#I don't care if it's anachronistic

[sophieswundergarten]

Wolf 359 Pirate AU where the aliens are actually sirens and instead of just stealing Kepler's hand Lovelace chops it off with a sword and then nearly drowns him

[septembersghost]

50s riverdale elvis mention check-in, this week they used "i got stung"

[imissthembutitwasntadisaster]

sure have a lot of opinions on acotar for someone who never read it but watched 11 hours of videos of it being explained to me in comedic detail

[bacon-neko]

Nano 2023 day 26

ain't their first injury rodeo (and it won't be the last)

First checking that Keraunos could hold him steady, the woman ducked out from Ares’ arm and rushed up some steps, deeper into the house. The boy shivered in the open door, unsure what to do with himself as he stood, the smell of smoke and herbs wafting down from the stars. Soon the woman returned, arms laden with several jars which she placed directly on the stone floor.

“Get him into the bath, please,” she said before running back up again.

Haltingly, Keraunos shifted Ares about and helped lower him into the nearby tub, wincing as Ares grit his teeth and groaned. When the woman returned once more, she set a bundle of cloth by the jars and then started to tug the soiled clothes off the war god’s body.

The door slid shut behind him and Keraunos turned as the girl entered and hovered by her mother’s side.

“Alkidike, take these,” she said, handing the girl the lump of ruined cloth, leaving the boots and remaining bits of armor on the ground. “And fetch some boiling water.”

The girl nodded, taking the bundle and then scrambling up the steps. Crackling wood and clanging metal carried down the steps in her wake along with heavy stomps as she moved about the upper floor.

Ares chuckled, light, breathy, and fond. “She’s noisy.”

“Hush now,” said the woman. “Stop keeping yourself awake.”

With that, a shuddered breath escaped his chest as his eyes closed and body stilled. The woman froze for a moment before sucking in a breath and dusting off her chiton. Turning to Keraunos now, she asked, “Are you injured as well, sir?”

He startled for a moment, surprised at being asked. “No,” he decided. “I’m alright.”

“Well, we’ll clean you too, just to be sure,” she said before calling up the stairs, “Alkidike, water!”

“Coming!” the girl replied, clambering back down with a bucket in hand.

“Good girl,” said her mother, readying a cloth. “Set it there, help me wash.”

Growing restless and sharp, Keraunos made a half-aborted gesture to settle alongside the pair. “Can I help?” he asked instead.

[six-of-ravens]

literally i am holding a gun to netflix's head and forcing them to put this cover in s5 of stranger things

[starfoam]

"You say I took the name in vain, but I don't even know the name, but if I did, well, really, what's it to ya?"

A lone figure sits among ruins and sings. The voice is low and husky, and echoes with the melancholy of the ancients.

"There's a blaze of light in every word, it doesn't matter what you heard, the holy or the broken Hallelujah..."

[baxtervalentine]

UPDATE: I rewatched it last night and there's a picture of him riding on a penny-farthing in his house during the opening sequence. lisa was RIGHT

I think the part where lisa is like "you probably didn't even drive back when you were alive. you probably rode on one of those bicycles with the big stupid wheel in the front" and the creature looks at her and she's like "you did" is really funny

[stargazerlillian]

Been listening to this cover on repeat and I can't help but imagine Alannah singing this to Jasper-

[kiefbowl]

one of my lil feminist pet peeves is this sort of pervasive but unspecific idea of a sort of historical female stupor. it's unspecific because it's so assumed and presumed that people aren't even aware they believe it enough to question it, and our historical record pretty much confirms it by the fact that female history is largely ignored and undervalued to be archived by contemporaries, and then that lack is largely reconstructed and interpreted by men in the future. i.e. - women and their contributions to society are erased. but they surely existed, they surely had great impact, even in the worst of female subjugation.

"women wouldn't have talked like that, thought like that, behaved like that" has little and less proof so much of the time. I'm not sure why I, a human woman, would be so different than a human woman 500 years ago. Or even 1,000 years ago. Or more. If I can perceive the illogical fallacies of my modern day society, why would a woman before me be incapable? If I can feel stymied and undervalued, why wouldn't that be the same for other women before me? I just don't like entertaining even for a moment the sort of male fantasy that women turn off when men leave the room, and only have the thoughts and beliefs as their men allow them to have. I would rather imagine the most anachronistic female fantasy possible, because even if I would be wrong, I think I would be closer to the truth than the non-existent, compliant, passive, dullards men want us all to believe all women were prior to our most accessible shared history. It was always our grandmothers "starting to get up to trouble" - but of course never their grandmothers. I just don't believe that. I don't care, I just don't believe it! I think my great great grandmothers were loud mouthed, angry, and smart enough. I certainly didn't inherit this personality and big brain just from my catholic school education and my centrist parents. Certainly if I'm human, they all were, too.

I would much rather believe women had transgressive and revolutionary thoughts, thoughts dangerous to men, all the time in every era and corner of the globe at every level of society, and those thoughts systematically scrubbed and denied then think for a moment women believed the world was always right and just to them.

[arcturite]

Chimer that live in my head rent free.

These designs are fairly anachronistic with each other according to my vague timeline. I really only drew what I felt like at the time (started this in February to stave off demons from class). Brief headcanons below

Sotha Sil loses his arm and is left with scarring before the formation of the First Council. He tends to wear long robes and the mask seen in Foul Murder. Influenced by @sothasil 's design!

Almalexia is quite young here, still a puppet queen to the Nordic occupation. She completes her facial tattoos (the lines above the dots) later in life.

Vivec’s hair changes from white-blonde to a dark brown to reflect how ze grows beyond who ze is with Nerevar.

Alandro Sul’s tattoos might change, and don't really have meaning at the moment. He’s an Ashlander by birth, and I tried to incorporate the line designs seen on the banners in Morrowind. Influenced by a piece of @mannimarcos artwork!

Voryn Dagoth is older in this depiction. He grows facial hair after betraying the First Council and bringing the news of the Heart of Lorkhan’s whereabouts to the Nords.

Nerevar is also older, well into his council years. He takes good care of his locs. He uses gel from scathcraw as a locking gel. And is sure not to ingest it, as that “Ravage Health” side effect does not sound pleasant. I was very influenced by @nerevarines Nerevar design, regarding the texture of his hair.

[fayes-fics]

Vibe & Vexation

Pairing: Benedict Bridgerton x fem!reader, Modern AU w/ Regency roleplay

Summary: Watching Pride & Prejudice evokes playtime in Benedict.

Warnings: 18+ smut, minors DNI, established couple, Regency era sexual roleplay, teasing, remote vibrator, dirty talk, female orgasm, brief vaginal sex. Also features lake!Darcy!Benedict, anachronistic costumes (just like the real show this season tbh) and absolutely unacceptable use of Jane Austen.

Word count: 2.4k

Authors Note: Yes, the title is a terrible play on Pride & Prejudice. Listen, I don't know what this is either, and I'm posting before I lose my nerve after 3 weeks of writer's block. This is dedicated to @godofstory whose casual comment on one of my fics finally dislodged my brain block. This is modern Benedict roleplaying Regency. Also thanks to @colettebronte for reading through, being kind and saying I haven’t lost my mind. Well, not completely. Err, enjoy? <3

“Ben, don't be silly…”

“Are you suggesting that I wouldn't look dashing in a frilly shirt and snug trousers?” he teases, raising his head from your belly and twisting to look at you, his eyes twinkling with a mischievous glint as the credits roll on the Austen film you've been idly watching on a rainy Sunday.

“No, I'm not saying that,” you chuckle, your fingers touselling his hair. “You look good in everything and nothing…” you tease, enjoying the prideful swell of his chest at your compliment. “But I'm not in the mood to track down Regency outfits for a little sexy role play.”

“Leave the details to me, my love.” He waves a dismissive hand as he flips over and begins to crawl over you. “I will be your Mr Darcy….” he attests, lowering his voice to that rumble which always makes your belly flutter.

“But I don't have a lake in this flat,” you deadpan, perhaps not helpfully referencing a different adaptation, but too distracted to care, his crooked smile hovering right above you now.

“‘Tis a pity,” he agrees, quirking his lips, “but I shall think of something….” he winks before capturing your lips with his. 

And, just like that, you forget all about the subject…

—

Two days later

“They didn't have any fusilli, so I got penne; I hope that's okay…” you call out as you enter your flat, dropping the heavy bag of shopping from your shoulder and flinging off your shoes, grateful to be out of them and home.

When there is no answer, you frown. When you texted on your way home, he sent back a list of supplies for dinner.

“Ben…?” you round the corner into the kitchen and realise it's empty, nothing cooking on the hob. “You're not even cooking….?” you raise your arms in a shrugging gesture, nonplussed, apparently talking to yourself in what appears to be an empty flat.

“Ms Bennet….”

His voice rings out resonant, a teasing lilt that has you spinning around. And almost toppling over.

There, in the doorway to your bathroom, is Benedict…. dressed up as a Regency gentleman. 

Well, partially dressed. And what he is dressed in is damp and clinging to his skin in a way that gives away absolutely everything about why you cannot resist him. Broad shoulders and a tapered torso, completely visible through the most transparent white frilled shirt you could ever imagine. Snug blue trousers that, again, give everything away. He must have hopped into the shower to achieve this effect, his clothing virtually painted upon his skin.

You literally bite the edge of your tongue.

“Mr Darcy….” you stumble, incapable of any other words, mouth falling open as he saunters towards you with a confident gait, his trousers straining over his thighs as he does so.

“My eyes are up here, Ms Bennet…” he teases as yours ping guiltily to his face, knowing you are being entirely called out for your ogling. 

“What if your eyes are the very last thing I am interested in, Mr Darcy?” you finally find your voice, stepping into the role of a feisty, historic heroine you enjoy so much.

“The eyes are the window to the soul…” he tilts his head challengingly, raising an eyebrow.

“That’s Shakespeare, not Austen,” you shoot back pointedly.

“All the world are good and agreeable in your eyes,” he corrects, indeed a quote from Pride and Prejudice. He has obviously been revising—something about that is as adorable as it is arousing.

“You don't fight fair…” you whisper as he closes in on you with a handsome smirk, but it hardly feels like defeat as his long fingers spider up your jacket buttons, the warm fug of his clothes amplifying the mouthwatering scent he wears under them.

“All is fair in love and war,” he counters, sliding nearer, his lips warm on your temple now as he flicks open your topmost button.

“Are you going to talk in literary quotes all night?” 

Your ask is much breathier than you intend, very much not a protest about what is transpiring—a tingle down your sternum where his fingers trail over your skin down to the next button. You feel the curve of his cheek against your face from his responding smile. 

“I might stop,” he proposes airily. ”But perhaps only to tease you until you pass out…” 

“How?”

The question falls from you unbidden, curiosity seizing your lips.

“With the help of things poor Mr Darcy never had access to…” he offers enigmatically. “But for now, how about you go change into your outfit, Ms Bennet?”

“I have an outfit too?” your breath catching at the idea he has planned a whole scenario.

“Oh yes, ‘tis hanging in your room, fair lady,” he mutters, taking a half pace back. But before you go, he grabs your hand, raising it to his mouth and dropping a kiss that is anything but chaste—wet, plush lips with a slight edge of teeth dragging over your knuckles as his hot tongue lathes between your fingers lasciviously. 

—

“I'm not sure this is quite Regency accurate…” you assert as you swan back into the living room a few minutes later, even as there is a frisson over your skin at the very sexy outfit he has chosen.

“Perhaps not,” he concedes, his eyes lingering on the pronounced swell of your breasts as you sashay closer. “But yet, I cannot fault my choice.”

“More Marquis de Sade than Jane Austen…” you opine, revelling in his stare, the time spent fastening each hook and eye down the front of the ivory corset worth it for that hungry look and the nascent swelling you see in his clinging trousers. The silk, frilled French knickers he picked out are new, which you are grateful for, but they match perfectly. There was an odd weight to them as you pulled them on, though, but you did not spend much time contemplating it, so keen to get back to the scene.

“Ms Bennet, how dare you turn up to my home so scandalously dressed when I am entertaining company?” he admonishes, his tone suddenly brusque, stepping fully into his roleplay, gesturing to the empty kitchen area as if it were filled with guests.

“Mr Darcy, I can only apologise. I thought you were away on business,” you improvise, clutching your hands over your body in a futile attempt to conceal your state of undress, acting horrified to be caught.

“Do you make a habit of trespassing in my home and flouncing around so slatternly?” he snaps tersely, his eyes flashing approvingly.

You know the question is rhetorical, so you just hang your head, biting your lip, playing at being ashamed and chastised for being so wanton in the home of the man you desire. This is nothing like anything in Pride and Prejudice, but you could not give less of a damn, a flutter low in your gut that this could go somewhere utterly delicious. 

“I must insist you desist,” he continues imperiously. “This must never happen again! Now go to my private quarters and think upon what you have done!” he concludes, pointing to the sofa. 

“Yes, Mr Darcy,” you nod and curtsy with faux demureness, which he seems to greatly enjoy based on the flash in his eyes, seemingly even more so when you break character and poke out your tongue insolently as you pass.

You take a seat on the sofa and watch, initially confused, as Benedict remains in the kitchen area, play-acting as if he is chatting to guests, supping from a wine glass and gesturing. Puzzled, you watch as he reaches for his phone casually and flicks something on the screen, his back still turned to you.

There is a sudden, sharp buzz in your underwear that steals your breath, your legs tensing, your feet kicking out reflexively, sliding your clit heavier against the vibration.

Oh fuck.

That’s why the underwear felt oddly weighted. He must have snuck a thin remote vibe pad into the lining.

He makes a half-turn and smirks over his shoulder as you pant and stare at the play of his back muscles under his translucent shirt, your fingers clawing into the sofa at the sudden not-at-all-gentle onslaught.

“Ms Bennet, are you quite well?” he calls out, a triumphant look claiming his face. “You appear somewhat flushed.”

“Mr Darcy, I find myself in a most perplexing dilemma,” you grit out between clenched teeth, impressed you can even form words. The vibe is a persistent thrum that you attempt to tilt yourself away from slightly but seem unable, always there, dragging against you in a way that makes you writhe, your back arching.

He spins around to face you entirely now, putting down his wine glass, phone casual in the other hand, thumb hovering portentously over the screen with a gleeful mien.

“What troubles you, Ms Bennet?”

His lilt is teasing and velvet, humming in your bones as much as the toy. The vibration suddenly ceases, and you collapse back into the sofa, panting mildly, the corset restricting your ability to take the gulps of air you need, your chest heaving, unable to do anything but stare slack-jawed at him.

“Have you quite forgotten your words, Ms Bennet? I thought you a creature of learning…” he needles, the painted-on regency garb he wears just more temptation, his cock straining against the wool now. He makes no move to draw closer, but he does flick open the buttons around his wrists and roll up his sleeves, his toned forearms flexing as he does so.

“I am a woman of learning,” you defend after a pause, “but I find myself rather disadvantaged tonight. I suspect deception…” You narrow your eyes at him.

He throws his head back and laughs, his Adam's apple bobbing prominently as he does so. It makes you want to pitch forward and bite it.

“Whoever would deceive such a fine woman as you?” he fires back as he tilts back down. You cry out as his thumb yet again swipes over his screen, and your underwear roars back to life—this time a softer pulsing wave, but no less titillating, an inflaming tease that staccatos against your engorged flesh.

“You might, Mr Darcy…” you accuse, but it's lighthearted at best, a toothless threat as all of your efforts are focussed on the fizzing pleasure radiating out into your pelvis.

“On the contrary, Ms Bennet. In vain have I struggled…” he begins. 

That speech.

“It will not do….” he adds, shaking his head for good measure as he flicks open the buttons upon his soaked shirt, your eyes tracking the movement as each new slice of damp, heated skin is revealed in the soft, low lamplight.

“My feelings will not be repressed…” 

He peels the sodden shirt from his form, and you moan as that honed body is revealed to you, glistening slightly. The vibe is a roiling wave against your clit that makes your pussy clench around nothing, wishing to be filled.

“You must allow me….” he pauses and lopsidedly grins as he roughly tugs upon the buttons of his trousers, a teasing striptease that has you spiralling fast, leaking copiously into your knickers now.

“Allow you what…?” you throw in, huffing against the restriction of the corset, something about its tight hold escalating your addled state, moaning as he drops the last vestige of his clothing, his cock springing free. His whole being glowing with pride in how much he can affect you.

“To tell you how ardently I admire and love you….” he concludes, his voice dark and smooth, settling over your skin like warm molasses as he finally prowls towards you.

You want to pitch forward and nuzzle your face into his cock. But he dips down as he approaches, pushing your legs far apart with his hands and falling to his knees, burying his face into your cleavage. He suckles vehemently on the swell of your chest, lathing his tongue over your flushed skin as you fight to gasp in enough air, the vibe and his lush mouth hurtling you fast towards oblivion, his hands a firm grip on your hips.

“I love you too, Mr Darcy,” you gulp in delayed response. “But, please release me from this torture…” you append weakly, needing reprieve from the prolonged hold.

“Is it not the sweetest torture, though?” he argues back as his nose trails up your clavicle to your neck, his mouth earnest upon a spot that always makes you pliant. “I want to see you struggle, my love, bound in my corset, sat upon my vibe, teased and vexed until you can take no more….” his words are a sinful soliloquy gusting almost wistfully into your ear, your lobe snagged under his teeth.

“Take pity upon me, please; I am distressed,” you appeal, feeling a slight wooziness as you circle a chasm of pleasure that licks teasingly at your edges.

“You are beautiful,” he counters, a firm hand cupping the back of your head and puppets you to stare into his blown pupils, his rigid cock trailing a sticky line over your thigh as he rumbles more debauched. “Now come for me, Ms Bennet, and then I shall have you…”

You screw your eyes shut just as he flicks to a higher setting on the vibe and can no longer fight or struggle, letting your body break, febrile, a dew on your back as it arches, you screaming to the ceiling as you are thrown into the stars and the earth at the same time, torn in a hundred directions by the intense pulse radiating out from your core and fanning across your whole body, every muscle tensing and releasing in a sudden wave.

Hazily, you hear his jubilant praises ringing in your ears, but it feels far away even as his hands and mouth are hot and heavy on your skin, ripping the corset and knickers from your body with a vehemence that would shock you were you in less of a euphoric, altered state. He pulled you bodily to the edge of the sofa, teasing his cock against your throbbing clit, making you groan and paw at him, the need rising again as you return to your surroundings.

“You have bewitched me body and soul,” he pants as he slides into your body, a surging insistence that has your fingernail curling into the sinew on his forearms, your toes curling around the fuzzy meat of his thighs. “I never wish to be parted from you for a second. I love you..,” his tone rough, broken, stuttering as he bottoms out inside you, quoting the film you watched together the other night before taking you urgently towards another blissful peak.

Benedict taglist pt1: @makaylan @longingintheuniverse @iboopedyournose @aintnuthinbutahounddog @severewobblerlightdragon @writergirl-2001 @heeyyyou @enichole445 @enchantedbytomandhenry @ambitionspassionscoffee @chaoticcalzoneranchsports @nikaprincessofkattegat @baebee35 @crowleysqueenofhell @fiction-is-life @lilacbeesworld @broooookiecrisp @queen-of-the-misfit-toys @eleanor-bradstreet @divaanya @musicismyoxygen84 @miindfucked @sorryallonsy @cayt0123 @hottytoddyhistory @fictionalmenloversblog @zinzysstuff @malpalgalz @kinokomoonshine @causeimissu @delehosies @m-rae23 @last-sheep @panhoeofmanyfandoms @kmc1989 @desert-fern @corpseoftrees-queen @magical-spit @bunnyweasley23 @how-many-stars-in-the-sky @sya-skies

[stu-dyingstudent]

Sakura Haruno fic recs: time travel AU

I'm finally getting around to recommending some good Sakura-centric time travel fics! There are plenty of them out there and they can be kind repetitive, but I always eat them up. Typically speaking, I really don't care much for the whole introduction bit at the start where it's the actual process of her being sent back... So just make it past there before you decide whether or not to continue!!! Also, I'm starting to think this list is getting kinda long, so maybe I'll do a second one?

I've been dying to post some of these fics in a list, so please enjoy!

Started: 2024.08.16

Last Updated: 2024.08.26

note: feel free to check out my master list which has a bunch of Sakura Haruno fic recs (all organized)!

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Sakura - lilac haze || ffn/ao3 || M || minasaku || time travel AU || complete

AU. Non-Canon. Time Travel. Please see inside for full warnings. Cross posted on Ao3. On his deathbed he was granted eternal peace and place to rest for all of time. Of course that was not appealing to him. Ever unpredictable to the end he had a counter offer. One that the Sage had to consider. In which Sakura's going to have a rough time. A really rough time.

If there is one thing I want you to take away from this list, it is this fic right here. I kid you not, Sakura is one of the best fics I have ever read. I have never felt so gutted, so heartbroken, so giddy, so stressed, all from one work. It's a masterpiece all while being criminally underrated. The characterizations and storytelling are beautifully done. You feel for the characters and the relationships formed along the way are truly great. Please share this author some love.

Check TWs before hand!!

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The Misadventures of Kakashi and the Girl From No Where - Goldfishlover73 || ao3 || kakasaku || M || time travel AU || complete

When a girl called Sakura seemingly falls in the sky, Kakashi is skeptical. Far more skeptical than the rest of Team Minato are. War is approaching quickly and this strange girl is leaving more questions than answers in her wake, Kakashi must decide where his trust and loyalties lie in a constantly changing world.

Told in the perspective of Kakashi in his youth! Really interesting take and I love how strong Sakura is in this in addition to the fact that we get to see a different side of Kakashi that we aren't used to.

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Anachronistic Drift  - Elesrea  || ffn || gen || T || time travel AU || incomplete

Her plan was flawless. Save Shisui. Save the world. Time-travel, Sakura-centric AU

Sakura spends years training to be sent back in time and save the world from Sasuke. Whilst masquerading as her younger self, she poses as an unofficial ANBU to stay anonymous in her efforts of changing the shinobi world for the better.

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Tourniquet - lilac haze || ffn || T || minasaku || time travel AU || complete

She was his tourniquet. She stopped the bleeding, she stopped his bleeding. She stopped his pain, his despair, his loneliness. She was the first face he saw. She was the first person he trusted. She was the first person to keep his secret. She was his tourniquet. He did not love her. He only loved the idea of her. SakuraXMinato. Time-Travel Fic. Alt. Universe

I quite honestly think this is a hidden gem amongst time travel AUs since I never see people recommending it, but Touriquet is so good! What's interesting here is that it isn't Sakura that's playing with time, but rather Minato. The night of the Nine-Tails attack, rather than dying, he is sent to the future where post-war Sakura is the one to find him and keep the former Hokage alive. It's a delicate situation and one which is kept a secret from many, but through Minato's depression and difficulties with his new life, Sakura becomes a close confident.

Same author as Sakura! I gotta read more of their works

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Armour-Sleeved Single Hit - thatdamnuchiha || ao3 || T || madasaku || time travel AU || one-shot complete

Sasuke always told Sakura she was weak. Even after she trained with Tsunade for years he only had eyes for Naruto whom he considered strong. She would forever be invisible to him no matter how many mountains she toppled. Being a member of Team Seven despite Sasuke’s refusal to acknowledge her meant she got herself into her fair share of sticky situations. Getting stuck a hundred odd years in the past had to take the cake though. But she was just a weak little girl and compared to the shinobi of old she’d be ridiculously pathetic. Sasuke had said she was weak to him – a modern day shinobi who hadn’t been forced into battle after battle like they did in the Warring Clans Era. Obviously she’d be nothing more than a spec of dirt in the eyes of the Founders.

Sakura manages to find herself in founding-era Konoha! While trying to prove that medical ninja are capable fighters she unknowingly gains the affection of Madara Uchiha. After all, the Uchiha find beauty in strength. Super cute read!

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here are the fruits of your labor (would you like a cherry on top?) - snickiebear || ao3 || M || shisaku || time travel AU || one-shot complete

Shisui smiles and it is unlike any smile she has seen before. She cannot remember the last time she had seen a smile. 

Sakura manages to fix everything and now tries to live her life in a past she doesn't know. Shisui is the first to find her and the two of them form a close relationship that continues through her journey of recovery.

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The Moon Knows Best - darth_healer || ao3 || E || madasaku || time travel AU || complete

The Moon has played a cruel trick on Madara. He's still home, but it's not the same. Instead of a tranquil forest, there's a colorful vibrant village. Instead of the cliffside he knows so well, it's a collection of Senju faces, one of which belongs to his good friend Hashirama. And instead of Hashirama, Madara is saddled with a very interesting, pink-haired girl. MadaSaku in which young Madara goes forward through time.

Madara finds himself far into the future where the first to stumble upon him is Sakura. He's such a brat, but his and Sakura's interactions are rather entertaining.

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In the Magic Hour - summersirius || ao3 || E || minasaku || time travel AU || complete

It's not perfect, but everything is beautiful. —Minato/Sakura

A sharingan mishap lands Sakura in the past where she drops down in front of team Minato. With her hope of returning to the present time dwindling, Sakura excepts her new life and tries to make the best of the situation and the new bonds that come with it. The dynamic between Sakura and the older generation is quite refreshing and her mentor relationship with the former team 7 is great.

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Stumble - writer168 || ao3/ffn || gen || T || time travel AU || complete

Sakura wanted to die.Sasori was fine with staying dead.But it seemed fate had other plans for them, because when they both wake up younger with blood pulsing through their veins, they had to remember how to live again.Time Travel AU

Sasori and Sakura are both sent back in time and they try to make a difference in their respective villages. Told in the perspective of both characters, but primarily Sakura. She ends up forming a pretty sweet bond with Ibiki and Genma (which I love) and they help her through some things. Sakura has a rough time

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A Twist in Time - wolf08 || ffn || sasusaku || T || time travel AU || complete

With Konoha on the verge of destruction, Sakura is sent on a last-resort mission to save her world by travelling to the past. Join her in coping with her old body's shortcomings, testing the natural laws of time, falling in love all over again, and rediscovering who she is.

With Sakura frustrated at being back to where she started in her becoming of a shinobi, she begins to train with Sasuke. This time around in her life, her relationship with her brooding teammate isn't so strained. Pretty cute read imo

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Return & Rehash - SpaceNugget11 || ffn || sasusaku || M || time travel AU || incomplete

"You," Sakura snarled with bared teeth. Sasuke gagged for air, clutching at her forearm, but she only pressed harder into him. Her green eyes crackled, and she wished she could burn him alive with the heat of her anger.

Sasuke and Sakura certainly did not end in their last life on goods terms and it is prevalent from the moment Sakura awakens and attacks her teammate.

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An Inch of Gold - KuriQuinn || ffn || sasusaku || T || time travel AU || complete

Team 7 is sent on a mission to investigate a disturbance outside of the village, where they encounter an unconscious girl in a crater. The mysterious Sarada insists she's a shinobi from the Hidden Leaf trying to rescue her teammates. When the team discovers she possesses a Sharingan, things become even more unbelievable. [Part of the Legacy of Fire Series]

Sarada lands herself back in time all while crashing into another team 7 mission gone wrong. An Inch of Gold is in multiple perspectives, but they're all done quite well. Sasuke and Sakura are obviously rather flustered by the situation and the fact they have to deal with it in front of the team makes it quite entertaining.

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These Eyes of Mine (I Can See) - tsukuyue || ao3 || gen || time travel AU || complete

They've lost. Naruto was dead, killed at Kaguya’s hands. Along with him died any illusions of hope that they could win. They couldn’t win, but perhaps they wouldn’t need to. In attempts to stop the Fourth Shinobi War from ever occuring, Sakura is sent back in time to the moment of her birth. Protecting the people she cared about would be much easier if she knew all the facts. OR Where Sakura can see the dead, and Danzō deserves to die.

I'll be honest, I can't remember much, but I do remember that it was really good! I believe a large focus is the Uchiha massacre.

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Trials of Change - Espoiretreves || ao3 || gen || time travel AU || complete

Haruno Sakura made a promise. Looking in the eyes of her Shisou and the reanimated Hokage, she took on the most important mission of her life. Go back in time and try to prevent the 4th Shinobi War. Now, Sakura is back to her 5-year-old body, with all the knowledge and haunting memories of the future. She vows to keep her precious people safe and stop certain events from happening, without altering the timeline too much. The trials her emotions and logic put her through have her questioning her very existence, but for the sake of peace, she has to push forward. No matter what.

If you love Shisui then you'll definitely like Trials of Change. Him and Sakura form the most wholesome friendship ever and try their best in taking down ROOT. A huge cast is present here and the whole thing is just great. It seems as if everyone has some character development lmao.

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Time Flies Like An Arrow - Katlou303 || ao3 || gen || K || time travel AU || complete

Sakura traveled back in time with the intent of changing everything, but something went wrong, and now she's four years old having nightmares about impossible monsters and losing friends she has yet to meet.

I always like the ones where Sakura isn't fully aware she time travelled. I find it interesting in this fic to see how oblivious Sakura is to her situation, she's a four year old in mind and body. However, she still feels the need to make a difference in the lives of the people around her.

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cut the head off the snake - itsthechocopuff || ao3 || T || time travel AU || complete

when eighteen-year-old, post-war Sakura is thrown back into her tiny, pre-Academy body, she makes a decision. she'd had a childhood once already, and this time, she's more interested in Not Dying when the inevitable shit hits the proverbial fan. so she will work harder, care less, kill more, and smile when she's done.and hey, if she ends up reviving an extinct nature transformation to attract the most corrupt, power-hungry man from her timeline, all the better for her, right?

Sakura decides that her first order of business after traveling back in time is to infiltrate ROOT and that's exactly what she does. Sai, Shin, and Shisui are all great characters and team Ro is present as well. Very good!

Update: just found out it was recently completed!!

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Q: Do you guys like my little comments? If you look at my other lists you'll probably notice that I tend to reuse some of what I say (bc I'm lazy), but for the most part I try to add something new whenever I put a fic on a list. I know that descriptions aren't always very helpful, so I like to put a little something for y'all to get a better idea of what to expect!

Send me recs if you have any!!!

[oidheadh-con-culainn]

contrary to my entire vibes i do actually enjoy anachronistic media sometimes. a knight's tale is one of my favourite films. the thing is, the anachronisms in AKT are done deliberately to achieve specific effects. singing queen during a joust is a choice to establish knights as the rockstars of their age and this moment as the popular culture/entertaiment of its time. that is a decision made for artistic effect and to convey a specific mood.

what would have pissed me off is if, instead of using queen, they had decided to use, like, baroque string ensembles, because all history's history and who cares that it's three or four hundred years off, it's the past, ain't it? or if they had treated lances as if they were made of metal and interacted with them as if they were made of metal and all it would take is one google search to confirm that no they don't work like that and they didn't do it -- and at the same time had put a ton of research into another aspect of material culture, like making all the heraldry spot-on...

when you aim for historical plausibility in some areas of your story and then completely miss the mark with everything you didn't care about enough to even google it, that is when i get pissed off, and i am also pissed off that no editor, copyeditor, proofreader etc so much as went "hey, does parchment work like that?" because they SHOULD have done

[lairofsentinel]

Since this user's posts seem to have been deleted in previous opportunities I copy-paste their words here because they express exactly what I feel about this game. Dragon Age has died, unfortunately.

I'm a big time Dragon Age lover and have enjoyed every game in the series. Personally, I think Inquisition is the best in the series. And I was excited for Veilguard right up until I actually began playing it. Now, I want to clear things up at the start as to what I look for and believe makes a good Dragon Age game. To start, I DON'T CARE ABOUT COMBAT. I. Do. Not. Care.

You can make it Origins tactical. DA2 fast tactical. DAI hybrid. God of War action, I don't care. Dragon Age has always had combat that was...fine. A nice distraction and breakup in between the bits I actually care about: narrative ROLEPLAYING, story, characters, and exploration. I don't give a crap how great the combat is if the narrative roleplaying and writing are poor, I'm not playing BioWare titles for amazing gameplay. I am here for the story, the characters, and the roleplaying. Truth is, for a time I considered DATV's combat to be the best in the series.

And this is why I feel the game is a terrible Dragon Age, because it lacks or fails to respect those elements concerned with narrative roleplaying, story, characters, and exploration. Now, in many reviews and online videos you'll hear some reference often to the drop in writing quality. And a lot of time people will incorrectly say that the writing with the characters is to "modern" or "Marvel quippy" or not "dark" enough. I think these people are wrong, they recognize there is a drop in writing quality from previous games but aren't able to articulate why that is.

Dragon Age has never adopted any sort of faux medieval speech and vocabulary (though we'll get into this more later). This is a series that used "epic fail" as a thing someone uttered in the very first game. It's always had anachronistic dialogue and banter. So why is it such a drop then? Why is it considered poor? Simple. This is a game that does not believe in the world it has setup for over a decade. It does not believe in or engage properly with its own world and lore. I mean, look no further than the title "The Veilguard" a phrase that is never uttered by anyone in our group, and further proof it was a last minute marketing change. Compare to Inquisition where the title is apparent from the start in the game and has actual meaning.

You see, characters in DATV do not feel or react to events the way they should based on the lore. Why is no one constantly asking what the hell the Inquisitor is doing? The Inquisitor is kind of a BIG DEAL when it comes to Solas and Elven Gods, my Inquisitor drank from the WELL OF SORROWS! So why are we sitting around thinking at the start, "hmm lemme think who I can contact who might know more." The Herald of Andraste! They know more Rook, the guy that is technically your boss. The Inquisitor! Who else have you been working for this entire time? Who do you think told Varric to recruit you?!

But even removing the Inquisitor, the Elven Gods being real and also near synonymous with the old Tevinter Gods is kind of a BIG DEAL. It was only a theory fans crafted long ago that slowly revealed itself to be true. And it completely upends known religious dogma on all sides. Yet, why aren't people we meet going through a massive existential crisis? For instance, the Veil Jumpers we initially meet were presumably told off-screen about Fen'Harel, and are seemingly cool with this massive knowledge alone. But then we talk about those two other Gods being released and they're like, "well, shit those two aren't good." As if they have any clue if the fables about those Gods are real when we previously just upended everything they thought about the Dreadwolf! Why are you acting like this is another Tuesday?! Your entire religion is wrong. In that same conversation, Strife notes "Solas might be a bastard, but compared to the Evunaris? Let's just say they weren't know for being kind rulers."

My brother in Anduril, what are you talking about! Elven religion teaches that Elgar'nan was so beloved by the Earth that it "the land brought forth great birds and beasts of sky and forest, and all manner of wonderful green things." And that he fought the jealous Sun that tried to burn the land and all beasts away. Custom says that he and Mythal, "created the world as we know it" after defeating the Sun. He is literally described as one of the "good" Gods. WHY ARE YOU ASSUMING HE IS EVIL! It's like finding out Satan is real, but not as evil as have come to believe and then being told Jesus Christ is back and a devout Christian going, "well shit, that can't be good." WHAT?!

The same goes for Andraste and the Chant of Light, it took me 30 hours of playing before ONE character mentioned Andraste and the implications with the Chant and it was never brought up again. Our entire party is seemingly made up of unphased atheists. Now compare to something like Inquisition which explored this aspect HARD and was amazing for it. You'd get into great debates with religious figures and party members about the implications of Corypheus actually being a Tevinter Magister of old. And you'd talk about what it means towards the religious dogma preached and how much is true. And these intense political and religious discussions are present in every previous game, and not confined to a single conversation with one party member where it is seemingly resolved.

These conversations do not happen in DATV because there is no depth to the writing or engagement with the world. The Elven Gods are evil and need to be stopped. That's it. We don't need to think about the implications this has on Dalish customs and religion. Fuck it, all the Dalish are going to still wear their Vallaslin slave brand tattoos. Let's forget about Trespasser implying Solas was removing them from followers coming to join him. Let's even forget they were likely all told at this point that they are slave brands, nope still going to wear them yet speak blasphemy with every sentence against our Gods. No one cares about Andraste or The Maker or the Chant. Big deal if these Elven Gods contradict the overwhelming majority religion in Thedas. Not a single party member has religious or cultural objections to killing the Elven Gods; not a problem. Not one single elf wants to join Solas in tearing down The Veil and getting immortality again?

Again, let's forget about Trespasser setting up Solas gathering MANY Elven followers from Dalish clans who would be super inclined to join him after experiencing CENTURIES of discrimination and slavery by humans. The better question is what Elves wouldn't join Solas at the start? And what Elves wouldn't look at the other two Gods and go, "meh, maybe we should give them a try. They can't be worse than humans, right?" In DA2 you had elves joining The Qun to escape the discrimination of humans, but not ONE ELF wants to join Solas or Elgar'nan? Those Ancient Elves in the Temple of Mythal? I guess they all died, right?

This extends to EVERY single element of Dragon Age that previously had depth to it, it now has been completely removed. Those murdering Antivan Crows? Oh, they're just good Italian Mob Family that protect their city. Tevinter? Yes, it has poor people, but we're trying to do better. Oh, slavery? No, no we don't show that here. The Qun? The what now? No, they are all Antaam now, and so that means they are all generic evil warlords. No, they don't even attempt to follow their own hardcore view of The Qun like when Templars split from the Chantry, they're just warlords now that like plunder. Dwarves and their rigid Caste society? We don't do that here. Elves and racism across Thedas? Elves used to experience racism? News to me, what's a Shemlen? Never heard of that term, we like all humans. Pirates? That is insensitive, we are Lords of Fortune and we are sure to return any cultural artifacts found to their rightful owners; it belongs in a museum after all. The fucking Fade and spirits? Wait, you mean its different than generic fantasy spirit world? I'm sorry, that's too complicated here.

This either intentional disregard of the lore or plain ignorance also extends to environmental design. The asset reuse from Inquisition is particularly hilarious and must speak to the developers not having time after the switch from MP. Why are the same statues found in Val Royeaux in DAI also in Tevinter and Antiva? Why are those stupid Fen'Harel Wolf statues EVERYWHERE? Even in the catacombs of other Elven Gods! There are no statues of Elgar'nan or Ghilan'nain. Nothing for June or Anduril. Dirthamen. Falon'Din. Nothing. No, the only Gods that seem to get statues are coincidentally the ones who already had assets created for DAI or past titles that could be reused. Hmmm.

This continues into character designs too, why do the Veiljumpers and Shadow Dragons all dress richly? They are supposed to be poor as fuck. There's a codex entry about Veiljumpers finding a lost cache of old ancient elven armor and weapons and so boom they all get to dress like High Elven Lords and not the dirty, poor, wandering Dalish clans they are supposed to come from. Why do this? There isn't even an attempt to explaining why the Shadow Dragons, an organization supposed to be secretive, has branded clothing in bright rich colors and fabrics for all members. Naturally, it must be incredibly difficult for Tevinter authorities to not identify them.

This lack of depth and verisimilitude, naturally, affects all the characters. Because in this game you cannot roleplay and you cannot ask questions. In Dragon Age Inquisition, once you started the game, you could immediately interrogate Varric about what happened to every DA2 character despite the Inquisitor never meeting them, you know because it respects its players. You could speak to shop keepers, blacksmiths, your horse master. You could interrogate every single person to learn more about them and the world. The same goes for your player character in DA2 and Origins. You show in Denermin and find yourself knee deep in a quest to help Wade the Blacksmith craft the perfect armor. Here you can't actually speak to a single shopkeeper to ask questions and get some lore bits. You can't ask party members questions about their background, religious beliefs, upbringing, their factions, etc. You can't ask any returning characters any questions either about what they've been doing. Enter a brand new area? Great, you're not asking anyone questions about this never before seen place.

How does a lost Dwarven thaig survive every single blight? How are their immortal lichs in Neverra? How long has that been a thing? Why haven't they told anyone about the Elven gods or any other knowledge they've accumulated in an immortal lifespan? If immortality is so "easy" why can't Solas just do that to restore the Elves? Why are the Venatori, Tevinter Supremacists, following Elven Gods? Wouldn't that be a major identity crisis? Why would Antaam, who still preach the Qun, follow an Elven God that speaks blasphemy with ever breadth? Sshhhh, no questions. You get what is directly told to you and that's it, no follow-up questions.

Party members do not conflict with each other or interrogate each other's beliefs which is why their banter feels inconsequential and meaningless. Lucanis is a assassin, he kills people for money. The same organization that marked Zevran for death for failing a contract. The same one that took him as a kid and trained him to murder, often brutally, for coin. And yet no one really seems to care. He's just a nice Italian assassin from a nice assassin organization. Who cares. Let's instead talk about cooking, at length. Harding, a devout follower of Andraste, has no qualms with Elven Gods wreaking havoc on known religion. We get one conversation you can tell her to believe what she wants, and that's the end of that debate. Bellara also gets about two whole conversations about the conflict concerning her Gods wreaking havoc, both easily resolved. We don't need to think about any larger implications or doubt her loyalty when the Elven pantheon are seeking to restore her people that have been discriminated against since forever. Emmerich, a necromancer of Neverra, apparently has no religious belief. A codex entry even states that those of the Mourn Watch don't know where the soul goes after death. They don't like to think about it. Buddy, Mortalitasi belief is literally that our souls return to the Void alongside The Maker, but to keep balance a exchange must be wrought with The Fade to allow a spirit to house the now empty vessel. How do you not know the religion and customs of your own faction and land? This man has a whole quest line about funerary rights, yet not ONCE mentions religion and what he believes happens after death?! Sshhhh, no questions. No thinking.

Hey, remember The Fade? Remember how mages go to dream there every night. Remember how The Black City is always visible there? No? Well, we don't either. You won't see The Black City in The Fade. You might see it in The Crossroads in a closed off section, even though it is NOT The Fade. Oh, we're going to have you physically enter The Fade in multiple quest lines and no one will think it's a big deal. No, you still can't see The Black City. Now, The Fade is reduced to nothing more than your generic fantasy spirit world. It has none of the previous rules and lore that bound it before. Demons can bind to non-mages and we won't attempt to explain it. Solas fucks with The Veil and not a single mage notices a change in their dreams when they sleep at night. No biggie.

Lastly, let's return at last to the actual minutiae of writing. I stated at the start the writing isn't bad because of Marvel quippiness, which the series has always had. I was partly lying. Yes, the series has always had anachronistic dialogue. It has had meme language in its own previous titles. But, it was just that, a small joke here and there. For the most part the series actually tried to use it's own sort of "older" speech patterns. I think a perfect example has to do with Taash, she eventually finds her own identity and declares she is proudly "non-binary." Literally stating, "so, I'm non-binary." I have no issue with this sort of inclusivity in Dragon Age, it's what the series is known for. Yet, why does that sound wrong? Simple, it's far too anachronistic. It doesn't belong in Dragon Age. In Inquisition, Dorian let's us know he's gay. But he doesn't say, "I'm gay!" or "I'm a homosexual" those terms would not exist in his world. Instead he says, "I prefer the company of men."

And it's these little subtle changes in writing that makes it feel all the more different. We went from "I once ventured in to The Fade to serve the Old Gods of Tevinter in person. I found there only chaos and corruption. Dead whispers. Now I shall return under no name but my own, to champion withered Tevinter and correct this blighted world gone wrong. Pray that I succeed, for I have seen the throne of the Gods. And it was empty."

To: "Well, shit. That can't be good."

So, what do we have when all is said and done? Well, we have a decent generic fantasy action game. An intentional attempt by the developers to remove every edge from the world of Dragon Age in place of a very simple, easy to understand world with not much depth beyond what you see. You don't need to think, just play and have fun. This is beyond turning a MP game into a SP game, which so blatantly obvious in this game. DA2 was developed in 16 months, but is carried strong by its writing. You see, nothing prevented them from just acknowledging their own world they created. It costs very little to write around what already exists. Even if you can't make no assets or redesign the world. Writing is cheap and having characters voice these elements is not as costly as a redesign. No, they chose to remove the edge in every element because this was design intentionally for the masses with easy to understand world and zero depth.

But I wanted to play Dragon Age. I wanted to get into intense religious debates with party members as known lore is completely upended. I wanted to debate Elvish clans deciding to join Solas or the other Gods due to their treatment by human society. I wanted to debate the ethics of necromancy with the Mortalitasi of Neverra's Crypts. I wanted to engage in intense debating with Solas on the ethics of his goal. I wanted to see Tevinter react to a real push for anti-slavery and actually see the slavery in the slave capital of the world. I wanted to butt heads with the Antivan Crows and call them out for the murderers they are. I wanted to see the Black Divine and debate the Chant of Light with them. I wanted to speak to the Archon of Tevinter and see how he felt about the Venatori's past efforts in Inquisition. Hey, what happened to Meredith Reborn in Kirkwall and her idol and Red Templar worshipers? Forget about it.

We got none of this. I got a game that is pretty much disrespectful of its own world. I waited 10 years for this? Why even bother if this is the result? They may as well have just killed every previous character we ever knew, including Solas, offscreen and started anew with this game. Because as a Dragon Age game and sequel, it's terrible and no returning character is how they should be.

And when we get to the ending, that's pretty much what they did. Everything you did in all the past games? Well, that was pointless. Everyone is probably dead. King Alistair. Gaspard. Celene. King Bhelen. The Arl of Redcliffe. The Divine. The Circle of Magi. The Templars. The Seekers. Everything, everyone, and every organization that existed in the South is likely dead and destroyed. And now Dragon Age can become what they wanted, a generic fantasy IP.

But I just wanted to play Dragon Age.

[olderthannetfic]

With all this talk of unnecessary consent manifestos in fics... It is weird that I have a consent kink? Like, I really enjoy characters talking about their boundaries and negotiating stuff, and enjoy when the porn goes wrong or they need to abruptly stop. (I'm writing now a oneshot where a cnc scene devolves into a comedic disaster, idk I just like those sprinkles of authentic awkwardness).

But like, it is really hard to find good fics with those elements? Usually, it feels like the authors copied and pasted a safe bdsm article in the dialogue of one of the characters... and don't let me start with the anachronistic stuff, the whiplash of seeing a dude from pseudo-medieval europe talk about "scenes" or "safewords"...

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Like most kinks I don't especially care about, it's still hot and fun to read if a reasonably skilled author who is into it writes it. I'm willing to believe that at least a few of the PSAs are just due to shitty writing skills, but most of them... yeah...

[canmom]

I think Farya Faraji has realised that hour long videos about the difference between actual historical music and modern historically themed music is a great way to get people to watch stuff about music theory. Which, you know, guilty, I haven't watched his older videos on medieval music yet but I did watch this one!

Anyway it's fascinating stuff - I didn't realise how new our current approach to tonal harmony is. I tried to be careful to distinguish between the general and the culture specific in my music theory posts, but even in my own culture, it turns out I was picking out emphases that are very modern. If Farya is right, medieval European music actually sounded a lot more like the 'modal' approach that still exists in middle Eastern, Balkan and Mediterranean music. Instead of supporting a melody with chords, you would improvisationally add various kinds of what modern Western music calls ornamentation. Towards the end of the middle ages you'd get a greater degree of polyphony using e.g. a sustained drone note or additional melodies that don't really try to harmonise in the way we write them to today. At this point the level of ornamentation dies down, and it lays the groundwork for the modern system of harmony to appear in the early modern period.

In contrast to actual historically informed music, Farya describes a genre he calls 'bardcore', which aims for a superficial appearance of medieval style to modern ears but uses a modern folk-inspired performance style - strummed chords, modern classically trained singing styles, modern instruments like the Irish bouzouki invented in the 70s. (As with the viking music and orientalism videos, he's at some pains to emphasise that anachronistic music isn't bad music and he likes a lot of these 'bardcore' bands.)

Anyway, I appreciate it because it expands my horizon for 'ways music can work' and gives a narrative to the evolution of tonal harmony - maybe an oversimplified narrative, and I'm still not entirely sure what the term 'modal' is getting at (presumably something to do with the modes [roughly, scales] that music was written and embellished in?), but it's a starting point. one of the most interesting youtubers to come along recently...