Kate O'Mara once again encounters Simon Templar, and once again has a case of the doubles; here playing 'Annabel 2', either a private secretary working for a shipping magnate, or an imposter working for an imposter... in The Saint: The Double Take (6.6, ITC, 1968)
I'm glad you liked the concept of Vlad fleeing to the Ghost Zone. Thanks for answering about him having friends abd that analysis. However, I think Vlad could play his cards right even in canon. He has just tired of waiting love, plus, his emotional nature, and he lost it.
As addition to this concept, I want to share a hc that in first years in the Ghost Realm while Vlad was too weak as a ghost to do some evil plans, between training and attempts to cook blobs (c'mon he has to eat something; I don't think normal human can metabolise ectoplasm but who knows about halfa?) he could travel over the Ghost Zone and paint landscapes. That art therapy wouldn't be enough for Plasmius but it still can help to abstract his mind from his trauma.
Or perhaps he uses art as a way of expressing his trauma instead of trying to distract from it.
Tortured Artist Vlad is something that has been living in my head for almost a full year—ever since I heard Motionless in White's Masterpiece. It just struck me as such a "Vlad" song.
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It's such a provocative image, this man possessed of such incredible power, helpless and suffering. Picture him: furious, weeping, clothes rumpled from sleeping in them, his long hair loose and unkempt, fanning from his shoulders as he slings bloody gouts of paint onto a canvas and then attacks it with brushes, feverishly trying to translate his agony into something he can see, that can be speared and dragged to the surface and then stabbed to death with a palette knife like some kind of Melvillian allegory. It's the only way he can excise his pain and heartache. It's a spell, really, binding his negative emotions. But each time he completes a work, the sooner he has to start a new one. It's as if the magical power of his expression is gradually weakening. What happens when it fails altogether? Will his demons finally consume him? Will he destroy himself trying to keep them at bay? Or will someone special step into the frame of his doomed portrait and help him paint a new picture?
had a dream i died a horrible and mysterious death but was isekaid as a little bunny furry thing with a cape living in some peaceful hobbit-like fantasy hamlet where i had a goat and also my name was witherworth for some reason. it was awesome
@dire-kumori MMMM. EVIL. pure, unadulterated evil you have brought unto my dash, I love it.
Just. Evan trying so hard to reconcile the image of this stranger covered in blood beside him in the next loop, except the memory is so hazy he doesn't know what to make of it. At first he wants to hope that he was wrong and this stranger isn't actually working alongside the animatronics, but the more Ev tries to remember that cycle, the hazier the memory gets. And Evan can't stop thinking about how the very next thing that happened after he saw the stranger bleeding beside him, was getting attacked by the monsters. He opened his eyes and saw the stranger beside him-- just lying there, not even PRETENDING to be trying to help him anymore; the stranger killed himself just to get away from Evan, and he just left Ev alone to die.
When Evan wakes in the next loop, he can't even muster the energy to get out of bed. He knows the monsters will drag him out of bed if he doesn't get up, even without the stranger yelling that particular fact at him, but he can't help but just lay there.
The stranger tries keeping the doors shut alone, apparently having decided to keep pretending to help. Evan still can't get out of bed. He only has the effort to sob: "I can't do this anymore. I don't want to do this anymore. Please just stop!"
Maybe, eventually, Mikey gives up and curls up next to Evan in the bed with his arms wrapped protectively around his little brother. Or Maybe Michael scoops Evan up and tries running them both out of the house. Either way, Evan doesn't have the energy to fight against the stranger's hands on him. Either way, they both end up dead.
And speaking of Evan’s memories being confusing jumbles. Before Mikey tries revealing himself, back when Evan still thinks of Mikey as some stranger, maybe Michael has to listen to Evan beg for "Mikey" to come save him.
Evan doesn't remember who this "Mikey" that he is screaming for is anymore. When Evan was alive, he thought of his big brother Mike as being the adult he was supposed to be able to turn to for help, the person who would make everything okay. Now, dead and stuck in this nightmare, Evan has the vague sense that there was a Mikey in his life, someone who was supposed to be there for him and make everything better. Evan holds onto that single memory, that one vague hope that his mysterious Mikey might help him.
It encourages Mike to risk telling Evan the truth in one cycle, except when Evan learns that the Mikey he's been begging for help from and the cruel Foxy-mask boy in his memories are one and the same...
~
~
Evan is *outraged.* He's dealt with a lot of pain and suffering and betrayal, but THIS?
Evan is in the middle of screaming at Mike thay he can try to be a good person all he wants but will NEVER make up for what he did when one of the animatronics gets past their defenses. Evan doesn't even notice at first; he's still mid-sentence screaming at Michael as the animatronic tears him apart.
Then Evan dies, and the cycle restarts, and Evan Forgets. Except, Michael can't help but notice that Evan never screams for "Mikey" to save him ever again.
And don't get me started on THIS.
~
~
After getting so offended at me calling you a monster, I offer you the chance for a happy ending where Mikey and Evan resolve their issues and move on, and you teAR IT TO PIECES?? FOR SHAME
i mean, don't get me wrong, it's a beautifully horrific ending and i love it, but holy heck. I am going to need 3-5 business days to emotionally recover!!!
Michael slowly fading as he is FORCED to realize he can't save Evan after all. Evan’s hope of finally being at peace savagely crushed, as he is forced to remain stuck in the simulation until the software and hardware his spirit is attached to slowly crumbles with time and too much use.
And the idea of him (and Mike) getting recorded onto Help Wanted is PHENOMENAL.
I'm just imagining Evan cowering inside the Night Terrors/Fnaf 4 section of the game. Despite the lifetimes worth of awful memories he has inside that room, it's the first familiar place that Evan stumbles across, and he craves the comfort of the familiarity of his prison. He much prefers it to the unknown, and he's been stuck in this room for so long that the outside world (or, well, the other virtual recreations of the various games) are too big, too scary, too overwhelming. Besides, Evan has learned from his father’s simulation that bad things happen when he tries leaving this room.
There sat down, once, a thing on Henry's heart so heavy, if he had a hundred years & more, & weeping, sleepless, in all them time Henry could not make good. Starts again always in Henry's ears the little cough somewhere, an odour, a chime. And there is another thing he has in mind like a grave Sienese face a thousand years would fail to blur the still profiled reproach of. Ghastly, with open eyes, he attends, blind. All the bells say: too late. This is not for tears; thinking. But never did Henry, as he thought he did, end anyone and hack her body up and hide the pieces, where they may be found. He knows: he went over everyone, & nobody's missing. Often he reckons, in the dawn, them up. Nobody is ever missing.
and With Open Eyes’ relevance to that (Shiv reproaches him for the ghastly open eyes of Andrew Dodds, but Ken denies it even happened or at least that he was to blame- reaching Henry’s denial stage, Ken attends the meeting blind to the reality and can’t change things, it’s too late, he ends up watching the water in despair)
the Eyes in this episode were:
Caroline saying she hates eyes, they’re like jellyballs rolling around in faces (she couldn’t handle the reality of Rome’s injuries and had Peter stitch his forehead)
Tom assures Mattson heads will roll with their eyes still in them (this two weeks after Dewey’s wasabi and lemon LaCroix in the eyes, and Dewey taking the fall for the Mencken results)
and Ken literally going to gouge out Roman’s eyes after what he said about the kids?
I hate to be the one to tell you but Dragon-blooded Exalted have existed since Exalted 1st ed, predating AtLA by a few years
I am aware of that; i was reading the sourcebooks (though not actually playing the game, because that indicates social interactions and that is simply not acceptable in the slightest) since around the time they were published. That was a time of my life when my living situation was EXTREMELY unstable so I can't put specific dates or years, but I do clearly remember going out of my way to obtain the 1st Lunars Edition book, and I had the Ruins of Rathess book and read it for years and years to the point that a lot of its details are permanently burned into my brain.
I was in the original Exalted Compendium before that site went belly up! I've been into this setting for a long time, and I certainly was in it long before i even became of Avatar The Last Airbender (I think I only started paying attention to that series around Book 3, though this had more to do with me having no access to cable networks and unable to watch it or learn about it except by word of mouth). I've been in this so long that the prospect of placing more importance on Outcastes as sources of Dragon-Blooded characters is genuinely a game changer for me since so much of my understanding of the characters is rooted in the Dynasts and their spotlight in the setting.
My specific reasons for making the point I did that I believe you're referring to amounts to two things:
When people describe a fantasy setting where some people have incredible powers to manipulate the elements in various ways, they are going to think of Avatar. Not because they have anything in common (the Dragon-Blooded's focus on metaphorical applications of an element being very dissimilar to AtLA's style), but because AtLA is THE series of elemental superpowers for a lot of people, and it has very heavily influenced culture and elemental powers since.
And honestly, this is the important one and the reason I brought it up at all, without me even thinking about 1st Edition or Exalted predating AtLA; in 3rd Edition Avatar the Last Airbender is specifically brought up as a thematic inspiration for Dragon-Blooded characters. Depending on your feelings for 3rd Edition that might be a point AGAINST using AtLA but either way, it's still right there.
I would be a really good private investigator because I'm great at finding things but it would also be really bad if I was a private investigator because the second someone gives me a little puzzle to do, all considerations like "SHOULD I solve this puzzle? WHY does this person want me to solve the puzzle? Am I ethically culpable if connecting the dots turns out to be bad, even if they're technically all dots that anyone has access to?" go out the window. And I HAVE to solve the puzzle.
[ID by @hijab-described: A four panel comic. A woman in a white hijab stands inside a classroom. Text reads, "A year ago, Eslam was teaching children in schools."
Framed family pictures in front of a cracked wall. Text reads, "She was a mother of two girls and her husband was a successful business owner. She had a beautiful home and family."
The four of them, huddled together in front of the ruins of a building. Text reads, "On October 7, 2023, everything changed. In December, Eslam and her family were displaced from their home. Then, her husband's learning center was blown up. By March 2024, Eslam's family had found their home completely destroyed.
Two sleeping children. Text reads, "Eslam's family has been living in a tent ever since. Her daughters have suffered from multiple skin diseases because the costs of soap and food are extremely high. With your help, Eslam's family can have better chances of living, or even evacuating Gaza. Please donate to their campaign if you can." /end ID]
for @eslamfamily3
eslam reached out to me recently asking if i could illustrate her family and of course i said yes. she has been so effortlessly kind to me even though it took me a while to get this finished. please, please listen to her family’s story, share and donate if you can. it would mean the world to us both.
you can visit eslam’s blog @eslamfamily3 for more information, she is also on instagram here.
as of now, eslam’s family has received $7,991 out of their $50,000 goal.
verified on entry #308 on @el-shab-hussein ‘s spreadsheet here.
also verified on entry #175 on the bees and watermelons spreadsheet here.
EMPATHY [Easy: Success] - She says it so insistently, as if arguing with you. You may have upset her.
COMPOSURE [Formidable: Failure] - You feel a pit in your stomach. You did something wrong, but you don't know what.
LOGIC [Trivial: Success] - Her way of dressing, the feminine name, yet deep voice - it should have been clear to you sooner. She's transgender.
ESPIRIT DE CORPS [Formidable: Success] - Almost imperceptible, the lieutenant anxiously twitches his eyebrow.
DAMAGED MORALE - 1
Transgender? What's that?
This doesn't have any bearing on the investigation.
ENCYCLOPEDIA [Trivial: Success] - A transgender person is someone who does not identify with the gender they were assigned at birth. Oftentimes they will dress conforming to their desired gender roles, change their names, and seek medical intervention to, "transition."
Gender is rather bourgeois, anyway.
Why would any proud Revacholian discard their masculinity?
Changing your gender? That sounds like quite the hustle. Maybe we can learn a thing or two from this woman.
That's cool. I have no opinion on this one way or another.
RHETORIC [Medium: Success] - Just as Mazov dared to challenge the established order of capitalism, so too do others challenge the order of things such as sex and gender.
ELECTROCHEMISTRY [Trivial: Success] - IT'S BEEN SO LONG SINCE WE'VE FELT THE TOUCH OF A WOMAN. WHO CARES IF SHE USED TO BE A MAN? HAVE SEX WITH HER NOW! ITS WHAT A REAL MAN WOULD DO!
EMPATHY - [Trivial: Success] - Don't do that. It's clear now, you upset her for accidentally calling her a man. Just apologize.
COMPOSURE [Medium: Failure] - Profusely.
ESPIRIT DE CORPS [Medium: Success] - It's important to be a good ally.
DRAMA [Medium: Success] - Make a real show of it, sire!
"Oh, I didn't realize. I'm sorry."
"I'm so sorry I'm so sorry I'll leave you alone forever now."
"I haven't been a good representative of the RCM. We're here to help the people of Martinaise, no matter their identity. I'm sorry to have let you down."
[Drama - Legendary 14] Try and come up with an elaborate, heartfelt apology in the style of the turn of the century thespians.
HIGH
83%
+1 Found testosterone ampoule on nightstand.
+1 Homo-Sexual Underground.
+1 Read about the turn of the century thespians.
-1 Recovered your gun.
-1 Masculinity challenged.
This is a Red Check.
It cannot be retried.
⚀⚀
CHECK FAILURE
YOU - You try and come up with the words to convey your apology to the young woman, but you come up blank. It's hard to fit, "transgender" into iambic pentameter, as it turns out.
DRAMA - I'm sorry, sire. I have failed you.
KIM KITSURAGI - "Detective? You've been standing there for a whole minute. Are you okay?"
ESPIRIT DE CORPS - Shit, the lieutenant is onto us. We have to say something soon, or we could lose him.
COMPOSURE [Trivial: Success] - Don't worry, we can still salvage this. Anyone have any ideas?
VOLITION [Heroic: Failure] - Let me handle this.
You - "I'm so sorry, I'm so fucking sorry. I'm such a fucking failure. Do you want me to kill myself?"
something about. internet personas. the chase to be recognized on the internet, to be immortalized in some way. creating different people that you inhabit because you need an escape from yourself. being anybody you want to be. making a character curated for the world to see. wanting to be popular, to have your name remembered by people outside of you. it is you and also it will never be you. you are the persona's entire world but you exist beyond it.