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starberry-cupcake · 2 days ago

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SHORT STORY + BONUSES (read it like when gollum says bagginses) INTERMISSION!!! Today we'll take some time to dive into the Harrow bonuses and a couple of short stories, one of which I should have read before, but such is life.

previously, in the tlt universe:

I finished harrowcita del 9

Bonus 1: BoE google doc for the soldiers

differently from the other recaps, I did these while I was reading them, not when I finished reading a whole chapter/story

so maybe the thoughts are more rambly than usual

sorry about that

ANYWAY I have to give it to the BoE folks, they've got a lot to deal with over here

they're like the audience, coming into this blind

and have to try to understand how necromancers operate on the fly

'bullet to the head but don't be too confident on that' seems to be the most useful tidbit

it's like a resident evil gameplay

BoE is in resident evil, gideon is in survivor and harrow is in a gothic pulp novel

the advice for engaging lyctors is "avoid them at all costs"

I keep spelling it BoA instead of BoE because of her

blood of adam? blood of awake me up when september ends? idk

Pronounciation guide (aka I do what I want, but apparently pronounce nonagesimus like the author)

dr reverend emperor john chose the name gaius for himself, it wasn't his real name

gaius sounds like gallo, the spanish name for gallus gallus domesticus, which in english would translate to cock and alludes to the fact that he is a dick

agustine is pronounced like in english and not like in spanish (agustín), I have been pronouncing that one right but I could have called him agustín all this time

cassiopeia was a queen but we already knew that

sixth house, ceramics, cooking, checks every one of my boxes

"CRIS-ta-bell. Rather than “crees”."

what is the difference oh my god is there a difference there

pyrrah is achilles's drag name, which is cool

valancy and cyrus were like this

I'm still gonna call the mithraeum mithrandir whatnot the emperor's bolthole, it's in the sacred text

the nonniad is in dactylic enneameter, which is a ninth version of greek epics (which are hexameters) and it's making me send my ancient greek professor from uni good vibes wherever he is

Glossary

we know more about the beasts now, or have more ordered info, the gist of it is this

so the RBs are only the nine OGs from the nine planets of dominicus that the emperor fucked up

those are the ones that can go from the river to the physical world and viceversa

the other minor beasts can only exist in the river

I still think this is all the emperor's and the lyctors's fault for starting this nonsense and killing planets for power and whatnot

so yeah, Consequences of your Actions, johnny boy

the heralds, as we had established, are kind of like borg, responding to the RBs

necromancers kinda go mad at all this as if they were looking at cthulhu

I wanted to google what the two first verses of wake's name were but the first results that pop up are tlt sources and I'm not looking into that, in case of spoilers

I've already come this far without massive spoilers, I'm not gonna risk that now

what quotes would you like to have as a name if you were one of these folks?

If I could choose three, I'd probably pick: Yo tengo el corazón como la espuma / das Leben Sie nicht vergessen hat, daß es Sie in der Hand hält / Quieto en la tierra y sentir que mis pies tienen raíz

probably un monceau d’idées et un monceau de douleurs would be another contender considered

idk how that'd be shortened though, maybe espie because espuma

house quiz was book 1, boe name assignment is book 2

The Mysterious Study of Doctor [tumblr keeps blocking my post and I'm gonna try to avoid this word to see if this is it]

ANYWAY, SIXTH HOUSE TIME

from the blurb I can tell that:

1) all this time I thought Dr S was like a funny nickname someone had given palmolive for being correspondence-horny lmao

2) is this the magnus institute???

3) "Enter Palamedes Sextus and Camilla Hect, age thirteen" we're gonna look at some baby picturessss

"Every thirteen-year-old necromancer in the Sixth House is gifted."

"I was born with four kids in my generation eligible to produce children with me. Palamedes had two"

maybe that's why he went for a correspondence gf

camilla describing that's she's the best and me just going

this thing of 'being attractive' as a category would get me demoted at the sixth, though

but working in data, I can do that

I am really liking archivist zeta

there's something that was sealed for a lot of years and now is unsealed and that's very exciting!!!!

lost media!!!!

so many stairs would be a problem for me, but there's lost media at the end of the tunnel

archivist zeta: don't touch anything

palmolive: including the bone hands?

archivist zeta: the what now

apparently the hands are younger than the time the room has been sealed

with the forms being color-coded, I'm starting to think this is less magnus institute and more office of incident assessment and response

them making references to other houses remind me that other houses socialized, seeing everything from the ninth made me feel like everyone was isolated all the time lol

add to my list of sixth house love the fact that we have murder mysteries now too

gotta love the sixth house

kinda ominous the hand bones now that we know what we know, of camilla carrying palmolive as a tamagotchi in a bone hand after harrow changed the skull

palmolive and camilla age 13 are a whole other book I would have devoured at age 13 myself btw

giving me his dark materials vibes

there was a skeleton in the air vents above the hands

camilla says she's gonna start taking measuring tape with her alongside everything else and I also can relate to going places with 25 million things, just in case

palmolive steals pens, apparently

I've used this meme for palmolive before but it still fits

the skeleton was possessed by the dr himself, he got kinda stuck on his way there after the fifth person tried to call him and got his hands into his study through skeleton shenaningans

palmolive needs to touch something in order to prove the "why" and everyone votes in favor, because he's on a roll

the cool wooden orb that was in the desk was a cool wooden puzzle, like the Karakuri Creation Group ones

man, I love those

the dr solving a puzzle after his death and coming back to prove it is me with some niche puzzles I used to have a sideblog for

don't ask me

there was paper inside and everyone got outside super fast and started congratulating each other (hello????? you did nothing????) and shaking camilla's and palmolive's hands

they don't wanna give palmolive multiple points for solving a several hundread years old mystery, which isn't fair tbh

"Don’t expire in a fit of hubris." oofffffffff

the paper had letters, which palmolive thinks are love letters

with his years of experience on pining letters

the one at the ends says "Tomorrow you will become a Lyctor and finally go where I can’t follow"

is this about cassie??? aka cassiopeia????

loved the camilla and palmolive murder mystery dinner

As Yet Unsent

this is judith's diary and this is how I imagine she looked while writing it and judging people

judith assisted the BoE with her own healing but it's kinda tough when you're also handcuffed and with your eyes covered and whatnot

judith is still in the emperor's side

I don't blame her, she hasn't met the man

yandere twin has met him and still saved him so, I can't judge judith too much

there's a corpse that isn't rotting

promising stuff

there's a commander called We Suffer

they're wearing masks and camilla is being "converted" to their cause

and she didn't even meet the man, but apparently BoE had contact with the sixth house at some point in the past

cassie?????? is this you??????? who knows

sixth house though, earning more points

also, camilla says that palmolive would want to find out what they know and, you know what, fair

I would too

camilla is also good at chess, because she's good at everything

they're playing ceiling chess like in queen's gambit

judith thinks about martita, who will soon do some awesome things next to mati nonnius

judith is also marinating the fact that everyone was fooled by the twinsies and the fact that regina george twin has no necromancy

she also complains about her being too emotional and prone to trust people

every point regina george twin makes about BoE sounds pretty solid to me tbh

the more I see, the more I think the emperor is a dick, like his name implies

judith argues with regina george twin a lot but also notices that her ears go pink when she's impassioned so...why are you noticing that judith????

how did you notice that???? *smirks knowingly*

judith has to deal with the limitations of medical care when you don't have a bunch of people who do body magic stuff

so she's dealing with recovery in a slow way and with machines plugged to her

it's hard for her because she was from the house where necros are also very able to do physical stuff

camilla is giving her strongly worded positive reinforcement

regina george twin and judith have a lot of moments that go from flirty to fighting

I can't keep using smirk reactions images so (¬‿¬)

regina george twin is also being trained to be rambo barbie and I think that suits her

"In a different time I would have found ways to apologise to Palamedes Sextus, whom I at the very least critically misjudged"

palmolive always getting the indirect compliments my goodness

he's so popular

"The princess has by turns tried to charm Camilla, play with Camilla, flirt with Camilla, and cajole Camilla. Camilla is currently unmoved"

nobody's good enough for her, regina george twin, move along

regina george twin is also being kinda aphobic towards judith's response on her being uninterested to romance camilla

I don't think judith is aro at all but that doesn't mean we have to be assholes about it, regina george twin, thank you

judith and regina george twin think BoE is wrong about necros having orgies and I'm here like

so, apparently, judith propositioned martita because she was pretty much obsessed with her

and martita said no

and she thinks camilla is holding onto tamgagotchi palmolive out of some sense of not wanting to let go of him

unaware of the fact that he's in his river loft waiting for his bones to be womanhandled by harrowcita

also, the BoE has an old ship that judith wasn't helpful with, so they don't really have much patience with her

regina george twin and judith keep flirting in that intense tlt way

I'm starting to think regina george twin has a big crush on judith and I'm here for the dynamics of that

"It said, Ugh! Then it said, Eugh!" is this mercygirl??? it sounds like mercygirl to me

and fixing someone's insides as if they were cleaning a sewing machine also sounds very mercygirl

mercygirl is also curious about this body that doesn't rot and I wanna know what it is because I want so bad for it to be gideon-related but I can't let myself hope

also, she gave them the coordinates to find harrow in the cool planet

"And Camilla said, The Warden and I know they can die like anyone else" 👀

"The corpse of the Ninth House cavalier is as pristine as when Camilla Hect convinced them to take it on board"

YESSSSSSS

YEEEEEEESSSSSSSSSSSSSSSSSSSSSSS

MY HOPES WEREN'T UNWARRANTED

LET'S GOOOOOOOOO

GIDEON ARMS INTACT BABYYYYYYYY

regina george twin proposes necro-cav marriage to judith and judith says no because no relationship here can be straightforward

"Why would I ever knowingly take Coronabeth Tridentarius’s, having desired her already for twelve long, stupid, fruitless years?!"

DRAMAAAAA

AND THAT'S IT!!!! FINALLY!!! This took me a lot longer than I wanted it too but I enjoyed the stories ♥ See you in the next one!!

#luly reacts to tlt #harrow the ninth spoilers #tlt spoilers #long post #harrow the ninth

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merrybloomwrites · 3 days ago

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Little Things (Chapter 2)

Summary: It's time for you to leave the shelter to move into your new home with your doms, Harry and Louis. It's a tough transition, but the two of them are there to help you through it.

Word Count: 3.5K

CW: mentions of past abuse, dom/sub au dynamics, mentions of littlespace

Previous chapters: one

AN: Thank you to all who showed interest in the first chapter of this! I've had a lot of ideas in mind for this story and I'm happy to finally be sharing them.

This wasn't supposed to get posted until next Friday but I got impatient and I make the rules, so here it is now! Also I'm finishing the third chapter right now, which is finally all about reader going into little headpsace, and will probably post that tomorrow

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You sit in your room at the shelter, trying not to stress over what just happened. Ms. Emily had brought you to her office where you met two men, two doms named Harry and Louis who were married. She had explained they were looking to adopt a sub. More specifically, they wanted to adopt a little.

And while you technically fell into that category, you knew they wouldn’t want you. Doms looking for littles want someone who is in headspace a lot. And you never slip if you can help it.

You’ve only gone into your littlespace three times since you were rescued. Ms. Emily was there each time, and she took care of you and always reassured you once you came back up, but you still didn’t like it. You felt like a burden, and you were scared of how you acted. You don’t feel like yourself when you slip. It’s like this whole other person takes over and you just have to watch as she basically possesses your body.

So yea, there’s no way these doms will choose you. Years of abuse have broken you, made you into a bad sub who’s unworthy of love and care.

The afternoon passes with you dwelling on these thoughts.

Which is why you’re shocked to your core when Ms. Emily comes back and asks if you’d like to live with Louis and Harry.

“They don’t want me,” you answer.

“Now why would you say that?” she asks.

“I’m not good enough. I’ll never be what they’re looking for. I can’t be.”

Emily wraps her arms around you, and you lean into her. It had taken a while for you to get comfortable with hugs, but she’d worked with you for weeks and now it doesn’t feel so weird. It feels kind of nice to be held by her.

“Sweetheart,” she begins. “You are good enough. You are worthy of love, Y/N. And that’s what Harry and Louis want to give you.”

“Wait, what?” You pull back enough to look her in the eyes and say, “What do you mean?”

She smiles and says, “They’d like to adopt you.”

“No way. Why would they choose me?”

“Well they were moved by your story-”

You cut her off to say, “So they know. They know how messed up I am. Do they just feel bad for me? Pity me?”

“No, honey. It’s not that. First of all, you are not messed up. You had a lot of messed up stuff happen to you, but you survived that. And they don’t pity you. But they do see someone deserving of a loving home, and that is what they have to offer.”

“They really want me?” you ask, needing to hear it again.

“Yes, Y/N. They want you. Didn’t hesitate, didn’t need any time to think it over. They met you and knew you were the match for them.” Tears fill your eyes as you listen to Emily. Never before had you been wanted. Your family hadn’t wanted you, the one sub amongst all the older dom siblings. They didn’t love you, just used you to fulfill their sick fantasies.

But Louis and Harry. They want you. They’re choosing you. And though you’re scared, worried that you’ll disappoint them, hope begins to fill you. For the first time, you may have a true home. So when Ms. Emily asks you again if you want to live with them, you immediately say yes.

You don’t get to go with them right away though. They come back the next day to spend time with you and help you feel more comfortable with them. They’re kind, and gentle, and you like being with them.

On Friday they come again and this time you leave the shelter with them to go to lunch. It’s weird being out in public, especially when they explain who they are and that they’re famous. This makes you feel nervous, but they reassure you that your safety and privacy is a top priority for them.

One thing you notice is that they never tell you what to do. You’re always given choices, and they ask you questions, wanting to know your opinion. They let you choose the restaurant and allow you to pick anything off of the menu.

And while it’s nice that they’re giving you freedom, it makes you a bit uncomfortable. It’s not in your nature to make so many decisions, and truthfully, it has you feeling fatigued. You wish that they’d tell you what to do, make the decisions for you. That’s the way it should be. They’re the doms, and you’re the sub.

Back at the shelter that night you talk to Ms. Emily about those feelings. She says that you shouldn’t be afraid to tell them about your needs. That they’ll want to listen and do what is best for you.

You spend the weekend preparing to leave the shelter for good, as you’ll be leaving Monday afternoon to go to Harry and Louis’ home. It’s weird to leave here, as it’s the first place you’ve ever felt safe. But you know that this has always been the goal. To find a permanent home, a family of your own.

It’s sad saying goodbye to Ms. Emily, but she reassures you that she will keep in touch and you’ll still see her. She’s surprised when you go back for one more hug, but holds you tight for a moment and lets herself feel the pride at how far you’ve already come.

The boys lead you to the car, where two other people wait. Louis introduces them as a driver and a security guard. You’re wondering if this is normal, and like he can read your mind, Louis adds, “We’re just being extra cautious today. It’s our first time being responsible for someone else, I hope you don’t mind us going a bit overboard.”

“No, it’s okay. I don’t mind,” you reply.

“Well then, let’s get you home,” Harry says. The three of you slide in the backseat. You’re in the middle squished between the two. Before you can click in your seatbelt, you find Louis has grabbed it to do it for you. It’s a caregiver move for sure, and you once again hope they won’t be disappointed if you’re unable to be little in the way they want.

It’s a quiet drive, and you sit as still as possible to not bring any attention to yourself. It’s something you’d learned growing up and it’s a hard habit to break.

Finally the car pulls into a long, gated driveway. Based on that, you’re expecting a huge mansion, but you’re pleasantly surprised to see a nice, cute, albeit fairly large, house. Big enough to hold a fair number of people, but not so enormous as to be overwhelming or garish.

Harry leads you inside while Louis grabs your bag from the car. You stand just inside the doorway, looking around while waiting for instructions from your doms on what to do next, where you’re allowed to go.

It’s a relief when Louis says, “Let’s do a little tour, shall we?”

He and Harry lead you from room to room, starting with all the main spaces downstairs. There’s the living room, kitchen, dining room, library, den, laundry room, and two bathrooms. They also show you the door that leads out to the backyard, and they reassure you that it’s completely private. You peer at the high fence that surrounds the entire property, and for a second you feel uneasy. If something goes wrong, if they’re not as nice as they seem, you’ll be trapped. But you try to push those thoughts away. They’ve been nothing but kind. They’re nothing like your family. They won’t hurt you.

Next you’re led upstairs to be shown all the bedrooms. There’s two guest rooms, Harry and Louis’ room, and then they end with yours. It’s bigger than you’d expected, a large bed and a matching dresser and desk. There’s a bookshelf filled with a mix of novels and picture books. The more you look, the more you pick up on things that indicate this is a room for a little.

The dresser is low, and the top is soft, showing that it doubles as a changing table. There are toys suited for a young child. The bed has removable railings that can be put in place when you’re little to make sure you don’t fall out of bed. And then you notice the camera.

Harry sees you look at it with trepidation and says, “That will only be turned on when you’re little. The rest of the time we’ll keep it off so you can have privacy. It’s just to make sure you’re safe. Is that alright?”

“Yes, that’s fine,” you reply. It makes you more uncomfortable that he’s asking you for your opinion. He’s the dominant here, you’re the submissive. If they wanted to keep a camera on at all times that’s well within their right to do so. It’s strange to you that they keep giving you so many choices, and you wish they wouldn’t.

“What’s wrong?” Louis asks, picking up on your discomfort.

“Nothing,” you quickly reply, not wanting to seem ungrateful by complaining.

“Why don’t we all sit and chat for a bit?” Harry says.

“Okay,” you reply.

“Would you be more comfortable here or in the living room?” he asks.

Again with the choices. Even something as simple as that is weighing on you. Before you can control it you’re shouting out, “Please stop!”

Immediately you’re horrified by your outburst. You’d misbehaved, surely you’re going to be punished, or maybe even sent back. You couldn’t even last an hour without ruining it. You look up in horror and begin to apologize, saying, “I’m sorry. Sir, I am so, so sorry. I didn’t- I don’t know what that was. Please, don’t send me back, I’ll be better.”

The room is silent for a moment, no one knowing how to handle this situation.

“Y/N, sit down,” Louis finally says. You do as you’re told, sitting on the edge of the bed. There’s a rocking chair in the corner of the room you’re facing, and Louis sits there, leaning forward towards you. Harry stands between, letting Louis take control from the moment.

“First of all, we will not be sending you back,” Louis says. “You live here now, with us. And while in the future you may be punished for speaking to us like that, you won’t be this time. You’re learning, and this is an adjustment for everyone. Obviously something is bothering you, but we can’t fix that unless you communicate with us. Y/N, please tell us what is wrong.”

“You keep asking me questions. Wanting me to choose things,” you answer.

“And would you rather us make the decisions?” he asks and you nod yes.

Harry speaks next and asks, “Is it because you think we should be in charge and always tell you what to do?”

“Well, yeah. Subs aren’t supposed to have freedom. We’re supposed to do what doms tell us to do,” you explain.

Harry moves closer, crouching down right beside you. He looks up, starts to move his hand like he’s reaching for you but decides against it. “Sweetheart, of course you have freedom. We aren’t like other dominants. We don’t believe that you’re less than us. You get to have opinions, you get to have control over your life.”

You listen and think about what he’s saying. It scares you, the idea of running your own life. You imagine what that will be like, how loud and confusing your mind will be trying to figure out what to do, what you want.

“That’s too much,” you say. “Too much pressure. I could choose wrong. Please don’t make me do that.”

Louis speaks up again and says, “Would you feel better if we made the decisions? Set rules and routines for you to follow?”

You imagine that, simply fulfilling what they tell you to do, and everything goes calm, quiet. Peace washes over you at the thought, and so you answer, “Yes. I want to do as I’m told. It’s in my nature.”

They both smile as you say that. Because you’re right. And they’re proud of you for knowing that and having the courage to express your needs.

“Then we can do that,” Harry says. “Here’s what we’ll do for now. There’s about an hour until dinner. You stay here for half an hour to settle and then come down to the living room until the food is ready. That way you can get comfortable with both of those spaces. After dinner we’ll sit and go over rules and routines.”

“Yes sir,” you reply.

“Y/N, I’d like for you to call me Harry. Titles like sir will be reserved for punishments, and we can discuss what you’ll call us when you’re in littlespace. But for the most part, you’re to call me Harry.”

“Same goes for me. Well, no, I mean, call me Louis. It’d be a bit confusing if you were to call me Harry, huh?” Louis says, causing all of you to laugh. The tension breaks and Harry and Louis both stand to leave.

“We’ll be in the kitchen if you need us for anything. You may come find us at any time,” Harry says.

“I’ll drop off your bag in a minute,” Louis says and they both walk out of the room.

There’s a bathroom attached to your room so you first use that. When you walk back out, your bag is sitting on the bed. You neatly put away what little belongings you have, noticing the dresser and closet are filled with clothes for you. It doesn’t escape you that some are a much younger style, clearly meant for when you slip into headspace.

Sighing, you close up those drawers and lay on the bed. It’s comfy, soft with lots of pillows and a pretty floral comforter. And it’s a space all your own, something you’ve never had before. You stay there and relax until a timer goes off. You grab it from the bedside table and make your way down to the living room.

Louis is waiting there for you and seeing you enter right on time he says, “That’s a good girl, listening so well to directions. We’d like you to use this time to work on something, either read a book or do a puzzle. Something to keep your mind active. Would you like me to choose for you?”

You think for a minute and reply, “I’d like to do a puzzle. But can you please pick which one?”

“Of course, love,” he says as he walks over to one of the shelves. He looks for a moment then grabs a box and says, “Here, this one’s nice.”

“Thank you, Louis.”

“I’m going to see if Harry needs my help. You get started on this.”

You sit on the floor in front of the coffee table and begin to pull out the edge pieces. Getting lost in the task, you jump when Harry walks in saying, “Dinner’s ready.” Seeing that he’s startled you he then says, “Sorry, love, didn’t mean to scare you. Did you do all of that in just a few minutes? Good job!”

You’ve completed the entire outline and were starting to sort the inner pieces by shape, a trick one of the other subs at the shelter had taught you. And while you’d made progress, it was only a puzzle. Nothing really to be proud about, but there’s Harry, looking like you’ve solved world hunger. It makes you feel warm inside, this praise that they seem to give quite freely.

“C’mon, you can leave that here to work on again later. Go wash up and meet us in the dining room,” Harry says. You do as you’re told and the scent that hits you once you get to the table has your mouth watering.

Growing up you’d been fed enough to sustain you. Never anything fancy or particularly tasty. It was for survival, not enjoyment.

The food at the shelter was good, definitely tastier than you’d ever had before.

But this, whatever Harry has made, looks a thousand times better than even the best food at the shelter. The three of you sit and eat, Harry and Louis supplying most of the conversation, which you’re grateful for. When it’s done they tell you to head back to the living room and they’ll meet you after they clean up.

“Can I help clean?” you ask. You feel bad that you haven’t done anything to help so far, and you’re hoping to pitch in now so you feel less like a freeloader.

“Not tonight love. Later we’ll talk about the different jobs you’ll have around the house, but none of that will start until we’ve all discussed it,” Louis answers.

“I understand,” you say and turn to head to the living room as you were told. You work on the puzzle more until both Harry and Louis join you.

“Have a seat there,” Louis says, pointing to the armchair. They sit on the couch across from it, ensuring that you can see both of them clearly for this conversation.

“It’s become clear that you do well with set boundaries and routine, is that fair to say?” Harry asks.

You nod, and Harry adds, “First rule, always respond verbally unless you’re too young mentally to do so.”

“Yes, sir,” you answer quickly.

“Y/N, you’re not in trouble, you don’t have to call me sir. You’re still learning,” Harry says.

“Let’s go over the rules we have and the schedule we’ve made up for you,” Louis quickly says.

For the next half hour the three of you talk. They explain all of the expectations they have for you, and give you papers with your rule list and daily schedule so you can keep those in your room to refer to when needed.

“Of course, all of this will be changed and adjusted when you’re in littlespace, but if you’re old enough to follow a certain rule then you’ll still be expected to follow it,” Louis says after everything is discussed.

You don’t reply, looking down at the papers you’re holding instead.

“What is it, what’s wrong?” Harry asks.

You take a deep breath and begin to explain why that might not happen often. “I don’t go into headspace much. When I was with my family they would just leave me alone and I’d wake up starving and a mess, and well, you can imagine. Or they’d do things to me because I couldn’t fight back. So I trained myself not to slip. Even now I try not to. It scares me to be so vulnerable. So just, please don’t be disappointed if I’m not as much of a little as you were hoping for.”

Neither of them answer you so you finally look up. You’re not prepared to see tears streaming down Harry’s face or swimming in Louis' eyes. Their reactions have you wanting to break down, but you can’t. Not now. Not yet. You look back at the papers in your lap and distract yourself by studying the rules until both doms have stopped their tears.

Louis is the first to speak. “Y/N, we don’t have any sort of expectations for you. If you do slip, or you don’t slip, that’s fine with us. We’re prepared to take care of you no matter what. Your safety and happiness is what matters.” Harry nods along with him to show that he agrees with everything Louis is saying.

“Thank you,” is all you manage to say. For now, you hope that it’s enough.

“It’s been a long day,” Harry says. “And according to your schedule it’s time to get ready for bed. C’mon, we’ll head up with you.”

The three of you go upstairs, and the boys remain in your bedroom while you get ready in the bathroom. When you’re finished you see that they’ve pulled back the covers, and it looks so cozy and inviting.

“If you’re comfortable with it, we’d like to tuck you in each night,” Louis explains. “We feel it’s a good way for us to connect with you. Plus it just seems like a nice way to wind down at the end of the day.”

“I think I’d like that,” you answer. Sliding into bed, Harry tucks the blankets around you. There’s only a soft lamp on, casting a warm glow to the room. They tell you that you can come to their room if you need them, or you can press a button that’s on the bedside table that sends an alert to their phones. You feel so content and safe knowing that they’ll always be there if you need them.

Before they go, they each press a gentle kiss to the top of your head, wishing you a good night and sweet dreams. It doesn’t take long for you to fall into a peaceful sleep, so content, and for the first time ever, so hopeful for your future.

------------------------------------------------------------------------------

AN: Thank you for reading! Like I said, chapter 3 should be out tomorrow! I literally woke up this morning and decided to start it and now it's at 3.5K words and almost finished.

Next chapter here!

#harry styles x louis tomlinson x reader #louis tomlinson x reader #harry styles x reader #one direction fanfiction #one direction x reader

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americankimchi · 6 hours ago

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dragon age veilguard review: spoilers for the entire game ahead

alright now that it's been a few days and i've had time to 1) get over the honeymoon phase and 2) really think on the game beyond the emotional high of the endgame mission/endgame choice, i can finally type this up

my final score for this game is 8/10, if you just care about that part and wanna skip the rest.

preface, i've only finished one playthrough as an elf mage grey warden, and played every companion/region quest*/side objective to completion**.

i played it on the underdog difficulty and it took me ~74 hours (i left the game open and went to do something else a few times, so it should probably read closer to ~70). this is a screenshot of the final auto-save after i beat the game

veeery long review under the cut ✌️

*exception being minrathous since i picked treviso instead, so the region quests got shafted

**didn't find all the chests or all the collectables, but i got close. also, i missed neve's first companion outing because i forgot to do it prior to the minrathous/treviso choice and didn't realize recruiting davrin was a cut-off point. aside from that i finished every quest i could grab my hands on.

OKAY SO i want to start this off by saying that i thoroughly enjoyed this game, enough to want to replay it again (i currently have two concurrent playthroughs as a dwarf shadow dragon and a human antivan crow going) and will probably be modding it to high heavens once that boat gets sailing, and that i believe it deserves that 8/10 score with all my heart. it was a great time.

that being said.

DIALOGUE REACTIVITY BASED OFF CHARACTER CREATION:

anyone who plays dragon age veilguard and only veilguard is getting a very surface level experience of what thedas is/has to offer culturally. i'm saying this because the excuse being "this is tevinter, why would it be the same as the southern half of thedas" isn't enough to explain a lot of gaping holes in the game's setting.

for instance, i played as an ELF MAGE GREY WARDEN in the middle of TEVINTER during a massive catastrophe brought about by the returned "ELVEN GODS"

having played all the games prior to dav, i did so because i knew that there would be

high tension with my PC being an elf in the notoriously cruel-to-elves country of tevinter, the old empire of which caused the fall of arlathan, and who enslaves elves to the point of it being a huge story beat for a previous companion (fenris)

a mage in a magocracy, where the script is flipped between mages and templars as compared to the south which recently went through years of a mage-templar war

a grey warden - their relevancy in thedas ended around 10 years ago due to corypheus basically tricking them all into hearing their calling, and 22 years prior veilguard during the fifth blight. at the beginning of the game, being a grey warden is more of a coincidental occupation than a narrative beat like it is in origins, but there's always something going on with the wardens so i picked it as a 'i'll pick this to experience the game first and then go for what i suspect is the best narratively relevant origin for my second playthrough' option

of the three descriptors, ELF/MAGE/GREY WARDEN, which do you think had the most story-relevant screen time?

that's right.

the grey warden one.

i won't say that there was nothing about being a mage, but i can remember probably on one hand where the option to chime in as a mage was relevant to what was being spoken about. (a conversation about spite, a conversation about scout harding's new abilities, and if there were more they weren't memorable enough for me to recall off the top of my head) which was fine on paper if you don't know anything about dragon age's entire deal wrt mages. i believe the only real mention about tensions between mages and templars happened in minrathous when we met up with neve's templar friend rana. i think the line reads something like "oh templars are just here to make sure the magic doesn't go out of hand. we don't even take lyrium like our southern counterparts" and then the game moves on to other things

which is crazy considering just how seriously the mage vs templar conflict was being leaned into for the previous three games, enough to the point where i was getting absolutely sick and tired of hearing about it. well the monkey's paw curls a finger because not only did i not hear about it, it felt like it never even happened.

TO BE FAIR: we're playing in tevinter (and antiva. and rivain. and the hossberg wetlands. and—well, you get the idea) and there's a general air of tevinter snooty superiority when they consider the 'south', so perhaps it wasn't fair for me to think "oh, they'd talk about it right? they'd bring it up more than once", but my being a mage seemed to just not even register for any characters in tevinter. not that i wanted them to roll out the red carpet or anything, but i can't remember a single moment where an NPC was like "oh right, you're a mage too". maybe they did, and i just don't remember it. but it didn't seem to matter at all.

but alright whatever, if we want to write that off as being "we're in tevinter. that has no bearing on circumstances here because it's a MAGOCRACY" fine i'll let it slide.

but the fact that my being an ELF didn't seem to be a Huge Deal when in tevinter threw me for a fucking loop. was there some sort of massive societal upheaval in the ten years between dragon age inquisition (dorian: i thought keeping slaves was fine as long as you treat them well) to veilguard (i found a single codex entry of a letter where dorian says "hey guys. we should stop keeping slaves. like genuinely what the fuck is wrong with us for even doing that in the first place") but the fact that NOBODY SEEMS TO BLINK AN EYE at my rook's elven heritage. ESPECIALLY since the main antagonists of this game are ALL ELVEN GODS seems like a wildly missed opportunity to introduce some tension. UNJUSTIFIED TENSION, but tension nonetheless.

the wardens had a lot of content, which both surprised and delighted me thoroughly. i'll never speak a word against them of course, and i did love how it showed that the wardens were here to do a job, and not play nice about it. the first warden was, in my humble opinion, one of the best characters in the entire game. annoying, gruff, called my rook warden basically the equivalent of a stupid rhino in a china shop not knowing what's best for the wardens/their oaths and impulsive in a way detrimental to everyone in his surroundings. literally one of my favorite lines happens when he and rook are beefing in the middle of the cobbled swan:

like. that was so satisfying.

the fact that the first warden isn't a villain, he's actually a fantastic grey warden. he'd sacrifice himself to kill an archdemon, and in fact "steals the glory" for himself. like was he an asshole during that exchange? yes, but it's undeniable that he was going to his death voluntarily and with a grim fervor. that's peak grey warden. nobody can say he'd ever shirk his duty. his character flaw was that he's a terrible leader, has the military tactics of a damp slice of toast, and generally doesn't inspire his subordinates to feel any sort of true loyalty to him. see here where my rook aggressively relieves him of duty and after a tense exchange where it seems like combat is about to start, evka saves the day by taking charge. and she does take charge pretty quick. nobody seems to really oppose the real quick promotion.

and then it's back to business as usual. archdemon trapping, anyone?

which was a problem i had with other factions in the game, namely the antivan crows. like yes, not every group is a monolith sharing the same ideals/morals/etc. but having played dragon age origins close to two decades prior where a massive point of contention was between zevran and the crows and the trauma that came from his upbringing as a crow... to then get thrown into treviso to see that the house we're dealing with is a bunch of leathery robin hoods was an unexpected turn. like. guys? weren't they villains? why are we all relatively good people (barring illario) here??? if anything, i thought that there'd be more politicking and backstabbing (literally and figuratively) but everything here seems kinda...... harmonious in comparison to whatever the fuck house arainai was doing. i might have missed a codex entry (i didn't read them all) explaining why the tonal shift happened, like maybe someone somewhere wrote about how house arainai imploded post-fifth blight when a crow went, well, rogue, and exposed the crows for the literal torture they put CHILDREN through, but nothing. like the game straight up lets an NPC whose name escapes me form a new house composed OF children at the end. like. what........ this isn't neverland, why are we forming the lost boys with knives here. hello??

on the other hand, i feel like the wardens had more options to expand on the fact that uh. yeah. grey wardens don't come from great backgrounds. like when you could conscript the mayor of d'meta's crossing much to everyone's displeasure, or the first warden actively being an obstacle to real progress (but not a villain! just extremely blind to the real dangers!), etc. etc. still not great in terms of "we employ literal murderers and criminals of every kind so we can toss them in the direction of darkspawn as a literal meat shield for thedas" but at least it's something.

but i digress. back to the point:

felt like the amount of dialogue options i had where i could bring up my warden expertise not only outstripped the mage/elf tags, but was so prevalent that sometimes it felt like the game was specifically catered to me being a grey warden. this is obviously just because i haven't played enough of the other origins to really feel out how much content they have in comparison, and it's partially just because of how obviously biased i am towards them as a group, but the FLAVOR of being a grey warden was present wherever i went. we'll see how well this opinion holds up after i finish my other two playthroughs.

THE COMBAT:

genuinely the best combat in the series. the fact that you can dodge-roll and more importantly PARRY in this game is an unexpected boon that i can't praise bioware enough for. the abilities themselves are smooth, the detonations provide a nice chunk of damage AND crowd control where you can just unload, and the damage types/weaknesses being a genuinely relevant part of the game to the point where if you have a lightning abilities/weapons equipped and you're facing down a hoard of antaam, you're going to have an extremely bad time*.

* on higher difficulties. i've heard on lower ones that it doesn't matter and you can just brute force your way through the game

i will say the "quick recovery" doesn't feel quick at all, even if i'm hitting the button for it frame-perfect, i can still get knocked down as the animation for quick recovery is going off, which was annoying. would've liked the i-frames to have saved me from getting turned into paste by the three ogres punching me down at the same time but alas.

also, they tend to target you even if you have a warrior (davrin/taash) on the team. unless you're actively casting taunt, they will run past your party members to hammer down on you. which was. annoying.

STILL I LOVED THE COMBAT, i went spellblade as a mage and my build was absolutely disgusting at the end. with a combination of fully stacked out duration+strike abilities, arcane bomb stacking abilities/weapons, and not even glancing at the other two trees for the majority of the game, i felt like i was a rogue that could conveniently cast chain lightning. it was crazy fun.

but also a steep learning curve. mythal took me 17 entire real life minutes to beat. LMAO.

i love that you don't need to restart the game if you want to play a different subclass, you can just refund your skill points and explore the game to your heart's content that way. not that i did, i picked one tree and stuck to it the entire game come hell or high water (or a lightning resistant high dragon 10 levels above me) and i had a blast with it.

THE STORY (THE EVANURIS, ROOK, & VARRIC):

hooooo boy. okay. this is going to be about the MAIN STORY ONLY, companion and region specific stuff will be in its own section later.

the writing for the main story was actually pretty enjoyable the further along in the game i got. every single main story mission was an incredibly cinematic experience; my favorite being the siege at weisshaupt mission—but only because it's kind of hard to quantify the endgame section as a 'mission' when it felt like an entire act on its own.

the amount of personality rook has was a breath of fresh air, and the voice acting for male british rook (alex jordan, who also coincidentally voices my favorite character in wuthering waves: jiyan♥) was SOOOO good. every line delivered felt like it matched the scene's energy/the personality i picked, so the flow of dialogue felt natural enough to be part of a tv show or movie.

although i do wish there was more option to be a little bit more of a bitch. a little rat bastard. not evil because i don't think dragon age would ever let you be evil in the way owlcat games lets you turn into a literal swarm of bugs consuming all (including companions) in its path, i thought there'd be a chance to be like. well. a little mean to people. i can be rude, but not mean. if that makes sense.

i do feel that rook was done a disservice by not having a hawke-like session 0 where we can see, precisely, why they're already so attached to varric and scout harding, but maybe that was left on the cutting room floor. i'm not a fan of tell don't show, so the game telling me "hey remember when you and varric did this thing that we're not going to actually show you" was pretty annoying. i wasn't expecting a dragon age origins-type prologue segment where i move through the world as a warden pre-veilguard, but i do wish we had like. a short cutscene flashback sequence or something to really immerse myself into the character. like let me put my shoes on before i start running the race!

still though rook felt really present in the story. like they slotted really nicely and smoothly into the leadership position which. i mean yeah who else, right? even though they did have plot armor in the sense that i didn't really understand (in-universe) why ghilan'nain and elgar'nan didn't just squish my rook into a pulp and scrape the dagger off the smear he became every time they came face to face... i suppose we wouldn't have a game, otherwise lolol

moving swiftly on, the boss fights felt appropriately built up to, and never did i feel like i was woefully unprepared for the task set up before me (although i must admit i was slightly taken aback by the three-headed hydra at weisshaupt. delightfully so, but it did stunlock me for a few seconds sjkhfj)

from the prologue -> endgame, i suspected something was off about varric once i realized "hey, how come nobody's talking to him anymore?" while the answer of "varric is actually a manifestation in rook's mind caused by solas trying to mold him into someone who could replace solas in the fade prison he crafted" was admittedly beyond the scope of what i came up with:

1. everyone in this game is a monumental asshole (funny, but disappointing narratively)

2. he died but bc he died next to the fade magic + we live in the fade now he's just a ghost only rook can see?? (true, but to the left)

i didn't really consider solas had a hand in it which is funny as hell considering. well. blood magic was mentioned at the very start of the game by solas himself

the reveal was very satisfying, and on my current playthroughs it's very entertaining to see everyone (especially solas, but my companions too) very carefully skirt the subject of varric's death by speaking about it in terms oblique enough that everyone in the know understands it as 'varric is fucking dead' vs. rook's manipulated memories understands it as 'varric is laid up in the infirmary'

the evanuris were very well designed, ghilan'nain being a creepy flesh centipede woman with tentacles and blight covering her head to toe was genuinely one of the most refreshing villain designs i've ever seen. elgar'nan was comparatively boring, but considering his whole deal is to be the elven god of tyranny having him just be a conventionally attractive man was a statement in and of itself.

their boss fights were standard, elgar'nan's being the easier of the two specifically because i wasn't trying to haul my ass through waves of darkspawn, but even ghilan'nain's wasn't that hard either considering all i really needed to to was burst some blight growths and could fully ignore the darkspawn if i wanted to. i had more trouble fighting the demon of desperation in minrathous than i did the story boss fights, but that was a trend for most games i feel. the side objectives containing the optional, harder fights and the mandatory quests softening the blow from the main story bosses so the player can get through them at a steady pace.

i do feel like the majority of the story was well written, but suffered greatly from pacing issues brought about by the format of the game itself. while there was a steady pressure brought about by the urgency needed to stop them from crafting the red lyrium dagger, the fact that i could just wander about the world picking up and completing side quests at my leisure before tackling the broader problem at hand did have me slightly confused about how long the game's time frame really was. i think it takes place over the course of a few months, or maybe a year total? if it was mentioned, it went straight over my head.

though i suppose that's a problem most RPGs have—the risk of allowing the player to have agency in picking what to do next means that. well sometimes they can spend hours trying to pick up every collectible while minrathous burns in the background.

though i did wish there was more dalish presence in a game focusing around the elven gods. like i know the veil jumpers are in the game as a faction but. they don't really feel dalish. they just feel like a bunch of archeologists who happen to be elves. a bit of a disappointment, there. also, they were constantly imperiled by something which really put a damper on the "we are also a competent group of people" vibe that i got from pretty much everyone else. the dalish aesthetic was just that, aesthetic. the veil jumpers being posted up in arlathan forest just seemed like they were there due to their occupation and not their heritage. bellara goes into it a little bit through her quest line, but i don't know. there wasn't that sense of unity and closed ranks the way it felt in da:o and da2. the less we speak of the dalish in da:i the better.

as for solas himself, i'm positive that the way you speak to him reflects his demeanor to you over the course of the game (i picked every aggressive/stoic option i possibly could, and the results i got were extremely entertaining; i have so many recorded videos of rook and solas duking it out but due to size constraints i haven't uploaded them anywhere ajkjdj) but at one point they went from "actively antagonistic" to "actively antagonistic but with begrudging respect"... on the side of solas. my rook was extremely honest about hating him every step of the way. extremely honest.

still, i loved how the game kept track of the progression of their relationship. the way every time a new talk with solas started i'd see a little "yeah last time you kept yelling at each other so we're keeping that energy" popup on the side of my screen. the way rook and solas could constantly. well i don't want to call it 'banter' because at every given point my rook would call him out on his bullshit and solas would strike back with a precise cut deep enough to bleed, watching them snipe at each other so aggressively vs. what i suspect is a much softer and more amicable conversation if you go the more diplomatic route was nice to see.

during endgame, since i completed every side objective (the solas's regrets chain of quests + the mythal encounter/fight) i had the option to:

deceive him by giving him a fake prop of his dagger

convince him to stop (unlockable by doing the aforementioned quest chain)

fuck it we ball; 1v1 me right now you bald bitch

obviously, i threw aside all other options and went for the 1v1. when i say i was HOWLING WITH LAUGHTER watching my rook go "I BEEN WAITING FOR THIS" and throw a haymaker to the face........... /wipes tear. it was beautiful. and then my rook STABBED HIM IN THE GUT, SEALING HIM INTO THE FADE FOREVER??? ten years i waited for this. ten YEARS. HALLELUJAH.

though it is very funny after all those years of seeing posts like "UMMM ACTUALLY THE VEIL SHOULD COME DOWN" and then the game is like "nah. that shit stayin up for a while" like kjHDJKLSHGFJK

anyways. i enjoyed stabbing him and watching him get yoinked into the fade. i'll do the merciful ending eventually but i had to do it to him at least once.👍

THE COMPANIONS:

though obviously i have a few characters who i enjoyed more than the others, i did like all of them!!

taash's questline was very good in terms of the cultural aspect (i can relate to feeling torn between two worlds) but the gender identity was somehow both heartwarming and. extremely awkward. it felt a little bit like watching an intro to gender studies 101 powerpoint presentation. like i suppose it was to explain the concept of being nonbinary to people who've never considered gender beyond what color cake to buy for a baby shower, but it did have me raising an eyebrow a few times. not in a bad way but in a very "this is obviously catered to people who don't know a thing about it, and i appreciate that bc it serves as a nice jumping off point for people to really get to know more, but it is a little clumsy in execution". i think my favorite scene for taash is when they're with neve in the dining room talking about how "nobody REALLY likes being a woman" and neve's just there like. oh. you sweet summer child. JKHDSKLAGHFGJ THAT WAS SO GOOD!! but i think the strongest part of their character arc was them trying to figure out who they are in relation to their cultural identity. especially the bit where they fought with their mom about it alllll the time. like where my second generation kids who don't really relate to their ethnic background at!!!!! RISE UP!!!!!!!!!!!!

the way i had to google if i was first or second gen. apparently it's "first to be natively born in a country = second gen" so i'm going with that

and the scene where they're screaming "TAMAAA" when shathann dies...... bro i teared up. i ain't ashamed about it. that was heartbreaking af.

still uh. it was kinda funny (read: eyebrow raising) that a character whose entire arc is coming to grips with multiculturalism and a break from the gender binary..... ends up being presented with a binary choice on whether or not to pursue their connections to their qunari heritage or their rivaini roots. like uh. guys. guys??? why do we have to pick??? aint the whole point of multiculturalism is that it's. uh. multicultural??? i suppose you could argue that it's the "oh you're just supporting taash into embracing a specific part of their culture, you're not really telling them to abandon the other!" but like. eh. EHHHHHHH. it didn't FEEL like that. esp. when it's presented as an either-or scenario.

THEIR PARTY BANTER WITH LUCANIS WAS THEEEE FUNNIEST SERIES OF LINES. i love those two together omg. and taash + scout harding!!! wagh!!!!

EDIT: i was gonna add a section abt the lords of fortune for taash's segment but forgot. which is very on brand bc they were forgettable at best and invisible at worst throughout the entire game. i don't want to say that they were irrelevant but like. uh. yeah. 💀💀

neve. neve neve neve. has hands down the absolute worst voice acting in the entire game. like i'm sorry to say that every single line was monotonous and genuinely lacking in any real connection to the words being said. i have to wonder if the voice actor for neve isn't used to working in a booth and more on camera, because truly with every line she spoke i became more and more disinterested with the conversation. the concept of a mage detective in the depths of minrathous rooting out corruption sounds so compelling, and it was, but unfortunately any deeper connection i could've forged with neve was hamstrung by the fact that i was bored to tears by the voice acting. even the conflict generated between my rook and neve due to him picking treviso (an obvious choice for a warden. they were going to blight the waterways) fell flat. because the lines were delivered flat. disappointing, considering how interesting the content of the game she features in is. like the sequence where i'm running through run-down ruins with NPCs tethered by their own blood jetting out of their bodies as they function as living speakerphones for a blood mage hell bent on revitalizing minrathous in her own twisted way. that's sick as hell. it WAS sick as hell. i loved every second of that. i just didn't love neve's voice acting. a shame, bc i was really excited about her pre-release. :(

scout harding's questline confused me not because of the content, but because it felt like this should've been a separate game entirely?? like why are we discussing the tranquilized titans and their horrific half-dead, half-dreaming state solely through the lens of a companion quest? why aren't we visiting orzammar or kal-sharok for more than 2 minutes and talking about the fact that the lyrium they've been mining for centuries is the blood of their ancestors?? like it's mentioned once or twice, but only during side-quests. like the solas's regrets quest chain or scout harding's companion quests. like isn't this a huge deal? why are we slotting this into a game about the elven gods?? the reveal that the evanuris essentially genocided the titans in order to craft their own bodies is a tale of horrific violence and violation and we........ just kinda. don't talk about it? after scout harding's quest is over? and the fugliest armor set known to man is unlocked? (toes. why does her armor have TOES.)

i did appreciate the fact that the game let us tell her that her anger was justified bc like. ngl if i learned all that and then the only option presented to me was to forgive the fuckers that did it i think i'd go crazy.

aside from that weirdness, scout harding is bestie. i love her. sorry that i KILLED HER OFF THOUGH!!! WHAT!!! okay unironically though i love that. i love that you can PERMANENTLY kill someone off. it adds depth. it adds STAKES. i wish more people would've died at the end. like bellara just being. fine? after being trapped in blight for who knows how long was baffling as hell. like she's not FINE but she's not dead. crazy stuff. how does being a warden sound bellara. u got a swift career change ahead of u. my rook's a warden tho he'll put in a good word for u dw

SPEAKING OF BELLARA. her questline was sad as hell but also like. how many times am i going to deal with cyrian bro like why couldn't we just knock his ass out. i know for the plot he has to keep going back to his evil masked ghost overlord anaris but like. eh.

his death scene was very sad though. bellara :((

CYRIAN UNMASKED LOWKEY....... KINDA FINE THO..... 👀

same as scout harding's i wish bellara's whole thing had more to do with the dalish. NOT THAT IT WASN'T I MEAN IT WAS ALL ABOUT BEING DALISH but it was more veil jumper than anything. man the veil jumpers were disappointing. just a faction built to fumble at any given chance. the only competent person is bellara and she's on the squad........... whole faction just fell apart without her 💀💀

bellara is my cutie pie bestie babygirl though <33 im so excited to romance her WAUGHHH even if i hate her hairstyle like girl what the hell is that on the back of your head!!!! they had to nerf her otherwise she'd be the Perfect Companion 😔💞

emmrich was sooo sweet. literally just an amiable old man on a journey to help his friends and students and his BONE SON!!!! SKELETON CHILD....... manfred my love......... unfortunately i did honor manfred's noble sacrifice and help emmrich into becoming a lich but like. that shit. feels like it should've been saved for post-game, somehow?? like in the veilguard equivalent of a trespasser or whatever. like what do you mean we just have an immortal lich companion just chillin. just vibin outta the necropolis. is that allowed?? are there other liches outside the necropolis???

???

the drip is immaculate though ngl. he easily clears everyone else's veilguard outfits <-she has only seen half of them due to only having the one finished playthrough

i didn't really use him much outside of his companion quests + fighting undead, so i don't know much about him with regards to party banter. sorry emmrich ;-;

davrin was. oh my goodness. have you ever seen a man so beautiful. the soulful brown eyes. the jawline strong enough to cut diamond. the EXPOSED CHEST. GOOD HEAVENS..... /SWOONS

literally the dreamiest dragon age companion ever like im sorry he clears literally everyone else ever made. and i say that even with zevran existing in the universe. (if silver fox zevran had at any point showed up in this game this opinion would swiftly change.)

i didn't romance him and i regret it bc i feel like there would've been something to the whole brothers in arms -> you and i are the only two people on this team who perfectly understand each other; you and i are dead men walking but we go to our blighted graves with grim smiles and clear eyes; should the calling come for one of us, it will end up claiming two, etc etc—unfortunately you recruit lucanis first and i didn't pivot 🫡

THE ONLY COMPLAINT I HAVE FOR DAVRIN: his entire arc focuses around assan. not JUST assan, like assan is the conduit through which davrin works through a lot of stuff, but it feels like. well i don't think there was a single scene where assan wasn't there. which makes sense because GRIFFONS. MY GOD. THEY'RE BACK. but also. i feel like if davrin had some space from assan in like a single mission/quest/etc. it would've been good. absence making the heart grow fonder and all. like i'd kill and die for assan but like 60% of the way through davrin's arc i was lowkey getting tired of it all being about our favorite bird son.

lucanis.... lucanis lucanis lucanis. he's the one my rook romanced and uh....... i'm gonna be honest. i wasn't really feeling like i was in a romance at all until the very end of the game. there's a line where lucanis was like "that's what i love about you" or whatever and i was like. huh? what? when was this established? i don't think we ever had a conversation or an event that would lead to this conclusion??? did i skip it? did i forget??? taps game is this thing on???

like i'm not saying the romance was BAD. (aside from some questionable animation choices. like why was lucanis standing so close to my rook like BACK UPPPPPP 😭😭)

all of the romance scenes were sweet and enjoyable and full of typical Bioware Cringe Romance Lines™ (affectionate) (honorary) but it did feel a little like. 80% of the game we had tepid to mildly reciprocal reactions to any of rook's flirtatious dialogue choices, and then when i got the choice to lock in the romance for lucanis it's like. OKAY HIT THE GAS, BUDDY! IT'S TIME TO FLOOR IT. 0->100 in an instant. i love a slowburn, but this was less of a slowburn and more me silently watching a mile long fuse burn up for like 60 hours until it thunderously explodes all at once.

unrelated but why does rook not have a bed in his room. why is it just a couch. they were suckin' n' fuckin' on an ancient elven la-z-boy in the fade. amazing stuff.

ASIDE FROM THE WEIRD PACING ISSUES I EXPERIENCED (hopefully it wasn't universal) THE ROMANCE WAS SWEET. 10/10 WOULD RECOMMEND

as for his personal character arc. why the hell did lucanis become first talon??? like speaking as someone who found out post-game that he straight up SAYS in his tevinter nights short story that he doesn't want to be first talon. at no point in the game did i think "yeah this guy is fit for and desires a position of authority" like um. viago is right there. i could see the argument if treviso was blighted (don't know if teia and viago survive that; i saved treviso in my playthrough) but like. VIAGO (AND TEIA!) ARE RIGHT THERE BRO...............

him not killing illario is whatever i can understand not wanting to have the blood of family on your hands. it's the becoming first talon that's crazy. although i suppose the whole filial duty to caterina angle........ but since when was the antivan crow org following the right of primogeniture??? WHATEVERRR

also. antivan crows?? are not a moral organization??? what happened between da:o --> veilguard. why are they all robin hoods. weren't they child slavers who mercilessly tortured them into becoming assassins. there's an argument for "oh that was just house arainai" but i was expecting more morally gray/amoral assassins for hire and less "TREVISO WILL BE FREE. DOWN WITH TYRANNY" like huh???? are we red jennies all of a sudden. are we shadow dragons. whats goin on here.

FINAL THOUGHTS:

wow that's a lot. girl has a phd in yaponomics fr. at the end of the day, veilguard is a good game. i mean, i'm playing again it right now on nightmare mode this time. (CALIVAN'S FIGHT.......... WHAT THE FUCK................ i didn't die to his little minions OR to his pride demon summon i kept dying to his fuckass sextuple cast magic missiles that get spammed constantly like BRO CAN YOU RELAX. CHILL BRO CHIIIIIILLLLLLLLLL IT'S NOT THAT SERIOUS!!!!!!!)

i think this game could easily make space for a few more DLC, something like trespasser or mass effect's citadel DLC. hopefully they do because the epilogue slides were PITIFUL. PALTRY. and dare i say? PATHETIC. the romance slide for lucanis and rook being a single line of dialogue that they split between them. i was gobsmacked.

dragon age i say this because i love you and i have loved you for so long and will love you forever: BRING BACK WORLDSTATES. PLEASE. I DON'T NEED A MASSIVE CALLBACK. I DON'T NEED CUTSCENES. I WOULD BE CONTENT WITH THROWAWAY DIALOGUE. WITH A CODEX ENTRY. A LETTER SENT IN-GAME. PLEASE. BRING BACK WORLDSTATES AUGHHHH

although i don't think it'll matter bc if i'm reading those hints right we're going across the sea in the next game to deal with the uh. what was it called? something storm?? that the qunari were running from or whatever???? so i dont think anything we did here in thedas matters. it'll be like me:a except. you know. dragon age.

WAIT. PAUSE. THIS GAME HAS A SECRET ENDING??? <-SHE JUST GOOGLED "DRAGON AGE STORM"

FOR FUCK'S SAKE. WELL THAT'S ON THE TO-DO LIST NEXT THEN.

anyways i love this game. 8/10 would get my ass beat by the demon of desperation and its 5 billion summoned minions again 👍

#personal #I HOPE THIS IS LEGIBLE 👍👍👍#dragon age #liveblogging dragon age #liveblogging dav #dragon age spoilers #veilguard spoilers #unrelated to this review but i keep taking screenshots of my current rook T-posing in the middle of the lighthouse.#he's just so beautiful. i've really outdone myself

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hotvintagepoll · 14 hours ago

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Buster Keaton (Sherlock Jr., One Week)—Grandfather of slapstick and did a lot of great stunts for comedy including the first having a set piece down with him standing in the doorway still referenced today, riding a cow catcher on a locomotive, and falling from a third story building through two awnings grabbing a rain gutter falling forward and then going through a window.

Bert Lahr (The Wizard of Oz)—I don't know much about his other work but the cowardly lion, i would argue, is peak weird little guy exemplary. i've always felt wizard of oz is the story of three vaudeville gays taking dorothy to the emerald city and i think that's mostly bert lahr's fault (affectionate)

This is round 2 of the contest. All other polls in this bracket can be found here. If you're confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Buster:

Many scrungly little guys look as if they're falling down a staircase. Buster Keaton actually IS falling down a staircase, every day of his life. Also, truly committing to the "little" part at around 5 foot 5. This competition will be the revenge of the short kings or I will die trying.

Link to the Coney Island fancam

First, he kind of looks like a Dollar Store Charlie Chaplin. Just absolutely busted Chaplin. Second, he's lanky and awkward and he's like if Doug Jones had been plopped into the silent movie era. He looks like a cartoon come to life. He looks like if you gave a chihuahua a human body and slightly less anxiety. And because it's silent films for the most part, it really does look like a cartoon character irl.

youtube

Bert:

youtube

#bert lahr #buster keaton #hotvintagepoll #scrungly 2

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wuxian-vs-wangji · 3 days ago

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Mame Novels Available in English (Official Translations)

Amazon Kindle

Love Storm (Part 1 of Love in the Air)

When ‘Rain’ starts to sincerely appreciate a senior for his kindness, fate lets him see the other side of that senior that no one else has ever seen. Finally, Rain declares war. “You’ve been nice to everyone but me! I’ll reveal your true colors to everyone!” However, as strange as it seems, the more he resists, the more he impresses his foe. The farther he runs away, the faster the foe chases after him. Rain desperately tries to figure out the way to win over this mischievous senior. Or, perhaps, he has been defeated since the first day they met?

Love Sky (Part 2 of Love in the Air)

The intensified situation got ‘Sky’ cornered and forced him to get laid in order to get out. Sky tries to make up his mind, thinking of it as just a one night stand and no string attached. However, what he doesn’t know is that ‘Phraphai’ won’t give up so easily. Sky almost opens up his heart for this clingy, flirty, shameless, narcissistic, and deceitful man, but the scar from the past still haunts him. Moreover, that raunchy egotist never leaves him alone! Sky keeps wondering when the sun will shine for him.

TharnType*

It's listed as a Mame novel, but the translation seems more like someone trying to pass off a machine translated PDF, so I have reservations about the legitimacy of it.

Type is a dark, tall and handsome freshman. Although he's a warm boy, he is homophobic because he was molested by a man as a child. His life turns upside down when the new year of college brings along a very interesting person in his life — a gay roommate, Tharn. Tharn is a very handsome music major with fair skin and mixed features. He is also openly gay. With a gay guy and a guy who hates gay men that have to share a small space together for the rest of the year — what can possibly be the outcome of their story? Hatred? Or maybe love?

Meb Website and App

** They have all novels listed above, PLUS

Boy Next World

Would you believe it if someone knocked on your door and said they were your lover from a parallel world? Phukan had never experienced romantic relationships or love before. But one day, an attractive senior from his university showed up and said they were dating in a parallel world. The guy was Cirrus, the aloof but handsome senior known since high school as "The Ice Prince". Although they never spoke before, the senior said, "You're my whole world, Phu." What should Phukan do between trying to send Cirrus back to his world or keeping him here? Because no matter which world they're in... Every Phukan will eventually fall in love with Cirrus.

Love Sand

Khom, a 19 year-old boy who lives on the island of Pangan, has to fill in as a guide for his friend Mahasamut, as the guy got his leg broken. That's when Khom meets Connor, a handsome tourist with blonde hair and green eyes that intimidate Khom the moment he sees them. Throughout these days as a guide, Khom tries his best not to fall for Connor. However, it isn't so easy, because this Canadian is wickedly charming and tempts him constantly. When it's too hard to resist, Khom finally gives in to his desire and tastes the man's touch. But Khom never thought his decision would lead to risking his bruised heart on a relationship that doesn't end after only three days and two nights. And Connor never thought this boy would make the heart of a player tremble and change forever.

Love Sea

Tongrak is a hot writer who is seeking ideas to finish his novel, set amidst the beautiful sea. Mahasamut is a dark, handsome man tasked by his friends Connor and Khom with taking care of Tongrak while he is on the island. But why is this man both infuriating and captivating? His charm is so potent that the writer is drawn to explore this new kind of partner. Deciding he likes the taste of Mahasamut, Tongrak brings the "Island's Treasure" back to Bangkok with him under a contract stating their relationship is physical only. However, the writer's heart starts to crave more. Tongrak isn't sure if this is the dreaded "love" that destroyed his family's relationships, or just physical attraction.

How to Secretly Lure My Boy's Heart

When Kengkla announces that hte wait is finally over, it's time to "lure" Techno, his best friend's brother, to be his boyfriend.

#mame #novels #love sea #love sand #love sky #love storm #boy next world #tharntype #how to secretly lure my boy's heart

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miraculouslbcnreactions · 16 hours ago

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I’d like to know what your thoughts are on the ramp to the entrance to Collège Françoise Dupont that was built between Seasons 2 and 3.

Remember, from “Heroes’ Day - Part 1”

ALYA: Last year, I wrote an article about equipping public buildings with disabled access. But after seeing Ladybug and Cat Noir going that extra mile every single day, I decided that I, too, can do better. So I got the mayor’s approval to improve facilties so that handicapped kids can actually attend our school.

The stairs from “Origins” to “Heroes’ Day - Part 2”

The stairs in “Chameleon” and onwards

On paper, this is nice. A piece of worldbuilding on par with the akuma alerts like the one in “Riposte”.

However, there are three problems with this:

No one I’ve seen react to the show has noticed or remembered this, since the handicap accessibility is just a throwaway line from Alya that we don’t actually get to see being built.

We know how badly representation is presented in this show, so it’s not like this is getting any brownie points from me.

How the heck is a handicapped student supposed to get up a ramp that steep?

Collège Françoise Dupont's design is based off of Lycée Carnot, a real Parisian school, so I looked to see how the real school handled this issue. After looking at pictures of the school on Google, those steps seem to be a show-only addition. Which is interesting because the show tends to just copy the locations that inspired it. Now I'm wondering if those steps were inspired by something else?

Either way, it's hard to be too critical of the ramp's appearance without knowing the full story. While I fully agree that this is not a functional ramp, we do have to remember that there is a real-world cost associated with adding the ramp to the show. Someone has to design it and add it to the model, so I understand why they did it cheaply. Redesigning the steps into something more elegant and truly functional would have been ideal, but probably impossible to justify budget-wise since it's just a minor visual element. Same goes for animating someone putting in the ramp, which would be even more expensive. I'm honestly surprised that they added the ramp at all!

Now, does that mean that they should be praised for taking the time to put in a slap-dash ramp while never actually acknowledging or using it? No. To me, this feels like a lesser version of their choice to make Marinette a fashion designer while working in a medium that rarely allows her to design anything or even just change her outfit because, once again, budget! Before adding something to your script, you really should think through whether or not you can execute it properly. If you can't, then maybe pick a different path?

To be fair, it's possible that they didn't realize how bad the ramp would look until it was time to animate it. At that point, there's not really a great way to fix the problem. Do you leave the steps as-is even though you've explicitly drawn attention to the accessibility issue or do you be technically faithful to what you promised and put in a non-functional ramp? I don't know. I'm leaning toward "just don't add it," but neither choice is great.

It's even possible they may have only seen the ramp after it was too far in the animation process to revert back to the steps. With most or all of the animation being done out of house (I'm not actually clear on what if anything was done in house prior to season six), they almost certainly weren't seeing every step of the process or having daily reviews of what things were looking like, allowing for detailed input. How much input did they have? No idea! They absolutely got to review story boards or possibly even make them, but between the story board and the final 3D product? No idea.

I looked online for a general guide of the steps involved in working with an outside animation studio and this one generally matches what I know of the process if you want a high-level idea of how this can go and why redoing things may be no small request even if the models already exist. Once a scene is rendered, you have to completely rerender it to make any changes and that's pricey! Sometimes you just have to take a lesser quality product and go with it.

In summary, without knowing more details about what happened here, I don't feel fair being super critical of this, but it's certainly not getting any praise from me.

#marcmarcmomarc

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burntblueberrywaffles · 1 year ago

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More vaderdala smut where Vader is scarred and disabled pleasepleasepleasePLEAS-

#I can think of like;; 2 or three stories like that and that’s all #I’m not even the biggest smut person I only read it sparingly but suit Vader is underrepresented in this department #justice for the roasted chicken nugget 😔#darth vader #vaderdala #padme amidala #star wars #vaderkin #Anidala #anakin skywalker #me and my friends had a Vader dick discussion at one point because did the penis survive mustafar #but yk what we concluded that Vader can fuxk either way bc there are Other methods 👀#burntblueberrywaffles

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cluescorner · 7 months ago

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I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

#damian wayne #damian al ghul #damian al ghul wayne #batman #batfamily #for all of the issues that come with having Steph as your fave having too much wild shit happening at once is never one of them #btw I quite like The Boy Wonder Issue 1. wow shocker an artist and writer who I have liked everything they've ever done #has once again written something that I am enjoying with art that makes me want to be part of its world.#it's almost like Juni Ba is really freaking talented or something #like I have some problems with it but it seems like many of those are part of the point. Damian is learning that his siblings are more #three-dimensional than he realized and that is part of this 'coming of age' story merged with fairytale #so I can't be mad at the oversimplistic defining of Dick and Jason and Tim until the conclusion of the series. that might be the point.#I hope that the series will address Steph as a Robin but if not then frankly it's not an issue unique to this series.#I'll be annoyed and disappointed but ultimately roll with it like I am with Babsgirl being here. There's too much good stuff here to get #hung up on shit that seems to be almost an editorial mandate at this point. at least that's where I'm at.#I am also very sorry that Chip Zdarsky is massacring your boy. he has 'X (Tim for him) is the best Robin so everyone else must suck' diseas #where a writer really likes one specific Robin and in trying to uplift them demeans all of the other Robins. instead of like...just writing #for that one character only or alternatively not demeaning the other characters in order to make his blorbo look good #it's wild because I actually think his writing for Tim is pretty solid. but he's not writing a Tim series. he's writing a Batman series.#and if you are going to write a Batman series and include other Batfamily members you need to actually write them well.#instead of assigning them like 2 personality traits while Tim gets to be a whole character #I accept that behavior in fanfic where I have lesser standards because it's fucking free. not a comic run that wants me to pay #tens of dollars in order to understand what the fuck is going on. he's been going for a while now it's gotta be a lot of money.#I can buy Steelworks with that money. I can see John Henry and Natasha Irons in a trade. Fuck you Chip.#it's why it takes such a special person to write a good ensemble story/a good Batfamily story. you have to be good at writing a LOT #of different characters. which I don't think most people are. I sure as hell am not. I can write maybe 3 at a time confidently well.#and you also have to give all of them at least SOME love or else people will be upset that you aren't focusing on their fave #and also the writing as a whole will suffer. Chip Zdarsky is a pretty good Tim writer. I'd maybe read a Tim solo written by him.#I would not read a story focusing on multiple characters that I like written by Chip Zdarsky. because every character who isn't Tim #is at least a bit weak/inconsistent/out of character INCLUDING FUCKING BATMAN. THE NO. 1 GUY MOST ARE HERE FOR

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coquelicoq · 5 months ago

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you reread raksura after reading murderbot and you realize that the kethel in the last book is murderbot from an outside POV. like they don't have the same personality obviously, but if the murderbot books were told from the perspective of, say, eletra from the corporation rim, she'd be talking about secunits the way that all the protagonists of the raksura books talk about the fell. which i feel really conflicted about. you write a five-book series (plus two books of short stories) with a biologically evil race and in the later books start deconstructing it and being like "hey maybe our narrators aren't exactly reliable on this point" but by then it's kind of too late imo. idk. she's doing something interesting here but i don't know if it works.

#the first two books don't have as far as i can tell ANY hint that the raksuran beliefs about fell aren't supported by the narrative #that's too many books to spend doing that #in book three you meet some raksuran-fell crossbreeds but it's all still very conservative #the crossbreeds are okay because they're part raksura. <-doesn't actually make it better #book 4 we meet consolation but we don't really get much about her #in book 5 the kethel is there just being murderbot. and everyone around him is struggling to adjust to him #struggling to trust him even though he's helping them. being pretty clearly (to the audience) unfair and prejudiced towards him #moon keeps deliberately unpersoning him in a way that tells us that 1) he's doing it on purpose but 2) it's hard to do #because the kethel is a person and moon on some level knows that #idk because like. setting up the audience with biases about this fantasy world that they've picked up from the (unreliable) narrator(s)#that they're depending on to give them information about how the fantasy world works #and then disproving the biases is a really interesting thing for a story to do!#and to some extent i think you could say that is what she's trying to do here #but not really until book 5! that's four books' worth of the narrative basically supporting those biases #and even book 5 doesn't totally deconstruct them #books of the raksura #the murderbot diaries #unreliable narrators #storytelling #my posts

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dragons-and-yellow-roses · 3 months ago

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I was just listening to a song I used to love while we were friends. I listened to it so often, we talked so often, it became the background music to our relationship.

I'm listening to it while I knit. I often forget that I started knitting because of you. I remembered tonight. It's strange, I never knitted anything for you. I've knitted for other loved ones, rarely for myself, but never for you. I remembered you showing me the amazing things you made, and I wished I could get to that level of skill. But at that time, you had to explain to me how to purl because I couldn't get it.

Everything reminds me of you in a terrible way. Everything I do is an echo of you. I started painting so that I could paint for you. I started knitting to bond with you. I hear your voice in the music I listen to. You're haunting the things that I love. Will I ever make a brush stroke or stitch without you on my mind?

#i should be able to block all music i listened to on Spotify from 2018-2020. i was not doing well and i dont need the reminders pls #im fine this was just kinda reflective #so much of what i do was inspired by her. i havent spoken to her in three years. we havent been friends for five #but my first painting was a gift to her. i started knitting because she knitted. i got so much music from her #we bonded heavily over music. and i used it to cope after she left. so unfortunately shes mixed into so much of it #she got me into dnd which got me into a different ttrpg im playing now (unknown armies)#shes a big reason i applied to the summer camp i worked at for six years #and a big reason i took the position i had the last two years. and the reason i told our camp legend (long story)#she was in my christmas in july gift i gave and received this year #i dont think ill ever be able to forget her. on good nights thats a good thing. its reassuring. she'll always be with me #but on bad nights. i feel like im never going to stop missing her #i was knitting tonight while listening to music. as the post suggests. and i was just overcome with her #this is the bed i was in when she called and left me. this is the bedroom we used to video call to practice sign language in #oh theres another one. i was going to be an asl interpreter. years ago in another life. i always practiced with her #we're both autistic and asl is easier than speaking a lot of the time #fuck. it reminds me of the ship of theseus. its 2:30am so i wont be able to explain well but #no actually i tried and i cannot explain. youll just have to understand. some days i wish i ciuld replace all the parts that were her #and sometimes im so afraid to lose the parts that were her because thatll feel like losing her #if i ever consciously decided to stop knitting (which i may have to do soon) it will feel like im replacing a board that was hers #how many of my boards are hers? are any of hers mine anymore? how many of hers can i lose before shes gone?#that last one was asked with fear and hope. and fear. depending on the day #god im tired. goodnight

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thanatos-nightshade · 1 year ago

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Im so sorry i played Our Life: beginnings and always and not only has it sucker punched me with bittersweet feelings of life and change and relationships but its also thrown me into brain rot hell of it. Im sorry if ocean boy cove floods your feed get it? Its a pun

#t-n talks #personal #our life: beginnings & always #olba #i love him so much i love them all so much i need to replay with all the dlcs and get shiloh to come to our wedding #because i named a fosh after him in like step 2 or 3 and i missed him and i dont care if he lied to us im sorry shiloh #come baaack #but also baxter what happened baxter we missed you so much youre important to us youre important to meeeeeee #everyones my friend now how do i have jeremy at my wedding but not shiloh? jeremy you should have made shiloh suffer tooooo #im so glad i got jeremy though god i felt for him so bad like genuinely what was wrong while he was mean to us #i just wanted to be nice and friends but also dont be mean to cove and im so glad hes mellowed out a bit hes really a good kid sometimes #i love them all so much dereeeekkkkk hes such a good friend god hes SUCH A GOOD FRIEND im screaming #and baxter baxter baxter baxter sometimes i dont think hes in love with us but in love with our relationship but also like #i wouldnt mind us three being closer because youre fucking important to me baxter just like jeremy #youre all part of this found family gay as shit now if i can be adopted then that means i can adopt you too!!!#god but seriously? like i expected to cry because of relationship love drama at first not because i was having #complicated feelings about being adopted and my relatiinship with my sister god ive never had an older sister really #and my siblings and i arent super close but im adopted and i dont think ive ever wanted something more than this family #this game man i just god my fiance was like “i dont think this game was meant to be so deep/intense” but like its a visual novel #novels are meant to invoke feelings and thoughts and discussion and reflection at least thats what i believe every story has a purpose #its up to us to figure out what its purpose is maybe not in general but to us what can we take away from it and god #it makes me want to hold onto my friendships tightly and reach out to everyone i knew/know #i have too many tags on here because of brain rot but i love this game and im so excited for the next one and i would love to download #like my log of the entire game so that i can recap everything at like my leisure #just cause im not gonna remember all my choices and stuff

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applestorms · 1 year ago

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morality in the world of good omens

so i wrote another (admittedly very messy) essay on good omens not long ago right after watching season 2 but after finishing that, rewatching all of both seasons multiple times, and reading through the book, i have a couple more distinct ideas to get out...somewhere...if only for my own sanity. this is me throwing my thoughts into the internet before i pop, if you will. just 3 sections, below the cut.

1. environment, characters, & transformative fandom creations

to start this post off a bit more broadly, i've been thinking a lot recently about transformative fandom and the reasons why we write fanfiction/create semi-original works in the first place, as well as why certain aspects of fandom (writing, art, analysis, etc.) will be more appealing to me for certain shows/series than others. correct me if you have a totally different view of this, but in my experience i've found that i tend to naturally gravitate towards different parts of fandom depending on what the original medium of the story was- podcasts tend to lead to some of the most interesting art trends, for example, since there's more room for interpretation and character design tends to be more of an ongoing community project than something set in stone like for a tv show with live human actors.

in my own observation, i've noticed that a lot of the really big & excitable fandoms, the ones that generate tons & tons of fanworks more naturally (a.k.a. just because of the story itself & not other factors like a pre-existing franchise or hype about new great gay representation, etc.) tend to surround stories that fall into a kind of "sweet spot" that makes the creation of fanworks really appealing. if you've ever wondered why there are so many ravenous artists bending over backwards to draw gorgeous fanart for stuff like homestuck or south park or even minecraft youtubers, it's likely because those stories all fall into a sweet spot for drawing, with character designs that are recognizable at a glance and yet still simple enough that there is plenty of room for personal creative touches. (think also, if you're familiar with such kinds of homestuck terms: hyperflexible mythologies, A4:1524, and/or this archive link cause the official thing is down now for some reason)

the conclusion i've come to is thus that even something as basic as the original medium of a story can dictate a lot about what kinds of fan activities are more common or popular within said story's fandom.

so, back to good omens- for me, this all relates back because of a question i've been messing with in my head recently, about why i've been less interested in fanfiction for good omens than i have been for the last few fandoms i've been, almost all of which have basically broken my ao3 bookmarks.

this question has been fucking with me for a while now, largely because i'm not entirely sure what's motivating it. a lot of times i can figure out pretty easily why i might personally not be interested in some parts of fandom, but that's not really the case here. from what i've seen this fandom seems to be pretty mixed in terms of age, & the writing that i have read is certainly no worse than i've seen elsewhere, perhaps even better in some places- and yet, i can't seem to get entirely into it, even getting frustrated as i can't find something to my tastes for an ao3 bedtime story as i've grown so accustomed. what caught me off guard is that this was an issue that i ran into while watching season 1 as well, back when the series was still quite popular but not blowing up like it is right now.

a lot of this may seem like (and likely is, at least in part) basic overthinking, but i mentioned it all here because the answer i eventually came to is reminiscent of my previous reflections above on the nature of fandom & how/why fanworks are created.

a couple paragraphs above, i used the example of art as an example of how fandoms that generate a lot of original artwork will often do the most when the original story falls into a sweet spot of character design, but notably i think that this sentiment applies to a lot more than just art. if you've ever seen the copious amounts of kpop & hockey rpf fanfiction that lives on ao3, it should be clear that this applies to writing too.

i wrote this essay a while back responding to an observation about the lack of a more extensive symbolic language in fanfiction & i've toyed around with the idea more since, particularly in considering the question of why a lot of what we see as the staples of fanfiction exist in the first place. in that post, my response largely revolved around an argument of why we create fanfiction- namely, that fanfiction is created as in tandem with deeper analysis of the original story/series, as a way of trying to practically apply character analysis to a new context.

the key part of that last sentence to me is how a lot of this revolves around character analysis (and shipping, but really it's the characters that motivate the shipping in most cases so. same difference).

i tend to instinctively separate fanfiction into two separate categories: fanfiction that is based out of the original world/canon of the story (including but not limited to fix-its, deeper analysis fics that take a scene & extrapolate from it, continuations, etc.) and fanfiction that takes the characters from the original story & plops them in an alternate universe/AU. while i separate these out as two distinct categories of fanfiction, i should also clarify that i don't think these two groups are necessarily equal in terms of number of fics- rather, the vast majority of fanfiction tends to be AUs, keeping the original characters & changing any & all aspects of the world around them. again, this may vary depending on the story & Vibe of the fandom at the time, stories like game of thrones or harry potter or homestuck might have a lot more in the canon category by nature of any major dissatisfactions the fandom has with how the original story was told, but in most cases AUs are more popular. this was a lot of the basis behind my argument that fanfiction is created as character analysis in fact, since the characters are the most important part that carries over from original story to fanwork, as well as can end up being one of the most debated/scorned parts when it comes to fandom drift (i.e. "that's out of character"/"he wouldn't do that"/and all other such arguments about fanon vs. canon characterization).

basically, my conclusion in this case was that i was a lot less interested in gomens fic largely because i have a really hard time separating the characters from the world in the case of this particular story. aziraphale & crowley being an angel & a demon and dealing with all of the bullshit of their world when it comes to heaven & hell are such integral parts of their characters in my mind that i have a much harder time getting behind AU fanfiction that plops them in a totally different context. it's just a much harder sell for keeping the characters in character for me. (i also tend to not like s2 fix-its just cause, idk they're just not my style, which is where a lot of the recent blast of energy has led us.) to clarify, this is not a judgement, just a matter of personal preference and a reflection of why, even if a lot of fandoms will look the same from the outside/involve the same things like art, fic, etc., an individual's mileage can vary wildly when it comes to how they interact with different things online.

*additional note, also for clarification: i do want to acknowledge that a lot of this depends on pure popularity as well, popular fandoms will often end up with basically everything in terms of fanworks just by nature of how many people are interacting with & thinking deeply about the story. my point here is more along the lines of the fact that even within the more well-populated fandoms, certain types of fanwork will often Stick Out more to me than others, or even be visibly much more common than in other fandoms, due largely to the original medium/structure of how the story.

so, speaking of aziraphale & crowley in more depth now- why does the world of good omens feel like such an integral part of their personalities when it comes to characterization? up next, let's talk about morality within the context of good omens' perhaps surprisingly secular take on heaven & hell.

2. the amorality of heaven & hell (ft. the crowley quote apples you know the one)

(warning in advance that this section may be a bit limited since i'm not going to get super far (or very far at all, really) into the whole religious-analysis aspect of good omens.)

i've been binge-reading the original pterry & gaiman book for good omens over the last few days and it's been very fun seeing all the slight changes between the tv show & the original. you can really see the hand of the original creators in how the tv show was translated, even just by looking at which parts made it and which parts were deemed worth cutting out. i suppose having one of the original creators right there helping build everything really helps make a book -> show translation work, since the ASOUE tv series was also pretty well received- something about knowing what's the core of the series & truly important to keep in, and having more time to tell the story itself?

anyways, i have a short list of notes that i've been taking as i read, conversations that stand out to me or footnotes that particularly amused me, but i keep coming back to one line that stood out to me quite early on. in context, this line comes from crowley during the conversation where he is first attempting to fully convince aziraphale about stopping armageddon, specifically when they're talking about exerting equal forces on warlock to make him normal:

"You're saying the child isn't evil of itself?" [Aziraphale] said slowly. "Potentially evil. Potentially good, too, I suppose. Just this huge powerful potentiality, waiting to be shaped," said Crowley. He shrugged. "Anyway, why're we talking about this good and evil? They're just names for sides. We know that."

(pg. 67)

"They're just names for sides." if i had to pick one line to sum up the view on religious morality of this series, this would likely be it.

on the one hand, i tend to interpret a lot gomens' take on heaven & hell within the context of its political stance, something that is particularly obvious through a line from gabriel in s2e2 where he tries to clarify to aziraphale that heaven isn't trying to hurt job directly, but instead is just not stopping hell from doing horrible things to him. while there may be some additional nuance to add to this take within the context of british politics that i don't really know well enough to add about, i'm inclined to see this from the side of my own familiar american politics, which might hold some weight considering how long mr. gaiman's lived around here. point is, my current interpretation of that line is that it helps in more clearly establishing the analogy of heaven & hell as the story moves forward into newer seasons and thus more contemporary politics, equating heaven with mainstream liberal politics & politicians and hell with conservatives.

this stance seems to be emphasized even more in the tv show than the book which makes sense considering its been coming out more recently, and especially in season 2 which is still quite caught up in a lot of quarantine-based reflection. (the tv show puts a lot more emphasis on heaven & hell in general, actually, perhaps initially a byproduct of actually being able to see those environments in their entirety and all the angels & demons that populate them- but we'll get to that.)

the book takes a slightly different stance that, fittingly, seems more reflective of the time it came out. in particular, i was struck a lot more when reading the book by adam's rise (fall?) to power, and how much of it was motivated by a burgeoning nervousness/pessimism about climate change and the anxieties of younger generations that comes with inheriting an earth that feels so fucked up. honestly if anything it's only gotten more relevant in that respect, what with the current vibe on the internet & the hopelessness of the doomer gen z gang, but it also has a distinctly different flavor to me from the tv show, which i think is largely because it's less connected to Formal politics since again we see a whole lot less of heaven & hell as such distinct, bureaucratic entities.

instead, there is a very distinctly amoral aspect to heaven & hell that we get through lines like the one above and especially from characters like crowley. this is why i argue that good omens, despite having so many religious elements, is such a deeply secular take, especially when it comes to its ethics & morality- Good and Evil, notably with the capital letters in this case, has very little to do with actual actions and much more to do with the name that you stamp on top of said actions. heaven & hell and the angels & demons that we see directing and watching and generally fucking with aziraphale & crowley throughout the story are distinctly separate from humanity, and as we see even more as the story progresses, distinctly unaware about what it even means to be a human, in both a deeper philosophical & very basic and literal sense. Good and Evil is simply another name for the sides- and thus the true ethics is something separate, and based in a deeply human experience.

in my opinion this is also why aziraphale & crowley, lovers of humanity and also to some degree spokespersons of it from how much they've "gone native," tend to be so deeply at odds with both heaven & hell and always end up agreeing with each other over their own supposed sides. what makes aziraphale & crowley so distinctly different is that they ascribe to the same ethics & morality that humanity does, or at the very least are trying to figure out ethics & morality & How to Be a Good Person in the same horribly messy way that humans do, separating them from the black & white "this side Good & this side Bad," logic that the rest of heaven & hell instinctively ascribe to.

there's a lot of nuance here, which is also why i think there is such an emphasis on moral ambiguity (and love, but we'll get to that) throughout season 2. the story of job, grave robbing, & questionable attempts at matchmaking- aziraphale is working through a lot of Shit right now when it comes to trying to figure out what the Good thing actually fucking is, and i think it's key that a lot of that is motivated by crowley himself. crowley might'e been cast out of heaven for asking too many questions, but aziraphale is there & listening to them & giving them the serious thought they deserve, and that can't be overlooked.

sidenote: i couldn't figure out a place to shove this in, but i also wanna point out that a lot of this is tied to the idea of growing over time too. on the same page as the quote transcribed above is another line from crowley leading up to aziraphale's question that puts a lot of emphasis on the fact that warlock is going to be a product of nurture, not nature. again, this is an argument against basic black & white assigned-at-birth morality for the ability of humans to grow & change over time and be influenced by the people around them.

it's notable that despite adam's supposed origin as a Son of Satan, what really gets him to stop the apocalypse in the end is the fact that he doesn't really give a shit about all this big plans but instead just wants to hang around his friends. there's a lot of emphasis in the book placed on how beautiful & nice tadfield is as a place for a young kid to grow up, how well loved & fiercely protected it as as something beloved to adam. while he might be overwhelmed when faced with the full picture of how horrible the world can be, ultimately what he cares about is loving & taking care of the people & places that he grew up learning were precious, and the only way to do that is to keep growing & changing yourself within that world and trying to help it also grow into something better, not throw it all away just for the slightest chance that you could restart. a message worth taking the time to think about, at the absolute very least.

3. finding morality w/in humanity: crowley & aziraphale and speculation for s3

i have complicated feelings about both aziraphale & crowley throughout a lot of the show and especially in season 2. i think a lot of people, myself included, are inclined to see crowley as the voice of reason in this season, and for good reason- as i mentioned before, a lot of aziraphale's deeper questioning of the status quo and goodness (Goodness) as a whole is motivated by questions from crowley.

i kiiind of mentioned this in my previous essay, but to state it more clearly, my take on crowley is that he's arriving at the right answer for the wrong reasons, and, conversely, aziraphale is arriving at the wrong answer for... kind of also the wrong reasons but also slightly for the right reasons. let me explain.

crowley is clearly much more aware of the flaws in both heaven & hell than aziraphale is, which seems to be the basis behind a lot of his motivation in asking aziraphale so many questions in the first place. he's also, as maggie & nina point out in s2e6, deeply lonely, often running away or getting ready to fight literally anyone that isn't aziraphale (or humans, but that's a little more complicated). from his reaction to beelz & gabriel getting together, i think it's pretty clear that he still hasn't entirely given up on the whole alpha centauri idea, and it makes sense- as i said in that last essay, crowley basically won the argument at the end of the previous season when it comes to aziraphale & crowley, "making [their] own side," so he doesn't have much reason to face any of his personal fears until maggie & nina basically point out that they exist directly to his face. once they do point it out, however, he's very motivated to act & does so almost immediately, even after hearing what aziraphale has to tell him and being pretty thoroughly devastated by it.

my point here is that crowley is correct in seeing the toxicity of both heaven & hell, he's just flawed and largely motivated by fear (up for debate if that's all it is, but i certainly think it's a big part of it) in his desire to run away from it all. it's not quite armageddon, again he's going more flight > fight here, but he's still ultimately giving up and that's not a great conclusion.

on the other hand, as some others on this site have pointed out, aziraphale is certainly showing a lot of strength in his willingness to keep fighting & try to change things for the better, but it's not hard to see how that belief has been twisted. one of aziraphale's biggest flaw in motivation at this point imo is that he doesn't just believe in goodness but Goodness, the kind that's tied to heaven always being right & all actions being morally Good so long as they're done under the name of heaven, and that clearly also isn't great.

thus what i think the both of these two really need ultimately is that deeper connection to humanity, and the ethics born from humans interacting with humans. we can already see how strong these two are when they collaborate, even when they're doing their absolute best to be as subtle as possible, but what i think they need is to once again be grounded by humanity, not to get so caught up in the bullshittery of heaven & hell and Good & Evil, but once again find a goodness defined by the world that they mutually love so much and stick with it.

i keep tossing a question around in my head about whether or not aziraphale & crowley are going to end up human by the end of this series. it feels natural that they would, they're already so at home and in love with earth & around humanity, but i'm also not entirely sure if that would be a happy ending for them considering how long they've watched & loved the world as it's changed. perhaps taking this post into account is another push towards humanity as a happy ending, not running away to a cottage to get away from the world (i just can't see running away to a cottage to be together as as happy ending, sorry- it might work for beelz & gabriel but not for aziraphale & crowley), but choosing to settle down within that world that is so dear.

#'just three sections' LAFFS. YEAH #astronaut rambles #good omens #gomens #no but i like this one a lot better than the last attempt at a gomens essay #this one feels a lot cleaner. more focused?#got a bit sappy at the end but i don't mind humanity is always worth loving #also off topic but i read this really interesting paper at work the other day #about pratchett’s writing in discworld & zizek & religion #forget what it’s called now but it was an interesting take on how fiction/fantasy can allow for deeper insights/reflection of reality #got some discworld books today so looking forward to reading those once i slurp up the last hundred or so pages of good omens #also thanks to my dad for having some interesting commentary on the job interpretation in s2e2 today #i all but literally slept through sunday school so i think a lot of the more noteworthy religion takes in this show go over my head =3=‘’#man i am so very much looking forward to how season 3 continues this story #i feel like a lot of the big conclusions there are really gonna be important for the direction of the story’s main message #season 2 is just. such a transition season it’s hard to get super distinct conclusions sometimes #like it’s still going somewhere there’s shit developing #it’s not like sherlock where it just teases deeper meaning forever but gives you nothing #but. it’s just so obviously Not Over Yet and I Need More #anyways much love i need to go to bed now arghfjdkd lots of shit to do in the future but all i wanna do is keep writing gomens essays. sigh #brainrot central #oh yay my phone’s at 69% now ☺️ wheeee #good omens meta

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