out of both arms. Your head was pounding, and everything hurt. That’s all you could focus on. Everything hurt so fucking bad.

“Bennett?” You croaked, searching the room. 

Your mom, dad, Beth, and Stella were all grouped around the foot of the bed, their eyes glassy with tears. Bennett was nowhere to be found. Beth’s fear-stricken eyes shifted from your mom to your dad before she bolted from the room.

“I’m going to go get the doctor,” your mom announced, turning and leaving the room.

Stella shifted uncomfortably and promptly followed, leaving your dad alone at the foot of your bed.

“How’re you feeling, peanut?” He asked, rounding to the side of your bed.

“Pain,” you cried softly.

“It’s gonna be okay,” he assured. “It’s all gonna be okay.”

“Baby?” Joel said cautiously. 

“S–sorry,” you mumbled. “I don’t know if I really want to talk about it.”

Joel’s brows scrunched together, his eyes staring at you with concern. You turned away from him, lifting yourself from the couch. Pacing the living room, you stared blankly at your bookshelf beside your entertainment center, still collecting dust after two years. You heard Joel shift against the couch behind you and glanced back to see him staring at you intensely. Anxiety was thrumming in your chest the longer you stood in front of him, too many thoughts reeling inside your mind. You never talked about the accident; you didn’t want to be reminded of what had been the catalyst in your relationship's failure. Because that’s what it was. You owed everything to Bennett for sticking by your side through it all, and in the end, you weren’t enough. Nothing you did was enough to salvage what had been your life with him before it all.

“Hey,” Joel exhaled. “C’mere.”

“I—I need a minute,” you cried.

You bolted from the living room and went down the hall, gasping for air when you reached the edge of your bed. The room was spinning as you dropped your head in your hands, the nausea surging up inside you the longer you stayed stuck in the memory. You needed out of it; you needed out. You needed—.

Joel rushed into the room, falling to his knees in front of you as he said your name over and over to coax you out of the trance. Nothing was working. Your head was throbbing in pain, and you couldn’t work around it. 

“Breathe with me, baby,” Joel whispered. “Breathe.”

You heaved in a lung full of air, only to choke on it and gag back the nausea crawling up your throat. Joel rubbed his hands over your thighs, the sensation of his touch jarring you enough to make you cringe. 

“It’s gonna be okay,” he crooned, a distant echo of your dad's words. “It’s okay.”

The shrilling sound of your phone ringing pulled you both from the moment, and you crawled over the bed to grab it. 

Beth

“Fuck,” you groaned. “I can’t—I can’t answer it.”

“Give it to me, I’ll do it,” Joel offered with an outstretched hand. 

You practically tossed it at him while you crumpled into the sheets with your hands clutching your head. 

“Hello?” He answered with a brief pause before he said, “This is Joel.”

Silence.

“Fuck, okay. Gimmie a second,” he replied.

“Baby, she needs to talk to you,” Joel said.

You stifled your cries before taking your phone from his hand, already hearing Beth’s frantic voice on the other end of the receiver. 

“Beth, what is it?” You asked, your body shaking. 

“It’s dad, sis. You’ve got to come home, okay?”

[oikasugayama]

what about a bsd chart for falling in love?

i can't help falling in love with you

Dazai is prone to falling in love at first sight. He sees a pretty girl, or a handsome guy, and does everything in his power to get their attention. It's different when you come along, though. You fly under his radar for a while; it's not that you're not his type, it's that he doesn't realize it at first. As he gets to know you he realizes more and more how much he likes talking to you; how attractive he thinks you are; how much he relishes in your attention. You know his reputation and try to steer clear of his charms, but you're not entirely successful. You vow not to tell him, though, because you don't want to get your heart broken. That makes the surprise of his confession all the more potent. It's proper, it's sincere, and it's real.

Akutagawa is more surprised than you are when he confesses. Love isn't something he thought he'd have the pleasure of experiencing. His life has been difficult, its been deadly, and its been dark, but meeting Atsushi made him more thoughtful and less violent, and then when he met you he felt like he was experiencing something brand new. It was exciting. It was confusing. It was beautiful. You liked him as well, of course, but you vowed not to tell him because you didn't think he had romantic interests and you didn't want to make him pull away from the little friendship you had developed. His confession is a pleasant surprise.

Poe falls in love easily. All it takes is someone being nice to him and showing interest in his writing, and he's done for. For you to regularly read his stories and genuinely praise and critique them, and for you to enjoy spending time with him even if it's spent doing nothing--it means the world to him. He confesses to you via poetry. He writes you a lovely dramatic poem about a lonely man who meets a person who brightens his world. It's obvious it's about you--his nervousness and shaking hands gives it away. You're so excited. You liked him too, a lot, but weren't sure if you should tell him yet. You're glad he took the decision out of your hands.

Nikolai and Fyodor are similar when it comes to love. They are best friends, after all (according to Nikolai anyway). They have a philosophy that some think is... wrong or outdated, but it works for them when they want to get you. It goes like this: they see you, they want you, they get you. Literally. Either of them would lure you in and capture you. He'll explain his grand love for you, and even if you escape, he'll find you again and again. He'll wear you down until you love him or it kills you. Whichever comes first.

Sigma, having only recently become a person, doesn't know what extreme emotions feel like. When he starts to fall in love with you, he thinks he's sick or dying because of the way his heart rate increases, and the way he gets shaky and nervous when you come around. He thinks you may be using an ability on him. He doesn't confront you right away, because he really doesn't want to think you'd hurt him--he really, really likes you otherwise. You're so kind and thoughtful and helpful. You don't use him and leave him like others in his life. Once he finally realizes that he's in love with you, it weighs heavily on his mind and stays there. Should he tell you? Do you feel the same? He needs to think on it a while longer...

Oda falls in love with someone very sweet and gentle. The world is a disturbing place with awful things happening every day, and you aren't nearly as aware of that as he is, and he wants to keep it that way. He wants to protect you. To take care of you. To provide for you. He knows he wont be able to do these things without connecting you to the dark part of the world that he works in, so he refrains from confessing. It's the best way to keep you safe. When you confess to him, though, he doesn't have the self-restraint to deny you. He warns you of the dangers, but tells you he wants out, and he'll get out for you. He makes a plan and you're part of it.

Atsushi having had such a dark and violent childhood is a late bloomer when it comes to love. All the other kids in the orphanage were basically his siblings, and he went straight to the ADA after leaving there, so until you come along he's never really had a crush on any real life person. He's thought people were pretty, sure, but that feeling was nothing compared to how his heart races and his knees wobble and his mouth wont cooperate with his brain any time you're around. It becomes extremely obvious to everyone that he has feelings for you, including you after a certain point, and you just think he's so damn sweet. You ask him out finally when you realize he likely wont ever be brave enough to ask you first. He nearly faints he's so excited, and nervous, when you bring it up.

Junichiro falls for someone soft and sweet and nervous after his previous relationship ends. He liked dating people bolder than him, but after a certain point it became too exhausting keeping up with that type of person please for the love of god don't tell everyone you're his sister like Naomi did. When he starts to fall for you, he's very upfront. He tells you he thinks he's falling, and you tell him back. He says he'll keep you updated after he has more time to think about it, and you say the same. You end up spending more and more time together, slowly creating an orbit around the two of you, making a space in your lives for each other. It happens so gradually and so on-pace with one another that it feels completely natural being with him.

Bram may not be the first to fall in love, but he does tell you he intends to court you before you ever reveal your feelings to him. He thinks you're pretty, and he likes when you're around, and you seem to like coming around since you're with him a lot, so he very casually tells you he would like to court you and you very happily accept his offer. He very, very quickly realizes you're something precious and special when he starts thinking about you romantically, and not long after beginning to date he tells you his feelings are very deep. It's a shock but a definite win for you.

Tachihara definitely thinks you're hot and he can tell that you like him--those Hunting Dog instincts and modifications are pretty handy--but he doesn't consider his own feelings for a long time. He leads you on, in fact, giving you attention to make you fawn over him, and then he acts cool like nothing happened, brushing you off and not making plans with you. When you try to move on, stop giving him attention, try to find someone else who's interested in you, he notices, and he hates it. It occurs to him then that he's jealous and he realizes aw fuck, I've gotta tell them how I feel.

Mushitaro is so prim and proper and charismatic--it's hard not to fall for him. You're friends for a long time without thinking much of him, but eventually one day you just realize and it starts bugging you. You may try to distance yourself to see if the feelings will go away, but they wont. While you're distant he misses you desperately and starts to puzzle together his own feelings. Eventually he comes to your house and confesses on your doorstep, saying he misses you and he cares about you so much and he at least needs to know why you're ignoring him. It feels dramatic and straight out of a rom-com.

Ranpo, as I've said before, knows as soon as you do, maybe even sooner, that you have feelings for him. Yours definitely develop before his, but he picks up on it quickly and decides that he wants to date you to see where it goes, and he makes the decision to stay with you long-term after only a couple of dates. There's no confession on your part given that he just knows, but from him the confession is sweet while still being matter-of-fact. "I've fallen for you, as I knew I would. Let's keep dating until we're sick of each other, 'kay?"

Mori lives a double life and you have no idea. If you knew he was the head of the Port Mafia there's no fucking way in hell you ever would have talked to him or gotten to know him or fallen for him or confessed to him, but you didn't know that. To you, Mori was the handsome man in a doctor's coat who came into your store every week. He chatted with you more and more each time he came in, and finally you were brave enough to give him your number, to text him, to ask him out to coffee. He say yes every time, going along with it, and only after you'd been casually dating for some time did he tell you who he really is and well, fuck, you were just about to tell him you were in love with him, so you've both got bombs to drop tonight.

Chuuya plays it so cool that you don't assume he has any sort of romantic feeling for you, but your mind is completely hung up on him to the point of you thinking that you need to be rejected already so you can move on. You tell him as much when you confess, trying to play it off as a joke when you say "dude, I think you're really hot, can you reject me so I'll stop wondering if I have a chance?" He laughs, smirks, and says "I don't think I will, actually. I'll take you to dinner tonight instead." You're flustered, unsure if he means it or not, but oh boy does he. The date goes really well, actually, and he asks to see you again, and scolds you for thinking he was out of your league. "I'm just a guy, I'm not that special."

Kunikida may seem high-strung, and yeah, he is, but there's something about him that just does it for you. Maybe it's that he's so responsible, maybe it's that he's incredibly kind and thoughtful, or maybe it's everything. You don't know, it's hard to explain, and explain you must because when you try to confess to him he asks you why and what did he do to deserve your attention? He ponders your confession for a few hours in private before he reaches out to you. You expect to be rejected, but he accepts your offer, saying you were a shock and he's trying to have a few more unexpected experiences.

Fukuzawa likes you as a person but refuses to acknowledge you romantically given your age gap. You have to confess before he'll think about you in that way. It doesn't go smoothly--you're very quickly but politely turned down. It doesn't make your crush go away, though, and you notice that Fukuzawa seems a bit skiddish around you. When you finally get fed up and ask him why he's been acting weird ever since you asked him out, he admits that he's been thinking about you a lot and thinks that maybe he made a hasty, incorrect choice the last time you spoke about this...

Ango may not be the first to fall in love in your relationship, but once he's in love he's obsessed with you. It all starts like any office romance with a new transfer from another department. He's told you're talented and promising, but he doesn't believe it until you start actually lightening his work load and making his job easier. When you start casually calling him cute and flirting with him, he doesn't know what to think. It's unprofessional, but it's also exciting and he doesn't exactly dislike the attention. When you're off the clock and ask him out on a proper date, he says yes with only minimal hesitation. It's the best decision he's ever made.

[teejaystumbles]

for the @sandman-connect4 prompt - feast

[Part of Go Forth, a story told losely with pictures and snippets - find more on it here  other Sandman Connect 4 prompts related to this story: kidnap, predator, goldfish]

The last story - The Masque of the Red Death

(I even wrote something, I've had this done from the beginning because the idea grabbed me by the throat)

When Hob comes to, he finds himself in the middle of what looks like a masquerade ball. A feast has been laid out on a dozen tables in a room with a ceiling so high he can barely see it. Chandeliers with hundreds of wax candles light the room and people wearing voluptuous ball gowns and masks mill about, laughing and sipping wine from delicate glasses. Hob looks down at himself and sees that he’s dressed in a tight and quite revealing black and dark red leather ensemble that would not be amiss in a fantasy role playing game. He chuckles in disbelief and lifts his head again to survey the room. If the last few stories he has traversed have been any indication, Dream must be here somewhere, possibly in trouble. Hob wonders what kind of story this is. A ballroom…so maybe this is a fairytale with another prince or princess. Maybe Cinderella? Hob cannot imagine Dream dancing at a ball voluntarily, but who knows, maybe he’s in for a surprise. He starts to mingle and smiles amicably at the other guests while keeping an eye out for Dream.

After a few minutes there is a fanfare, announcing a new guest. Hob turns to look at the ballroom doors like all the others and watches as the huge double doors open slowly. People step back to make room for whoever is about to enter and Hob cranes his neck to see better when he catches a glimpse of telltale wild black hair.

The Dream who enters is a vision in red and black. His mask seems to be weeping blood, his mantle is tattered and flowing in an invisible wind. Hob holds his breath as an unseen clock chimes and all the guests fall silent. Dream seems to float towards the middle of the hall, leaving a bloody trail smeared after him on the marble floor.

The clock chimes twelve.

"This dream," the nightmare's voice rumbles, like scraping stone on stone, "is over."

His coat opens and a flood of blood gushes out, pooling around everyone's feet and making them scream in horror and try to get away from the terrible figure in their midst. Hob finds himself rooted to the spot between the running guests who he knows will find the doors locked. Ignoring the cacophony of screams Hob steps slowly towards Dream.

Hob feels something wet trickle down his forehead. His vision is turning red. He sees a woman stumble past him, blood running from her pores, her terrified eyes bleeding, and he knows without doubt which story he is in this time.

"Poe, huh? Figures."

Hob ignores the discomfort he is starting to feel and zeroes in on Dream, standing silently amidst the bloody chaos like an avenging angel. Stepping right in front of him, Hob can see crystal clear tears run down his friend's cheeks. Hob smiles sadly and curls his tongue around the taste of blood. "Hello, my friend."

The mask hides most of Dream's face and Hob can't see his eyes but he knows when the other recognises him. He stiffens and lifts his chin almost imperceptibly, his mouth opening a fraction in astonishment.

"I know what you're trying to do," Hob says quietly, knowing that his friend can hear him despite the rising screams. Hob feels blood trickle out of his nose and ears into his beard. He ignores it, as well as the pain under his skin and in his abdomen, telling him he's close to experiencing something very unpleasant. Blood beads on the back of Hob's hands and he knows he has only minutes before he'll pass out from blood loss. He takes another step closer and lifts his hands, gently cradling Dream's face. His friend shivers under his touch and Hob cocks his head, trying to find the eyes beneath the mask.

"You will not lose me," he says and finally there's a light behind the mask's shadowed eyes. "I'm not going to die, love. And neither are you, or your kingdom."

Hob smiles at Dream and steps even closer, feeling his head become light from the loss of blood. He can feel it running down his arms and legs now, soaking through his fancy clothes.

"All this," Hob says, leaning his forehead against his friend's, "is not going to scare me. And if you're trying to punish yourself.... don't you think it's been long enough?"

[iwritenarrativesandstuff]

The Agency's Older Brother: or, Ranpo's Character Development

I want to talk about Ranpo and the development he goes through in the series, because for as much as Ranpo is an important member of the Agency, his story is focused on in small chunks that may not always, at first read, seem to be overly significant. In fact, Ranpo’s arc is very consistent and I’m fascinated to know where it’s building to, because he’s done a lot of growing in the series. A lot of the themes of his story are to do with responsibility and faith in others.

The Ranpo we meet at the beginning of the story is not the Ranpo we see now. The biggest change is that he’s a lot more personally involved with the struggles of the Agency members, taking it on himself to be proactive and protective, while previously he had to be pushed and bribed into helping much of the time. When did this change?

Well...

[ID: Two screenshots from a scene in Poe's introductory episode of the Bungou Stray Dogs anime. In the first screenshot, Yosano lies on the carpeted ground, an axe embedded in her chest, blood pooling around her. Ranpo is crouched beside her, supporting her shoulders with one hand and clasping her hand with the other. The second screenshot is a close up of Ranpo's distressed face. End ID.]

The thing is, it's almost easy to overlook the effect this scene had on Ranpo, because Poe’s introductory chapter/episode is such a brief one. Moreover, afterwards, Poe becomes an ally and is a bit of a silly character, so it’s easy to forget sometimes that he was a legitimate threat here - and Yosano nearly died for it. This scene was incredibly significant to Ranpo for a few notable reasons.

It’s the first time someone in the Agency was in serious trouble/died without a backup plan.

It is, unfortunately, kind of on him. (Let me be real clear here: I am not blaming Ranpo. But he probably was blaming himself and that's something to keep in mind.)

To recap: Poe pulls Ranpo into his novel out of revenge, also trapping Yosano, who went with him. Ranpo realizes that they are in a world with no abilities, and importantly, he doesn't have the glasses Fukuzawa gave him.

We know those glasses mean a lot to him. When Ranpo was at his lowest, when he was convinced the world hated him, Fukuzawa gave him those glasses and told him he had a special ability. That he had a gift that no one else did that allowed him to see the truth that no one else could. Untold Origins makes it very clear that if Fukuzawa hadn't reached out to Ranpo when he did, Ranpo may have forever been outcasted. He was a kid kept in a bubble then suddenly and rudely shoved into a world he was unprepared to cope with, where he continued to get rejected and thrown out over and over - and all this on top of the grief he felt from his parents' passing. Ranpo was bitter and terrified of people, and thought everyone was pretending to be oblivious just to hurt him. Fukuzawa saved him the only way he could, in the only way Ranpo would hear him. It's not an exaggeration to say Fukuzawa saved Ranpo's life. And, while cute, it's also telling how quickly those glasses became an intrinsic part of his identity. Only maybe twenty minutes after he first received them, he was already making little doodles of himself wearing them.

Suddenly, the glasses are gone, and Ranpo goes into a funk because he "can't activate his ability without them". Obviously, we know that isn't true, and so does Yosano. Ranpo probably, deep down, knows this too, but to admit that would be to admit the president lied to him, and to uproot the very thing that gave him the means to perceive the world in a brighter light. The reason Fukuzawa had to lie in the first place was because the truth would be to tell Ranpo that his parents lied to him, something he angrily denies could ever be the case. And now, Fukuzawa is very plainly stated to be Ranpo's adoptive father. Ranpo's parents do not lie to him. He does not want to see it - and so he doesn't. This is a recurring thing with Ranpo. For as much as he sees the truth clearly, he also chooses not to see it at times when it would be uncomfortable/go against the intuition of someone he deeply trusts and respects.

And I think it's very easy to just leave it there, and say, "Oh, Ranpo realized at the end of this chapter/episode that he didn't need the glasses, that he doesn't have an ability, and that's a key turning point" but I don't feel that's the full picture or even the focus here, especially since Ranpo still hasn't reached the point where he can properly admit it aloud, even to Yosano.

The thing is, those glasses aren't just of use to Ranpo - they have sentimental value. A heck of a lot of it, for a character who is not very sentimental. The real turning point here is that Ranpo put on Yosano's glasses in order to save her.

[ID: A screenshot of a panel from the Bungou Stray Dogs manga. Ranpo puts on a pair of glasses. His hair is blown out of his face and he wears an intense expression. End ID.]

Shortly before this, we are informed by Yosano that not only was the Agency specifically formed for Ranpo to make use of his talents, but also that it was Ranpo who invited her to join - which we later learn was a pivotal moment for her to start over after she was completely broken by her experiences in the war. And now, he is watching her bleed out because she had to take over. Because he couldn't solve it. And that, to Ranpo, is unacceptable.

But again, there's more to it. Ranpo is fundamentally a self-centered character - this is not a judgement; I actually love that about him. He's the center of the Agency, the (ostensibly) good guys of the series; a narcissistic guy with little in the way of sensitivity who wants to use his skills to help others. Not for some higher ideal, or because it's "right" necessarily, but because he's good at it, and because he's supposed to protect all the "babies" who can't solve things for themselves. I love it because it highlights a major theme of BSD, which is good as something you do rather than something you are, and also because it explains something about Ranpo himself.

See, if everyone in the world is a "baby" who needs Ranpo's assistance, then the people in the Agency are a little different. They're people hand-picked by Fukuzawa to support him, both through praise and through backup. Remember that Ranpo trusts Fukuzawa's judgement more than anything - this means that he expects the Agency members can handle themselves. So, in chapter 10, when Ranpo doesn't really care that Atsushi has been taken, citing that it's a "personal problem" and he should handle it, I really think this was some odd form of "Atsushi will be fine" and "why should I worry or do anything when I know he'll be fine". And in the past, this has been true - the Agency members always pull through. None of them, up until that point, have been in a situation that they couldn't eventually fix. Ranpo has a bubble of safety in the Agency, that basically amounts to a "villain of the week" type beat from his perspective, where troubles gets fixed up pretty quickly. All in a day's work.

But then Yosano dies in Poe's book, someone he actually had some level of responsibility for when he invited her to join his safe little circle in a world that had no place for people like them. And it's a direct result of Ranpo's refusal/inability to act.

In order to fix this, Ranpo uses Yosano's glasses. The lens he's seeing through has changed. The people in the Agency were initially "his" in that they were meant to support Ranpo, the special one "chosen" by Fukuzawa's glasses, the reason for the Agency's existence in the first place. But now the people in the Agency are "his" in that they are his to protect. He's their big brother they all look up to in a way, and as the big brother, he's got to take responsibility for their safety.

Why did this not stand out in the moment? Well, we learn something about Ranpo from Untold Origins: he's very good at pretending he's doing okay and things aren't bothering him as much as they are. He's able to hold it together up until it all comes spilling out of him during the play. Also, I do think Ranpo cares about people a good deal more than he'd have you believe. A common fanon thing about Ranpo (from what I've seen) is that he tends to forget people, which, I can see how one would come to that conclusion, but I actually think it's completely wrong. I don't think Ranpo's forgotten a single person he's accused. I don't think he's forgotten a single person he's helped.

He lied about not remembering Poe, in fact, he remembered him pretty fondly as a real challenge. He remembers the information on a person from the Special Division he was asked to look into and gave the info to Mushitarou to allow him an in. He recognizes an officer he'd helped, and it's implied he recognizes every single officer who had been present while he was working on cases in the past. Does this mean he cares about all of them? ...eh. Probably not. But it does mean that Ranpo keeps a lot of his cards close to his chest. He's disarming with his intentional childishness. And so it can be difficult for the characters and readers both to notice that events like Yosano's almost-death... actually bothered him a lot more than he let on.

Because it was his fault. Because she was his responsibility. Because he's supposed to be invincible.

And unfortunately, the story from here on out does not get any kinder to Ranpo as his safe bubble that is the Agency is repeatedly targeted in ways that are increasingly hard to repair.

Fukuzawa falls ill and nearly dies in Cannibalism arc.

A girl gets blown up and Kunikida ends up in jail because Fyodor managed to manipulate Ranpo's intel.

Mushitarou is believed to have been shot and killed trying to warn Ranpo about the Decay of Angels plan.

Taneda bleeds out from a stab wound and falls into a coma. Ranpo can do nothing but listen and cannot get him help.

The amount of times Ranpo has seen people nearly die in front of him... bro it's almost as bad as Kunikida.

Much like Kunikida having extreme faith in his lofty ideals which make him fall just that much harder when he fails to uphold them, Ranpo has practically zero self-doubt and complete and utter confidence in his abilities... so when problems arise, Ranpo is very harsh on himself. He takes the blame because he's supposed to be better than that. Because he is the one with the powerful "ability" that should never fail.

In this sense, Ranpo's position in the Agency reminds me a lot of a certain person in the Port Mafia, someone who also has a powerful skill he puts towards protecting his own, someone who also received life changing words from the boss which earned him his loyalty, and someone who would do anything to defend the only place in the world he feels secure.

I think there's definitely a reason Cannibalism arc had Ranpo and Chuuya face off, I'm just saying. Both of them ostracized and thrown out as young teens by people who should've been looking out for them. Both the instigators of that arc, proactive and desperate to protect the person they are most loyal to who changed their perspectives. They've even got the same power stance, look. :P

[ID: Two panels from the Bungou Stray Dogs manga. The first is a panel of Ranpo with the silhouette of Fyodor behind him. He is standing with his hands in his pockets, facing front with his head tilted back and to the left a little, a fierce expression on his face and his cloak billowing outwards. The second is a panel of Chuuya standing in a similar manner, arms crossed, facing front with a fierce expression as his coat billows out around him. End ID.]

Of course, there's more interesting comparisons and contrasts to be drawn between them, but I'm focusing on Ranpo in this analysis, so I think I've made my point. Chuuya is the Port Mafia's best martial artist. Ranpo is the Agency's strongest man. And that places a burden of responsibility on them that they both believe they must uphold. They're both ready and willing to do whatever it takes.

The thing is though, is that Ranpo doesn't actually have an ability. When up against someone like Chuuya, he is at a distinct disadvantage, and he knows it. "Regular people can't defeat ability users". But he's still going to come up with a way to do it anyways, and why?

[ID: A screencap from the Bungou Stray Dogs anime. The members of the Agency all stand around Ranpo, who is seated at his desk with a smile, one hand holding his cap, the other held up in a casual gesture. The image is filtered in a soft light. End ID.]

Because his friends think he's invincible.

If Ranpo wants to maintain his safe place in a world of fear, then he has to step up to defend it, and he has to get creative about it. And that's exactly what he does. Ranpo becomes steadily more active throughout the story, which is a huge change from the start, where he had to be practically bribed to help at all. I see a lot of people point out his channeling of Fyodor's tactics to secure Kunikida's release, which is definitely a dark turn for his character, but it's not the only change.

Ranpo is now choosing to place his faith in others, the first obvious instance of this being his use of Poe's novels - which was how he defeated Chuuya. Ranpo knows that he is not going to succeed against people who drastically overpower him all alone, even if he does still take things on as personal burdens. He's also far more obvious about his protectiveness, going on the rescue himself to save the Agency members, driving a car (whereas before he needed someone to take transit with him - another indication of his increased proactivity since he's now literally driving instead of being driven), and bodily shoving Atsushi out of harm's way.

It all culminates in one of my favourite Ranpo scenes where he speaks at the conference to the police, who've worked with him before, where he asks if they will think for themselves - and tells everyone gathered there that anyone can be a detective if they think for themselves and look with their own eyes (!!!). He manages to get half the police force on his side, just through his words and his logic alone! Minoura assumes he somehow knew it would all work out, because, well, it's Ranpo. Ranpo knows everything.

But...

[ID: An image from the Bungou Stray Dogs manga. Ranpo sits in the passenger seat of a car with an honest, helpless smile. End ID.]

He reveals he didn't know if his ploy would work at all. He had to trust that it would with no solid proof. He had to trust these people would use their heads and look beyond the obvious. He respects these people enough that he thinks at least some of them will make the right call.

Fourteen year old Ranpo, bitter and estranged from other people, would never. For him to have come such a long way is testament to the security that the Agency provided him with. In a way, Fukuzawa forming the Agency allowed Ranpo to "complete" his childhood in relative safety, so that when the world became hostile once again and his family destabilized, Ranpo had matured enough to meet it and defend himself and those he has a responsibility towards head on. The Agency is his family, and Ranpo cares for them enough that he puts his faith, not just in them, but in the people they put their faith in too.

[ID: A panel from the Bungou Stray Dogs manga. Ranpo is kneeling in front of Fukuchi, who is sitting backwards on his chair to face him. End ID.]

...aaaaand then Fukuchi went and ruined it. Thanks, Fukuchi.

Ranpo again chooses to put his trust in someone without proof because Fukuzawa trusts him, only for that to have gotten thrown back into his face in the worst way possible. And it's in this regard, the trust aspect, that I think we'll see Ranpo develop as the story goes on.

Will he continue to show this tentative faith in people? Or will he begin to hyper-analyze, unwilling to trust again without proof?

If this arc gets resolved decently well, I think Ranpo will have no issue brushing this off as a one-time thing. However, if what I fear might happen does and Fukuzawa doesn't make it out of this arc... Ranpo will be destabilized.

I don't know that Ranpo would go "bad" per se. He likes the other Agency members. He cares about them - that's genuine. But if Fukuzawa dies, then Ranpo may begin to take darker actions in order to keep them safe, almost overprotective and harshly logical, with little room for blind trust or risks in the name of justice or honour. It may put him at odds with Kunikida, in that Ranpo may start to develop a strong "do what's necessary" mentality, even if that may be immoral. He may regress a little into his old trust issues.

However, I really don't think Ranpo will go too far down the path of darkness, even if the worst should happen. He's a lot tougher than he seems, and he has a good support system in the Agency. I guess it remains to be seen where Ranpo's story takes him next.

Until then...

[ID: A screencap from the Bungo Stray Dogs anime. Ranpo sits in his chair in a cuter art style, having taken a bite from the pastry he has in his left hand. End ID.]

I love one good boy. :)

[ivystoryweaver]

Cosmic - Poe Dameron

Episode 2: This Island Earth previous

Cosmic Masterlist | Poe Dameron Masterlist | Main Masterlist

Happy Poevember!

Pairing: Poe Dameron x gn!reader

Summary: Clearing away wreckage, explaining explaining, Poe learns about bathrooms and tries to cook

Content/Notes: This chapter gets us from crash landing to domesticity. No warnings except food and injury

Word Count: 2.5k

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"You're saying you're from..." Your eyes widened as you pointed up at the sky. It would certainly explain his advanced and strange looking jet.

Your expression of shock was mirrored on Poe's face. "Hey, this is news to me too. I've never been out of our galaxy. I didn't even know I could...not in an X-wing anyway."

"X-wing?" Your eyes followed his to the wreckage.

"My starfighter."

You swallow hard, not sure how to feel. The 'I'm not from around here' explanation certainly seemed to make the most sense. Poe didn't appear to be a man who'd lost his mind. Even if he was, how else could you explain the...X-wing?

"Where's the nearest space station? Where could I go for repairs?"

You must have stared at him for a full minute, but seeing that he was seriously asking, you shrugged hopelessly. "We don't have those. No space stations. They launched a space shuttle earlier this year. I think it's kept in Florida. But it's nothing like this," you tried to explain. "We don't have anything like your..."

"Starfighter," he supplied. "No starfighters? No space stations? How do you go off world?" He asked earnestly. "The shuttles? Will they take me to the closest space station?"

So you spent the next half hour explaining to Poe that the people of Earth never actually left Earth. Sure, there had been a couple of trips up to Earth's moon, but no other planets. You also explained how space travel was rare and expensive, and entirely uncommon. There were no humans or sentient species to your awareness on neighboring planets in the solar system. Nor did Earth humans possess the capabilities, at this point, to explore the vastness of the Milky Way galaxy.

Poe remarked that your little planet seemed to be an island unto itself.

He asked endless questions about ships, which you called airplanes and jets - about how none of them, to your knowledge had hyperdrives or sublight engines or ion engines. Whatever those were.

"I honestly don't know much about that stuff," you admitted sheepishly. "Only what I see in the movies."

One of Poe's thick eyebrows lifted curiously. "Movies?"

"Um, yeah, like television shows, but longer." You waved your hands in front of you. "On a big screen. You know, people act in them and tell stories. Pretend stories, for entertainment."

"Ohhh, like holos," he nodded. "We have those. Sort of."

On and on the two of you went, speaking quite technically about space travel. It blew your mind to think that Poe could really be from another world, another galaxy even. You also talked about whether or not he was human. He assured you that he was, although he let you know that his galaxy was full of sentient life of all kinds - human and otherwise. Beings like Wookiees, Twi'leks, Rodians, Hutts and Ewoks and Ithorians - who apparently had four throats.

Poe asked how long before the sun would rise, suggesting that you try to haul away some of the wreckage before that time. You decided to take your truck over to get your tractor. Using all the tools at your disposal, including hay bailing equipment, you hauled away as much wreckage as possible and put it in one of your old, spare buildings. Even with the machinery, it was exhausting work, especially for Poe, who continued limping.

And you didn't finish by sunup, nor even by mid-morning. You could only pray that someone wouldn't come poking around asking questions. Thankfully, the smoke seemed to have cleared after whatever Poe did to quickly put the fire out.

With some strategic tarps and hay, you tried to cover the remaining wreckage until you could work some more under the cover of darkness.

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"Do you have a fresher somewhere?"

Dirt from the night’s labor and soot from the fiery crash covered the sharp angles of Poe’s face. His lips, full and plush were split and parched with thirst. Dark curls, wild and untamed, fell carelessly over his forehead. With eyes the color of tilled soil after rain and a gaze that fixed on to you with a silent plea, he looked at you like a lost boy.

Seeing the confusion on your face, Poe tried to explain. "Uh, to clean up? To wash, with water?"

"Oh, yeah, of course, let me show you. Follow me." You led him up the stairs to the bathroom, wishing there was a shower for him on the first floor, so he wouldn't have to use stairs with his sore leg.

Just then, an orange streak darted down the stairs, giving Poe a start. "What was that?" He breathlessly questioned, more curious than actually frightened.

"That was my cat, Cheddar. I have two more out in the barn, but Cheddar thinks he lives in the house." You waved your hand dramatically. "Welcome to my crazy farm. Do you have cats in your galaxy?"

He smiled, looking past you for a glance at the small creature. "Loth cats, yeah."

"Do you have any pets?" You inquired, leading him into the bathroom.

"No animals. Just...my droid. BB-8."

"Droid?"

"Like an android."

"Like a robot?"

Poe explained to you a little about his spunky, round droid, so full of intelligence and personality. A sadness lingered in his eyes when he spoke of the little thing.

"I hope you'll tell me more about him," you said, pulling back the shower curtain. "But I'll let you get cleaned up first." You gave him a quick tutorial on how to work the faucet.

Easing back around him in the small room, while attempting not to violate his personal space, you grabbed a towel and washcloth from the cabinet. "Here you go. I can get you some clothes. They were my father's. Probably a little big, but..." Quickly scurrying away, you gathered some faded navy sweatpants, a gray t-shirt and your dad's old, knit cardigan. No men's underwear. Oh well. Perhaps a trip to the store was in order.

Poe was waiting in the bathroom doorway when you returned. "Sorry, this is all I have."

"Thank you so much for helping me." His eyes flickered down the shape of your body briefly. "You must be exhausted."

"Hey, I'm not the one who crash landed," you chuckled.

Scrubbing a hand over the back of his neck, he sheepishly smiled. "Yeah, not my best work. I'm a good pilot, I swear."

"Uh-huh, sure," you teased. "My field would beg to differ."

Reaching out for you arm, he squeezed gently, but his touch did not linger. "I'm sorry. I'll help you fix it, if I can."

"It's okay, Poe," you gently returned. Now that you were getting a good look in the daylight, he was really handsome. It was more than just the cut of his jaw, his dark, delicious curls and his soulful brown eyes. There seemed to be an inner goodness and sincerity that was magnetic.

Clearing your throat, you took a step back. "I have to go take care of my animals, but when I come back, I can make you something to eat,"

"Oh...I can help you. I didn't realize - "

"No, it's all right," you assured him. "I'll introduce you later. You clean up. I mean, you did survive a fiery crash, right? Besides, you're hurt." You nodded to his leg.

He shrugged. "I'll live."

After your chores, you found Poe dressed in your father's clothes, which looked rather adorable on him since your dad was just over six feet tall and Poe was definitely shorter than that. He looked as if he'd leaned over and fallen asleep immediately over the arm of the couch.

Cheddar had curled up to his side in the most affectionate display you'd ever seen from your fussy feline.

Although you were starving and exhausted, you decided to hit the shower yourself. Maybe you could shirk some of your farm responsibilities for the day, after a shower, a warm meal and a good nap.

It didn't happen in that order. After your shower, you got dressed and passed out on your bed.

You awoke to the smell of food. Chicken, specifically. Bolting out of bed, you scurried down to find Poe cooking some chicken legs on a skewer over an open flame on your gas stove eye, with Cheddar circling his legs affectionately.

"Hey, I hope this okay. I found some...it said chicken legs in your cooling chamber. And I thought I would cook it on your stove. I didn't realize it was a gasser. I wasn't sure what pan to use because I don't want to burn anything, so I just did this."

"I am so sorry," you chuckled, feeling your cheeks heat with embarrassment as you scooped up Cheddar for a quick snuggle. "I didn't mean to fall asleep. Was this little guy bothering you?"

"Not at all." Poe had woken up with the strange feline curled up on his lap. As he petted the soft creature, he had felt it purr and noticed how short its ears were compared to a loth cat.

Depositing Cheddar onto the floor, you quickly reached for a pan so Poe wouldn't have to continue holding and turning the meat.

"Is this okay to eat? It's just meat, right?"

"Yeah, it's all right." You smiled at him, feeling something tug at your heart at how strange this all must seem to him. It was certainly bizarre to you. "I can make some vegetables to go with the chicken and some rice," you offered. "Does that sound okay?"

"Yeah, thanks." Poe stepped aside, watching carefully as you took command of the kitchen, his mind reeling with a thousand worries and curiosities. "Would it be okay if you describe to me what you're doing?" He softly asked, moving beside you tentatively. "That way, I can learn the names of things, and how they work."

So that's what you did, sparing no detail as you used a knife and a cutting board to chop potatoes and carrots. On and on you went, describing the boiling of rice and the toasting of dinner rolls. Most of it seemed to be pretty universal, but you were able to teach one another a few words here and there.

"Do you drink caf?" He questioned as you set the table while the food finished cooking.

"Um, caf, like caffeine? Coffee? Dark brown, made of grounds, from beans? Looks like dirt?"

"That's the one," he grinned.

"Absolutely Want some?"

"Please."

That word sent a shiver through your body, but you brushed it off.

As the two of you enjoyed your lunch, you apologized again for falling asleep and leaving Poe on his own.

"Please, you have no idea what your help means to me," he told you, rather seriously. "I could've landed anywhere. On any world. Or...this Russia, you were talking about. I could be in prison somewhere, or spinning out in space. But I landed here. Believe me, I've had it a lot worse."

"Is it really so bad, where you're from? With the First Order?" You asked him.

Setting down his fork, he swallowed his bite of food. He took a moment to collect his thoughts before resting both forearms on the table's edge and folding his hands together. "Sometimes it feels like every time I get in my X-wing, it's life or death. It's been kind of non-stop really."

"That sounds exhausting," you softly replied. "And scary. You must be very brave to stand up against them."

"I try to be," he answered, eyes meeting yours. "That's why I have to get back. There has to be someone I can talk to in your government. Do you have a senate, or a leader? A chancellor? I have to see what I can do about my ship."

Realizing what a dire situation he might be in, you sighed heavily. "Poe, it's not that simple."

"Why isn't it? If we just explain to them, like I did to you - "

"No one is going to understand, or even believe you," came your emphatic reply. "They'll probably do a hundred experiments on you because they'll think you're an alien, or that..." You trailed off, trying not to upset him.

"They'll think what? That I'm crazy?"

Your eyes dropped to your plate.

"Is that what you think, Trix? You think I'm crazy?"

"Of course not."

Pushing back from the table, Poe stood, pacing away and back a few times, despite his slight limp. "I wouldn't blame you if you did. None of it makes sense."

You could see the stress rolling off him. He was certainly handling the situation better than you would be, in his shoes.

But you didn't know this man. You weren't sure if he needed time alone, or some way to blow off steam or a hug or something to punch. So you decided to tell him what your father used to tell you.

"Let's just take it one day at a time, okay?"

He stopped pacing to listen to you.

"We worked so hard off clearing your ship away, and we probably need to go back tonight. We need to get it cleaned up and stored, somehow, no matter how long it takes."

He nodded, giving you that lost boy, puppy-eyed face again, so you kept talking.

"We need a cover story for why you're here - where you came from. The ship, we can hopefully hide. If the government saw you crash land, they would probably already be here, but just in case, we need a better explanation than the fact that you quite literally fell out of the sky."

"Right. Good idea."

"And you need a place to stay. Some clothes and personal things."

Standing up from the table, you reached for your plate to start clearing the dishes while you talked. "I have a spare bedroom. Two actually, but one is pretty small and up by the attic. It was my room when I was a teenager. Anyway, um...I could use a little help around here, once your leg heals. You could take the spare room, if you want, and work for room and board. I don't really have any spare cash."

"You would let me stay here, past today?" Poe sincerely questioned, dark eyes wide and hopeful.

"I don't see why not. I mean, where else will you go?"

His shoulders sagged in relief as he heavily sighed. "Thank you. That means so much to me."

"You're welcome," you softly returned.

"Can I ask you something?" He went on, easing toward you.

You shifted from foot to foot, feeling the need to set down the dish you were carrying as his gaze locked on you. "Mm-hmm."

"Are you always this nice to complete strangers who crash into your field?"

"No one's ever crashed..." You trailed off, realizing he was only teasing. "Well, it's like I said. You fell right out of the sky. And I'm not one to turn down free help."

He laughed then, but it was hollow and tired and worried. The merriment in it would not reach his eyes. "I promise you I'm not crazy. I really am from another galaxy."

Laying your hand on his arm, you squeezed gently. "Poe. I believe you."

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[bitterkarella]

Midnight Pals: More Usher

Mike Flanagan: so the important thing about the Usher family Flanagan: is that they are all huge perverts Poe: oh yes yes absolutely Poe: see, this guy gets it! Barker: do the Usher twins fuck Poe: of course- Flanagan: of course not! Poe:

Poe: wait wait wait Poe: mike, are you serious? Poe: of course roderick and madeleine usher fuck! Flanagan: i don't remember that Poe: the insinuation is right there in the story! Barker: ah Barker: the insinuation Barker: see, that right there, edgar Barker: that is your problem

Barker: that's why i never insinuate Barker: in my stories, if someone fucks Barker: you're gonna know Poe: i'm not splatterpunk like you, clive! Poe: i write gothic subtlety! Barker: phhhtt "subtlety" Barker: that's for losers!

Poe: come on, i think i made it pretty clear Flanagan: i really did not get that out of the story Poe: didn't you see how broken up roderick was about madeleine's death? Flanagan: i thought they were just really good platonic siblings

Poe: this sucks Poe: nobody appreciates my work! Poe: [sulking] future archeologists are probably gonna dig up the usher twins and be all "wow, look at these two really close platonic siblings"

Poe: you gotta have the incest! Poe: that's why the house fell! Flanagan: i thought you said the house fell because of faulty construction Poe: no not the literal house falling Flanagan: oh NOW we're talking metaphorically! Flanagan: I just can't win!

Flanagan: come on Flanagan: you all can't tell me that you WANTED more incest in this story! Poe: Barker: King: Koontz: Lovecraft: VC Andrews: i wanted more incest in this story

Flanagan: ok i'm sorry about forgetting the incest Flanagan: but there's plenty of other terrible perversions in my adaptation! Flanagan: like this one usher, she has a threesome Flanagan: and another is a cuckold fetishist Barker: oh mike haha Barker: oh mike you are like a little baby to me

[antianakin]

i saw that you put finnrey as your “most potential” ship and i was just wondering what makes you see them as more romantic over a platonic relationship? especially considering the finnpoe presence lol

and to be clear, definitely not judging you or saying everyone has to prefer finnpoe, i just haven’t seen very many people talk about finnrey as a romantic pair, or at least i haven’t interacted with it, so i’m curious for your take :)

I'm going to start this with a disclaimer: I do not dislike Finnpoe at all, I actually quite enjoy Finnpoe as a ship, I think that Finn and Poe's dynamic in the movies is (mostly) enjoyable, and I do think there is an obvious foundation for the interpretation of them as romantic based on what we see in the films.

Finnrey are pretty obviously set up as a future romantic couple in TFA, to the point that the person who wrote the novelization has said that that is how he wrote them because it seemed REALLY REALLY OBVIOUS that that's where they were going with that relationship with what he had seen of it and he was pretty surprised when future films didn't follow up on that. There is arguably more explicit set-up for Finnrey in the first film of their trilogy than there was for Han/Leia (and also Luke/Leia since their sibling relationship wasn't established yet when ANH came out) and even for Anidala in their respective first films together.

It's Rey that Finn goes back for, fulfilling a place in her life that she's been waiting on for literal years, becoming the first person Rey feels like she can trust. Finn gets jealous when he thinks that Rey is going back to a boyfriend on Jakku. There's an entire running gag that is about the two of them holding hands, something usually pretty connected to romantic couples. Finn only joins the Rebellion because he cares enough about Rey to want to go back to save her (and he also answers his call of destiny by doing so, as visualized by him being given and then using Anakin's lightsaber as part of that decision). Rey answers her own call to destiny when she calls Anakin's lightsaber to her, something she only does in order to save Finn after Kylo has injured him. The two of them impact each other's storylines in a way that NO ONE ELSE DOES.

I also personally feel like Finn and Rey were originally built as CO-LEADS in TFA, neither one was supposed to be "the main character" over the other. They were BOTH intended to be Force sensitive, BOTH intended to become Jedi, BOTH intended to be the awakening in the Force. Their connection was the whole heart of the story in TFA. Allowing them to be love interests for each other just helps cement that. Finnrey being allowed to remain love interests throughout the Sequel trilogy could've helped keep Finn from being sidelined, it could've helped keep REY from being sidelined, it could've allowed Kylo Ren to remain a villain, it could've helped keep some of the more interesting themes of TFA from being completely and utterly dropped.

By comparison, Poe was supposed to die in TFA. He and Finn share maybe 2-3 scenes total with each other, which are split up between the very beginning and the end of the second act of the film, leaving a LOT of time in-between where neither we as the audience nor Finn in universe even SEE Poe (and he mostly disappears when the third act on Starkiller Base starts up, too). Giving Finn a love interest that isn't Rey also opens the door for him to be sidelined in favor of Rey. This is something we can actually see done intentionally in TLJ with Finn and Rose. It pulls focus from what was set up as the focal point and heart of the narrative in TFA (Finn and Rey's relationship) and provides an excuse for why Finn isn't taking part in the bigger storylines with Rey.

And last but not least, I don't personally believe that there was ever a snowball's chance in hell that Finn and Poe were ever going to become an canon couple in a Disney Star Wars movie (it wouldn't have happened in a Lucas-run Sequel Trilogy either, but that's not really the point here). Finnrey could've. You can even argue that it SHOULD'VE happened and that it WOULD'VE happened (if Rian Johnson hadn't come in and decided to ignore everything that was set up in TFA). And Finnrey theoretically still HAS a shot at being made canon. It seems a LOT more likely that if they continue to explore the characters in the future that we'll see Finn and Rey get together romantically than that we would see Finn and Poe get together romantically.

So while I like Finn and Poe, I don't feel like there was real potential that actually got squandered in the films when they didn't happen, whereas there was ACRES of potential for Finn and Rey that got completely thrown away, and doing so really hurt both of their characters and the trilogy as a whole.

[coldairballoons]

i've seen a lot of people saying that saltburn (2023) isn't a commentary on class, and genuinely, i have to disagree.

keep in mind, i watched this at 3am last night with my sibling, but i'm also a literature major with a focus in literary criticism of popular culture (including film), so i do know what i'm talking about!

spoilers below the break

first of all, framing saltburn as a conflict between the upper class and lower class is incorrect. in fact, that in itself is one of the major criticisms that comes up throughout it! oliver is quite literally not lower class, but uses the preconception that the cattons will view anyone in a lower social class than them as a tool to manipulate his way into their life. despite this, he is not lower class. and you are not meant to root for him, especially not towards the end.

the marxist theory of literary criticism surrounds the idea that in every story, one of the key concepts is a class struggle. this could be between any class, but the most common is the rich vs poor duality that shows up in most stories - ex. titanic, the fall of the house of usher. the thing is, in both of those examples, the sympathy lies with the victims - the lower class. in titanic, you are meant to feel guilty on behalf of the rich leaving the lower class to die. in usher, you are meant to feel anger towards the mistreatment of those who seek out the treatment the family offers. but while usher is a clear criticism of class, is that its main genre? is is purely a class struggle movie? no. it is a story inspired by edgar allan poe that surrounds horrors of family, trauma, and yes, class, but also morality. meanwhile titanic is supposedly a romance. though jack dawson is young and poor, he is not the only sympathetic character. what i'm saying here is that media is incredibly layered, and while on the surface level, something may not be entirely a class conflict story, those undertones exist throughout, no matter what. even take hit series percy jackson for example. there is still a class discussion to be had there, with percy and his mom struggling with finances, while annabeth and her father live comfortably.

but saltburn is interesting, because the antagonist throughout the entirety of it is, as far as the audience knows, lower class. you are introduced to him, not through judgement for his living condition, but through compassion and generosity. felix offers him a hand, even when he isn't in the same group as him. that in itself is a criticism of class dynamics.

listen. i hate rich people as much as the next gen-z college student. i personally have a hit list with many a billionaire's name right at the very top. but it's undeniable that, despite the class difference, the cattons - at least venitia and felix - are kind to oliver at first. obviously, he is a part of the other, but he is still a person. elspeth enjoys his presence. james treats him as a son. farleigh feels threatened by his presence, because he knows that, if they so choose, they could replace him with oliver.

i want to talk about farleigh for a second.

i literally have not seen anyone talk about farleigh, and i am upset about it. not only is he one of the most compelling characters - a supposed american slacker who lives with his extended family and blows their money on lavish means -, but he is important in the class discussion because it affects him directly. the cattons do not support his mother. she is in america, and although they have the ability to, they actively choose not to. the reason felix is bothered when farleigh implies that it is, in fact, a "race thing", is because it is. why is farleigh the one dependent on the cattons, and risking expulsion from the family? because he is the first other that they encounter.

and then pamela, who not only has sought help from the cattons, but disappears midway through with no explanation. she goes directly from rehab to them, and although she is trying to find a place to live on her own, the cattons offer her no assistance. they offer her nothing, and complain when she is in their space. they offer her NO help, when they so easily could set her up with a small flat and monthly allowance to help her find a job.

and not only is this a criticism of the upper class - the inactivity and extremely single-minded worldview that the cattons have, the amount that they are out of touch with not only the outside world and the lower class, but their own emotions -, it's also a criticism of the upper middle class.

as someone currently in college, whose parents are a college professor and a high school teacher, i am fairly middle class. however, there are so many people in my immediate vicinity - folks i know from high school, in my classes, extended family, etc., - who are Extremely upper middle class. however, they have the comfort of certain things that i, and my family, don't have. that's just part of life. however, in saltburn, oliver milks the "middle" in his "upper middle" class. he milks it, and he runs it absolutely dry.

someone truly in his alleged position would not be able to spend the summer lavishly and hedonistically gallivanting around the countryside of england, playing tennis and smoking cigarettes by the lake. hell, someone in my middle class position wouldn't be able to do that either, especially not while attending oxford fucking university. he would likely need to work, not just to support himself, but to support his mother, especially after - again, allegedly - his father died. and not only is this coming from a place of an oversight on his part, not realizing what his privilege truly is, but it also comes from a place of oversight on the part of the cattons.

do i think that saltburn is a movie about class? nope. at its core, it's a story about a desire for power and possession, ownership and obsession. there is this intense, almost vampiric lust throughout the entire thing, and that's in part what makes it the perfect setting for discussions of sexuality, of madness, and, honestly, class. wealth is power, and the cattons have a lot of it.

[talesofesther]

darling darkness

Wednesday Addams x OC/Reader

This story belongs to the I Told the Moon universe

Summary: Wednesday has a strange way of calming you down even on your worst days.

A/N: A little deeper look into my favorite universe. Some ideas here were suggested by @annalestern and @roleplayfandom. <3

Masterlist

There was something about the little nook where the Poe Statue stood. It was reserved, but not hidden. Away from prying eyes, yet not safe from any wandering students.

You figured that's why Wednesday liked this spot, she liked the risk of getting caught. The rush of it, if you will.

You could tell just from the feeling of her smirk. The small curve of her lips that made it just a tad harder for them to fit with yours.

For someone so sharp-edged — her words, not yours — rigid even, from her routine to the straightness of her clothes; she quite enjoyed to have you unraveling her.

It always started with her fingers curling around the fabric of your blazer so she could lay the ghost of a kiss on the edge of your mouth. She's not one for words, never has been; actions are her thing. Wednesday will confess to you in the way her nimble fingers traced a path up your neck and to your jaw, tender in a way you doubt she even knew she was capable of.

That was always your cue to pull her closer, to bring your arms around her waist and bury your hands underneath her shirt to touch the surprisingly warm skin of her lower back.

And Wednesday shivered at your touch, every single time. You're the only one who can make it happen.

Her kisses held unspoken words in them. But who needs words anyway, when she presses herself to you as if you'd run away?

It's been like this for a few months, and each time she pulls away — lips a little swollen and pupils so big that her eyes are almost totally black — it feels like the first time.

"Why do you insist on them?"

Her voice was like a soft gush of wind over the haziness her lips always put you in.

You smiled at the girl who had you pressed against the cold concrete wall, your thumb lazily tracing the skin on her waist. "Sorry," you raised a hand, taking off your sunglasses, "I forgot."

One thing you learned pretty quickly was that Wednesday had a passion for your fiery eyes. You'd catch her staring just a moment too long whenever you took off your sunglasses in her presence. Eventually, you started to not use them at all when around her.

Wednesday's dark doe eyes seemed to count each speck of color in your irises, each shade of honey and golden brown, losing herself in you. Her eyebrows softened their crease and you could feel her nails scratching at the back of your neck slightly.

You loved her for it, for associating a part of you you were never too keen on, with something worthy of devotion.

Something you didn't exactly love, though, was how perceptive she was.

"I couldn't help but notice your lack of annoying quips today," Wednesday raised an eyebrow at you then, "why is that?"

You averted her gaze then, clicking your tongue. As you did so, both of you could hear faint footsteps approaching; Wednesday was quick to untangle her limbs from yours, clearing her throat as she leaned back against the Poe Statue.

Two gorgon girls passed by you, and you stuffed your hands in your pockets. You wondered if they'd believe you if you told them how the Wednesday Addams turns into putty in your hands.

That was a thought for another time though, as you could feel a familiar weight settling into your chest and raising goosebumps on your skin. She wasn't wrong, you've been quieter today. "Um-" you tried to start, words heavy on your tongue, "my father called this morning, letting me know he's coming to pick me up this weekend." You gave Wednesday a defeated shrug, feeling small under her gaze.

"Why is that?" She asked without much emotion in her tone, but you could see the way she clenched her jaw.

The silence dragged, as if speaking would make it more true.

"Our family has been invited to a gala, something about potential business deals, I didn't really pay attention," you grimaced, "my father says it's imperative that everyone attends… especially his prized pony." You mumbled the last part, disdain dripping from each syllable.

Sincerely speaking, you were used to these parties, had attended them more times than you could remember. Though it always brought a knot to your stomach to think about being surrounded by disagreeable people who were all too powerful for anyone's sake; always whispering about wicked deals without considering who loses their lives on the line. Your family had one of the most renowned names amongst them, so whether you liked it or not, you were already in the game.

"Tell him you can't go, that you're busy with school," Wednesday raised a brow, taking half a step closer to you, "I'll vouch for you."

It was sweet just how protective Wednesday had grown of you. Reaching out, you gingerly ran a finger over one of her braids; "unfortunately, it doesn't work like that."

Wednesday's dark eyes flitted over your features and, slowly, she hooked her fingers with yours. It was a comfort to know she'd be waiting for you upon your return.

—

There was something about the darkness of the night. The cold and quiet tend to make one's emotions flourish; maybe it has something to do with the hazy silver glow of the moon and how it shines over the low fog.

Because of the fog, the grass under your paws was slightly wet, cool to the touch. The fur of your legs that touched the longer blades of grass grew damp as you walked through the deserted gardens of Nevermore.

The huffs of breath that escaped your nose were just as white as the fog, telltales of the approaching winter. It was a cold night, but you didn't feel it; the thick layer of midnight fur around your body kept you warm enough.

If any unlucky student were to bump into you right now, they'd probably think their time on this earth came to an end and the devil's beast was here to claim their soul — what with how you were lost in the darkness of the night, only leaving the frightening sight of your honey-colored eyes.

Still, nighttime was your time; it relaxed you as almost nothing else could. Pulling your mind away from your unfortunate predicament as you lay on the damp grass and gazed up at the shining moon above you.

There was an anomaly though, has been for a while. You're not sure how exactly she finds you, part of you thinks she has Thing keeping watch on you. But recently, she has been the one to invade your nights, and not the other way around.

Your ears perked up at the sound of her footsteps, listening carefully until you felt movement beside you.

She was the exception. The student who didn't fear the sight of your eyes, but loved it. The one who could calm you down more than the moon ever could.

Wednesday sat down beside you, the grass undoubtedly dampening the fabric of her pants as her thigh brushed against your paw.

Words didn't matter much.

Wednesday reached a hand out, her fingers disappearing between the dark fur of your neck and sliding up to your ear until she traced its form. And you melted.

Your head came to rest on her lap and she cradled you to her. Embracing her wolf closer to her body. Your fur doing a good job of keeping her warm on this cold night.

That's all you were tonight, all you wanted to be. Her wolf.

—

The morning you watched your father's car pull up to the school's parking lot was a cloudy one. You were dressed to the nines; with a long, dark dress that hugged the form of your body perfectly, and obsidian jewelry that cost more than you'd like to admit. All of it carefully handpicked by your father, his only child had to exude nothing less than perfection anyway.

Wednesday sat atop your bed while you glared at your reflection in the mirror, fiddling with the necklace on your hands. Though you could feel the weight of her gaze on you.

You felt out of place in your own body. Suffocated by the layers of expensive fabric that touched your skin. Slowly, you were falling into a mild panic, anticipation twirling inside your stomach.

And then, the feeling suddenly dissipated.

Cold fingers grazed the nape of your neck. You watched through the mirror as Wednesday stood behind you, her fingers disappearing into your hair the same way they did against your fur. The ghost of a kiss she placed on your shoulder came unexpectedly, but not unwelcomed.

"Even if the circumstances are not ideal, you look dazzling, mi luna."

A soft warmth came to your cheeks upon hearing Wednesday's words and you ducked your head sheepishly with a chuckle. You turned to face her then, all so you could pull her into a kiss, which she reciprocated immediately.

Wednesday's palms smoothed over your dress, dark nails digging into even darker fabric as she tugged you closer.

You pulled away slowly when air became a necessity, without really wanting to, running your tongue over your bottom lip to catch any remains of her.

Feeling strangely timid, you glanced down at the necklace on your hands, running a thumb over the faded pink pendant. You looked at Wednesday through your lashes; "would you keep it safe for me?" You asked, extending the necklace to her, "my father doesn't like to see me wear it."

A beat or two passed with Wednesday's eyes going from your face to your hand, she looked almost… surprised?

"Of course," she eventually breathed.

You reached around her then, gently clasping the necklace around her neck. The pink pendant looked a little foreign on Wednesday's pale skin, but you loved it on her. It felt as if a part of you would stay close to her heart.

"I'll be counting the seconds until I can come back to you," you whispered, leaning in once more to place a chaste kiss on her lips.

Wednesday kept a secure hold of your hand as you walked together down the stairs, through the gardens, and to the parking lot. She stopped by the gates, with a faraway gaze focused on the figure of your father waiting for you outside the car.

Only when you squeezed her hand, did her eyes slowly settle back on you. Her bangs flowed softly with the breeze outside, her cheeks a tad rosier because of the cold; "let me know if I have to kill anyone upon your return."

She managed to pull a last smile from you and you ran your thumb on the skin of her hand before letting go, "I will."

With that, you were walking away from her, your high heels steadily thudding against the stone path as you reached your father. You couldn't breathe even if you tried to. "Hello, dad."

He didn't look at you, instead, he kept his eyes on the dark-haired girl who stood by the gates, undoubtedly holding a daring staring contest with him. "Who is that girl?"

The words tasted bitter on your tongue, but for Wednesday's sake, you said them; "just a friend, no one important."

Silently, the golden eyes of your father looked you up and down, making a shiver run down your spine. When he judged you were looking appropriate enough, he turned around, "get in, we should've left two minutes ago."

"Yes sir," you mumbled and opened the passenger's door.

As the key was turned in the ignition and the car started slowly pulling away, you kept your gaze out the window and focused on Wednesday. The last thing you saw was the way she took half a step forward, as if the increasing distance between you pulled painfully at her heartstrings.

⋆* ☾ ⋆*･ﾟ:⋆*･ﾟ

Thank you for reading this little story. Feedback and reblogs are literally what keep me motivated to continue posting here, so I’d appreciate it if you could take some time to reblog and comment. <3

Wednesday’s taglist: @heelaechan @imagine-reblog @sakurarukas @bluetreecloud20 @the-night-owl-blr @imlike-so-gaydude @jjsmaybank20 @dreifhraniquo29 @emeraldevans @simp4nat @boobabietch @impossibleliv1031 @deadpool-in-a-snood @rainbow-love4ever @pompompuri @halleest @wandaromanova @marveloussimp @rainbow-hedgehog @left-and-right-up-and-down @get-the-fuck-outta-here @awolfcsworld @elduster @alexkolax @georgi-salva @imdumbhi @youralphawolf72 @reginassweetheart @justyourwritter69 @yangsroboarmm @8e-h-e8 @irish-piece-of-trash @femalehomosexual666 @wol-fica @wednesdays-woes @vorsdany @v1ci0us @the-nightshades-library @tundra1029 @aahdiieb @greyscxle-is-taken

[that-ari-blogger]

This Is About Relationships (Hell's Greatest Dad)

I feel like we are seeing more and more stories that draw on horror elements as of recent times, with mixed success.

Critical Role, for example, has put some heavy emphasis on body and cosmic horror in their most recent campaigns, and I think that has worked really well. They are telling a story about feeling powerful in the face of adversity, and so having villains who are either unknowable or far too knowable really works for that idea.

On the other hand, the horror elements of Doctor Strange and the Multiverse of Madness actively took me out of the story, because they didn’t fit with the rest of the franchise at all, and I found that rather jarring.

Then there is Hazbin Hotel, which isn’t scary, but it definitely draws on some of the tools of writing horror. Although it doesn't do that in the way you might expect. Specifically, it uses the character of Lucifer to both embody and subvert the very nature of Gothic horror itself.

Let me explain.

SPOILERS AHEAD: (Hazbin Hotel, Ratatouille, Paradise Lost, Frankenstein)

I have made my stance on genre extremely clear in the past. I think it exists, but I think it is bollocks, and Hazbin Hotel kind of proves my point.

Because, yes, you can boil Horror down into however many constituent parts as you would like in order to organise a bookstore, but however you spin it, Hazbin Hotel fits that, with the exception that it isn’t scary.

Then again, being scary is entirely subjective. For example, I am completely fine with ghosts and ghouls, so the only thing that gets me about games such as Phasmophobia are the jump scares, and Jump Scares aren't horror. By the same score, I am incredibly squeamish, so Hazbin Hotel itself was more difficult for me than a few of my friends.

Which leads me to gothic horror, which has a distinct aesthetic to it that isn’t actually essential at all.

The name actually comes from its aesthetic. Gothic fiction got started in the 1700s when Gothic architecture was popular but gained traction in the early 1800s when authors such as Edgar Alen Poe and Jane Austin got involved. The latter of whom wrote Northanger Abbey in 1818 to parody the overdramatization of the genre in a book that I personally despise.

Austin’s book comes across to me as incredibly insincere. I have an infinite respect for Austin’s work, but there is a deep sense of contempt in Northanger Abbey that drives me up the wall.

I want to be clear here, this is not me saying the book is bad. It is incredibly well written. I just hate it with every fibre of my being.

To me, Northanger Abbey missed the point of the gothic genre. Gothic isn't about the emotion, it's about the humanity. The fallibility, the force of will, the instability and resilience that come and go like the wind.

Gothic horror turns that into fear, specifically the fear of morality. It’s the Ratatouille genre. Any angel can sin, any demon can rise. Or in other words:

“Anyone can cook.”

Gothic horror is the fear of inconsistency. That someone you trust can betray you, or spiral into awful deeds, or that someone you despise might be right. It’s the fear of redemption, and conversely, the terror of good motives leading to bad ends.

Other subsets of horror draw on the fear of the unknown, or of not knowing. Gothic fiction is steeped in the terror of what you know being wrong.

Case and point, Frankenstein is both the archetypal science fiction book, and a phenomenal Gothic story. The terror is derived from the fact that it’s titular character can be so great and yet such an absolute monster, as well as the horror of creating a conscience.

The creature is intelligent, and its intrinsic morality is up for debate the entire time. Frankenstein calls it his "Adam", for Pete's sake. It kills multiple people, but as a reader you are unsettled by how much you agree with its motives.

Gothic horror is the fear of absence. There is no good or evil here, just people.

There’s a reason I brought up Ratatouille. The conflict of the series is derived from Skinner’s visceral fear that someone he despises as much as Linguine can actually be competent, combined with a field rat rising from the gutter to run a restaurant. “Anyone can cook” is a threat in this movie, but it gets better explained by Ego in a way that I really like.

“In the past, I have made no secret of my disdain for Chef Gusteau’s famous motto: ‘Anyone can cook.’ But I realize, only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere.”

According to one of the greatest fanfics ever written, Paradise Lost, Lucifer rebelled against G-d’s vision and fell, which can be taken any number of ways. It’s written so that you sympathise with the main character, who is, may I remind you, the literal devil.

Worth noting, Frankenstein's monster reads Paradise Lost. I wonder if there is any significance to that.

Lucifer from Hazbin Hotel is nominally the same character as his biblical counterpart, except that he is blissfully unaware of any of the themes surrounding him. Kinda.

He has grasped the fact that anyone can fall, but the reverse of that hasn’t quite registered to him yet.

Case and point, he doesn’t understand people at all. He has sought escapism through “stuff”. By which I mean the ducks, but I also mean his song, Hell’s Greatest Dad.

Part of the gothic theming in Hazbin Hotel is that people aren’t static, and that relationships are more important than anything else. Angel Dust and Pentious don’t become better people through trust falls, the find it through love and companionship, both platonic and more than platonic.

To demonstrate this, we contrast Lucifer with Alastor, who once again doesn’t sing his own song but steals it off someone else. Alastor’s relationship with Charlie is so obviously sinister, and that will be better explained two episodes down the line, but at least he has a relationship with her.

The agony of this is that Jeremy Jordan is a phenomenal voice actor, who, along with Lucifer’s stellar writing, endears the character to you from his first scene.

Alastor is a villain; Lucifer is an absent father. Who do you side with here? That’s gothic fiction.

“Sailors fighting in the dance hall, Oh man, look at those cavemen go. It’s the freakiest show. Take a look at the lawman Beating up the wrong guy Oh man, wonder if he’ll ever know He's in the best selling show. Is there life on Mars?”

This is the chorus of a David Bowie song called Life On Mars. It centres around someone seeking escape through television and storytelling. It points out the futility of this, but the fact that it works. It’s a stable dynamic that doesn’t go anywhere.

Remind you of anything?

“Who needs a busboy, now that you've got the chef? Michelin tasting menu, free à la carte I'll rig the game for you because I'm the ref Champagne fountains, caviar mountains, that's just to start!”

Lucifer is offering Charlie anything she could dream of. Any thing. But Charlie doesn’t need an object. She needs a father, and she needs her relationship with Lucifer.

Enter Alastor, who, up to this point, has been generally benevolent to Charlie. He’s basically the embodiment of that old Tumblr textpost that described someone as “chaotic gay. I haven’t done anything evil yet, but my general aesthetic and demeanour tell you that I will, any day now.”

Side note, I know this post exists. I have seen it, I have screenshots of it. But Tumblr’s search function is so legendarily awful that I cannot locate it. Tumblr’s search function has beaten the FBI before, and I don’t have that much patience.

In any case, Alastor offers up his own curriculum vitae in the form of this:

“Who’s been here since day one? Who’s been faithful as a nun? Makes you chuckle with an old-timey pun? Your executive producer.”

He’s pitching himself via his relationship with Charlie. But what I wanted to point out specifically was how the two characters relate to the beat of the song.

This song is inspired by Friend Like Me. I know it's subtle, but I'm onto something, and I can pick out the clues. If you look closely at his moustache in this shot...

Lucifer is clicked to the rhythm, or rather, his backing music is. The band hits ever downbeat as one, looping back to play the same thing every few bars. It is incredibly stable. The one thing that isn’t, is Lucifer.

The man misses every single beat by a fraction of a second. Not much, but when you contrast him with the entirely of the rest of the song, you notice that tiny imperfection, especially when Alastor doesn’t share it.

Alastor starts singing by matching the beat perfectly with his opening sounds, then going free within the restraints. Later, when he co-opts the song, the band begins playing along with him and matching his melody.

The Radio Demon understands people incredibly well, and he works on relationships. As such, his music has a much more symbiotic relationship between each of the parts. Lucifer’s feels like a creation, Alastor’s feels like it was created, if that makes sense. There’s a human element to Alastor’s take on this song.

Which brings me back to the gothic stuff going on here, and the relationship between Lucifer and Alastor. Alastor is, of course, a manipulator. He takes issue with Lucifer because he wants Charlie isolated. But Lucifer has no reason to get upset by Alastor, right?

Alastor shakes up Lucifer’s entire worldview, to the point where I find some of the double dad dynamic between them rather compelling. Most of it.

Alastor is risk incarnate; he stands for the idea that anyone can do anything. A radio presenter can be a cannibal, and have parenting instincts take over with Nifty and at times Charlie. But he is unsafe. Because he is such an unknown, he is untrustworthy. You don’t know where you stand.

Lucifer, meanwhile, is terrified of this fact. He likes the safety of knowing where he stands, he can protect himself there, but he can also protect others. In my eyes, that’s why he was so absent with Charlie. He found something he could understand and kept it because he didn’t want to shake up the rhythm. But that was futile, and he realises this over the course of this episode.

But you might say “wait, Alastor is ace, he can’t be with Lucifer,” and my answer is twofold. First up, I am ace too, that doesn’t prohibit relationships. I’m not even talking about romantic stuff here, Alastor is the poster boy for being aromantic, but more importantly, parenting isn’t just about the other parent.

The two can both be dads, joined by their mutual care for their daughter, rather than affection for each other. I find that compelling. Charlie needs both the security and the sign that everything is possible. She needs someone to lift her up, but she also needs someone to catch her when she falls, and Lucifer and Alastor both play different roles in that dynamic.

Any angel can sin, any demon can rise. Anyone can be a dad, anyone can cook.

Final Thoughts

Jeremy Jordan is a global treasure and even if this series doesn’t stick the landing with its next season (we will see), Lucifer will be amazing.

Do I have a crush on this man? No. No, I do not. Why do you ask?

In all seriousness, I think episode five should have been two episodes. One for this song, and one for the next. Lucifer would join the Hotel’s crew for a few days, befriending Pentious and co., being utterly disrespected by Husk, and being eased into the fact that morality isn’t binary.

I don’t even mean this from just the pacing perspective, I think the series would have so much more thematic weight if it devoted more time to the literal devil learning the thesis of the series and becoming on board with redemption. I think that would be cool.

I'm also just now realising that this is a Gothic Horror musical, so of course Alex Brightman got cast in it.

In any case, next week is More Than Anything, which is yet another case study in why Jeremy Jordan is amazing. Stick around if that interests you.

Previous - Next

[pvtjoker22]

Yeah, so I haven't seen it discussed much around but Verna is almost definitely an eldritch being from the 'Narrative of Arthur Gordon Pym of Nantucket' but she's less Cthulhu and more monkey's paw/devil on the crossroads figure for awful people.

The ending of Arthur Gordon Pym has the following:

Their conversation in the final episode essentially confirms that:

He knows her

They saw each other during Arthur's expedition

she's from the above-mentioned chasm in the hollow earth

She left the chasm because she was curious about humanity

As the wiki states here, he basically 'submits willingly' in the show to her and kind of just excepts who she is. Of course, he declines to make a deal with her, and faces death/punishment quite willingly

Ultima-Thule, the race of people in the hollow earth in the show's continuity is from Poe's poem 'Dream-Land'

“I have reached these lands but newly From an ultimate dim Thule — From a wild weird clime that lieth, sublime Out of SPACE — out of TIME.”

which given some of the dialogue that Verna espouses should make it pretty clear

"The Narrative of Arthur Gordon Pym of Nantucket" even uses Antarctica as a setting which Lovecraft's At The Mountains of Madness would go on to homage.

This story is fairly clear proto-Cosmic Horror

[citizensun]

Queerness and the House of Usher (spoilers!)

See I just added these Thoughts to the tags in @quecksilvereyes 's post but now I have Feelings too

TFotHoU (or HoU, as I will refer to it here), as expected from a Mike Flannagan show, has a bunch of Queer Rep™ to talk about. HoU is, also, about remarkably evil people - amoral capitalists who'll step over anyone if it means they'll get something from it. And look! Some of them are queer! Kinky too!

That's bad queer representation... right?

The show isn't that clear when stablishing sexualities, but we see that at least three of the Usher kids - Napoleon, Camille and Victorine - have same sex SOs/assistants with curious job descriptions. Prospero's taste for orgies probably implies queerness too, but honestly I don't remember if he gets it going with any guys in the story. I honestly have no idea about Tamerlane's voyerism thingie and Frederick is the only one with a "traditional family" going on.

Unrelated, but: Leo is definitely cheating on his bf Julius. Completely dismissing about his worries for him too. And for his cat. That's objectively evil, clearly. Vic literally killed her fiancée Alessandra, though she didn't stuff her under the floorboard, which is an L when compared to Poe's original. Cam doesn't believe in true love. Perry blackmailed his sister in law. Mean. He's also got a surprisingly high kill count for the family's disappointment, but since unlike Roderick he only killed rich people, we stan. I don't belong in Kinky spaces so I haven't got a big take on Tammie, only that - well, she's completely dismissing of her husband and sees him as a prop, just like the sex worker she hires.

Huh.

See, the nature of a story called "the fall of X family" is that X family is going to be the main character. The title kinda implies that they're falling for a reason, ergo, they're despicable fucking people. And they're queer! They're very queer. Many flavors of gay. They're the main characters, and they're monsters, and they're gay.

No, that's not bad rep.

Queerness as a movement, a community and a theory is very focused on scaping a cisheteronormative society's binaries (ie man/woman, husband/wife, public/private) and creating living conditions to those who fall outside of these categories - mlms and wlws, the trans, the nbs, the aros and aces... we are all queer, strange and estranged from this weird and limited worldview. And so we create a community for ourselves. It's very focused on care and anti-stablishment. Since a cisheteronormative society tends to be very white, rich and western, it's also focuses on anti-racism, anti-capitalism, anti-imperialism. Y'all know that, this is Tumblr and we love leftist Discourse.

I also know many, many gay people irl who are not like that at all. Libertarians, anarcho-capitalists, terfs, completely apolitical people and the like. Sexuality at it's core is personal, not political, so there are gay people out there who are perfectly comfortable with their sexuality on an individual level but do not see the point of getting involved in the broader context. They're queer, but are they...?

Well—

Not to mention there's lots of asshole gays out there! Don't you have a shitty ex? Have you never been almost run over by a drunken butch who blew cigar smoke into your face? I have! Life experiences are just like that. Maybe you should touch more grass. You'll probably find a lucky gift from your neighbour's dog, who is an astrology-obsessed bisexual and also really hot but stopped making out with you at a party once she found out you're a pisces (the neighbour, not the dog).

(Granted, none of this is as bad as implanting an experimental heart contraption into the fiancée you just killed because she dared to have ethical principles and then being so consumed with grief you stab yourself in front you'd your dad but you know how it goes. We're not the 1%.)

My point is, queer people are people. We are complex. We fuck up, and sometimes there's still times to fix things and sometimes... there isn't. We're consumed by jealousy and regret and sometimes we're so locked into our own head we stop believing the rest of the world is real too. Just like any other people, because unfortunately, queerness isn't a sign of morality.

And even if queerness does mean community, kindness and acceptance, tell me... Where the hell would the Usher kids get those from? The people around them are not really peers – they're ass-istants, blowjob-giving apartments, orgy mates, heart surgery providers, hired fitness moneybags, perfect housewives. Even if the partners are all shown to care for the Ushers, there's still a distance, a power gap, that makes the relationships fundamentally wrong.

And the partners? Arguably they're the good queer rep in the show, but look – even when Julius and Alessandra are shown to be good people (or at least people with an ethical boundary), they're not the good gays, they're simply the good SO's to a family of psychos. Exactly like Bill and Morrie, who afawk are straight people.

Which leads us to HoU's parameter of morality - Auguste Dupin. He refuses to drink the Amontillado, symbol of all the Usher opulence over the years. He got screwed over by the Usher twins and by the Raven herself, but he refused to cave in (except for the informant part, admittedly). He's not a good gay guy; he is gay and he is a good man.

The fundamental difference between our show's main tragic yaoi couple isn't that Auggie is a happily out gay man (and therefore is good) while Roderick is a sad divorced hetero (and therefore is bad). Auggie is the richer man because he is a good man; he has a spouse and children and grandchildren he loves with all his heart. He has a family and a community and he has found a sort of happiness no money can buy. Roderick owns the world – but what does he really have? What do his children even have? How could they ever build communities for themselves if they were never in one? Their father made them compete for his love. He never nurtured their bonds, he just showered them with money and excess until it was too much for them to handle. Juno herself pointed out - they were never a family. The House of Usher was only that. A house. It is empty and soulless.

What is queerness without a community? How could the people who represent the relentless corporate normativity and cutthroat capitalism ever be good queer rep? How can they even be queer?

Hear me out: on the most individual, simple level, being queer is still about not fitting in. These kids are bastards. They are are PoC and women in a predominantly male and white dominated space. They're on top of the world, but they're still outsiders to their own House. How could they not be queer?

And yes, I know this discussion takes a different turn when it comes to representation in media, but it's not like Flannagan fell into a Hays Code-era flamboyant villain trope. Queerness is just there. Just like Victorine and August are both black people in (arguably) the opposite ends of the morality spectrum, there are queer characters of many kinds here. The story just happens to be about the fucked up ones.

HoU is a poignant critique of capitalism and a surprisingly funny adaptation of Poe. We'll judge it by that. It happens to be queer – more things should be.