#Frost Brand

[strangenewwords]

Astonishing X-Men #33 (2004)

[jahanmp4]

I need to see more Gricko, Grumley and Taishen lovers, not individually, but people who are absolutely brainrotting over all of them at once.

[positivelybeastly]

Hey there! The post you made about the core of a well written Hank McCoy inspired me to ask if you'd be willing to do a similar deep dive into Hanks various relationships over the years. Not in a shippy way in so much as a pros and cons of the relationships ( all relationships have them , even good ones) and how they reflect on and influence Hanks character over time.

Hello hello! I would indeed be willing to do a deep dive, and, at the same time, find out if Tumblr text posts have a word limit! I also realised maybe 20 characters in that you meant actual. Relationships, as in romantic, and I've done just. Basically. All of his relationships. Including platonic ones. Oops. Oh well, hope you enjoy!

These won't be quite as exhaustive as if you asked me about a particular relationship, since I always work best with plenty of image resources and I already know I'm going to hit my image limit early, but I hope I can give at least my general thoughts on how Hank has influenced and changed, and been and influenced by, the following characters.

Edna and Norton McCoy

X-Men Unlimited vol. 1 #10, 1996.

You have to start all the way back at the beginning, and Hank's relationship with his parents is crucial to understanding why he is the way he is. Hank is the by product of a radiation accident that nearly killed his father, which led to the odd nature of his mutation - namely, that it manifested at birth in the form of abnormally large hands and feet.

This was, in many ways, the best case scenario that Edna and Norton could have hoped for, that their child not miscarry, be stillborn, or be born with a disability that would massively impact his quality of living - this was a very real possibility for them. So Hank being the way he was, actually stronger, more agile, and more dextrous than a normal child, and not to mention a genius intellect even at a young age (not related to his mutation, but it certainly didn't hurt) created a bit of a miracle baby effect.

They were unremittingly supportive and loving - they supported his choice in academics, they supported his football career, they supported his choice of girlfriends, they pushed him to be the best that he could be but never put undue pressure on him. He grew up feeling like he could do anything he wanted to, if he simply chose to.

The worst I can say about this relationship is that you could view it as fostering his ego - perhaps if they had tamped down on his ambitions a bit, maybe he never would have turned himself blue and furry in a fit of 'I know better than everyone else,' but I think that's a lot to put on his parents, honestly. He made that decision, and he has no-one to blame but himself for making it. Blaming his parents for that is like blaming your parents for daring to make you believe you can grow up to be somebody - like, what's the alternative, making you believe that you'll never be anybody? Horrible way to parent.

There's a bump in Marvel Team-Up #124 (1982) where Edna freaks out about her child growing up to be a superhero and more physically obvious mutant, but it's resolved when Hank proves himself to be a man of caliber and altruism, putting himself in harm's way to save a child - proving himself to be the boy that Edna raised, and she returns the favour, putting her life at risk to save him from Professor Power.

He may not be the CPA or 'normal' genius she may have wanted, but he's still brilliant, and she realises that quickly. I also think it's notable that Norton, his father, doesn't go through a similar patch, which is attributable to the fact that he sees Hank's mutation as his 'fault', as you can see in the panels above - he can't exactly blame Hank for being who he is, he's explicitly responsible for it. It would be the height of ridiculous for him to come down on Hank for who he is, when who he is is a direct result of Norton's act of heroism.

In many ways, Hank can do no wrong in his parents' eyes - but in many ways, Hank never does do wrong by his parents. He makes their lives comfortable and improves on it in a lot of ways with his intellect, and he keeps them safe as best he can. They're a little disappointed they aren't grandparents when we last hear from them in 2018, in the X-Men Christmas Special, but they're still defensive of him and love him, even though he's changed for a third time.

Charles Xavier

X-Force vol. 6 #20, 2021.

You knew this one was coming. You'll note that this is one of the few times that I'm going to use something from Benjamin Percy's X-Force in this deep dive, mostly because it's one of the few times that Percy comes close to examining who Hank is and why he is the way that he is. It's one of the few times in X-Force that anyone asks, why is Hank doing what he's doing? Why is he committing these actions?

Because, in many ways, he's still chasing Charles Xavier's approval.

Charles does Hank maybe the biggest disservice of any of his original X-Men, save maybe Scott - while he plucks Scott out of an abusive home and then moulds him into a soldier for his dream, pretty much completely failing to give him any coping mechanisms for what that's going to do to Scott's relationships with other people and his ability to maintain a normal life, Charles plucks Hank out of a loving home, and cuts him off from it. He telepathically wipes Hank's parents' mind of his existence for a while, to 'protect' him, but really, he's isolating Hank, and installing himself as a father figure.

Whether he realises he's doing this or not is immaterial, because it's canon, as established in Marvel Presents #85-92 (1991) and reaffirmed in X-Men Origins: Beast (2008). And though Hank doesn't appreciate it, on some level hates Charles for it forever, he falls for it, because he is a fundamentally altruistic person who knows he has a responsibility to use his intellect and his mutation to make life better for other people - this is the canon reason he joins the X-Men, and it's important to remember that, because he has no need of training to foster his gifts like Jean or Bobby, and he has a home, unlike Scott. In many ways, he's actually most like Warren, but we'll get to that.

There are moments where Hank separates from Xavier, most notably in Uncanny X-Men #8 (1964) and Amazing Adventures #11 (1971), and it's significant that the latter split leads to, arguably, the best years of his life, where he's freest to be who he wants to be and enjoy his life. He joins the Avengers and the Defenders, he becomes a sex symbol, he feels comfortable in his own skin, he explicitly feels no pressure to use his intellectual gifts, and instead is, arguably, most himself.

It's especially interesting when you consider that even with all that in mind, he still matures and grows up and realises, independently of Xavier, that he still has a responsibility to help - but rather than being inorganically forced to take on that role by a man he doesn't know, he realises it in New Defenders #142 (1985) when a mutant activist calls him out on his immaturity and his lack of forward momentum.

Hank self-reflects, and self-actualises, and forms a grassroots mutant political activist group called M.O.N.S.T.E.R (Mutants Only Need Sensitivity, Tolerance, and Equal Rights), which is something that Charles would NEVER do. Its emphasis on elevating mutants everywhere, rather than focusing on providing examples of mutant heroism like the X-Men, is unique, and I really do wish we'd gotten to see more of a grass roots approach to mutant politics. But.

Then, Hank gets pulled into X-Factor, and all of that goes away. Then, he gets pulled into the X-Men, and his life becomes smaller. And smaller, and smaller, and smaller. And his life becomes worse, and worse, and worse. Eventually, he hits the point where Charles is handing him an Infinity Stone, and consigning him to joining the Illuminati in his stead, and Hank doesn't want to be there, but he feels obligated to, because this was Charles' last wish, his literal will and testament, and he can't say no to that. But he should've. Because it tortures him, and it all ends up being for nothing anyway. Thanks, Chuck.

That being said, I think one of the most telling depictions of Hank and the Professor's relationship actually comes from Astonishing X-Men vol. 3 #12, where Scott is dressing down the Professor for enslaving Danger. Something I really appreciate about that scene is that it highlights how different Hank and Scott are in their relationship with Xavier.

Perhaps because Scott grew up with an abusive parental figure in Jack Winters and Hank grew up with very loving parents, Scott was able to recognise Charles' toxic behaviour and break away from Xavier - it might also have had something to do with the fact that at least one of Charles' biggest fuck ups had to do with Scott's brother Gabriel? Hard to say. But Hank, who Charles very carefully isolated from his parents by mindwiping them for years of Hank's whole existence, never really managed to break free of him, and it shows here really acutely.

Hell, it arguably never went away, even into the Krakoan era - a more interesting version of X-Force would have really dived into the kind of fucked up dynamic they have, where Chuck keeps covering for Beast's moral transgressions for seemingly no reason, because in some respects, he's responsible for them. He gave him the power, he gave him no oversight, but even more pressingly, he wasn't there for him emotionally. He pulled him into this life and didn't prepare him for the toll it would take, how much it would ruin Beast by the time he gets to Krakoa. Beast needed someone to help him there, and no-one did, which is part of why he went on the skids, I think.

But anyway, Whedon does a lot of moments where Hank is present for scenes but doesn't speak, which is important for a character who's well known for not shutting the fuck up. This, the initial cure conversation, the whole conversation about Piotr - Hank clams up. He doesn't feel like he can talk about it. He's off in his own head, his thoughts are his own, he doesn't feel the need to share them.

And here, it's especially important, because this is a big moral violation that Charles has committed in their name. I know it may be hard to remember, but back in the day, Hank had a moral opinion that was worth something, so the fact that he doesn't say anything here speaks volumes about just how much he feels capable of calling out the Professor, i.e. not at all. He craves Xavier's validation, his approval, he feels a kinship with Chuck. So he doesn't criticise him like he should.

It's especially interesting given that this would continue through the Utopia era. Every time Scott distanced himself from Xavier, Hank was there to comfort Charles, and I feel like that's just something he feels like he has to do. He feels like the devoted brother to Scott's more radical, more willing to criticise brother, and if Bendis had any interest in Beast as a character, he would've played on that in All-New X-Men - the fact that Scott killed their toxic father figure, and Beast feels both free of an influence he didn't know was choking him, but outraged that Scott would break their 'family' like that.

I find Beast compelling because of his flaws, and this is an interesting moment when you take all of that into account. I don't even know if that was the intention of this scene, or if Whedon just wanted to give Scott the speech, but it's interesting, nonetheless, and it really shines a light on how Hank and Charles see each other. I'm very interested to see Hank's take on where Charles has ended up in From the Ashes, because it has the potential to really change that dynamic.

Scott Summers

Astonishing X-Men vol. 3 #34, 2010.

Hank McCoy is Scott Summers' best friend.

I said it because it's true, and it's true reading all the way back to the Silver Age, honestly. Even as Bobby's screaming his head off about Scott being a stuck up asshole, Hank's quietly reminding Bobby that Scott can't be anyone other than who he is, "he can't help his psychological make-up," and I think that gets at a really important part of their relationship. Just as Scott's mind is attractive to telepaths because it's so neatly ordered and makes perfect sense to them, Scott's personality is appealing to Hank because he makes sense to him. Scott is orderly, anxious, dedicated, intelligent, hides his true feelings, and wants to belong, even as he stands apart. Hank is most, if not all, of these things, and so, they get each other. Bobby fucks around, Warren schmoozes and gets cocky, Jean is a GIRL AND THEREFORE SCARY, but Hank and Scott just get each other.

Which makes it all the more tragic when they fall apart, because Hank sees it all and it makes sense to him, even as it breaks his heart. What a lot of people misunderstand about Hank's arc during Utopia is that they read his moral grandstanding as self-righteousness or hypocrisy or a big ol' stick he wants to use to hit people with, and it's honestly not that. I really don't think it is.

I think he sees Scott sacrificing the parts of himself that make him a good man so that he can make a better general, and it terrifies him. He sees him become callous, manipulative, cold-blooded, willing to risk everything on a course of action because he believes he's right. Hank thinks he's fighting for the soul of the X-Men, for his own soul, for Scott's soul, even as everyone else is fighting for mutantkind.

Hank went through his own journey in Endangered Species, and he knows that there's nothing he can do, so why fight it? Why not just stop, and live out his days being the best man he can be, a member of the first and last generation of mutants, and let it go? Because no-one saw what he saw.

No-one saw the end of mutantkind inscribed on the vellum of reality like he did, saw what he would become if he did what Scott did and did anything and everything to stop the death of the mutant race - no-one else knows how close he came to jumping into the abyss and becoming Dark Beast. And no-one, honestly, cares. Hank doesn't tell anyone, because he never does, but it absolutely informs his views going forward. It can't not.

But no-one is interested enough in Hank McCoy's feelings to really ask why he's so insistent, or what happened when he was gone. He's a private individual, and he never told anyone. He felt profoundly ashamed of what he did while he was gone, which didn't exactly help. So his moral insistence just comes across as hatred, and it's not. He loves Scott Summers like a brother. That's why he fought so hard to keep him the way he was, not the way he became.

I also find it interesting that, in some ways, Hank is responsible for Scott becoming a happier, more well-adjusted individual, if in the most fucked up and irresponsible and manipulative way possible. Even in the midst of their relationship being at its lowest point, Hank was inadvertently responsible for time displaced Scott joining the Champions and getting to spend time with his father, giving him precious memories of a life not lived for Xavier that he didn't have before, and it's arguable that that's part of what mellowed Scott, coming out of the Death of X/revolution era.

It's not a good thing that Hank did that, obviously, he did it because - well, because he was having a brain aneurysm called Brian Michael Bendis, but whatever, it wouldn't have happened without Hank's intervention. I don't know if it's fair to give Hank credit for this, because those are Scott's choices and Scott's relationships, but the sequence of events is such. Idk. I try to see the best in Hank's actions and make them make sense to how I see the character.

A better version of X-Force would have made Scott central to Hank's descent into darkness, because it's frankly too obvious a connection to make, but whatever, we missed that boat. I just know that, just like how Hank didn't want for Scott to hollow himself out like he did, Scott wouldn't have wanted Hank to hollow himself out like he did, either, and I'm glad to see that reflected in MacKay's X-Men #1. I hope that friendship is rebuilt, because it deserves to be.

Jean Grey

New X-Men #124, 2002.

Hank McCoy is Jean Grey's brother.

Okay, so maybe not biologically, but they are basically brother and sister. It's why the stabs at making a relationship between them have never really worked for me, and I just enjoy the friendship moments between them too much to think of them together romantically. They're both intensely empathetic, deep feeling, loving characters, and in some ways, despite Jean being a literal telepath, Hank actually gets people better than Jean does sometimes (see X-Men Annual '95) because where she can be blinded by anger and passion and justice, Hank sees people for who they are and what they want very easily.

Almost any time that Hank is feeling blue (heehee) in 90s X-Men or New X-Men, it's Jean that pulls him out of it, because she's spent the most time learning what his habits are, when he's not really feeling as all right as he promises, and I honestly don't think it's a massive coincidence that the period that adult Jean spends dead (2005-2017) is a period that Hank spends alternately depressed, irrational, or alone. Maybe that's a form of dependency? Possibly. I just think they're best friends and that they make each other better when they're around one another.

Hank believes in Jean. He walks through the snow, thinking the rest of the X-Men are dead, believing that if he can at least get Jean out, then maybe he hasn't failed. He gets yanked onto the Shi'ar flagship, hears about what Dark Phoenix did, and instantly tries to throw the book at Empress Lilandra because he believes in Jean, and he believes in justice and law and due process. He watches her manifest the Phoenix and piece Emma together with her telekinesis, yanking her consciousness into her body once more, and even though he's afraid, he sticks with her. He trusts her with his mind, giving her his anatomy knowledge so she can work informed, even as the flames of her Phoenix form lick at his arm and burn him.

Hank believes in Jean Grey.

Bobby Drake

X-Men: First Class #4, 2007.

Bobby Drake is Hank McCoy's first best friend.

There were definitely great friends beforehand (Jennifer Nyles comes to mind), but in terms of making Hank feel normal, in terms of becoming friends to have fun and just hang out and because you simply like each other's vibes and feel comfortable each other? Yeah, Bobby is absolutely Hank's first best friend.

It's probably best exemplified in New Defenders, especially #122, where Bobby just. Needs Hank. He needs his best friend. Hank always has a knack for chasing away Bobby's blues, and you see it again and again throughout that run, where Hank is just who Bobby goes to first whenever he's feeling bad (as well as in 90s X-Men), because Hank always seems to know what to say.

I also don't think it's an exaggeration to say that there must've been a lot of good feeling going on for notable stick in the mud 60s Hank and retroactively gay Bobby to go out on double dates with Vera and Zelda. Hank bought an entire cabin so that they'd have a place to go to. Can you think of anyone else that Hank's done that for? I rest my case. (Is it all a little gay? Maybe. But it's not gay if the socks stay on.)

Where this relationship falls apart is when Bobby stops growing before Hank does, and what Hank needs outpaces what Bobby can provide, as seen in Uncanny X-Men #518. It's not necessarily Bobby's fault, he's just - not a very emotionally capable person, a lot of the time, his primary character flaw is an inability to grow up, and so Hank throws something heavy at him, and his best, most immediate impulse is to just say, well, deal with it how you've always dealt with it.

And that's just not good enough. And in many ways, I think Hank just stops trusting Bobby at that point, to the extreme where Bobby calls out for every other member of the original X-Men but him at the 2023 Hellfire Gala as he dies, and I wasn't surprised one bit. They stop appearing in comics together, Hank doesn't feature in his modern solo series' at all, and their interactions are fine, but nowhere near what they were.

Warren Worthington

Uncanny X-Men #297, 1992.

Warren is the original X-Man that Hank is most like.

Which, you might think is strange, given that Warren is a rich kid with wings and Hank is a farmboy quarterback with big feet, but it's true, by virtue of three facts - one, they're the two most obvious, physically mutated members of the O5.

Two, they came to heroism on their own. Warren's turn as the Avenging Angel, and Hank's fighting against the Conquistador in his origin, both predate their time as X-Men, and this is massively important in their development because it demonstrates that altruism and self-sacrifice are intrinsic in their characters. They believe in doing good things to help people, or stopping bad people from doing bad things, because it's the right thing to do. Whereas Scott and Jean and Bobby emerged from tragedy and ruin, Hank and Warren came from a place of stability and a desire to do good.

Three, they both undergo a terrifying physical metamorphosis that causes massive changes in their personalities, Warren becoming Archangel and Hank becoming a much more literal Beast. This point of commonality is a rock for them both, and as you can see, it helps them through. They realise that for all their struggles with the other aspects of their new selves, they're still, in the ways that count, the same people - they're still the friends they always were.

It's also very significant to me that Warren is the X-Man that Hank first 'comes out' to as the Beast, in Amazing Adventures #15 (1971), and I don't think it's a real coincidence that even as Charles tries to assert that Hank's protest that he's his own man, not an X-Man, and Jean shies away in shock from the vehemence with which Hank rejects their telepathic call, Warren calls bullshit and just goes.

He asserts himself. He's independent, and he breaks from the X-Men, much like Hank and Bobby did, Hank going to the Avengers and Bobby and Warren to the Champions, then all three of them to the Defenders - even as Scott and Jean stay with the X-Men, a decision that will lead to a whole line of catastrophe that ends with Jean dead, and Scott resigned to a life left unfulfilled because his one true love is dead.

Meanwhile, Hank, Bobby and Warren are clustered in a borrowed quinjet in their best togs, going to a wedding. Warren asks why he and Bobby are going along, given they hardly know the couple. Hank replies Warren that he's family, and he wants them there, and that's that, and there's a quiet, warm little smile on his face, because he is. They are.

I also find it very interesting that Hank and Warren undergo a very similar trajectory, tracking from Utopia to the Dark Angel Saga for Warren, and All-New X-Men to Krakoa for Hank - they cloister themselves off from others, they lose sight of who they originally were, they roll around in the blood of innocents, and in the end, they both end up dying and losing their memories, born anew.

Like I said. Warren is the original X-Man that Hank is most like.

Jennifer Nyles

X-Men Unlimited vol. 2 #10, 2005.

Jen is an underrated figure in Hank's history, and that's mostly because she has very limited appearances, none of which quite make sense with one another. Her first appearance in Marvel Presents #85-92 posits that she was, in many ways, Hank's first love, the person he missed most of all those who were made to forget him, and that the absence of him in her mind compelled her to study the mind so that she might try and unlock what she knew was missing. In the end, he stays away from her, because she nearly dies and he feels he endangers her. He probably does.

Then, we have a retroactive appearance in Origins: Beast, and the above story in Unlimited. Origins: Beast doubles down on her importance, stating that she's the person who encourages Hank to come out of his shell even before he's an X-Man, to use his gifts and be the brilliant person she knows he is, and while Unlimited agrees with that importance, she knows who Hank is at a time when she shouldn't. How to square it away? Ehh. I kinda don't. I like the three stories and how they impact and change and demonstrate Hank's qualities too much to try and change them. Instead, I just enjoy them.

In another life, Hank and Jen absolutely got married and they had a brilliant history together. She's almost as smart as he is, just as fiery (she punches out a bully antagonising Hank), and she has a strong moral, empathetic core. Hank, honestly, has a type. But even more than a romantic figure, I like her as an inspirational figure for Hank, someone that pushes him in the right direction and leads him to the right answers without giving them to him. She accepts him at a time when he needed it most, and helps him rebuild his life.

Tony Stark

Amazing Adventures #14, 1972.

For a pair of geniuses that snark at each other almost non-stop whenever they're around, and who feel almost constantly at loggerheads in classic Avengers, Tony is very important to Hank's development, sometimes by virtue of his faults.

First off, he's the superhero who turns up to investigate Hank's transformation at Brand, and his apparent death there at Hank's hands (a Mastermind illusion) and his mercy and understanding of the torment that Hank is undergoing are massively formative in Hank coming to terms with his new bestial form. He teaches Hank's two lessons - one, that he needs to control himself in a way he didn't need to before, and two, that he can still rely on people to see the human in him if he acts it.

Secondly - it's his inadvertent dismissal of Hank during the Avengers' examination of Wonder Man that sparks off Hank getting annoyed about his genius being ignored, pushes him out of the Mansion in a snit . . . and that's when he discovers that he's not just adjusting to being a beast anymore. No, he's fucking hot now. Even when he's being a dick (without really meaning to), Tony helps Hank grow, helping him realise that he doesn't need to be the high performing intellectual he was on the X-Men, the Avengers have that covered, but also, that he can afford to be someone else as well.

They continue to be friends for years and years, with their friendship built up over the course of plenty of classic Avengers issues, leading to a complete bypassing of a big ol' hero vs. hero fight in X-Factor Annual #1 (1986) because Hank's just like, oh hey, Iron Man, it's me, and Tony's just like, oh hey Beast, what the fuck's all this about? And it just. Fixes the problem.

I also don't think that it's a coincidence that Hank and Tony are the two most visibly affected when the Illuminati mindwipe Steve during the Incursions arc, with Hank unable to even really look at Steve when it happens, and Hank is constantly pulling on that morality chain even as they tie each other into knots, trying to justify the destruction of worlds. For as much as they give each other shit, Hank and Tony can rely on each other to give it to 'em straight, and that's important when their heads can get as big as these guys.

Wanda Maximoff

Uncanny Avengers vol. 3 #30, 2017.

Hank should hate Wanda more than he does.

The event that Wanda caused, the Decimation, was, in a lot of people's opinions, the beginning of the end for Henry McCoy. It stripped him of his morality and his pretensions and his ability to do anything. It was the height of cruelty, and Wanda did it without arguably meaning to. Not casually, but in a moment of instability. Leaving a gaping wound in evolution that Hank tried to fix.

He threw away a lot, trying to fix it. He wrecked a lot of relationships, came away feeling dirty, consorted with demons. Became acutely aware of every one of his limitations. And yet. He never really blamed her. Because how could he?

After all, he knew Wanda before the mess. When she was a brilliant friend and teammate on the Avengers. When she was shining, glimmering proof that people could change and become better, if only they tried and were given the chance. When she was at her best. And he never stopped believing she could be that again. It certainly didn't help that they had a certain wonder man in common, but honestly, they're just great friends.

Hank supported her in Children's Crusade, even in the face of the X-Men going kill crazy, and he never held a grudge. Even when he finds her, at the end of his rope, in Endangered Species, when he's at his most fraught and defeated, he just. Wants to fix things. It would be so easy to be hateful and resentful, but he just doesn't have it in him. After all, he knows what it's like to ruin your life in an instant because of a bad decision, and to want to claw it back however you can.

Carol Danvers

Ms. Marvel vol. 2 #18, 2007.

Honestly, for someone who you often see getting blasted on the X-Men Reddit for the Superhuman Registration Act/where were you when our babies were burning panels, Carol has a lot of really strong relationships within the X-Men, but I think her bond with Hank is especially strong - which is saying something, considering their first meeting was a fight! But, honestly, they just like and respect each other. They don't tolerate injustice, they believe in being heroes for everyone, not just the few, and they support each other.

Even in the midst of Civil War II, arguably the single worst that Carol has ever been written (not counting Avengers #200, take your pick of a character assassination), there's a moment where Tony is begging Carol to rethink her Minority Report bullshit, and she says, fine, I'll consider your evidence - but only if Hank checks it. And he says he has, and it's not wrong. And she knows that that means something.

The best friends will tell you when you're wrong. And you'll listen to them.

Heather Douglas

The New Defenders #139, 1984.

Hank and Heather have an almost constantly combative relationship from the instant Moondragon joins the Defenders, with Hank never afraid to let her know that he doesn't like her and that he doesn't want her on 'his' team. In his estimation she's high, and mighty, and conceited, and possessed of more power than wisdom.

And. Guess what?

Hank's fucking wrong. Heather is trying. Yes, she backslides, she has her moments of true ego and duplicity, but it takes Hank far too long to come to realise that she's trying as hard as she is - and frankly, she's right to smack him down and humiliate him from time to time, because he can be conceited. He acts as though the Defenders are his team, and he harbours pretensions of leadership that no-one takes seriously, because Hank is not a leader, you don't even have to dislike him to know that - and it takes him a while to realise that.

Their combative relationship keeps the other in check. They grow as a result of being around one another, even if they never quite settled things between them. Hank's maturation into a grown adult, into a man able to be more than just a superhero, is in no small part thanks to Moondragon's barbs and pushes and slaps at his ego, and he should be grateful that he got the chance to make good on that chance to mature, because Heather didn't, in the end.

Alison Blaire

Marvel Heartbreakers #1, 2010.

I'm gonna be real, the Beauty and the Beast miniseries by Ann Nocenti is not great. It has moments of fun, some pathos, but for the most part, it's incredibly soapy, incredibly hackneyed, goes nowhere, has a lot of weird anti-set up, and Hank is strangely incredibly violent and cruel in it at times. For someone claiming Hank was his usual charming self, Nocenti sure wrote him as a borderline psycho.

But. The Heartbreakers epilogue for that relationship redeems it, honestly, and it gains added poignancy when a future version of Alison is killed in Battle of the Atom, in one of the few instances of that series actually managing a moment of pathos. There's no magic trick to why Hank and Alison work, they just sort of find each other hot and fun and they're there for each other in a weird, fucked up time in Alison's life, so maybe it was inevitable that it faded to nothing.

I just like to think there's always a lingering softness, a lingering what if, for the both of them. A potential of something, if not an actual something.

Vera Cantor

The New Defenders #149, 1985.

Oh, Vera . . . you deserved better.

Gonna be brutally honest, Hank treated Vera kinda like shit. I don't think he meant to, it was never a relationship he was invested in, and he said as much, he was interested in the stability it represented, but I'm genuinely sorry for Vera that she got caught up in the crossfire of it. She was dismissed and treated like a pick-up, drop-off girlfriend when she was looking for a good man - and Hank is a good man, but at this point? Not what she was looking for. Not what she needed.

I'm glad we see her again in X-Factor and she's doing well for herself. I'm fairly convinced that she's a lesbian because Hank may have ruined men for her (in the not good way), but hey, a pro-mutant activist? That's pretty worthy - and considering how Hank treated her, pretty big minded. I like to think this taught Hank to be more considerate of people's feelings and grow out of his womaniser stage.

Julio Richter

X-Factor vol. 1 #18, 1987.

For a character often defined by his teaching abilities, Hank actually wasn't a particularly great teacher or carer for children when he first started - I always think there's a good deal of significance in the fact that X-Factor #1 has him searching out a position in academia, being rejected out of prejudice, but then finding his way to a teaching position through way of X-Factor, though I doubt that was planned.

Regardless of whether or not it was planned, I do think his relationship with Julio Richter, or Rictor, is massively important to Hank's development, because everything that Hank gets wrong with Tabitha Smith, he gets right with Julio. He encourages him, gives him his clothes, never talks down to him, nurtures his potential, pushes him to learn and think for himself - and it's rewarded.

Julio imprints on Hank strongly, and you can see that he favours Hank amongst all the other X-Factor members for a reason. This relationship largely went away in future, sadly, but I always like to think that it remains in some fashion, even if only in small ways.

Trish Tilby

X-Factor vol. 1 #36, 1988.

Yeah, you knew this was coming.

Honestly . . . I can see what Hank saw in her as a human being. She's a woman of fierce convictions. She believes in truth, and honesty, and justice. She is pro-mutant, after a fashion. And I have to give her credit, she does have her moments of heroism, like in this issue, when she risks her life to help Hank save a bridge of people as Inferno kicks into high gear. There are moments of good between them.

But fuck me she's an awful human being.

Leaking the fact that the Legacy Virus has jumped to humans directly leads to a mutant hate crime that ends in a death. She barges in to a sick, dying man's hospital room in the search of a scoop. And I'm not even gonna get into what happened when Hank turned feline.

She's just a trainwreck of breaches of journalistic ethics, and I hate her to bits. If she taught Hank anything, it was that the people you admire and love can disappoint you, and it says a lot that it's a one-two punch of her, and Cassandra fucking Nova that shatters Hank's self-esteem into a million pieces. What rarified company. The very fact that she tries to get back together with Hank after this, like, what even the fuck, man.

Jubilation Lee

Uncanny X-Men #308, 1993.

These two make me smile.

I think Jubilee awakens something very simple and immature in Hank, but something healthy at the same time - she encourages him, and everyone else at the Mansion, up to and including Professor X, to have fun. At a time when they were losing people left and right, it would have been easy to lose heart, but Jubilee kept Hank and the rest of the team bolstered, kept them focused. That's no small thing, honestly. Maybe she doesn't have quite as strong a relationship with Hank as she does Logan - that's a hard bond to match - but it's hard not to look at these two and see a true blue friendship.

I also adore that it came back in full force in X-Men vol. 4 (2013), where Hank often acted as mission and home support for the all-female team of X-Men that featured in that book. Taking care of baby Shogo, helping Omega Sentinel with her physical rehab - Hank was an invaluable asset in that run, and his scenes with Jubilee were always a treat.

Dark Beast

X-Men: Endangered Species, 2007.

"For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known."

Dark Beast is such a well constructed character because he is not just Henry McCoy if Henry McCoy were evil. Dark Beast is, what if Henry McCoy were raised in an evil world that believes in evil things and the only thing to do is be evil, lest it kill you? There's such a curious drive to betterment, to becoming stronger, smarter, more, to him, that speaks to the same in Hank, but it's all just so twisted up. It's driven by fear where it's driven by hope in Hank.

Because he is afraid. And he is human, much as he might hate the label.

He's a warning. He's a check and balance. He's a cruel joke. He's a monster. He's the other side of Hank's fears. Hank fears devolution, becoming more of an animal, giving in to the Beast, but Dark Beast represents evolution, becoming less animal and more - other. Something that considers itself above human, animal, mutant. Intelligence without conscience, drive without wisdom.

He's not what all Hank McCoys inevitably become. That's stupid, and basic, and anyone who believes that is stupid and basic. That's genetic essentialism, and it's shit media literacy. It's also the basis for X-Force (2019) and I reject that hypothesis entirely.

Henry's much more interesting than evil Hank - not just because he's funnier, and better at his job, and a more efficient villain, but because try as he might, there's still something essentially human inside of him. Something stopped him from killing Hank's - his - parents.

An essential, viral, inescapable fact.

There's something good in him, just as there's something bad in Hank. And it will bedevil them both forever, because they can't get rid of it.

Cecilia Reyes

Astonishing X-Men vol. 3, 2012.

Honestly, maybe the most grown up and equal relationship that Hank ever had, and I don't really feel like he even really had the chance to have it. Cecilia is everything Trish wishes she could be, and much more besides. Uncompromising in her morals, fiercely dedicated to healing, defensive of her boundaries, strong, independent, intelligent, funny - and kind.

She held a torch for him, for a long time. There's a lot of pictures of him in her apartment, both from the 90s and his feline form. She felt for him in a way maybe he didn't realise. Maybe he's the one who got away. Maybe she is. Either way, these two just. Work. There's a world out there where they became something more, and that's a happier world for Hank, honestly. But, hey ho.

Emma Frost

New X-Men #123, 2002.

Sometimes friendships don't make sense. Other times they do.

The friendship between Hank and Emma always made sense to me. The wit, the banter, the emotional intelligence, the willingness to play to roles assigned to them by their image - they were practically destined to be friends. And yet, often forgotten. Every now and then, it crops up, and I cherish it, but for the most part, they're just irrepressibly bitchy all the way through Morrison's run, and that'll always be special to me.

I always try and see good where I can, and I wanted to post an exchange from Secret Empire Omega where Hank tries to bolster Emma in the wake of New Tian's fall, because I like the moment for them, but in the end, it's just too poor of an event and a context for me to share it. All my props to Nadia Shammas in the X-Force Annual, the one issue of X-Force I thought actually had a decent handle on a villainous Beast - by sheer virtue of actually remembering that people would care. Emma would care.

Abigail Brand

Siege vol. 2 #2, 2015.

Abigail Brand did not make Hank McCoy into a war criminal.

To say so is to betray a basic lack of understanding of this entire relationship, but then, what else is new? A lot of people seemingly don't get who Hank is and why he works. Out of universe, but also in, oddly enough.

Kate Pryde and Kurt Wagner both speculate about what made Hank into what he became in X-Force, and they think it's Abigail, because that's an easy explanation, but it's not the truth. Not remotely. It betrays that they didn't know Hank as well as they thought they did, and Hank died not being known by a lot of people.

Which . . . sucks. But it is what it is.

Abigail knew him. She knew him as a kind man. Kinder than her. Kinder than anyone. She wanted that kindness. Craved it. Needed it. Managed to jam it into her work life, by hook and by crook. But I don't think Hank minded. At that point in his life, he needed what she offered, and though I don't think either of them ever thought they'd catch real feelings, they both absolutely did.

He kept her honest, she gave him options. He gave her moral dimension, she gave him self-esteem. They complemented each other perfectly, and I'm sorry that they never got a fair chance, really.

Sure, it was all essentially motivated by a desire to get good dick, but sometimes, that's all it needs to be.

Kurt Wagner

Uncanny X-Men: The Heroic Age, 2010.

Ahhh, Kurt . . . honestly, I don't think Hank and Kurt were ever shown to be quite as close on panel as you'd think they would be, in part because there's a One Blue Limit on X-Men teams for a while (seriously, check the X-Men team line-ups, and you'll realise that Hank and Kurt are pretty much never on the same team until 2015, with Amazing X-Men, a team Hank promptly leaves at issue #5).

But I like to think they're good friends, even if Kurt does fall for Hank's facade of being okay, just like a lot of other people. I like to think that Kurt represents a kind of ideal to Hank - he's what Hank, in many ways, wishes he could be. A better man. A happier man. A more hopeful man. A man who believes in a higher power, still. I certainly don't think it's a coincidence that it cuts Hank deep, when Kurt dies at Bastion's hands.

Steve Rogers

Secret Avengers vol. 1 #21, 2012.

Hank and Steve have an odd relationship. In a way, he does a lot for Hank, bolstering him during his time in the Avengers, treating him as a valued teammate - even if, as is typical of 70s writing styles, they can both come across as cunts to one another occasionally - and one of my favourite moments for Hank is in Avengers Annual #11, where Steve calls Hank out as a man who won't kill. Doesn't have it in him.

Which makes this moment, a sequel to what Steve pushes Hank to do in Secret Avengers #16, hurt so much. Steve had to know what it would cost Hank, to shortcut his way into an Oppenheimer arc, but he hoped the math would comfort Hank. I don't think it did.

I don't know if it was intentional, but it haunts me that both Scott and Steve use Hank (Scott during Secret Invasion, and Steve in SA #16) to commit acts of mass murder, and try to console him with the numbers of people saved through atrocity. Hank tried to escape all of that, fleeing from Utopia, and maybe he was naive to think a band of Secret Avengers would be a place to hide from doing bad things, but it doesn't change the essential fact. Scott and Steve used Hank to achieve their goals, and he had to just deal with it.

"Are you seriously asking a mutant what he'll do to avoid extinction?" Mindwiping Steve in New Avengers vol. 3 hurt, I'm sure, but it's a fine old thing, trying to morally grandstand to a man you explicitly used to make a nuclear bomb. A lot of mixed up history in that room.

Broo

Wolverine & the X-Men vol. 1 #7, 2012.

If only Hank's adopted sons were given as much attention and care as Wolverine's adopted daughters. Ah well. There was a lot of work being done over this run, to make it clear that Hank, Abigail and Broo were forming a family unit, including Abigail being there as Broo's parental figure during his graduation and a possible future showing Broo as head of S.W.O.R.D, but all of it eventually came to naught, which saddens me. Broo deserved better. So did Hank.

Time Displaced Beast

X-Men: Blue #35, 2018.

There was a kernel of an idea here.

It was inevitable that Hank was going to end up hating himself. He's a character largely defined by self-hatred, in most of his forms. The thread that never got pulled was the fact that, honestly?

Older Hank should hate younger Hank just as much.

Younger Hank is much closer to the man who turns them blue, who's ego tripping at Brand, than older Hank is. That's what leads him down this entire path, of magic and demon summoning and servitude, that's broken only by the intervention of other X-Men.

But, whatever. The era of lost potential, tbh.

. . . . . . . .

Oh, hey. You're still here?

Yeah, I guess there is someone missing, huh?

Simon Williams

Uncanny Avengers vol. 3 #28, 2017.

Avengers Annual #6, 1976.

X-Force vol. 6 #49, 2024.

Avengers vol. 3 #14, 1999.

Wonder Man vol. 2 #5, 1991.

Avengers Annual vol. 2 #1, 2012.

They complete one another.

They simply are their best selves around one another.

Even when sick, and twisted, and cruel, and beyond redemption, Hank couldn't bear for the possibility of harm to an invulnerable, immortal, ionic man. He would rather dash all of his plans, make it all for nothing, kill himself, than risk hurting Simon.

At the start of this whole ass breakdown, you said, all relationships have pros and cons. And I think that's true. Mostly. But when Hank and Simon are together, nothing can tear them apart, nothing can bring them down, nothing can stop them, nothing can keep them from doing the right thing.

I can't think of a negative to them being together.

They love each other.

Thanks for bearing with me. :)

[qiankunnies]

moon sua + pink for @moonsua ♡

[lilacfiresoul]

rush, may 3 -- @jegulus-microfic -- 630 words

based off "so high school" by taylor swift from the tortured poets department! genuinely haven't been able to listen to anything else since it came out, and i HAD to write jegulus to it so <3

content warning for brief (but funny) mentions of the noble house of black's ... marriage system lmao

and !! some brief hot kissing at the end (nothing nsfw)

----

“Regulus. Kiss, marry, kill …” Dorcas glances around at the group, her eyes scanning over Lily, who’s curled up next to Pandora, Peter and Remus sitting together on the sofa, and coming to rest on Sirius on the floor at James’ side.

“Sirius.”

Immediately, Sirius starts laughing. James can't help but laugh too, watching as opposite him, on the other sofa with Evan and Barty, Regulus’ mouth drops open. “My brother?” he blurts out in disbelief.

Dorcas holds up a finger. “No, hold on, I’m not finished.”

Batting his eyelashes, Sirius makes kissy noises at Regulus, whose face twists into a disgusted expression that could curdle milk. “Come on, Reg. What’s a little bit of marriage between family? Not like it hasn’t happened before.”

Peter and Remus start giggling at this, and Sirius lolls his head back to grin at them. “What? I mean, I don’t think anyone’s married their brother before, but there’s always a first for everything. Toujours pur, right?"

“I will shove my wand down your throat,” Regulus threatens, pointing said wand at his brother. “I’ll kill you.”

“That’s not a very nice way to treat your brother and your husband.”

“I refuse to—”

“Oi!” Dorcas raises her voice to be heard, and the two of them reluctantly stop bickering. Regulus, with a scowl, leans back. “Kiss, marry, kill Sirius …” She swivels her finger around to point at Barty “Barty …” who smirks, and then, torn between picking either Lily or Pandora, who both freeze and look at her in anticipation, she flicks that finger at— “James.”

James blinks. He forces himself not to look in Regulus’ direction, trying hide his smile as a rush of embarrassment creeps in. Of course, Dorcas has no idea about them, but just the fact that she picked him for the game makes his stomach flutter a little bit.

Regulus is still scowling as he jabs his wand at Sirius. “Kill Sirius.”

“Oh, what?” Sirius protests, but he’s still laughing. “Reg, really? So you don’t want to kiss or marry me? I’m distraught.”

Ignoring him, Regulus continues, “Kiss Barty. And I guess …” He screws his nose up as if it’s hard for him to make the decision, but James knows it’s all for show. “Marry Potter?”

Looking up in surprise, James plays along. “Marry me? Thought you found me annoying?”

“I do.” He reaches for the firewhiskey bottle down by the side of the sofa. “But I’m not kissing or marrying my brother, and Barty and I have kissed before, so it won’t be much different. Plus, I can divorce you after.”

“Wow, I’m flattered.”

“You shouldn’t be. Your ego is already big enough. I’m not trying to stroke it any further.”

Later that night, when James pulls away from Regulus’ lips, he asks as he catches his breath, “Marrying me and then divorcing me, are you, love?”

“What?” Regulus rolls his eyes. His hair is messy from where James has had his fingers in it. “Oh, stop it. It was a game and you know it. I would’ve picked you for all three if I could, but then that would’ve been too suspicious.”

“All three?” James hooks his fingers through the belt loops in Regulus’ trousers, pulling him closer and pressing lips to the underside of his jaw. “So you’d murder me, Reggie? Is that what you’re saying?” 

“Mm, perhaps,” Regulus muses, tilting his head back so James’ mouth can move down his neck, his arms around James’ shoulders. “If it means no one else could have you, and I got to keep you forever, then yes.”

“You already kill me everyday just by existing,” James murmurs.

[marvel-teen]

Astonishing X-Men (2004) #21

[macncheems]

did it really take me 3 episodes to realize the joke behind frosty's name. am i stupid.

[sboochi]

I saw the Skyward Sword au post by @hijacksecrets and I got super inspired, because Hijack and Zelda are like my two favorite things?? (And the botw au sounds great, if there was art of it I would totally make fanart *wink wink*)

So, yeah, childhood friends who won't admit they're in love

[ireallydontcare5]

Modern Marvel comics so weak for giving us series that we don't want and giving us the same heroes for a team but won't bring back these bad bitch groups

I don't care if they weren't that well received at the time, they were fun as hell.

[bonebabbles]

Okay, finally reading Thunder now

Everything about Smoky is so profoundly uncomfortable, these writers really do have a knack for picking the worst man in a 100 mile radius to obsess about. It is insane how openly they play writers' favorite

Frostpaw is afraid she'll be betrayed (she will be), but she has no choice (and so is forced to trust him). When he mentions the horse doctor (it is explicitly a vet for horses), she has an intense, negative reaction telling him that calling the human is something she does not want.

So Smoky completely ignores her, obviously.

Medical treatment is forced on her as she screams and cries, thrashing so hard that her neck wound is opened up and blood gets everywhere, and then the horse doctor brings out a syringe full of cat tranquilizer which I guess they just had laying around. While she's out, she's sterilized, and when she wakes up she's unsettled about it but Smoky has no answers for what was done to her.

Anyway, she's out for a single day and isn't allowed to stay mad at Smoky for more than a minute because He's So Nice and the writer can't handle anyone ever being upset at their favorite boy characters for more than 30 seconds. I wonder if the NEXT field guide will have a short story about how amazing Smoky is and have the corpse of Firestar himself coo that he's soso misunderstood

Deeply uncomfortable choice to create these chapters. Make your bets now-- how long is gonna pass before Frostpaw learns her choice to have children was taken from her and they play this for for drama in front of their audience of 13-year-olds? (but in a way that doesn't blame smoky at all ofc)

[teafiend]

Kang Gil Young’s motto: “Punch now ask questions later”. Love that for her.

(Disclaimer: GIFs from @Nungchae, Twitter/X)

[strangenewwords]

Astonishing X-Men #35 (2004)

“You look like movie stars. Your clothing reeks of boastful sexuality, the fashion wear of action heroes.”

[flowery-laser-blasts]

Remember how I once said that I would be one of those people who would buy Drakken's brainwashing shampoo because: "Oh wow this looks pretty cool? This entire 'brainwashing' mad scientist stuff is so on theme and the bottle looks dope as hell! This whole vibe is great. I need me some edgy shampoo."

YOU KNOW. THIS IS KIIIIIIIND OF SUSPICIOUS... ESPECIALLY THAT LOGO AND NAME...

[hairmetal666]

Bing Crosby's voice warbles from a portable stereo propped up near the sink, singing about a white Christmas; red-ribboned garland lines the windows and door frame; small wreathes bedeck the cabinet doors; and Steve Harrington stands at the kitchen island.

He turns when he hears the slip of Eddie's socks on the tile, grin already blossoming across his face, and they're hugging before he really processes it happening. Steve mumbles, "it's good to see you, Ed," in his ear.

The hug is too tight and too long for what they are to each other now.

They break apart, Steve immediately turning back to the baked sugar cookies spread out on the island.

"Wanna help?" He asks.

Eddie sticks his hands in his back pocket, walks to stand next to his ex, his best friend, his--everything in the world that matters. "What are we making, Stevie?"

"Frosting sugar cookies. Think you can handle it?" He wiggles a pipping bag in Eddie's face.

"No way," Eddie says.

"Yeah, c'mon, you're a good artist."

"With like, pencils and shit. Not icing."

"You'll do great."

"You sure about that? Remember when--"

Steve snorts. "Oh, you mean the last time you tried to bake, and I had to mop chocolate batter off my ceiling? And I found dried splatters of it for months? Yeah. I remember."

Eddie hides his laugh in a cough. "Sorry?"

He wanted to bake a cake for Steve's birthday, back when they were together, made a mess instead. Steve had just laughed and kissed him, started cleaning.

Their relationship started out hot and heavy in the months after Vecna. They got caught up in it, threw themselves headfirst into the kind of love that sucks you under, turns you inside out, leaves you with nothing. It ended, like it was always going to, when Eddie couldn't get out from under the shadow of his own self-loathing. Terrified he was fucking everything up, he packed his bags and left in the dead of night.

They're older now, though. More settled. The trauma softened by time.

"Coffee?" Steve asks.

"Please."

Steve gets it brewing, pours a couple mugs, adds the cream and sugar just like Eddie likes. Of course.

They ice cookies--and okay, Eddie's not so bad at it--and they chat and it's good. Nice. Two old friends catching up.

"Hey," Steve says.

Eddie looks over, would never not when it's Steve asking. The man in questions smiles at him, big and guileless, which is all the warning Eddie needs. He doesn't quite manage to duck in time, and Steve swipes frosting covered fingers across his face. He makes a pained noise, an injured little squeak, that has Steve in hysterics.

"Steve!" He shrieks.

The culprit is doubled-over, clinging to the countertop to stay on his feet, shaking with laughter.

"You--you," Steve half-sobs. "The look on your face!"

Eddie grabs a mostly fully piping bag. "You're gonna get it, Harrington."

"No--no," Steve darts sideways. "This sweater is dry clean only!"

"Should have thought of that." Eddie manages to smear frosting across Steve's wrist. "No one actually uses the dry cleaner, anyway."

They tussle around the island, giggling and shouting. He finally manages to catch Steve, drawing lines of icing over his face to the sounds of spasming giggles.

"Okay, okay," Steve says. His chest visibly heaves from exertion. "We should clean up."

Eddie shrugs. "You brought it on yourself."

"Yeah, yeah. Here." Steve hands him a wet towel and they spend the next few minutes smearing frosting off their faces.

He tosses his red and green smeared towel into the sink. "Happy with yourself?"

"Uh-huh, yeah--Oh, you've got a little--" Steve points towards Eddie's chin.

"Here?" Eddie wipes haphazardly at his face.

"No, it's--Can I?"

Eddie nods and then Steve is pressing his index finger to the corner of Eddie's bottom lip, gently swiping. Their eyes lock and there's nothing else in the room.

"Got it," Steve whispers. He doesn't pull his finger away.

"Thank you." Eddie's not sure anything but air comes out.

Steve's eyes dip down, fixing on Eddie's mouth and the spot his own fingers rest.

Eddie thinks he might die.

On the other side of the house, there's the sound of a door closing, the thud of approaching feet.

Steve pushes away, grabs a cookie and a piping bag.

Eddie has a few seconds to settle himself, figure out how to breathe. He's barely calm when Mark's deep voice rumbles through the kitchen, "Hey, babe. How's the baking?"

"Good," Steve says. "Work okay?"

He can't be rude, has toacknowledge that Mark is here, in the room, co-owner of the house.

"The usual." Steve and Mark smile at each other, soft and intimate.

When they kiss, Eddie drops his eyes.

"Eddie! Good to see you, my man!" Mark says, wrapping him in a loose hug.

Eddie pats his back, says, "Been awhile."

"Yeah, you should come around more often. Know Steve here would love to see you. Guess LA is keeping you busy."

"Guess so," Eddie agrees.

He's desperate to get out of here, dying for a break, to blot their easy intimacy out of his brain. "I--uh, think I need a cigarette break. I'll be back in a minute."

"Don't take too long," Steve says. He doesn't look away from Mark, so Eddie doesn't bother answering.

He steps out the back, cigarette and Bic already in his hands, lights it before the door is back in the frame.

--

Hours later, he slips out to the front porch, this time for a second to breathe. Even outside, he can hear Mike and Dustin yelling, the girls chiming in, Joyce and Hopper and Wayne laughing, "Rockin Around the Christmas Tree" blasting.

He walks to the side of the house, steps stuttering in the snow when he sees the glowing ember of a lit cigarette.

"Eddie?" Steve asks. "Need a smoke?"

"Nope, just wanted to clear my head." His heart thuds loud enough he's sure Steve can hear.

There's a beat, only a second or two, before the cigarette falls to the snow with a soft sizzle and Steve's hands are bunched in his shirt.

The kiss is hot, hard, desperate. His fingers dig into Steve's hair, pulling tight.

"Baby, baby," Steve murmurs, their mouths not even parted. "I missed you so much."

Eddie whimpers, clings tighter. "I know, sweetheart. I know, but we promised--"

"Fuck, I'm sorry. I just--"

"Stevie." His thumbs caress the planes of Steve's face. "I can't do this anymore. We said--"

"I know, I know. But I can't stop thinking about you. It's all the time. I miss you so bad that it hurts. Right here in my chest. And fuck--I lo--"

"You don't," Eddie says. Vision obscured with tears.

"I do," Steve's fingers grip around him tighter. "I always have. I never stopped. I thought you--I thought--"

"Steve?" Robin's voice calls into the night.

They let their hands drop away from each other, step apart so they're no longer entwined.

"Be right there, Rob," Steve says.

Eddie lights another cigarette. "You should go in," he says.

"Yeah." Steve nods, won't look in Eddie's direction. "Merry Christmas," he says, walks back toward the house.

He thunks his head against the red-brick of the house, staring up at the gleaming white lights lining the edge of the roof, finally letting the tears fall.

"Merry-fucking-Christmas," he echoes.

[safyresky]

Scrimbly Jacqueline 37/52: Diteline Donniline family portrait!

BOOM BABY! DITELINE KIDS! AKA DONNILINE KIDS! Because when Jacqueline and Dite have their kiddos, Dite has had her whole arc and goes by her true name, Hedone! (Which I know I have said a bunch of times already lol but since this is THE Donnieline fam post, it's here for posterity).

This one was by FAR my most intensive scrimble YET. Joy's wings nearly took me OUT. I have NO IDEA how to alt ID this as of yet, oh my GOD. The sketch was finished Friday, the lines Saturday, and the colours took all day Sunday on and off between Year 9 edits (and then drafting this post took most of my evening between episodes of Face Off lol :)

In terms of designs, Milfline is in her usual fit, Milfdone is in a casual fit based on this dress here. And as for the kids...well. I think it's time we officially meet them, shall we? I'll go oldest to youngest!

JOY

Meet Joy! She's the oldest of the bunch! Is about 8 (hundred) in this scrimble :) (on the right (our right), with the wings)

Was "born" on accident due to the HUGE amount of joy Jacqueline and Dite felt after being reunited when Venus did some BULLSHIT

(Including, but not limited to, misnaming Hedone for THOUSANDS of years, cursing Jacqueline into an eternal sleep and casting her into the underworld, and setting Hedone on the same journey Psyche went on for Cupid just before Dite was born)

She is the literal embodiment of Joy. Literally.

She has ALL the celestial/god powers!

She can do a little bit of fire and a bit of frost but not as much as her mom, her mom's fam, or her siblings

So she can conjure some flame and some snow/frost but that's about it sprite wise!

Is as talented a weapons master as her Mater

Has 0 (zero) castor magic abilities

Is the Cupid after Donnie (The Third Cupid. Cupid the Third).

Has butterfly wings like Psyche, her grandma!

They start small and grow with her. I based the pattern on monarch patterns and the shape on this clip art lol

The tips are vaguely heart shaped lmao (emphasis on VAGUELY)

In terms of wing pattern itself, it's not final? But the vibe/idea I was going for was a snowflake-esque motif for the top wings, and a combo of hearts and sparks/stars for the bottom wings! Also not sure about colours—I'm deffs gonna use her wings as like, a blank canvas every time!

Joy is just a bundle of Joy. She's an absolute sweetheart. Not a SINGLE PERSON dislikes her, she's just so sweet it's so hard to DISlike her

Seems kind of like a bit of an airhead because she's so full of joy and whimsy and such but she knows when to smarten up and is ALWAYS looking out for her siblings (despite what Bianca thinks)

Her heart pochette was so last minute but I LOVED IT SO MUCH!!

Hair I've always pictured strawberry blonde, but I think it's more orangey thanks to her summer sprite relatives!

Has Jacqueline's eyes!

Hair is fairly curly! Turns out when you constantly freeze your hair into curls, the curls become genetic ¯\_(ツ)_/¯

BIANCA

Meet Bianca! She's the middlest, and is about 7 (hundred) in this scrimble :) (on the left, with the C: face)

Joy really wanted a sibling and so, for funsies, Dite and Jacquie are like "Oh? What would they be like?" and build a snowman with her, to her specifications lol

They have a very fun time together but then things get...weird

The snowman seems to have a mind of its own. It moves around on them. It doesn't melt. Joy claims it talks to her.

It starts to look more little girl like. Knowing how sprites were originally made, Jacqueline's like hmm...

She talks to MN, who tells her to go to this very sacred section of the Springs and she does and she gets a life light and goes DAMN. OKAY. GUESS WE'VE GOT KID NUMBER TWO ON THE WAY!

She gets home that day, and finds the snowman, and gives it the light life and POOF! Suddenly, Bianca!

She's named after Winter's bio Mom :)

Bianca is FULL Winter sprite; she has 0 god things going on.

She CAN do some castor stuff! Dips into warlock lineage but I'm not sure she has a staff—she Blaises it: wandless magic FTW babieeeeee!

Is the Jack Frost after Jacqueline (The Third Jack Frost. Jack Frost the Third. As you can see I am workshopping how they refer to the latter Legendary Figures lmao)

She has this really cool talent where she can pull the most GORGEOUS colours out of the snow and ice

When she freeze dries, it is more icy looking like her Uncle Jack and she is CONSTANTLY changing the shades. Blues! Pinks! Purples! Sometimes she gets some ORANGE going! She's like YEAH BABY! FUCKIN. COLOURS!

She is a bookworm; of the 3 Donniline kids deffs the more sensible/down to earth/serious one

Which is saying something as she and Robyn do all sorts of shenanigans together lol. Wait until you see the VDay oneshot >:)

When THAWED, her hair is as dark as Jacqueline's and she tends to also put lil colourful streaks in that lol. I keep picturing it as a bit of a poofball? Idk where she got the poofball gene from. Humidity is her enemy lol

Has Dite's eyes!

She likes sweater vests a normal amount, she swears

ROBYN

It's ROBYN! They are the youngest, most hyper active, and the future governor of Crystal Springs (I am not joking. I am so serious. He is the person who finally defeats Blaise in an election)

They are about 6 (hundred) here and are smack dab in the middle of the scrimble

He was gonna give Joy bunny ears but then she got too excited and started hovering and now he's trying to save it with a wave lol

Robyn is genderfluid! Usually goes by he/they but has been known to have some she/her days and has dabbled in neopronouns, I'm sure

Robyn has the most chaotic birth story, because of COURSE he does

Gods started bragging one day and somehow. SOMEHOW Donnie got into it with Jupiter about how HE birthed Minerva from his HEAD, to which Donnie replied "YOU ATE HER MOM AND THEN ASKED VULCAN TO SMASH YOU WITH A HAMMER BECAUSE OF THE HEADACHE SHE GAVE YOU AND BOOM. AUNT MINERVA. THAT'S NOT THE SAME AS GIVING BIRTH. I'LL PROVE IT!"

And then she does. Well, sorta! She doesn't. Y'know. Eat Jacqueline after fucking her or anything like that, and I don't think they conceive traditionally. There's DEFFS some god magic involved.

But anyway, they have a spot of fun, and Dite takes care of the "pregnancy" bit, and Robyn bursts out of her BICEP nine months later lol.

He's always like FULLY FORMED AND READY TO SLAY and then Bianca goes NO YOU WERE A BABY. BABY SHAPED. I WAS THERE AND SAW to which they reply YOU WERE TWO (hundred), FUCK OFF

And then fisticuffs happen as Joy yells about the swear jar

It's deffs still a wip lol but tl;dr: Robyn comes out of Dite's bicep :)

He is full Summer sprite! Loves them some arson and fire. ALSO fully warlockian! Can cast like nobody's bizz! Has his Uncle Fino AND Grunkle Pyros AND Gramps AND Uncle Jack teaching him

Needless to say, he's a force to be reckoned with

Either wears a blazer or denim vest COVERED in buttons and pins. Depends on the plans they've got for the day! Business, or party?

Would probably wear the vest OVER the blazer if they felt so inclined lol

His satchel is bottomless. Got it from B-Man :) It is great for tomfoolery, shenanigans, snacks, and storage!

Has a trans bestie and I think the pair of them accidentally bring back PRE MONARCHY fae. It gets weird.

Was born with fully white hair; he looks full winter sprite but is a summer sprite

When his hair on fire it stays white. Very cool >:)

Also playing with the idea of his flames being blue and white or one or the other! Still thinking about it lol

I tried to see how I liked him with the summer sprite eyes and decided I don't!! So he'll also have the Jacqueline eyes :) Make people assume he's a winter sprite SO FAST until he sets something on fire with their bare hands

He is very proud that he is an enigma ALL OVER THE DAMN PLACE lol

And I think that about covers it for these goobers, for now! Bianca's hair is DEFFS very different in my head so I will DEFFS have to do proper doodles of them all to give you guys the full vibe. These guys have been CARTWHEELING in my head, let me tell you. I love them dearly. Have a snippet of their shenanigans:

“How do I look?” “Stunning, jaw-dropping, gorgeous—ready to kick ass, even!” “Oh, stop it,” Donnie said, playfully waving a hand. “Never.” Jacqueline fell back, her head hitting the pillow. “Check on the kids on your way out? Bianca was still awake when I got in.” “Still?!” “One more chapter, she said. You know. Like a liar,” Jacqueline huffed, snuggling into the covers. “Oh, boo! It’s already cold.” Donnie laughed, clipping her charm bracelet onto her wrist. “It’ll warm up. And if not, we’ll make short work of that later.” Donnie did not need to turn around to know that her wife had turned very red. The squeak that came out of the blankets was enough of a tell. Laughing quietly to herself she left the room, keeping the door slightly ajar. Across the hall, another door opened. “Did someone say they needed some WARM?!” Robyn asked, popping out of their room. He wore a throw blanket over his head, clasping it around their neck like a cape. “You know how your Mom is.” Donnie swooped over, giving Robyn a big old hug. “The moment I leave the bed she freezes.” “DUTY CALLS!” Robyn saluted, rushing across the hall and bursting through the door. “CHARGE!” “AH!” There was a poof, pillows hitting the ground as both Jacqueline and Robyn laughed. “Get over here you, I’m fucking freezing.” “MOM! SWEAR JAR!” The door beside Robyn’s burst open, Joy’s head popping out with a small frown. “PUT IT ON MY TAB!” Joy huffed, the stray hairs on her forehead briefly lifting. Donnie tilted her head. She frowned. “Joy.” “Mmmmyes?” “Are you dressed for work?” “Oh, this old thing?” she popped out of her room fully, clothed in Donnie’s old chiton from her Legate days. “YES. Absolutely I am! You said so yourself! Duty calls!” her eyes were wide, with a big old smile to match. She clasped her hands together excitedly, hovering off the ground, her wings fluttering rapidly. “I was just thinking, you know, it being THE day and all, that we’d better be ready to help you however we need!” “SHE DOESN’T SPEAK FOR ME!” Robyn shouted, Jacqueline laughing loudly. “Well, Bianca and I will—” “NO!”

There was a clatter from the room beside the main. Something fell with a hefty thunk; there was a scramble as Bianca’s door burst open. “FIRST of all, I don’t do the Cupid thing! I do the Jack Frost thing! SECONDLY, I’m not going ANYWHERE this morning cuz I’m almost done my book, and it’s a slow burn, and they only JUST admitted their love and I am like. Only one fifty pages in!! THERE’S STILL ONE HUNDRED MORE PAGES! So I’m booked today. Literally.” “Bianca! You should have been asleep hours ago.” “Okay, one more chapter, Mater, then I’ll sleep." “YOU SAID THAT AN HOUR AGO,” Jacqueline shouted from the bedroom. “I’M A SLOW READER,” Bianca shouted back. “THE FUCK YOU ARE!” “SWEAR JAR!” Joy shouted. “I saw her tank that really thick romance last week in like, an hour. It was fascinating,” Robyn continued unabashed, volume as normal as it got with the kids (which was still pretty loud). “It was really good! I was HOOKED! Their magic system was stupid but I couldn’t stop reading. I was like, enthralled with how unreal the mechanics are—HOLD UP. ROBYN.” “WHAT.” “DID YOU START A CUDDLE PUDDLE AND NOT TELL ME?” “…” “YOU BITCH!” "SWEAR JAR!"

From the Valentine's Day Donniline Special, Bedtime Stories, coming to a platform near you in February!

This is 4/5 of the @kscribbs suggestions! It was a simple prompt: a family portrait of Jacquie, Donnie and the kiddos. Did I go overboard? (squints at colours, bios, birth stories, AND the oneshot snippet) very much yes. But hey! Now's a good time as any to show you the lil' guys!!! AND I AM FINALLY CAUGHT UP ON THE SCRIMBLES! AH!

This week's scrimble will be ANOTHER cute one (I TOLD YA I'd have cute to compensate for the angst of #36) and then the week AFTER is an EVEN CUTER ONE I've been DYING to do—topical since that'll be my BIRTHDAY WEEK! YEAH!

Right! I think I've uh. Said enough. Too much, even. Oy vey. These tags are gonna be WILDIN. See y'all with the next scrimble Friday, and Frostmas Y9 before that! :D

[towritecomicsonherarms]

Astonishing X-Men #6