#I actually did another writing thing

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[lemongogo]

they should get to kill each other at least twice .i think

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon (she/her). her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[fictionadventurer]

I have a germ of a theory that good Christian fiction has stories that are less about shaving down your personality to meet some specific mold of what a good Christian looks like, and more about "how gloriously different are all the saints."

Not that the Christian life doesn't involve fighting against our own sinful nature and conforming ourselves to Christ-like behavior, but I think it makes for better, more realistic, and more universal stories when you also recognize that people have different gifts and flaws and they're going to be called to use their unique personalities to serve the kingdom of God in their own unique way, instead of assuming everyone has to conform themselves to a very specific (often secular-culturally based) image of good behavior. It makes for a much more vibrant story.

[jamietwat]

Time loop fic set during season 2 when Jamie’s back around but Roy isn’t coaching yet where it takes Jamie and Roy an embarrassing amount of do-overs before they finally realize they’re both caught in it because for days Jamie goes over to Keeley’s place and antagonizes Roy in basically the exact same way because he thinks making the same stupid old man jokes all the time is funny anyway and any slight changes in conversation he just assumes is because he showed up at a different time or worded his own end of the conversation a little differently but Roy’s still basically saying the same grumpy old man shit anyway

And Roy makes basically the same retorts every time because he stands by it and he assumes Jamie shows up at slightly different times looking for Keeley as a butterfly effect of his morning with Keeley being different but that there’s no escaping him showing up to be a little bitch at some point

And like they both sometimes tell people but not the same people on the same version of the day so Keeley individually thinks that both of them are losing it on different versions of the day before eventually they both mention it

And then on like day 5 of the same day over and over Jamie doesn’t show up and Roy is irrationally angry about it but thinks it must be somehow connected to the fact that he was acting absolutely insane with Keeley trying to explain what’s happening while she thought he was fucking with her and somehow that made her brush off Jamie and him not show up or something?

And it takes Jamie showing up at 100 and just tearing Roy apart and going on about what a dick he is (which isn’t unusual but isn’t how this routine goes) and weirdly fixating on how he was excited to meet Roy but then he ended up just being an old washed up prick that never even gave him a chance because Jamie figures he can just show up, yell at Roy for all the reasons he’s so fixated on being a little asshole with a grudge against Roy in particular to get it out of his system, and then never have to deal with any consequences of Roy finding out about the whole embarrassing having been a big fan and expecting it to be so cool to play on a team with him just to immediately get offended that Roy didn’t give a shit about him and his bullshit and so Jamie ended up hating him thing

But instead Roy just scowls at him and is like “that’s not what you’re supposed to say” and Jamie’s like “…what.” And Roy’s like I’ve done this day like ten times already and either I make Keeley think I’m certifiable first thing in the morning and you don’t show up or else you show up looking for her and then make the same completely uncreative old man jokes at me and Jamie’s like what the fuck I’ve been doing this same day over and over and you’ve been making the same shitty jokes that weren’t funny the first time over and over again

And Keeley’s just sitting there watching this like “Are you two fucking with me? I can’t believe you two got along long enough to plan whatever the fuck this is.” And honestly, the fact that she couldn’t imagine them ever getting along to plan this stupid joke and agree on it is the main reason she actually starts to believe them that time in an okay either I’ve completely lost it or you two are stuck in a time loop kind of way and when she starts going on about how every time loop movie there’s like a moral the person has to learn and maybe they’re both caught in it because they’re supposed to learn how to get along and be friends and Roy’s supposed to take Ted’s offer and that’s how Jamie finds out about the Ted trying to convince Roy to coach thing

But they’re both like fuck no absolutely not, that’s not it and I’d rather be stuck in this stupid fucking loop forever than voluntarily spend time with him let alone get along (as if Jamie hasn’t shown up to annoy him practically every version of the day and Roy hasn’t just been sitting there waiting for him every time) and then they actively avoid each other for like a week’s worth of versions of the same day before they start considering that Keeley might have been on to something but it still takes three more days of pointedly not seeking the other out and waiting for the other to give in first before they run into each other at Ted’s place anyway and finally start actually swapping information they’ve picked up from their loops and what they’ve tried changing to try to get out and discussing ways to try to get out of it while Ted’s just sitting there cracking jokes and making annoyingly similar to what Keeley said comments about how in time loop and body switch things it’s always that you have to learn to see things from another perspective and be nicer to someone you don’t usually see eye to eye with before you can get out (Ted doesn��t actually believe they’re stuck in a time loop though, he’s just going well weird hypothetical but I’ll play along if this almost certainly made up scenario is what it takes for them to have an actual conversation with each other)

[pendraegon]

thesis updates: sent the draft to my advisor -> she said it was "incoherent" and that she was "shocked" at my work and instead of telling me anything in detail as to what's wrong directs me to the writing center then proceeds to cc my committee members saying that she's at a loss with what to do with me -> was confused because... did i send her the wrong draft?? it seemed pretty solid to me?? like i was genuinely proud of it??? -> next day she sends me another email saying that actually my draft isn't bad at all and it just needs some reworking ???????

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[mildmayfoxe]

WORLDS GREATEST con artist / cheapskate / stud / boozer / dancer / brat / space cadet / bs'er / hypochondriac / nut / burden / losing gambler / playmate / animal / party-goer

[zeivira]

no rest for the wicked...

pls more

this shit is hilarious

like what are the others thoughts on this "illness" like garfiel, we've seen a bit of otto but i want more of him cuz he's best boi.

i imagine him going on full mama/big bro mood lmao

also that ficrec abt the crack fic by scissors? LMAO thx my parents knew im awake at 3am

point is

i like you now

so im gonna stalk- ahem- stick to you like a leach 🥺🌹

feed me more

The Cap’n's rule about everyone being strictly forbidden from watching him sleep—something about Garfiel being exactly like Rem but without pretty girl privilege—never actually stops the members of the camp from keeping an eye on him while the Cap’n's rests. 

The camp is nothing if not resourceful, and it’s not like they need to be inside the room when he’s sleeping to make sure he stays safe. Waiting a few feet away from the only entrance is just as effective. 

That's why when Garfiel smells a person approaching the Cap’n's room, during a time he knows he is asleep—they spent the last few days traveling to Pristella, like Hoshin traveled the desert to Banan after all—he rushes into the hallway and grabs the visitor's wrist right before it gets to knock at the Cap’n's door. 

"—the hell do ya think yer doin’?" Only after he finishes talking, under the dim hallway light of the mansion-like inn, he takes notice of the visitor's red, flame-like hair. A sharp horror, the one he had felt hours flooded through his entire body, as he realized whose wrist he grabbed. 

For a second, all is still. 

"Hello again, Sir Garfiel," the Sword Saint greets him, smiling as if they were pals and he hadn't evaded Garfiel’s senses and stopped his punch with a casual block a couple hours before. As if he weren’t the main obstacle between Garfiel and the title of Strongest. "I apologize if my presence alerted you, but all I wish to do is talk to Subaru." 

"W-well isn’ that convenient.  Anythin’ ya might need ta tell the Cap’n, ya can tell my amazin’ self instead." Big fat lie. There is a reason why the Cap’n is the Cap’n despite being borderline comatose and apparently not that much older than him. But Garfiel can’t trust anyone stronger than him, and as much as he hates himself for it…

The difference between him and Reinhard van Astrea is like a newborn Earth dragon and the Divine Dragon themself. 

His mere presence makes Garfiel's rawest instincts scream—tell him to either fight-or-flight. Garfiel doesn't want to be anywhere close to Reinhard, but much less he wants Reinhard anywhere close to the Cap’n when he sleeps. At least not until Garfiel proves himself a stronger shield than Reinhard. 

Even if the Cap’n is not defenseless—at least, not usually— he is useless while he isn't awake. And that means Galfield has to fight for both of them.

"I see," Reinhard's lips tilt downwards. "I do not mean disrespect, but what I would like to discuss would be related to something personal, unrelated to our respective camps..." 

Right. Garfield's eyebrow twitches. Right. The Cap’n said they were friends. 

"...the Cap’n's asleep," his voice sounds hoarse even to his ears. Maybe if he makes his tone drier than the Augura Sand Dunes, he can get Reinhard to give up and leave?

Reinhard's eyes widen. "Is that so. From what I gathered he mostly slept during the night." 

Garfield scowls. Of course the Sword Saint knew that much. "The Cap’n does, but he couldn' sleep during the trip, as we moved without pause, just like the Emperor of the Briar who never knew rest," Garfield crosses his arms. "So he is sleeping now and won't wake up in a while." 

"I see..." Reinhard says, and an uncomfortable silence falls between them. His gaze felt so heavy that if Garfiel moved carelessly, he wouldn’t know what his fate would b— "I wanted to ask about my father, actually—” Reinhard spoke up, breaking the silence. “I heard there were some issues close to Lady Priscilla's domain that involved Subaru and him." 

It takes Garfield a second to realize what he is talking about. His joy over learning the one and only Sword Saint's father was joining Emilia's camp to help Subaru stop the Argyle healer evaporated the moment his eyes actually lied on the man. After a couple days he just became Old Man, a skilled drunkard with a sob story, rather than a member of the family his mother used to read him stories about. 

"Issues,” Garfield snorts at Reinhard’s choice of word. “Tha's one way of sayin’ it." He makes a face. "Yeah, I was there too. The Old Man made us go lookin’ for a stupid chalice with the power to cure all sickness, but in the end it's only power w’s turning water into booze. Big ass let down." 

Reinhard’s shoulders sag. "So that’s what happened…” Reinhard’s eyes finally looked past Garfiel and looked at the still closed door, an unreadable thought reflected in them. “...I am glad father was with Subaru and you nonetheless. I can't imagine him taking another disappointment well..." 

How could any member of the group that went after the dumb cup not be disappointed? The chalice would have been able to cure not only the Old Man’s wife, but the Cap’n too. As the camp’s shield it’s his duty to protect everyone from everything—including hereditary diseases. When the Old Man mentioned the rumors, he was the first to tell Emilia they absolutely needed to go.

Still— the entire conversation leaves a bad taste in his mouth. The Cap’n was already carrying enough on his shoulder, with being the Hero that defeated the Archbishop of Sloth, the White Whale and the Great Rabbit— did he really need to trouble himself with family drama when the man ain’t even dead? “Why?” 

Reinhard blinks. “Well, it has been many years—” 

“—no, not that.” Garfiel’s scowl grows. “Why do ya need to imagine it? Yar dad’s alive, you could ask him.”

Reinhard just stares, before a bitter smile covers his lips. “Although true, my father doesn’t enjoy my company, so I wouldn’t like to impose myself when unnecessary.” 

But he is alive, is what he wants to say. “My mom’s dead,” is what he says instead. Because damn— he saw the Old Man, the even Older Man and him talk during dinner and how Ottobro almost lost his head trying to stop Old and Older from killing each other, right before Priscilla arrived saying this was the most amusing shitshow she had seen in weeks. The Old Man genuinely didn’t want to be with Reinhard and his dad.

But he is alive. All three of them are. They can talk. While Garfiel's mom is dead and gone and he can't tell her how much he loves her. "Just because your father is with us, and the Cap’n is strong enough to carry the weight of yar family drama, doesn't mean he should."

Reinhard's eyes widen again. "I—" 

"The Cap’n sleeps longer when he overworks himself," Garfield cuts, his words stronger than any punch he ever did. 

And Reinhard's mouth shuts with an audible click, expression shifting into one of horror— as it should. 

"He carries everyone's problems on his back— no matter how tired he is...!" He clenches his fists. "The Cap’n is so cool, cooler than the Sage and Reid! But precisely because he is like that is that we need to push ourselves harder. Be the people the Cap’n wants us to be, even if he is too shy to tell us. Because— because...!" 

“—will you two please SHUT UP?!" The Cap’n's door parts open with a bang, and the Cap’n appears in the doorway, rubbing his eyes while scowling. “Some of us are actually trying to sleep around here!”

Garfiel rushes back to his room only minutes later, but also doesn't miss Reinhard walking in direction to the Old Man's room rather than the hallway he originally came from.

beta read by @daemonerik

[tehcherrya]

I watched Umbrella Academy Season 4-- Let me talk about the finale. (And my writer's interpretation of how it should have ended)

As much as I love a 'doomed by the narrative martyr-dom' tragedy, that is not how you go about it.

I love stories with bittersweet "not everyone will make it out perfectly fine" endings. TMA. The Sandman. The Haunting of Bly Manor. Arcane. LotR. Not everything has a happy ending, and often it can be fairly satisfying in its own way. But for someone who likes tragedies, I am sorely disappointed in The Umbrella Academy.

Not in a 'oh I wished they lived happily ever after' sense-- no. No, it makes sense that the ending is sort of bittersweet because that's how the narrative was built to be. It was never going to be their perfect ending. Every season is just another apocalypse, another world-end scenario. In fact I appreciate the way they go out of their way to say it's just a vicious cycle every time they try to go back to being the same, there is no escaping the fates their destinies clearly have written for them, even if everything was quote unquote "normal". They were left without their powers. With a timeline where they are essentially human. And still-- the end of the world happened. Obviously something needs to be done, but it can't be all the way it was.

Here, is, personally, how I would have written the ending. Keeping the same tone, same aspects. But differently formatted.

Five goes through the same motions of realizing that he and his family are the one causing the apocalypses. Over and over and over. Not necessarily their existence itself breaking the timeline, but it's their existence as these marigold-fueled beings. Marigold was never supposed to go out into the world, let alone unto living beings. Timelines collide, and nothing ends well, as the universe can't handle its own essence being fused within living and breathing beings. It never has. So, it needs to be neutralized, so everything can fuse into one perfect timeline.

Five then goes back to the others. As a sort of veteran to the ideas of apocalypses, gives them their solution. And it's something that everyone doesn't expect. Do nothing. Let the apocalypse happen. Every time they've tried to stop it, it's only split the timeline into more apocalypses. So they need to let it neutralize itself.

But everyone is in disarray by this result, "Five, how can we just do nothing? We'll all die!"

And Five simply states that no. They might not. In fact there is a very likely change they won't. But they won't be the same. And everyone is silent as Five explains the situation. The Marigold, their father, the existence of the academy. It's all put them in these horrible timelines. Each one showing no resolve. If they neutralize the Marigold, they will restore the original timeline.

They won't die. More than likely their souls will still exist within this whole, original timeline. But those versions of themselves won't remember anything of each other. Living vastly different lives in different parts of the world, they might live their whole lives without ever meeting. They won't remember the times they've shared, their powers, their father, none of it. They will spend their whole lives not even knowing the words "The Umbrella Academy". They won't even remember there was ever any other timelines in the first place, nor that they were the ones who saved them. They would be no more special than any other ordinary people living their lives. No more apocalypses. No more despair.

And as the scene comes to a close and they all say their possible last goodbyes, and we have the sequence of all of the other timelines disappearing-- We are then met with our original timeline. We see all of the different endings for every character, living out their lives as they would have been if they hadn't ever been born with their powers. Each happy in their own individual way but the important part is that none of them have stories together. They are all living different stories, and have no memory of anything else. Obviously with "I Think We're Alone Now" playing over this montage.

And after our montage song ends with everyone else, there is one more person we haven't seen from-- bear with me on this last shot because it's a little cheesy, but in classic Umbrella Academy fashion. Our final shot is of a grown man in a suit, and it's not exactly said who it is, it's not a face we've seen before. Perhaps in a diner, as a call back to the famous seen from Season 1. The waitress with the name tag "Dolores" asks this man what he's to order. And with the snarky yet cool demeanor this man has always had he says 'I'll have the No. 5'.

And it is Five. Finally not trapped in the body he was. Finally no longer a slave to the apocalypses he's had to deal with ever since he was a boy. He gets to grow up. He gets to live. Once this man exits the diner, he takes his briefcase with him. Opens his umbrella to shield himself from the rain. Smiles. And walks away.

SCENE!

Am I a writer or am I a writer? Bittersweet, yet not horribly executed. Thank you for staying. I'd like to thank Umbrella Academy fans for taking your time to read this. I would also like to thank my regular followers who are wondering what the hell an Umbrella Academy even is. And if that is you, I promise you we will get back to our regularly scheduled program soon! But thanks everyone for sticking around this writers rant of a post!

[krotiation]

"You can't ship rhack, it's toxic!!" Wrong, that's exactly why I ship it

[what-even-is-sleep]

thinking about Bodkin again bc I mean,,, ALL THE SYMBOLISM OHHHHHGH. i NEED some tumblr film analysis hobbyists to watch this show and tell me all the themes n such

[jimlingss]

two years!! :D it’s been two years since my final curtain call and seven years since Jimlingss began! Seven years!!! Now that’s a crazy yet meaningful number!

Hello to everyone reading this message :D hopefully you remember me (it’s ok if you don’t) and for those who care, hopefully this is a treat! just a quick update on my life — I successfully completed my first year of law school and what a whirlwind it’s been. 

I’ve had so many ups and downs in the past year and I honestly feel like I’ve changed a lot. like evolved from pichu to pikachu. It was my first time moving away from home, away from my parents, and making so many friends. it’s been 20% bitter and 80% sweet. overall, I feel like I’ve learnt so much about myself and became a lot more stable in who I am.

school is hard but completely manageable. luckily, I don’t think my choice was wrong. there are days I quite enjoy what I’m learning. I got 2 years left in the game. soon (hopefully) I’ll be making the big bucks $$$ and I’ll be able to fund my sugar baby dreams (except I’ll also be my own sugar mommy). Although my dating life is as stale as always with 0 movement, I’ve become close with a handful of folks that I hold dearly to my heart. guess I’m in my friendship arc hahahaha

funny enough, I actually came back to this blog out of my own volition 2 weeks ago and re-read some of my stories. I feel so nostalgic. some of my stories really slap ngl. anyway, I really miss creative writing so much. Fortunately, there’s a few extracurriculars at school that allow me to write creatively so it’s somewhat of an outlet for me. it’s not fully satisfying but it’s something!!

I regularly come back to tumblr to check messages and do plagiarism checks lol. Speaking of which, I’ll take this time to answer some messages in my inbox.

unfortunately, i don’t have any socials that anyone can follow me on. my socials are pretty private and only the people who i’m close to, I follow and vice versa. but no worries because I will always come back to this blog to do a yearly update so you’ll hear from me! I will satiate your curiosity if you’re every curious about what I’m up to!!

for anyone who ever messages me compliments to my stories and/or missing my presence, no worries, I read them all :) your messages and feedback is never lost! it’s very sweet and always warms my heart.

if you can’t reach my masterlist, it’s here lol

I’ve kind of fallen off my fic reading game so if you ask me if I know a specific fic, I won’t be much of help unfortunately ://

if my fics ever help you through hard times, then I’m super glad!!! life can undoubtably be downright terrible. life can really really suck (understatement). but I think it’s comforting to know that everyone at some point thinks the same. it’s a universal sentiment - and in that, you’re not alone.

anyway, that’s it for now! you’ll hear from me again!

I’ll be back! And I hope you will too! :>

[ominous-feychild]

Guys I literally JUST realized a thing about my autism/masking/alexithymia. I noticed there was an alexithymia tag here on tumblr and when I investigated, there was this one post listing these symptoms:

and I just--

I've had these exact, MAJOR struggles through my whole life for one.

But for two, and what's really interesting in my opinion...

Yesterday, I was having a video call with my mom. I've been off of some medications that I'm supposed to be taking because of financial issues, so my mental is NOT in a great place and I've had NO spoons for the past month. But while on call with her, she seriously, unironically, asked me if I thought I really needed the meds. Because, apparently, I "wasn't acting like I needed them" or something like that. And I'm sure I don't need to explain why that pissed me tf off.

But, like... at the time, the closest thing I could come up with for an answer was that "I have no spoons and no energy to do anything"; "I lived 17 years without meds, I kind-of know how to fake it"; and "I haven't had much socializing lately, so I have enough Social Energy™ to fake being okay right now."

Now that I'm not being put on the spot and after reading that post, I'm slowly figuring out that I've always done this. I mean, I've obviously always struggled to describe my own emotions and need to analyze my physical reactions to figure them out, but like. I'm just now starting to realize that I've really struggled to describe exactly how I'm "feeling bad" or, in fact, that I am feeling bad at all.

I mean, again, considering the alexithymia, that last part is a given. But it's kinda putting into perspective exactly how I've always had to understand "I don't have the energy to do anything" or "it's incredibly difficult to do anything" or "something deep inside of me feels Wrong™ and I can neither address nor identify it". I'd just passively have those "feelings" and struggle to continue life despite them.

It brings back thoughts of my struggles with masking, and how I was never diagnosed with autism as a child. Looking back, it should've been incredibly obvious. I had SO many of the tell-tale signs. But I guess it wasn't today, and there wasn't anywhere near as much awareness of what those signs were... but really. Textbook.

I'm sure my masking made it more difficult to recognize the signs as I got older. Hell, I even read over different "autism diagnosis checklist"s countless times, thinking to myself "oh wow it's a lot like me!... exceeeeeptttt--" and moved on from there.

I keep digressing. My point is, since discovering my autism and how it was hidden by masking, I've always wondered where my mask ends and where I begin. Most of the time, I feel like I feel nothing, even when I'm not depressed. I've been told I don't show my emotions, like when I'm happy (aka my chest is light and I feel free). That, or people can't tell when I like/dislike them (though that's partially a trauma thing). Other times, I've been told I'm smiling when I didn't even realize I was happy, much less that I was actually smiling. Some people have told me I'm incredibly easy to read, that my emotions show very clearly. But how can they when I feel like I feel nothing?

Which leads me back to what I said earlier, my conversation with my mother. How she asked if I actually need my meds because "I don't seem like I do". I guess I kind-of understand now, why she might've seen it that way. Do most people always show signs of how they actually feel? And how does the fact that I "don't feel" effect what I show?

I've wondered about that for a while. How much of how I act is because I was trained to, one way or another? How much of the emotion I show is because I learned to? Do I even show the emotions I feel? I really can't know because the people I know irl, who would better be able to tell me how I act, aren't understanding of any of these things. My older sister is lowkey ableist and thinks she sees the grand plan of the universe, my mother is too "pull yourself up by the bootstraps!!!" to accept Spoon Theory or mental health struggles, and just about everyone else in my life comes and goes as quickly as the wind.

Anyhow, this was a long rant that I've kinda had half-formed thoughts about for a while. Thanks for reading, hopefully this can help or entertain whoever stumbles upon this?