#I feel like I notice new parallels every time I rewatch and this is probably my 7th rewatch at the smallest | Explore Tumblr posts and blogs

queenofthearchipelago · 1 year ago

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Hiya! I've been following your blog for a while and can't help but notice that we share at least two fandoms. As a fellow suffering soul at the mercy of GO's season 2 finale, how are you doing?

First of all, know this ask made me smile and thank you so much for asking that. It's not every day in fandom life that we get a finale as heartbreaking and devastating as that and I love the people who have asked me how I'm doing about it. I love that this is a fandom where we're all supporting each other through all the heavy emotions.

I'm... I'm okay. Mostly. Probably. I think?

If you don't mind, I'm just genuinely gonna tell you how I feel about it. (Edit from the future, this got long, I'm so sorry lol) I went into this season expecting quiet, gentle, and romantic, and therefore, on that first watch-through, I was looking for quiet, gentle, and romantic. I didn't know what the season was going to be about other than that. I thought I was looking for the ways in which Crowley and Aziraphale were growing closer, and they did! But in that, I didn't know I was also supposed to be looking at the ways that they weren't communicating. I didn't know I was supposed to be looking at all the ways they clearly haven't healed from their traumas.

And so, when we got to that scene in the end, I was incredibly confused by Aziraphale. Crowley has always been my favorite character in this story, I relate to him most and I feel I always understand him. So I pretty quickly got his side of things. But Aziraphale... it just felt out of nowhere (and a little bit, it was. The Metatron really did just kinda show up and offer Az all of that) and it felt like I'd been betrayed a bit.

I thought Aziraphale had learned better about all of this at the end of season 1. That Crowley doesn't need to be an angel, he doesn't need to change. That Heaven is just as bad as Hell. That Heaven isn't exactly a system one person can just... fix. And for the first 5 episodes of this new season, I didn't recognize him struggling with any of this in the present day. He was happy and in love and he was okay with moving on.

And I was so confused why he was considering this, especially after seeing Crowley's reaction. And then after the kiss, Aziraphale still didn't really want to go to Heaven, he was gonna turn back. And he didn't because the Metatron rushed him. He went too fast. And I was so pained by it. Michael Sheen just ripped me apart with how he portrayed all the emotions Aziraphale was feeling. The microexpressions moved so fast it felt like I couldn't hold on to any one emotion any better than he could.

And so my heart was broken for Crowley, and I was confused and betrayed by Aziraphale. But I binged the entire season in one night, it was early morning when I finished it. I was tired, and I watched the season not actually knowing what I should have been looking for. And so I knew that it wasn't that Aziraphale was suddenly a bad character or something. I'm quite shocked by the people hating on Aziraphale's character. My first thought after I finished the season was literally, "I missed something. It's not Aziraphale's fault that I don't understand where that came from. I'm gonna have to rewatch this entire season when I'm more rested and watch it much slower. I'm gonna have to read all the meta written by people who still love and understand Aziraphale after this."

And that's what I did. I haven't rewatched the season yet, but I have been reading a lot of meta about Aziraphale's character written by people who genuinely seem to understand him. It highlighted a lot of things I'd missed the first time. The parallel between Lindsay and Nina and Heaven and Aziraphale. The fear that Aziraphale has been living in ever since Job, where he thinks he's crossed the line and deserves to fall. How his greatest temptation, in the eyes of Heaven, wasn't the food or giving away his sword, or lying. It was his relationship with Crowley.

I didn't realize how the purpose of the creation of the universe scene was that Aziraphale saw how happy Crowley was. And that he's willing to risk everything, his freedom and his beautiful life in the bookshop so that Crowley can be happy like that again. Because Aziraphale spent 6,000 years watching Crowley reject his own kind nature, his own impulse to do good, for the fear of Hell's punishment. It's not exactly that Aziraphale wants to change Crowley. It's that if Crowley was an angel, he could go back to freely being nice, and doing good. They could be together because there wouldn't be the threat of the Other Side coming for them and ripping them apart.

Aziraphale doesn't want to change Crowley. He loves Crowley. But he is still scared of what Heaven thinks of it. Heaven still thinks that angels and demons can't be together because they're on opposite sides. And the powers greater than them who believe this will always try to rip them apart.

He just wants a better world for Crowley. He wants Crowley happy and safe. Is this the way to do it, no. I think Crowley is right that Aziraphale can't change Heaven. I think Crowley is probably scared out of his mind right now that Aziraphale is going back into the lion's den. Because Crowley watched for 6,000 years as Aziraphale was manipulated by Heaven, he saw how scared his angel was. And now he's going back under some misguided understanding that it'll be different this time.

I think that's what Crowley was thinking about in the car in the end credits. I think it was part "I can't believe he chose Heaven over me, because he wants to fix Heaven FOR me, the idiot." and part "He's gonna be manipulated again. And when he realizes it, he's gonna be so scared."

All Crowley wants in this world is for Aziraphale to be okay. Wants him to be free and safe. Free to eat whatever he wants without guilt. Free to do good because he wants to, not because he's had his orders. Free to dance with a demon. Free to be an us. Because he watched Aziraphle be scared of these things for millennia. He watched his angel think he deserved to be a demon for it. And he doesn't. And now Aziraphale's gone back to a place where there is no food, he won't have the opportunity to do clever good deeds in human's lives (he'll be running heaven), and Crowley simply can't follow him back there.

But then, I also believe the metas that have noticed that both plans are unsustainable. Aziraphale won't be able to change the system. And Crowley couldn't keep them running forever. They'll have to find the secret third option to be free to be together safely for eternity, and that's what season 3 is gonna be about.

So, to circle back to your question, I'm not okay lol. But I will be. I believe that this is one of the best stories ever told, and the more I understand Aziraphale and Crowley's characters, the more the ending makes sense, and the more intrigued I am about what else I might have missed that I'll need to rewatch to figure out. The kiss still breaks my heart, but I wouldn't change a thing about it because it makes sense and it played out perfectly for their situations and who they are. It's beautiful in a heartbreaking way.

And I do have a sense of peace about all of it. Even when I had just finished the episode, I knew it was all going to be okay because that divorce was literally about how much they love each other. Crowley loves Aziraphale unconditionally. Neither of them have much experience with that. So Aziraphale struggles to accept it, and he's scared to show it back because what if it costs them everything. But Crowley doesn't struggle like that. He's been left behind on earth, for now. But I have no doubt that as soon as his angel needs him, he'll be there.

Aziraphale will probably say he's sorry. And Crowley's just gonna give him a hug, tell him he loves him, that he's not gonna say I forgive you because neither of them need forgiveness. Not anymore.

It actually feels really good having written all this out like this, I've not talked about good omens much, even though I've been reblogging a lot. I'd love to talk to you more about all of it, if you want. And of course, I want to ask you how are YOU doing? What are your thoughts on all of this? How are you holding up? My ask box and my messages are always open!

#I should have known I'd write an essay in response to this but I really didn't lol #good omens #good omens spoilers #thoughtsfromthequeen #asks

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cerebrobullet · 2 years ago

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Sharpe Rewatch 4- Sharpe's Enemy (1994)

tonight's theme is:

(this is a lie, tonight's theme is actually me crying over teresa)

alright, starting off I have strong feelings about harper sitting on top of his captain, protectively pushing him back down to the ground with a big 'ol hand on the back of his head. then sharpe just kind... accepting his fate and curling up in the middle of a pile of his boys. i cannot label what exact emotion it gives me, but OH BOY it's an Emotion.

side note: sharpe says the chosen men were acting under his orders so.... were his orders to.... have fun? lol

fuck i take it back i AM gonna cry over this epsidoe. look at how happy sharpe and teresa are!!!!

i DID forget just how much teresa roasts farthingdale for insulting her hubby. amazing, #realtionshipgoals #girlboss, i'm gonna gif it later.

sharpe telling harper "don't name it after me" about his kid with ramona, only for sharp turn around and name his own son patrick. excuse me, rude.

i also hadn't noticed before that teresa is sewing a lil rifleman doll and now i want to cry again.

She gives it braids later? so i guess it's supposed to be of antonia in her daddy's uniform ;A;

now a bit i still don't understand is the, like, cooking lesson aside that happens in the middle of the hostage exchange? ... that's it, idk, it like doesn't effect the plot at all. just weird to me.

but, ah, anyway, frederickson!!! i love him! i wish he showed up more often, but i appreciate him most in sharpe's revenge, doing all the leg work to save sharpe's ass. he's just fun! i just think he's neat!

sharpe literally swallowing the urge to burst out laughing tho *chef kiss*

but the "why do i always have to wear the dress, sir?" from perkins makes me wonder just how many times they've played the "disguise one of us in a dress" card and why i didn't get to see every single situation this was their answer to. robbed, robbed of good content.

hey now let's talk about a cinematic parallel that i hate. it's this:

( : im fucking dying and i hate everything

"I lied. my wife taught me. she taught me many things."

*lays down on ground, cries fucking eyes out* THIS STILL ISN'T FAIR. just the IDEA of it- sharpe already has an Emotional Thing about the guy who taught him to read and write, and then he gets himself a badass literal #girlboss wife who teaches him how to speak french, teaches him how to chill out a bit as leader, teaches him such soft things. a woman who's been through rough shit, just like he has. he's so proud and amazed of her, every time he speaks of her. and then it's... just all gone.

him kissing the sword as he salutes teresa's grave makes me physically unwell

now, i do want to know how duco manages to keep his head when literally every single thing he claims in regards to sharpe ends up biting him in the ass. you'd think after the second time maybe people would, idk, not trust him judgement...

ok. i'm... im just gonna sit here and cry now.

this was somehow worse the second time around. probably because i'm going through theses so much slower. and i like it most when sharpe has someone to come back to, rather then doing the new girl of the week thing. though jane is.... well. jane is jane. we don't talk about jane.

#i'm starting to unintentionally memorize what year these came out which is somewhat alarming to me #this one uuuuuuuuuuh got a bit long #i just have a lot of emotions ok #and screenshots #sharpe's rewatch

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nimata-beroya · 2 years ago

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Hi! After rereading Rough Awakening (which is amazing btw) I hope you'll have someday the time to continue it (no pressure!) Since you also are a SW Rebels fan I'm interested in your opinion with regards to the parallels between SW Rebels - The Honourable Ones and especially the last two episodes of TBB season 1. Do you think they could be used to predict Crosshair's journey because of the heavy analogy between the used tropes? Thank you and stay safe!

Oh, hi, nonnie! Sorry for the very, super, extra late reply 😅 You sent this months ago and I didn't reply right away. I was having some RL issues to deal with but I'm here now.

Thanks for the compliment 🥺🥰💕 and this wonderful question. It's not often that I get an ask but I love them.

First, YES, I definitely will continue Rough Awakening! 100% certain. When? Um, that's what I'm not so sure about. I write like one (1) sentence when I open the document every so often, and other ideas on my head pester until I write them down and force me to push aside my old ones. You know, typical shining new idea syndrome. So it'll take a while 😅 Next chapter is halfway done. There's hope, tho! I'm hyped after watching the season 2 trailer so that should motivate me to continue 😆 And don't be shy to pressure me. Gently and kindly but hold me accountable. Please, I beg you. That's what I need.

Second, oh dear nonnie, you have no idea how much I love your question! I remember the first time I watched the TBB finale and how much I screamed in that scene. The Deja vu to The Honorable Ones (which is my fave ep from Rebels) and the parallels are too strong to ignore. I believe that yes, it's a possible sign that Crosshair will get his redemption eventually. Those parallels are what have me if not happy, at least not mad, at the writers for making Crosshair go back to the Empire.

If I'm honest, I like the idea of him staying Imperial a bit longer more and more as time passes. Because despite the fandom's desire to have Cross back with his brothers, it makes sense story-wise that he's not. I know it sounds like a sacrilege, but hear me out! There's a difference between Kallus' and Crosshair's mental and emotional states at that point. Bahryn for Kallus, it was the moment he hit rock bottom; he had no other way to go but up after that. Kallus realized how insignificant he was to the Empire, it was the last straw, the last in a series of moments during all season 2 that led to that realization. If you rewatch Rebels' late season 1 and all season 2 you can notice those things (that at the moment seemed like nothing) that made a dent in Kallus' loyalty to the Empire. Had he not those previous moments, I think the story would've been very different. Zeb pushed Kallus over the edge but Kallus was already on the brink, even if he didn't admit it to himself. But Crosshair…

Crosshair is not nearly there yet. He's (rightfully) hurt because his brothers never came for him (although I understand why they didn't). He feels betrayed by them, so he gives his loyalty to those who gave him the illusion of being loyal to him. He doesn't see that he's deep in a -pardon my French- shit pit. He's deep in it but not at the bottom yet. So he's in such a precarious situation right now. I'm so eager to see how his deteriorating relationship with Rampart is going to go, and how things will go with ES-02 because neither she nor Rampart trusts him anymore (I'm sure of this despite Rampart praising Cross in the season 2 trailer). Now, it's when he's going to see how true Hunter's words are, that he's nothing but a number to them. How long will Crosshair take to actually see, to admit that to himself? I don't know. Probably more than I'd like to and he'll do horrible things in the meantime, unfortunately.

Although after watching the trailers for season 2 I have my fingers crossed 🤞for some of Cody's doubts to rub on him next season. I mean, we could say that Cody is one of the few if not the only Reg clone Cross respects. There's a tiny possibility for Cross to see that even the freaking Marshall Commander of the army starts questioning the Empire's motivation and ultimate goals. Do I believe that it will change Crosshair's mind 180 degrees right on the spot? Nope. Not even close. But it might plant the seed for future consideration. It'll be another of those necessary moments in Crosshair's journey. I'm hoping that he eventually will see it and reach out to his brothers.

I might add that Wrecker was right on calling Crosshair out for not contacting them after his "chip removal" (you know my position on the chip status since you've read my fic), as much as Crosshair was in roasting Hunter for abandoning him. I don't want to hear arguments about Crosshair couldn't do contact them because he'd been found out. I say that's BS. Because if it's true that the chip is gone and he was capable of coming up with all that scheme of bringing the rest of the batch to Kamino and into the training room on the pretenses of capturing them when he intended to bring them into the fold, to protect them, to save them (because it's in plain sight that he desperately wanted to be reunited with them), he very well could have sent a tiny little encrypted message to them instead of doing all that theatrics. Because regarding IQ, intelligence, cleverness, and all its synonymous, after Tech, Crosshair. Nobody can convince me otherwise. This is probably a moot point since the chip is still in (watching the longer trailer at the SW celebration confirmed it for me) but I digress.

What I'm trying to say is that, beyond his rightful emotional pain for being abandoned, Crosshair is a very intelligent person with the capacity to see the truth of things, and it's my sincere hope he's on a rocky road to redemption (my only caveat is that it does not end with his death. I hate that trope. Especially when we have Kallus' example. It's possible and 100% satisfactory to have a redemption arc that ends in a happily ever after). Of course, that hope is a cautious one at best because, despite his intelligence, Crosshair's very stubborn, and also we're talking about clones and Star Wars here, so I know how it is.

TL; DR. Yes, I think the parallel to The Honorable Ones is a strong sign of Crosshair's redemption arc. I can't wait to see it. It's going to be so angsty and heartbreaking but so good.

Nonnie, I hope this satisfied your curiosity and my inbox/chat is always open for more questions and discussions about all Star Wars. Don't be shy to reach out. I also hope you have a wonderful day. 💚

#mare replies #tbb #the bad batch #tbb crosshair

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ender-baggins · 3 years ago

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Just watched 14x13 Lebanon.

Will preface with the fact that this was a bit of my commentary on the previous episode, and that I do think John Winchester was a crap parent

Lebanon was a pretty good episode, actually. I know some people hate it, and I started off prepared to seethe every moment that John was on screen. but then I managed to get one foot out of the John-crit zone and put it in Sam and Dean’s shoes, and looking at it from both perspectives? The episode has a lot of nuance to it.

Spoilers for this 14x13 Lebanon (obviously)

Overall I think the most important thing to remember about this episode: the theme is that some things are too good to be true.

I knew which episode it was, but I was surprised because I thought it has been in season 15, and then John didn’t show up for a while, so I thought I was wrong until the Pearl came up.

I gotta hand it to Jensen. When John appeared, there were so many emotions packed into Dean’s face in that first short scene, I had to rewatch it several times to get them. Part of it was simple shock, but I could also see… something a little like panic in his face, along with Waay too many emotions for me to name.

The conversation between Sam and John was… I started off mad and then focused more on Sam’s perspective and realized that… yeah, Sam isn’t the same person he was last time he saw his dad. And he didn’t get closure. He never got a chance to get real closure on it, and then here, he did, at least in some form.

Also, interesting thing I noticed- I could see the beginnings of how it could turn into another argument, and John said something that seemed a little accusatory, “you didn’t have a problem talking about it before you left,” and then Sam was like “nope, not gonna argue, not gonna do it, REDIRECTING-“ Which, after what Dean said in the scene before—

—Sam doesn’t want to mess this up for Dean. No way is he gonna start a fight, not now, not when they just got their dad back.

I don’t like the last line of Sam and John’s conversation: “But you did your best, dad. You – you fought for us, and you loved us, and… that’s enough.” Because honestly- it wasn’t enough. It wasn’t. And… dammit he could have done better. But then again, that’s Sam’s dad, and he’s been dead for over a decade, and sometimes people tend to put rose-colored glasses on over the past. So I’ll still happily condemn John’s parenting but I won’t condemn Sam just because he’s unable to see things for what they are in this case.

Now- my absolute favorite part of this entire episode is the section of Sam and Dean going to get groceries and noticing things are changed, and realizing “oh shit, what else is different?”

One, gotta love Dean for implying that Sam being a kale nut is a worse thing than Dean being considered a serial killer by society (which, it’s not like society is wrong??). Like, ah yes, wonderful priorities there, Dean. You’re a wanted killer with your face up in the town, but clearly Sam giving a lecture about the wonders of kale is a much worse thing. (If you can’t tell, I’m being incredibly sarcastic here)

And then here. Castiel’s appearance. I was screeching watching this. Completely freaking out- so much adrenaline. I bet if I’d taken my pulse it would have been skyrocketing-

This was followed by the scene of Castiel and Zachariah in the restaurant, which was Awesome, very clearly highlighting the difference that Dean and the Winchesters made in Cas’s life (later this will be relevant in the Confession - “You changed me, Dean”).

*cue me posting an unnecessary amount of screenshots*

Castiel unfurls his wings—

(Note the messy hair from flying around everywhere. Not the same as his old haircut, but they did what they could with Misha’s hair at the time)

Notice that Dean’s got the angel blade point down, and when he attacks Castiel, he’s using the blunt end to hit him, not the sharp end

(On the other hand, Sam uses the sharp end of the blade to swipe at Castiel. No judgement from me here, Sam sees this as “not our Cas” while Dean still sees this as “my Cas, I can talk him away from Heaven again.”)

Then, the most interesting thing here- when Cas pins Dean agains the wall, Dean’s not even trying to fight Cas here.

See how his hand settles on Castiel’s chest? Not really pressing, just touching. His other hand is gripping Castiel’s wrist, I imagine to try to remove enough pressure from his neck that he can speak. Trying to use his connection to Cas to get Castiel to stop hurting him. And it doesn’t work. Castiel stares him the eyes, not even a flicker of doubt or questioning.

You’ll note that I referred to alternate Castiel in this episode as exclusively “Castiel” and not “Cas.” Because it’s not Cas. Cas is the angel that saved Dean from Hell, and the angel that’s been by Dean’s side for 11 years (at this point in time). And this Castiel has not done that. So he is not Cas.

I’m reminded of the scene wayy back in season 5 where Cas beats Dean up in the alley for trying to give up and give in to Michael. There, Dean actually encouraged Cas to kill him, at the end, and Cas softens. Can’t exactly parse out the parallels there because my brain isn’t working, but there you go.

Now, probably my favorite conversation with John is this one, with Dean.

Right here. The way that Dean says “I have a family.”

It feels almost defiant. “I do have a family. I have Sam, Cas, Mom, Jack. My mother, my brother, my best friend… and I have a son, we all have a son. And beyond that, I’ve got Jody and Donna and Claire and the girls. I do have a family. Yeah, it doesn’t look like the apple pie life, the white picket fence, wife and kids, and yeah, our son is the child of Lucifer, and yeah, I’m in love with my best friend who’s an angel in a man’s body, and I wouldn’t trade him for any woman, and you’d hate that. But they’re my family. And I’m good with that.”

It’s proud, it’s a little defiant, it’s also a little bit of a reassurance, as we see from John’s smile afterward. I don’t think John caught the hint of a challenge in there.

I loved that moment. That might be my favorite line in the entire episode. “I have a family.”

I also like… Dean’s acceptance, “I’m good with who I am.” Part of that… I think it’s both a good thing and a sad thing and also a half lie at the same time. I think he’s good with who he is, in the sense that he’s accepted that he and Sam are the people that have to fill this role in the world, y’know, saving everyone. I think he loves the people he’s with, he loves his family and wouldn’t trade them for anything, not even having John back. No way would he ever trade Cas or Jack or Sam, or Mary, for anything else, ever.

It’s sad, though, because it’s like… he can’t imagine who he’d be if he had a different life. Yes, he’s had a few runs at an apple-pie life, but they weren’t happy, there was always something wrong nagging at him. He… I think he believes there’s no way for him to be happy, and that this is the best he could have.

I’m not even sure how to analyze the goodbye scene. I mean, the clearest thing here is just so much grief from everyone. They got a taste of their father back, and now he has to go back to being dead. There’s so many complicated feelings for both of the brothers, because of the complicated relationship with John, but in the end? They can’t help but love him, and they can’t help but feel grief at losing him. I won’t fault them for that.

In short, I wanna give Dean a gigantic hug and also give him therapy-

And then Cas coming back to the bunker when he did. I bet he sensed something and headed back to the bunker as fast as he could. Also, no clue what he experienced during the whole “Castiel and Zachariah are alive” thing. I imagine it’s possible there were two Cas’s running around for a bit? Because Mary didn’t get affected by the pearl. And Sam was there with his own memories, despite there being videos up of him doing things in the parallel universe. As for Cas, he’s part of Dean’s group of “people” so my guess is two Castiels running around for a little bit.

I like how Dean looks at Cas at the end. He’s relieved to have his angel back.

In summary-

The theme of this episode is “some things are too good to be true.” John came back, the four of them got their moment together, but John couldn’t stay. Things were good for that single afternoon, because everyone was just happy to see each other again, but it sent so much stuff into chaos that it couldn’t last, it had to be undone. And even then, if they’d tried to keep going with it, I know it would have degraded, the illusion of perfection would shatter, and they’d fall into old habits, old arguments and new ones.

And so it had to end.

#THIS IS NOT JOHN APOLOGISM #JOHN IS A TERRIBLE PARENT #HE MAY HAVE APOLOGIZED BUT THAT DOESN’T ABSOLVE HIM OF HIS ACTIONS #john winchester #spn 14x13 #spn Lebanon #dean winchester #sam winchester #mary winchester #castiel #jack kline #destiel #supernatural #Ender’s musings

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toujoursmiraculous · 4 years ago

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Thoughts and Reaction to Gang of Secrets!

I'm very late today at writing this because life ;-; You know it's a bigger episode when they start off with a problem. Ladybug doesn't want to detransform so she's desperate to find reasons to remain Ladybug. I love how the entire time, Chat Noir knows something's wrong and wants to get her to talk about what it is, but she just tries to pretend she's fine. If anything, Chat Noir would probably be the best person to talk to considering everything he's dealt with too both with Kagami and his responsibility as Chat! She could mention that she was seeing someone but they broke up because of her secret, and she could tell him how much being the Guardian's having an affect on her. All perfectly well and good without exposing any identities or things like that with questions for details asked. Instead she puts up a front with him and pretends she's okay in front of him and it's just so sad. :/ I understand why she doesn't, probably because she doesn't want him to know how much she's struggling. But ugh my heart hurts for her. Chat: I know where we can go where we won't have to talk! Ladybug: Yes, take me there Chat! *in the theater* Ladybug: You lead me into a trap. I MEAN HE'S NOT WRONG THOUGH! Not many places you can go where it's okay or encouraged to not talk without there being an awkward silence. But that cracked me UP. Also that casual attempt to wrap his arm around her lolol still hasn't give up, I see. I also find it simultaneously hilarious and extremely depressing that Ladybug's ranting like that in the theater because of a romance movie. When your heart is broken, that's probably the last thing you want to be doing. And Chat Noir yanking her down asking that she be quiet 😂 Literally just rants her entire love life out for everyone including Chat to hear in that theater. CHAT NOIR, YOU BETTER BE LISTENING BECAUSE SHE'S TALKING ABOUT ADRIEN HERE "She takes a long time to tell him and stutters and blah blah blah" lol sound familiar, sunshine? If anything please have him recall this later and be like, wait, didn't Ladybug say girls stutter around a guy when she likes him? BAM. Then he's off on his path towards Marinette. I can dream. Ladybug: And how do you know if he loves her? IMPOSSIBLE. Adrien: No, Marinette couldn't possibly be in love with me. *eyetwitch* But at the end of the day. This is Marinette ranting to Adrien about how she had to give up on Adrien and then couldn't make things work with Luka because of her secret. Ooof. And poor Chat having to apologize for everyone because Ladybug's disturbing them XDD THE GIRL SAVES EVERYBODY'S LIVES PRACTICALLY EVERY DAY AND THEY'RE PISSED SHE'S RUINING A MOVIE THEY CAN JUST REWATCH? 😂 She's clearly having a hard time right now, c'mon people! Chat can tell she has a broken heart. This boy is so sweet. He wants her to at least admit that and talk about it so she can feel better but you know, Ladybug's stubborn. I WANT TO GO SWIMMING LET'S GO SWIMMING CHAT, WOO HOOOOOO! Ladybug acting like Chat to hide her pain just like how Chat acts like Chat to hide his pain. YOU KNOW WHAT, IT'S FINE. :') It doesn't matter how much pain she's dealing with, those pictures mean too much to her to remove them. x3 Thanks Juleka for showing us how sad Luka is now, that's very helpful. Marinette's been going into the bathroom at school to cry, and then had planned stupid looking glasses to hide her tears so people wouldn't have to know she's cried because wearing a ridiculous pair of glasses that's embarrassing is better than being asked what's wrong. Because the pain I feel for her wasn't already enough. Ugh I adore Trixx. Trixx being the voice of reason when Tikki's not there, trying to help and letting her know that Tikki may need to rest too when she's so upset it doesn't cross her mind. And the tears in her eyes when she apologizes to Tikki for not thinking of her like she should. ;-; SO MUCH PAIN. OH DANG Alya was literally a second away from seeing a detransforming Marinette lol But she did say DETRANSFORMATION or well in the English dub it'll be "Spots

off" I love Rose, she's really sweet. and considerate But she also shouldn't be touching things in others rooms like that. I never liked it when my friends went around my room touching stuff. Also didn't help that a couple of them stole from me... but it's just not a cool thing to do. Would've probably ended up much better had she not had to desperately hide an exposed Miracle Box. But then we wouldn't have had what happens so it's all good c: Marinette saying she doesn't want to be friends with the girls anymore

It hit Alya deep. Everyone else is like *le gasp* but her eyes all shrunken like that, you can tell it really got to her hard.

This entire exchange right here. Alya's glance at her in the first picture is piercing, like I can feel that OOF feeling in my chest when I see it. The new music dramatizes it so well that a lot of people probably didn't pay attention to it the first time around. Can we just appreciate how these animators got all these emotions so right and did such a good job animating everything for us? And those that work on the music too? Everything's so spot on. Marinette's red-rimmed eyes is so well done. "No, it can't end like this!" Awww Alix getting super upset too x3 I honestly think Alix could be the next one.... you know what I mean BUT I'll wait until the end to talk about it. Trixx pulling a Plagg and rescuing Marinette! x3 I seriously love Trixx, I really do. I know the other Kwami's got mad, but if he hadn't done that it would've been disaster, probably. And the episode wouldn't have ended how it did! And Plagg knowing it was Trixx who caused the Eiffel Tower to be all weird xD Why do I get the feeling the relationship between Trixx and Plagg would be like that of Chat Noir and Rena Rouge? And I want to point out, we got 7 whole seconds of Adrien again! Aren't we lucky? The last time we got so little of Adrien in an episode was when we had his parallel episode Lies. I don't think that'll happen this time but I do hope it means more Adrien later on. Ladybug: They're after Marinette Dupain-Cheng. Chat Noir: Okay but remember everybody likes her (so don't go thinking she's a bad person for causing their akumatizations) Yes, I read between the lines. Ladybug being able to get through to Lady Wifi and have her deakumatize herself was absolutely amazing! I know Chloe was the first to fight off being akumatized but once you're akumatized it's obviously extremely hard to break. That says a lot about Alya. "Because you're an incredible friend, Ladybug." One, AWWWWWWWWWWWWWWWWWWWWWWW Two, did you notice the little jerk of her head, gesturing to Ladybug like that when she said it?? It's the little details guys that make this so good. 😍 "Chat Noir, nooooo!" Guys, we got our tiny little Marichat scene! It's not actually real, but still! (okay but why do I also get this really weird feeling like something like this may end up being real later?) Alya giving Ladybug that hug 😭 Marinette has such good, supportive friends. I love them all. x.x YES THANK YOU. Alya's finally realizing there are more things going on with her than just boys. One of the things that's always irked me since Chameleon is that any issue Marinette has, be it with Lila or otherwise, she always assumes it has to do with Adrien. Of course, at the time she didn't know she was Ladybug but she should've still listened and realized there's something else up. But now she finally is noticing and I love how she was going to respect her regardless and not push. Pushing has always been one of Alya's characteristics, but she knew whatever it was was something too big and serious to push her on. "Marinette, I'm your best friend, and I always will be." 😭😭😭 This episode brought me so close to tears so many times. Marinette admitting she's keeping secrets, lying to everyone. Admitting that that's why she draws a line between her and Adrien, and why her and Luka didn't work out. Alya saying however heavy it is, they'll carry it together (MY HEART) And then Marinette saying "If I tell you, things between us will never be the same. It's going to destroy everything, change it all." It sounds like this girl is thinking about Chat Blanc and oop there's the sound of my heart breaking again. So much paaaain. "Je suis Ladybug." YESSSSSSS Why they had to leave it off on a cliffhanger But YESSSSSSS First, the expressions she had flash on her face, the gasp 😮, then the expression like she's trying to get her mind to process. Then if you notice, Marinette gives a little nod, as if letting her know that it's true. Then the way her eyebrows furrow and pulls her into the hug as she understands all that she has on her shoulders as that music plays. I'm getting

emotional just writing this. 😭 This episode is just so amazingly good in so many ways, I don't think I can actually cover it all. I'm very impressed. I've loved nearly every episode this show has put out, even those that a lot of people seem to hate. But this one, I don't see how this could actually be hated if you're trying to think of everything that happened from Marinette's point of view, her thoughts, feelings, struggles, depression. I will say, personally I hoped Chat Noir would learn who Ladybug is first. He's been such a good partner, very thoughtful, always putting his life on the line. He's also been dealing with a lot of the same struggles. I felt like he deserved to know first. However, this isn't about who deserves what, it's about what Marinette needs. It's not that she doesn't want to tell him who she is! Don't misunderstand. There are many times throughout the past 3 seasons where she wants to or regrets not being able to. But now, Chat Blanc's in her mind. She knows what could happen if she tells him with Hawk Moth still there, so she can't do it. So instead, she tries to pretend in front of him that she's fine even though talking to him about everything would help and fix so much. In her mind, that's not an option. I just hope that when he finds out she told someone else first, he doesn't think that she doesn't trust him enough to tell him. Next I thought maybe Alix. That way it'd be more understandable to Chat that she'd know, after all future Bunnyx clearly knows and said to Ladybug that she chose her because she's capable of keeping secrets (notice how Alya said that to Ladybug in the alley? I bet Alix will find out in the near future. Maybe not this season, but she'll find out.) But that's for another time. But now Alya knows! Her best friend, the one to have her back and will no doubt have it even more so now! Watch out, Lila. Alya doesn't hold back so I can imagine how vicious she could be to her (and I can't wait). And that brings up a very interesting thought. Alya will realize Adrien has been the only one to have her back in Lila situations. Why would he do that, hmm? When everyone else was so sure Lila's an angel and Marinette must be bad for saying anything negative about her. Journalist Alya, incoming! There's also the matters of Alya bringing up Marinette's feelings for Chat Noir because duh, everybody can see how much she loves him! There are even photos of them kissing, one of which happened in front of Alya's own eyes! Though affected by an akuma, they all know that kiss didn't happen because of it. And of course, Alya has brought up twice in the show so far that Adrien and Chat Noir could be the same person. And last time Alya said that neither of them could be Ladybug and Chat Noir. Except, she's now found out that Marinette is Ladybug. So maybe Adrien could after all be Chat Noir. I look forward to seeing how their new dynamic is. I wonder how this affects their relationship with the other girls. And I'm most curious about how Nino and Adrien may react to this change. I thought during Truth and Lies both that their best friends were going to find out about their breakups. Gang of Secrets was Alya finding out. Even though I feel like another parallel episode is just wishful thinking, I can't help but think it may be a possibility. Nino and the boys are going to wonder what's up with Adrien too. They're going to wonder why he's not with Kagami anymore so suddenly. So what if i the end, Chat Noir ends up telling Nino? I could see it, if this takes place shortly after Gang of Secrets, where she tells Chat that she's confided her identity in a very close friend and somehow they agree that he can tell someone too that he trusts to make it fair. It'd be an amazing way to exercise Ladybug's trust in Chat Noir too. Then we'd have both Alya and Nino in on it, keeping their best friend's secrets for them without knowing about the other one. Oh that'd be so beautiful! And also let them keep their Miraculouses too after the charms are given to them and Alya has the ability to break

free after being akumatized. I adore Rena and Carapace so much I'd be ecstatic if they kept them. 😭 Anyway, so much potential can come out of this episode and I honestly cannot wait until episode 4!!

#ml #miraculous ladybug #miraculous tales of ladybug and chat noir #ml spoilers #ml season 4 spoilers #ml spoilers season 4 #gang of secrets spoilers #I wrote this late because I've been in a ton of pain today but I hope you enjoy it anyway!#alya cesaire #marinette dupain-cheng #ladybug #rena rouge

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rupertgayesarchive · 3 years ago

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That ask and your answer about what if Sam was out of hunting and never left Stanford because Gabriel wanted to stop the apocalypse and threw him into a pocket dimension and I’m like. Obsessed. primarily with gabriel and how Sam would go.

I think he would stick Sam in a like… you remember when Zachariah stuck sam and dean in the office job and it was a parallel universe but also it was real life? like coplanar planes, I think Gabriel would elect to do that instead of his you’re going in my alternate universe, because it’s less detail consuming and I think Sam would notice small things that were off like how he figured out it was him in mystery spot.

You said Sam deserves to have the apple pie life but if he was comfortable with that it wouldn’t like.. work he wouldn’t be ready to ever confront Lucifer or anyone. i agree but also I don’t think he would stick with his normal life. like in the zachariah episode he had a normal life and fake memories of that but he still wanted to hunt and help people and also figure out wtf was happening. I think in this scenario Sam would still be psychic because I love that but Gabriel would probably try like… suppressing his visions and such, because they would lead him back into possible angel business. I think he’d still get little snippets because that’s fun and having reminders in that that the supernatural like.. exists and ppl are getting hurt, I think that would overrule his want of complete normalcy and even his spite toward John.

I don’t think he’d go back into hunting like, completely because I want him to have something good and also be semi well adjusted. but like we saw in the terrible life episode I think he’d like.. if he got bored and started looking up strange deaths well now he has to go help them!!

also it is sooo fun to me if he starts realizing something is wrong but he doesn’t know what. like in mystery spot I love that trope sooo fucking much also in s1 sam gets back into hunting through John Winchester style revenge quest and I want to give him a reason to start poking around that is like.. for himself and not anybody else. he can have a little obsession over it as a treat because i like seeing him be a bitch <3

i think initially when Gabriel found out the apocalypse was like in motion and Sam was at Stanford he’d have an opportunity there to do something without revealing to other players that he is alive because he was pretending to be a trickster. like he’s very much in this for self preservation and if he did some time traveling shenanigans, or disappearing both Winchesters and maybe even Adam out of nowhere, I think he’d worry that the angels would take notice. Randy your vessels!! But Stanford gives him a natural window to hide a key player. he needs to do away with Adam too so Lucifer can’t possibly have a true vessel to fight.. maybe he can kill him in a freak accident because I find that funny. sorry this is long and it will be getting longer

anyway I think as time went on Gabriel would pay like less meticulous attention. he’d still keep away like key players but as other people also started trying to stop the apocalypse he would become more relaxed also he’d be overconfident in himself like in changing channels. I think this would lead sam to notice more stuff that just doesn’t make any sense and maybe start looking for dean or even his dad, or going out of his way to look for hunts. maybe get involved in magic because i think he deserves to be a witch. wait actually that’s how he should find Dean. i think Gabriel would hide Dean from Sam and vice versa, and he didn’t foresee Sam using magic or anything. Also at this point it’s been years and I think Sam is more invested in this than his like… normal life. he’s more well adjusted but I can definitely see him just impulsively quitting his job to figure out what the fucks happening. Also I think he’d feel animosity at dean during this for not being there and not helping him, even though that anger doesn’t make complete sense. sorry i like the early seasons salmon dean reconciling and learning to like each other and sam realizing Your Parents Are People and I would like to see it with them having like, completely different lives and also some fun miscommunication bc of Gabriel. also sam having to reconcile dean having cas OHRHDHJ also dean and cas trying horribly to cover cas being not human is so fucking fun to me. unless this happens during a cas is dead time period which is fun in a different evil way.

I also think dean would only stop looking if he though Sam was dead, but I think… Gabriel might have hidden him but other people ARE still meeting him even with like altered memories. so I think angels or something can sense that Sam is alive but they don’t know where and I think they’d gloat and use it to taunt dean that he is like.. suffering while his brother is living a perfect normal life. Also because this adds another miscommunication that can be discussed and end in reconciliation in a way I don’t think would feel contrived and is in line with it the characters. it’d be Amelia s8 but Sam would be like (Sam voice) I did look for you!!! where were you when I needed you! also I want Sam to find out John died and he’s in absolute despair while cas is standing there like oh yes that’s so awful your father was an. absolutely a man😔😐🏳️‍🌈

idk when this would occur and i think every season offers like… different flavors of enjoyment for an audience of just me. like s7 proto widower arc?? Sam reconnecting with Dean during TMWWBK when he is not familiar with the dean and cas dynamic and has to be witness to Trying So Hard To Be Loyal. additionally that would be fun because bobby is there and dean is like, covering his ears and back talking bobby regarding cas. and if they’ve taken pains to hide cas being an angel Sam being like .who is this to Dean. is suchhh a fun concept.

WAIT post goodbye stranger. or maybe Sam can show up pre goodbye stranger to watch dean go from clingy after cas gets back from purgatory to wrongfooted to like ANGRY. well not Angry… to dean having dean emotions. when cas is off with the tablet ignoring him and he feels betrayed. and this Sam isn’t as close to him so he doesn’t know ANY details until Dean stats divulging them as they reconcile. ALL GOOD OPTIONS..

also if this happens during s6 i think it would be nice if cas started collecting allies, and at the same time as Sam trying to figure out what was keeping him away from dean and the angel business Cas could figure it out FIRST and use Gabriel as an ally against Raphael but he’d feel like he has to hide it from dean and sam. like in this scenario. actually any time I talk about s6 hypotheticals Cas’ conflict IS the A Plot. the Winchester’s were on a side quest idc. s6 is a fun time for these reasons but i don’t like it as much because Cas is still in the process of like.. formative development.

okay one last thing I’m SOOO sorry for my essay. you said if Sam was dispossessed the apocalypse would just.. not happen. i agree to like, a certain degree, because I do think they could have found another way but all of them would have been dust compared to swan song. so maybe Gabriel semi succeeded but instead of stopping the apocalypse he just… prolonged it. this changes a lot but if either Michael or Lucifer didn’t have a viable vessel I think the angels would scramble to actually for real stop the apocalypse but others would still want it to happen even if it was like.. Perfect they just want it to be over. this provides angel politics which I am in love with and we can still have like TMWWBK development for cas. I don’t know where I’m going with this sorry

op this is a lot, this is so much. i love it, i hope you have a google doc open somewhere and are typing away furiously.

now i didn't rewatch a lot of spn past s3 (surprise) in part bc i can't handle the brain damage and some scenes are seared into my cerebral cortex in a way that induced a temporary bout of eidetic memory, meaning i'll never forget the crypt scene in Goodbye Stranger for as long as i live. that being SAID, my s6-s7 knowledge is not as firmly coalesced. so because of that i'm letting your thoughts roam free as i don't know how accurate my own takes would be? but i feel like without sam there, like... hm. would dean even be the same person... would the past however many seasons even OCCUR remotely similar with sam out of the picture for literal years? we might be looking at a completely different world at that point.

my other theory is that the s2 plot of special children - we know azazel was raising a new 'crop' of psychic kids. i think that was a plot thread that they ended up dropping anyway, but if they didn't i do wonder if we'd be dealing with a lot more shenanigans like in s1 and s2 except with kids? and dean and cas trying to figure out what to do with these young psychics that might be turned into a vessel for lucifer or - whatever they wanted to do with those kids. hm.

i also question if purgatory would be a thing. like it probably would come up and be on the table, but maybe the godstiel arc wouldn't, bc if like you're saying dean and cas are together at this point, like. cas might have grown to love humanity (not just dean but like 99% dean) to the point where he might not be doing this risky gambit for more souls. and if gabriel is still around, cas may start petitioning gabe to help throw his archangel weight around against raphael while he tries to do the actual strategizing.

i think sam would still have his visions, like you said, and then maybe those lead him to dean or to a case that dean is also on? or if angels are more well-known later on, he tracks one down, maybe cas, maybe not (if it's NOT and it's one that works on raphael's side. ohoho. the possibilities...)

#asks #spn #fun ideas fun times!!

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popculturebuffet · 4 years ago

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Of Moons, Millionares and Mothers (DT17 Season 2 Retrospective): The Most Dangerous Game Night! (Paid for by WeirdKev27)

Welcome all you happy people! As some of you will recall I do a lot of duck based retrospectives on this blog: Ride of the Three Cablleros! which took a look at all the Cabs major American adventures, Shadow Into Light, my Weblena colored look at Lena Sabrewing’s journey from abused teenager to magical protector, and the Della arc which I dind’t give a cool name but covered since Shadow Into Light read right into it’s final chapter and ended up perfectly synching up with the final month of the series. And of course i’m still working my way through the life and times of Scrooge McDuck with a plan to finish the main story in September barring any delays, sickness that sorta thing.

So it shouldn’t be at all a shock that having covered all of season 3 when it came out and covered the two season 1 arcs i’d be taking a look at Season 2′s three story arcs. So I probably would’ve covered them anyway.. but Kev, one of my patreons and the guy who commissioned Shadow Into Light AND Ride of the Three Cablleros, had expressed interest in doing the Glomgold arc from season 2 as it centers around his favorite character, Zan Owlson. He also wanted to do Della’s arc in time for mothers day, and was all too happy to combine both, and politely agreed to my request to do the Louie arc as well. To help soften the blow, I also suggested since he’s a patreon of mine on patreon.com/popculturebuffet he use his second review (You get one guaranteed review a month with 5 and he’s a 10 dollar backer so he gets two, and he’s earmarked marked one for House of Mouse through the end of the year) to help soften the blow a bit, which means some weeks i’ll be doubling up on this one. He agreed and it’s thanks to him that all of this happened so thanks bud. It’s also thanks to him I have money in the first place and I wouldn’t be here without him.

As for why I insisted on the Louie arc it wasn’t out of greed but out of pragmatism. I covered the Della arc purely on my own time, and gladly did so. But back then I also kept making the mistake of shoving retrospectives back again and again and again and that’s why there’s a rather nasty gap in my New X-Men retrospective I think severely harmed it , and a similar one for life and times which wounded it. I don’t mind taking smaller gaps of say a month when needed, but I learned from the experience I can’t just delay things constantly out of convince and expect it to work.

Not only that but the Lena and Della arcs only interact in the very last part. With these arc? While they don’t really touch at first and run parallel much like season 1′s arcs did, they start intersecting heavily as soon as Della gets back. Raiders of the Doomsday Vault! touches on both Della’s recent return and Glomgold’s bet with Scrooge, Happy Birthday Doofus Drake! has the A-Plot centered around Louie’s plot and the B-Plot centered around Della bonding with Huey as part of hers. And the final four is one one long, sustained arc, finishing up all three in the process. So yeah it was a package deal and as such this will be my third largest retrospective at 17 parts including the prologue. (As i’ll also be covering Della’s four issues in the IDW Comic released back in season 1). For the record my largest will be my Tom Lucitor Retrospective as 24 (in part due to doing the eclipsa arc for the same reasons as Dellas), and ride of the three cablleros at 20 is in a close second. This is going to be a long ride that will take most of summer, so buckle up, get your Louie Inc signs, Glomgold’ posters to jump through and black licorice gum ready and join me won’t you under the cut as we start this fantastic adventure together.

We open season 2 with all but one of our heroes proudly posing as they enter a temple. Scrooge even has his treasure of the lost lamp outfit on. Louie.. just looks tired and bored. One of the things I love about these reviews is that I haven’t watched most of the episodes since they first aired. Sure i’ve revisited some of my favorites like Dangerous Chemistry and the 87 Cent Solution, but I haven’t really DONE a full died in wool episode by episode rewatch of the series. I’ve got SO MUCH I haven’t watched, haven’t rewatched and haven’t even started, that I really DON’T have the time for it outside of my job. So it is VERY nice to get a chance to do so once in a while with it.

As such knowing Louie’s real motive this episode it makes this scene hit diffrently. On first airing Ducktales was back after a short hiatus, our heroes are operating at full speed and daringly charting through a temple: Dewey and Webby have become tighter than ever and easily stop a pit trap and Scrooge and Huey easily solve an arrow puzzle. But while at first glance Louie is just fed up because as he puts it later “I’m just loveably lazy”, knowing he’s really just burnt out, scared he’s going to die or worse like he likely thinks his Mom did because he’s not good enough.. it’s really tearjerking. Here’s an 11 year old who at his core feels he doesn’t belong in his family and just wants a friggin break from the dangerous shit they do. It hits even harder as a fan of the venture bros but i’ll save that for later. Point is he’s telling Scrooge he’s burnt out.

So then this happens...

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It really is almost the exact same joke, but diffrent enough since for one, Family Guy’s is driven by the refrenece (And god how I miss how their refrence humor used to have an actual purpose), where as here it’s to set up something else and hints for later: Louie having parsed how most adventures to at this point. While Scrooge is right in pointing out how every adventure is unique.. Louie’s not wrong that there is a small pattern to it: The Whoah! , The “Wait, What?” and the Aggggh!. Scrooge scoffs.. but Louie is proven correct as Dewey Whoas, a mechanisim trggers (Wait what?”) And everyone screams as they run from a giant wheel.

Back at home though it’s even more apparent poor Louie is miserable while his family is just jazzed. I can’t BLAME THEM, but I can’t blame him either for being, tired, worn out and just wanting ONE minute where they aren’t adventuering. There are some nice touches though as Scrooge runs off and finds a map in the idol: We see Duckworth removing the Scrooge as a Prospector painting based on Carl Bark’s painting of him from the foyer and instead replacing it with the painting of Scrooge, Donald and Della. It’s a nice little acknowledgment of how things have changed.. from Scrooge being alone and running from a painful past to having accepted it and gone back to being a family man. We also get Beakley just casually picking up Louie to vacum.

In the Triplet’s room.. which by the way why do they all share one room? In universe I mean, I mean is it saving on the power bill or does scrooge have the other rooms filled. Only four bedrooms are occupied: the boys, webby’s , Beakly’s (Which we never see but implicitly exists), and Scrooge’s himself. While the mansion isn’t LIMITLESS, it has to have more rooms than that. Is the rest just storage?

Out of universe though I do get why and i’ts why I let this concept of sharing a room when you have enough for everyone in the first place slide: it allows the boys to interact more easily outside of adventures by having all three in the same location. This episode is a good example of that as it kicks off Louie’s plan admirably: Louie is burnt out while Huey is excited.. and in another hint of Louie’s true gift he casually notices part of Dewey’s woodchuck uniform he was looking after is undone, simply making a quip about a sewing patch. He gets the idea for a scheme from there: to finally get his break by convincing Huey he’s slipping and exploiting his brother’s tendency for manic episodes.. which as someone with those I highly don’t approve and is far and away one of the more questionable things Louie’s done. And this is in an arc that includes him nearly wiping out all of existence.

Still it gets Huey on board but Scrooge and the wonder twins are a harder sell. Dewey and Webby are so jazzed on frinedship their even speaking in unions “This Needs to stop!” “I’ve tried but they really do enjoy harmonizing”

Louie insists the adventuring is driving them apart and making them less close.. and while Scrooge insits it brings them closer together he ends up proving his point when Louie fakes not knowing which triplet is which.. and Scrooge GENUINELY struggles with which one’s Huey and Which ones Dewey. Dewey’s face is at the top of the page.. and utterly and completely priceless.

And while I thought it was the same impressive face from night on Kilmotor hill turns out, nerp their uniquely hilaroius

Same mood though. But I do love this callback: almost a YEAR later, and Scrooge STILL is like...

But while movie night and make your own pizza night, which i’m pleased as punch to find isn’t just something my family does, don’t do anything one thing does... GAME NIGHT. Cue a glorious minute of David Tennant goofily shouting Game Night to everyone in the mansion. Seriously getting him was one of the series masterstrokes. The man has only done a few roles in voicework but damn is he a natural. Not eveyrone can adapt to it this fast. While I love Walton Goggins, it clearly took him a few episodes of invincible to get really comfortable with it. It’s why I have such respect for Voice Actors in general: I’ts not an easy job, it takes a lot of skill, and it can be often thankless. It’s also why i’ve made a concentrated effort ot more know of them by voice simply because they’ve earned that much.

Anyways Beakly pops Louie’s bubble that htis is not going to be relaxing for a very obvious reason: Scrooge is relentless against his enmies and game night makes YOU the enemy. He quickly has them pair off into teams, taking Donald right off the bat.

We also get one of the best jokes in the entire series “If you loose your out of the will” “(Genuinely suprised) I was in the will?”

It’s almost entriely in Tony’s delivery there. The surprise is just perfectly delivered. It’s also oddly touching as despite a decade’s estrangement and Donald understandably thinking he wasn’t in it in anymore, Scrooge NEVER removed Donald from it . Sure he’s thretaning it over game night but he clearly takes this ungodly seriously. Duckworth leaves to go do ghost stuff.. which is code for make up a flimsy excuse to run the fuck away. To make matters worse she’s stuck with Launchpad as a partner. Louie is left with Huey and immieditly regrets sending his brother into a panicy spiral as he’s already set up a creepy scheduling board.

So i’m going to go ahead and cover the Webby and Dewey Plot, and the acompanying Donald and Scrooge antics now to save us some time. I’ll come back to it at the climax of Louie’s plot obviously and to the episodes credit the pacing is exceptional, weaving in and out of both plots , Louie struggling to keep the whole shrinking plot a secret and the rest of the families game night, excelently, it’s just with my brain i’ts harder to do that in a recap so...

Game Night: Crush Your Enmies and See Them Driven Before You Scrooge goes to the Conan of Sumeria/Melissa School of Game Nighting. Or in short...

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Why HASN’T there been a Conan musical? So he and Donald dominate the first round, Charades, with Scrooge easily guessing almost EVERYHTING Donald mimes. As Webby puts it “When you’ve been around donald for 30 years you get good at non-verbal commuincation”. Granted they have a commuincation breakdown that results in this magic.

So Webby understandably assumes that given their best friends and Scrooge and Donald, while reconciled, hate each other, that they have an advantage. She is wrong. Not the first time: she also assumed she and Lena were just friends. It happens. you get a few wrong everyone does. Instead we get a great bit of Dewey utterly failing to guess it’s Scrooge despite Webby being obvious because Dewey’s brain is a riddle for the ages.

Jenga dosen’t really go great for either so they go solo for SCROOGEPOLY. Because of COURSE Scrooge created monopoly in this version. I simletaniously love and hate how eveyr piece is a top hat. I love it because it’s a hilarously quick gag.. but also hate it because one of Monopoly’s biggest draws is having so many diffrent peices. I mean some like the sports car make sense but then you have a dog for some reason and an ironing board. I mean I love that dog, he’s a good boy but I don’t understand why he’s in this. If anyone knows the weird old timey reasoning for either of these let me know in the replies or my asks.

This isn’t bad stuff mind, it’s just not really deep in stuff for me to make fun of. Apart from Donald ending up in jail... again. At least it’s not as bad as say goblin jail or that time he had to carve pinocchio’s nose into a shiv to surivive whale jail.

Louie: “How Long Before That’s Not Enough?”

Okay I kid, the subplot is good.. but that’s th epotatoes.. this is the potatoes iwth cheese.. look I love meat but potatoes don’t get enough love. They just don’t and you can do all kinds of delicious things to them. It’s why a good third of side dishes at most restaurants are potato based.

But yeah rolling it back a bit Louie is confident that even with the this will be mildly relaxing.. then Gyro bursts in thorugh the double doors proudly announcing his invention and pries himself in, ignoring Louie’s desperate attempts to shut him out.

Gyro is.. different in this episode. He’s peppy and while he’s mildly condescnding to the Gyropludians, more no that in a second, he’s far more enthuastic and freindly to everyone else and less of the awkward ballbag he’d been last season and would be again this season.

This feels like an ATTEMPTED course correct. See a lot of people, if understandably didn’t like how Gyro was in season 1. Fan of the original him from the comics and show iddn’t like the nice, friendly weirdo suddenly being a sour, condesencindg weirdo. Me I was FINE with the change from unintentional mad scientist to intentional one... I just feel they overdid it on the asshole as season 1 went on. In The Great Dime Chase he’s fine, he’s egosticial, angry and kind of a pill.. but he also clearly cares for his creations, rightfully hates the board for constantly doubting him, and is frustrated his creations keep going rouge. It was a nice balance.

The balance got thrown off entirely however once Fenton entered the scene. The crew just leaned WAY to hard into hwo much of a shitweasel he was to fenton: giving him an office in the bathroom with a cool quip, trying to beat him up (even if his rage over Fenton’s dumbassery was warranted that was not), and finally trying to take the gizmoduck armor back not out of any real concerns but because he’s worried he’ll loose his job... his job iwth the man who freely tolerates his creations going insane and really dosen’t care about his own colateral let alone Gyro’s. It came off as disngenous and that he simply didn’t trust FENTON with it and wanted and excuse to take the armor Fenton had clearly earned. He also pit manny and bulb against each other for a job which just felt out of character even for him to possibly fire one of his children which felt horribly out of character. Toniing this down was a good thing.. I just feel they overcorrected. They tried making him the 80′s version with a slight ego here, and when that didn’t work they just downplayed him for the rest of the season. He’s still around, in fact we’ll be seeing him again soon enough, and he still gets some great jokes... he’s just not really focused on at all. But they managed to fix their fix in season 3: they did have Gyro be a dick to Fenton again but gave proper context, had him apologize and framed it less as a funny joke and more as him being abusive because he was abused himself and breaking the cycle. He also kept the supporting role but kept the shadiness in it, with the earpiece bit from “Louie’s Eleven” being a highlight.

Gyro has a new device that can pick up tiny sounds and has found a tiny civilization in the ducks house, dubbing them Gyropudlians because he apparnetly likes Gullivers Travels. I do not really know what that’s about, nor have I seen any of the movies. Not even the jack black one made on a dare to see if they could actually sell a movie on the concept “This old story but as a jack black comedy”. And it went horribly wrong because they actually did get it greenlit and someone out there actually watched it. Not me... and I watched the Wrong MIssy entirely of my own volition. I’m not immune from making eye staining mistakes. This just wasn’t one of them.

Gyro ends up getting shrunk down because he naturally attached a shrink ray to it because...

So Louie shrugs it off correctly figuring out the arc of that sort of story: Gyro becomes a god, he learns a life lesson that sort of thing. Also I do applaud them for making the lost tribe not horribly racist.. that is a hard line to walk. They just make them generic instead which.. still better than racist. “Not Racist” isn’t a very high bar to clear but given this version went out of it’s way to be inclusive while the original show.. what’s a good metaphor for this.. hrmmm... these rakes are all the racism in the original show i’ve encoungered so far and probably will in the future, and i’m sideshow bob.

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Eventually though the Gyropudlians decide to decalre war on the giants because unknowingly the Ducks have been destroying their civilizations time and time again.. mostly louie but donald clearly peed a civiliztion to death..and i’m not grasping at straws there he left the bathroom and the other two possiblities for the floating city are too horrible to comprehend. Or it was just the sink and i’m a bastard... i’m probably a bastard.

So they blast the shrink ray around the kitchen and get Launchpad, so now he’s a part of this cliche. Beakly finds them.. is highly supscious, and Huey’s lie is.. not convincing... but this gets her out of game night with her overcompeitive boss so she takes the out and gets the fuck out and is not seen for the rest of the episode.. probably for several days. Look she does a lot around the house no one’s going to question if she comes back after a mysteirous absence with someone elses blood on her apron and several thousnd ddollars in brazilian cocaine. The sweetest cocaine of all. Scrooge is just used to it by now.

Anyways things continue to escalate as The Gyropuldians, Launchpad and Gyro launch an assault on the tower of infinity, aka the jenga tower and knock it over. The Good news is launchpad surivives and we get a great bit of the brothers hugging then awkarly and half assedly explaning it to cover. the bad news is the Gyropudlians considered it an act of war and have trained some flies to man the microphone shrink ray dealie.

It’s here we get the best scene of the episode: Huey is naturally worried.. even more so after he sees Louie’s response to the unfolding chaos: Curling up in a fetal position and rocking back in forth muttering to himself this was supposed to be a fun night in. Huey finally has had enough of this and wants to knwo wha tthe hell this is all about, shooting down Louie attempting to deflect it with his usual lazy schtick. Even at his laziest he’d pride self preservation over doing nothing. This is something worse. And while Huey is furious his rage is coming out of concern. While Huey prides himself on his brain... he has the biggest heart of the three. He’s the most empathetic and the one most willing to reach out to the others when they need him. Not that hte others lack it, Dewey was the one to welcome Webby into the group the most after all, it’s just Huey displays it the most. So his anger comes off entirely as genuine worry at Louie acting out of character and trying to avoid doing what eveyrone else does. And his response.. is heartbreaking...

“BECAUSE I’MMom was great at adventuring, and she still got hurt. I'm only good at talking my way out of it. How long before that's not enough? NOT GOOD AT IT OKAY?!”

Bobby Monihan.. really dosen’t get enough credit for this show. When he gets to really do something big with Louie he goes for it and he uttelry dominates the scnee here. Danny Pudi is no slouch mind.. but Monihan REALLy gets to show what he can do. His reasoning for his worries is also just as well delivered and heartbreaking.

“Mom was great at adventuring, and she still got hurt. I'm only good at talking my way out of it. How long before that's not enough?“

It just.. stings a lot. To find that Louie’s exaustion wasn’t out of self intrest.. but just out of fear. That he won’t be good enough at best and that he’ll end up like his mom: lost or dead never to be seen again as far as he figures. As a third of this arc will bear out, tha’ts not even remotely true, but out of the three Louie is the most pragmatic so while he says hurt.. he thinks she’s dead. And if she, someone as capable as scrooge or as close as someone whose not him can be, could end up dead... he’s living on borrowed time.

This is where the Venture bros comparison really comes out to me... because they had a similar if more spread out storyline in season 5, with bookish brother Dean, Huey if he lacked autisim but gained 80 dozen more issues, found out he and his brother Hank, aka Dewey in his teens, were clones because his dad is really bad at keeping his sons alive because he’s also bad at everything else including science, parenting, being emotinally open, making a cocktail that isn’t a crime against nature, sex, and not treating hank like garbage, which should fall under shitty parenting but I love my empty headed boy.

So why bring this up? Well besides self indulgance because I love both shows iwth a signifgant portion of my heart and frank flat out admitted to being a venture bros fan, and having Beakly take some cues from Brock, I love the accidental parallels here: both are arcs about a boy adventuer coming to grips with their mortality. Both withdraw, both are heavily depressed and both feel there’s no real light at the end of the tunnel for htem anymore.

And both.. are drawn out of it the same way.. by a concerned brother pulling them out of their misery and self doubt:

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It’s the same here... Huey helps Louie through it, understanding how he feels.. and like Hank did for Dean, proving to Louie he’s not alone. He points out that yes Della did get hurt.. but it’s because she went in alone. He’s got his family.. they won’t let him get lost or die.. because their not alone. The reason they can do all this stuff is because their together. Their all amazing alone.. but together their unstoppable. And i’ts fine Louie’s afraid.. but he can’t let that fear kill everyone he cares about.

So our boys run upstairs, but are a second too late as the gyro pudlians shrink the other four down, and the duo’s attempt to grow them just makes one of the gyropudlians giant instead. With things at their grimmist.. Louie finds his TRUE talent, looks at the situation. and takes charge. In the span of two minutes he completely turns the tide: he has launchpad crash his way out, which he does by pure accident because of course he does he’s nature’s perfect Himbo. He next has Donald and scrooge take on some guards to give Dewey and Webby some room and has Huey take out the giant with his sewing. His final part is to have Dewey and Webby work their way up to the ray gun.. which is a probelma s both have lost all confidence due to realizing they have nothing in common and can’t fathom how their friends. Scrooge’s reply? Of course their not.. THEIR FAMILY. It was then that a thousand debbigail shippers cried out and were silenced... I know I was one of them. I couldn’t speak for about a minute. It was awful.

And yeah.. I had been shipping Dewey and Webby up to this point, but it was becoming increasingly obvious they were being treated like brother and sister and then this happened. And in hindsight i’m glad I jumepd the hell off as they turne dout ot be blood related so I dodged a bullet there an found better ships for both. So no harm no F.O.W.L. clone accidental incest.

Realizing this the two find their second wind and save the day. OUr heroes are restored and things are good.

The next day, Louie faces the music with Scrooge and is terrified, not helped by Scrooge being dead serious... but his worries are for naught. Scrooge instead only has one thing to say

“You saw all the angles”

Something the crew conciously did was have each of the kids mimic one of Scrooge’s tennants, something that was heavily implied before but made fully explicit here: Dewey is toughter than the toughies, Huey is Smarter than the smarties... and Louie is the oft forgotten Sharper than the sharpies. Scrooge even lampshades how that part of his motto is often left out. And of course as frank made clear post series, Webby made her way into the family Square.

But back to the sharpie thing, I like this because it defines what that truly means, as it often comes off as similar to the smartie bit hence i’ts exclusion: It’s the ablitliyt to think quickly, strategize, a strategic, critical mind that can come up with a gambit in an instant and use everyone to the best of their abillity. It’s why for an example, Scott Summers is one of my faviorite x-men. Because while his eye laser things are impressive it’s this kind of cleverness and tactical insight, seeing all the pieces on the board and easily manuvering them, friend and foe, that makes him so awesome. And as scrooge muses it could make Louie even richer than he is. And in a truly touching gesture, Scrooge gives Louie the idol, confident in his Nephew’s potetial. His mother reached hers... he only needs time. So with that Louie’s arc truly begins and he hangs a shingle on the triplets door. Louie inc is born.

Final Thoughts: This episode caught me by suprise: I remember it being decent.. but damn if it wasn’t amazing on the rewatch, with the knowledge of Louie’s weakness helping but really it’s just a funny, tightly paced half hour of television. It has great jokes, a great emtoinal arc and in general is jsut well.. great. I didn’t see this poteitial the first time because I was more hung up on fethry finally appearing, the cabs finally appearing.. all the things in the distance after this ep. But this ep is just damn good and I wish i’d put it on my best of list. Top shelf stuff.

Next time on Of Moons, Millionares and Mothers: The second arc starts up as FLINTHEART GLOMGOLD returns as an amensiac south african fisherman and it’s up to Webby and Louie to unravel his past to figure out why he’s acting like this and if this is another one of his insane schemes. We also meet Zan Owlson buisnesswoman of the year and person about to go through some undeserved shit at the hands of a stupid man. Later Today: We return to Amity Park for more Danny Phantom and meet his second most intresting enemy as an innocent fuckup turns a spoiled brat into one of most dangerous enemies. Also PUPPIES and Tucker being the worst.

Wednsday: We grab onto some more ducktales as Donald returns to Ducktales 87. And judging by the content warning so does racisim.

If you liked this review stop my patreon RIGHT HERE. Seriously please do: you’ll find exclusive reviews, and if you join you’ll get acess to my discord, get to pick a short for my shortstravganzas, and help me reach my strech goals. And at my next one at 20, just 5 dollars away, ALL READERS will get a darkwing duck review a month and reivews of the two ducktales movie as well as the Danny Phantom TV Movie the ultimate enemy!

See you at the next rainbow!

#ducktales #season 2 arcs #louie duck #huey duck #scrooge mcduck #dewey duck #webby vanderquack #donald duck #gyro gearloose #bentina beakley #launchpad mcquack #duckworth #the most dangerous game night!#della duck

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uselesstimetraveler · 4 years ago

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It's been over a week now since the AOS finale and I still haven't had the heart to rewatch it, so I'm just gonna share with you my opinions from that night (I wrote most of this the next day, just haven't posted yet lol)

It was next level excellent, overall, but I have A LOT to say, this is gonna be long

YES TO EVERYTHING DANIEL RELATED!!! The thing I loved the most was that they made him so useful, he wasn't just helping Daisy or doing whatever people told him to do, he actually had a great idea and executed it with Mack’s total support. He went to action and it gave me LIFE!

Another thing that gave me life was the philindaisy moment at the bar. I’m a sucker for them. When Daisy got there and hugged Coulson I was AAAAAAA and then she went to hug May and you see her stop, like, “oops, should I?” AND THEN MAY HUGS HER HERSELF!! Now, you can argue that May is an empath and felt Daisy’s emotions at that moment, but lemme tell y’all THAT WAS NOT JUST DAISY’S FEELINGS, THAT WAS MELINDA MAY'S GENUINE HAPPINESS FROM SEEING THAT HER DAUGHTER MADE IT BACK SAFELY!!! Try to convince otherwise and fail miserably. My family is just perfect like that.

The Fitzsimmons reunion scene I WAS SOBBING from the moment she realised the key was her ring!!! AND THEN FITZ JUST xkskdxkkm COMES BACK LIKE THAT kxsmkdsms I CAN’T djkskdsjsms I WILL NEVER EVER GET OVER THAT!!! That whole thing was genius, honestly. They were truly able to take a hard situation in which an important actor wouldn’t be able to be there for most of the season and used it amazingly to their advantage. And then Fitz HELPED HER REMEMBER BY TELLING THOSE STORIES = MORE TEARS. That whole scene was beautiful. AND WHEN SHE REMEMBERS ALYA OH MY GOD by that point I was screaming. Btw, I love how they chose their daughter’s name, it’s beautiful and has an even more beautiful meaning for them <3

Since I’m already talking about Fitzsimmons I’m just gonna go ahead and say that their ending was so well deserved. They suffered a lot, literally every season some shit would happen to them. I’m so glad they got their happy ending and are right now living their best life as a family <3 fitzsimmons family = everything to me. (are there any Fringe stans in here????? Did y’all notice that parallel at the end? If not, let me explain: aos: jemma sitting on the grass seeing fitz and alya playing together and smiling. Fringe: olivia sitting on the grass seeing peter and etta playing together and smiling. BOTH ON THE LAST EPISODE!! And both episodes were number 13. This is too much for my heart.)

About Deke: I really love that he was the one to “sacrifice” himself for the team. I’m not really a fan of Deke, but I was glad that he did what he always wanted, in a way; Contribute significantly to the team and be acknowledged as part of said team. It felt to me that by doing that he was doing what he often tried, but no one ever really took him seriously enough to allow him to do. I think he was selfless and then ended up finding his true place, after all. Nicely done, if you ask me.

On that note, and shifting back to Daniel once more: when he said he was gonna be the one to stay behind I was like “NO YOU’RE NOT! Don’t even think about it. You, buddy, are going with Daisy.” What was he thinking? (I know what, and I know it was brave and selfless of him, but just let me have my moment, okay?)

Now the answer to ending the war was empathy?????????? GENIUS!!! Mojed, you went beyond terrific there. I love everything evolving May in that part of the finale, how she dropped from the ceiling calling herself The Calvary (talk about character development!!!) to philinda fighting together and exchanging looks, to her saving the freaking world with her empath abilities!!!! I have some serious goosies just remembering.

Something else that was just genius to me was that they were the ones at the temple, THEY CARRIED MAY OUT OF THERE, I did NOT see that coming. WHAT?!

OH! And what about what Piper asked for??? She asked for Davis!! That’s adorable! That had me crying too, I love their friendship.

Now Kora. I was a little bothered about how fast things happened for her and Daisy on the sister bonding thing. Like, don’t get me wrong, I like that her and Daisy ended up working on the same team for SHIELD and that they were in a good place in their relationship, but what I’m saying is that Kora hated Daisy’s guts on one scene and Daisy had literally said a couple episodes ago that she did have a sister, but it was Jemma, and then Daisy died, and I liked that Kora saved her, is just that I got a vibe off of them in that scene that seemed like they had the best kind of sister bond for ages. Was that just me? Maybe, but hey ¯\_(ツ)_/¯

That’s not really a problem, I'm just saying.

Btw, when Daisy died for, like, two seconds, I was out of my mind!!!! I couldn’t even scream, I just froze in place. Thank God or whomever that she was brought back to life. I wouldn't be able to continue without my baby.

Now back to philinda and probably the only "complaint" I have: Let us agree, despite wanting them to be together in the end, there was very little chance of that really happening, right? Because he’s a robot now. But I did have a lot of hope, those episodes >>gave me<< a lot of hope. Y’know, in episode 12 they had that moment talking in the hallway, the explosion happened, he protected Melinda... I was like, “that’s my couple right there, you guys”. Then at the fighting scene they exchanged some looks at the end that really left me “it’s coming, people. Their happy ending.” It didn’t come. I took another blow to the face. A blow that was expected, yes, but a blow nonetheless.

I wasn’t all that excited about Coulson’s ending at first, you know, him just traveling the world, but I understand what they did and why. He’s still getting used to his new self and rediscovering his life, so it makes sense that he would need time to do that. That last scene with Lola was simply EVERYTHING TO ME tho!!!!

But May’s ending… the thing is, I had a lot of expectations for how she would end up. Throughout the seasons something that was very clear to me was her desire to be a mother and I know that she built that relationship with the youngest agents on the team, but I kinda expected, aside from philinda endgame, more of that. But my biggest problem here isn’t even that, is that I really, REALLY don’t see Melinda May giving lectures????? Melinda May? The woman who now calls herself The Calvary, teaching theory or history or whatever???? I’m not saying she can’t, I’m just saying I never thought of that as a possibility for her, it sounds more like a Coulson thing to me. But then again, that’s all they showed us from her life. They gave us very little details about how she (and everyone else, honestly) is living and I think in a way I like that because it lets us imagine whatever we want. So she could very easily just be there at the academy for one lecture, she could be training (physically?) new agents instead? IDK. Also, Flint was there, they could have built a relationship. Mentor\mentee like hers with Daisy at first or even mother\son? I’d like that. I like the “found family” thing.

I have two ideas of fanfiction out of the finale. The first one is a Dousy that I had already thought of and completely fits with one thing that Daisy said, and the other is basically a Philinda fix it because, well, I want to. I'm very lazy when it comes to my writing, but I really wanna do these two, let's see how that turns out.

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zkfanworkweek · 4 years ago

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ZFAW Content Creator Interviews: GrapefruitTwostep

Hey everyone! We hope you’re all excited for ZFAW, and to honor (ha!) ZFAW’s commitment to supporting and celebrating fan content creators in the Zutara fandom, we’re going to be rolling out a series of interviews with well-known and widely-beloved content creators over the next few weeks. We’ve got artists and fanfiction authors, some names you recognize as well as a few phenomenal up-and-coming talents, and we can’t wait for you to meet them all!

For the fifth interview, I’m highlighting a full-fledged fandom legend: @grapefruittwostep! Author of such works as “Modern Love” and “Moonlight and Sunshadow,” you can find GrapefruitTwostep’s works HERE: https://archiveofourown.org/users/GrapefruitTwostep/pseuds/GrapefruitTwostep

1. Tell us about how you came to ship Zutara. What does this ship mean to you? The first season of Avatar: The Last Airbender came out when I was about fourteen, so my preferences were already pretty set when it came to the fictional couples I liked (for reference, I was a really big Star Wars fan so Han and Leia were pretty formative to my life). It sounds kind of weird to say, but Zutara really just slotted right into the spot already waiting to accept it, right in the "literal opposites attract, enemies-to-lovers, oh no they bicker all the time please kiss" spot, but that's exactly what happened. A few measly years later, I rewatched the show in college, just after it had ended, and as an adult, I found myself more drawn to the dramatic parallels, the play between two characters who are so old before their time in a way that other characters in the show aren’t. I’ve always loved constructed family tropes, and the “mom friend/dad friend” thing is a real draw to me. So I guess the short answer is because I’m enemies-to-lovers trash. 2. What inspires you to create Zutara fanworks?

As a semi-professional writer, I’ve learned to get my inspiration from media I enjoy in a non-work context: so far, that’s been punk rock, Norwegian folktales, 80’s teen comedies, and Jane Austen novels. I love lots of other stuff too (like Dungeons & Dragons and urban fantasy and superhero comics) so I don’t think I’m ever going to run out of stuff to take inspiration from! 3. Be selfish - if you could request one fanwork based on your own art/fanfic, what would it be? What would you absolutely love to see someone create? I’ve had people send me some pieces of fanart and every time it is a joy and a delight. If I could ask for anything, it would probably be more Suki and Toph. I know! Weird choice! But writing those two is pretty much what I live for — Zutara is almost an afterthought, oops. I like to think “Jock Best Friend Suki” is one of my greatest contributions to this world/fandom and that’s the fanart that would just make my life. 4. Any words for people who are new to the fandom and/or nervous about sharing their work for the first time? I didn’t write my first fanfic until I was twenty-six. I came into this fandom so late and I did so with an incredibly self-indulgent work that I wrote entirely for me. And it went over so much better than I’d ever expected! Zutara fans are super nice. I think we get a crummy reputation from the old days of the shipping wars, but I’ve never actually experienced anything terrible. Everyone I’ve ever interacted with has been incredibly nice and really understanding about my bullshit and the support is amazing. They’re good people and they were super nice to an old lady like me who had no idea what she was doing. 5. What is your favorite Zutara-related thing you’ve made and why is it special to you? I wish I could say I love all my children the same, but Twist Me to the Left is my favorite. My father has this saying about music: “You have your whole life to make your first album, and then you have six months to make the second.” Twist Me to the Left was the reason I got into writing fic and so there’s something special about it for me that none of the other things I’ve written quite have. I feel especially bad saying that because it's not the thing that’s gotten me the most notice, but it’s the thing that’s closest to my heart and includes the most elements that were a personal influence on my life. Also, it’s got metalhead Toph which I find both generally awesome and a great joke. 6. What’s an idea for a fanwork that you have but haven’t gotten around to making?

Well, I just started my Jane Austen influenced fic, which is difficult to write and I think difficult to read (sorry), so that’s taking up my fandom brain right now. But I do really want to do a Much Ado About Noting fic so maybe when I burn myself out trying to sound like my girl Jane, I’ll do that instead. I’ve also been planning a cyberpunk AU but it has a mask aspect that, in the current climate of the world, feels … a little too soon.

7. Are you participating in ZFAW? If so, want to give us a hint as to your plans?

I would like to participate, certainly! (It’s right at the end of NaNoWriMo so I may not be at my best, but I’d really like to participate anyway, let’s see if I can do it without burning myself out.) However! I actually don’t read nearly as much fic as one would expect and so what I would really love are some recommendations! If anyone has art or writing they want me to look at, send that shit right on over to me so I can get some inspiration! I like very slow burns and AUs, but seriously, people, hook me up with whatever you’ve got.

#zfaw #zutara fanworks appreciation week #zutara #Interviews

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roostercrowedatmidnight · 4 years ago

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TV Show Soundtracks, and Why Buffy’s is So Great

There are a lot of ways in which Buffy the Vampire Slayer is an incredibly intelligent and well-crafted show, so much so that there are tiny details in the costumes, the acting, the set, etc. that you only notice after your fourth or fifth rewatch. One of the places where you can see how much care went into the production is the soundtrack. Buffy had a lot of different composers, some of which would compose the soundtrack for a few of the episodes and some of which were the primary composer for entire seasons. Some of the most prominent composers include Christophe Beck, who was one of the main composers for season 2, the sole composer for seasons 3 and 4, and composer for one episode in season 5 and one in season 6; Thomas Wanker, who was the main composer for seasons 5 and 6; and Robert Duncan, who was one of the main composers for season 7 (a complete list of Buffy composers can be found here). I’m mostly interested in these three composers because they wrote a great deal of the music overall, and their music tracks are most important in terms of what I hope to convey here, which is that one of the best things about the Buffy orchestral score is how beautiful it sounds and how smartly it is utilized. To convey my point, I will explore the use of music in the show, especially in the season 5 finale, ‘The Gift.’

WARNING: gonna be lots of Buffy spoilers. Mostly just up to the season 5 finale, but possibly smaller spoilers for seasons 6 and 7 as well.

A TV show doesn’t need a fantastic soundtrack to be good — many shows have a more minimalistic, atmospheric score which serves its purpose. A lot of shows also use contemporary pop songs instead of an orchestral soundtrack (which Buffy also does). However, I think having a good orchestral soundtrack elevates a show to an even higher level, and can add layers of emotional complexity that would otherwise have been absent. To achieve this greater emotional depth, I argue that there are two main criteria a score must have: music that is enjoyable to listen to, and music that is intelligently employed.

It’s difficult to define what ‘enjoyable’ music is. Any song is going to reach some people and not others. However, some are definitely more likely to create a response in people. It is important for composers to make soundtracks that create an emotional reaction in the viewer. Some composers do this very subtly, and others more saliently. There is no definitive way to determine if music is good or not — that is completely up to the individual. However, I’d argue that there are some composers who are better at creating a consistent emotional reaction in viewers. (If you’re interested, a few composers I love include Ludovico Einaudi, Murray Gold, my man Christophe Beck, Rachel Portman, Thomas Newman, and Joe Hisaishi. I would definitely recommend checking their stuff out if you’re into soundtracks.)

The second criterion for a good TV score, which I will be discussing in more detail, is that it is intelligently employed. What I mean by intelligently employed is that the music is thoughtfully applied to the story. This ultimately ties back to emotional reaction as well -- if the people behind the scenes are smart in where they put the tracks, they’ll create a stronger reaction in the viewer. Soundtrack is best employed when certain tracks, or leitmotifs, are used for specific characters, ideas, or plot threads, without being over- or underapplied. If you just slap the same track over every single emotional scene in a show, or add a random new track when you could have reused one that relates back to the character/theme in the scene, you’ll be missing out on a chance to create a response in the viewers.

Before I continue, I just want to quickly clarify that a leitmotif is essentially a small chunk of music that is associated with a specific character, relationship, setting, or idea. Basically, it’s a theme, and is tied exclusively to a certain element in the story. For this essay, I will be using leitmotif sometimes to refer to an entire track that is tied to a story element, and sometimes to refer to a shorter phrase of music, which may sometimes be contained in larger tracks. That’s not super important, though. Basically, leitmotif = theme for a specific thing.

When a leitmotif is given to a specific story element, such as a character, then using the leitmotif in scenes that are significant to that character gives the viewer a sense of familiarity and nostalgia. This is especially great if the character has been gone for a while and has just returned, or if they have died and the leitmotif is used while other characters are remembering them. Leitmotifs can be used to draw subtle parallels to earlier episodes or certain story arcs, and if the viewer is paying attention then they will be able to understand the show in a deeper way.

Some shows have great music but a poor application of it. One example of this is BBC’s Merlin. For the record, I am not dragging the composers here, because they did a beautiful job and created some great music for the show (if you want to check out the soundtrack, a few tracks I love are ‘The Burial’/’Merlin Buries Lancelot’ by Michal Pavlíček, ‘Merlin Lost’ by Rob Lane, ‘Farewell to Gwen’ by Rohan Stevenson, and any of the suites from the finales). I don’t know who actually makes the decisions about which tracks to put where in a show. It probably differs from show to show, depending on how involved the composers are. Budget probably also plays a role, with some shows being forced to reuse music if they can’t afford a full score for every single season. With all this in mind, Merlin has a lovely soundtrack, but hardly any thought went into its application. Songs are reused constantly, to the point where they have no special attachment to specific story elements, and therefore carry no emotional meaning. You won’t gain very much insight into the text when you hear them, and they appear so often that you lose the emotional reaction you once had to them. Simply put, the Merlin soundtrack is not intelligently employed.

There are a lot of shows with great soundtracks that follow these criteria of emotional reaction and intelligent employment. A few that I know of include Once Upon a Time (composer Mark Isham), Sherlock (composers David Arnold and Michael Price), and Doctor Who (composer Murray Gold from s1-10, and Segun Akinola from s11-present). I especially love Murray Gold’s work in Doctor Who — he created a leitmotif for every single Doctor, practically every companion, and even for some of the major villains, and the music would sometimes even be used to foreshadow the return of a character. I could write several dozen essays about the thought that went into Murray Gold’s composition, though that obviously isn’t the point of this particular piece.

Now onto Buffy. Buffy has such a wonderful soundtrack because the music is enjoyable and emotionally evocative (in my opinion), and it is very smartly employed. The show has certain tracks it reuses which hold significant meaning, and that are used throughout an entire season, or several seasons. Some of these include the Angel/Buffy theme (plus an Angel/Buffy breakup theme used towards the end of season 3), the Buffy/Riley theme, the Spike/Buffy theme, the Giles/Ms Calendar theme, the Tara/Willow theme, and doubtless many others that I haven’t noticed yet. As you can see, the Buffy composers are big on relationship leitmotifs which often span multiple seasons. There are leitmotifs for recurring ideas as well, like Joyce’s illness in season 5. All of these are used over many episodes. They create an emotional reaction in the viewer because they carry a sense of familiarity, tie plot arcs together, and give you nostalgic feelings towards character relationships.

Other tracks in Buffy are limited to a single episode or a single scene, instead of being reused frequently. Because of this, they pack a lot of emotion and make the scene or episode even more memorable. Think the score for ‘Hush’; ‘Restless’; the track ‘Slayer’s Elegy,’ which plays during the big final fight scene in ‘The Wish’; or the track ‘Spellbound,’ which plays during the Faith/Riley-Willow/Tara sex/magic parallel scene in ‘Who Are You’ (by the way, all of these episode scores were composed by Christophe Beck). The track ‘Spellbound’ is actually sort of an extended version of the Willow/Tara leitmotif. 'Spellbound' only plays in one scene, and it’s my favourite track in the entire show. By using certain tracks sparingly, instead of overapplying them, the composers can create a memorable musical experience out of a single scene or episode.

Some tracks get reused across episodes, but only once or twice, instead of many times. They may be attached to a very particular setting or idea. Reusing this kind of track in a later episode draws you directly back to the previous time it was used, creating a sense of familiarity and reminding you that you have encountered this sort of thing before. For example, there is a track called ‘Little Miss Muffet’ by Christophe Beck, which appears in the dream sequence shared by Faith and Buffy in the season 3 finale, ‘Graduation Day Part 2.’ This track does not appear again until part way through season 4, when a version of it plays in the episode ‘This Year’s Girl.’ It appears during the opening scene of the episode when Faith and Buffy are sharing another dream together, establishing it as the leitmotif for Faith/Buffy dream sequences.

Even when you aren’t consciously aware of the significance of every leitmotif in Buffy, they still create subtle emotional reactions in you which help you engage with the story better.

To wrap up my point, I want to offer an example of a fantastic track in Buffy and how it is used to draw viewers to a specific moment and create an intense emotional reaction. One of the absolute best episodes of Buffy is the season 5 finale, ‘The Gift.’ One of the many great things about it is the soundtrack, done by composer Christophe Beck (who also composes the orchestral score for Frozen, Frozen 2, Bring It On, WandaVision, and Ant-Man). Christophe Beck came back to the show to compose for this episode, and the most important track he created was ‘Sacrifice.’ From what I’ve observed, there are only three instances in which this leitmotif is used: twice in ‘The Gift,’ including Buffy’s pivotal final scene, and once in ‘Bargaining Part 2’ from season 6. The most important time that ‘Sacrifice’ is used is obviously when Buffy is sacrificing her life for Dawn’s at the end of ‘The Gift’; that’s why the track is called what it is. The track is used earlier on in ‘The Gift’ when Buffy and Giles are talking as they prepare for the final battle, and Buffy expresses her exhaustion with life and her vow that if Dawn dies she will stop being the Slayer. The use of ‘Sacrifice’ here is to foreshadow what’s to come. The longing for rest Buffy feels, and her wish to stop being the Slayer, will both be fulfilled when she dies at the end of the episode. The track is used in this scene to hint at what’s to come for viewers. The track is repeated in the second part of the season 6 opener, ‘Bargaining Part 2,’ when Buffy is standing at the top of the tower shortly after being brought back to life. This entire scene is a very deliberate callback for viewers as well as for Buffy: she is standing right where she was when she died, flashback clips play of her final moments, and Buffy repeats her own words to Dawn from ‘The Gift.’ Using the track ‘Sacrifice’ in this scene helps make the callback even more obvious. The song is able to elicit an extreme emotional memory for the audience, which the familiar setting and flashback clips may not have been able to create on their own. It reminds you not just of what happened in the season 5 finale, but of how you felt.

Of course, this foreshadowing and flashback use of ‘Sacrifice’ would not be as emotionally effective if Buffy’s last scene from ‘The Gift’ wasn’t such a fantastic scene, the song so skillfully employed, and the song itself so beautiful. ‘Sacrifice’ is one of my favourite tracks in Buffy. I love playing it on the piano. I love listening to it. When it plays at the end of ‘The Gift,’ it makes me almost cry. It’s saved for one of the most significant scenes in the entire series. The emotions are so elevated because soon after ‘Sacrifice’ starts playing, the rest of the audio is stripped away. All you can hear is Christophe Beck’s music and Buffy’s voice as she says her final words to Dawn, overlaid with silent shots of Buffy’s body, her heartbroken friends, and finally her gravestone.

In summary, I think the Buffy soundtrack is especially strong for a TV show, since it not only features breathtaking music but carefully applies that music to create the best emotional response from the viewers. TV shows don’t require a fantastic soundtrack to be successful, but I definitely think that the strength of the soundtrack makes Buffy infinitely better than what it would have been without it. The orchestral soundtrack for Buffy sadly isn’t available on Spotify or Apple Music at this time (though the soundtrack for the musical episode is). However, if you like instrumental scores, the official Buffy soundtrack can be found in various places on YouTube, and there are also many people who upload unofficial tracks (including here and here). Either way, I would definitely recommend checking out the music, or at least paying closer attention to it next time you watch Buffy. The creators clearly put a great deal of thought into it, and once you start recognizing the leitmotifs of the show, it reveals a whole hidden layer of storytelling.

#happy 20th anniversary of the gift #this took a lot out of me im tired now #anyways enjoy #this is for all you music buffs (enjoy my pun)#essay #analysis #meta #buffy #btvs #my post

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theshinsun · 4 years ago

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oh Kise?

oh worm??

Why I like them

I’m actually gaining a whole new appreciation for Kise these days; underneath the airy smiley surface he’s a really nuanced character, and every time I rewatch/reread KNB I notice something new about him. I love how his passion for basketball grew when he decided to devote himself to it, and how he’s inspired by Aomine and motivated by losing to Kuroko and Kagami, how he’s desperate to improve and play to the point of overwork and injuring himself, and still keeps going. He’s got a very satisfying arc when he learns to appreciate his team and respect his seniors, and I’ve learned to appreciate and respect him for it too.

Why I don’t

All that said... sometimes he can still be a little grating. He’s a little too superficial sometimes, especially dealing with his fangirls, and he seems to get the anime trope treatment disproportionately often compared to the other GoM. Much as his arc and motivations are well-written, I feel like they could be pushed just that little bit further to make him more compelling, but that’s honestly getting into nitpicks, he’s still a great character for what he ended up being.

Favorite episode (scene if movie)

This might not seem like a very important scene, compared to some of his others, but I just fuckin... love the restaurant scene after the first Seirin/Shuutoku game, where he sits at the same table as Kagami, Kuroko and Midorima, and talks about why they play basketball and how losing changes them. (Midorima looking at him and saying he’s changed “your eyes... they’re strange”, before realizing he’s actually gone back to how he was before the Teiko finals is... Important to me)

Favorite season/movie

Season three Kise can GET it. The ultimate glo up, he’s so awesome in the game against Haizaki’s team, and rematch against Seirin; I love Kasamatsu being like “go give them a greeting” and he just squares tf up it’s so badass. Side-note -- he’s also one of the only characters the Last Game treated well, after being considered “the worst of the bunch” he totally earned his moment to be the best, most powerful member of the GoM for a little while.

Favorite line

That moment in the Seirin/Kaijo game when he gets off the bench despite his coach’s disagreements and goes back into the game, because “I love this team”. I cry every time. “I liked being Kise of Kaijo” is a close runner-up.

Favorite outfit

Okay all his model outfits slap, but hear me out... season one when he shows up at Seirin and goes one-on-one with Kagami, still in his suit pants and shirt and he still kicks ass... iconic.

OTP

Um... so KiKasa or KiKuro seem like obvious choices, and they do have some great development... but I’m actually weaker to KagaKise I think. I don’t know why there’s something about their dynamic, they’re just such friendly rivals (by season 3 at least) and seem to bring out some really good things in each other (and I love the concept of Kagami being able to get Kise to loosen up and be more human, see Two if by Sea by tormalyne) their relationship is just so interesting to me. KiKuro is also up there but I think KagaKise beats them out by a hair.

Brotp

MidoKise. I have seen the light. I could also see them work as a romantic pairing, but the way they play off each other and banter is the Actual Best no matter the context I love these guys.

Head Canon

Kise strikes me as like, the worst enabler in existence. I feel like he shrugs off serious topics and plays things off as no big deal all the time, and he just does whatever he can to minimize discomfort and drama, if it means avoiding difficult conversations, or placating people with material things to get them off his case. He lets a lot of things slide and turns a blind eye when there might actually be something wrong, and it’s not very healthy how he constantly dodges people’s efforts to help him.

Unpopular opinion

Not really an unpopular opinion as much as a lack of understanding, but I just don’t... get AoKise. I mean I get it, but I don’t Get it, you know? Like they’re alright, they’ve got history and some chemistry and you all know I ship Aomine w literally everyone, but I just... still can’t get myself to see it as anything more than a casual fwb deal, or at best an unrequited love. I don’t see the compelling star-crossed romance other people seem to see, I don’t know why. (If anyone wants to try to convert me, I’m all ears, I’m mostly just perplexed by the popularity of this ship).

A wish

I sincerely wish Fujimaki had the balls to make Kise gay. Not as a device to set him up with people so my ships can be canon, far from it, I just think he’d be a much more compelling character if he was, and out of everyone in KNB (except maybe Mibuchi) he’s the one with the most pieces laid out. It’s right there, and it would add so much depth; having to put on a hetero performance for the sake of his modeling career, trying to differentiate between genuine admiration and attraction, worrying about not being accepted by the friends he’s been able to make if he were to come out... it’s just a shame we weren’t given that bc Fujimaki insists on having everyone but the caricatures be straight.

An oh-god-please-dont-ever-happen

I think the worst thing that could happen to Kise is for him to get bored with basketball. Because that will mean there probably isn’t anything he can get into that he won’t tire of eventually, and it leaves the rest of his future looking pretty bleak. I don’t know how likely it is to happen, but at his rate of improvement he very well might face an Aomine-esque spiral one day, and that is... a troubling thought.

5 words to best describe them

Bright. Flashy. Idyllic. Pursuant. Ravenous.

My nickname for them

Golden Boy. I also tend to call him a labrador retriever in my head, which, if you know the parallels I draw between him and Mr Peanutbutter...

#that turned out long #kise ryouta #knb #answered #shin speaks #taigainside #turns out i have a lot to say about this boy #i should write him more often

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marvella15 · 4 years ago

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Astaire & Rogers Rewatch Part 6: Swing Time

• Swing Time aka the Astaire/Rogers film that I think is actually the best, especially from the dance perspective. Every duet is fabulous. You could watch just the duets and understand the entire plot of the film. That’s how well crafted and executed they are.

• Our characters/actors: John “Lucky” Garnett (Fred Astaire), Penny Carroll (Ginger Rogers), Pop (Victor Moore), Mabel (Helen Broderick), Ricardo Romero (Georges Metaxa)

• Is this the first Astaire/Rogers film where he’s the one engaged (or married) to someone else? It’s usually her.

• Lucky is already ridiculously late for his wedding, even before he’s rushing to get dressed. But I love his little snap-and-a-heel-click.

• How does Fred Astaire manage to look so dapper in shoes, a top hat, no pants, and a robe?

• It’s interesting that Lucky’s bride-to-be calls him John, rather than his nickname, which is tied to his gambling talents and therefore doesn’t fit in with her or her upper class family. But Penny only calls him Lucky. The two women even have a little exchange about it later in the film.

• As usual, Rogers’ character is uninterested in Astaire’s upon first meeting and also as usual, she has a very good reason. She thinks he’s using any lame excuse to hit on her. Wow, look how much men have not changed at all.

By the way, 25 cents in 1936 is almost $5 today. Not saying it’s a reason to call the police but it’s at least not as outrageous as calling the police over a quarter.

• Remember I said her cries for a porter in Gay Divorcee would come back? Here it’s reprised in her calls for an officer, which Lucky will also gently mock later just as Guy did to Mimi in the previous film.

And wow, the officer is condescending and patronizing to her in deference to a man whom he thinks is an affluent gentleman. Look how much the police have not changed.

• It’s odd that Lucky describes Penny as having red hair when Rogers was definitely a blonde (originally a brunette). Maybe she had strawberry blonde hair at this time?

• The tense exchange between Penny and Lucky as she teaches him to walk at the start of his dancing lesson is some of Astaire and Rogers at their acting finest. It’s a short, rather simple scene but they make it charming, funny, and entertaining.

• Penny’s line, “If you’re trying to annoy me you certainly are succeeding,” is such a mood sometimes.

• Lucky, already starting to flirt: “All the world loves a dancer. Don’t you?”

• Astaire does a good job of acting like he’s a terrible dancer. Takes a lot of talent to pretend to suck at something you’re actually incredible at.

• Pay attention to the three-step maneuver Penny teaches Lucky. He uses it as the building block for all of their dances in this film, beginning very soon with “Pick Yourself Up.”

• I love the “Pick Yourself Up” duet so so much. As much as the romantic duets for Astaire and Rogers get a lot of attention, I really love tap dancing and this is one of their best tap routines. Plus, you can see Penny (thanks to Rogers’ intuitive acting) go from surprise to delight to pure enjoyment and maybe a little bit of well-deserved smugness. Also notice that Lucky and Penny are much closer together in this duet than they had been during the dancing lesson. They’ve already become familiar with each other in that short span of time.

• Because of the nature of the scene, Astaire looks frequently at Penny’s boss but Rogers is watching Astaire almost the entire time. Her expression conveys the feeling that Penny has finally found the right partner.

• There’s a lovely moment where she glides back with her arms up as she waits for him and Rogers’ face is so full of joy and affection.

• Astaire typically avoided naming a “favorite” partner out of consideration for the many other actresses he danced with. But he did comment that because of how well Rogers danced with him, “She got so that after a while everyone else who danced with me looked wrong.” And he’s kind of right about that. Swing Time as a whole is probably the best example. No other actress would look right in any of the dances they share in this film.

• The moment of wordless conversation between Penny and Lucky after their dance feels very much like the actors themselves. In addition to having known each other prior to making films, they’ve also now spent the last 5 years working very closely together. No doubt they had some silent shorthand.

• One of the reasons I enjoy Swing Time is because unlike other Astaire/Rogers films, the misunderstandings between them don’t emerge until later on, rather than appearing at the start to constantly obstruct their relationship. Here, Lucky and Penny begin their relationship almost right away. Just look at their cute conversation in front of the elevator where he hastily decides to get a room in the same building as her.

• For the second time in this film, Astaire looks incredibly dapper while also being pantless.

• At first it seems ridiculous that Lucky is picketing outside Penny’s room claiming she’s been unfair to him since he made them miss their try-out. However, he’s done everything to make it up to her, including arranging a new try-out for them, building up a sizable bankroll for him/them and Mabel, and, obviously, getting some new clothes.

• Although they tried many things in Rogers’ hair to make it look like shampoo, I believe they landed on whipped cream at her suggestion. And they use it as a very convenient excuse to prevent yet another kiss.

• Unlike other romantic songs in their films, “The Way You Look Tonight” is framed as a popular song of the time within the film itself. And we know this because Ricardo Romero is singing it in the next scene as part of his “romantic medley hour.”

• Love the way Astaire looks at her during this social dance. So warm and loving. And when they leave the dance floor, he gets her attention at one point by hooking his index finger to the point of her elbow. Just little moments of familiarity between them.

• More little moments: When Penny gets up from the roulette table, Lucky stops her until after the ball has landed, indicating he feels she’s good luck. Rogers is holding Astaire’s elbow as she goes to leave so he grabs her hand under his arm without looking.

• I’ve always loved the look on Lucky’s face when he watches Romero approach Penny. It’s not jealousy or concern, necessarily. Just soft, like he’s wondering if his heart is about to be broken. And the music playing? “A Fine Romance”

• Lucky does everything possible to get Penny and himself the promised try-out including winning nearly $25k at the casino tables, then winning Romero’s contract, and eventually publicly goading Romero to play for them. But Mabel was right before when she told Penny that everything Lucky did was solely for her. He doesn’t need a new dancing gig, and had in fact come to New York to earn money as a gambler, rather than a dancer. That all changed when he met Penny.

• Remember a time when you were newly in love? The sheer elation of that feeling is what the “Waltz in Swing Time” is. It’s a celebration that builds on what was established in “Pick Yourself Up” and adds sweeping moments of romance. The three steps to the left and right move is expanded on first with outstretched legs and arms and later with exuberant movements around the floor.

• Right at the start, Astaire has a twinkle in his eyes when he looks at Rogers and she responds in kind. They smile at each other easily as they move through a fast-paced and breathtakingly beautiful routine.

Usually in their films, a romantic and celebratory duet comes near the end when all of the misunderstandings have been resolved. But in Swing Time, it’s right in the middle.

• There’s one moment where Astaire affectionately touches Rogers’ wrist. It almost looks as though he’s going to spin her towards him but instead they keep dancing separately, next to one another.

• When the music kicks up, Rogers smiles broadly and she looks radiantly in love. As they spin together, tapping in a circle around the dance floor, both of them keep looking up in wonder and rapture.

• They’re cuddling during the snowy scenes is very sweet but some of the romance is sucked out when you see the behind the scenes pictures.

(photo credit)

• Cuuuuute:

Penny: “I like being off alone like this.”

Lucky: “You’re not alone. You’re with me.”

Penny: “Then I like being off alone with you.”

• Lucky’s face when he accidentally finds himself in an embrace with Penny is purely Astaire and you can fight me on that. There’s so much longing and want in that look. He’s able to get away with it because of the long moment before he has to say anything but even when he does speak, his voice cracks a bit. His gloved hand keeps stroking her forearm.

• Not hard to see some true-to-life parallels in this dialogue and I’ve always felt that the way Astaire said his last line here was as himself, not just him acting.

Penny: “It’s funny how we met, and all that’s happened to us since.”

Lucky: “The way we’ve been sort of thrown together and everything.”

Penny: “As if it were all meant to happen.”

Lucky: “It’s quite an experience.”

• Like I’ve said before, no way the actors and creative team didn’t know exactly how much they were trolling audiences by having lyrics like “a fine romance with no kisses” in Astaire and Rogers’ SIXTH. FILM. together where they still haven’t kissed romantically on screen.

And in fact there will be at least two thwarted kisses in this sequence alone.

• “A Fine Romance” is quite scandalous when you pay attention to the lyrics too. Penny says Lucky won’t “nestle” or “wrestle” and she’s “never mussed the crease in [his] blue serge pants.”

Rogers does a really wonderful job throughout. She’s frustrated and disappointed when singing at him and then stewing with hurt feelings when he sings to her.

I’ve always loved how Astaire flatly says “cactus plants” in the lyric “you never give the orchids I send a glance, no you like cactus plants.”

• I always chuckle at the way Penny loudly and awkwardly asks, “HOW DO YA LIKE MY DRESS?” Who hasn’t suddenly gone awkward af in front of their crush?

• In the movie Grease, there’s a part where Rizzo has a hickey from Kenickie. According to Stockard Channing, actor Jeff Conaway insisted on giving her the hickey himself. But just in case you thought maybe Ginger Rogers insisted on leaving her own lipstick imprint on Fred Astaire’s lips, sorry to disappoint. A makeup artist came in and applied it.

• And I adore how they’re both giggling and giddy after the supposed kiss. So much of this movie is about young love or your first real love, those butterflies mixed with terror and anticipation.

• I always thought the club owner said, “Lucky, you’re a mess” after finding Penny and Lucky immediately after their first kiss. But he actually says, “Lucky, you’re on next.” Either way, Lucky’s dazed response of “Am I?” is cute.

• Ok, the “Bojangles of Harlem” number. It’s the only time Astaire did blackface. It’s uncomfortable to watch even though he intended it as a tribute to African-American dancers Bill Robinson and John W. Bubbles. There’s also some very innovative use of 1936 special effects to make it look like Astaire is dancing with three of his shadows. Largely because of this, choreographer Hermes Pan was nominated for an Academy Award for Best Dance Direction.

He lost but won an Oscar in the same category the next year, the final time that category was awarded, for a routine in Astaire’s only 1930s film without Ginger Rogers, A Damsel in Distress.

• If Lucky had just let Margaret say her piece, he would’ve known that he’s actually not beholden to her anymore. But then we wouldn’t have one of the greatest dances ever put to film.

• In all fairness on the kissing front, Lucky’s well timed entrance does prevent Romero and Penny’s kiss from appearing on screen.

• A heartbreaking exchange where they never break eye contact:

Penny: “Does she dance very beautifully?”

Lucky: “Who?”

Penny: “The girl you’re in love with.”

Lucky, meaningfully: “Yes. Very.”

Penny, after a beat: “The girl you’re engaged to. The girl you’re going to marry.”

Lucky: “Oh, I don’t know. I’ve danced with you. I’m never going to dance again.”

• “Never Gonna Dance” is distinguished from the other songs in this film’s world because it’s not something that is also used in the dance studio or played by Romero’s band. Instead, it includes elements specific to these characters. The line “the la belle, la perfectly swell romance” recalls Penny’s line earlier in the gazebo. The reference to “dinner clothes” harkens back to Penny and Lucky’s first day together. The repeated use of the word “penny,” transforms in its final iteration to being her name when Lucky sings, “Though I’m left without my Penny.” The whole song is Lucky’s elaboration on his line above. Nothing matters now, not his clothes or money or dancing. All he’s going to do is love her.

• The music of the dance and many of the moves are pulled from previous songs and dance numbers. A fittingly mournful version of “The Way You Look Tonight” plays as they walk together, which is also how Lucky began his dance lesson with Penny. Later, “Waltz in Swing Time” trumpets in to propel them into that same three steps move again but as euphoric as they were in that previous dance, now he is almost desperate and she is slowly letting him go. “Never Gonna Dance” is a compilation of their entire romance from start to heartbreaking finish and it’s a truly stunning duet. I know “Cheek to Cheek” gets a lot of hype, and it’s deserved, but “Never Gonna Dance” is something extra special and is certainly tied with “Waltz in Swing Time” as the best Astaire and Rogers duet in my book.

In keeping with how much Swing Time breaks the tradition of Astaire/Rogers films, “Never Gonna Dance” is the duet where Astaire is trying to woo Rogers’ character, something we typically see earlier in the film but was never needed here. It’s also very tragic, something we almost never see in Astaire/Rogers films. Even “Let’s Face the Music and Dance” had a hopeful tone.

• Their expressions in this number are especially poignant. He is imploring her to stay while she is gazing at him as though drinking him all in because she knows this will be the last time they’re together. While he is concentrating on pouring everything into the dance, she is memorizing every detail of this last dance with him, even watching him when he can’t see her. I know I talk a lot about Rogers’ acting ability during these dances but it never stops being worth mentioning. No other partner of Astaire’s got it the way Ginger Rogers did.

• Thank god they cut this dance into two pieces so that they only had to perform this last bit again and again by itself, rather than having to start from the very beginning each time.

After two films that included “issues” with her dresses, Rogers this time has an issue with her shoes. Or rather, they did so many freaking takes (47ish) that she bled into them. And supposedly she didn’t complain at all because she was just as committed to getting the dance right.

She does the majority of the tough work in this final piece too. Not only is she spinning quickly and frequently, in the final spin she has to move towards where he waits, rather than him coming to meet her.

Some credit to the level of trust they’d built though, Astaire’s arm is always ready well in advance of when she will spin into him.

• Even as the duet is ending, Astaire keeps his face longing and hopeful. Lucky has done everything to win her back and as they move towards the door he thinks he may still have a chance. But in their last embrace where he holds her tightly to him, she tellingly doesn’t return the gesture and leaves both of her arms raised. When she exits, he grimaces as though his heart has truly been broken.

• The ridiculous overacting when they’re all laughing is 🙄🙄🙄. Did the Joker unleash some laughing gas?? The silliness of this ending takes away from the rest of a truly excellent film.

It also reminds me of the silliness of the beginning. If I had to guess, the writers probably had a great middle and no clue to how start or end things. At least, it feels that way.

• I do like how she sings a reprise of “The Way You Look Tonight” about him while he sings a reprise of “A Fine Romance.” And they go in for another kiss, pause, then embrace with his back to the camera because GOD FORBID we see a single dang kiss between these two!

Though I am left wondering just what Astaire and Rogers were doing in the final embrace because their faces do seem awfully close together...

• Swing Time is probably the last exceptional Astaire/Rogers film. Everything after this doesn’t quite measure up except in a few specific instances. That said, I do enjoy many parts of Shall We Dance, which is next.

#fred astaire #ginger rogers #swing time #classic hollywood #old hollywood #fred and ginger #astaire and rogers rewatch #all astaire/rogers gifs without credit are mine

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fandomlurker · 4 years ago

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A Ponderous Rewatch: “Win Big”

And so we begin. For real, this time.

And to start, we have to go all the way back to Animaniacs season 1, episode 2, with the very first Pinky and the Brain skit which is named “Win Big”.

Interestingly enough, the duo are not directly trying to take over the world in this episode. The premise is that Brain needs money to buy the one part needed for his actual plan to take over the world using a machine he calls the “Super-Conductive Magnetic Infindibulator”, which will “deplete hydrogen and promote gravitational collapse [to produce] a magnetic charge from the center of the Earth so strong that every person who has loose change in their pockets will be magnetically drawn to the ground and stuck there”.

…

For those of you who are new to the series and for those of you who maybe can’t remember the show very well, I want to say that yes, what you’re probably asking yourself right now is true: Brain’s plans are almost always this complex and completely absurd with giant, glaring holes in logistics. There’s been a long-time “theory” that while their theme song says “one is a genius, the other’s insane” and intends to indicate that Brain is the genius while Pinky’s insane, it’s actually the other way around. And honestly? That doesn’t exactly hold up to any kind of scrutiny at all. Brain is actually a genius…he’s just also very, very short-sighted and lacks a lot of common sense. He’s so focused on his goal of world domination that he forgets to account for even the most obvious of details that would completely ruin what he’s trying to accomplish. And Pinky? Well, Pinky’s a lot smarter than he seems, but I wouldn’t exactly mark him as a genius. He’s just more worldly, more emotionally intelligent, and has a knack for pointing out the obvious. For you D&D nerds out there, think of it like this: Brain is a high INT low WIS character while Pinky is a high WIS low INT character.

As for which one is “insane”? Disregarding the…let’s just say “problematic” baggage that comes with that word, I’d argue that Pinky is just neurodivergent and Brain has a lot of problems. Like, a lot of problems. We’ll get more into that mess much farther down the line.

In any case, the opening of this episode has Brain pulling Pinky away from watching what is obviously supposed to be The Honeymooners, complete with “Bang, zoom, right in the kisser!” quote and everything. That quote, or one like it, was what the character Ralph Kramden would frustratedly yell at his wife, Alice, after she’d dismiss a get rich quick scheme of his. It was an ultimately impotent threat of violence, as he never did hit her. A lot of folks before me have delved into how messed up and controversial that whole running gag was, so I didn’t particularly feel the need to go over it here.

However, it does become immediately relevant because as Pinky laughs at the joke and excitedly quotes it while Brain is trying to get his attention, Brain reaches up and gently holds both their faces close for a few moments…

“Stop saying that, Pinky!...”

…then more aggressively tugs Pinky’s face down as he finishes with “…Or I shall have to hurt you.”

“Oh, okay. Sorry, Brain. NARF!”

Isn’t it interesting how the very first thing this series does is juxtapose Pinky and the Brain’s relationship with that of the main married couple on The Honeymooners? Like, it’s certainly not the most healthy of a relationship parallel to make, but in Pinky and Brain’s favour their world is governed by slapstick humour and thus any and all violence is much less serious. Also, there’s Pinky’s…uh…special relationship with physical pain that will become more apparent as the series goes on. Like, of course this kind of behaviour is wrong and appalling in real life, but this is a Warner Brothers Looney Toons-style cartoon and there’s a big difference between the two.

There’s also this little tidbit of information on the Animaniacs wiki regarding this episode and its writer, Peter Hastings:

“Although Peter Hastings has stated that he always tried to have Brain threaten to hurt Pinky but never actually hit him (because he felt this was both funnier and truer to the character), Tom Ruegger and the other producers would often have Brain actually hit Pinky. Even in this very first short, the Brain does follow through.”

Moving on, though, after Brain Rube Goldberg machine’s his way out of their cage and points out that Pinky has an “inordinately short attention span” after Pinky gets briefly distracted by another TV show that’s a very blatant parody of Jeopardy, he explains to Pinky his latest plan for world domination.

“EGAD, Brain, brilliant!”

“…Uh oh, no, wait…what if they take off their pants?”

^ The face of a man who somehow managed to forget that clothes are removable.

See what I mean about Pinky having a knack for pointing out the obvious? It’s very much needed to counteract Brain’s complete lack of foresight and introspection.

“Then…we’ll have to take over the world quickly.”

…Though there’s also something to be said for Brain’s stubbornness.

So they need a part for Brain’s machine called a Infindibulator, which is for some reason listed in the Farmer’s Almanac??? Which to my knowledge doesn’t sell anything at all??? Okay, Brain, whatever you say.

Brain actually kicks Pinky directly in the ass to get him up onto the Almanac to read it,

which would be alarming if not for Pinky’s completely happy and sincere “Thanks! :D” afterwards. It’s a mere hint to Pinky’s…predilections. I find it interesting that it’s so subtly foreshadowed in this very first short. I know you newer folks might think I’m joking, but I assure you I’m not. You will see.

As a side note, it’s so odd hearing Rob Paulsen’s early Pinky voice in these first several Animaniacs shorts. I’ve seen fans say that it’s more lispy than the standard Pinky voice that we’re all familiar with, but to me it just sounds like Pinky with a very, very bad cold and a stuffy nose. Get this mouse some nasal spray.

So Pinky finds the entry for the Infindibulator and it costs a whopping $99000. Where would two little lab mice find that kind of cash?

It sure is lucky and convenient that the TV is still on during that moment and tuned into an episode of Jeopardy—I mean “Gyp-Parody” (Really, writers? Really? In addition to being a horrible and lazy pun, I would rather not have to type a slur so much, so I’m just going to call it the name of the show it’s based on) where the reward for winning totals $99000.

And here we go, the first of its kind. The birth of the most famous running joke from Pinky and the Brain!

“Pinky… Are you pondering what I’m pondering?”

“I think so, Brain, but where are we going to get a duck and a hose at this hour?”

…Believe it or not, Pinky’s bizarre answers do have an explanation and a certain logic to them, but we find out the hows and whys much, much farther along in the series. That said, I’ll be damned if I know how he got to this particular train of thought right now. The inner machinations of Pinky’s mind are an enigma.

So Brain gets the idea to become a contestant on Jeopardy to win the amount of money they need for their plan. Pinky points out that the questions on the game show are very, very hard and Brain would have to get all of them right, and I just love Brain slowly turning his head to face Pinky with the most deadpan “Bitch, are you for real?” look on his face.

To Brain’s credit, he doesn’t berate the other mouse at all for his doubts. He just very calmly asks Pinky to quiz him about anything he can think of. When Pinky asks him “What is pie?”, well, see above for the summary of the answer Brain gives.

He then asks for a harder question, and Pinky asks him which TV character says “Bang! Zoom!—“ before Brain cuts him off with a wack of a pencil for quoting something inane and annoying him again.

Though he quivers a little before the smack, Pinky’s fine afterwards. Smiling, even.

And he happily gives Brain the answer anyway, complete with bows. “Ralph Kramden! TA-DAH! :D”

But Brain is insistent on preparing to go on Jeopardy, grabbing Pinky by the tail to drag him off-screen and Pinky is…

Hmm.

He’s, uhh, more than fine with it.

Now we get the debut of the human suit mecha. It’s quite the staple of the series; the go-to for a human disguise whenever the mice need one.

And it certainly is…something. You may be noticing the lack of a human head. Don’t worry about it. Brain certainly didn’t.

I love Brain’s playful little “Honey, I’m hoooome!~” when he pops his head out, despite having a deadpan look on his face the entire time. He’s having fun!

“Ahahaha! Oh, that’s a funny joke, Brain!”

“I am not devoid of humour.”

Pinky is having a little less fun with his tail accidentally tied along with the shoelaces, however.

It’s fine, he’s fine. He’ll be okay! Pinky is indestructible.

He’s a pocket pal now. He’s fine.

Makin’ my way downtown, walkin’ fast…~

Okay, sorry, he’s hailing a cab instead. Effectively, too!

Oh hi, Warners, nice to see you! Doing a literal running gag, I see. Nice, nice.

Goodbye!

So if you were wondering how regular humans would react to Brain’s “clever” and totally made without proper foresight disguise, well…

“Wh—HOA! Hey, if you don’t mind me askin’, bub, what happened to your head?”

“Nothing. I am a mouse in a large, mechanical suit.”

“Hehehehe! Okay, all right, my fault for askin’, right? Heh.”

Yup. This isn’t the first time this kind of thing happens. I guess since they’re in Hollywood the taxi driver’s seen worse.

So Brain gets on the show (don’t worry about how, shh) and the announcer calls him “Brian” instead and Brain politely tries to correct him. I can’t exactly fault the announcer because 1. “Brain” isn’t a name and 2. Look at Brain’s gloriously messed up handwriting.

The host walks on in. It’s pretty cute that they gave him the parody name “Alex Quebec”. It’s a suitable pun and rhyme to hint at the fact that Alex Trebek was born in Canada. Rest in peace, Mr. Trebek.

The first question is in the category of celebrity shoe sizes and asks what size sandals Plato wore. Umm. Okaaaaay… Thank goodness this show first aired before websites for foot fetishists cataloguing celebrity feet was a thing. Also is it just me, or does that font looks like something off of The Simpsons?

I don’t know if I should be worried or not that Brain got the correct answer to this question. (Seven and a half, if you’re curious.)

Question two is totally a trick question, though. There’s no such place as “Lestho”. “Lesotho”, however, is a real kingdom in South Africa. King Moshoeshoe I was indeed the ruler in 1820 as Brain answers, although the place was called “Basutoland” at the time and didn’t formally become a kingdom until 1822.

Educational!

Question three is a normal if extremely hard question for anyone unfamiliar with geographic locations off of the southeast of Asia. There are a lot of correct answers, and Brain answers correctly with “Bikar, Ailuk, and Ailinglaplap”. As this post notes, he is totally flexing on everyone by naming very obscure coral atoll islands that are some of the furthest neighbours from the Isle of Yap.

You smug asshole, Brain.

We don’t get the questions Brain answers correctly in the following montage, but we do get a close-up of his handwriting. Look at this. Just…look at it.

We get to see the aftermath of Brain’s monopolizing of the scores, though. The other contestants aren’t looking too good. Note that it seems there were times that they did manage to buzz in to answer before Brain did, but they must have got all of their answers or at least most of them wrong. They’re both in the negatives.

“Any plans on how you’ll spend your winnings?”

“Yes. I plan to take over the world!”

“...”

“…Ah haha, my fault for asking.”

Pinky claps and congratulates Brain on doing so well so far, because he’s a sweetheart like that, and

Brain flicks him back into the pocket. Man, you’re so quietly mean in this first episode, Brain.

Now it’s the final question, from the category “Quotable Quotes”. I remember this kind of category as usually being the easiest on Jeopardy, so it’s kind of surprising that it’s the Final Jeopardy question.

Uh-oh.

Looks like someone forgot that Jeopardy questions aren’t all science, history, and geography-related. Sometimes they’re about pop-culture.

Brain is…not very good with pop-culture. And Pinky’s been banished to the bottom of the coat pocket.

Whoops.

“Umm. Uh, who is, uhh… I, umm. Who is, uhh… Who is…uhh, Pinky…?”

Oh Brain, honey, it’s cute that you got so stumped and flustered that you just blurted out the only name that came to mind (and because Pinky was quoting it earlier, but still!), but it’s also so very, very sad.

Of course that’s incorrect, and Brain is just so monumentally defeated.

“And how much did you wager?”

“Everything…”

HUBRIS!

We then cut to the mice watching Brain’s horrible defeat on TV, and Pinky suggests a few other game shows they could try: Wheel of Misfortune, $10,000 Pile-A-Mud… The latter of which is supposed to be a parody of the old game show Pyramid, which wasn’t around in that format by the time this episode aired, so…good luck with that one, Pinky.

But no, Brain doesn’t plan on going on any more game shows. He instead walks sadly over to their cage to rest for tomorrow night.

It’s then that we are witness to the birth of the other memetic exchange this show is known for:

“Why, Brain? What are we going to do tomorrow night?”

“The same thing we do every night, Pinky: Try to take over the world!”

That wink, though. It’s the confident wink that sells this and tells us all you need to know about the Brain. No matter how bad his defeat, how humiliated he gets, or how sad he feels about failing, Brain always gets back to business sooner or later. He has determination on his side. And Pinky, of course.

And that was the very first Pinky and the Brain short! A pretty good start for the series, really. Nothing spectacular, and definitely not the worst, just a good start that sets the tone of the series well and establishes several of the running gags the show is known for. The creators pretty much have Brain as a character down right away: serious but not devoid of humour, single-minded, stubborn, egotistical, smart, and determined to meet his goals. There are a few things missing from him that we get later, and he certainly softens a bit by the time the spin-off starts, but they’ve set up a solid foundation to build on so far here. Pinky’s character is a little more nebulous in this episode, though. He’s shown to be generally good-natured, smarter than he first seems, easily distracted but well-meaning, and willing and able to help Brain achieve his goals. Still, he’s missing the much of the overwhelming kindness and his enthusiasm for Brain’s plans and awe at Brain’s intellect that he has as we go further through the series. I mean, there are hints of it here, too, but it’s much more understated compared to later on. Not to mention that Pinky gains a bit of a sassy side to him that somehow still manages to be friendly, like when you gently tease your friends while still caring about them.

I understand that you can’t really squeeze all of that into the first, like, fifteen minutes or so of a series, though.

Also, the animation for this episode wasn’t exactly the best of the series. There are points where Brain looks kinda muppet-y and Pinky is uncharacteristically gaunt and gangly. I mean, Pinky is usually a little gangly but not as hunched over and his nose stretched out so much. It’s not the worst, either, and serves as a decent baseline of how the characters look. Wang Film Production looks to be the animation studio behind this one, and I’d say their style is the most “normal” quality of the ones that get to animate for PatB. They do settle into a better and more consistent style for the show, so I’ll try and be on the look-out for that.

I’m not sure if the other posts I’m going to do on this rewatch will be quite so play-by-play as this one was. Since this is the first, I felt the need to establish in more detail the kind of things that happen in your average episode of PatB and the general rhythm of the show. I’m definitely going to try and include every instance of the ongoing running gags the series has, though.

I feel I should also say that from now on I might have to double or triple the amount of episodes in one post, too. There are some episodes in a long-running series like this where not too much of note happens, I’m sure, and I know at least a few are either silent shorts, cameos in other Animaniacs skits or little music videos and you can only get so much out of those entries.

Yes, music videos. Including a cameo appearance in a Macarena parody. I’ll prepare as best as I can to cringe so hard from secondhand embarrassment that I morph into a pretzel shape.

We’re only getting started, folks. Things are only going to get weirder and more interesting from here on out.

#Pinky and the Brain #PatB #Win Big

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