#I do think this arc has flaws btw

[autistic-ben-tennyson]

In Defense of Ben during the Ultimate Kevin arc

A lot of people have complained about this arc from Ultimate Alien for years. There’s been discourse about whether Ben was OOC for wanting to kill Kevin. Some have called Ben a sociopath or claimed he wanted to kill him because Kevin upstaged him as the hero against Aggregor. While Gwen’s faith in Kevin was what ultimately saved the day, Ben’s anger towards Kevin was not out of jealousy and sociopathy but from a place of hurt from Kevin “betraying” him.

For starters, let’s look back at the OS. Ben befriended Kevin during his debut and knew him more personally than Gwen did. That friendship ended when Kevin was willing to crash a train full of people and showed Ben what he could become had he kept letting his selfishness control him. Despite that, Ben still tried to offer him help but Kevin blew it by trying to take the Omnitrix. Kevin would end up trying to frame Ben for his crimes and teaming up with Vilgax to take the Omnitrix again.

Years later, Kevin was in a healthier state of mind after training with Kwarrel to control his powers. He came across Ben again in Ben 10 Returns and briefly tried to take revenge. He ended up joining the team for selfish reasons but after Labrid’s death, decided to stay as a promise to Labrid, this time accepting a second chance from Ben. The two would slowly trust each other despite rough bumps like Kevin stealing the Rustbucket or Ben mutating him by hacking the Omnitrix. By the time of Ultimate Alien, Ben considered him the brother he never had and Kevin was thankful for being given another chance.

So when Kevin absorbed the ultimatrix to stop Aggregor, to Ben it was a betrayal after all they had been through. In Nor Iron Bars a Cage, Ben insists that Kevin “made his choice” and seems more hurt than Gwen as he had to see the same thing happen beforehand. Kevin was back to being the monster who haunted him in his worst nightmares as a child. You know what this reminds me a bit of? Raven and Terra’s dynamic in Teen Titans which ironically was also produced by Glen Murakami. Raven also had a difficult time trusting Terra at the start but eventually considered her a friend which is why she was furious at the betrayal.

Was Raven a monster or sociopath for believing Terra was evil and beyond redemption? No, she had a difficulty trusting people because of her upbringing and was proven wrong by Beast Boy but her anger was justified. Ben also was implied to have few friends in the OS which is why Gwen and later Kevin became as important to him as they are. I sympathize with Terra and Kevin, but Raven and Ben weren’t evil for wanting to stop them either. Ben didn’t want to kill Kevin either. Believing you have to do something isn’t the same as wanting to do it. He had tried to do things the “Ben” way against Aggregor and kept falling flat on his face. He admits during his talk with Max in the car that he doesn’t want to do this but feels he has to. Plus does this look like a bloodthirsty sociopath who just wants to kill his friend out of jealousy?

Ben made a mistake here and was not presented as being in the right by the narrative. He beat up Vulkanus and the Forever Knights for information and was acting very harsh and aggressive towards Gwen. However, he was convinced that he needed to be this way after letting fame get to his head and Aggregor nearly taking over the universe. Gwen was ultimately proven right and Kevin was able to stop himself from killing her, but Ben didn’t see that due to being knocked out and the next time he saw Kevin, he was trying to kill Alan, making his anger a lot more reasonable. If you don’t like how he acted during this arc, that’s fine, but it wasn’t out of a jealous bloodlust or sociopathy but understandable feelings of betrayal and blaming himself for not being able to stop Aggregor. By the time of OV, Ben has learned this lesson and accepts he can’t beat himself up over failure when he forgives himself for losing feedback, all he can do is try and move forward and be the best hero he can. His whole arc in Ultimate Alien was accepting he can’t be in control. He stopped himself from killing Kevin, accepted having to die to free the Ultimates and gave up the power of Dagon after being tempted to remake the universe in his image.

[fumifooms]

"Marchil? I guess I can see it on Chilchuck’s end, but what about Marcille’s? What makes you think she could develop feelings for him?" I’m glad you asked!

The first thing to note is that she does think highly of him

In the page on the right, literally defending his virtues and literally comparing him to Dalclan. And oh…

She does love a brooding mysterious guy who closes himself to love. But surely, Chilchuck isn’t her type at all, right? He’s not princely or knightly at all. In apperances certainly not, both looks wise and demeanor wise, but then that’s why she seeks to know him on a deeper level, to not only look shallowly.

And hmm. Chilchuck really is quite selfless isn’t he? Always looking out for others, and saving specifically her often, always making sure himself and, staying in or even running towards danger for her sometimes. Modesty is often considered heroic…

And can we talk about that drowning one… You can definitely frame the special attention as him knowing she tends to hesitate or be clumsy, and then his insistance on pulling her out of danger that she’s the healer aka the most important to keep alive, but. From the one who says that he just keeps his ass out of fights and won’t help this is a lot of risk to take, and he does die trying to pull her to safety in the dungeon rabbits chapter. And the drowning bit??? That’s when the dungeon collapses. The only reason they DON’T die of drowning here is that the water then gives way to outside. There was NO hope of pulling her to safety here and resurrections would likely not work either, he truly preferred to die with her than try to survive himself.

Sit your ass back DOWN you are in no state, self-sacrifical hero much damn

And Marcille definitely noticed this imo, after all she loves learning all she can about him, remembering things like how he hates waiting on people too. She pays attention to him and what he does and what he says. This to say that it’s notable, whatever reason for it you may think (though we know by this point at least she was already aware he was an adult though it wasn’t internalized), out of everyone it’s Chilchuck’s bed that she wants to sleep in during the Golden Kingdom stay. He’s safe and comforting to her: dependable, the defining trait in her view of him as is shown by the relationship chart in the Adventurer’s Bible.

^ Lending handkerchiefs is a romance trope btw and handkerchiefs have irl history of being used for courting. Especially in old English literature and plays like Shakespeare’s Othello, and personally I do see a lot of Shakespeare in Dalclan (nobility political drama with some romance). There’s how his cowl is a dearly beloved souvenir from his family too, there’s a lot of aesthetic tropes you can apply to him.

All this to say you can 100% romanticize Chilchuck into a princely noble guy if you try and that’s exactly what Marcille does with the wife roleplay. She doesn’t need much in the first place, she latches onto crumbs and makes aesthetic narratives out of details, give her an inch she’ll take a mile.

But what’s interesting about the shift throughout the arc of her and his relationship is that she starts out idealizing him into a little angel of a kid (shapeshifter), and she ends it idealizing him as a virtuous husband and family man instead.

And what’s doubly interesting is that in the former, she’s actively warping who he is personality and demeanor wise to fit the aesthetic, he doesn’t have that bitter pride of not asking for help and the edges have been smoothened. But what she does during the wife roleplay is something else, she acknowledges the flaws and just… Accepts them, rolls with them. She’s aware of his flaws and implements them into the narrative, but the reason why his wife left doesn’t capitalize on them even, rather Chil is chilblivious and his wife loves him very much still, she’s just testing him after having had a night of feeling out of place at his side.

And this is what separates the idealization vs romanticization, she’s not twisting him into someone else she’s just uplifting what he is and focusing on the good sides.

Marcille: "he has a shitty personality sometimes but if he was my husband I’d still cherish him" "If I were your wife I’d be overjoyed to go out with you and would get myself prettied up while you complain about me taking a long time, your friends would tell me that I’m nice and that’d make me happy, but I’d also be sad because you wouldn’t tell me that you love me enough"

He’s angry and his wife left him, he’s *flawed*, but he’s still worth hyping up, still worth having his own romance story, still has a shot of winning back his beloved. She sees him for what he is, human and real and not a carefully scripted character that fits an aesthetic, and she thinks it’s still worthy of love and admiration and fighting for

And what’s funny too is that you might expect her to cool down on him once she learns more about him but actually she only gets increasingly into his business. You tell her your age and next thing you know you promise to introduce her to your family. Give her an inch she takes a mile. And too the thing is, Senshi is equally mysterious but she doesn’t pester him like at all, asks him ONCE about his succubus and he doesn’t even answer and that’s like… It. With Chilchuck it starts off innocently enough with her wanting to know his age, hometown, the stuff she mentions having asked pre-canon. But it just keeps and keeps going and escalating. Think she’ll be satisfied now knowing you have a wife and kids, maybe she’s disillusioned now? Wrong! She wants to know their names and ages and occupations and hey how did you propose to your wife? Do you think she’ll stop after meeting them? What’s next? What will she want to know next????

She’s… Like it’s not a reach that Marcille is all over him. Like it doesn’t mean it’s romantic but she just is. She is not normal about him idk. Can you not ask him about what tongue technique he used when first kissing his wife, give the man breathing room

Marcille could literally go "if I was Chilchuck’s wife" having deeply pondered and thought out the hypothetical and people would still ask where anyone sees any romantic potential between them. Oh wait

There’s a platonic explanation for everything (almost?) in Dungeon Meshi don’t say I’m saying otherwise, but it’s definitely not like there’s nothing here to read into lol

Going off a bit more under read bc it’s my fave topic

Marcille has a whole theme with the charming prince trope with her idealization and storybook motif and Chil is kinda the "Well someone perfect like that isn’t very realistic and romance is usually more complex and that’s ok and good and flawed people can still be ✨virtuous✨" catalyst

Do you see do you see she starts canon thinking the most romantic thing is a prince charming but her arc in the end has her romanticizing an average, flawed, real and realistic family man, who’s on the poorer side and is on the verge of divorce. And that’s what he needed, too, seeing the positive of himself and the situation instead of focusing on the negative is explicitly what inspires him to hope that he might be able to reconcile with his wife, gives him the courage and self-esteem to shoot his shot.

He IS a prince figure instead that now it’s not about idealizing the grand and overt it’s about romanticizing the small things in real life!! About finding joy and beauty in things that seem normal or mundane and uplifting them to make the world feel kinder!!!!

He’s the devoted virtuous man that she wantsss not the storybook prince that’s unrealistic and could crumble like a script at any time. He’s the perfect example of a flawed realistic but virtuous & devoted & loving man. Far from a prince charming, but not fully detached from it either. Something worth fighting for despite the flawed cracks. Like literally, flawed romance being worth fighting for is literally the finale of Chilchuck and Marcille’s arc on the matter, where their separate arcs and issues intersect at the most crucial moment.

Marcille is important to Chil’s arc not only because of her optimism, but also because of her interest and knowledge in romance & matters of the heart, and that’s what he needs to both open his heart up to hope and to try to reconcile with his wife, like idk sounds gay

Their arc together is literally learning to 1) see each other for how they are and not undermining their qualities capacities etc etc while still not leaving flaws unchecked either and 2) opening up to people. Marcille LITERALLY makes Chil open his heart up to hope like idk man. What do you want from me. He’s literally the guy helping her through deconstructing novels and fantasy and rose tinted glasses and like. Deconstructing the prince charming figure into something more real but still romantically beautiful like KUI KUI STOOOOP STOP I’M ALREADY HOOKED I’M ALREADY-

 Ok fine that’s me reading into the tropes too much forgive me for being storybook brained but like. Speaking his heart out to a lone woman on a balcony, Romeo and Juliette shit, asking if she, too, doesn’t want to meet his family, madly blushing. And like she’s learned with Chilchuck it’s all in the little things, all the implications he cannot speak aloud. She does reciprocate, does blush madly back, and the first thing she does is shower him in flowers and jewelry and what in her heart is coded as romantic gifts

A lady, stashed away in a high tower by her lonesome, waiting for someone to call out to her from below… Romeo courting type shit with an offer, a heartfelt spiel, implicit confession from underneath her balcony. Offering him flowers because he succeeded in calling out to her heart…….. And they have to climb to her too…. Crazy

Doesn’t it sound like a proposal. One that’s both so storybook-like and not, contrastedly real and grounded, all about the implications rather than in your face grand gestures, "Don’t you want to meet my family?". They literally have an arc about the topic of romance and this is the climax/pinnacle of it like god?? This is @ the woman who said "Chilchuck is a shy/bashful man so I know he wouldn’t tell me he loves me, but…" btw

To quote a friend, truly the shiny secret unlockable dating sim capture target : THE DUNGEON LORD BIT WAS SO FUNNY BECAUSE HE KNEW SHE'D TAKE IT HOOK LINE AND SINKER HES THE ONE WHO GOT HER TO TURN AROUND COMPLETELY SHES LIKE. WIDE EYED FLAG RAISED???? FLAG RAISED WITH CHILCHUCK 👀👀👀‼️👀👀‼️👀

And the way that this is the culmination of their arc together… Like people are not ready for the ‘Chil calling out to dunlord Marcille on the balcony has Romeo and Juliette romance novels imagery’ take. Or the ‘their arc is about growing to see beauty even in the non-idealized, in the flawed and in the real’ take which makes it so so perfect if she were to lower her ideal from a charming elven prince to a virtuous halfling man (which she does end up romanticizing)

So there, you got to witness in real time what happens when I think about marchil for longer than 2 minutes, there are so many layers it’s a deranged rabbithole. I saw the necronomicon of subtext and it’s driving me to madness with forbidden knowledge that no one else sees

……. Like what if I told you she implicitly picked Chilchuck over a "unrealistic prince charming who’s actually disingenuous" much earlier in the story already. If she was given the choice to think through going with a guy that seems perfect and chivalrous like her succubus she’d pick Chilchuck over the other actually. If I sound insane rn tune in for my full analysis on them coming this month hopefully thank youu. Interwoven arcs of fantasy vs reality and idealization vs pessimism I love youuu

So now you know the general thesis of my planned analysis about the importance of the prince charming figure in Marcille and Chilchuck’s arc, where she romanticizes things to a sometimes worrying degree or idealize people into something easy and digestible and poetic (like Chil being a kid, and then him being a virtuous ✨✨✨husband), and how she needs to value aesthetics less and actual acts and facts more, be more grounded (like seeing people for what they are flaws and all, and accepting that people need money and not pulling through on principles of honor or unity shouldn’t get Namari shamed) and a part of that is accepting that Chilchuck is BOTH flawed and virtuous, a loving husband that still has shitty moods and fumbled his marriage so bad etc etc. So it’s like, her image of perfect prince charming that will whisk you away on an ethereal romance -> realistic flawed middle aged dad with personality issues and a failing marriage but he still is worthy of love and having his cute grand romance story and his happy ending. Ik I keep repeating the same point through this but I need it to be burned into everyone’s brains it has its grip on me I can’t do this. They are so special……

[theejael]

something something ah shit here we go again

[jouno-s]

you know how online fandom quizzes always seem to have a ‘who is your favourite [insert media] woman?’

i feel like i never see this for the male characters? maybe this is just my experience but i only ever see this question posed for female characters, usually because there’s less of them so it’s probably easier to narrow down a choice to just one.

you have to pick ONE female character. you’re allowed to have as many favourite men as you want though 💫❤️

[aroacettorney]

when will aup sidestories return from war and stop leaving me bitter about how the main story ended

[a-very-fond-farewell]

pumpkin gnocchi with sausage-based ragú spoke to me in a dream so I think I should really write tonight

[dbphantom]

I had the funniest dream last night that there was a new episode specifically for s2 of H2O. It was just a revamp of season 1 episode 10 the camera never lies but Rikki and Zane teamed up to film something underwater at Mako Island. Rikki was the camerawoman and Zane was the actor (as you do when mermaids are involved).

Filming went well, there were no sharks, and Zane had the money to buy a bunch of cool stuff for filming underwater including breathing tubes and air pumps to explain how the camerawoman could stay underwater for so long (the show just used their actual versions of them because I mean. They had them. At the very least they had them for the scene where Zane sinks in the Lorelei. I don't see why they wouldn't still use them for some s2 shots).

But when they finally got back and were watching the footage they were like oh shit. They can't show this because Cleo Emma and Lewis are going to realize what they did, and they're going to realize they're dating and that Zane knows about Rikki.

So it ended up becoming a hot potato game of passing the footage between each other until Nate got his hands on it and entered it into the competition for himself. So that gave Zane and Rikki a bit of an out because Zane could just say Nate was filming him, but Rikki is upset because she put a lot of work into the film and now she's not getting credit for it. Especially since last year essentially the same thing happened where she made a film and couldn't use or get credit for her work.

Zane ended up forfeiting the submission because of it and shrugs it off when Rikki is like why would you do that, you totally would have won again, it was leagues better than everyone else's. And Zane was like. Yeah. Exactly. You wouldn't have gotten the credit for it, and I don't want to win if it isn't with you.

So, totally unrelated note, I think I just came up with a new filler episode for my H2O fic.

[batsplat]

"looks at his bike longingly and wonders about consummating his revival" "life with flavour. this is the reckoning. eat it. taste it" so what DID valentino's 2008 title celebrations look like

btw at le mans 2013 some vale fans had a huge (cringey ofc) banner which went like

yzr-m1: someday my prince will come

vale badly photoshoped as a prince: sorry babe

here’s how we can tie this to rgu and the whole prince&princess theme

also remember how in rgu the movie utena turns into a car and all? well what if valentino had some weird (vaguely erotic) dreams in that vein…….

(x, x) kermit at that poster not at the ask, to be clear!! weird ass sport

anyway, let's talk more about how to apply surrealist anime rgu to motogp! and yes, again, we are kinda stripping rgu from a lot of the stuff it was Actually About, but y'know on the other hand it'd also be flattening that particular artwork if your stance is that the 'only' things the story is relevant to is like. cycles of abuse. structural patriarchy. on-screen depictions of sibling relationships designed to make you extremely uncomfortable. all that stuff. so we are taking it as read for the rest of this post that rgu deals with more serious stuff than competitive sports and work from there

the car stuff!! anthy's prince literally turns into a vehicle to allow her to escape! it ends with both of them like... intertwined on the remaining husk of that vehicle, riding off into freedom. also the car looks cool

this isn't super relevant, I was just thinking about how much fun they made that car. like they made sidepod-wings into horsies. eat your heart out, ducati

now, in the film this is basically a metaphor for growing up, right. anthy is finally breaking out of the school and embracing her revolution by quite literally freeing herself from the prison she had both been entrapped in and had continued to entrap herself in. and isn't that... isn't that basically what valentino is doing when he's leaving honda for yamaha. well, no, obviously it's nothing like that. but say that it was like that, and that essentially this is the process of growing up, coming of age, growing into his own or whatever you want to call it. self-actualisation. a spiritual journey to a different bike manufacturer. valentino does think he's like... imprisoned in honda, it's his whole theme that year, he does a cute callback when he's won the title. brno 2003 is both the prisoner celebration and where he signs for yamaha, like he's not really being subtle about this. and the only way he can fully become himself is standing on his own two feet, thrive or fail, at yamaha. because now he's no longer following the path that's been set out for him. honda was comfortable in many ways, it was a very pretty prison - even if he felt underappreciated, he was still the golden boy at The Most Successful Manufacturer, he'd inherited doohan's team, he was building up a dynasty of his own. he was leaving behind basically... a completely guaranteed title for 2004 and most likely years beyond that for something far less secure

there is a kinda. obvious point here. and it's that according to this framing, valentino is implicitly being cast in the role of the princess. and the bike is the prince, who is being ridden to safety. which fits into the idea that there's like,, a deeply possessive element, of the bike towards the rider, and that's basically the key prince trait beyond lip service commitment to 'nobility'. I think that does kinda... work, not just because the contrast with the expected gender roles makes it more interesting, but also because 'seeing a vehicle as a symbol of liberation' inherently feels like a very valentino thing. the thing about anthy is that it's always a bit unclear how much power she has over what's happening, but when you rewatch the show enough times you do increasingly go 'huh has she been psychologically tormenting all of these characters for over thirty episodes as a diversion from the horrors of existence'. and the film very much then becomes... her version of events, if you will, where her brother the devil (that guy sure keeps cropping up in these asks) has become this defanged parody of himself,, and it really becomes more about her using utena to make the final step. or something!! obviously this is only one interpretation etc etc. but idk I think there's a fun element of this dual role of 'princess' and 'witch' where you've got a character who increasingly exerts autonomy over their own narrative and plays god a little bit and can also force other characters into slightly sadistic mini-arcs where they get turned into cows and who eventually brute forces their own vision on the world. because they do have power, and they are the instigator of the entire plot

so. so. I think one of my favourite things about valentino is... okay, so I don't actually really like when athletes are that good. with both valentino and marc, I have a very begrudging attitude towards just how successful they are, because that level of dominance is extremely 'meh' to me as a sports fan. they're really the exception here as far as I'm concerned, I'm very tenuously okay with their title count but it is also A Bit Much. but the thing about valentino, right, is that he mostly gets around that bit of my brain by also seemingly have a bit of an issue with dominance. the way he progressed through the ranks to the premier class is like,, nowadays, doesn't even stand out as notable because that's Just How Feeder Series Work, but back then it wasn't as guaranteed because they weren't feeder series!! it's not necessarily like clearing a level... you can just stick around to win more than one of these titles, and valentino was seriously considering doing as much but decided to move up anyway. I think there's something fun about how he kinda needs a certain difficulty level to get his brain into it. he's flirting with depression after 2002, writing in his autobiography about how AWFUL it is that winning isn't FUN any more, does his insane little yamaha switch which somehow worked out for him, got really into his f1 flirtations until quite literally when he starts losing again... he needs a bit of drama, he needs enemies, he needs MEANING!! I think inherently he's very suited to any role that casts him as a quasi-malicious storyteller, especially one that's searching for like,, some kind of Growth and progression. and also playthings. which then regularly feeds into a set of callous behaviours towards The Competition when it's seen as necessary. or just satisfying

the way this works when you. y'know. personify the bike into the prince,, is that inherently the prince's pov on this is also quite selfish, right, like it's a saviour complex and thinking you are The One who can claim the princess as your own. the prince can keep the princess safe... who can be used by the princess/witch as a tool to bring about world revolution, and so on. the prince attempts to control the princess, and the princess is devoted to the prince. and also, they can make each other worse!! it's kind of... eventually as a duo they can become so dedicated to this sick game they're playing that basically any act is excusable as long as it helps them win. anyway crucially I do think if you did a surrealism on valentino's brain, some blue haired girl personification of the m1 rocking up to save him from his shackles and allow him to finally attain revolution by turning into a vehicle and literally carrying him to safety... does sound about right, yeah. weird erotic bike fantasies and all

[sockatoothewafflebird]

i keep scrolling through the arcane tag and at least 40% of it is about caitlyn kiramman's warmongering dictator arc. apologies to my followers for being so obsessed with her but i have to add more fuel to the fire that is caitlyn character analyses. please hear me because only one of my caitlyn posts gets attention i want it to be this one.

i personally see caitlyn's character in season 2 as:

a painfully realistic portrayal of how quickly the privileged can go off their rockers at the lower class when they do literally anything wrong. "It's so easy to hate them."

a woman in mourning with no outlet for her grief and anger, scraping at the walls for any semblance of revenge she can get her hands on.

a puppet of the leaders that will use her for their own gain, which will ultimately only make the corruption and prejudice in the system worse and worse. (ambessa.... when i catch you ambessa...)

all of these things can coexist. and they do. arcane is so fucking good at making complex, nuanced, morally-grey characters, and caitlyn is no different.

(putting the rest under the cut bc this got LONG... sorry💀)

something about when you spend your life as a part of the upper class, equality feels like oppression. something about the upper class lashes out when the lower class does nothing but defend themselves, because both feel threatened by the other, but only the lower class is justified in that. something about CAITLYN IS A GASLIGHT-GATEKEEP-GIRLBOSS AND I DO NOT CONDONE HER ACTIONS!!! i stand with my cancelled queen in the sense that i just want to know if she pulls out a ukulele or reciepts!

the worst part about being a caitlyn fan is that she's gonna get worse before she gets better. that's a plain and simple fact. she is going to hurt people, she is going to kill people, she is going to fuck things up; whether it be directly or indirectly, by her own hand or through the puppeteering of ambessa. probably both.

she is going to do horrible things, whether we like it or not. she already has, look at the ventilation systems and how she exploited the grey. she'll only truly be able to realize she's wrong if she goes down to zaun and sees the damage she's done for herself, thinks long and hard about what she's fighting for. she's lost her way and she's gonna have to crawl through the trenches to find it again.

she's using and abusing her power because of things she shouldn't be using as excuses. jinx killed her mother; the attacks at the memorial service; except those don't justify her actions. explains them, maybe. but she's turning into the exact kind of person you'd expect someone of her status to become. someone with power to her name, using it against those below her because she thinks it's justified, with no one bold enough to stop her.

she's going down a dark path and i am HERE to see how she fixes her mistakes in the end... if she even does. i'm excited to see what they do with her. will vi forgive her? will anyone?

that's for the writers to decide. i have faith that they'll execute it well no matter which way it goes. flawed, yes, as all things are, but they will get this right. if they don't i'm gonna be on a watchlist by the end of the month.

oh, caitlyn kiramman, gaslighting-gatekeeping-girlbossing in act 2. what a piece of work. and i'm just a down-bad lesbian that likes psychoanalyzing fictional lesbians. like... have you seen that woman???? she's too good to not put under a microscope. it's like the writers were baiting me specifically.

if anyone has any theories btw, caitlyn related or not, lemme hear them because i will listen. i will read every essay about this show i come across if it costs me my life 🫡

[polaris-stuff]

I get hating the arc with Nexus, I do too, but I'm honestly somehow more disappointed with Old Moon's return. Everything is normal. That's it, we're back to some status quo. Ignore the fact that Moon has said it's been like an hour for him, and the last thing he remembers is his family falling apart. Don't worry about how he somehow is a better brother now, don't worry that most of his main flaws are gone, the best version of Moon was always the original, ignore all the time's Sun has projected onto New Moon about this Moon's negative traits.

(I am salty we lost New Moon to this. Don't care what Dark Sun is doing, Nexus bothers me so much because why did everyone give up on him so fast.)

Sorry for ranting you make a lot of good points.

It's okay 🥺💖 Ty for saying I make good points, it makes me happy <33

I still don't believe that anyone in the family is actively not wanting to know what is happening or what happened with Nexus. I think the only ones who know that Nexus was launched into space are Sun and Old Moon, (plus Monty, Ruin and Puppet, but they are not part of the family tho).

It's just weird.

"Our brother started acting strange and hiding things from us, we confronted him but he said mean things so we instantly decided not to do anything else for him." (????

And that was just before Nexus almost killed Earth. There I completely agree with Earth for not wanting to know more about him, but it still saddens me to see how the family replaced him so quickly. New Moon was a good brother, probably the best brother Sun has ever had outside of Earth or Lunar, but something strange happens with him and Sun immediately thinks "Moon can hurt us." When New Moon has never had a history of violence against any of his family. New Moon LOVED his family SO MUCH.

And Sun saying "all Moons are toxic"? Sun, New Moon was nothing more than a loving and caring brother who cared about you, why is he suddenly toxic? Because "he grieved in the wrong way"? Because apparently everyone moved on with their lives after Solar's death but New Moon was the most devastated by that? You saw him cry his heart out in your arms until he fell asleep and even after that you only get jealous because Moon called Solar "his brother"?

Ah, and until Sun and Old Moon found out that Nexus was working with Dark Sun, Sun was thinking the whole time that New Moon was floating in space and didn't make a single effort to know if he was okay there (because, btw, machines in space freeze until they are useless, New Moon could have died there, animatronics are not built like NASA rockets to withstand the radical temperatures of space).

Anyway, the family has me disappointed. Even before the whole problem of wanting to kill Earth happened, they had already given up on New Moon.

"You can't force help on someone who doesn't want help." YES YOU CAN. Especially when it comes to a loved family member!! If New Moon didn't want help, them as his family should force him to take it! No letting him sink deeper and deeper into his loneliness until he snapped. Seriously, it worries me how much this fandom uses self-care as an excuse to not help others.

Sorry I ended up rambling, but tysm for the ask. I continue to hope that all this is the fault of a virus and that New Moon will be rescued one day because if not, the whole year we spent getting to know him was for nothing.

[captainuranium543]

Thing I've noticed about the Fairy tail fandom misogyny problem (I'm about to sound like such a nerd)

Not to be the loser of the year but the easiest way to see the bad treatment of women in the ft fandom is by imagining what would happen if you swapped the genders of gray and erza.

As we all know gray has a running gag of taking off his clothes, however while people clown on him for this it's also well known and obvious that he is more than that. He has depth and character beyond just that gag. In the more recent 100 year quest he really hasn't done that much by comparison to natsu Lucy erza or even Wendy. This has been (reasonably) upsetting to some fans arguing that he deserves better. I agree with this but I need you to imagine what the reaction would be if he was a women because it would be a completely different story.

If gray was a character who didn't get a lot of development and was always taking off his clothes as a women people would not be saying he deserves better then would be absolutely dog piling this dude calling him useless and fanservice only completely ignoring all his previous development.

How do I know this? Because that is literally what happened to Lucy. Back in the 2010s people WOULD NOT GET OFF HER ASS. people were constantly calling her useless (completely ignoring the fact that she's a brand new wizard being compared to guys who've been doing this since before puberty and NO SHIT SHES NOT THAT GOOD YET. THATS WHERE THE DEVELOPMENT COMES IN). It made sense for Lucy to be weaker than the others she was brand new to this and that was literally the point of her entire story to watch her grow as a wizard and become more independent and powerful. In some instances Lucy was written to be a damsel in distress character but rather then looking at her as an obvious victim of bad writing it was treated like it was somehow her fault. Gray and Lucy are very similar characters but gray is treated far more favorably right now than Lucy ever was back in the early days.

As for erza, people cannot stop calling her a plot armor character. All I see online is none stop hating, some people even claiming it's worse than natsu. The things is, to a degree they are right erza does have plot armor, the issue is that so does literally everyone else. As much as you don't want to accept it erza fights more so it's more noticeable with her but every single fairy tail fight outside of a few will have an element of plot armor ESPECIALLY for natsu.

The issue I have isn't that people are wrong it's that they completely ignore the fact erza is literally only being treated the same way male anime characters have been since the dawn of time but now suddenly it's a problem. Being overpowered and winning by punching things harder is fine as long as you're a dude ig.

It's even worse when people argue she's a Mary Sue because she objectively isn't. She not only has so many flaws that come to mind easily, she had probably one of the strongest character arcs I've ever seen. She's gone through more character development then 99% of the cast the only problem is that it happened very early and afterward Hiro didn't really know what to do with her.

That being said, even if she had no character arc at all I STILL WOULDN'T SAY SHES A MARY SUE. BECAUSE A MARY SUE IS A CHARACTER WITH NO FLAWS. AND NOBODY IN THIS SHOW IS MORE FLAWED THEN ERZA IS. I've heard people argue that all her flaws are comedic and, ignoring the fact this is just not true she has plenty of flaws that are genuine problems she needs to grow from (ie galuna island, tower of heaven and edolas), who cares if they are comedic? Natsu is also a very flawed person and has not had to change even a fraction of the amount Erza has and does that make him a Mary Sue? No. Do I still love him? Absolutely, he's funny as hell.

This post was not made to complain about gray or natsu btw Its not that I think they're useless or Mary sues I just don't think any of these characters are at all and I think people who do think that should all explode. Anyway this is just what I think feel free to disagree but don't try to argue with me because nobody is changing my mind on this one.

[goingbuggy]

I have I think weird ask and that’s why I choose anon option

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Why did oda made uta? What it gave us? It is interesting choice alright? It’s not my first idea soooo why? I like her btw

I think a lot of One Piece movies tell stories that Oda might have wanted to include in canon but couldn't for one reason or another. This depends on the movie, of course -- Stampede is mostly just fanservice for longtime fans, but I'd argue movies like Strong World and Film Gold pass as condensed 120-minute arcs, albeit to varying degrees of success. Film Red falls somewhere in the middle of that; it's bogged down by nonsensical subplots, fanservice, and the execution of its musical format, but at the heart of it is a story that I believe Oda did want to tell. Above all else, it's a dissection of Shanks that is severely needed in-universe.

I do think Uta was a character crafted for the sake of the movie, but she fits in with Shanks in a really good way, so I think what she conceptualizes is an idea that Oda has always wanted to explore about Shanks. His character is guided by a moral compass which often directs him away from fulfilling relationships and his own happiness. He is a protector, first and foremost, but if hurting you is the only way to ensure your safety, he'll do that too. His decisions are based on his idea of the greater good, and he is so selfless in this pursuit that it leads him to neglect the feelings of others in selfish ways.

Uta is the direct consequence of her father, as many children tend to be: she is what Shanks made her, all the anger and abandonment and emotional neglect. Shanks thought he was setting her free, but she became trapped by her own unstable mind and suffered and spiraled. He is a man of good intentions, but his ideals come at a cost, which Uta embodies to the fullest.

In a lot of ways, I think the story is also an interesting examination of parenthood (when it's not going off the rails). As a parent, you want nothing more than for your child to be happy -- to do right by them, do what's best for them. But sometimes this can end up hurting them them the most. Shanks tried to protect Uta from herself when he should have just been there for her as she learned how to live. That's why the final scene hurts so much; it is the greatest failure for Shanks, as a father and protector, to watch her go this way. But when she makes her final decision on her own, he respects it, sticking with her until the bitter end. He is there for her, but it is far too late, and so he is forced to face his own flaws as a parent -- as a human being. Film Red may be a bit of mess, but it adds meaningful shades to Shanks, which I can greatly appreciate.

[bougiebutchbitch]

I'm not in the ofmd fandom but I am intrigued by the drama. spill the tea?

OH GOD OKAY

Where do I begin lksdlgkfds

Okay so

There’s this nasty little gremlin-man in ofmd called Izzy Hands. He’s a sour, mean, skrunkly, disabled little cunt who is a firm believer in Respect and Discipline (in a very queer subby way).

This is to say: he is. Explicitly. Queer. He does drag on the show, and has a whole coming-out scene. He is a kinky masochist. He confesses his love for another man, and basically ruins his own life & everyone else's, because he is sooooo pathetically jealous about this man (his captain!) falling for some milquetoast loser white rich guy, when Izzy, a badass leather-wearing working-class sword-swinging swashbuckler, is right there making puppy-eyes at him.

He's wrong! He's horrid! He's a bastard, pickled in piss and vinegar! He's five-foot-nothing of spite and gay self-loathing! He's very fun to watch, and very, very queer.

People still insist that he’s straight. And racist. Despite there being 0 textural evidence to support this, and the creators of the show repeatedly saying that this is absolutely not what they wrote.

Why do people hate him so much? Simple! Because he ‘got in the way’ of the main ship.

Yup. It’s basically ‘bash the girl who gets in the way of our m/m otp’ only the girl is a grizzled 50-something year old pirate.

The main ship, btw, is between Ed Teach, an awesome complex flawed hopeful beautiful character of colour; and Stede Bonnet, another awesome complex flawed character. Who is a white guy. And who happens to be a rich plantation owner from the 1700s. Based on A LITERAL SLAVE OWNER. Who is explicitly shown to be a Problematic White Guy with fucked-up racist views.

Like. He’s not a perfect guy. The show makes this very, very clear - to the point where Stede pushes Ed into sex super-fast immediately after Ed says he wants to go slow, and this makes Ed run away and freak out.

But somehow, Certain Fans still insist that Izzy is to blame because :checks notes: he makes one cheeky, friendly joke about them finally getting together that is clearly given & received in good spirits.

Yeah.

There's a lot of this cognitive dissonance going on. And it's very, very wilful.

Basically: a certain subset of people who ship Ed and Stede refuse to exercise the slightest bit of critical thought of Stede’s views and actions (which are a representation of the white landed gentry!) but insist on maliciously twisting literally everything Izzy says or does to cast him as The Ultimate Villain. Whereas anyone watching the show can tell that he starts off as an antagonist-with-a-deeply-hidden-heart-of-gold, whose entire arc is about growth and redemption.

I think 99% of this is projection. Stede and Ed are not perfect by any means, but these people are so dead-set on shipping a Cute Fluffy Romance (when that. Really isn’t what the show gave us) that they have to create a villain out of Izzy and blame all of Stede and Ed’s fucked-up choices and actions on him, in the most contrived ways. Which has the added bonus of them deciding that Izzy, a white guy, is somehow responsible for literally ALL of Ed’s genuinely awful, abusive, and interesting choices in S2, where he went on his villain arc. Even though Izzy was the main victim of this villain arc. Rather than, y’know, giving Ed the agency to make his own damn decisions and acknowledging that he is a flawed and fascinating character who Hurts People but still deserves a happy ending, like literally every other main character on ofmd. Nope. Gotta infantalise that man of colour and pretend he has no control over his own life and his morality is goverened by the white men around him!

Then, they get to portray Stede as his white saviourTM who swoops in and saves Ed from ‘his own darkness’ with the power of love. 😊 because that’s not Problematique in the slightest 😊

It’s… fucked up, to put it plainly. But honestly, as much as there is a problem with their dogged insistence that Izzy is the root of all iniquity on the show, and that Ed and Stede are pure perfect angels who never did any wrong... what was worse was the relentless harassment enacted by that side of the fandom against anyone who dared show a liking for Izzy’s character. Like, it’s not the worst fandom out there by any means, but it really did make the fandom feel hostile to anyone who didn’t ship the main ship.

SO - yeah. That's the tea! OFMD was a fun show with lots of cool flawed characters. But the fandom was a cesspit, fuelled mostly by a Certain Group Of Fans' desperation to make their ship Perfect and Morally Pure - which resulted in them throwing an interesting, well-rounded, morally grey queer disabled character under the bus, and harrassing anyone who enjoyed him.

[musicalmoritz]

Can you analyze Aoikane? Like does aoi really like Akane? Is Akane a good person to her? Doesn’t he just treat her like everyone else? Even after the severance arc?

I’m glad you asked this! I’ve written a lot about Aoi and Akane as separate characters but I haven’t really gotten to go in depth explaining their relationship. This won’t cover everything but I’ll try to address all your questions. Just a heads up, I incorporated a mix of canon evidence and personal interpretation here. I tried to address each time I was purely stating my perspective but be aware that this is very opinionated

So to answer your first question, “Does Aoi really like Akane?” the answer is no…Aoi LOVES Akane. Aoi is love with Akane to an embarrassing degree, dare I say more embarrassing than the time Mitsuba said “yes sir” to Kou

On a more serious note, Aoi loving Akane is a core part of their development. If Aoi didn’t love Akane, Akane never would have fallen in love with Aoi

This right here is the key moment, the moment when Akane realizes what he means to Aoi. He offhandedly tells her he hates her, and it makes her cry. At that age, nothing made Aoi cry, not even bullies. But she felt so strongly about Akane that the mere thought of him hating her was enough to bring her to tears

Akane’s character arc centers largely around coming to understand, empathize with, and help the people around him, so when he sees someone who needs him he goes all in offering his help. When he saw that Aoi loved him, that she would cry if he hated her, all he wanted to do was make her happy and make her feel loved. This is what he dedicated his life to, judging by everything we know about his relationship with Aoi after this event

Another way we know Aoi loves Akane is because she tells us this herself! She asks Hanako to talk about love and then explains her past with Akane. Before this, when Aoi got left behind leaving Hakubo’s boundary, she confessed to the audience that she loves Akane (“I never got to tell him I like him”). That line has clear romantic connotations, especially for a series that places so much emphasis on confession scenes. But on the train, we learn why Aoi loves Akane

To Aoi, Akane is everything she is not. He is naturally liked by people, hard-working, and kind. Aoi seems to view Akane as the epitome of a good person, and herself as the opposite. Think of it as a sun/moon dynamic, we see this with many ships in the series. Hanako seems to think similarly about Nene, considering himself a murderer and then viewing Nene as this ball of sweetness. When asked what he likes about her, he simply says “Everything.” Even Aoi was shocked lol (but this ain’t about them)

It confuses me that a lot of fans ask why Aoi likes Akane when she’s outright stated it herself. It could be that some of them haven’t finished the manga (not saying that’s you btw that wasn’t one of your questions), and hey there’s no shame in that. I just wish they would either admit they haven’t read it or look up the chapters they need to read because their arguments are lacking some pretty key information😭 Guys, step one of analyzing is to READ. But I digress

I think another explanation would be that fans don’t understand Aoi’s character, they still subconsciously view her as Nene’s popular best friend. They may not think they do, because they think the extent of her facade is pretending to be perfect. They don’t understand how she looks down on people, how she only thought about herself when Nene and Akane started acting different, and how she gets emotionally dependent on the people closest to her. There’s a reason for that too, many fans don’t like that side of Aoi. They see her express an unhealthy attachment style and decide the problem is AoiAoi rather than Aoi as a character, so they completely erase her flawed management of relationships when they write her

Aoi displays an avoidant attachment style, she pushes away the people she wants to be close with. She also arguably shows signs of BPD, and though I won’t get into that today, one of the defining symptoms is intense and unstable relationships. The sad truth is that people really hate people with avoidant attachment styles, and they really hate people with BPD (and any Cluster B personality disorder in general), so when they see Aoi expressing these traits they erase them rather than admitting they don’t like that side of her. Which is sad because you rarely see people doing that with male characters. Teru and Hanako are loved for the aspects of their personalities that are unlikable to the fanbase, whereas Aoi’s toxicity is ignored because it doesn’t fit the image fans have of her. Aoi is misunderstood by the fandom the same way she’s misunderstood by the characters in the manga

One last note on this, if you dislike Aoi just say that (again this is aimed at the general fandom, not you specifically). Don’t erase her obvious signs of mental illness, that representation is important to a lot of fans. When I wrote my TikTok essay on Aoi having BPD, I had people with BPD in the comments telling me how much they related to her. On other posts about Aoi, I’ve had people tell me how much it means to them to see a character realistically portray an avoidant attachment style. Mental illness is rarely portrayed correctly in media, and it is highly offensive to those who have it irl to erase those traits in a character just because they don’t fit your cookie-cutter image of them. And yes, I know Aoi doesn’t canonically have BPD but slandering her for traits that strongly relate to BPD is also weird (this is the opinionated part I warned you guys about lol, but yk a psych student is gonna have to lecture you on ableism)

Aoi’s feelings for Akane have also been teased since the beginning of the manga, through jealousy. She claims not to like him back, but she completely shuts down whenever he shows interest in someone else (or when someone else shows interest in him). Again, this is not a healthy response by any means but I personally think it’s an interesting character flaw, you are welcome to think otherwise🤷🏼‍♀️

She actively encourages his confessions with her point system, if she didn’t enjoy his confessions she would have turned him down from the get go. This connects back to the avoidant attachment style thing, Aoi wants Akane’s attention but she maintains distance for fear of letting him in. She keeps walls up to protect herself, because while Akane is the sun she basks in, she doesn’t really believe he likes her

This is because Akane puts her on a pedestal just like the rest of the school does. Some fans overlook this because they’re focused on post-development AoiAoi but at one point Akane made Aoi feel very isolated. It must have hurt extra since he’s her childhood friend. She thought Akane was only in love with the perfect version of her, which I don’t believe to be true. Akane loved Aoi, flaws and all, and that’s why he saw her as perfect. Most of the information we learn about Aoi is given to us through Akane, so it wouldn’t add up for him to not know her real personality. During their fight scene, he lists all her worst qualities and proceeds to kiss her hand and tell her he loves her

My conclusion is that Akane’s love for Aoi was so intense, he saw her through a rose colored glass. He knew the real her, but he loved her so much that her flaws didn’t bother him. He only focused on the good parts, and thus ended up putting her on a pedestal. He didn’t realize his behavior was hurting her up until the truth came out in chapter 69, and to answer that one part of your question, yes his behavior did change after that

He encourages Aoi to talk about herself, offering to do all of her favorite hobbies with her. He gives her free reign and support here, letting her talk and then offering solutions to her worries. He reassures her that she can fix things with Nene, which is like!! A major step in the right direction!! Akane is usually very possessive of Aoi, even when it comes to her friendships, but here he is encouraging healthy communication between her and Nene. He doesn’t deny her bad actions, but he gives her room to resolve them

After that, we see him start to treat her normally. He acts like himself around her, the same version of him we see around Teru and Nene. None of that lovestruck, over exaggerated worship we’re used to seeing him show towards Aoi. Even during the Severance, he took time to work with Nene and Teru rather than obsessively focusing on Aoi. He gave Teru motivation when he felt like quitting, even felt comfortable using their mutual love for a Aoi to fuel their rivalry. He formed an alliance with Nene even though he initially felt bitter towards her for Aoi’s disappearance. He learned to look past his own feelings enough to be there for his friends, likely because Aoi taught him to remove those rose-colored glasses. He saw that only focusing on what he wants (only focusing on Aoi) was hurting the people around him, including Aoi herself. Post chapter 69, Akane becomes much more down to earth. He still loves Aoi deeply and puts her first, but he treats her like a normal human being. This allows him to treat other people normally too

A lot of people use this chapter as evidence that Akane hasn’t changed but guys, he’s allowed to be jealous over the girl he loves. He panics here, but he doesn’t try to get violent with Teru the way we used to see him do when guys would express interest in Aoi. He doesn’t look possessive or angry here at all, just sad. He’s genuinely devastated that he’s in a world where he can’t be with the girl he loves. This is bad news for both him and Aoi, judging by the sad look she gives him as she leaves and the events of last chapter, it’s clear that this Aoi is still in love with Akane. Our Akane knows how dependent Aoi is on him, he knows that he’s the reason she’s started taking steps towards healing. Without him, all of her development gets erased, and there’s the simpler sad fact that she can’t be with the man she loves. Akane wants happiness for both of them, there’s nothing wrong with that

Even when he confesses to her, it looks so much more genuine than the old scenes of his confessions. It gets a full page, they’re both blushing and their eyes are full of light. His words are so genuine too, he doesn’t wax on about how perfect and delicate she is, all he does is promise to love her forever. For someone with such severe abandonment issues like Aoi has, those words are all she’s ever wanted to hear. Her father left when she was young, then the two people closest to her started to pull away from her (not in this universe but still). She’s terrified that people will hate her, that everyone will leave her if she reveals her true self. And here Akane is, promising to love her and only her for as long as they both shall live (and beyond that)

So, yes, I truly do believe Akane’s behavior towards Aoi has changed. And keep in mind, the manga isn’t over yet, they will have more development. We just learned Aoi’s backstory with her father leaving and her mommy issues, there’s still so much we don’t know about the characters. They still have a long way to go, so if they haven’t grown as much as you’d like then give them some time!! But they have made a lot of progress already, and I wish more fans recognized that

As for the question of whether or not he’s a good person to her, that’s very subjective!! Some fans don’t like any level of toxicity in their ships, so chapter 69 was enough for them to write off AoiAoi entirely. That’s perfectly fine, no one should feel forced to like a ship that makes them uncomfortable. Some love toxic ships, some only love toxic ships if they have development, and others love ships with extreme toxicity (I finished Interview with the Vampire season 1 today so that is where I’m at right now lol)

Let me ask you a few questions though. Is Kou a good person to Mitsuba, for mimicking the actions of his abuser and force-feeding him?? Is Hanako a good person to Nene for attempting to trap her in a fake world and kill her best friend? Is Hakubo a good person to Sumire for eating her alive? Is Natsuhiko a good person to Sakura for letting them destroy the world? Are any of these characters good people to each other???

All of those situations have nuance, and so does AoiAoi. Yes, Akane choked Aoi, but only because she was about to kill herself. She was in a shinigami’s boundary, talking about wanting to “go somewhere far away” and never return. If he hadn’t done something, she never would have returned from the far shore. That doesn’t excuse his actions, but it provides some perspective. Akane wouldn’t choke Aoi under normal circumstances, just like Kou wouldn’t force-feed Mitsuba under normal circumstances. However, both of them would go to those extremes if it meant protecting the ones they love. I personally believe it’s toxic, but some fans insist it’s completely justified because they were doing it for the greater good. Again, it all comes down to perspective

Their dynamic also largely relies on the yandere!Akane gag, which is very hit or miss for some people. Although it’s for comedic purposes, those scenes did happen in canon and they happen a lot. They can be very distracting and cause fans to feel confused once they’re introduced to the deeper side of AoiAoi, which is understandable. Part of peoples’ interpretation on AoiAoi’s level of toxicity comes down to how serious they take the yandere jokes, and how much they like yandere characters. If you hate yandere characters but don’t take the gag too seriously, you’ll be able to overlook it. However, if you hate yandere characters AND you take the gag seriously…AoiAoi might be a difficult ship to accept

Otherwise, Akane does look out for Aoi a lot. He beats up guys who harass her, he asks her how her talk with Nene went, he checks on her injured hand, he will stop at nothing to save her when she’s in danger and, well…the list goes on. There’s no denying Akane cares about Aoi, though some fans may argue he cares about her to a toxic extent. I find that attitude a little hypocritical when they like every other toxic canon ship, but every ship has different appeals so I get it. I’m very biased tho so every argument I see against AoiAoi is just words, words, words

Keep in mind that the TBHK characters and their relationships are all meant to be flawed. This is an imperfect cast of characters who all want to be loved, who have their own goals and try desperately to save each other even though they’re doomed to fail. I wouldn’t call every character morally gray, but they’re realistically flawed. Akane and Aoi want to be together, but they have a lot of individual issues to work through first. They’re undoubtedly better together though, seeing as the progress they make is because of each other (I gave Akane credit for Aoi’s development earlier but it goes both ways!!). If they were separated, we wouldn’t see them grow as much as they have. That doesn’t have to be romantic ofc but I do believe that Aoi and Akane make each other better, they just have to go through the process of making each other worse first in order to get there

I am a person who LOVES flawed characters and relationships. If the ship doesn’t have a splash of codependency, I don’t want it. I incorporate sadomasochism into almost every fic I write. My view of AoiAoi is going to be different from that of someone that isn’t interested in flawed characters/ships (yes, you’re allowed to prefer characters that are “morally pure”). If you’re looking for something that’s pure fluff then AoiAoi most likely isn’t for you, very few TBHK ships are unless you’re heavily fanonizing them. That’s simply the nature of this manga, there’s a reason we’ve seen every canon couple hit each other at some point. It’s not as bad as some fans suggest, but it’s still messy. I want to reiterate that this isn’t aimed at you specifically but I feel it’s something the fandom as a whole needs to hear. Of course, there are toxic ship enjoyers who may not find AoiAoi interesting, but every complaint I’ve heard about them so far has been about their toxicity so that’s what I’m addressing. I personally find it to be tame compared to the other ships but not everyone is going to interpret it the same way

Thank you very much for this ask, I got a little carried away with the yapping lol. I’m a bit worried I’m gonna get hate for this one since it’s kinda controversial and I got very opinionated at times…please know that I didn’t mean to offend anyone or invalidate any other opinions. If you feel that I did that then feel free to block me. I hope everyone reading this has a nice day <3

[sp00ky-scary]

I don't think I've expressed this opinion on Tumblr so I'm doing it now. Raven low-key pisses me off as much as Apple does, they are very similar in their behaviour however I think Apple gets more hate for her actions because she's on the "incorrect/bad" side of the conflict so viewers end up less sympathetic towards her and her actions can be less justifiable ig. (I am just discussing the show here btw) Like especially in the beginning Raven is just as set on others following her wants as Apple is, and Raven's actions are selfish, it's not a bad thing but like objectively what she did was initially selfish. Like an example of Raven's behaviour being in Spring Unsprung when she just assumes Kitty is a rebel and doesn't want to follow her destiny and low-key argues when Kitty expresses that she does want to. Like that's literally what Apple does, fighting back when someone has different wants and opinions. Like yes Raven is on the like "correct/good" side of the conflict but she has the same flaws as Apple, both are very resistant to different perspectives and also make assumptions about others all the time (another Raven example, saying Briar is only questioning her destiny because she'll miss out on all the parties). Like they have the same flaws, they can both be quite self-centred individuals, and I don't find either character that frustrating, I don't hate anyone in fact I like them both but both are equally annoying at times yk ? And I'd say both learn to consider other perspectives during Way Too Wonderland but as we know all character "arcs" (they aren't really arcs because tbh some of them are out of nowhere and almost ooc I just lack a better word) from that are immediately erased in Dragon Games.

[marvel-starwarsfangirl]

"The Bad Batch" Series Review

Now that this show is over and I've had some time to think about it, I'll give my overall thoughts, its strengths, weaknesses, and how it compares to other two main popular animated shows. In general, TBB is a solid show with fun characters, beautiful animation/music, and moments of truly peak Star Wars. Is it perfect? Definitely not, but I love it all the same. It's probably a solid 8/10 for me. In many ways, TBB is the type of show I absolutely love. It's dark, character driven, and touches on mature themes. I love seeing how different characters came to terms with Order 66 and the birth of the Empire. At a time when hope seemed at its bleakest, seeing characters try and find it again is very compelling.

Tbh, I think one of the reasons why I love this show so much is because it really hits home for me. A lot of the themes and ideas that are explored by the characters are also things I've been exploring at the same time. TBB has been a comfort show for me as the world becomes even scarier and I grow as a person. It was the show I needed right now. Also, the Batch remind me of my own friend group. So, I might be a bit biased here.

In comparison to the other shows, I think I love TBB about the same as much as the others. Some days, I'll prefer TBB, other days, I might prefer Rebels or CW. Each show has something I truly love and something that frustrates me. For example, Rebels has a lot of emotional moments I enjoy, but Zeb was really slept on after S2. CW had an amazing scale and scope, but some arcs were just awful. You know which one I'm talking about. TBB is the same. It really depends on the vibe though. At the end of the day though, I truly love all 3 shows and all the joy (and tears) they give me.

Alright, let's get into the nitty gritty.

Weakness:

I'll start off with the flaws just to get them out of the way. I think TBB's biggest flaws are regarding balancing the character dynamics and arcs. I understand that Omega is more or less the main character since she really changes the Batch's life, but they needed to do more. I wanted to learn more about the Batch. However, sometimes it felt like characters could only grow when Omega was with them. Granted, this wasn't the case 100% of the time. Crosshair is the most notable example of this and I loved Tech's interactions with Romar and Phee. Unfortunately, it does affect the characters if they only get characterization with one character. Echo is the biggest victim of this imo. They had a goldmine to explore how he felt in the aftermath of Skako Minor, but they didn't. Crosshair wound up being the Batcher who would've understood him most, except they only exchange two lines of dialogue together in S3. That's it. Imagine how impactful it would've been for Cross if he talked to him. Echo truly understands the horrors of being turned into a lifeless machine. It was an opportunity that was practically gift wrapped for the writers. Sadly, it did not come to pass. Overall, this show just needed more Echo.

Btw, TBB wasn't the only show with this problem. As mentioned above, Zeb didn't get much to do after S2 and I'm disappointed in that. Even Rex and Kallus also got sidelined after S3. CW's format was more forgiving with this, but certain characters like Savage became more irrelevant once more popular characters showed up. Additionally, Echo not learning about Fives was a massive missed opportunity.

Branching off of that, having Omega as the centerpiece also means that the emotional moments tend to happen with her. Now, that's not a bad thing, except it only seems to happen with her. In S1, it really felt like no one cared that Crosshair was gone. This is their brother who they've known forever. Why is Crosshair the only one who seems to be really emotional about the whole thing? Since the Batch have only ever had each other, I would've expected them to be more upset/bothered when one of their own suddenly does a 180 in personality. And again, it's not like it's not there, it is, but it really needs more. I'll be honest, I really didn't like S1 Hunter at all. The man tunnel visioned on Omega.

I'm more forgiving about the rough start since both CW and Rebels were also kinda rough. However, I think the lack of clear focus did hurt the show a bit. Rebels and CW had a greater scope: fighting in a war/revolution. TBB doesn't have this since everything just got uprooted. Had the show been a bit more focused, I think it really would've helped a lot. S2 and 3 both established what the overall focus was pretty quickly. But with S1, it seemed to jump from the inhibitor chips to whatever Omega's purpose was to Project War Mantle and I was like: so, what was the Batch's goal other than survival?

There are other things that bugged me as well. Tech's death should've been handled better. I get that the Batch are soldiers so they aren't expected to cry in each others arms. Except the closure for Tech's death wasn't enough. What wound up happening was half the fandom questioning if he was really dead and searching for hints that he was alive. I covered this in my S3 review, but to summarize: the writers needed more time and more deep character moments. TBB thrived on those deep, mature conversations.

I know I just went off, but I truly love this show with all my heart. I know it's capable of so much more as shows in its strengths. It just frustrates me when it falls short.

Strengths:

Crosshair. Looking back at his overall journey, Crosshair is easily the most compelling character. I'm linking my study of him because his arc is just that good.

https://www.tumblr.com/marvel-starwarsfangirl/750696139213471744/crosshairs-character-in-tbb-a-study?source=share

What's so impressive to me about Cross is that he doesn't need to be in a lot of episodes in order to tell his story in a satisfactory way. Everything he's in is so well written that I can easily tell how he's feeling, why he feels that way, and why he makes the choices he does. In S2, not once did I have to wonder why he decided to betray the Empire or befriend Mayday despite that arc being only 2 episodes. The subtext really said it all perfectly. TBB does such a good job with his character, but I won't go on any further because we'd be here forever. Anyways, I love Crosshair and he has the best redemption arc in Star Wars. You can't change my mind.

TBB also touches on mature themes and I love that they are explored in a thoughtful way. Tech's conversation with Omega is really beautiful. It speaks to a lot of people and I love that the writers chose to take a thoughtful route instead of just having Tech say something nerdy and calling it at that. The same thing with Crosshair's PTSD. It was a genuine issue that affected him and not just when the plot needed it. I also appreciated that he was given time to actually try healing. Letting the characters sit down and have deep moments is what really connects the audiences to them because we see what makes them vulnerable. Light-hearted action is fun and all, but there is so much more to these characters than "blaster go pew." I really resonated with Crosshair's story and I know many people did the same with Tech's. I also loved how the show showed Omega adapting to the change around her; it can be very difficult sometimes and I appreciated that it wasn't still sunshine and rainbows after. Echo had a role within the Batch and his absence definitely shook the dynamics.

The animation and music are just perfection. It speaks for itself, but it's perfect imo. (yes, I'm aware of the errors, but it doesn't impact the actual quality).

The Empire was really freaking scary. TBB did a great job showing how the Empire started encroaching on the entire galaxy and began phasing out the clones. Occupations started, Rampart began his chain code system, and any form of dissent was immediately silenced. There was no question as to how ruthless they were. And there were genuine consequences to the actions of characters. Rampart was thrown under the bus for something he was ordered to do. The Empire doesn't protect anyone except Palpatine. "The Outpost" is so brutal and raw, but it perfectly shows how the Empire can drain a person until they break. Both Rampart and Hemlock are two fantastic villains that capture the true horrors of humanity. Rampart is a cold and greedy man. We all know people like him and he will stop at nothing to get what he wants. Not even humble juice in prison could make him reevaluate his views. Hemlock is a monster that only cares for his experiments. He was such a different villain compared to the Sith and greedy imperials we tend to see and I appreciated that. Even Crosshair was a good example of how misguided beliefs can turn people against one another. Like with Rampart, we all know people like Crosshair. It grounds TBB that much more.

I also loved the main focus on family in this show. It's a value that I hold dearly because of my beliefs and how I was raised. At the end of the day, the Batch's greatest strength comes from the bonds they have with each other. In times so dark, it's the people they love the most that will help them get through their struggles. I honestly love that. Whether it's friends, siblings, or parents, those bonds are so important. People aren't meant to tackle the world alone. TBB does a great job showing how hard it is when you're stuck in a dark place and how impactful it can be to have people who love and support you. Overall, I really loved it.

At the end of the day, I just really love the Batch. They mean a lot to me, especially Crosshair and Omega. Omega herself is such a sweet bean and her light truly is beautiful. I've loved watching her journey over the last several years. She's a wonderful character and I love her dearly. I love Crosshair (he's really hot, ok). I love Tech's charm and quips. I love Echo's strong drive for justice. I love Wrecker's big heart. I love Hunter's... fatherly instincts.

Ok, I know that was long, but I am so grateful for this show. I love TBB with all my heart and there's so much more to say. For now though, I'll just say that TBB has truly made an impact on my life. It gave me something to enjoy when times got rough and it gave me Crosshair. I will always be thankful for him.