#I get critical role but idk those two are stick out to me

[corrodedcoughin]

What would Eddie’s favourite dnd podcast be?

[ay0nha]

Venus Rising | Thomas Shelby

SUMMARY: Three moments in which you run into Tommy, the final provoking a deal neither of you are prepared for.

“I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day—spare me from the relentless cage of routine and rote. I want to be free…I want, I want to think, to be omniscient.” Sylvia Plath (1949)

PAIRING: Tommy Shelby x f!reader 

WORD COUNT: 2.4K

WARNINGS: ANGST, swearing, smoking (tobacco/weed), criticism of time-period misogyny/misogyny in general, canon-typical things, angst again, rich people being annoying, no proof reading, rushed ending, slow burn, etc.

A/N: Oop, another Tommy fic, apparently it’s not quite out of my system. Inspired by the film How to Steal a Million (title is inspired by the original title of the book!) and @huntingingoodwill‘s post (here), ESPECIALLY with the third part of this as it comes from Carmen’s beautiful brain. Inspo is taken from various feminist writing and particularly an Agnes Varda quote. MIGHT do a part two, idk yet.

Comments are VERY encouraged! Enjoy. 

“Thanks for that…” Tommy was finally catching his breath but still searched for your name. He hadn’t seen you in the gathering below and questioned if the room he found himself in belonged to you.

“We’re better off strangers.” You weren’t defensive, nor was your guard up; you were just focused. Fixated. The painting was borderline mesmerizing, and you struggled to tell if it was from the art or how your joint dwindled steadily.

Your isolation was purposeful.

The reception provoked the start of a migraine; its noise bleeding through the thick walls of the stately home only grew more deafening as the evening furthered. To find relief, you wandered the empty halls, the stairs that led to darkness, and every door that seemed particularly off-limits.

It was a simple measure of self-preservation until your seclusion was fractured.

The door opened abruptly, a body sliding through the narrow space to hide in the most prominent shadow. You thought you were caught, but the man held a finger to his lips, expression prepared for the obvious chase.

You were the perfect accomplice.

Those who came looking for him were met with your theatrics, a role well-rehearsed; your eyes never glanced to where Tommy hid in the most prominent shadows; your upset alone secured you hadn’t seen the man with the razor-lined cap; you simply wanted to return to your silence.

“You stick out, you know…” You filtered smoke through your nose, half-lidded eyes remaining ahead. The thought was absentminded, your lips tingling with indifference.

“I have an invitation.” Tommy had it forged, making it nearly identical to the one you’d received in the post.

You hummed with amusement. “I mean—you don’t belong.”

Considering how you equated his presence with his class, Tommy considered taking offense. However, your humor exposed no ill intent. You were trying to relate to him. To offer some solace, you offered the joint to him between pinched fingers.

“Let me guess, neither do you.” Tommy accepted your olive branch with a drag.

“Oh, I never will.” Although your smile remained, your tone became distant. You didn’t glance at Tommy until he took another puff. His eyes were ahead, just as yours were, attempting to see what had enraptured you in the painting. “Just like her.”

The face of the young woman depicted was covered, but her body was exposed. You were sure the owner of the canvas only valued the misinterpreted eroticism. Yet, the scene’s voyeuristic purposes were to convey the end of a very long day. You were convinced if you reached out, you could soothe her aching muscles from her obviously laborious job.

The painting's size didn’t speak for its cost. You wanted to laugh at how something so precious was stored on a wall as a forgotten decoration. However, you would do the exact same if it were in your possession. It would hang on your ceiling that way; when you rested your head against your pillow, you could get one final look at it as if it were a mirror, a grounding reminder that there was company in such an empty space.

“You pity the poor.” The statement held a questioning tone. Tommy interpreted the painting and your thoughts literally; a woman relieved of farm work was being judged by you—someone worse than the bourgeois.

“Don’t you see it?” Bitter ecstasy carried your words. You wanted to be heard. “Her and I are the same…”

Tommy returned the joint, realizing its purpose was to aid and calm you from the turmoil you hoped to escape. He felt an odd sense to comfort you but wouldn’t.

Instead, he repaid his earlier debt with unaccustomed humor, “I doubt someone like you shovels shit for a living.”

“Doesn’t matter.” You let the smoke settle in your chest, its warmth comforting. “From inception, we’re indistinguishable, born with an innocence that is only nurtured to be stolen. Our very being is never our own. Once our bodies are pried from our minds, we starve because of it.”

“Ah, I see…” Tommy started, “You’re a modern woman.”

The joint was almost a roach, but you passed it back, ridding yourself of its responsibility. The man beside you was a stranger, and you were thankful for that position. Anything said didn’t matter. It would evaporate and leave no trace. Tommy understood this well, participating in a game he didn’t know the rules of.

“Modernity is irrelevant.” You corrected. Your words sunk into your stomach, weighing you down. “This is beyond time.”

—

“Gave a try shoveling shit, eh?” Tommy crossed his legs, leaning back with an ease you were envious of. A cigarette was rolled along his lips, a habit formed by comfort.

Once lit, the image was complete. It had clicked. “You.”

Thomas Shelby. Your memory of him held a haze, that night's intoxication cherry-picking how you retained the interaction. But your vague image of him was enough to understand his occupation. You were warned against his world, but you could only do so much when your worlds overlapped so bizarrely.

“Me.” He confessed with mitigation. There was a cadence even in his silence. Clearly, he was thinking of how to approach you, but you failed to recognize how he always remained ahead in his business. “You were found near the stables.”

“Apparently, I’m a witch.” You mused. Cheltenham was never dull.

Tommy hummed, entertaining your wit only slightly. “They think you’ve cursed the horses.”

Horses were efficient beasts that were often mistreated, that much you knew. However, they intimidated you into submission. Their role in your life was distant, typically involving a reflection of wealth and nothing more.

You hid behind the stables because you misunderstood the distance you created. It had a false bottom that showed those in your world never enter their stables, allowing others to do the hard work. Those around you wouldn’t dare stain their fine fabrics how you chose to.

Although the air was foul, the stables were the only place you could breathe without the hands of your arranged date finding home where they weren’t welcomed.

You knew the man who caught you was Tommy’s brother. Though they looked different, the air surrounding them was suffocating. They were driven by brutal confidence that manifested physically and for Tommy mentally. The mind game you were presented with was just as predetermined as the races.

“I want us to understand each other.” Ash fell from Tommy’s cigarette in thought. “We do not share the same fantasy.”

“And what fantasy is that?”

“Poor little rich girl—” His words were punctuated. “—thinks she can play gypsy until she hears the dinner bell.”

Your laughter made him flinch. “And what’s for dinner?”

Tommy had vetted you. No one knew anything worthy about you. So everyone simply fantasized about you, spinning tales. Yet, you were an extraordinary nobody—an amazing unknown. Suspicion wasn’t necessary, but there was no need for his growing intrigue.

“That man you came with…” Tommy knew who he was. He was another kid that thought one day he could rule the world. But all he was capable of was poorly executed white-collar crime. “Who is he?”

You shrugged. “To him, I am his girlfriend.”

“And to you?”

“Does that matter?”

Tommy quickly learned that your only form of retaliation was posed through questions. The more philosophical, the more your guard remained. “I've been thinking about what you've said…”

The admission alone was out of character and also misrepresented. Tommy's mind was riddled with your sentiments. It was a thoughtful comment on something broader, something Tommy knew of and was growing to understand. But that wasn’t what preoccupied him.

It was how your poise wasn’t carried through your posture. It was how you expressed yourself indifferently but spoke so sharply. You were a constant contrast that perplexed him, possessed him to look into you, into your life. He planned to search until he found a moment where you put your thoughts to use the way he had.

“You, a suffragette?” Your lip curled at the thought. “Now, that, Mr. Shelby, is a fantasy.”

—

Planning an escape was satisfying but little compared to the follow-through.

The feeling solidified when the silk hem of your dress billowed was the only trail of your escape. You could hear your name echo along the corridor wall, someone sent to find you and force you back into the festivities.

“Where are you going?” The voice was a mix of a whisper and shout, reflecting nothing but urgency. The guests weren’t privy to your behavior, but your absence was clear. You heard your name again.“You must come down! You’re upsetting the guests!”

Although your home, the walls felt like they were shifting, creating a maze to your safety. The click of your heels was like a countdown to being caught. That was until your hand frantically found an antique handle of the most inconspicuous door.

Sliding into the broom closet, darkness invaded your senses.

With its veil, you could make out the sliver of light that fought to illuminate the room from the other side. It tracked the shadow of who chased you, showing you how they inched closer, hoping to hear your rapid breathing. Once enough time was given to their search; the footsteps receded in the wrong direction, their voice calling after you growing faint.

Your relief was borderline euphoric; your body demonstrated success as the tension drained the further you calmed. You sunk toward the door, forehead against the smooth, cool wood.

The sound behind was as quick as the movement. Identifiable and surprising.

The match created friction that illuminated the small space with an orange glow. You moved fast, your breath pinned to the roof of your mouth.

“Cigarette?” Tobacco filled the cramped room, the burning end of the cigarette not quite exposing your companion. But you could feel the amusement at the situation radiate from the corner.

Your stupor made you move with shock. “Christ!”

Your hand shot up to feel around for the light switch above you, yanking on the cord. Awash in light, you took in the sight of the man who was casually nursing a cigarette.

“Mr. Shelby?” You blinked at him, dumbfounded.

“Tommy.”

“What are you—

“I’m a guest.” The cigarette bobbed with his chiding.

“A guest.” You repeated, your tone brimming with doubtful sarcasm. “And what is a guest doing, hiding here, so far away from the party?”

“I could ask the same of you.” He quipped, icy expression holding your own.

“Ah, but I’m not a guest.” You defended yourself, holding up a finger as you corrected him. “This is my family’s party. I am technically a host.”

“Well—” He began, taking a puff of his cigarette, silver smoke spilling from his lips as he spoke. “—not a very good host if you’re hiding up here, eh?”

Your eyebrows cocked as you took him in. His presence meant business. “I don’t seem to remember my father mentioning gangsters would be on the guest list tonight.”

“Why not?” He replied, shrugging nonchalantly. “We’re good fun at parties.”

“Oh, I don’t doubt that.” You mused. “But I doubt this is your kind of party.” You wished to witness him in action, for him to live up to all the stories you’ve heard about him firsthand. And you could tell he was itching for you to ask. “What have you got planned tonight?”

“If you must know—” Tommy remained externally stoic but revealed himself bluntly. “—I’m here to rob your family blind.”

“Excuse me?”

“Your father has come into quite a bit of money recently,” Tommy said, words calculated and measured. “He’s been stepping on the Blinders’ business. So, I came here tonight to take back what’s ours.”

“How much?” You asked.

“A million dollars.” He sighed, highlighting his statement with a drag of his cigarette.

“That all?” You scoffed.

“You’d hardly miss it,” Tommy explained. “And, with your family’s yearly legendary holiday party going on tonight, I figured I could hide until all the…” He took a second to ponder, searching for the words, “...rich fucks down there were drunk enough. Then, I’d take what’s mine and leave. No one would be any the wiser.”

There was a pause. He wanted you to protest, but he knew you wouldn’t. You were reading him just as well. It quickly became a stalemate, but you had the advantage of toying with him.

“Well, I should fulfill my host duties.” You sighed, tone wrapping up the unorthodox interaction. “Find my father while I’m at it; tell him bookkeepers are infested in our walls.”

“You’re not going back down there.”

Another pause. Your skin crawled with jest. “And why’s that, Mr. Shelby?”

He shook his head casually, eyes boring through yours. “You’re not going back down there because you don’t want to.”

“What?” Your laugh was soft and unexpected. It was hard to determine, but some of you would have rathered a threat. This was almost as entertaining.

“I can tell you don’t want to go down there. So don’t.”

Behind your back, you reached for the doorknob, but as your fingers grazed it, you lost your nerve. You sighed, flexing your fingers.

“Move over.” You instructed, and Tommy listened. He slid closer to the wall as you squeezed beside him, arm against him in a one-sided comfort. “Poor little rich girl opening up to a gangster. Never saw that in the cards.” You plucked the cigarette from his fingers, taking a drag, carefully considering your next words. “It’s never as simple as it seems, really.”

“Sure it is.”

“It really isn’t.” You chuckled, eyes trained on the glowing end of the cigarette.

“Enlighten me.” He replied, taking the cigarette back as you passed it to him.

The emotions you kept bottled up bubbled in your throat. Living in the gilded cage of high society had privilege but was equally emotionally destructive. It felt foreign, the thought of exposing yourself with such vulnerability; you grew nervous at the prospect of having to do so.

“Simplicity is a pipe dream when your life relies on codependency.” Just the thought of it made you dizzy. “It’s better to hide than risk being a blemish to the family.”

Tommy stayed quiet. Then against better judgment, he spoke. “Why not just leave? You’re a clever girl. Surprised you haven’t figured that out yet.”

“You don’t think I’ve tried?” You countered without edge; you knew his slight dig was only to lighten things. He said his part out of decency. “Why do you think I was at those stables? If it weren’t for your brother…”

The crackle of your drag filled the new-found silence. You weren’t sure how long you’d stay there nor how long you subject Tommy to your company. It was a moment of brevity you both seemed to need. You hadn’t meant to find him, and his plan had nothing to do with you, but that in itself sparked your idea.

“Hey, Tommy?”

He turned to meet your contact, eyebrows raised, air mixing from the proximity. “Hmm?”

“How’d you like some help with stealing that million?”

[ingoodjesst]

i watched "godzilla minus one", and it was pretty solid for my first time watching a godzilla movie!! beyond enjoying the action that effectively conveyed the sheer scale and impact of godzilla's movement and destruction, i found the themes engaging too. we see (non-blood) families form and repair their homes and heal, we see ex-navy try to disarm the destructive weapons they set, and we see koichi shikishima the ex-kamikaze pilot grapple with his ptsd and survivor's guilt.

the fact godzilla was predominantly an allegory for the trauma of war was an interesting take, though of course the trauma of nuclear warfare persists as a motif. but the theme that most stood out to me was the challenge to this cultural idea that dying for a cause is somehow noble rather than just dying.

when shikishima returns to (the rubble of) his home, he is immediately admonished by sumiko for deserting his duty to die and returning dishonorably. he then struggles with his cowardice over and over again, afraid of making emotional connections when he resists letting noriko into his life, rejects akiko calling him "dad", and - during a traumatic episode - even briefly denies the fact that he's alive at all. but when faced with the consequences of suppressing his trauma until it - godzilla - arrives larger and more destructive than before, he finally begins to open up. i particularly liked the sequence of shots during the scene where shikishima confesses the burdens he's been carrying to her. it transitions from individual shot/reverse-shots of the two, to sharing a frame, to finally being in focus together as they manage to connect for the first time.

in the process of fighting godzilla, shikishima realizes the "honorable" answer is not to die for vengeance, but to face your remorse head on while choosing to live. because in a way, choosing to die would still be running away from the struggle of accepting your past and fighting for a brighter future. rather than dying and evading the consequences thereafter (as the japanese government demanded), it is braver to embrace the inherent value of human life, including your own, and whatever comes with it.

even the fact that [spoilers] godzilla is defeated but not annihilated reflects the reality that trauma usually sticks around, able to flare up again; it's just that you learn how to carry it with you, especially with the support of the community and family around you.

i just really love that the story subverts the setup that shikishima should finish his internal war by sacrificing himself as he "should've" in the actual war. instead, through ingenuity and camaraderie, the real triumph is learning to honor the fallen not by mindlessly throwing away his life for those who perished, but by deliberately, collectively paving a future for those who survive.

all that said, i do find it possibly convenient that the story sidesteps the issue of what japan was actually fighting for in ww2 and the atrocities committed by the japanese empire. the movie does take care to distinguish between the japanese government and the private citizens who take up the fight against godzilla. it helps for sure, since it allows our cast to criticize the government's decisions. however, i can't help but wonder if that still makes the historical narrative seem a bit too clean, especially when the veterans claim this time they can make a difference, when uh... idk if helping japan actually win the war would've been the BEST...?? generously, that might not have been their exact intended meaning, but it does feel oddly framed lol. also how lucky is it that seemingly none of the veterans who volunteer are complicit in any of the countless war crimes committed by the japanese army lol

also the women in this film mostly exist in maternal or literal child roles to support the men's growth lol and it's a shame their stories don't get equal examination, but at least the emotional vulnerability still feels real and i called her surviving and we take those bc i woulda been EVEN MADDER OTHERWISE ok !!!!!

besides those issues, i would hardly say the film is difficult to predict - it's fairly straightforward and even the setup for its subversions is not too hard to catch. but i don't think that made it necessarily less compelling or the themes less resonant. it's hard not to appreciate how the movie wants you to see the value in life and believe in the future. because no matter what pain you may carry, you don't have to confront it alone.

[yuri-is-online]

Dark knight is the most romantic job, huh? Maybe you should elaborate 👀

Oh well if I must~

notes: contains spoilers (very vague but yk still there) for the Dark Knight job quests, Shadowbringers role quests etc. Please play critically acclaimed mmrpg Final Fantasy XIV (now on xbox) with a free trial I am so normal about it and I promise you will be too. I need someone to grind gemstones with next expansion it only makes you want to die a little I swear.

I want to start by bringing something up I don't see discussed a lot (if at all) in discussion of the Dark Knight questline, and that is the background music used. When dramatic or poignant moments occur in other questlines, even the other two that were introduced in Heavesnward (machinist and astrologian), the cutscenes stick to the default/expansion appropriate sad music. This doesn't happen in the DRK questline though, instead the sound designers chose to play Dragonsong during what are some of the most emotionally charged moments in the whole game, and generally stick to the Heavesnward background music even through the Stormblood cut-scenes. The choice of Dragonsong is really what makes me think of the job as "romantic" more than anything; the song is in a lamentation of lost love and trust between dragon and man certainly, but you could also apply some of those lyrics to the separation between the Unsundered and the Warrior of Light, or the separation between the warrior's darker half and their willingness to shoulder their duty.

This musical choice becomes especially clear when you speak to Count Edmont at the end of the Stormblood job quests, as a very specific part of the song begins to play as the Warrior of Light is asked to reflect on what could have possibly caused their heart to break and crack their jobstone:

Not that I point this out to suggest it's cannon the Warrior had romantic feelings for any one person in particular, but to hammer home exactly what the Moogles try to tell you:

Dark Knights get their power from their love; that ugly, hard work, painful, your heart is trapped in a rib cage desperate to leave type of bleeding love that is desperate for somewhere to go and doesn't have it anymore.

"Love is grief with nowhere to go." Is a quote that can more or less apply to every Dark Knight we are introduced to in game. Fray is literally dead, we never truly meet him at all, Sidurgu had already lost his whole tribe only to then lose Fray and their master, Granson lost his wife, and Emet Selch... well what hadn't he lost? And they are all angry, burdened by their grief, and desperate for somewhere to put their love because the people they want to give it to are gone.

idk I just think the concept of taking your love for your fellow travelers and using it as a focus to overcome the worst parts of yourself (from your doubts to your anger and resentment) so you can use all of those emotions as fuel to protect them, even from themselves is just so romantic to me. You don't have to be happy about it to do the right thing, and you don't need to be nice to be good. Love isn't always cute, sometimes it is very ugly and raw and I love when stories play with that.

So yeah. The most romantic job. I could get more specific but it has been a long time since I played through these quests ;-; I should fix that

[sxfik]

let's talk about han seo, hockey and his relationship with vincenzo!

disclaimer: probably more unorganized than usual lol but i had a lot of thoughts on this. feel free to add on!!

hockey has been a connection to han seo that we have seen throughout the drama. hockey is a traditionally masculine sport, and focused on team building and brotherhood between the participants. hockey is also a violent sport, often very rough on the body and rigorous. the show utilizes hockey as a symbol of masculinity, and a representation of brotherhood, especially for han seo.

from very early on, hockey sets the dynamic between the brothers: the ice is a punishment and a reminder of han seo's relationship with his brother who uses hockey as a punishment for his brother's mistakes as well as a way to let off steam. the first notable utilization of hockey was prior to jun woo's reveal as han seok. we watch as han seo explains himself to han seok and han seok repeatedly hitting the puck into his stomach when angry and unsatisfied with the answers. this is the first real relationship we see between the two brothers. han seok uses han seo as a punching bag in order to let off his anger that he feels on a day to day basis and as a reminder to han seo of his place beneath him.

we can use this scene to infer about their relationship in their childhood. Mr. Nam has mentioned that han seo was abused by his brother as a child and has gone to therapy his whole life. as a young adult, he turned to drugs and partying and it is implied that he has wound up in the police station many times. han seok has used han seo as his punching bag and han seo molded his personality and actions in order to avoid provoking his brother. han seok has constantly reminded han seo that he is beneath him, both in blood along with intelligence and stature, and in order to satisfy him, han seo leveled himself down.

it’s important to note that this is certainly not true about han seo. we have seen that han seo picks up on situations much faster than han seok thinks (gummy bear scene), but refuses to let his brother notice as it can result in more abuse. the only reason han seo comes off as a bumbling chairman is because he isn’t as “cunning” as vincenzo or jang han seok.

it's also important to note that while there have been moments of a cordial relationship between the two, it is still an abusive relationship. even after moments where han seok has shown kindness to han seo, it is no excuse for the abuse that han seo has suffered. it is also not a reason to say that han seok is caring brother despite his abuse as he does not care for han seo beyond preserving him as an escape out of jail or death.

it's safe to say that han seo has never had a real brotherly relationship neither has he had a role model in his life and it shows in the early episodes. we see han seo mimic han seok's hockey tactics and throw pucks at his advisors (idk what to call them tbh) and even force the board members to drink spicy food without water (maybe this was a way han seok punished him when he was younger). han seo mimics his brother and attempts to be like him in these episodes. that is also why he sends thugs after cha-young and vincenzo: he is attempting his brother's scare tactics but it is clear to see that han seo is not the one for strategizing and well, being a villain. furthermore, we have noticed han seok's attachment to hockey sticks and how he deals out punishment (i.e. killing the prosecutor with a hockey stick, defending himself against intruders with the hockey stick, smashing in the car window glass with hockey stick) and han seo has bound to pick up this toxic relationship with hockey, and as an extension in the way he views his relationship with his brother.

we see this change as we watch the scene where han seo and vincenzo are on the ice together. both are stood opposing each other but in the same pose and in hockey gear. this establishes them as equals as both are equipped with the same armor and the same attack sticks. both of them have an equal chance at the puck. it heavily contrasts the scene we see where we see han seok, fully in armor and equipped to attack, and han seo in the lone suit with no protection or means to attack him back. we also note that when han seo scores, we see a genuine smile on his face and as vincenzo threatens light heartedly to "come here" and makes a move towards him, he playfully skates away. this is similar to how many brother's play on the playground together as kids: competitive but never cut-throat or attempting to maim each other. we also note han seo asking from approval from vincenzo, like a little kid would from their older sibling, asking if they did good, and vincenzo responds like an older sibling with playfully underplaying their contribution. we also see vincenzo granting han seo good advice to use/train his brain and asks him about his studies, the same way an older brother checks up on a younger one.

we can note that han seo feels comfortable around vincenzo in a way we don't see with his brother. vincenzo makes a move to throw a puck in his direction when he drops honorifics but we don't see han seo flinch in the same way that he does with han seok. even when vincenzo makes moves towards him, or gets closer he doesn't flinch, he just glides back. it shows that han seo trusts Vincenzo in a way he hasn't before. he also shyly thanks him for the advice and expresses a certain love to vincenzo, beyond just the admiration that everyone has for him (aka the vincenzo effect).

of course, we see han seo skate toward vincenzo and losing control but vincenzo catches him. he is caught off guard as he is caught though which might be telling us that han seok would have never made a move to protect his brother like that. even though i've seen many people criticizes the usage of "is this love" during that sequence, i don't believe it's used mockingly like adrenaline is. "is this love" is the song used when vincenzo develops a serious relationship with someone, most notably cha-young. what this song is doing in this scene is establishing a sibling relationship between vincenzo and han seo and noting that there is a specialty to their partnership, just like how cha-young and vincenzo's relationships are special.

most importantly (and what breaks my heart), han seo asks vincenzo repeatedly whether he will kill him. while this fear is warranted as han seo has aided han seok in many ways prior to him seeing the light and teaming up with vincenzo, we also know that han seo was fearful for his life with han seok. han seo walks on a thin line with han seok and never knowing when his life was going to end at his hands. han seok continually teased him and threatened him (we can infer this from the gummy bear and "are you going to kill me like you killed our father" and when han seok held the knife to his neck). not to mention, han seo now carries a watch gifted by han seok: a reminder that han seok has control over his life. han seo is continually fearful of when his brother will murder him and take that watch as his next trophy. except this time, we can note that han seo says something along the lines "i know you won't but i can't help but feeling uneasy." it really enforces how far han seok's abuse has hurt han seo. even with reassurances, he is still fearful that his brother, or someone he views as his brother will take it away from him.

it's important to note that hockey is a sport that emphasizes team building and brotherhood also encourages a little rough housing. han seok and hockey vs. vincenzo and hockey are the two opposite ends of what hockey is supposed to be as a sport. han seok and hockey empahsize the violence, and rough nature of hockey, where han seok is using the puck and the hockey sticks as weapons to attack defenseless people (han seok, those prosecutors, that poor car and also zumba snake choi and mr. han). han seok uses it to crush down han seo instead and leaves behind the team aspect. vincenzo on the other hand focuses more on the team building and brotherhood MORE than the violence, their scenes focused more on vincenzo giving advice and building han seo up rather than crushing him and pushing him down. we see han seo actually scoring and both of them being playful with each other, building a rapport with each other.

in episode 18, we can note that han seo is acting more and more like vincenzo (like how in the earlier episodes han seo acted like his brother). when revealing his hand in han seok's demise, he acts similar to vincenzo, leaning in and explaining how he pulled the rug from underneath his feet. we also see a new kind of boldness, a fire behind his eyes we don't see before this moment when he speaks to han seok. the same sport that was used to torment han seo has provided him the support and advice he has needed to turn his life around. i believe that having a genuine support system for the very first time has provided han seo the platform to change and grow, as well as gain confidence in himself and his abilities. in episode 19 and 20 i want to see han seo and vincenzo grow together and evolve into a relationship where both are comfortable and able to give mutual support and love to each other.

[greensaplinggrace]

honestly THANK YOU for saying all that abt baghra bc i thought i was going crazy from not liking her??? bc i haven't read the books and only summaries of them on wiki and like. i dunno why ppl like her actually even in the show bc this guy, her son, is like "i wanna make the world better for us grisha" and she's just like "no." even tho he sees that she's MAKING HERSELF SICK from suppressing her powers! she's literally like in bed coughing in the flashback yet seem much healthier at the little palace. also like after everything, after her disapproval, after the fold, after centuries of waiting for the sun summoner.. he never abandons her. he makes sure she's cares for. he doesn't harm her. and i have to wonder if baghra has ever thanks him for that, for just not leaving her alone. like i dunno how im suppose ro believe aleks is a heartless villain when he still cares for his abusive mom like this. like has baghra even told her she loved him (honestly she reminds me of a classic emotionally unavailable asian parent but maybe that's just me). also im wondering if baghra ever told aleks that he had an aunt.. bc like.. now that u bring up her isolating him it's like hmmmm...

not at me being like alina... why do u trust the bitter old woman who literally beats u with a stick and verbally abuses u every chance she gets.. just bc she showed a bad painting... like.. pls use two braincells to see that who u figured out as his mother... is also using his protection..

like baghra could've upped and left with alina. but no. she stayed bc she knew she was safe under aleks's protection.

alsoim just impressed that after his first friend tried to drown him and harvest his bones... he didn't go into hiding???? he still wanted to make a safe heaven for grisha!!! HE STILL WANTED TO PROTECT GRISHA EVEN AFTER HIS GRISHA FRIEND TRIED TO KILL HIM FOR HIS FUCKEN BONES. like... this is the guy im suppose to believe is the villain???

honestly i feel like part of the reason why LB's plotlines seem so bad and disconnected (and sometimes outright racist but that's another rant) and why darkles is disproportionately more violent and villainous in the later books is bc she didn't expect the darkling to be so popular and wanted to stick with her guns of making him the villain. but also wanted the money from aleks's popularity. but like you can't have ur cake and eat it too.

Well thank you for sending this ask! It's very sweet and very passionate. I'm glad you liked my post! I didn't put as much thought into it as some of my others lol. I kind of just talked. But it was nice to be able to finally talk about some of the problems I have with both her character and the fandom/author's perception of her.

HERE is the post this is referring to, in case anyone's wondering.

👀👀 You've hit the nail on the head for so many things, here!

Baghra is extremely emotionally unavailable, basically to the point of neglect. She's also verbally and physically abusive, traits which I doubt were only reserved for her students and not her son. Baghra claims she would do anything to protect him, but I've known a lot of parents who have that mindset and yet still harm their children because they think it's "good for them".

Aleksander stays at Baghra's side for years, and even when they're opposing each other she's never too far away from him. Idk if you've read the books but he does eventually hurt her. And as much as I don't like Baghra, I think his actions were horrid. But I'm also honestly kind of surprised it took him so long lmao.

Yeah I mean, in terms of isolation, let's not forget that she never wanted to introduce him to his father, either. Baghra's sense of eternity clouds a lot of her judgments on relationships, which means she views most people as dust and therefore teaches her son to as well. The problem with that is that he's a growing child, and he needs those social and emotional attachments for healthy development.

I would bet quite a bit of money that Baghra has either never told him she loves him or she has told him so few times it's practically forgettable.

And everything becomes more complicated because so many of Baghra's actions are understandable because of her life and her history, but the impacts they have on the people around her, especially Aleksander, are permanently damaging. And the fact that that's never gone over in critical depth in the books or how it's glossed over in fandom is just very disconcerting. Like, acknowledging Baghra's failings doesn't mean we're excusing Aleksander's actions, it just means we're holding Baghra liable for her own. Which the fandom should be doing, considering she's the epitome of an abusive parental figure.

And Alina trusting Baghra over Aleksander is even more confusing! Especially in the show!! This is the woman who beat her and abused her and tortured her friends when they tiny little children (and who probably still does so now that they're adults). This is the woman who mocks you and harasses you and insults you on a regular basis. Why does Baghra revealing she's Aleksander's mother make Alina change her mind?! Like fuck, I'd just feel bad for Aleksander. No wonder he kept it a secret, I would too! And that painting is enough evidence?! Really?! A random painting shown to you by this abusive mentor that's been making your life hell. That's what you're going to betray your new lover over?

The friends trying to harvest his bones thing is a good point, too. I think Aleksander, especially show Aleksander, is incredibly idealistic. I think he cares too much for others - those he's deemed worth his care (a sentiment given to him by Baghra). Despite everything she's tried to teach him about hiding and abandoning others and never caring and never doing anything to help or reach out or connect with people, Aleksander still continues to do so. It's likely because he never got it from Baghra growing up, and so is desperate for those emotional needs to be fulfilled elsewhere.

His turning point, when Baghra tells him it was understandable that those kids tried to kill him because the world is such a hard place for them - that's crucial. And the reason it's possible as a motivating factor is because of that idealism and that desire to help and that desire to be everything his mother isn't. Baghra tells him this trauma he just experienced was because of the oppression of his people, and instead of following her lead and accepting that, going into hiding and abandoning everybody to their misery, he goes I can do something about that. I can make it so this never happens again. Which is usually how trauma like that combines with one's core personality traits at a young age, especially when there's none of the essential support systems in place to aid in recovery (ie, the role Baghra should have been filling but wasn't, because she decided to exacerbate the problem instead).

And yeah, one of my biggest problems with the ham-fisted "beating you over the head with a sledgehammer of evil deeds" look-how-bad-this-character-is! portrayal of the Darkling in the later books comes from the impression I get that Bardugo doesn't trust her readers. She's so desperate to have us hate this character and think him an irredeemable villain, not trusting any of her readers to engage critically with a morally gray character, that it feels quite a bit like condescending fucking bullshit. Which ew, I know how to engage with literature, thanks.

She really does seem to look down on a large part of her fandom, and imo, the infantilization of the female characters in her books seems to carry over to her impression of most of her female readers as well. Which is why the Darkling's character arc gets fucking destroyed. But he's still a good cash grab, of course, so she'll shake his dead corpse in front of the fandom for money every time she wants something from it.

Also! Another reason I think her plotlines feel disconnected (I'm sorry Bardugo I respect you as a person, but shit-) is because the writing in SaB is just bad. I mean, nevermind the absolutely nauseating implications of the way she portrays the Grisha as a persecuted group who's situation is never actually fully addressed as it should be, considering Grisha rights is what her main villain is fighting for (imo for a series called the Grishaverse, LB seems to be pretty anti Grisha), but her characters and story alone are just wrong for each other. They don't fit together.

And the ending is one of the main pieces of evidence in that regard! You can’t say the ending where Alina isn’t Grisha anymore is her “going back to where she started” when she’s always been Grisha. She just didn’t know she was Grisha because she denied that part of herself that she was born with.

Alina is reluctant to move forward or change, she struggles with adapting, and she’s very set on the things she’s grown attached to throughout her life. She also has some latent prejudices against the Grisha, and so denies the possibility of being Grisha for those reasons as well.

Alina’s lack of powers in the beginning of her life because she willfully doesn’t learn about them to avoid change versus her lack of powers at the end of the book when she’s accepted them and then they’re stripped away from her by outer forces are two entirely separate circumstances. You can’t make a parallel about lost powers and lack of Grisha status bringing her back to the start when she was always Grisha and she always had powers and she simply refused to come to terms with it because of personal reasons.

The first situation is an internal conflict that indicates a story about growth and a journey of self acceptance. Denying herself the opportunity to learn about her heritage and to find acceptance with a group of people like her because she’s tied to the past and because of the way she was raised is the setup for a narrative that tackles unlearning prejudice and learning how to connect with a part of her identity that was denied her and learning how to grow independent and self assured. It’s the setup for a different story entirely. The second situation is an external conflict that centers around the ‘corrupting influence of power’... for some reason.

In a world where Grisha do not have social, political, or economic power and they are hunted, centering your heroine’s journey of self acceptance and growth around an external conflict about... the corrupting influence of power (in a group of people that don’t actually have any power?!) just doesn’t work. It is literally impossible to connect the two stories Bardugo is trying to push in Shadow and Bone without seriously damaging the main character’s developmental arc.

The only way a narrative like this would work, claiming that she has gone back to where she started, is either a) if the Grisha weren’t actually a persecuted group and instead were apart of the upper class, or b) if the one bad connection between the two instances is acknowledged - that Alina denied a part of herself crucial to self acceptance and growing up, and that losing her powers at the end has also denied her. It is a tragedy, not a happy ending.

Alina suffered because she didn’t use her powers. She grew sick. It was bad for her. This was not a resistance to 'the corruption of power and the burden of greed', it was her suffering because she couldn’t fully accept herself.

Framing the ending as a return to the beginning can’t be done if you don’t address how bad the beginning was for your main character. You brought her back to a bad point in her life. You regressed her. This should be a low point in her arc. It should be a problem that’s solved so she can finish developing organically or it should be something that is acknowledged as a tragedy in it’s own right, for the future the world (the writing) denied her.

This is a ramble and it makes no sense and I’m really sorry, but my point is that Bardugo put the wrong characters in the wrong story. The character arc required for organic development doesn’t match the story and intended message at all. The narrative doesn’t fit the cast. She's got two clashing stories attempting to work in tandem and she ends up with both conflicting messages that fans still can’t comprehend in her writing and an ending that doesn’t suit her main character to such an impossible degree that it’s almost laughable.

So yeah, there's a few reasons why I think the story and the plot feels so bad and disconnected. I hope you don't mind me making this answer so long! 😅 I was not expecting to write this much.

[brw]

Tony Stark and Reed Richards for the character ask thing

TONY STARK

how i feel about this character: 😬 ngl i... don't care for him. at all. i don't vehemently hate him, there's definitely times where i appreciate him & his personality but it's few and far between and i... genuinely do not get the hype. i think its mostly mcu fans' fault for my dislike, its just he's fucking EVERYWHERE now, it's impossible to miss him? like he plays a big role in EVERY avengers comic now, he gets ongoing titles all the time, and it's just so frustrating especially when you consider characters who used to be more or less on the same level on them (like hank pym! who, by the way, has been dead for 6 consecutive years! that would never happen with tony!) or even more popular than him now get streamlined because of the mcu's popularity. by himself, i don't really mind him that much, but with how famous he is now and how large and frankly annoying his fan base is i just... now really do not like the character.

all the people i ship romantically with this character: short list here; reed, because i find their dymanic of reed as someone who does everything for his family and will do everything and anything he can to protect their interests above everyone else but also wants to keep his hands clean and believes, genuinely, in the good of the world, and tony as someone who will do horrendous things in the name of the greater good who always has the bigger picture in mind interesting. i also don't know a lot about it but he seems cute with rhodey? even if i think rhodey deserves a bigger chance to be his own character away from tony as is sometimes denied i can always appreciate a good best friends to lovers dymanic :)

my non romantic otp for this character: um? i honestly don't know 😭 i don't like him enough to say, i guess him n reed again? him n rhodey again? help 😭😭😭

my unpopular opinion of this character: he does not deserve the fame he has. like, i dont mean to sound jealous or whatever but pre 2007 movie he was not the most well liked character or even that popular. like obviously he had fans because he had solo series on and off for a very long time but it just feels SO ridiculous that tony stark has a bigger fandom than the fucking fantastic four. THE FANTASTIC FOUR. marvel's first superhero team, and yet??? like okay. he might have things to offer i don't see. he obviously does, i mean, he got three movies and multiple solo series. but he has most certainly not got enough as a character to overshadow the fantastic four, the x-men, etc and i will never forgive the mcu & mcu fans (and mark miller, he deserves blame too) for making it so. again, by himself he's fine but it is ridiculous to me that a one note white character that appeared in his third film (harley keener or... whatever) has 2000s more fics than THE PROTAGONIST OF INTO THE SPIDERVERSE, MILES MORALES. it is just... so vile and frustrating to me.

one thing i wish would happen/had happened with this character in canon: he didn't exist <3 jk jk um i'm not sure? i guess it would be funny if he was like... stick thin underneath the armour. like idk. he's in the armour 24/7 it makes sense to me for him to be a skinny little nerd under there. like completely fucking small. like you can't be a superhero AND be a billionaire and avoid all those taxes AND run the avengers AND run multiple massive corporations and still work out... even if you take away eating and sleeping there's just not enough time... it would be funny if he was just a tiny little boy underneath all that djndndbf

my otp: gonna say him and rhodey again. like i say, can never resist a good best friends to lovers dymanic.

my cross over ship: jdjshdhdh literally none i don't think about him enough to consider it <3

headcanon fact: 100% think he was the one to offer reed that money to star in a p*rno it's just so funny to me to imagine dhsnndnd

REED RICHARDS

how i feel about this character: HE'S MY BOY! I LOVE HIM SO MUCH! like i guess it's paradoxical considering how similar he is to tony in some ways but man i just love reed so much. i so genuinely think reed richards is what tony stark fans want him to be. like they (mcu fans) make up elaborate headcanons of him being a good dad and an ethical billionaire and its like no that's reed richards? canonically he's gone broke bc he refuses to get money off his inventions... u have the wrong man... anyway he's also an asexual LEGEND i do not take criticism and ofc. autistic icon. literally he's so autistic it makes me <3 i love him dearly.

all the people i ship romantically with this character: it would be easier to list the people i DON'T ship with him lol. sue, obviously, victor ofc, and ben are the big ones, but i just LOVE his dymanic with t'challa and i think they would rlly work it... i also love the idea of him with namor, idk with victor it's just so funny to imagine reed as like. bizarrely attractive to rulers of foreign countries. blackagar faces the same problem <3 i also do believe him n hank pym dated in college for a bit... all their weird little microaggressions towards each other just makes me feel that way... again i do like him w/ tony and i made this weird au where he and emma frost got together which if prompted i WILL talk about. probably. more but yeah <3

my non romantic otp for this character: while i do LOVE them together as lovers i just love. benreed generally <3 like they're LITERALLY besties they love each other sm and i'm tired of pretending they don't????? so many people ignore this relationship and it makes me so sad!!! they're best friends they love each other fight for each other fight with each other theyre literally besties... smh put some respect on the benreed name 😤

my unpopular opinion of this character: i don't think this is that unpopular but it is in certain circles so! i genuinely think reed is the best marvel dad! like you can talk abt others all u want but the fact is that reed is the only character i can think of who has always been there in his kid's lives and has consistently put their needs first. like not saying other characters are bad but even at his worst writing he's always done his best for his kids and certainly has been full of love for them. other characters at their worse have. murdered their own kids <3 genuinely he's the best marvel dad and sure there's not a lot of competition but. yeah <3

one thing i wish would happen/had happened with this character: I WANT A CANONICAL AUTISM DIAGNOSIS NOW. literally he is SO autistic & there are... no big autistic marvel characters! at all! literally none! the closest we have is legion (who was written in an incredible ableist way and autism hasnt been used to describe him in a solid 30 years) and monet (and it turned out it wasn't monet but one of her twin sisters impersonating her :/) so it would just mean so much to see a canonically autistic character like reed who is older & has a wife and kids who he loves and who they love in return on panel. like so much of the rep we DO have is like, young kids or teens and idk an autistic adult would just mean so much to me. especially one like reed who is as selfless & loving as he is.

my otp: tie between doomreed and reedsue! any option that gets this noodle nerd lots of love i'm good for tbh

my cross over ship: him and ralph dibney from dc should date... they have so much in common... stretchy autistic man who's very smart and kind of silly who loves his wife sue who pegs him 🥴 they'd have so much to talk about sjbdhdhd also imagining the look on ben's face realising there's TWO of them is. so funny.

headcanon fact: he's aromantic he's asexual and neither of these stop him from his very meaningful & passionate relationship with his wife :)

assorted character ask game!

[haleigh-sloth]

Hello! Your meta posts are wonderful and I was just wondering if you have written about how you think the redemption of Dabi, Toga, and Shigaraki will go down in terms of where they will end up. How will hero society reconcile with their crimes without locking them up and leaving them to rot (which seems to be antithetical to the point Horikoshi is trying to make). Do you think they will be rehabilitated into society or at a facility? Or something else?

Whhhaaat 🥺🥺🥺 I know for sure that I’ve rambled about what I think will happen and hope will happen here and there but idk if I’ve really dived into it. Idk if anybody’s ever asked so here I go!

So as far as society reconciling with their crimes without locking them up, that’s not really going to be that hard tbh. 

Think about the way society is portrayed right now in the manga. Just look at the chapters between the end of the war arc and now. Society is only getting worse. It’s growing more chaotic, disorganized, and dangerous. And even worse, but very important to note, society is stooping low to a point where they are blindly discriminating against each other just because of how someone looks (sound familiar?). The way things are right now, they’re only going to get worse and worse until the final battle involving AFO gets here, and all of this can be put to rest. It’s as the vestiges said in chapter 310, society is going backwards. Everybody is using their quirks illegally and lots of people are out committing crimes, playing vigilante, and destroying the cities just by using their powers. So by the time the final battle gets here, do you really think they are going to have the capacity to really care about what happens to the LOV? Not only that, but the main LOV members are being set up to redeem themselves by helping defeat AFO, at which point I expect that final battle to have caused so much chaos and destruction in society that there is literally no point in worrying about what happens to the main 3 villains who literally helped save the world. I mean...their redemption is rooted in defeating the one true villain of the story--AFO. Little Tenko wanted to be a hero who saved people, and defeating AFO is satisfying that dream of his. That’s his, and Toya’s, and Himiko’s redemption.

After that last final battle, everybody should be more worried about finding their families, rebuilding their homes, finding new homes, etc., more so than worrying about what happens to Toya, Shigaraki, and Himiko who just helped save them all from imminent death at the hands of AFO. So that’s how I expect the story to address the whole “do we lock them up? do we not?” situation.

As for what I think will happen with each member, well, it’s really up in the air for ones like Spinner and Compress (assuming they make it out alive), but for the main 3 I kind of have an inkling of what I think might happen, but I can’t say for sure. This is ALL just speculation and predicting so please take it with a grain of salt lol.  

For Toya, it’s actually pretty obvious. He has to go home. He has 10 years without his family to make up for, and so does Rei. Toya will heal best in an environment surrounded by unconditional love. He also has to get to know Shouto, seeing as how he never got to. As for whether or not E is included in that...well I can’t say what I expect yet. Either way though, I’ll be happy as long as Toya is home and he can finally have a real relationship with Shouto and catch up with his mother and other two siblings. He just needs to be safe and happy.

For Toga, I THINK because of her age being that of a high schooler still, she may end up at UA. Maybe. Also I should clarify, I don’t expect UA to be a regular high school by the end either. I don’t see how society can go back to having a prominent school that feeds into the quirk elitist system that the story is criticizing and actively dismantling. What we’re learning right now in the backwards aging hero society is that everybody should have the privilege and opportunity to train their quirks, not just a select privileged few who have “strong” or “cool” or “convenient” quirks. People not knowing how to use their own quirks is exactly why society is shit right now. So I think UA will be more of an all inclusive institution by the end, and Toga will find acceptance there around other kids her age. That’s the thing about her too, she yearns for friendship. She has it with the league yes, but you can tell by how she goes after Ochaco and Tsu that she needs that connection with other teenagers and girls her age. She is still a teenage girl after all, and the LOV is comprised of all guys way older than her lol. So that’s what I kind of expect for her. 

Shigaraki is hard for me to get a handle on ending wise because ideally I’d like for All Might to survive and take on that mentor/parent role for him. Kurogiri kind of took that role for Shigaraki, but I’m absolutely positive he’s not going to make it past the final battle. I mean he’s already dead so. But there’s a very real chance All Might might not make it out either. I’d rather he did though. I’d rather Gran Tostito bite the dust.  I feel like All Might may survive so he can take his second chance at taking care of his master’s legacy, her grandson. He missed the opportunity the first time and those consequences were...well you see it now lol. So I feel like it would make sense for him to take that second chance, but again I really don’t know. He’s kinda the perfect character to kill off? But taking All Might out of the equation, I don’t know to be honest. Shigaraki has no family waiting for him. Which I think is important to remember. Really right now all he has is Midoriya, who is still technically a stranger to him. I do think they’re going to form some sort of bond and life-long friendship, I just don’t know how that will look in terms of “the aftermath”. But I don’t think Shigaraki will be alone by any means. He has no family so he’s going to have to find one in the people around him. I expect that main cast of 7 to kind of stick together in the aftermath, so there’s the people who will surround him who care about him. But as far as like...where he’ll live, I have no idea. I have it in my head that Aizawa may take on that mentor role I mentioned earlier, if All Might doesn’t make it. Aizawa is the only pro hero set up to have a change of heart, he’s the only pro who currently criticizes the system in place, so he’s kind of in a perfect position to take Shig in as well. Plus, Aizawa already took in Eri (who is Shigaraki’s reflection). So that’s very possible imo. But as far as relationships and friendships go, Midoriya will be there for him and I think Bakugo will be too. They’ll be an unhinged chaotic trio of absolute madness. It’ll be great. They deserve it tbh. Also with Shigaraki, I highly highly doubt he’ll be going by that name anymore. His name is Tenko Shimura. He and his family went missing when he was 5 years old. He was kidnapped and held hostage for 15 years, and now he’s finally been found. 

So basically I expect society to be in such dissarray that they don’t have time to worry about the league, especially since by the end the league will be an established ally, no longer an enemy. 

Now I have heard the possibility of them all being in behavioral hospitals like what Rei was in. And I’m not like...against it, but I don’t love that idea either. Mostly because I don’t want BNHA to suddenly start sticking with the rules of reality. Why can’t they heal in the best environment for them? WIth people who love them? I would prefer for them to be completely free by the end. If they do get put in behavioral health hospitals then I would at least like to be shown them living their lives after their release. I don’t want it to end on the note of institutionalization. I want to see them be free. 

So yeah, happy endings for everyone! If this isn’t what happens exactly then that’s fine. What matters most is that they’re all happy and get everything they need. Toya needs to be with his family, Toga needs to be accepted, and Tenko needs to heard, acknowledged, and cared for. I think all three of them will get that regardless of how it looks. 

[nat-the-cat-123]

(this will be a VERY long post)

✨Time to criticize Yashahime ✨

First of all:

I will only criticize the writing aspects, so don't expect me to say anything about the animation since I barely know about that stuff

Because of this I also won't address anything of Sessrin or the discontent because of Moroha's and Inukag's separation because that's more of a fandom thing

And this is only the opinion of someone who isn't any kind of expert in writing or something like that

Uff, Yashahime finally ended and it was... Interesting.

So let's criticize it :)

So first of all let's tell the ✨the good things✨ because even if there are more bad things, infact there are very little good things, we have to give credit where credit is due.

Good things :D

The girls' originality

Something that I saw other fandoms have complained in their own "next generation sequel" (like in boruto) is that the kids were just a "copy paste" of their parents, and when Yashahime was just announced I saw the same concerns (specially with Setsuna and Moroha)

But in the end I think any of them ended up being just female Inuyasha/Sesshomaru, and all were able to be their very own character.

Half of their relationship

Ok, I'm specifying that only half because sometimes the twins would be a little unfair with Moroha, but then be her "new family"(?), But then they proceed to leave her behind, and then AGAIN being like bff's so there is no consistency.

But in the first episodes Sunrise got it right and we could see a pretty good and functional dynamic between the 3 that was consistent and made sense.

Each one had a defined role that worked, Towa was the "moral" one, Setsuna the "cold" one who took more drastic decisions, and Moroha intervenes mediating both and brings information that may help please both sides. (At the beginning)

Moroha

I'M SORRY, I'm sorry, I can't help it, it's just that she has so much charm and is so lovely and innocent. And you can totally ignore the fact that she's InuKag's daughter and still love her just because her personality brings so much to the story.

It's such a shame that they didn't really use all her potential but I'll get to that later.

Aaaand that's all ;-;

Now let's go to the interesting part...

The bad things D:<

Towa

This point I actually want to explore it further in another post, because there's a lot I want to talk about her to specify what exactly went wrong and how I would have managed her but here I will leave it simple.

Towa in any way possible wasn't properly used, and even if almost every character suffered of bad writing, she was the most affected one.

She honestly isn't interesting, everything that could have been done with her according to her backstory was completely wasted, because even if she was the one with the least tragic story, there was a lot to work with (I mean, just look at Kagome's case and still most of the fandom loved her)

She kept changing her personality and ideology according to what the story needed, and at some point her only trait was "Setsuna's protective older sister"

And don't even get me started with how overpowered she is without any kind of training (I get she knows how to fight with bullies, but clearly that isn't the same as fighting demons with demonic energy)

Phasing

When people argue if the phasing is too fast or too slow, I think it's both, but in the worst way possible.

They waste so much time in scenes that aren't really that necessary or could be much shorter, and rush at incredible speed things that should actually be worked slowly and carefully.

The fights

I only can remember two or three that I actually liked because most of them were just exchanging hits with the sword, sometimes an special movement and that's all.

Half of the battles didn't affect the story in the least, and the worst of all was how the villains were defeated wether because they were lame as fuck or because Towa's random power up appeared out of nowhere.

Meanwhile in Inuyasha even if we didn't always had the best fights of all anime, we did get some pretty interesting choreographies and some villains really had an impact on the characters in a natural way.

Talking about villains...

Naraku is laughing from his grave

You know? I'm not a Naraku fan, but he was a bastard that you loved to hate, he maybe wasn't the most powerful character when we talk purely about his strength, but he was intelligent as fuck, he was always one step ahead, he had some pretty interesting abilities and plans, with him he brought other AMAZING villains (or anti heroes) like Kagura, Kanna, Hakudoshi, the weird baby, or even Sesshomaru back at the beginning, and the best part was how he was written being a complex character (like when he struggled with his human feelings for Kikyo)

But on the other hand we have Kirinmaru, Zero, the four losers (I mean, perils), probably my boy Riku, and who knows what other random villains.

First of all, ONLY RIKU would be a good villain (maybe I should have put him in the good things ;-;)

But then we have the four perils who, out of them the only one who seemed to know what he was doing was the green guy that did weird witchcraft, but the rest? They are just randomly bothering people because they have nothing else to do and honestly they didn't seem to be that powerful.

I'm not sure about Kirinmaru because I don't see anything clear with him, I mean, I'm not even sure if he's a villain.

And Zero... *Sighs*

I don't get what the hell she's trying to do. Anything that she does makes sense. She's just alive because of Riku, without him she can't do anything.

Like seriously, half of the world was after Naraku's ass, even his allies, and still he could get away with it. Zero can't even get her army in order to take care of 3 fourteen years old girls.

(Sorry for letting myself go with this one ;-;)

Not using half of your characters

I guess the best example is Moroha because even with an interesting backstory, mysterious abilities, and most of the fandom's love, they just used her as comedic relief for most of the series instead of developing her character or explaining better her spiritual abilities or Beniyasha.

And not only her, Hisui and the rest of the demon slayers were more of a background character. For example, in Hisui's episode we should have gotten to meet him, Gyokuto, and Kin'u better, but they preferred to focus in the twins AGAIN and not work the MirSan family. (Guys, first season and I still can't tell Hisui's definitive personality)

Same Takechiyo, Kyubi, Yawaragi, Kohaku, the villains, some past characters, sometimes even Riku. Basically every character who isn't Towa and Setsuna are walking tools for them to use whenever the plot needs it.

And no, I'm not saying "The twins shouldn't be the protagonists", a I'm saying "SIDE CHARACTERS AREN'T JUST PLOT DEVICES, THEY ALSO DESERVE DEFINED PERSONALITIES AND CHARACTER ARCS TO MAKE THE WORLD RICHER, OTHERWISE IT FEELS LIKE THE WORLD REVOLVES AROUND THE PROTAGONISTS"

Inuyasha knew when and how to dedicate an episode to a character, Yashahime doesn't.

Lack of character development

No one, except for Setsuna who is learning to rely and trust more on the girls, has any kind of development (sorry Moroha (･ัω･ั)).

I see Towa exactly the same as in the first episode, and because of how they've barely put attention to Moroha, she has barely shown any growth as well.

And I guess Hisui learnt how to trust his dad, but again, I can barely tell which is his personality, and the rest are background characters.

Powers / Abilities / Weapons

Here they neither explained ANY of the characters abilities properly or made them more powerful making sense.

Towa, just randomly learnt how to concentrate her demon energy in a sword and just keeps getting new abilities without training, and any of them seem to have any effect on Towa like (idk) having the risk of running out of energy. And at the beginning I liked how she struggled with her other demon abilities like smelling things but then they just forgot ;-;.

Setsuna's stick just produces wind and lasers without explanation, and her sealed power doesn't really work naturally.

And Moroha... EXPLAIN BENIYASHA BETTER. SAME FOR THE SPIRITUAL POWERS, that was supposed to be impossible!!! And again they recognized that at the very beginning, why did they forgot about it later???

There barely has been any "world" expansion

Something that Inuyasha never really got into was the "demon society", because with the exception of some tribes they never mentioned anything related to that BUT...

With that thing of Inu no Taisho and Kirinmaru apparently being "royalty" I thought they would talk more about that "Demon hierarchy" or if "Setsuna's courage trial" was something like a demon tradition (damn, that was honestly pretty interesting) but NO.

The topic has been barely mentioned and let's keep saying over and over again what the audience already knows for 24 episodes.

Weird Exposition

The way they threw information at us was pretty weird, like it didn't feel "organic" because instead of the girls getting into whatever situation where "x" character tells them certain things because it is related to what is happening, again, they chose pretty weird ways.

There were like 1,000 different options to tell us what happened to InuKag and Sesshomaru and all of them, like the girls talking with Myoga or Kaede...

BUT THEY CHOSE TO BREAK THE FOURTH WALL.

Comedy

I'm not saying Moroha is a bad comedy relief, she actually came with many good jokes, but you can't leave only ONE character to take care of the comedy. Towa and Setsuna also came with some good funny moments, so why would they only reduce the comedy to Moroha????

(In Inuyasha EVERYONE gave amazing comedy moments, even Sesshomaru)

And the worst part is that they only use the same joke with her most of the time! Losing her bounty and being poor.

"Atmosphere" (?)

I Promise I don't want to sound pretentious with this one ;-;

Those scenes where we were supposed to feel sad because of someone's death, intimidated because Kirinmaru appeared or excited because of a fight didn't work out.

I don't know exactly why but I think that it is because of a combination of lazy animation, bad selection of soundtrack, weird dialogue and the characters' lack of reaction.

So now that I think I've said all the points that they got wrong, let's get to the conclusion.

They stablished side plots or mysteries everywhere and didn't really do anything with them.

The girls never advanced with the story, they just kept running in circles around the same point during 24 episodes. (And no matter how long or short a story is, you can NEVER do that or you'll lose the audience's attention).

And with or without a second season, they made terrible mistakes that won't be able to be fixed. If it is only one season, TERRIBLE, they left way to much things uncovered, and if they plan another season, ALSO TERRIBLE, they rushed essential things and if they work them again they'll repeat one of their biggest mistakes.

And honestly I really tried to love this sequel, almost up to episode 12 I really tried to appreciate the small good things but they just kept slapping me with disappointment every single episode, and if they release a second season, I'll watch it but this time only expecting the worst of it.

In resume, yo can only truly enjoy Yashahime if you completely turn off your critical sense, and expecting nothing from it, otherwise you'll only keep asking yourself "why?"

[mythiccheroacademia]

Okay bcuz this manga has me fucked all the way up,I need me some happy headcanons with Shigi and Dabi,like how would they be if they had a childhood sweetheart s/o that stayed with them ever since they knew each other?Knew each other better than anyone kinda deal?

A/N: The way this manga is fucking with my emotions don’t sit right in my spirit. I hope these headcanons add a little fluff to your life. Sorry it’s not all the way fluffy. I had to stick to character. But, they're as fluffy as a homicidal maniacs can be🥺     

Warnings: implied sexual activity, toxic relationship dynamics, death?, idk man

Tomura Shigaraki:

if there was one thing shigiraki’s enemies saw redeemable in him, it was his care for his friends

yes, he had a hard time trusting people (who can blame him), he wasn’t patient, he threw temper tantrums at his big age, and he barely showered

but he cared about his friends bc the only genuine love he felt, besides his sister, was from his friendship with you

before his quirk manifested, he and you would play with heroes all the time!

even when his dad would yell at him and give you dirty looks, you were still his friend

he never really forgot about you after his disappearance

your love and presence would always be in his heart

he was just busy dealing with, y’know, psychological trauma and world destruction

then, one day, you both saw each other when he was doing his daily walks and took time to catch up

you meet up all the time, and in those moments, you start to fall for one another

he was frustrated that he started becoming self-conscious about his skin, but you never failed to tell him how he still reminded you of the cute, shy, boy back in the day

then you’d recoil in embarrassment and tell him to forget you said that

it was annoying, but you actually made him blush

wears half gloves so he can touch your hand

he even stole a phone so he could text you

he doesn’t feel the need to wear the hands with you

at first, shigaraki kept you away from the LoV bc he didn’t know if he could trust you

and he didn’t want you a part of the violence, but he eventually couldn’t hide it when you started questioning him about his whereabouts—and it was so hard to lie to you

not when you still looked at him like he looked at you—like you were the world

little by little shigaraki starts to reveal his history, his thoughts, ideologies, and plans to you

at first, you’re horrified, and you immediately try to convince him to stop his plans

it ends up in a fight and he walks away before he does something he regrets

he laughs at the pain coursing through his chest bc why would you agree with him? he was a fool for thinking you’d join him. how could you? you were miss perfect

doesn’t cry but is noticeably angrier

heartbreak is a bitch

but then he gets a text from you to meet him at your apartment

it’s cryptic and so fucking dramatic but he shows up only bc he wants to set you straight

he’s surprised to feel you connect foreheads, just like you two did when he got nervous as a child, and tell him

“i don’t agree with your methods, but i’ll follow you if it’s to keep you safe. i lost you once and i refuse to lose you again”

in a moment of weakness, shigaraki kisses you

and the deal is sealed

it’s true he wants to destroy everything

and it’s true he doesnt want to be around after he does

but, at least he’ll enjoy the time he has with you

you mask your identity to everyone but shigaraki, only showing up to save him

throughout your time, you watch him grow, mature, and truly fit into the role of a leader when he becomes the head of the Paranormal Liberation Front

finally keeps up with his hygiene lmao

you spend countless nights talking, kissing, and other not kid-friendly things

you two knew everything about the other

you start to see his POV as you observe the poor actions of heroes and the civilians

soon, you’re always by his side—there’s never a time he’s somewhere and you’re not and vice versa

people catch on that you’re not just some bodyguard

they start treating you like they would shigaraki based on your power and their leader’s own demand for them to

many try to ask about your identity and shigaraki is quick to shut that shit down

you even dutifully watch him as the old doctor takes him through his torturous transformation

and when the heroes come to capture him, you’re in the shadows waiting…

Dabi:

he’s a Todoroki

no, I don’t accept criticism

anyway

when he was young, you and the older todorokis would hang out together

you only knew each other bc you were rich and your parents were internationally recognized pro-heroes

you were dragged to so many boring hero events

you’d talk so much shit about how two-faced heroes were

that’s how all four of you bonded

there were times touya would disappear and you’d be confused

fuyumi and natsuo said he was “training”

you didn’t really think much of it so you went on with life

every time he came back, he was covered in bandages

after the fifth time, you ask him about it and he just breaks down and tells you everything

he tells you all about endeavor’s harsh training, how much he thought of him as a failure, and about how he was literally burning from the inside out

you were young and could barely process this

your life was perfect, how could you ever relate?

however, you promised to always be by his side

you wouldn’t let him feel alone

even after a day of abuse, touya would look forward to texting you

you’d talk about movies, comics, who was the best hero, who would win the world cup this year, etc.

would sneak into your house to play video games

it’s ended up in cuddling more often than he’s willing to admit

it wasn’t long before you two knew everything about one another

even about the dark thoughts in his head

it worried you, but again, you didn’t think much of it

how could you know it lead him to faking his own death?

something you didn’t know he had done until he appeared at your door years later

who the hell was this and why did he look like an overcooked omelet?

you didn’t even believe it was him until he told you he was right about Barcelona winning the world cup in 2009

you spent half the day crying and the other cussing him out for letting everyone think he was dead

goes, “lol, yeah that was wild. help me dye my hair?”

what an asshole

your relationship is weird and toxic

you guys are best friends teetering on lovers but it’s confusing bc dabi is cryptic is hell

he confessed that he liked you but tells you that he’s too dangerous for you

like this was some Twilight fanfic

like, okay Edward Cullen

but he’s serious bby, my mans is out here committing homicide

not good

he’ll text you from time to time and randomly shows up at your apartment like he owns the place

you’ll talk, have sex, and talk some more

eventually straight up tells you about his end goal and you’re like

????

you: touya, no???

him: dabi, yes

speaking of which, makes you call him dabi when he’s not in your guts

despite him being a dick, he’s quite charming when he wants to be

takes you to the best spot to see the city lights

or the stars on the beach

always tells you not to worry about him and that he has everything under control

very very protective

won’t like if you're involved with anything hero or villain-like

if you’re a civilian, ensures that you stay that way bc he’ll be damned if you get involved with what’s happening

stalks you (for “safety purposes”)

you two always fight when you catch him snooping around

but has the audacity to ghost you and come back like nothing happened

it’s so toxic

hates knowing that you cry when he comes back battered and burning from fights but he’s got a mission, srry bby

someone’s gotta take out endeavor

being close to him is not for the faint of heart, but you have to take it or leave it bc he’s set on his life’s purpose

the night before the war takes place, he’s suspiciously touchy

makes you promise that no matter what happens, you’ll find him if society starts to crumble

you're like…what the hell, dabi? stop speaking in riddles. just say you wanna marry me and go

but honey, he’s 100% serious and you’ll find out soon enough

[scatterpatter]

Critical Role Characters by someone who knows next to nothing about CR

Under the cut because Aye

So context: I really wanna start watching Critical Role, albeit I'm intimidated by the sheer length of it, but I realized I've been spoiled to... Almost nothing about this series or the characters, so why not joke around and guess as much as I can about the Mighty Nein ;D

This is Caleb!!! I forgot his name earlier but I HAVE seen content of him before. He's the edgy one. He has some kind of tragic backstory and I think caused his parent's death or something? Definitely has to do with his fire magic. Cat person. Like seriously he's the token edgelord from what I've seen. Probably the "You look happy? Who are you and what have you done to Caleb" character. Probably needs a nap. And therapy. Definitely therapy if your fanarts are anything slightly accurate to the plot.

I thought it was Fyord but turns out it's Fjord. I'm good at spelling pls believe me. I think this one's the "I CAN kick your ass if I want to, but I have social anxiety" one. Like the big sweetheart trope. Big dork. If I'm wrong this'll be awkward but I'm sticking with it. Probably a fighter or barbarian? I want to hold his hand.

I have never seen this person before in my life but apparently she's one of the main characters? "Beauregard", according to the wiki. Well I can't recall any fan content so I'm gonna make assumptions from this image alone: looks like a monk from the art, and boy HOWDY radiates bisexual energy. Cocky, sometimes TOO cocky. Def has that "I can fend for myself" energy. Probably struggled to make ends meet growing up or something like that.

I forgot her name but "Nott"!!! I've seen fanart of her before, and I'm love. Big "I'm going to cause problems on purpose" energy. Often depicted with bandages so I think she had some kind of tragic back-story. Actually if I remember fanart right, didn't she used to look something more human-ish and was like? Cursed to be a goblin or something? Had something to do with drowning maybe??????? Don't hold me to this. I was gonna guess rogue but this gear looks more ranger-esque. "I cause problems but I DO adore my friends more than anything" energy

JESTER!!! One of the few whose names I didn't have to check the wiki for! Baby girl baby! WILL fuck you up if you deserve it but prefers to take a more peaceful route energy. Ray of sunshine. Probably a cleric. I want to protect her with my life. If I get into this series and find out she's secretly evil I WILL ragequit. I want to platonically date her so much oh my god she's so CUTE

"Yasha", I've seen her name before but didn't remember. HELLOOOOO LGBT COMMUNITY. This is the one that wlw's go feral over. And I can see why. Pretty lady. Strong lady. 11/10. Probably some type of warrior- maybe a barbarian or fighter?... Fjord is one of those two and she's the other, is my guess. Looks scary but probably a big softie. Probably has some kind of curse with those wings- probably necromancy related. Probably raised in a tribe or community with strong warrior-aspects, judging by how combat-expert she looks and her tattoos

"CADUCEUS"!!! Sorry I forgot your name. THE CONFIRMED ASEXUAL HI!!!! Beautiful boy, 11/10. I adore him with all my heart. Looks like a druid. Transition goals. Didn't show up in the very beginning I think. I actually know nothing about his personality. I mean c'mon there's no way you're NOT a big dork if you dress like that. Has big "I've known the Mighty Nein for 10 minutes but if anything happened to them I'd kill everyone in this room and myself" energy. Maybe. Idk he's just perfect.

WHO THE FUCK IS VETH AND WHY ARE THEY ON THE SAME WIKI PAGE AS NOTT-... Ohhh. Oh I was right about remembering something about Nott being cursed, wasnt I? This is pre-curse Nott isnt it? Welp! Still has that "im going to cause problems on purpose" energy andhdjanxnc- i was about to guess that Nott fell through a sheet of ice and that's how she drowned(?), but then I realized this art is specifically from a "winter" series oop.... Prediction: Veth took the name Nott after probably not wanting to show her face around her family(?) once she transformed into a goblin. I Just Think She's Neat

THIS IS THE TIEFLING THAT LIKE DIED OR SOMETHING BUT IN RECENT MONTHS CAME BACK... OR SOMETHING. IDK. ALSO DRIVES THE LBGT COMMUNITY WILD. YOU GO "MOLLYMAUK" I BELIEVE IN YOU. They are... So cute wtf. I don't even know what to say. I can see why the LGBTs love them. Heck.

Fun fact! I know NOTHING about the plot! Other than the fact that there was not once but TWICE that the Mighty Nein ploymorphed something into a turtle but that turtle was also v threatening so they had to change it into something else. Beautiful.

Why are they called the Mighty Nein? The heck if I know! Cuz there sure ain't 9 of em so that pun doesn't add up! Probably something plot related. Who knows. I've been told my haircut sometimes looks like Matt Mercer's and I'm not sure if that's a compliment but I'll take it as such.

[michibikionmain]

This isn’t THE tommyinnit villain essay but it sure is one of them

Ok ok so 4 those of u who aren't on discord with me: i have two main essays that have been in the works for MONTHS, these being my Complete Dream character analysis essay going in-depth for nearly all of his canon interactions and finding his character traits and motivations through the story, and my Tommyinnit (and Wilbur Soot) were Always The Villains on the server essay talking about how the only reason so many people view them as the good guys or heroes is because we see the story from their perspective mainly. This essay? Is not either of those. BUT, it does go through a lot of my thoughts on Tommy and Dream’s characters so I figured I’d post it. maybe itll help me organize my thoughts 4 my Mega Projects lol

@ranboocore bc u helped me pop off on this so hard LMAO

Warning, it’s VERY Tommy Critical, what a suprise. I do not like Tommy as a character lol. idk what triggers yall might need me to tag but if u need one in particular pls lmn!

My biggest issue with tommy's character is that he SAYS hes learned but he never does he is exactly the same person he was at the start of the server just More Sad and with Trauma, when out of all the characters he's had the most push to change. c!Tommy is a very tell-don't-show character which can make it hard for some people to connect to him, especially those who don’t directly share his trauma or see themselves in his character. Of course, there is still a MASSIVE amount of people who relate to his struggles and thus love him regardless of his writing, but those who can't relate to him will always feel some kind of barrier until the things they've talked about are actually shown to the viewer instead of being spoon-fed to them.

It is a very beginner writing thing, and I'm hoping that Tommy is figuring out how to fix this, maybe with support from the many other writers on the server. There's the 3 you mentioned, plus fundy, niki, and maybe tubbo who also play dnd, plus Dream who said he would've been an English major and does a lot of personal writing for fun.  I think the biggest issue in the writing lies in the individual ccs being inexperienced in the medium, particularly with planning out their own character growth. 

Another glaring issue I have with c!Tommy is how he's framed to be sympathetic and he goes through all these horrible things without acknowledging his role in any of them. The things that have happened to him are a direct result of his actions, but the thing is HE won't acknowledge and so it falls flat. This isn’t to say that being abused is his fault, because it’s NEVER the vicitm’s fault, but being exiled? His multiple fights with c!Dream? His friendships falling apart? Losing the disks in the first place? They’re the direct consequences of HIS OWN actions, but he never acknowledges this and constantly just... brushes off any accountability by either saying that it’s Dream fault or simply SAYING he feels bad without properly showing it through redemption and GROWTH.

Denial is useful in storytelling sometimes, but Tommy's character has been in denial since the very beginning of the server and at this point it's just exhausting. He only ever switches between denial and depression, not really going through all 5 stages of grief properly. His violent/upset reactions would be more powerful if they were any different from how tommy usually acts, but this is always how he is. When he “lashes out” because he’s reached the end of his patience, it doesn’t SEEM like the snap it is because that’s just... it’s seriously just his standard reaction to everything. It hold no WEIGHT to see c!Tommy yell at someone violently or threaten to fight them because he does that anyways!

Static characters can be a good thing, and can be interesting if done correctly, but not every character SHOULD or CAN be static in a story.

Static characters need to have their position or behavior challenged and question, where they look into if the way they see and interact with the world is really the 'correct' one or just evaluated to see if they truly believe in them. This questioning period is CRUCIAL! and NEEDS to be well done in a way that ACTIVELY SHOWS the conflict between the two ideals. If they decide to hold onto their beliefs/continue their behavior then, it feels deserved, because rather than just being a flat "they do thing its who they are" they have defined WHY. WHY is a very important question to think of when telling the difference between dynamic and static characters. The why of a character is ESSENTIAL to developing them as a relatable, sympathetic person rather than a flat story telling device. It makes them a human rather than a puppet. When a character's motives aren't well defined or discussed, they're doomed to fall flat in everything else, because the WHY is the foundation of what makes them who they are.

c!Tommy has an underdeveloped "why", his motivations are weak, rarely properly discussed and when they are it doesn't particularly stick with him. His motivations change without showing us the internal struggle that should come from literally shifting your driving principles. There are some good MOMENTS of him reevaluating the importance of certain things, but they're so spread out and contradictory and immediately spat one that they're hard to piece together. He TELLS us what his motivations are as well, which is another big flaw when it comes to all that but we don't have time to unpack all THAT Anyways, the key to static story telling is reaffirmation. The character goes through a complete journey and ends with the same beliefs because they've looked into why they have them and determined that they still matter to them. A great example of static writing in my eyes is c!Techno, who since the beginning has believed that governments are bad. c!Techno enters the server to destroy a government, and still ends up doing that because he sees and we see him experience that the reasons he didn't like government before still hold true and he has no reason to support them any more than before, and so his anarchist beliefs are REAFFIRMED, proving to him that they way he handles things is the right one for him.

c!Tommy’s attachments are all just... they're all so weird.  like he LITERALLY SACRIFICES HIS LIFE MULTIPLE TIMES for L'manburg. By action of sacrifice it seems like it should be the most important thing to him, but then he throws it away for some disks that mattered less to him just a minute ago.  But then it's all about how c!Tubbo is worth more than Anything and maybe he's found something more important! but then he shoves THAT out the window for the discs again ig!!! but then it's about l’manburg again? Make it make sense.... pls....

Here's smth that really irks me about Tommy's character, and is kind of weird but give me a second to explain: Tommy has never actually permanently lost much of anything on the server. Every punishment he's ever received he's tried to find some way around. And like... I'm not expecting him to be HAPPY to face the consequences of his actions but seeing him constantly have his cake and eat it too is very irritating, especially when there are characters who DO have to deal with actual permanent sacrifices. The whole thing with the disks. where he WILLINGLY OFFERED THEM UP AND GAVE THEM AWAY THEN SPENT FOREVER TRYING TO STEAL THEM BACK WHILE CLAIMING DREAM STOLE THEM FROM HIM, is the biggest example of this, but it's generally his characters way of dealing with things. He's very backhanded and conniving, constantly calling himself "big man" except for when he wants things from people and he plays up the "iM a MiNoR" card to try and get them to give him things or feel bad. He's not just some sweet innocent kid like people paint him, he knows damn well he's messed up and while he SAYS he feels bad about it, he has never once really shown, with his ACTIONS, regret for what he's done except for the stuff with c!Sapnap, which could it could be argued he did because he thought it would help get c!Sapnap on his side to fight Dream and he knew c!Sapnap was a skilled warrior and could possibly be persuaded to fight with dream.

c!Tommy is in NO way some sweet innocent child, he knows what he's doing. He KNEW l'manburg was a drug empire, and wanted to turn his hotel into the same He was FULLY prepared to just murder c!Schlatt for legally winning an election that he KNEW was rigged AND INTENDED TO HELP RIG HE LITERALLY TEAMED UP WITH c!TECHNOBLADE KNOWING THAT HE INTENDED TO BLOW UP L'MANBURG AND ONLY LEFT WHEN HE REALIZED IT WASN'T GOING TO ACTUALLY HELP HIM--

The line of c!Wilbur saying "Tommy, are we the bad guys?" wasn't him mentally going batshit it was him realizing that the entire time they've been doing terrible things. c!Wilbur was literally ALWAYS Vilbur but the time people CALL Vilbur is when c!Will himself realized he was a villain.

[kingdomtual]

Okay I just finished watching Imitation and I’m gonna give a review, idk why but I have a lot of feelings LOL gonna write this without giving away big plot points so no spoilers for you if you wanna know if you want to watch it or not (probably everyone already has but whatever I’m usually late to the show)

Things I liked about it:

- Imitation was a really interesting drama because it didn’t focus on all the fun stuff of the idol world like a lot of idol dramas do. It’s main focus ends up being more on the struggles idols have to deal with, mainly pertaining to the dating issue but instead of putting it fully on the labels for keeping their artists from dating it also focused on how sasaengs think, talk, and react about their idols dating which I thought was a nice touch because that SURE IS REAL LIFE. (unfortunately they kinda drop that plot point as it goes on, but whatever) 

- It also had plot points pertaining to mistreatment of idols by the industry and their labels, which was another thing that I liked about it. It’s a tough world, and it should be more mainstream that we know about and find ways to help idols as they’re dealing with all of this. Idk it’s just something that should be talked about more, so I’m glad they did. 

- The cast was beyond fantastic. I think that’s honestly what made the show for me. Obviously the casting director knew the draw would be having actual idols in their show, but even those who were just actors were absolutely fantastic and did a great job in each of their roles. Dojin and Hyuk were obviously my favorites, but I think they’re everyone’s favorites LOL their acting chemistry was spot on and it really felt like they had been bffs for years.

- LA RI MA. Queen, icon. Absolutely in love with her tbh. What I really loved about her is that she started off being a rival for Ryeok to Ma Ha, and I thought to myself, ‘Great. She’s gonna end up being a flat character.’ but I think she ended up having the most character growth in the entire story, besides maybe Ryeok. The way she is so confident, knows her worth, and takes care of those around her makes her such an enjoyable character to watch. Every scene she’s in she totally steals, I love her LOL 

- The last two episodes definitely make the entire show worth watching. They’re really full of heart, you get so excited, and watching them perform is really cool. I won’t give away any of the ending, but it is worth it!

Things I didn’t like:

There are a few things that made me feel ‘meh’ about the show. It kinda felt like there were a lot of plot points that dragged on a bit too much for me. This is totally a personal opinion so like obviously you might feel different! Cool.

- So, the idea that the story starts out with a love triangle didn’t appeal to me at all LOL I hate that trope, but even after that ends it starts going through the whole ‘we’re idols that have to date in secret’ and all that angst that comes with that and I have to admit there were a few mid series episodes that had me so bored because it felt like I’d already seen this to some degree before. I ended up mostly enjoying whatever subplots were going on instead of the main plot. It’s not that I didn’t like their romance, but sometimes it was just SO uncomfortable because they were uncomfortable LOL idk, romance plots are not usually my jam, but there are enough other elements to make the show enjoyable for me.

- Struggles would come up and then immediately not be an issue by the next episode. I know this is only a 12 episode drama (which I think is a shame, I think if it had been 16-20 episodes then it actually would have fared so much better but alas) but I feel like...I mean if a massive contract issue comes up and can be resolved with a quick call or an article being written, then it wasn’t an issue...and yet the fact that two idols are having angst over dating can be drawn out over the course of 4 episodes just didn’t make sense to me LOL like you’d think the dating issue would have been resolved faster than a contract issue? idk maybe it’s just me. 

- Eunjo’s plot, which is essentially a subplot until the end of the show, is far more interesting than most of what goes on LOL I almost would have liked to have that mystery be woven more thoroughly through the show instead of it being sprinkled in occasionally and then BOOM at the end it all comes together. I just think it might have had more impact.

- GROUP DYNAMICS. Bruh! This is what I really wanted okay? LOL I mean obviously the focus is mostly on Ryeok and Ma Ha but god I would have loved having more scenes with group dynamics and seeing how they actually all get along instead of making the other members all side characters until the very end when we see that they actually all care about each other. I didn’t even know Jaewoo was the leader of SHAX until the end of the show, man LOL like it would have been nice to see more from him, and all of the others, especially since Jaewoo was essentially a snitch to the their label owner for so long and ending up having so much guilt over it, but we never saw that until the last episode. 

I also think I would have preferred to have seen more of the past SHAX with Eunjo, because Ryeok was apparently his bff and yet we don’t really get to see any of that, you know? We just hear about it. This show does a lot of telling instead of showing and I do think that’s because of the episode limit, but it’s just a shame. I think the ending would have been more impactful if we’d gotten to see them altogether more at the beginning.

- If you’ve decided to watch Imitation solely for Seonghwa and San, I’d advise against it LOL they have like two lines per episode they’re in (which isn’t all of them, Sparkling is barely in the show aside from Yoojin(Yunho)) and basically they don’t get to say or do much of anything until the end LOL I get that Sparkling is a secondary character group, basically, but it would have been nice to have seen more dynamics from them, too. I think Seonghwa and San could have honestly been like Dojin and Hyuk, the comedy duo of SHAX, but they just didn’t have the time or whatever, I suppose. Like I don’t even know Seonghwa’s character’s name LOL the only reason I know San’s character’s name is Minsu is because they said it once at the second to the last episode. LOL so, just a warning. But you atinys will be fed by seeing much Yunho and Jongho, I promise.

 I also would have loved to have seen more group dynamics from Sparkling, as I said, because until the 11th episode, I think, I don’t even see them really being like, “guys! I love you all, let’s stick together until the end!” which really confused me bc my dude Hyun Oh was literally causing property damage and giving them a problematic image but apparently they were good with that LOL idk idk

- The whole sasaeng issue gets dropped right before the ending and I thought that was rather strange since up until that point sasaengs had been one of the main roadblocks for the romance plot and they had been rather vile and annoying LOL unfortunately the show often had to skip over or completely drop or quickly resolve a lot of the large ongoing issues in order to come to a conclusive end and I thought that was a bit sad but I do understand why. Can only do so much with 12 episodes.

Overall opinion:

I really enjoyed it. I know I have some critically things to say, but as a writer I just kept seeing plot holes and had to talk about them briefly LOL (or not briefly because idk how to be brief) I think that the tone of the story was good, and that what they were trying to convey through this story was also good. I think it does give an idealistic image of idols freeing themselves from the oppressive evil labels and living the way they want, because unfortunately that’s not always a viable option, however it did remind me of Hyuna and Dawn’s story in a way and that warmed my heart! Love conquers all, my dude, we love to see it.

I would honestly love to watch more idol dramas like Imitation that star idols and therefore we get some sick performances and awesome music and it tells an interesting and somewhat realistic story! I think it’s something anyone can enjoy, even if for me it did get a little long in the middle with all the romance stuff LOL the ending was totally worth it for me, I think it’ll be worth it for you!

[emersonfreepress]

okay so is there content that you had planned for the ROs and story in general but then scrapped cause there wasn’t a good place in the story to stick it in? and if so, can you share what it was? 👀 👀 👀

yes, definitely. *rubs hands together* oh man, you done asked THE question today xD I can't wait to get into this 😁

Academics. I almost decided to have classes and grades be a minor part of gameplay, but the more time I spent designing it the more I realized I wanted nothing to do with it 😂 I haven’t really enjoyed academic gameplay in other interactive fiction because I 1) hate having to choose between studying and interacting with awesome characters, 2) have terrible short term memory, and 3) hate school in general!! So instead I just opted to have the MC be really good at school, point blank period so I could focus on social drama and relationships instead! 😆

Physical skills. I spent literal months crafting the catering scene around setting up stats for stamina/endurance, dexterity, and strength instead of just magnetism, confidence, and persuasion. They had their own backstories with the MC’s parents being overly invested sports parents instead and I think the background choices were like... martial arts, gymnastics, and track? But yeah, I ended up scrapping it all because I was spending hours on research about those individual sports so I could integrate them into the MC’s narrative organically but like... when I tried to think of what use they would be in the actual story, I came up blank. Best decision yet, esp since it means a lot less coding!

Skin tone customization. For one, I noticed that a lot of my favorite IFs don’t offer that customization and it hasn’t impacted my experience at all. For two, I originally realized I might as well not implement it since I am striving real hard not to introduce any customization that won’t actually be mentioned in interesting or meaningful ways in-story. I don’t think it’s really all that common for real life friends (esp in high school?) to comment or compliment each other’s skin and like... when it comes from someone who doesn’t share a similar complexion or ethnic background, that type of commentary gets... d i c e y. So then I wanted to be sensitive to that but what’s the pay-off? An RO mentioning how they love your skin tone once? Awkward sentences with the MC referring to their own skin color? Idk, just wasn’t vibing with it. I’m open to revisiting it in beta or something but for now it’s scrapped.

Singing, Rapping, and Gaming as Hobbies/Talents. I feel bad about scrapping these, honestly 😂 They’re great and I really wanted to incorporate them but it just came down to already having a lot of stuff to code. Plus, I know I can write the Hobbies/Talents I stuck with far better. And for Book 2 purposes, as well!

Leo. as @sourandflightypeaches ​​ asked me about a long while ago, I had to scrap an entire RO 😢 His name is Leo, he was the nephew of wealthy west African diplomats residing in Emerson, and I love him dearly! His backstory was largely based on my mother’s childhood and the circumstances she lived through after immigrating to America. and... ok, i’m about to go on one hell of a tangent so buckle up and bear with me if you can 😅

my intention with this story, aside from writing things that I personally enjoy (graphic violence, spooky woods, social drama, romance, conspiracies 😚), is to explore greed, wealth, and how the ways people and families interact with those two things influence young people and who they grow up to be. here i go sounding pretentious af 😝 and here’s where I apply a cut for those who want to preserve a little mystery to the main characters!

With Gabe, we’ve got someone who grew up with very little stability or financial security but who has found unscrupulous methods to gain status and money, with both noble and selfish motivations.

Kile has some of that childhood experience in common with Gabe, having been in the foster care system since infancy, but they lucked out when they were adopted into massive wealth by a caring, loving couple—a couple that uses their wealth and privilege to be far more lenient and protective of Kile than is actually reasonable or responsible.

Jack comes from a prestigious wealthy family on his dad’s side who he loves dearly but there’s no getting around the fact that they love him back as much as they despise his working class mom.

Jessie is a spoiled sweet heiress (being the baby of her family and the only girl) and while she lives blissfully ignorant of the harmful source and impact of her father's income and career, she bears the weight of the expectation to fulfill very traditional gender roles, including her behavior and appearance, but also extending to her career and life plans.

Rain's wealth led to them growing up sheltered and isolated but also extremely accommodated, giving them maximum freedom and opportunity to discover and develop their personal talents and interests. However, they have almost no positive relationship with their parents who have essentially decided to give up on a kid that couldn't be exactly the accessory they tried to mold them to be—both in terms of their identity and personality.

Rupan/Rohan, at their very core, rejects everything about conformity, self-importance, and excessive luxury—which means they have never, ever truly fit in with their peers. Going full non-conformist, however, has resulted in them becoming alienated from much of their family, as well, despite them all loving each other very much. Their history with false friends and betrayals has led them to over-indulge in their vices and reckless behavior to compensate for that isolation. Sometimes, they just get in over their head and many times, they know better. Every time, it's just that the feeling of finally belonging is utterly intoxicating.

Vivian/Vincent has two extremely successful parents who didn't inherit but instead built up their wealth and they aspire to be just like them, to a degree that is well and truly unhealthy. Their mother specifically is an over-achiever and applies mountainous pressure for them to follow in her footsteps, especially academically. Vi is completely capable of achieving what their mom expects of them, but they were already an extremely sensitive perfectionist so this has made them intensely critical of themself. This is a large part of why they are such a rigid, no-nonsense person and that in turn has made them one of the most disliked people among their peers—which is a huge personal failure to them since their father is a very well-liked and socially successful person in town.

And the Emersons are peak privilege: inherent high social status, brains, looks, charisma, athleticism, and massive wealth. They could never have been anything less than extremely popular, just by virtue of their last name and the nature of the town's social dynamics and politics. And they do enjoy that privilege (esp Curt lol). However, it should go without saying that being so high profile, even (or maybe especially) just in the isolated scope of your hometown, isn't always a boon. Their family's and their own perceived failings are widely discussed and privately mocked and/or celebrated. Real friends are scarce while fake ones and snakes are plentiful. Plus their dad is a gigantic dickhead who sees his kids as extensions of his own status and reputation and not much else. Public shortcomings make for an unbearable time at home and the world outside the estate is at once overly accommodating, full of assumptions, and even subtly hostile at times—all unrelated to their own actions or character.

And with the MC, I think the narrative will make it clear there are several ways that story can go. You start off with irresponsible parents that have lost their wealth due to their own mismanagement and material ambitions—how that affects any individual MC should differ based on choices and consequences!

So why bring any of that up when I was supposed to be talking about my cut OC? 😂😂

Leo was going to be the unwelcome recent addition to his uncle’s household, the son of a brother his aunt hates for (petty af) Reasons, and she took that resentment out on him directly by restricting his access to nearly every aspect of the family's wealth. Especially material goods and living conditions. He was basically treated like the help, tasked with playing nanny for his many younger cousins and burdened with doing the homework and providing academic cover for his dumb as rocks cousin in the same grade as you all. To sum it up, he was basically a victim of trafficking at the hands of his own family with his uncle out of town enough to feign ignorance to how bad his wife was treating his nephew and his aunt going out of her way to keep him busy, at home, and isolated. This is sadly a super common form of trafficking in Francophone African cultures (although I don't think most people view it as trafficking. and I’m sure the same is true of other cultures but I don’t want to speak outside of my purview). And like I mentioned above, it’s how my own mom's (and idek how many cousins') child/teenhood went.

It’s a perspective on modern wealth, privilege and greed that I really, really wanted to tell. I am confident in saying it hasn't been explored in interactive fiction yet (though correct me—and direct me 👀—if I'm wrong) and out of all the wealth/greed explorations I came up with, it's the one I have the closest personal ties to and the strongest feelings about. The characters and plans I had for it were detailed and I'm proud of them but at the end of the day... I just couldn't find a place for Leo in the story at large.

Leo was, in fact, the last main character I came up with, when I had already designed and fleshed out the larger story and started crafting the timeline of major events. I think the worst thing I could have done for a story and perspective that I care about this much is shove it into a plot that didn't have room for it at the very base level, regardless of how well the character or his story is written. Shoe-horned characters always stick out. I didn’t want to disservice Leo by having him be the character that did nothing or could be removed from the main plot without affecting it at all, y’know? That’s so much worse than just forgoing the indulgence, imo :((

ugh.... Leooooo 😭 I'm so sorry bb, I failed youuu 😥

[bigskydreaming]

That last reblog is very informative and useful in figuring out where to find certain storylines. Purely on a personal recommendation note, for anyone looking for good reads and who tends to like my take on things, my recs from that list (and not saying that others I don’t rec aren’t good, just what immediately popped into my head) would be:

Batman: The Long Halloween (yes. its a good)

Batman: Birth of the Demon (if you want to set canon on fire, as many people are wont to do, a good place to start is aggressively ignoring Morrison’s take on Damian’s birth and origin and instead treating this story as his origin and just building off the idea that Talia lied at the end which is waaaaaaaaay better and just like...go from there)

Batman: The Killing Joke (kill it with the fire. we’ve had enough of the killing joke. it can die. even alan moore hates it and he wrote it and alan moore usually loves everything he writes and hates everyone ELSE for like, liking it the wrong way, so I mean, that should tell you a lot)

Batman: The Cult (holy shit I totally forgot about this story and now am off to go reread it again myself)

I have Issues with how ADITF AND A Lonely Place of Dying play out and most popular takes on them, so like, I’m not like, recommending RECOMMENDING them, but I mean like, they are pivotal.

Batman: Knightfall, Legacy, Cataclysm and all things No Man’s Land related have some good stuff throughout all of them. Like, things I don’t like, sure, but overall, there’s a lot of good material in them. Also, a good way to get a strong sense of actual canon Tim, who is not fanon Tim, and who would probably take one look at fanon Tim and go LOL nerd, and kickflip away on his skateboard to go tell Nightwing about this AU version of himself he just met, as like, he actually likes and respects Nightwing, among other differences.

JLA Tower of Babel (its a yawn from me, lads. the source of pretty much all “Batman can beat all of the JLA because he has the greatest superpower of all: PREP TIME!!!” hot takes and I mean, yeah that’s pretty core to Batman and who he is at this point, but the story itself its just like. Eh. Could you not. Idk. Basically I just mean this is all part of an era of JLA that for the most part I actually tend to LIKE Bruce’s interactions with the rest of the team, but then there was this and it was just like. Eh. Could you not).

Bruce Wayne: Murderer? and Bruce Wayne: Fugitive (Quality reads IMO that emphasize the Detective part of the Batfranchise and contain good moments for the whole currently present Batfam, lots of great Cass and Dick stuff in particular. Idk. I havent read them in awhile but I have fond memories)

Batman: Hush (this gets a bad rep and not entirely deserved IMO. Like, its not the greatest story in the world but I like how it portrays Bruce as having flawed dynamics with a lot of his loved ones but not shying away from his role in that but also without overly vilifying him....he’s an appropriately complex character in this, is what I mean, and I also like that this is another story that emphasizes the often lost-and-forgotten Detective part of his core concept. Also, it utilizes some of my fave villains in ways that bring home how much potential certain combinations/team-ups of villains could have if they were utilized more instead of overlooked in favor of ITS TIME FOR THE JOKER AGAIN WHEEEEEEEE!)

Batman: Under the Red Hood (hahahhahaha no. like could you imagine me reccing this? LOL its not realistic. Nah, stick with the animated movie retelling. At least Bruce doesn’t slit his son’s throat in that one to save the damn clown again)

Batman: R.I.P (I reluctantly rec this not because I like it, cuz I don’t, its Morrison back on his bullshit in a most I AM THE MOST GALAXY BRAINED OF ALL THE GALAXY BRAINED AND ALSO IM A CHAOS MAGICIAN DID U KNOW THAT HUH DID YA DID YA, like, fashion. Its. A lot. The story is A Lot. I don’t say that in a complimentary way. BUT I recommend it anyway out of pure stubbornness and Dick Grayson fanboy spite, as its set like, directly before Bruce is believed dead and gets lost in time, and like, A LOT happens to Dick in that story that SHOULD BE extremely relevant and crucial to examinations of his mental and emotional state at the time of him assuming Bruce’s role in the family and as Batman, but that just like....ISN’T, and that annoys me. Also, the primary villain of this, Dr. Hurt, like.....

his grand endgame involved torturing the fuck out of Dick to hurt Bruce specifically, and pretty much the first thing that happens when Bruce DOES come back from being lost in time is Dr. Hurt pops up out of nowhere and shoots Dick in the head, like FIRST THING, like this is the absolute first thing Bruce has to deal with when coming back, and this is just like....NONEXISTENT in most fics about that era. Because lolol how can we blame Dick for everything that went wrong and make Bruce be mad at him for how Dick wronged Tim and Jason and all of Gotham probably, if we’re going by actual canon and thus dealing with the fact that Bruce is preoccupied with hovering over his just-shot-in-the-head-specifically-to-fuck-with-Bruce son’s bedside and WORRYING about him. LOLOL hashtag Fandom Willfully Erases The Majority of Dick’s Canon Traumas Not Because They Want To Set Canon On Fire - they’re usually fine with sticking to every instance of canon in which Dick does something even in the ZIP CODE of wrong - but rather because if we acknowledge Dick’s traumas then eww, he might come across as....sympathetic? No, we can’t have that. ERGO HE WAS NEVER SHOT IN THE HEAD HAHAHAH WE FIXED IT, WE FIXED CANON).

But I digress.

Battle for the Cowl (another reluctant rec because like, its dumb and its bad, but its one of those things that I’d still rather more people read than didn’t, because like it is pivotal and relevant, and it contains key plot points like oh Idk, Arkham literally blowing up as all the currently locked up inmates escape, which led to Dick having Wayne Enterprises rebuild it himself, and like, the only villains present in it when he was Batman being the villains he and Damian CAUGHT while he was Batman, which did NOT include the Joker, and thus all the hot takes about how Dick locked up Jason two doors down from his murderer like the uncaring bastard that he is, like.....instead of the reality that Dick pulled strings to have Jason put in Arkham instead of Blackgate when the POLICE ARRIVED ON SCENE AND LOCKED UP THE ANONYMOUS RED HOOD BECAUSE HE WAS CLEARLY DEFEATED AND CLEARLY A WANTED CRIMINAL AND THUS LIKE, HIS IMPRISONMENT LITERALLY HAD NOTHING TO DO WITH DICK OTHER THAN THE FACT THAT DICK DEFEATED JASON RATHER THAN LETTING HIM KILL HIM AND DAMIAN.....

like, its literal canon that Dick explains himself for having Jason put in Arkham instead of Blackgate because it allowed him to keep Jason OUT of gen pop where he had literal dozens of enemies that he, Jason, WAS RESPONSIBLE FOR PUTTING THEM IN THERE HIMSELF, and it was to keep Jason SAFE, and it WORKED as Jason’s only actual canon complaint at that time was that he was BORED. So in conclusion, AS ALWAYS, you can do what you want, but when you literally manufacture the fake fanon - and completely fail to make any effort to establish that this is NOT actual canon and that you’re not actually riffing off of an actual canon moment - that Dick callously locked his brother up a few doors down from his own murderer (the dude that Dick himself literally once beat to death because he killed Jason).....like, inquiring minds would like to know, why are you trying so hard to make Dick look like THIS MUCH of an asshole, hmm?)

Batman: The Gates of Gotham (a weird, but fun little read IMO, that delves deep into the backstory of Gotham, the Waynes, and also Dick’s ancestors the Crownes, and establishes a lot of the history revolving around all of the above, and like, it actually has Dick as Batman and being competent and respected by the rest of the family in that role, and its also one of the only times Cass and Damian interacted one on one, stuff like that)

Batman and Robin Eternal (eww no, kill it also with the fire, burn it, I hate it, uggggggh why is this series so praised, its so baaaaaaaaaaaad, its like what if literally every character involved in it is an asshole to Dick for no valid reason whatsoever.....huh, weird thought, wonder if the fact that its so praised as being so good and Dick’s so hated for weird reasons by a lot of fandom are connected....almost like.....the fiction influenced how people viewed his character....and thus....critical commentary of how the fiction was bad is....relevant....HMM I MUST PONDER THIS STRANGE AND NOVEL THOUGHT).

[becca-e-barnes]

hi it’s the ranting anon again i’m sorry ik you’re swamped so i wasn’t going to say anything g but i think it would be better to go ahead and get it off my chest again than end up hurting myself. i’ve been cut free for almost a year now and i don’t want to ruin it

well the job i told you about where nobody likes me? well this weekend went sm better. ppl included me and talked to me again and i didn’t see anyone give me the angry eyes or anything again so i felt more at ease but still worried about their opinions of me. but today, the last day until next weekend, i had to go and mess it up again. as i was clocking out it was brought to my attention that i didn’t finish something. i cleaned the downstairs bathrooms but totally forgot about the upstairs bathrooms. i didn’t think it was a big deal honestly easy mistake considering they don’t always clean upstairs anyway. but they gathered around me giving me those eyes and being all quiet while the girl that ik for sure doesn’t like be started scolding me and raising her voice and looked so angry. so i quietly did it. i knew they were talking ab me. i did it tho. with shaky hands. and i was too scared of having their eyes on me that i didn’t even clock back in and them out again. honestly tho i feel like my mental health is more important than that stupid money anyway. i’m just always scared around them. and when i got in my car i was too mentally exaghsyed (idk how to spell it sue me) to cry. i’m such a people pleaser i literally only want to make them happy so they can like me. and it was all a common fucking sense thing and i’m just so stupid. i cant win. i cant accept that everyone will always dislike me. i cant prove myself useful bc i’m so fucking dumb. i don’t even need an answer i just had a rough end of the day and need your support. ily tho big sis.

(not proof read rip)

Hey honey, always feel free to come here and get things off your chest, that’s what I’m here for 💗

I know that last little part of your shift must’ve been so awful for you and I’m really sorry to hear it went that way but really, you have so many positives to focus on here!!

Think about how much better things went this weekend! Think about all the times you felt included and people made an effort to be nice to you! It’s easy to dwell on the negatives, especially if they happen to land right at the end of the day but that’s not what you should focus on here!

And truthfully, I’ve worked in the hospitality industry for 5 years, I see the exact situation you’re in all the time when we get new people. (I don’t know if you’re working in hospitality but if you are, I really do know the struggle, I started in there just before I turned 17 so I’ve been through it boo)

I’ve seen my coworkers go harder on the new girls to see if they can handle it. Hell, I’ve been on the receiving end because starting at 16, no one thought I would stick it out. They almost try to find faults in your work to see how you handle criticism? And that’s exactly what I’m seeing here! If you’d been in this role two years already, no one would care in the slightest if you forgot to do the upstairs bathrooms but because you’re new, you’re getting a bit of unnecessary shit for it

And sweetheart, I do want to say that it does get better! I’ve been in that job over 5 years now and I look forward to it all week! Those girls are now some of my best friends but starting off is absolutely shit. Don’t sacrifice your mental health over the head of it. It’s definitely not worth that much.

And really, in the grand scheme of things, sooo much will happen in that place between now and next weekend when you’re back again. By the time you come back, they’ll have forgotten all about it! You might think about it all week but they certainly won’t so next weekend will be better!

I hope his helped a little, baby! Please take good care of yourself! 💗