#George Pérez Story
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keycomicbooks · 23 days ago
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Wonder Woman #17 (1988) George Pérez Cover & Pencils, George Pérez Story, 1st Cameo Appearance Circe
#WonderWoman #17 (1988) #GeorgePérez Art & Story, 1st Cameo Appearance #Circe "Traces" Several days after her adventure with Superman, Wonder Woman attains a United Nations passport, allowing her and Vanessa to join Julia in Greece.  https://www.rarecomicbooks.fashionablewebs.com/WonderWoman.html#17 @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #KeyComicBooks #DCComics #DCU #DCUniverse #KeyIssue #WonderWomanWednesday
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promiscuousasexual · 9 months ago
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i waited until i had all the drivers to post this, took me until this morning actually
here’s the garages in saudi arabia having all the drivers’ names in cursive arabic!! :
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red bull
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mercedes
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ferrari
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mclaren
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aston martin
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alpine
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williams
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vcarb/RB/visa cash app RB/idk
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stake
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haas
edit :
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and here's ollie bearman's!
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themyscirah · 3 months ago
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What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)
Yeah ofc!
My Wonder Woman Starter Recs (specific style 😎)
First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:
Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick
Wonder Woman: Year One by Greg Rucka
Wonder Woman: the Hiketeia by Greg Rucka
Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.
You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.
Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.
These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.
STEP 2: WHERE NEXT?
Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.
Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez
George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.
Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.
Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.
*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.
Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.
Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.
...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.
Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3
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vendemiaire-crafts · 2 months ago
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Formula 1 Photocards For Palestine! 🏎️🍉
I have 14 custom photocards of Formula 1 drivers laying around, that I’ve been meaning to give away or sell since I’ve lost interest in F1. Then it dawned on me — instead of charging customers directly, why not make it a donation drive to help people in Gaza?
So that’s what I’m doing!
Products
I have one photocard of each of the following drivers: Alex Albon, Valtteri Bottas, Pierre Gasly, Lewis Hamilton, Charles Leclerc, Lando Norris, Esteban Ocon, Sergio Pérez, Daniel Ricciardo, George Russell, Carlos Sainz, Yuki Tsunoda, Max Verstappen, and Zhou Guanyu. Again, there is only ONE card of each driver available, so get your fave before he’s gone! The photos on the cards can be viewed here.
I’m also selling toploaders that I’ve decorated myself! Closeup images of these toploaders can be viewed here. On the availability list, the toploaders are numbered as follows:
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You can buy only a photocard, only a toploader, or both, or more than one of either! It’s up to you 🍉
Prices/Minimum Donations
(All prices are listed in USD, since I live in the US (California specifically), but conversion rates between currencies should be easy to find.)
Payment for cards and toploaders will be through making a donation to a relief organization or Palestinian fundraiser. Here’s a list of options you can donate to.
Photocard: $2 each
Toploader: $3 each
As well, for an extra $0.50, I’ll add in a photocard stand!
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I'll also add in a couple freebie stickers! 🍉
Of course, you can make a larger donation if you’d like and if you have the money! The ‘prices’ listed are minimum donations to make for a purchase — for example, donate at least $5 to buy a card and a toploader; or donate at least $2.50 to buy a card and a stand. If you’re only in a position to make the minimum donation, though, that’s totally fine too. Money is tight for a lot of us ❤️‍🩹
The Process
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DM me on this blog to begin an offer. Select which photocard(s) and/or toploader(s) you'd like to purchase (examples: toploader #20, Alex Albon photocard). Here's the list of which cards and toploaders are still available.
Make your donation to at least one of any of these fundraisers. Donations to multiple fundraisers are fine too, so long as it adds up to the minimum donation amount for your purchase! Then, once you've donated, send me proof via DMs. This can be as simple as a screenshot of your donation's confirmation. Also let me know which fundraiser(s) you've donated to so I can add onto it. Ideally, send me your purchase selection and donation proof at the same time.
I'll then send you your purchase! Note that after you donate and send proof, I'll ask you for an address to mail to. For those worried about privacy, all private messages on this blog stay private. I will not release, share, or sell your address to anyone else, or use it for anything other than mailing your purchase to you. For mailing, note again that I live in the USA.
I'll also donate double the amount of money in your donation to the same fundraiser(s) you gave to. For example, if you donated $5 for your purchase, I'll donate $10. I will send you confirmation of my own donation via DMs.
Questions? Feel free to send me an ask or a message.
After You Purchase
Keep sharing Palestinians' stories. Amplify their voices. Talk to friends and relatives about the dire situation in Gaza and urge them to help too. I of course can't speak for the people affected by the war and constant uncertainty, life or death, I'm just a fellow in the States hoping to help even in a small way.
If you have the money available to, keep donating to fundraisers and relief efforts. If you don't, share links to these fundraisers with others, especially those who can donate. Our brothers, sisters, and nonbinary kin in Gaza need every bit of support they can get!
Know somebody into Formula 1? Somebody who digs photocards and deco toploaders? Somebody in the kpop scene? Just anyone looking for a fun avenue to contribute to a good cause? Send this post to them and encourage them to buy!
Once your purchase comes in, tag me if you post pictures of it!
I'm super excited to be launching this donation drive, and I hope you'll join me in helping Palestinians on their races for safety, stability, and hope for the future once again.
Let's get donating!
It's lights out and away we go! 🏁
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silverwhittlingknife · 5 months ago
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Good morning. I'm fairly new to batfamily comics and I was wondering if you know what the design inspirations for the nightwing black and blue suit are? Is it mentioned in the comics? I live in New Zealand and all the robins here are all black, except the south island robin which has a splash of white on its chest. To me the nightwing suit looks very reminiscent of New Zealand robins, though I'm sure that's just familiarity bias.
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GOOD MORNING!!! I had no idea there were blue robins!! That is extremely cool & these birds are my friends now <333 There are (tragically) no blue robins in comics AFAIK, but the Nightwing costume design is still fun to trace...
The Nightwing Costume: A History
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Nightwing I, Nightwing II, and a 1980s punk rocker.
Short version: The Nightwing black+blue+yellow costume is something Clark Kent wears in 1960s Superman comics, where the colors are inspired by Batman's costume - both in-universe and out-of-universe. So when Dick originally takes on the costume, it's an homage to both Batman and Superman. <3 The exact history gets tweaked a few times, but those basic vibes are usually consistent.
Long version: IF YOU WOULD LIKE TO HEAR SO MUCH MORE THAN YOU WANTED TO KNOW re:a bunch of Doylist comics history followed by the various Watsonian explanations for Dick's costume choices, I have rambled about this below the cut in three parts:
1960s and 70s: Nightwing I: Superman and Jimmy Olsen, the Dynamic Duo of Kandor!!
1980s and Onward: Nightwing II: Dick Grayson's New Teen Titans & Gen X Influences
In-Universe Explanations for Dick's Costume: A History
1960s + 70s: The DYNAMIC DUO OF KANDOR
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Superman 158: The first appearance of Nightwing I!
Nightwing I - he's actually just Superman in another costume - was created for adventures in the Bottled City of Kandor! Kandor was invented in 1958 by Action Comics writer Otto Binder; it was a Kryptonian city shrunk by Braniac and kept as a trophy. Clark rescued the bottled city from him, kept it in the Fortress of Solitude, and sometimes used a shrink ray to shrink himself down to visit the city. (This was the 50s and 60s! Goofy sci-fi was in!) Kandor was a great setting for Superman stories because Clark could interact with a Kryptonian city without time travel. Plus, since Kandor had a miniature red sun, Clark could have adventures there where he didn't have powers.
In 1963, Superman writer Edmond Hamilton got the idea of having Superman and Jimmy Olson go undercover in Kandor. They have to come up with superhero disguises -- so naturally, Clark "takes a cue from his old friends Batman and Robin, and he and Jimmy Olsen become - The DYNAMIC DUO OF KANDOR!"
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Nightwing and Flamebird's names got linked to newly-invented Kryptonian birds (you can see the birds in the cages behind them) - therefore paralleling Batman and Robin, inspired by Earth's bats and robins!
Readers loved Clark and Jimmy's buddy-movie adventures as Nightwing and Flamebird, and the story conceit stuck around for quite a while. If you're curious, you can read a bit more about the stories here! I like them; they're goofy but adorable.
Kandor eventually got written out in 1979, when a writer who was bored with it "fixed" the city and had Clark find a way to make all the people normal size. No more adventures for Clark and Jimmy...
This meant that the Nightwing name was up for grabs.
1980s: The NEW TEEN TITANS & Gen X Influences
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In 1984 - five years after Kandor, Nightwing, and Flamebird had gotten written out of Superman comics - Marv Wolfman and George Pérez wanted to give Dick a new name and costume in Tales of the Teen Titans 44. They landed on Nightwing. It was a perfect legacy identity, representing an homage to both of Dick's role models: an identity that was used by Superman, but modeled after Batman.
Although the name stayed the same, the costume changed quite a bit! The design changes are IMO revealing both of the era in general and of some characterization choices Wolfman and Pérez were making for Dick.
Pérez - the artist, and therefore the guy who redesigned the Nightwing costume - gave a 1987 interview where he said this about Dick:
Robin/Nightwing, I like him a lot because of his history, he’s been around so long, and there’s a certain sleek sexuality about the character. He’s got a certain sense of everyman, a young swashbuckler type...
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IMO you can see those elements in Pérez's design - it's got vaguely piratical/swashbuckler vibes, and my extensive research (...okay, this article on 80s fashion trends) suggests that this very silly-looking Halloween costume may indeed be riffing on edgy sex symbols of the 1980s.
And both those choices are in keeping with the vibe of New Teen Titans, an aggressively not-kid-appropriate comic that was trying to do a more mature / edgy / adult take on superheroes.
What does that mean, "more mature"? Partly, it just meant, uh, sex. Dick and Kory were actually the first DC couple to ever be implied to be having premarital sex (in NTT 28 in 1983, where they're shown in bed together); in earlier eras, this would've been forbidden by the Comic Code Authority, which banned "illicit sex," sympathetic criminals, and a bunch of other things.
But it's not just about sex. In the 80s, comic readers were getting older and more impatient with moralizing in general; wholesome role models were out and sex, drugs, and rock-and-roll were in. Wolfman and Pérez were reinventing Dick as an aged-up, angsty, angry young man who was part of a more soap opera-esque team, with characters sleeping with each other and getting jealous and getting married and fighting with each other and generally making a lot of understandable-but-edgier decisions.
The switch to the Nightwing costume, a few years in, aesthetically mirrors Dick's shift in characterization from preppy good kid to angsty rebel:
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Nightwing II, or, "What would happen if you took Superman-pretending-be-Batman and stuck him in a blender with Billy Idol?"
Pérez started with the blue-and-yellow color scheme of the original Nightwing - which is just copying Batman, right down to the utility/antigravity belt. But for Dick, Pérez tweaked it to add 1980s fashion details that were Hip With The Edgy Youth, like a deep V-neck showing the chest, bling-y accents, and big flaps for the shirt collar.
(Billy Idol had become a huge success in 1983, the year before Dick became Nightwing; the punk rocker was a college dropout and fashion icon for Gen X's edgy young men ... Look, I'm not saying he's a direct inspiration for Dick's costume, I'm just saying!! Similarities, no?? The other obvious point-of-reference is 70s disco - thus the fan nickname "disco-wing" - which had been popularized by John Travolta, another celebrity dropout.)
You can see a parallel shift in Dick's relationship to education - in the 1970s, he was basically a Good Role Model And Responsible College Student at Hudson University, where AFAIK he stayed in his first semester of college for about a decade. By contrast, in 1980, the first issue of New Teen Titans kicks off with Dick having dropped out of college and having tensions with Bruce about it - not a stereotypical "good kid" choice.
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Dick in New Teen Titans 1, looking... a little bit dopey, let's face it; he may be a cool & edgy college dropout now but his motorcycle kinda looks like it belongs to a middle-schooler
By NTT 34 in 1987, Dick's costume had gotten more dramatic and his motorcycle had gotten significantly cooler-looking:
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Over time, the Nightwing costume got tweaked in various ways to get more sedate and to add a more birdlike V-shape to the chest, but that's the Nightwing origin story!
Okay, so that's out-of-universe. But what about IN-UNIVERSE EXPLANATIONS for Dick's costume?
WHAT A GOOD QUESTION. There are three you can choose from!
FIRST OFF, in the original 1984 story, Dick says he got the idea from a costume Clark wore - a reference to Clark and Jimmy's adventures in Kandor.
BUT THEN, in the post-Crisis reboot, the Bottled City of Kandor got deleted from continuity for a while, along with Clark and Jimmy's history of being Nightwing and Flamebird. (Crisis on Infinite Earths was a late-1980s event that merged DC's Earth-One and Earth-Two, retconned a lot of backstories, erased a lot of goofier story elements, and tried to create a more streamlined DCU. Fans usually call the comics that were published after this event "post-Crisis comics," because "thecomicsthatwerepublishedpost-CrisisonInfiniteEarths" can't be said five times fast.)
With Kandor gone, the name's origin had to be tweaked a bit. In post-Crisis, Dick still gets the name idea from Superman, but it's from a Kryptonian legend that Clark knows, as opposed to a costume Clark wore.
And then in Nightwing: Year One, a retcon/retelling midway through post-Crisis, Dixon tweaks things a bit further, so that instead of the Robin costume being an homage to the Graysons' costumes (a Wolfman retcon in LPoD), it's instead the Nightwing costume which is an homage to the Graysons' costumes, and it's deliberately modeled after something John Grayson wore.
... So in-universe, the possible explanations are basically:
Pre-Crisis: Dick got both the name and the costume design from Superman, who came up with them in order to imitate Batman, OR
Post-Crisis: Dick got the name from Superman, and Dick came up with the costume on his own - probably still deliberately imitating Batman's color choices, OR
Post-Crisis: Dick got the name from Superman and the design from John Grayson's acrobat costume.
(The post-Crisis period ended in 2011 with Flashpoint, so for a while people called post-2011 comics "post-Flashpoint," but nowadays it's usually divided into DC's branded eras: new 52, Rebirth, and Infinite Frontier. I don't think those eras have any significant retcons to Dick's costume origin, but I'm not 100% sure.)
ALL THAT SAID, I love the idea of "it's Robin, but blue," so thank you; that's adorable and it's gonna live in my heart forever now <333
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iconuk01 · 6 months ago
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“The National Portrait Gallery was authorized and founded by Congress in 1962 with the mission to acquire and display portraits of individuals who have made significant contributions to the history, development, and culture of the people of the United States. Today, the Smithsonian’s National Portrait Gallery continues to narrate the multi-faceted and ever-changing story of America through the individuals who have shaped its culture. Through the visual arts, performing arts, and new media, the Portrait Gallery presents poets and presidents, visionaries and villains, actors and activists whose lives form our national identity.”
After a thorough review and discussion, the National Portrait Gallery made the formal decision to accept Steve Cook’s portraits of George Pérez into the National Archives, adding these photographs to their collection in December 2023, making Pérez the first comic book artist to be honored in such a manner, and an enduring tribute to an American icon. 
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batmannotes · 7 months ago
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The Epic Saga Concludes with Part Three of the Highly Anticipated Trilogy!
Justice League: Crisis on Infinite Earths – Part Three   
Based on DC’s iconic comic book limited series ‘Crisis on Infinite Earths’ by Marv Wolfman and George Pérez, join DC Super Heroes from across the multiverse in the action-packed conclusion of the three-part DC animated film Justice League: Crisis on Infinite Earths – Part Three. The eagerly awaited film brings to a close the thrilling trilogy that marks the end to the Tomorrowverse story arc.
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Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, the all-new, action-packed DC animated film features some of DC’s most famous Super Heroes from multiple universes including Batman, Superman and Wonder Woman, who come together to stop an impending threat of doom and destruction. Justice League: Crisis on Infinite Earths – Part Three will be available to purchase exclusively on digital on July 16 and on 4K UHD in limited edition steelbook packaging and Blu-ray on July 23.
Fans of this superhero adventure will also be able to indulge in a range of bonus features including interviews with the filmmakers on how they created a comprehensive universe across seven films.
Justice League: Crisis on Infinite Earths – Part One and Justice League: Crisis on Infinite Earths – Part Two are currently available on Digital, 4K UHD and Blu-ray.
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Justice League: Crisis on Infinite Earths – Part Three features returning popular voice cast members: Jensen Ackles (Supernatural, The Boys, The Winchesters) as Batman/Bruce Wayne, Emmy winner Darren Criss (The Assassination of Gianni Versace: American Crime Story, Glee) as Superman & Earth-2 Superman, Aldis Hodge (Straight Outta Compton, Black Adam) as Green Lantern/John Stewart, Meg Donnelly (Legion of Super-Heroes, High School Musical: The Musical: The Series,) as Supergirl & Harbinger, and Stana Katic (Castle, Absentia) as Wonder Woman & Superwoman, along with Corey Stoll (Ant-Man, Black Mass) as Lex Luthor.
The star-studded ensemble voice cast also includes Gideon Adlon as Batgirl, Ike Amadi as Martian Manhunter/J’Onn J’Onzz, Geoffrey Arend as Psycho Pirate/Charles Halstead, Troy Baker as The Joker & Spider Guild Lantern, Brian Bloom as Adam Strange & Sidewinder, Matt Bomer as The Flash, Ashly Burch as Nightshade & Queen Mera, Zach Callison as Earth-2 Robin & Robin/Damian Wayne, Kevin Conroy as Earth-12 Batman, Alexandra Daddario as Lois Lane, Brett Dalton as Bat Lash & Captain Atom, John Dimaggio as Lobo, Ato Essandoh as Mr. Terrific, Keith Ferguson as Doctor Fate & Two-Face, Will Friedle as Batman Beyond & Kamandi, Jennifer Hale as Hippolyta & Green Lantern Aya, Mark Hamill as Earth-12 The Joker, Jamie Gray Hyder as Hawkgirl & Young Diana, Erika Ishii as Doctor Light/Dr. Hoshi & Huntress, David Kaye as The Question & Cardonian Lantern, Matt Lanter as Blue Beetle, Liam McIntryre as Aquaman, Cynthia Kaye McWilliams as Dr. Beth Chapel & The Cheetah, Lou Diamond Phillips as The Spectre, Elysia Rotaru as Black Canary & Black Canary II, Matt Ryan as Constantine, Katee Sackhoff as Poison Ivy, Keesha Sharp as Vixen, Jimmi Simpson as Green Arrow, Jason Spisak as Blue Lantern Razer & Hayseed, Armen Taylor as The Flash/Jay Garrick, Gas Soldier & Executioner, and Dean Winters as Captain Storm.
Justice League Crisis on Infinite Earths – Part Three is produced by Jim Krieg and Kimberly S. Moreau and executive produced by Butch Lukic, Sam Register, and Michael Uslan. The film is directed by Jeff Wamester from a script by Jim Krieg. Casting and voice direction is by Wes Gleason. The film is based on characters from DC and the graphic novel “Crisis on Infinite Earths” by Marv Wolfman and George Pérez
Justice League Crisis on Infinite Earths – Part Three will be available on July 16 to purchase digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more. On July 23 the film will be available to purchase on 4K Ultra HD in limited edition steelbook packaging and Blu-ray Discs online and in-store at major retailers. Pre-order your copy now.
Additionally, the Justice League Crisis on Infinite Earths Trilogy will be available on July 16 to purchase digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more, and features an exclusive special feature - An Epic Challenge: Crisis in Comics and Animation.
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SYNOPSIS:
Now fully revealed as the ultimate threat to existence, the ANTI-MONITOR wages an unrelenting attack on the surviving Earths that struggle for survival in a pocket universe. One-by-one, these worlds and all their inhabitants are vaporized! On the planets that remain, even time itself is shattered and heroes from the past join the Justice League and their rag-tag allies against the epitome of evil. But as they make their last stand, will the sacrifice of the superheroes be enough to save us all?​
SPECIAL FEATURES INCLUDE:
Justice League: Crisis on Infinite Earths – Part Three - Physical and Digital
A Multiverse of Inspiration
Jon and John: Stewart and Constantine
Justice League: Crisis on Infinite Earths Trilogy (Digital only)
An Epic Challenge: Crisis in Comics and Animation
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Running Time: 98:06
Rated PG-13 for some violence and language.
*Digital version not available in Canada
Available exclusively on Digital on July 16
4K UHD in limited edition steelbook packaging and Blu-ray arriving on July 23
Justice League: Crisis on Infinite Earths Trilogy Also      
Available exclusively on Digital on July 16
Preorder at Amazon.
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zahri-melitor · 5 months ago
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so i'm reading certain nightwing volumes from '96 - 02 for my current reading run following NML (shout out to @havendance, cannot thank you enough 🫶🏾) and while some aspects of how he's written is very compelling and interesting to chew on, for the most part it's been pretty....boring?? like i'm gonna keep reading it so i can have as much context as possible, but it feels more like a chore 😩
anyways, i read your response on that “who’d you choose to write nightwing” poll and i’d love to get your opinion on what nightwing runs/writers to read outside of those 8 volumes. i really wanna get into dick grayson’s character and personality! also, if it’s cool with you, anyone else please feel free to add to this!
-dominomasc
Hey, dominomasc. Unknowingly you've just raised one of the fundamental incongruities of how comics work.
Comics are about layers of stories providing depth to a character and about dozens of different interpretations more than they are about a single amazing run. (Some characters have That Run! But on average, most don't). Dick Grayson, a character that has existed for 84 years, has some very fun stories from all sorts of writers. His title, Nightwing, is also an excellent example of how a lot of long running titles often don't really have a stand out section that's head and shoulders above the rest.
I promise, you are never going to run out of stories to read about Dick Grayson (Comicsvine has him at 9,593 appearances as I write this). So yes, this is going to be about two things: advice on finding stories about Dick that vibe for you; and advice on understanding Dick alongside other storylines.
Taking into account what's listed above and the fact I'm moderately obsessive, I have compiled a discussion of most of the major writers who have written Nightwing runs, or who have written major titles that Dick also prominently appears in.
I am at heart a 'Dick belongs to the Bat Office' person and my expertise in most characters starts with COIE. On that basis I'm not going to dip into pre-Crisis here.
Marv Wolfman & George Pérez: New Teen Titans (1980-1993ish). I am not going to explain all the title names here; you're going to have to go get more detail from someone who treats NTT period as their special interest. Wolfman and Pérez are the architects of Nightwing as a character, separate to Robin, that Dick grew into. Read this period if you're interested in Dick as a young adult among the other Titans going through the transition into adulthood and independence, and his relationship with Kory. Basically it's a superhero young adult soap opera. It can be quite uneven in places, particularly towards the back end, and there are approximately a thousand discussions over which storylines are good and which should be fired into the sun. I am not a subject expert for this period.
Because of the state of the Titans titles in the early 1990s, the Bat office demanded Dick Grayson back under their control. Exactly when they got him back is slightly debated, but it would be fair to say Batman #500 (October 1993) marks his transition back to being a Bat character (around the start of Knightquest); by KnightsEnd and Prodigal (July 1994-January 1995) Dick is once again firmly a member of the Batman set of characters, and has remained so to date.
Prodigal, by Chuck Dixon, Alan Grant, Doug Moench: (Batman #512 to Robin #13). Use a reading list here as the stories are spread across multiple titles. Prodigal is 12 issues about Dick's first time being Batman, with Tim as his Robin, and his feelings about returning home to Gotham as an adult. Robin #13 in particular is possibly the most important issue of the story, as it's the foundation of a reset in Bruce and Dick's relationship with each other and how it is going to be characterised for the next decade or so.
Chuck Dixon: (Nightwing #1-70 1996, Nightwing: Alfred's Return, and a bunch of other one shots) So Dixon is probably DC's most prolific writer of all time, and is the architect of what's been treated as 'default Nightwing'. In this run, Dixon creates Bludhaven and the situation of Dick being its protector, out of a desire to be his own man apart from Bruce. He sets up an extensive Rogue's Gallery for Dick, the most famous of which is making Blockbuster one of Dick's main enemies. He has Dick working at a cop bar and then decide to enter the Bludhaven Police Department in an attempt to investigate it from the inside due to the levels of corruption. This is also the run where Dick and Babs get together as adults. Basically, everything about 'default' Dick that you probably know comes from this run. Dixon's great for character interaction, for world building, and and particularly at making various titles tie together - because he was writing at least 1/3 of DC's entire line for a while there he's the king of crossovers, giving a lot of depth to friendships because characters just pop between titles he's writing. His actual plots however vary between middling to occasional flashes of greatness. I'd consider The Hunt for Oracle (#45-46 and BOP#20-21) and the Shrike story (#55-58) to be the standout storylines in his Nightwing run; for individual issues I'd also point to #6 and #25 for his relationship with Tim, #16 for Dick building his car, and then his crossover issues in events tend to be quality.
Chuck Dixon and Scott Beatty: (Robin: Year One 2000, Batgirl: Year One 2003, Nightwing: Year One - Nightwing #101-106 1996) I am separating these three out from the rest of Dixon's work as they're quite important as retcons over Dick's backstory. Robin and Batgirl are well regarded rewrites of events; Nightwing is less so, partly because it's a solid example of the Jason personality retcon, and partly I think because a lot of people reading this were still well across the two 1980s versions of Dick's transition from Robin to Nightwing. I highly recommend Robin Year One, particularly with the Shrike storyline of Nightwing, as they are interlinked.
Devin Grayson: (Nightwing #71-100 & #107-117 1996, Nightwing/Huntress 1998, Gotham Knights #1-11 & #14-32, The Titans #1-20 1999) Oh, Devin. Devin Grayson is a Dick Grayson superfan (she uses Grayson as her surname because of Dick). She is really good at character introspection - Gotham Knights #1-11 contains some amazing character work. She's also not shy about establishing her own headcanons on characters and retconning their backstories. Devin's biggest contributions to the Dick Grayson lore are in establishing him as Romani and actually writing Bruce adopting Dick. Her run on Nightwing is best understood as a whump, break-the-cutie run, where Blockbuster sets out to destroy Dick's life, and in the process gets Dick fired, breaks up Dick and Babs, burns down Haly's Circus (for the first time), blows up his entire supporting cast, chases Dick out of Bludhaven and leads to Dick going under cover in the mob essentially to punish himself (also not the only time). Dick's also sexually assaulted in Nightwing #93 but I really beg people to read this in context of the rest of the run; this should be looked at as PART of the whole flow of whump, rather than as a separate situation. Grayson also had the title taken off her before she got to the 'comfort' part of the extended hurt/comfort storyline she was writing. It reads a lot better if you think of this in a more transformative fandom, ficcish manner of story rather than as a more standard run. If her Nightwing run is too grim for you, I highly recommend Gotham Knights and her Titans run; Devin Grayson is honestly best when she's writing a constellation of characters around Dick more than when she's writing Dick himself. She adores his friends and family. Standout issues to get a sense of Devin include: Nightwing #100, a self-reflective issue on Dick's history; Nightwing #81, where Dick's in hospital and Cass goes after Slade for him; Titans #15 1999, where the Fab 5 go on a camping trip together to get back to their roots and deal with a lot of tensions in the group; and Gotham Knights #8-11, Transference, where Dick and Tim team up to rescue Bruce, who's been brainwashed by Hugo Strange.
Jay Faerber: (The Titans #21-41 1999) Honestly Faerber's run on The Titans is not that Dick Grayson focused. It's entertaining if you want to read some solid Titans dynamics, but the standout characters you read this run for are Roy and Donna. Seriously, if you're into Roy, Cheshire and Lian drama I highly recommend Faerber's work; otherwise it's not an essential run for Dick.
Judd Winick: (Outsiders #1-25, 34-49 2003, Batman & Robin #23-25 2011) Winick tends to write an angrier and darker edged Dick Grayson, and he has a bunch of really common tropes you see pop out in his writing. These are no different, and thus include an awful lot of violence and characters having sex (so much sex). He can be quite funny as a writer, but honestly his Outsiders run does not have much of that humour. The Batman & Robin story is basically Winick finding some space to tie up his Jason Todd plot before Flashpoint obliterated it, more than an actual story about Dick. If you want a good encapsulating issue to get the vibe of Winick about Dick, take a look at Outsiders #21, which has a good chunk of Dick and Roy AND Dick and Bruce in it, though it's helpful to remember that this issue is set very shortly after War Games and so Dick is in a massive guilt spiral.
Bruce Jones: (Nightwing #118-124 1999) It's One Year Later! Bruce Jones moves Dick back to New York City (as Bludhaven went boom due to Chemo in the lead up to Infinite Crisis) and theoretically sets up Dick's status quo out to Reborn. So. The story Jones is most famous for is the first 4 issues of the run, which are generally referred to by fans as the TentaTodd story. Jason Todd turns up to run around annoying Dick by ALSO dressing up as Nightwing and committing crimes. He also turns into a tentacle monster for a bit. It is certainly a story that exists, but it actually is pretty in line with Jason and Dick's relationship up to Flashpoint: Jason turns up to be a brat who wants attention, does violent things, and Dick exhaustedly kicks the shit out of him and gets him locked up while despairingly going 'why is this my life'. Because of Jason running around killing people as Nightwing, the NYPD get mad at Nightwing and start trying to hunt him down. Jones is for the completionist.
Marv Wolfman: (Nightwing #125-137 1999) Lacking any better ideas, Wolfman gets a run on Nightwing. It's not Wolfman's finest work, to put it bluntly, and it's very obvious that Marv hasn't actually read any of Dixon or Grayson's runs. Marv does set Dick up working as a gymnastics and trapeze coach, which is always a decent job for him. If I had to pick one story from Wolfman, read Nightwing #127, where Dick gets buried alive and digs his way out of the grave.
Peter J. Tomasi: (Nightwing #140-157 1999, Batman & Robin #20-22 2011) Tomasi loves Dick Grayson, and particularly loves Dick's connection to his friends and family. Let me put it this way; in the lead up to Final Crisis and Blackest Night every title got an Origins and Omens short story on the back of an issue. Most books used it to write creepy or introspective reflections on awful stuff especially deaths that have happened to the characters. Tomasi used his to have Dick take Barbara skydiving for her birthday, and echo a bunch of themes from his first issue. I think this is one of the most mature and grown up looks at Dick prior to Flashpoint; Tomasi treats Dick as a grown adult with an adult relationship with Bruce. I love Freefall. Read Freefall to see some really interesting meta on Dick's relationship to the concept of falling and to the concept of catching falling people, a theme that's frequently present in his stories.
Grant Morrison: (Batman & Robin #1-16 2011) Astonishingly given how much of Reborn was designed by Morrison, they don't actually seem to care that much about Dick as a character more than as a prop to set Damian against. Dick's extremely focused on Damian in this title but also does not actually appear to like Damian very much. If I were going to recommend one story out of it I'd probably point to Batman & Robin #7-9, because Dick gets to be a giant hypocrite in them and tries to resurrect Bruce. It goes badly, for all involved.
Scott Snyder: (Detective Comics #871-881, Gates of Gotham, and like every Bat event during n52) The Black Mirror is probably my favourite piece of Dick!Batman storytelling set during Reborn. It's just elegant in terms of how hard Snyder pushes Dick and how his reactions are very much not those that Bruce would have. This is helpfully extremely obvious in that The Black Mirror and Gates of Gotham are actually part of a trilogy, the third act of which is Court of the Owls and due to Flashpoint Snyder had to rewrite CotO quite extensively including swapping Dick out of being Batman and having Bruce as the lead. Read The Black Mirror for Dick having a minor breakdown while solving a complex case with links to James Gordon and Babs. Read Gates of Gotham for incredible Dick & Tim & Cass & Damian fourway storytelling that shows the dynamics of every pairing out of the four.
Fabian Nicieza: (Nightwing #138-139 1999, Batman #703 & #713, parts of Battle for the Cowl, Nightwing #51-56 2016) The thing about FabNic is when he's on, he's very much on, and when he's not it can be painful. I actually almost would have skipped him on this list, but he very much deserves recognition for writing the Nightwing issues of Resurrection of Ra's Al Ghul, which alongside the Robin issues portray exactly how far Dick will go for Tim; and for Batman #703, which is the only issue prior to Bruce's resurrection that actually puts Dick, Tim and Damian on page together as heroes. He also got saddled with writing the start of the Ric Grayson saga under the script of Scott Lobdell, which, well, is definitely at the 'not well regarded' end of his oeuvre. FabNic is again a writer that is really good at character interaction, and I tend to find whenever I'm reading events where there's heaps of writers involved and he's there, the issues I really enjoy are the ones he's had a hand in.
Tony S. Daniel: (Battle for the Cowl, Batman #692-699 & #704-707 & #710-712) Oh, Tony Daniel. Why. Daniel's stories are probably the most classic-Batman of the Dick!Batman stories. His stories revolve a lot around drama at Arkham Asylum, with Harvey and Gilda Dent, and with the Falcones. On balance I think you could probably actually trade Dick out for Bruce in half these stories and it wouldn't make a huge amount of difference. If I were going to suggest one to try, maybe go with #710-712? It's Harvey focused and it has Kitrina Falcone and doesn't actually depend on the whole Jeremiah Arkham thing.
Kyle Higgins: (Nightwing #1-12, 0, & 15-29 2011) For a reboot of Dick Grayson down to his fundamentals, and working within the requirements of the 5 year time line, I like Higgins' work on Nightwing. Sure, I could have done without him burning down Haly's circus, again, and all the Court of the Owls revelations, but some of that was clearly dictated to him, and they way he gave Dick time as a teenager with relationships with other characters at Haly's before his parents died worked quite well. If I were going to cite a favourite part of this run it's probably the last section, #18-29 when Dick moves to Chicago and tries the 'strike out as my own hero with my own city, screw you dad' thing for the first time in the new timeline. Higgins put in quite a bit of cast building work and it's a shame none of it ever got used again between Forever Evil and then Rebirth just ignoring everything during this period.
Tom King and Tim Seeley: (Nightwing #30 2011, Grayson #1-20) I'm going to treat these two together here as I can't actually easily subdivide the run between them. This is the longest period Dick goes undercover working as a spy because his life has just gone to shit. He is both spying on Spyral (for Bruce) but also his job within Spyral is as a spy and special agent. Think James Bond, except Dick also gets to be the focus of the objectification camera. Some people enjoy it as a change of pace, some people can't stand it because it's just a very weird story for Dick and Dick's generally personally unhappy when he's stuck undercover, and it definitely is a highlight in the 'did you know Tom King worked for an intelligence agency? Tom King is working out his feelings about working for an intelligence agency again' oeuvre. If you want to try an issue, I recommend Grayson #5 as probably the best character and storytelling piece in the entire run.
Tim Seeley: (Nightwing #1-34) Good stuff I can say about Seeley's run includes that he used Rebirth as a impetus to rebuild Dick's status quo. He did quite a lot of world building for a new version of Bludhaven, he got Dick back into Nightwing and back into a blue V costume for the first time in 7 years, he's interested in looking at the Grayson family and not so much in terms of the Court of the Owls stuff. He likes Dick and Damian's time as Batman & Robin. Seeley's also a fan of a lot of character beats in terms of Dick's characterisation that were pioneered by Devin Grayson - particularly in terms of Dick being easily attracted to women, being impetuous and hot headed at times, and in the Romani retcon. I don't necessarily see eye to eye with Seeley on all of his characterisation and story choices, but he does a lot of repair work on getting Dick back to being Nightwing, including things like repeating beats from the Dixon and Grayson runs so that Dick has that backstory again, and what that means for his character. I might suggest Nightwing #8 2016, because it revolves around Bruce and Dick and the concept of falling (I'm a sucker for a good falling metaphor) or #9, which is literally a discussion of the changes between n52 and Rebirth with both of the Clark Kents, and in which Clark points Dick to return to Bludhaven (in a sort of re-encapsulation of Clark originally giving Dick the inspiration for the name Nightwing, but this time pointing him to what people treat as his default 'home'). If you like the shape of Dick as Bludhaven's hero from fic, you probably will find Seeley's run has stuff to enjoy.
Sam Humphries: (Nightwing #35-41 2016) So Humphries' storyline is another good example of what a lot of the current run of Nightwing contains since 2016 - reinterpretations and new versions of old stories. In this case, it's an adaption of the Hanging Judge storyline to have taken place in Bludhaven in Bruce and Dick's past. I don't mind it as a story, but it's definitely there to remind you of old story beats.
I haven't yet read Benjamin Percy's run, or any of Ric Grayson yet (which is a combination of Scott Lobdell, Fabian Nicieza and Dan Jurgens), or Tom Taylor's run, so I don't want to give you too explicit opinions on these.
In general terms from experience on other titles and what other people have said: I really loved Benjamin Percy's Detective Comics #35-36 story in n52 and I suspect his Nightwing writing is a perfectly acceptable fill; nobody particularly likes the plot surrounding Ric Grayson, and the fact Scott Lobdell had a hand in plotting it seems to me to explain a bunch of the aspects of the scenario premise that upset a lot of people; Dan Jurgens is a DC workhorse who can turn his hand to anything; and Tom Taylor's run has been described as many as 'rewrite the arc of Devin Grayson's run but make it light and fluffy and free of consequences'. I honestly think if you haven't read much Nightwing yet, Taylor's run may be a good transition run to try to see if he's your vibe; I keep getting the impression he probably makes a good intro for new readers.
If you have any other writers you would like my impression of, please ask specifically; as I've said, Dick's been written by a LOT of people over the years.
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heroesriseandfall · 2 years ago
Text
Dick Grayson & Tim Drake: A Photograph
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A photo of my family and you’re in it.
Comic sources:
Batman #441
Secret Origins #50
Batman #436
Batman #436
Batman #441
Batman #441
Secret Origins #50
Secret Origins 80-Page Giant #1, “Little Wing”
Secret Origins 80-Page Giant #1, “Little Wing” [edited]
Secret Origins 80-Page Giant #1, “Little Wing”
Secret Origins #50
Detective Comics #965
52 #31, “The Origin of Robin”
Batman #441 - Cover by George Pérez
Red Robin #12
Secret Origins 80-Page Giant #1, “Little Wing”
Batman #440
Image descriptions in alt text are also copied below read more.
1. Two comic panels from Batman #441 showing 13-year old Tim Drake sitting in a chair at Wayne Manor, with Dick Grayson in front of him and Alfred Pennyworth standing beyond that. They all have serious expressions on their faces. Tim says, “Okay, you won’t take me seriously until I tell you everything. Dick, I don’t want this to hurt you. And I’m really afraid it might.” Dick says, “Tim, just tell your story, please.” Tim reaches into his jacket as if to grab something and says, “All right, all right. Well, first, my name’s Tim Drake…and though you won’t remember it, we’ve met before. I’ve even got a photograph to prove it.”
2. Text from Secret Origins (1986) #50 that says: A woman with a small boy in the front of the grandstand waved to him. All three Graysons trotted to her. “This is Tim’s first time at the circus,” she said, patting the boy’s thin shoulder, “and we were wondering if you’d let us take your photo with him.” “Of course,” Mother replied, smiling. “We’d be delighted.”
3. Comic panels from Batman #436 showing John and Mary Grayson in their yellow, green, and red circus costumes as they walk through the circus with a young Dick Grayson between them. John says, “Dick, I’ve got those tickets for the baseball game monday.” Dick grins up at him and says, “You really got ‘em? Wow! I can’t believe I’m actually going to the World Series.” Someone off-panel says, “Umm, excuse us for interrupting, but—” The Drakes walk right up to the Graysons. Janet is in a pink day dress and Jack is in a suit, holding a very young Tim Drake in his arms. Janet says, “This is Tim’s first time at a circus, and we were wondering if you’d let us take your photo with him?” Mary Grayson puts her hands on Dick’s shoulders as Dick grins up at little Tim, who smiles down at him in response. Mary says, “Of course…we’d be delighted.” They all pose for a picture with the crowds behind them. Jack and Janet stand between John and Mary, while Dick kneels in the front holding young Tim up on his knee. He looks down at Tim, who looks back, and with a smile, Dick says, “Tim, say cheese.”
4. A comic panel from Batman #436 showing Alfred Pennyworth’s hands holding out and gesturing towards a photo as he says, “Gentlemen, and ladies—the very last photo of the Grayson family together. One last moment of happiness.” The photo shows the Grayson and Drake families together in the same poses as the previous image. John and Mary Grayson stand on either side of Jack and Janet Drake, while Dick kneels on one knee with his other knee up, where he is holding young Tim to sit on the knee. The parents are looking forewards, but Dick and Tim are looking at each other. The Graysons are all in their circus costumes, but the Drakes are in suits and Janet a dress.
5. A comic page from Batman #441. The first panel shows Tim Drake, who is sitting in a chair at Wayne Manor and holding up a photo of the Drakes with the Flying Graysons while Dick Grayson is standing in front of Tim’s chair. Tim says, “This was taken on my first trip to the circus—on the day I saw Batman for the first time...On the day your parents were killed.” Dick Grayson looks shocked, and takes the photo as he says, “Oh, my god—my parents.” Alfred Pennyworth, standing behind Dick, says, “I—I know this photograph, that’s you?” Tim looks up at them and says, “Uh-huh. After Bruce Wayne made you his ward, my parents sent it to you. They thought you’d want it. I was only a kid, but I don’t think I’ll ever forget what happened. I had nightmares about it for years. First about your parents, then about Batman. I kept seeing this dark black thing that swooped out of the sky. No, no—let me start at the beginning.” The scene changes to a gold-toned memory of the Drakes walking through Haly’s Circus. Janet is in a light dress, holding Jack’s arm as they grin at each other. Jack is in a suit, holding a young Tim who is also in a suit and has a big smile on his face as he reaches towards a passing Clown. Janet says, “I think you were right, honey—he loves it. Look at him laughing at everything.” Jack replies, “Hey, I said he wasn’t too young.” Janet says, “Okay, I was wrong. But sometimes circuses can frighten kids.” The Drakes walk through the circus, toward where you can see the Flying Graysons walking together. Janet continues, “They’re loud and rowdy, and I remember when I was Timothy’s age I was scared by people wearing costumes. Sue me. I'm a mother. I worry.” Jack says, “You were a girl. Tim’s a boy. That’s the difference.” Janet smiles up at Jack and says, “Sexism, dear? And here I thought you were liberated.” Jack follows Tim’s eyesight toward the smiling Flying Graysons as they walk past, then says, “Okay, okay, I’m sorry. Look, if you’re so worried, there’re a couple of the performers. Let’s take him over there. He’ll see they’re people just like him.”
6. A comic page from Batman #441 showing a gold-toned memory scene with the Flying Graysons, all in acrobatics costumes remniscent of the Robin suit, and the Drakes, who are wearing formal dress. Mary and John are smiling at Dick walking between them as Dick excitedly says, “—I’m actually going to the world series?” Beyond him, Janet and Jack Drake are walking up to them, with Jack holding a very young smiling Tim in his arms. Jack says, “Umm, excuse us for interrupting, but this is Tim’s first time at the circus…and we were wondering if you’d let us take your photo with him?” The two families pose, with Dick on one knee with Tim Drake sitting on his other knee, held up by Dick’s arms. Tim stares at Dick in wonder as Dick smiles at him and says, “Tim, say cheese.” 13-year-old Tim speaks through a narration box to say, “Maybe I knew you were just a kid like me, but I kept staring at you, and your circus costume. It was bright red and green and you seemed so happy in it.” In the memory, Dick pats Tim’s head as he gets ready to leave, and says, “Watch me on the trapeze, Tim. I’m going to do my act—‘specially for you. Be good now.” Then the scene returns to the present, in regular color, showing 13-year-old Tim sitting in Wayne Manor while Alfred and Dick look at him. Tim says, “I don’t remember the clowns or the animals, or anything else. I just remember waiting for you to go on. And then, when you did, I just sat there and watched.”
7. Text from Secret Origins #50 that says: The photo was snapped and the Graysons returned to the darkness of the backstage area and did the stretching exercises Johnny Grayson insisted precede every performance. On the other side of the canvas wall, the crowd was laughing and applauding the clowns’ fireman routine. They heard the ringmaster’s round baritone, amplified and distorted by the loud speakers, booming through the tent. “Ladies and gentlemen, children of all ages—for your entertainment and amusement, doing their death-defying act without benefit of a net—” Johnny kissed his wife and ruffled his son’s hair.
8. A comic panel from Secret Origins 80-Page Giant #1, the fourth story, showing Tim Drake and Dick Grayson sitting on a couch in Dick Grayson’s apartment. Tim is on the left wearing a pink and purple Gotham Knights jersey with a matching hat. He’s pointing at Dick, who’s turned to listen attentively to Tim while wearing a white tank top and gray sweats as he clicks a TV remote. Tim says, “Dick, meeting you—and him—have been the single most defining moments of my life.” The scene changes to the memory of the Drakes and the Flying Graysons posing together in Haly’s Circus while someone who is just a silhouette takes a photo of them. John and Mary are standing on either side of Jack and Janet with wide smiles, each in their red, yellow, and green acrobatics outfits. John’s and Dick’s outfits look particularly remniscent of the Robin outfit. Dick is kneeled in front of the parents with one knee up where young Tim is sitting on his thigh, smiling and looking at Dick. 14-year-old Tim narrates this memory by saying, “Some days I wish I could go back to feeling like that. You promised me that you’d do a quadruple somersault. And you delivered. It was the best day of my life. And then your parents died.”
9. An edited comic panel from Secret Origins 80-Page Giant #1 of very young Tim Drake with his father’s arm on his shoulder, both looking up at John and Mary Grayson falling. John and Mary are in their red, yellow, and green acrobatics costumes, knees bent and arms stretched with one part of hands barely touching. Behind them, their acrobatic lines are snapping. Crowds in the large tent are yelling and pointing up at them. Tim’s face is not visible but he’s clearly watching them fall.
10. A comic panel from Secret Origins 80-Page Giant #1 of nine-year-old Tim Drake staring at a TV screen, on which Robin is visible mid-flip, arms holding his legs tucked in. The Penguin is croached with his back turned to Robin, directly in position for Robin to land on him. Audio from the TV is saying, “Wanted for theft of the Lapis Lazuli Horus Crown, the so-called Penguin was apprehended by the Batman and a young costumed vigilante…” 13-year-old Tim narrates the memory of his younger self, saying: “You gave yourself away with the quad. The ringmaster told the crowd at Haly’s that only three people alive could pull off a jump like that—you and a pair of Russian gymnasts that defected from the Bolshoi to Ringing Brothers. I knew it was you.” Off-panel, Dick Grayson responds to Tim’s recollection by saying, ”Incredible. A nine-year-old kid figures out the best-kept secret on the planet.” In the memory, just beyond young Tim in the background are Jack and Janet Drake at a table, with Jack looking like he’s speaking angrily.
11. Text from Secret Origins #50 that says: Below, the ringmaster was saying, “Ladies and gentlemen, quiet, please, as young Dick Grayson attempts the in-credible…im-possible…quadruple flip of doom!” Dick breathed deeply and slowly, relaxing himself as Johnny had taught him, grabbed the bar, pushed off the platform, letting momentum carry him— But was something wrong? The trapeze didn’t feel right. —and allowed his mind to empty, and there were the few dizzy, exhilarating instants: spin spin spin spin. Feet thudding onto the platform. Roar of applause. Mother’s warm fingers touching his cheek. Ringmaster’s boom: “Let’s hear it, ladies and gentlemen—dauntless Dick Grayson, the boy wonder of the circus!”
12. A comic page from Detective Comics #965 showing a warm-toned scene of 13-year-old Tim Drake talking to a gobsmacked Dick Grayson in Wayne Manor. Tim says, “C’mon, Dick—that flip you did as Robin. It was a quadruple somersault. The circus ringmaster said only three people could do that.” Tim holds up a photo of the Drakes with the Flying Graysons, and continues, “I knew that somersault. Knew it like I knew my own name.” Tim smiles and says, “And it all made sense. Batman showed up at the circus and took you with him. About six months later, Robin made his first appearance. If you were Robin, and you were Bruce Wayne’s ward—I realized Bruce Wayne was batman.” The scene zooms out to show Tim sitting in a chair as Dick and Alfred Pennyworth stare at him. Tim says, “I don’t want to say the rest was easy, because you guys really covered your tracks. But if you go in knowing Bruce Wayne and Dick Grayson are Batman and Robin, well, you can find the clues to prove it.”
13. Comic panels from 52 #31, 2nd story, “The Origin of Robin.” 9-year-old Tim Drake is shown from the back, sitting on the floor staring at a TV screen that shows Dick Grayson as Robin, flipping through the air. Tim’s face is reflected in the TV screen, showing his awestruck smile. Various objects are scattered on the floor in front of Tim, including pizza, books, and a magnifying glass. Orange narration boxes say, “The eyes of a fan caught a moment the rest of the world had overlooked. Tim Drake—and Tim Drake alone—had grown up fascinated by the career of an obscure and forgotten child acrobat named Dick Grayson—but when Tim saw Batman’s partner Robin perform Grayson’s signature gymnastic moves, something clicked in Tim’s mind.” The next panel shows Tim in a trenchcoat, expression awestruck as he shines a flashlight through a glass case in which a pristine Robin costume is hanging. The narration boxes continue, “Over the next few years, Tim—through a series of clues and lucky breaks—proved conclusively that Grayson was Robin…or, rather, had been.”
14. George Pérez’s cover art for Batman #441, cropped to focus on the lower half. Dick Grayson, in civilian clothing, is standing in the forefront of the image, with the 80’s Batcave looming around him. He’s looking down with a pensive expression at the Robin costume held in his hands. Behind to the right, Tim Drake (also in civilian clothing) is standing with photographs falling out of his hands in front of Dick’s shoes. The closest photo shows the Flying Graysons posing with the Drake family. The next closest two photos are of Robin and Batman. Beyond Dick and the photos, to the left, is Alfred Pennyworth. Up at the top, partially cropped away, are Batman and Two Face’s lower faces, with a scene of a bridge by Batman’s face and a flipping coin with a scene of Gemini casinio behind it right next to Two Face’s face. In the Batcave, the giant penny, the T-rex, and the massive batcomputer are all on prominent display.
15. Comic panels from Red Robin #12 of Dick Grayson talking to Tim Drake with a blurry aquamarine Batcave behind them. Dick is wearing the chestplate of the Batman suit but no cowl, as he looks intensely (with the slightest smile) toward Tim, who is shirtless, revealing long pink scratches and scars along his shoulder and cheek. Tim, looking up at Dick, says, “Ra’s—” Dick says, “Gone. We swept the place and got nothing. You want to tell me what that was all about?” Tim replies, “It’s...a little complicated. But I think we’re good for a while.” Dick says, “How’d you know? How did you know I’d be there to save you?” Tim smiles up at Dick as he says, “You’re my brother, Dick. You’ll always be there for me.”
16. A comic panel from Secret Origins 80-Page Giant #1 showing Tim drake and Dick Grayson sitting on the couch in Dick’s apartment. Dick is reaching over to mess with Tim’s hair as Tim laughs and leans away, raising his hands to jokingly defend against Dick. Behind them in the apartment is a desk with a computer whose screen is lit up with a woman’s sketchy face. Dick says, “Got a friend visiting.” Barbara Gordon, over Dick’s computer audio, asks, “Anyone I know?” Dick says, “Little brother.”
17. Cropped art from Batman #440 of a cool-toned photograph with the Flying Graysons and the Drake family posing together. The Flying Graysons are all in their acrobatics outfits. John and Dick Grayson’s outfits are styled similarly, looking like a mix of the original Robin suit and Tim Drake’s first Robin suit. John and Mary are stood to either side of the smiling Jack and Janet Drake. Jack is in a suit and his hands are resting on Janet’s arms. Janet is wearing a day dress. In front of all the parents, Dick Grayson is down on one knee, with his left knee up so little Tim Drake can be perched on his thigh. Tim is in a a suit, similar to his father, and he’s looking up at Dick with a broad, awestruck smile. Dick is holding Tim in place with his arms, and instead of looking toward the camera like the parents are, he’s meeting Tim’s eyes with a smile. Behind them all, the crowds of Haly’s Circus are vaguely visible. In the corner by Dick’s right left, 13-year-old Tim Drake’s thumb is resting on the photograph, as if he’s holding it.
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kirasworldofwords · 4 months ago
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Also, small announcement from my side: I'm working on a new fic! First chapter is already out, though from here on, I will not continue posting more until the story is fully finished - so this one won't go down the drain like the other one, lmao.
It's called Shadow Ops, like the TV series from 2013 (big thanks to my bestie @ill-procastinato for giving me this name idea, you're the best!) and it's an alternative universe where a few Formula 1 drivers become part of the FBI! This fic will include Hulknussen, Chestappen, Pierresteban, Landoscar, Zhouttas, Webbonso, Charlos, Brocedes and platonic Sargebon and is rated E for spicy things down the line and majorly described injuries as well as descriptions of dead people and swearing.
Included are: Nico Hülkenberg (main), Kevin Magnussen (main), Sergio Pérez, Max Verstappen, Lando Norris, Oscar Piastri, Alexander Albon, Logan Sargeant, Zhou Guan Yu, Valtteri Bottas, Fernando Alonso, Mark Webber, Carlos Sainz Jr., Charles Leclerc, Lewis Hamilton, Nico Rosberg and Jenson Button. George Russel is mentioned here or there, but I won't dive too deep into his role - you'll see why.
There's action, there's love, there will be death and I will make it heartbreaking at certain points. My notes are filled to the brim with stuff I want to include.
I'm really excited about this! And I hope so are you all. 🫶🏻
Have a teaser under the cut!
As soon as he arrived at work and clocked in, he got greeted by one of the many familiar faces of his team and smiled happily. "Good morning, Checo!", the German greeted his colleague, the team's toxicologist, who looked up from the documents he carried to his lab in slight surprise at first but quickly smiled gently. "Buenos días, Nico. Had a good weekend?", the man inquired, waiting for the Special Agent to catch up with him who breathed out a small chuckle. "Relatively, yes. Had a talk with my mom over the phone on Saturday, first one in ages, it feels like. She really misses me. Currently planning my vacation to Emmerich already. What about you?", Nico explained a bit, and Checo nodded along before sighing. "Mmh, could've been better. My sister currently tries to execute a plan to get herself and our parents out of Mexico and into the States. Apparently, the cartel got wind of my occupation and now they're pressuring my parents to get me to come back so they can bleed me dry, basically. It's... a lot to take in.", the Mexican vented a bit, earning himself a sympathetic pat on the shoulder from Nico. "Sounds like a lot of work... I'm positive you can get through this, though. You're Sergio Pérez after all, you can do anything.", he uplifted his colleague who laughed and nodded as he slowed down - he had reached his lab.
"I just need to remember to never give up. That's all.", the smaller man confirmed, having Nico nod at that before they parted ways for the time being, the German now on his way to his own office. He greeted Pierre with a hearty "good morning" as well as the Frenchman rushed past him, the forensic pathologist only shouting a hurried "Morning!" in return. He seemed quite busy, so Nico decided not to interfere.
While on his way to his office, Nico suddenly got dragged into another room - his boss Jenson's office. Nico's partner in crime Kevin was there already as well, the two greeting each other shortly as the German blond closed the door behind himself hastily as he stumbled inside from Jenson dragging him so harshly. "What a way to say good morning at fucking 8 AM, Jenson... What's up? New job?", he asked, and the British man nodded with a serious look on his face. "Brand new job indeed. I already told Kevin all the details, he'll drive you over to the crime scene." - that was all Nico got from his boss, understanding that the Dane next to him would explain everything in detail during their ride to the scene.
As Nico learned later on from Kevin, their victim of the day was a young man, estimated to be somewhere in his mid-twenties and from Great Britain.
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dirtyriver · 3 months ago
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Homage to Trina Robbins in DC comics (via Bleeding Cool)
Panel excerpt from "Logo", a framing story written by George Pérez, art by Ramona Fradon, Wonder Woman Annual #2, 1989. The annual itself was a tribute to Wonder Woman and her legacy, with all but one stories written by George Pérez.
"Logo" serves as a nice tribute to the dearly departed George Pérez, Ramona Fradon, Trina Robbins, their love of comics and Wonder Woman.
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keycomicbooks · 23 days ago
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Wonder Woman #14 (1988) George Pérez Cover & Pencils, George Pérez & Len Wein Story, 1st Appearance of Hellene 
#WonderWoman #14 (1988) #GeorgePérez Art, George Pérez & #LenWein Story, 1st Appearance of #Hellene "For The Glory Of Gaea" With the Millennium affair over and the false Pan dead, Wonder Woman hurries to retrieve her wounded mother from Themyscira's caves. https://www.rarecomicbooks.fashionablewebs.com/WonderWoman.html#14 @rarecomicbooks Website Link In Bio Page If Applicable. SAVE ON SHIPPING COST - NOW AVAILABLE FOR LOCAL PICK UP IN DELTONA, FLORIDA #KeyComicBooks #DCComics #DCU #DCUniverse #KeyIssue
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moonvisi0n · 3 months ago
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“190. A lot of races.”
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“But it was worth it in the end.”
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“Yes, it was worth it.”
Sergio Pérez’s win at the Sakhir Grand Prix 2020.
Choose your insane race story: Lap 1 mess/crash P18 to P1 climb. Filling in for Hamilton-Williams!George Russell qualifying P2. Leading majority of the race then losing it cause of poor pit stop management Bottas 😬 or Leclerc & Verstappen OUT together like 🤞
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spidermannotes · 10 months ago
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Two Massive DC/Marvel Omnibuses Coming this Summer
Covering around 25 years of DC/Marvel crossovers, the two comic book giants are giving fans young and old the chance to appreciate classic characters together in memorable tales.
Press release:
The vast and varied history of DC versus Marvel returns to print for the first time in decades with two massive volumes collecting the universe-bending comic book crossovers between the greatest characters in pop culture! These fantastic stories, originally co-presented by the two powerhouse comic book publishers, have been highly sought after and hard to find for most readers—but they’re making their return in DC Versus Marvel Omnibus and DC/Marvel: The Amalgam Age Omnibus,both publishing on August 6, 2024.
Who would win: Superman versus Spider-Man? Batman versus Captain America? The X-Men meeting the Teen Titans? DC Versus Marvel Omnibus collects crossovers between the core DC and Marvel characters, from 1976’s Superman vs. the Amazing Spider-Man to 2000’s Batman/Daredevil. Included are stories from some of comics’ most revered talents, namely Dennis O’Neil, George Pérez, Dan Jurgens, Chris Claremont, Walter Simonson, J.M. DeMatteis, Mark Bagley, Gerry Conway, John Romita Jr., and more. DC and Marvel fans alike can’t miss these thrilling pieces of unearthed comic book history!
DC/Marvel: The Amalgam Age Omnibus features stories, first told in 1996, of the two superhero universes fused together into a new Amalgam Universe, combining DC’s and Marvel’s heroes, villains, and mythologies. The result was a series of unforgettable one-shot comic books starring the likes of Dark Claw (Batman and Wolverine), Super Soldier (Superman and Captain America), Iron Lantern (Iron Man and Green Lantern), and many more! These stories, from creators such as Peter David, Dan Jurgens, Mark Waid, Dave Gibbons, Ron Marz, José Luis García-López, Gary Frank, Bill Sienkiewicz, Claudio Castellini, and more, represent one of the most fun and unlikely periods in comic book history, and now are available in one omnibus. Included in this volume are the historic DC Versus Marvel miniseries and its sequels, perfect for fans of both DC and Marvel!
DC Versus Marvel Omnibus collects Batman/Captain America #1, Batman/Daredevil #1, Batman/Punisher: Lake of Fire #1, Batman/Spider-Man #1, Daredevil/Batman #1, DC Special Series #27, Darkseid vs. Galactus: The Hunger #1, Green Lantern/Silver Surfer: Unholy Alliances #1, Incredible Hulk vs. Superman #1, Marvel and DC Present Featuring the Uncanny X-Men and the New Teen Titans #1, Marvel Treasury Edition #28, Punisher/Batman: Deadly Knights #1, Silver Surfer/Superman #1, Spider-Man and Batman #1, Superman vs. the Amazing Spider-Man #1, and Superman/Fantastic Four #1.
DC/Marvel: The Amalgam Age Omnibus collects DC Versus Marvel #1-4, DC/Marvel: All Access #1-4, Unlimited Access #1-4, Bat-Thing #1, Bruce Wayne: Agent of S.H.I.E.L.D. #1, Bullets and Bracelets #1, Challengers of the Fantastic #1, Doctor Strangefate #1, Iron Lantern #1, Legends of the Dark Claw #1, Lobo the Duck #1, Speed Demon #1, Spider-Boy #1, Super Soldier #1, Thorion of the New Asgods #1, X-Patrol #1, and more, plus a treasure trove of behind-the-scenes material.
DC Versus Marvel Omnibus (9781779523259) and DC/Marvel: The Amalgam Age Omnibus (9781779523266) will both be published on August 6. The two volumes will each have a direct-market-exclusive cover available only in local comic book shops, while supplies last.
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arkhamasyl-m · 6 months ago
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I’ve been reading the Wonder Woman, George Pérez Omnibus and it’s really good but reading it made me a little sad because Wonder Woman has so many good characters. She’s got her own supporting cast, amazing villains, and great storyline’s, and they are never used in anything.
Like, I don’t wanna be that DC fan that compares Wonder Woman to Batman and Superman too much, but… She has her own Lois Lane, Jimmy Olsen, her own Lex Luthor, her own Joker. In multiple Batman stories and adaptations, Barbara is paralysed, Jason is killed, Batman’s back is broken. In multiple Superman adaptations, he’s defeated by Doomsday and replaced by Superman clones, and fails to save his father. In a lot of adaptations, these storyline’s are mentioned or seen, and are very well known… we’ll Wonder Woman also has these, yet they never show up in anything, because she never gets to do anything.
Yes, Cheetah, Circe and Ares will show up in Wonder Woman related media, but typically only as the obligatory “Wonder Woman villain” whilst Joker and Lex steal the limelight. Steve Trevor has shown up multiple times in Wonder Woman media, as her main love interest, but is either not fleshed out, or is ignored and usually dead by the end of it.
Imagine a Batman movie, show, game or whatever, and in this hypothetical media, Alfred is never mentioned, nor is any of the Batfamily. Joker and Bane are in it, but they’re basically glorified cameos, and Selina Kyle makes an appearance as his love interest but dies at the end. That’s the reality Wonder Woman is living in 90% of the time.
I think it doesn’t help that most casual DC fans knowledge of Wonder Woman lore is through the DCAU Justice League show. As much as I love that show, she’s not a very good adaptation IMO. She hardly interacts with Cheetah, Circe is a joke villain and Ares shows up once… dear god. As I said earlier, Cheetah is like the obligatory Wonder Woman villain. If the JL is fighting a group of villains, usually Cheetah is just thrown in there because it would be unfair to have 5 Superman villains and 6 Batman villains with no Wonder Woman villains. Because of this though, she never gets to do anything really, and whilst yes, she and Diana do interact, their interaction boils down to a short animated fight, and maybe one or two fleeting mentions of them being past friends/nemesis’. The worst offender is the JL episode focused on Wonder Woman and Themyscira, “Fury.” It’s an episode about a rogue Amazon, spreading a virus that aims to wipe out all men and let women dominate the Earth. Not only is this Amazon an OC and not an actual Wonder Woman villain, but the main hero is Hawkgirl for some reason, and the whole episode kinda leaves a bad taste in my mouth because of how disjointed the message is. It’s trying to say “Women need men, as much as men need women” but ironically the entire episode just shows men being incompetent and women solving everything so that’s odd.
My point is, it feels like so much effort is put into DC media to incorporate as much elements of Batman and Superman’s supporting cast, villains and worldbuilding, yet even if Wonder Woman is a main character as well, she won’t get that same luxury, and the most she’ll get is them throwing in Steve Trevor and Cheetah out of obligation, whilst Superman and Batman get to bring their entire roster.
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silverwhittlingknife · 1 year ago
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Okay, so I recently found Condensed Comics Classics, in which comic writers wrote snarky summaries of their own series. Observe:
New Teen Titans by George Pérez
Wolfman: We have to explain who Wonder Girl is. Pérez: She's not a young Wonder Woman? Wolfman: No, she isn't. We can do a story that definitively tells the fans who Wonder Girl really is, once and for all. Pérez: Wow - that would simplify everything. Wolfman: The fans will love it!
Gotham Central by Ed Brubaker (also by Rucka and Lark)
Cop 1: Man, does Gotham City suck to work in, or what? Cop 2: Completely, but Batman sucks way more. Batman: Quit your whining. Cop 2: See what I mean?
Impulse by Mark Waid
Max Mercury: Put that down, Bart.
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