#Florence Giorgetti

[maurodelsignore]

Florence with Paolo Giorgetti

[ulkaralakbarova]

La Grande Bouffe

Four friends gather at a villa with the intention of eating themselves to death. Credits: TheMovieDb. Film Cast: Marcello: Marcello Mastroianni Ugo: Ugo Tognazzi Michel: Michel Piccoli Philippe: Philippe Noiret Andrea: Andréa Ferréol Danielle: Solange Blondeau Anne: Florence Giorgetti Nicole: Michèle Alexandre Madeleine: Monique Chaumette Hector: Henri Piccoli Chef: Giuseppe Maffioli …: Maurice…

[journalcinematographique]

La dentellière - Claude Goretta

Tu veux une pêche ?

Milieux sociaux

Florence Giorgetti

[musidoro]

LA DENTELLIÈRE (1977), directed by Claude Goretta.

[genevieveetguy]

- So you shut yourselves in here every weekend to eat? - Now, just now and then. - You eat this much each time? - This is different.

The Big Feast (La grande bouffe), Marco Ferreri (1973)

[whileiamdying]

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Viva Laldjérie

Nadir Moknèche est un cinéaste claustrophile. Il fait de la ville d'Alger un autocuiseur perpétuellement au bord de l'explosion dans laquelle il agite ses personnages avec une lucidité à peine tempérée de compassion. Et, plus que ce qu'il montre, c'est la confirmation de son talent et de celui de ses interprètes qui peut amener à reprendre en choeur le titre de son film.

— Le Monde

[cutsliceddiced]

New GIF tagged dance, food, arrow academy, la grande bouffe, ugo tognazzi, florence giorgetti via Giphy https://ift.tt/2NQDhGO via https://cutslicedanddiced.wordpress.com/2018/01/24/how-to-prevent-food-from-going-to-waste

[mirello]

[maurodelsignore]

Florence with Paolo Giorgetti

[abunayeem]

Fashion Stylist Courses – Paul Andrew as Mentors

Fashion Stylist Courses – Paul Andrew as Mentors

MILAN — For her second commemoration in charge of Istituto Marangoni, Stefania Valenti surrendered herself a little treat, one she had focused on since she was named overseeing overseer of the style and configuration school. Valenti welcomed on board a scope of high-profile guides at the worldwide grounds, in a move that plans to satisfy one of her primary objectives: to infuse new upgrades in the school and fortify the cooperative energy and mix between the instructive front and the expert world. English beautician and style manager Katie Grand, MSGM’s originator and inventive chief Massimo Giorgetti and architect Paul Andrew are among the new guides joining Istituto Marangoni beginning this month, or at times, from the following admission in February.

Fantastic will be engaged with a mentorship program at the school’s London grounds, where she will have addresses that will likewise see the contribution of individuals from her circle of beauticians, style picture takers and distributers. Furthermore, studios committed to understudies studying design, styling and media will be facilitated with the objective to choose projects that will show up on Grand’s The Perfect Magazine.

Giorgetti will share his insight and involvement with Istituto Marangoni’s style school in Milan, holding masterclasses and studios for understudies took a crack at the expert courses of men’s wear and ladies’ wear design plan. Additionally in Milan, Riccardo Grassi — proprietor of the display area that bears his name — will offer direction to those reading up for aces in design purchasing and promoting, style item the board, omnichannel and online business. Later his spell at the inventive bearing of Salvatore Ferragamo, Andrew will get back to Florence to regulate the mentorship program at the nearby Istituto Marangoni style and workmanship school. He will have studios for understudies took a crack at extravagance embellishments plan and the board courses just as send off a challenge pair with his namesake image.

[pugiledatastiera]

SIMONE GIORGETTI - Quando vuoi Qualcosa, preparati vai e prenditela. • • • • • • Trofeo delle cinture WBC ⭐ @simchai91 #TRUEITALIANFIGHTER • • • • • • LOOKING WITH MY EYES⚡ #WBC #fpi #trofeodellecinture #boxing #iocimettolafaccia #bronzebomber #counterpunch # #fight #boxrec #mariachiteam • • • • • • @savage_produzioni sempre al Top🔥 @bronzebomber @federazionepugilisticaitaliana (presso Florence, Italy) https://www.instagram.com/p/CFOYPklKcJu/?igshid=1e8gr4o745i75

[genevieveetguy]

My Best Part (Garçon chiffon), Nicolas Maury (2020)

[tmnotizie]

ANCONA – Final countdown per la 15a edizione del triplice evento organizzato ad Ancona dall’Anthropos di Civitanova Marche sotto l’egida della Fisdir (Federazione Italiana Sport Paralimpici degli Intellettivo Relazionali) e della Fispes (Federazione Italiana Sport Paralimpici e Sperimentali).

partire da domani (venerdì 24 gennaio) il Palaindoor e il campo Italico Conti ospiteranno una due giorni tricolore all’insegna dell’atletica paralimpica con stelle di caratura nazionale e internazionale.

Al via con il numero record di 228 partecipanti per 257 iscrizioni distribuite nelle varie discipline i Campionati Italiani Paralimpici di Atletica Indoor Fisdir e Fispes e i Campionati Invernali di Lanci Fispes, validi anche come 1a tappa della Coppa Italia.

Nella prima giornata le gare di lancio all’aperto si svolgeranno dalle 9.30 alle 12.00 e dalle 15.00 alle 17.30, mentre le prove indoor avranno luogo dalle 15.00 alle 19.30. Sabato l’appuntamento con le gare outdoor e indoor sarà dalle 9.00 alle 13.00.

L’Anthropos del presidente Nelio Piermattei vuole essere protagonista anche in pista e in pedana con un totale di 21 portacolori, alcuni alle prese con varie discipline o iscritti a più di un campionato come Ndiaga Dieng e Camilla Giorgetti. A seguire gli atleti convocati dal sodalizio civitanovese.

Campionati Italiani Paralimpici Invernali di Lanci FISPES all’Italico Conti: Federico Belardini (giavellotto e peso), Luca Caporicci (peso), Camilla Giorgetti (peso), Michele Macellari (giavellotto e peso), Fausto Morlacco (disco e peso), Jonatha Riderelli (disco, giavellotto e peso).

Campionati Italiani Paralimpici di Atletica Indoor FISDIR al Palaindoor: Adolf Agyemang (200m e 400m), Gabriele Brengola (60 piani, 400m, staffetta 4X400 e 4X200), Luigi Casadei (peso), Carlo Corallini (lungo e triplo), Raffaele Di Maggio (60 piani, staffetta 4X400 e 4X200), Ndiaga Dieng (800m, 1500m e staffetta 4X400), Ruud Koutiki (400m, staffetta 4X400 e 4X200, 200m), Federico Mei (800m e marcia 3km), Florence Repetto (60 piani e 200m), Gaetano Schimmenti (60 piani, 200m e staffetta 4X200), Fabrizio Vallone (1500m e 3000m).

Campionati Italiani Paralimpici di Atletica Indoor FISPES al Palaindoor: Marco Bianchi (200m, 400m, 800m), Ndiaga Dieng (1500m), Camilla Giorgetti (60 piani), Bianca Marini (200m e 800m), Anna Maria Mencoboni (60 piani, 200m, lungo), Tommaso Pasqualin (60 piani e 200m).

[armel-love]

via lightactu

[78682homes]

Décès de la comédienne Florence Giorgetti 78682 homes

http://www.78682homes.com/deces-de-la-comedienne-florence-giorgetti

Décès de la comédienne Florence Giorgetti

La comédienne Florence Giorgetti est décédée jeudi à l’âge de 75 ans, a annoncé samedi le Théâtre national de la Colline. »Florence Giorgetti nous a quittés, l’immense comédienne et actrice de cinéma, l’auteure et la lectrice qu’elle était, nous manquera à jamais », a posté le théâtre sur son compte twitter. »Florence Giorgetti a illuminé de son talent +Les Petits aquariums+, texte de Philippe Minyana présenté tout juste après l’inauguration du théâtre national de La Colline à l’hiver 1989, mais au…

homms2013

#Informationsanté

[titoslondon-blog]

New Post has been published on Titos London

#Blog New Post has been published on http://www.titoslondon.co.uk/massimo-giorgetti-speaks-candidly-about-leaving-pucci/

Massimo Giorgetti speaks candidly about leaving Pucci

On a blustery winter morning at the Hotel Café Royal in London, Massimo Giorgetti is grinning ear to ear. The strikingly handsome Italian designer, 40, is in town to shoot his Spring 2018 campaign with longtime collaborators Katie Grand and Alasdair McLellan. He’s smiling because, after a year of twos—two years as creative director of two brands (Pucci and his own MSGM), two years of weeks split between two cities (Florence and Milan), and two years of helming two different design teams, two collections and two shows—his focus has returned solely to his own brand.

In 2015, when Pucci announced that the MSGM founder would replace outgoing designer Peter Dundas, the industry applauded. It was about time a traditional Italian fashion house handed the reins to a young, fun designer popular with the influencer crowd—one who could make a storied luxury brand exciting for a younger generation of customers.

But it was not to be a long-term partnership. In April 2017—one year before his three-year contract was set to expire—Pucci and Giorgetti announced that they had agreed to part ways, the latter to refocus on his own label. (At the time of writing, Pucci has not yet named a replacement.) Here, in his first interview since a “mutual termination of contract” with the brand, the designer talks candidly about his time at Pucci, the challenges of being a young designer in Milan and his new MSGM PM collection of eveningwear, launching in January.

On Pucci… I feel very lucky, because Pucci for me was an experience. I studied when I arrived in this different world that I didn’t know. Luxury, amazing fabrics, prints, also Italian craftsmanship on embroidery, on leather, on accessories, on shoes. For me, it was like going back to school, and I grew up a lot. With the LVMH group there are a lot of meetings, a big business strategy. I understood the power of the product manager, the power of the merchandiser—because the wrong merchandiser can do a lot of damage. When I accepted Pucci, I was younger. It’s now three years later, and now I feel completely different to how I did then.

On “abandoning” his team at MSGM… When I was at Pucci I better understood what MSGM means to me. It’s like if you were to go outside your home and look at it from the outside. I studied my company, but I also studied myself. When I came back 100 per cent to MSGM, I had some problems with my team. They felt like I disappeared and left them alone, because I was working with Pucci. It’s really like when you have a boyfriend, or a family, and you leave for a while. At the end of the day, MSGM is my life; it is my family, so I can understand it now, but I didn’t realise how it felt to them when I was doing both.

On designers who become bigger than their brands… I am happy that MSGM is more famous than me. I prefer to work than to go to the parties, and I can say that I live a normal life. When I started Pucci, I tried to do a different life. But it was not for me, to go to all these parties, to go to Los Angeles. There are some designers that want more, more, more about them and less about the clothes.

On making mistakes… Sometimes I made mistakes at Pucci, but in fashion mistakes can be about one collection, or about a strategy. Sometimes you give a lot of power to stylists, a lot of power to photographers, and that can be a problem. Success in fashion goes in waves. After the big success, there comes the natural fall. So “Bravo, bravo, bravo” one minute, and two years later they go, “Bye bye!”

On being approached by other brands… I’m still getting offers to go and design for other brands, but nothing could convince me to accept another job. I feel very lucky to have a brand of my own. I realised it is a special thing to work for a brand that is yours, that you created. They could offer me a lot of money; they could offer me anything, but I would say no. Because when you are designing at a house that is not yours, you are like a guest in their home. I have found my brand, and I am at home now.

On Milan, and its closed ranks… In the beginning of MSGM I suffered, because in Milan the press said, “Oh, sweatshirts”, and they weren’t interested. The big Italian brands have the attitude, “This is our house, our garden,” and they are big, old families. For a young designer it is tough to carve a space. At the beginning the government, the Camera Moda, they didn’t help me. Only when I had 200 stores, 300 stores, they said, “Oh my god, MSGM is amazing, it’s a success, please enter into the calendar, please do a show.”

On his new eveningwear line, MSGM PM In Asia, I discovered they are not so interested in feminine clothes. It’s much cooler, denim oversized jackets—oversized everything. In Europe, Italy, America, they want fitted, more feminine. So I realised I have to do this kind of easy cocktail dress, with a little ruffle, a little ruche that exists in every MSGM collection. But I wanted to present it again, as PM—for the Post Meridian time—because I observe the women around me and I know there’s a need for real women to dress for dinner, for the theatre, but not for the red carpet.

On fashion’s flirtation with see-now-buy-now… I do not believe in it, and of that I am sure. I think when you see something—a bag, a dress—and you can immediately have it, you don’t give it its full importance. The desire has to start in your heart, in your brain, and then you have to wait. I think fashion has to come back to the original model. My dream is one collection a season. I have to do pre-fall, the main show, capsule collections, and then there are capsules for e-commerce, capsules for department stores, a T-shirt for this person, a plisse skirt for that person. Every week we have special projects, and everyone wants exclusives. Though I do think exclusive pieces for exclusive buyers are important, and an opportunity to have fun. My dream would be one collection per season, and a lot of little projects.

On the secret to his success… Now I feel that I am back at home. I am happy, and now I have to get my head down and work. Humility is the secret. And not to say, “Bravo, bravo, wow, wow, wow” to myself. Because that is when you make a mistake. When you think, “I have arrived”—no no. You will never arrive. You are always in an important step; every six months is a step. I am learning, learning, learning all the time in every fitting, every meeting, in every day of my life, and that is the secret.

MSGM PM launches in January, in stores and online at Msgm.it

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