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endless-ineffabilities · 4 months ago

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chemical override (6)

Ewan Mitchell x actress!reader

a/n: I hope you all have found ways to cope after the breakup, but here all your questions will be answered on what went down pre-August! Special shoutout to @just-fics-station @thepurplecrown @clarkysblog @hotdismylife and @sprinklesprinkle888 for sharing your ideas and indulging me with the lovely, crazy discourse!

To everyone, I am so chuffed at how this has become OUR story - our lil self-indulgent Ewan Nation production. You all are aces <3

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In the aftermath of the breakup, the reader and Ewan throw themselves into their work, trying (and failing) to avoid any trace of the other. Will they remain this way - former lovers doomed to drift in each other's orbit?

Some time before August

New York City

The lush office was laden with expensive wooden antiques, one side with built-in shelves displaying film awards and plaques of varying degrees of prestige. A full glass minibar occupied the other side.

The casting director introduced himself as Bruce, insisting that Ewan call him by his first name and not any of that "sir or similar stick-up-the-ass names". Ewan can see him as a mentor or maybe even a friend, Bruce insisted.

After all, they were going to help each other out a lot.

The discussion was straightforward enough, never mind the saccharine tone Bruce seemed to be so good at. Aimed at making Ewan feel welcome, coddling him, remarking with awe at his projects thus far. But there was a fakeness to it. Ewan steeled himself, trying to adapt to the style of conversation. After all, if he is in this for the long haul, then he would have to get used to these situations.

Bruce appraised him, leaning back on his leather swivel chair. "How are you with the fantasy genre? All that YA, lovesick stuff the kids eat up so eagerly nowadays? Personally, I haven't got the taste for it, but it always makes bank, if you know what I mean."

"Oh, well, I'm a fan of all movies. I definitely see why the fantasy genre has made such an impact on audiences, especially with the romance element, you know, I get the appeal."

"Well, son, we've got a solid franchise in our hands here. Some adaptation of an elf-human love story, mind you, it sound ridiculous, but you know how it is. And the team seems to be in agreement - you fit the bill for the male lead. The male elf lead - " he almost guffawed at the thought, then collected himself " - hope you don't mind my saying that you've got elvish features yourself. Long nose, long jaw, lanky. The teens are going to eat you up."

"Ah," Ewan smiled curtly, nodding. There was a backhanded compliment if he ever heard one. "Well, sir, I've read the script - at least, the bit that was sent to me - and it looks quite promising. I'd be honoured to - "

"Of course, of course!" Bruce exclaimed in pleasure, cutting Ewan off mid-sentence. "And there's the case of your leading lady, and this all boils down to chemistry as you know. Our top contender is that Jenna Ortega girl from the Netflix show, you know her?"

Ewan nodded, well aware. He's seen her work, and thinks that she is a top actress of her generation, but leave it to Bruce to reduce her to being that girl from the Netflix show.

"Yes, she's a very talented actress," Ewan replied.

Bruce hums in agreement, head bobbing as a smirk materialises on his face. "Think she's a looker?" he said openly, without shame.

Ewan laughed nervously, his words caught in his throat.

Bruce, characteriscally oblivious to the discomfort of others, carried on. "I only ask because we're going to need you two to be pretty chummy with each other when you jump on this project. It's kind of a condition of the whole thing, but really nothing to concern yourself with." He waved a hand in the air, his proposition barely carrying any weight in his mind. But Ewan was catching on, and he started to develop a dislike about the whole deal.

"What do you mean?" Ewan asked.

"It's pretty common in this business, son. There's a reason why young, new actors like yourself opt to remain unattached so to speak, so they're always open to a PR arrangement or, you know, just so their - your - hoards of fans would think they got a chance with you," Bruce explains lazily. "In this case, since you and Ortega are, as I said, unattached, getting you two together would fuckin' do wonders for our movie."

Our movie, he said, convinced that Ewan was all in, because why would any young actor refuse such a golden opportunity? Franchises like this can set up an entire mainstream Hollywood career.

Ewan thought that he wasn't unattached. Granted, his date with you was yet to happen, but he already felt bound to you. He wished you were the one tapped to be his love interest. Very little acting would be needed there. Maybe he might even be inclined to go along with the idea of selling the relationship, using it for publicity for the film, but even that made him uneasy.

The industry offered a lot of privileges, but more often than not, they come at a cost.

"Sir, I - "

"Bruce."

"Right, sorry. Bruce, I have to tell you that I'm not exactly unattached."

"Got a partner?"

Ewan actually found himself smiling at the thought of you being called his partner. His first easy smile since entering this office. "Yes, she's an actress herself," he agreed.

"I heard of her?" Bruce asked with obvious disinterest. You were but a wedge in his flawless plan.

"She's kind of a new talent like me, but she's brilliant. She plays Alyna Rivers in our show."

"Ah her," Bruce loosened up a little. "I get it, she's a piece."

Ewan cleared his throat loudly, his jaw clenching on instinct. "So, like I said, I'm with her. I'm sorry but this whole PR arrangement with Jenna wouldn't work."

"Look, kid, I want my movie to do well, alright? I got a lot invested here. This PR thing has proven to be highly bankable time and time again. If you don't trust me, I can ask the team to show you the data on all that. It's a lot of boring numbers, but shit, the numbers are never wrong."

"I don't need to see - "

"If you wanna be with your girl, you can, but you just gotta learn to hide it. Sweep it under the rug, you know. Don't canoodle in public, you crazy kids," Bruce offered, like that made things any better.

"You want me to hide my relationship?"

"Hey, now, come on. Word gets around. Isn't your girl also doing this exact same thing with Jacob Elordi?"

"Not anymore, I don't think," Ewan clarifies, "and that was... that was hardly anything. They weren't obligated to do it. It just worked by chance because they were both single for a time."

"Po-ta-to, po-tah-to." Bruce clicked his tongue before making his next point. "So you see how it works, your thing with Ortega won't be any different."

"Do I have a choice?" There it is, the defining factor.

Bruce smiled slowly. The calculating and menacing air about him intensified, and it was obvious he was not there to be Ewan's friend.

"It would be stupid to refuse something like this, kid."

Ewan's blue eyes flashed in return. None of this was ideal, but his nan raised him well, and he knew better than to falter on his values in times of trial.

"Sir, what's stupid is if you ask me to hide my real relationship for the sake of mere publicity for a film."

"Stupid you say?" Bruce sneered, having already discarded Ewan in his mind, his fragile ego bruised. "What a shame."

There wasn't much to say after that. Bruce was clearly not disinclined to reveal the ice that settled in his veins, and it dawned on Ewan that it had always been the case. There was no true hospitality here.

For bigwig casting director-slash-execs like Bruce, this was a transaction. And Ewan was not about to put what he has, or what he could have, with you on the line.

There has to be another way to advance his career. If not bigger productions, then at least those with less domineering producers.

"That is a shame," Ewan said, getting up from his seat. "I won't waste any more of your time, sir. Thank you for considering me."

Bruce's eyes darkened even further. "You're actually refusing me? For some girl?"

Another genuine smile formed on Ewan's face at the thought of you. Some girl.

But you're not just some girl. He nodded without a trace of doubt in his mind, before reaching out to shake Bruce's hand. "If you don't mind, sir... I have to go and see my darling."

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Near the end of August

Los Angeles

The modern space sported a minimalist yet rustic feel, the interiors a blend of sterile white and sleek wooden surfaces. Very LA, as they say. The windowed walls offered plenty of light, as well as precious views of the valley below.

"Thank you for agreeing to meet with me, Donna," you greeted Ewan's publicist as she ushered you in her LA office.

"No problem at all, sweetheart," she said. "Please, have a seat. Would you like some coffee or tea? Ewan always has his coffee with way, way too much sugar. Mind you, if that kid wasn't active and boxing all the time, I'd be worried for his health."

You smiled fondly at her genuine concern. "Don't even mention the cigarettes."

"Oh, yeah," she scoffed, settling down on the chair across from you. She could have sat down at her desk, making the meeting more official, but Donna's always had a friendly and open way about her. "So, my sweet, how's your new movie coming up?"

You respond eagerly. The dialogue flowed freely, talking about your film and the lukewarm reception of season 2 of House of The Dragon. And finally, Ewan.

"I really thought he would get the Greta Gerwig film," you said. "Everyone said he was perfect for it. I think Greta herself had nothing but praises for him when they met on Zoom."

She sighed thoughtfully, "I thought so too. And, theoretically, he did have that one almost booked up. But there was an issue with one of the producers, which - I don't even want to get into that."

You shook your head, catching on whom she hinted at. "Donna, I heard... well, it didn't go too well in New York, didn't it? Ewan told me about it but... if you can tell me more, I just want to understand why - "

"Sweetheart," she offered a smile, but it doesn't reach her eyes, "you should talk about this with Ewan."

"I tried. But he wouldn't budge. Mallory told me... that it might have been because of me that he didn't get the role? And also why he's struggling to get roles now? Donna, I... I can't have that."

It took some time for her to formulate a response. She didn't want to step in something that's none of her business. Your relationship with Ewan is yours. But when his career is on the line, she supposed that she needed to have some say in that.

"He met with this top producer in New York. This real old money Hollywood guy. For decades, he's built careers for the greats, you know - Pitt, DiCaprio, Theron, and whatnot. There was a franchise project practically offered to him on a plate, but Ewan refused, because a non-negotiable was that he would have to hide you in favour of a PR arrangement with his leading lady."

You swallowed, the weight of the truth making itself clear. "Couldn't he have just done the movie without that?"

"You would think," she grimaced, "but some producers... when they want something, they have to get it. And well, Bruce wasn't lying, that would have sold the movie well."

"I thought we were past this," you expressed sadly. "I understand how PR relationships work. Just recently, I found myself kind of in the middle of one. But there was no pressure, it wasn't forced on us, and it was meant to be all in good fun."

"I know, sweetheart," she insisted, reaching out to squeeze your hand. "Bruce is an outlier now. Most of the time you do get lucky, with an all-around supportive production team, just like with your project with Elordi."

You hummed in agreement on that positive note, but your mind kept drifting back to Ewan.

Donna continued, wrapping up her story, "but Bruce is still here, and he still has a lot of power. But you know, it'll be fine. Ewan's got such a huge fanbase and so much talent that it'll only be a matter of time before something else knocks on his door."

You wanted to share her sense of optimism, but something ate at you. What else will Ewan have to sacrifice just to be with you? This was his dream, his one dream, and you were standing in the way. How much longer before he is offered another project but he refuses to take it for your sake? Your thoughts blurred together, bordering on irrational, but you couldn't help it.

All you could picture was the unabashed sincerity on his face, that sense of wonder, when he told you that acting had always been his dream.

Being tied down to you, this early in his career, would surely only hurt him. And you don't think you're worth it.

"Ewan loves you, sweetheart. Anyone with eyes can see that," Donna said after a while, heeding the storm brewing in your expression.

He loves you. It was true.

Less than a month in, and you've already found yourself with a love that you've never felt before. And perhaps never will again.

And that was the problem.

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Late September

The podcast moderators are overly welcoming, if not a little loud for Ewan's taste.

The BBC podcast is called Loose Ends, and it's one of the first things Ewan agreed to take on upon returning to England.

He had wanted to head straight home to Derby, to bury himself in his heartache and bitterness, but the team for the show tapped him for a couple more promotional stints, riding on the high of the season finale. And who better than Ewan to offer to the media, the undeniable fan favourite.

Clad in an old gray shirt and blue jeans, people would think he just rolled right out of bed. He didn't really have the motivation to put in more effort. The only striking thing about him is his newly bleached head of hair, supervised by his stylist for a photoshoot a few days ago.

It was ironic, the timing of such a change. Ewan knew that if word got out that you dumped him, he would never hear the end of the joke of that being the reason for his hairstyle change, typical of all heartbroken sods.

Everyone bursts into laughter when he tells them about his mum's reaction to his nude scene. It feels like going through the motions, and he must have been so out of it, so forlorn, that his team prepared an outline for him prior to the interview. The questions and answers all pre-agreed.

Make them laugh. React as required. Remember to speak when spoken to. The mantra goes on in his head.

And don't think about her.

An impossible task, worsened when a moderator goes off script and asks, "Now it wasn't me who saw this, as I'm not on social media myself, but one of our interns did mention that you ventured into Instagram recently? Is that true?"

Oh fuck.

"Mmm, yeah, I guess," Ewan laughs nervously, his hand massaging the back of his neck in a self-soothing motion.

"And your first post went viral? What can you tell us about that? Our listeners would love to know."

"Uhhhm - " He remembers that the broadcast is live, and he can't exactly ask them to edit this part out, so he quickly settles for something indirect. Inconclusive. Safe. " - did it go viral? I'm not too sure how that thing works. I haven't used any kind of social media before."

"Apparently it did! And it had to do with the subject featured in that photo, Ewan. Your costar - "

"Mmm," Ewan stops him there, "didn't you say that you don't use Instagram?"

"No, I think I'm too old!" The moderator laughs.

"It's insane, that whole thing," Ewan shakes his head. "I don't know how to handle it. I'm logged off most of the time."

"Oh, you log off?"

"Yeah, yeah, helps me keep my focus, you know. Keep calm and all that."

"It can get frivolous, can't it?"

Ewan hums in agreement, and thankfully, the moderator moves on to his last question. One that does not breach the subject of you.

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Another day means yet another media stint for Ewan, this time for Now TV.

Still in London, his stylist Davey and the rest of the team prepare him for a day of brief interview clips, to be posted on the social media pages of the company.

Davey had half-joked about Ewan needing even more concealer than usual, the shadows under his eyes having significantly deepened after the breakup.

Some of his team have gotten wind of what happened. They would curiously ask about you, how often Ewan keeps in touch with you while you're on set...

You must be on FaceTime everyday!

Is it hard to be doing long-distance so soon?

Do you miss her? Is that why you're not getting any rest?

...but Ewan would only laugh uncomfortably, dismiss it by bringing up another topic or shifting the attention to someone else, or excuse himself to go for a smoke.

He'd been drowning himself in cigarettes and caffeine during the day, pint after pint in the nighttime. Aimless.

He is coping. He knows how it must look, but he deserves this. He deserves to drift for a while. It's the only thing he can do to keep himself from jumping on the next flight to Atlanta and begging for your hand back.

You said you love him. You did. He hangs on to it like a beacon in a storm. No matter how pointless it may seem, with you choosing someone else over him.

Work is becoming something of an anchor, something that keeps him from spiralling. He's an actor, and he has always wanted to be an actor. People now have expectations of him, and he will answer the call.

The interview session begins with generic questioning, stuff he's answered before on several occasions.

How special is the bond between dragon and rider?

What is a funny moment from set that you can share?

How similar are Aemond and Daemon?

All safe. He's proud of himself for not breaking mental clarity thus far. You're in the back of his mind, dormant as a memory, and not something looming darkly over him. For a while, at least.

But then he is asked, If you could invite any 5 people to a Ewan Mitchell dinner party, who would you pick?

"Matthew McConaughey - "

You.

" - Bruce Lee. I think they could strike up an interesting conversation - "

Your name echoes in his mind, and he can't control it.

" - Andrea Riseborough. She's just a chameleon, like in any role she undertakes -

You have great taste. Even if you would make him eat spicy food again, he'll take it. He'll endure anything for you.

He's stumped for a second, lump in his throat, and his effort in avoiding you leads him to mention someone who will always be a comfort to him.

" - Maybe my nan, because I miss her -

Your name. He has to say your name. Who else? Think of someone else.. but who else? Who would be better?

" - and then, another person. Let's make it from the show... it would be Alyna Rivers."

"Oh really?" The interviewer asks. She's not really meant to respond in this instance, but she knows that the fans would go crazy about any mention of you or your character, so why not jump on this opportunity? "Can you tell us why you chose her?"

"Uhhm, well, she's just an amazing character, you know, fiercely loyal, beautiful, tenacious," Ewan replies easily, "so yeah, she would make for good company."

It is obvious that he is describing you just as much as he does Alyna Rivers, and no doubt, the fans will catch on to this detail.

Later, he's asked about his favourite part about season two, and he duly answers, "Seeing more of Aemond and Vhagar's bond and how that perhaps have gotten stronger. Aemond has definitely reined her in, after the accident at Storm's End."

Then, "There are some new additions to the show. Do you have a particular favourite?"

Another obvious piece of bait. And he takes it, he doesn't care anymore. What's the use of denying the truth?

"A favourite new character? Oh, well, uhmm... I really do like Alyna, and I think I've said before that Aemond and her are quite similar in a sense that they both know what they want and how to achieve it. It's just a shame they're on opposing sides, because if those two get together... " he trails off, leaving it up to the audiences to fill in the rest of the thought.

And they eagerly do. The clips where Ewan mentions Alyna get the most traction, flooded with comments that more or less talk of the same thing -

We know why you chose Alyna, Ewan. We know your ways.

He could have said Alys. Or Gwayne. Or even the ghost of Daeron ffs. But nooooo.... it's Alyna Alyna Alyna 😮‍💨

I wonder if she's there behind the scenes

yeah shes definitely lurking in the background!

Aemond and Alyna better have at least a scene together in season 3!!!!!

Someone kidnap Ryan Condal and make him write this

Ewan doesn't see any of it. Not that he's missing out, because he soon feels the need to call his younger cousin to ask her how to turn off his notifications on Instagram.

Day in and day out, his one single post gets dozens of new comments and likes, a brutal reminder of what he's lost. He could just delete it, and get rid of his profile entirely, but he hates to imagine the discourse that would follow.

All the invasive allegations and rumours. So he leaves it be. It makes no difference to him now. Let people believe what they want.

To his chagrin, he finds himself scrolling on his home page once in a while. The addictive element to it was true, and for him, it's exacerbated because the things he sees are often related to you.

Photos of you from fanpages and news accounts. Ones where your friends have tagged you. It's a toxic habit, looking through it all, but he can't help himself.

Then one day, as he's slouched on the seat in his London apartment, phone propped on his knees, he sees a cutout photo of his face on the corner of the screen. He clicks on it, and it's an image of him interposed among different posts. Posts which he apparently liked.

"Oh for fuck's sake," he cusses at himself, reading the caption.

Boyfriend lurking? - Ewan Mitchell may play a formidable TV villain, but in real life, he's just like us. Click on the link in bio to see his series of liked posts!

Dread takes root in him, followed by self-loathing. Why couldn't he just keep off this bloody thing? He takes to the comments to see what he has allegedly liked on accident and it's predictably photos of you - you at a premiere, stills of you as Alyna, and even, heavens fucking forbid, a behind the scenes shot of you getting pretty close with Jacob Elordi on the set of your film.

He vividly remembers seeing that last one, because he went on a bender after coming across it.

Cursing himself and his wayward, sticky fingers, he exits the app and deletes it from his phone.

Whatever goes on there, whatever people might leave on his profile, he washes his hands of it.

He calls up several of his mates, asking them if they want to come over for a few drinks.

"Again, Ewan?" one of them exclaims. "C'mon, you gotta take a breather, mate."

"I don't need a breather." I need her.

"Ewan - "

His composure breaks, all his damned frustrations rising to the surface, and he confesses, "I wonder if she thinks about me."

"Hang in there, mate. We're coming over."

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October

The director finally yells a satisfied, "Cut!"

It's only taken a good twenty-something takes for you and Jacob to nail a challenging scene. You had been on a roll since the beginning of the shoot, the last few weeks seemingly a breeze on paper, though it's a constant struggle to keep it together.

You've had to quell your internal dialogue so it does not stray to him. His smile. The feel of his skin against yours. His way of subtly picking up on details, and doing sweet things that surprise you as a result.

But you received word just before the scene that a few of your friends have come to visit, waiting back at your trailer - Phia, Fabien and his girlfriend, Bella.

And so, as if on instinct, Ewan is all you can focus on, every repressed memory of him rushing in like a tidal wave.

Do they know? What could you possibly say to justify what you did? You can only hope he took on that project, to give you a bitter sense of vindication.

It's the only thing that keeps it all the bay, the only thing that keeps you from jumping on the next flight to England and grovelling at his door.

Phia has her arms wrapped around you the moment you open the door to your trailer, loudly squealing, "I missed you!"

You sink into the hug, comforted by her presence.

As well as the fact that she represents some connection to Ewan.

Phia, Helaena. Helaena, Aemond. Aemond, Ewan.

It's a sick game to play, but it's what you have.

"Hey, yous," you hug Fabien and Bella in turn. Not long after, you're all lounging on director's chairs right outside your trailer, enjoying a bit of sun.

"How's our big Hollywood star?" Phia quips, her lips curling in her trademark pleasant upturn.

"Hardly a star," you shake your head fondly. "More of an indie darling."

"Of course, of course," she relents, before going on a monologue about how she's been keeping tabs on your project, how she just adores the costume designer whom she spoke to at length while you were working, and how the rest of the cast is rooting for you.

The rest of the cast.

"Ah, are they?" you ask, making a conscious effort to not simply blurt out his name. What does he think? Has he mentioned you at all?

Do they know?

Do they secretly hate you for what you did?

"Mhmm, right Fabs?" she says.

"Oh, definitely." Fabien agrees right away.

"How's your film? Are you done shooting in Philly?" you ask him.

"Just about done, but I think we're doing some final reshoots next week. I'm just glad my girl's here to visit," he slings an arm around Bella, who smiles and leans closer to him.

You smile at the sight, but it visibly falters. Ewan could be visiting you on set right now, just like Bella with Fabien, if you hadn't fucked it all up.

They notice.

"Love," Phia sighs, her tone softening. "I just want you know - we want you know - we're here for you, okay? No matter what you went through with... " A pause. Like saying his name would open up the floodgates.

Your gaze falls to your lap in shame. You pick on invisible lint on your trousers. Bite your lip. Breathe deeply.

Don't cry, don't cry, don't cry.

"So you guys know, huh?"

"Well, more or less," Phia says. "I just spoke with... Ewan... recently. He's back in Derby for the time being, and he's - "

"He's a bit rough," Fabien says firmly. He's not taking sides here, but he's heard from Ewan, and he feels the need to have his mate's back. "Look, I don't want to pry, but what happened? It seemed like you guys were doing so well together!"

"You don't have to tell us," Phia adds, shooting Fabien a look. "But if you want to, we're here to listen. We love you both and we just want to help, love."

You feel your eyes welling up. Leave it to Phia to be oh so sweet. You can't lie to them, you don't want to. Even if you did, they would see right through it.

Your friends know you too well.

"I... I miss him."

Phia squeezes your hand, and the whole story is about to spill out of you when you hear your name being called.

It's your assistant Clara, letting you know you're needed back on set.

You swallow back tears, standing on your feet, trying to maintain enough composure so you can grant yourself access back to your character.

"Go do your thing, superstar," Phia smiles comfortingly. "We'll be here when you're ready."

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November

"I'd like to propose a toast," Tom declares out loud in the empty pub, "to Ewan, Hollywood's new elf... Lord? Prince? Ah sod it, cheers!"

Round the table, Ewan, Fabien, Luke and Elliott all raise their pints with a collective, "Hear, hear!"

The pub has been cleared out for the lads, thanks to a favour called in by the twins, with the owner being their gym buddy and good friend.

"Thank you," Ewan replies, smirking. "I am your new elf prince, address me as such."

"Your ears have never been pointier, mate," Luke quips.

After a month of moping back home in Derby, or recovering as Ewan prefers to put it, he got a call from his manager telling him that the offer from Bruce still stands.

Apparently, the production team for the movie still had him tapped as the prime choice for the lead. After observing his audience metrics and overall viability, they decided that the movie would fare the best with him in it.

They had planted some half-baked announcements in the media, stating that it was Ewan against Joseph Quinn and Manny Jacinto for the role, and the fan reaction veered in Ewan's favour by a landslide.

Even though Bruce had an unsavoury word or two to say about him, he was willing to work past it, so long as Ewan would be more amenable to his demands.

After careful deliberation, Ewan chose to throw caution to the wind, and accept the role. So what if he has to pretend to have a real-life romance with Jenna? This is what you wanted.

"I'm glad you finally came out to see us, mate," Fabien says. "It's been a while."

"Yeah, fuck's sake. Remind us never to break your heart! That was tough to witness, you hunkerin' down out there all mopey and whatnot," Elliott laughs.

"Mmm." Ewan takes a swig of his beer to hide the wince he couldn't hold back. His friends, and most of the cast know by now, not in too much detail, of what went down between the two of you.

A typical short-lived romance of two actors. A summer fling. Most of them would look back and only see it as that.

Even though it was so much more. Even though Ewan still recalls how warm and soft and beautiful you felt as you whimpered underneath him, the loss of you as painful as getting hit by a freight train.

The liquor helps. Burying himself in work helps. Denial... well, that certainly helps the most.

When he goes out to the back garden for a smoke break with Fabien, he tricks himself into believing it's mere curiosity that compels him to say, "Phia mentioned that you guys went to Atlanta."

Fabien is rendered off guard, because he knows what's coming. "Yeah, we did. Bella came with us too. She was visiting me on set," he says, measuredly.

"Mmm." A long drag, a flick of ash towards the ground, an unaffected shrug - and eventually, with as impassive of a tone as he can muster, Ewan asks, "So how is she?"

Fabien smiles knowingly. "She's doing great. Her film's looking pretty good." He's privy to the truth, after he and Phia managed to gently coax it out of you over several martinis at a hotel bar in Atlanta. But he doesn't think it up to him to reveal that to Ewan, out of respect for your privacy.

While he might not share your sentiment, he thinks it's not in his place to tell Ewan that you basically lied for his sake.

But that doesn't mean he won't drop a helpful nugget or two.

"You know, I don't exactly know what's going on... but her and Jacob came across as nothing more than friends."

Ewan's hand freezes mid-air, the cigarette inches from his lips. He loathes the sense of hope that immediately bloomed in his chest. He's so bloody easy. One miniscule hint, and his delusions break through the wall of indifference he worked so hard to build.

"She said she has feelings for him," Ewan stresses, trying to convince himself. What was the fucking point of all this... this pain... if you never did?

"Hey, mate, I dunno," Fabien puts his hands up, "just telling you what I saw."

"It doesn't matter." It does. "She ended it." He wants you back, he will always want you back. "It's better this way."

"Is it?"

Ewan doesn't answer. He doesn't know how to, without grossly embellishing the truth.

Fabien watches his friend, sensing his hesitation as he averts his gaze. One thing becomes clear to him - you and Ewan are far from being over.

So he says, "She misses you, you know."

Ewan regards him with a stony look, one that slowly softens to reveal the broken boy inside. For but a moment, before he clears his throat and throws the butt of his cigarette on the ground.

"Let's head back inside."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

December

You're back in London, as production for your film is paused for the upcoming holiday season.

Work is supposed to be the last thing on your mind, but it just so happens that your manager has you booked for a chemistry read for a yet undisclosed film.

Phia came over to your apartment, insisting that she help you get ready. When you asked how she found out about your audition, she was quick to say that she was up for the role as well but didn't think it was right for her.

"Why not?" you ask, as she hovers over you, patting blush on the apples of your cheeks.

"Oh, you just get a feel for these things."

"Phi, it's just a chemistry read," you say, when she reaches for the mascara. "I don't need to get all dolled up for this."

She gasps, "Oh, but this is showbiz, darling. We always have to put a face on."

"Fine," you relent. "Do your worst."

The makeup she ends up doing on you is minimal, but it enhances your features just the right amount. You rush through your final preparations, folding up the script sample you were given and stuffing it in your purse.

Phia stands out on your balcony, in the middle of a call. The window screen is slightly open, so you hear snippets of the conversation as you walk by.

"Is he ready?" she asks. Who's he? You assume it's the guy you are doing the read with.

You don't know about him, but you are ready, so you stick your head out to say, "I gotta go, Phi."

"Oh!" She startles a little, angling her phone away. "Already?"

"Yeah, the read's at 4, I believe. Just lock the door when you leave, 'kay?"

She hurriedly whispers something to her phone, presumably ending her call. "I'll actually head out with you," she grins. "My work here is done anyway."

"Any plans for the night?"

She shrugs, "Might meet with Tom and Martha."

"Oh, why don't I meet you guys after my thing?"

"Uhhhm," she chews on her lip, thinking. Under her breath, you barely hear her mumble, "... hoping you'd be busy."

"What?" A restrained chuckle escapes you, confused as to why she's being so coy.

"Nothing," she tilts her head. "We can meet if you'd like."

The weird exchange is out of your mind when you arrive at the casting agency. You run the scene through in your head as you walk in the building, up the elevator, down the long hallway.

It's a heartfelt scene, if not a little tense, a dialogue between reunited ex-lovers.

Your manager Polina and publicist Mallory greet you at the doors, swiftly briefing you before directing you in.

"They're waiting, just walk right in, doll," Polina says.

"Okay, wish me luck!" You have your hand on the door handle when Mallory strangely remarks, "Don't hate us, sweetheart!"

"Why would I - "

"Go, go," Polina guides you in, then shuts the door behind you.

The office sports an spacious and open layout, with plenty of natural light streaming through large windows. The primary workstation is partially hidden behind a subtle partition. You see silhouettes of a few people behind it, so you walk down that way.

The figures reveal themselves soon enough - the casting agents you recognise as Patrick and Amie, sitting in front of the actor you're meant to read with.

A range of emotion washes over you, but you don't even have time to reckon with them. The casting agents divert your attention from Ewan, as they approach you with wide smiles in greeting.

"So nice to finally meet you!" Amie croons. "Take a seat. You two already know each other, of course. Between us, there won't really be a question of chemistry here."

"Right?" Patrick adds, looking between you and Ewan. "The fans sure think so, and we have to say we already agree."

"So just give us a minute to set up," Amie says. "Then we'll start."

You smile stiffly, settling down on the opposite end of the couch. You keep your gaze straight, trying to keep your attention on Patrick as he sets up the camera. Your heartbeat races the entire time, and you feel your hands getting clammy.

"They're all in on it," you hear Ewan say, prompting you to finally look at him directly. You take him in hungrily, admiring his outline, ever so handsome with his Targaryen-blonde hair and black leather jacket.

A weak "Mmm?" is all you can muster.

"Our teams, Tom, Phia... they set us up. Tom came over and I overheard him on the phone with Phia."

"Oh," you mumble. He doesn't even spare you a glance, leaning on the armrest on his side of the couch. He looks as if he'd rather be anywhere but here, next to you, and it hurts.

It's what you deserve.

"Is this not a real chemistry read?" you ask meekly.

"I suppose it is," he laughs humourlessly, "but it's not a coincidence that you and I just happen to be the only ones scheduled for today." He turns to you, giving you a critical sideways glance. "Didn't see that coming, did you?"

"I... I can leave if you want - "

"Mmm," his brows furrow, "you do seem to be good at that."

You look away. He is not being fair, but you weren't neither, that wretched night back in September.

And he is making you pay for it now.

But then you hear him speak in a softer tone, "Stay."

Stay. When you look at him once more, his attention is entirely on you, arm outstretched on the couch like he just tried to reach for you but decided against it.

Stay, he asked. So you do.

It's what you should have done, months ago.

"Okay, guys. Whenever you're ready," Amie says. She and Patrick take their seats in front of you, with the camera on a stand between them.

The script crinkles on your lap as you hold it with shaky fingers. "It's been a while," you read out your opening line.

The dialogue plays out twisted and ironic, now that you know who your scene partner is.

"Hardly," Ewan responds in character. "I feel like no time as passed."

"Feels like a lifetime."

He pauses, then sighs, "Do you even miss me?"

"How... how can you even ask me that?"

"How can I - "

"Why didn't you... why didn't you fight for me?" your voice breaks, the lines hitting a bit too close to home.

"You're a fucking hypocrite," he spits with venom. "You weren't exactly giving me anything to fight for."

"I did it for us. I did it all for us." If you didn't feel like crying at the weight of the scene, you would have rolled your eyes at the similarities.

"Like I said - nothing to fight for."

"Nothing? So you're telling me I was nothing to you."

"No," he levels you with an icy look, "you were everything to me. Everything. But you left me behind, and for what? So you can run off with the rebel sect?"

"The mission needed me. You wouldn't understand." You feel a sense of relief when the sci-fi elements roll in, otherwise you might have given in to your emotions and sobbed right there on the damn couch.

"I needed you," Ewan says, eyes not leaving yours. "I needed you and you abandoned me, just like that."

"And are you not better for it? When I left, did they not make you General?"

"See, that is the difference between you and I," he says coldly. "I wouldn't have traded what we had for anything - no position, no amount of wealth, no glory... I would have chosen us every time."

"Aaand cut!" Patrick jokes, effectively breaking the tension.

The two of you have unconsciously drifted closer, now only a foot part. Ewan does not drop your gaze, watching you closely. You see his eyes flit down to your parted lips, and he leans in almost imperceptibly.

"Alright, how about we go one more time?" Amie says, diverting your attention. "Give us a different take, and then that's it!"

Ewan settles back on his end of the couch. When he reads his lines again, his tone is harsher and he no longer meets your eyes.

Patrick and Amie commend you both afterward, singing praises about your acting abilities. Ewan is polite as always, blushing and grateful, but he practically dashes out of the door when the meeting finishes.

You're left standing with Amie, as Patrick has taken to his laptop to file the footage.

"The way he looks at you," she sighs dreamily, referring to Ewan. "You'd think the sun shone out your arse, doll."

"He... he was just in character," you disagree. "He's a good actor, as you know."

"Yeah, I mean, he nailed the part's rancour perfectly. But his eyes - oof - you've got a good one there."

Oh. Of course they would still assume you and him are together.

How desperately you want it to be true.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

An hour later, you've just sent Phia a text saying - You owe me. Where do I meet you guys?

But you hear a knock on your apartment door. If you didn't buzz anyone in, it can only be a neighbour or someone the doorman recognised.

Someone familiar to you.

And it's him.

"Ewan?"

"I need to speak with you."

You step aside so he doesn't linger at your doorway. He walks past you, a welcome if not unexpected presence in the room.

You can't decipher his expression, his gaze angled downward as he leans against your kitchen counter.

When the silence becomes almost deafening, you laugh awkwardly, about to make some silly remark on whether he is still in character. But he doesn't let you diffuse the tension.

"I want you," he blurts out without warning. "God help me, I still want you. I think I might have a fucking problem because how can I... after what you did - " A momentary glance of betrayal, but you see the spite clear in his eyes. " - but I do. I can't get you out of my system."

"I'm sorry - "

"I don't need that," he says sharply. "I don't need your sorry. I need you. I need to have you, and maybe this way, I'll satisfy whatever pointless desire I still have in me."

"What are you saying?"

"I'm saying - I'm asking - will you let me have you?"

"Ewan, I don't under - "

"I'm saying that we should sleep together," he says bluntly, and it feels like the rug has been pulled from under your feet, "but only just. You won't be mine, and I won't be yours."

"You're kidding."

He shakes his head, before adding, "Don't worry. It'll be our little secret. To the rest of the world, I'll have a different girlfriend anyway."

His words register, along with the bitter ache at his words, that you won't be his, he won't be yours. This is purely for pleasure. There used to be love here, and now he just craves the comfort your body allows.

You'll be using each other.

You should refuse. This is not healthy; this is not how you move on. Can you even go back to being good friends after this? But also - what have you got to lose?

What, except for him, and for good this time?

What, except everything?

"So what do you say - " He closes in on you, and with every bit of malice intended, the name no longer possessing the sweetness it once held, he sneers, "- darling?"

�� next chapter

Taglist: @namelesslosers @skymoonandstardust @valyrianflower @luckyfirebasement @omgsuperstarg @elissanatok @callsignwidow @sinistersnakey49 @darkwriteracademia @yyrzmomo @queenofshinigamis @luvaerina @shamelessblazecrown @mirandastuckinthe80s @elleinex0x0 @pierrotlu @aegonswife @strangersunghoon @lunampacheco @writer-ann-artist @gaiaea @of-swords-and-words @ateliefloresdaprimavera @m00n5t0n3 @helaenaluvr @peachysunrize @annie-ruk @luvly-writer @ananas26t @athenafaes @lovelyteenagebeard @mamawiggers1980 @moongirl27 @katherine93 @barnes70stark @justbelljust @cloudroomblog @somestufftoday @esposadomd @girl-in-the-chairs-void @insideyourimagination @vyctorya @wildrangers @livcookesgf @onlyrealjoy (continued ... )

Some notes in the margins...

Well well well... the transition from friends to lovers to strangers to angsty FWBs sure is a slippery slope!

The time jumps are so we get through the moping quicker! It's mostly back to the regular shenanigans in the next part. Only, you know, angst-ridden. But you hurt Ewan, reader. *wags finger* Don't say you didn't expect this switch! Tsktsk

So what now - will you accept this arrangement? Will things ever be truly okay? Part 7 is going to be hot and hilarious and stupid and messy, just as the doctor ordered.

Let's hash it out in the comments, shall we? 🗡💕

#ewan mitchell #ewan mitchell x reader #ewan mitchell imagine #aemond targaryen #house of the dragon #chemical override #hotd #aemond targaryen x reader

716 notes · View notes

mrs-stans · 2 months ago

Text

Sebastian Stan Tells All: Becoming Donald Trump, Gaining 15 Pounds and Starring in 2024’s Most Controversial Movie

By Daniel D'Addario

Sebastian Stan Variety Cover Story

It started with the most famous voice on the planet, the one that just won’t shut up.

Sebastian Stan, in real life, sounds very little like Donald Trump, whom he’s playing in the new film “The Apprentice.” Sure, they share a tristate accent — Stan has lived in the city for years and attended Rutgers University before launching his career — but he speaks with none of Trump’s emphasis on his own greatness. Trump dwells, Stan skitters. Trump attempts to draw topics together over lengthy stem-winders (what he recently called “the weave”), while Stan has a certain unwillingness to be pinned down, a desire to keep moving. It takes some coaxing to bring Stan, a man with the upright bearing and square jaw of a matinee idol, to speak about his own process — how hard he worked to conjure a sense Trump, and how he sought to bring out new insights about America’s most scrutinized politician.

“I think he’s a lot smarter than people want to say about him,” Stan says, “because he repeats things consistently, and he’s given you a brand.” Stan would know: He watched videos of Trump on a loop while preparing for “The Apprentice.” In the film, out on Oct. 11, Stan plays Trump as he moves from insecure, aspiring real estate developer to still insecure but established member of the New York celebrity firmament.

We’re sitting over coffee in Manhattan. Stan is dressed down in a black chore coat and black tee, yet he’s anything but a casual conversation partner. He rarely breaks eye contact, doing so only on the occasions when he has something he wants to show me on his iPhone (cracked screen, no case). In this instance, it’s folders of photos and videos labeled “DT” and “DT PHYSICALITY.”

“I had 130 videos on his physicality on my phone,” Stan says. “And 562 videos that I had pulled with pictures from different time periods — from the ’70s all the way to today — so I could pull out his speech patterns and try to improvise like him.” Stan, deep in character, would ad-lib entire scenes at director Ali Abbasi’s urging, drawing on the details he’d learned from watching Trump and reading interviews to understand precisely how to react in each moment.

“Ali could come in on the second take and say, ‘Why don’t you talk a little bit about the taxes and how you don’t want to pay?’ So I had to know what charities they were going to in 1983. Every night I would go home and try not only to prepare for the day that was coming, but also to prepare for where Ali was going to take this.”

Looking at Stan’s phone, among the endless pictures of Trump, I glimpse thumbnails of Stan’s own face perched in a Trumpian pout and videos of the actor’s preparation just aching to be clicked — or to be stored in the Trump Presidential Library when this is all over in a few months, or in 2029, or beyond.

“I started to realize that I needed to start speaking with my lips in a different way,” Stan says. “A lot of that came from the consonants. If I’m talking, I’m moving forward.” On film, Stan shapes his mouth like he can’t wait to get the plosives out, puckering without quite tipping into parody. “The consonants naturally forced your lips forward.”

“If he did 10% more of what he did, it would become ‘Saturday Night Live,’” Abbasi says. “If he did 10% less, then he’s not conjuring that person. But here’s the thing about Sebastian: He’s very inspired by reality, by research. And that’s also the way I work; if you want to go to strange places, you need to get your baseline reality covered very well.”

A little later, Stan passes me the phone again to show me a selfie of him posing shirtless and revealing two sagging pecs and a bit of a gut. He’s pouting into a mirror. If his expression looks exaggerated, consider that he was in Marvel-movie shape before stepping into the role of the former president; the body transformation happened rapidly and jarringly. Trump’s size is a part of the film’s plot — as Trump’s sense of self inflates, so does he. In a rush to meet the shooting deadline for “The Apprentice,” Abbasi asked Stan, “How much weight can you gain?”

“You’d be surprised,” Stan tells me. “You can gain a lot of weight in two months.” (Fifteen pounds, to be exact.)

Now he’s back in fighting form, but the character has stayed with him. After years of playing second-fiddle agents of chaos — goofball husbands to Margot Robbie’s and Lily James’ characters in “I, Tonya” and Hulu’s “Pam & Tommy,” surly frenemy to Chris Evans’ Captain America in the Marvel franchise — Stan plunged into the id of the man whose appetites have reshaped our world. He had to have a polished enough sense of Trump that he could improvise in character, and enough respect for him to play him as a human being, not a monster.

It’s one of two transformations this year for Stan — and one that might give a talented actor that most elusive thing: a brand of his own. He’s long been adjacent enough to star power that he could feel its glow, but he hasn’t been the marquee performer. While his co-stars have found themselves defined by the projects he’s been in — from “Captain America” and “I, Tonya” back to his start on “Gossip Girl” — he’s spent more than a decade in the public eye while evading being defined at all.

This fall promises to be the season that changes all that: Stan is pulling double duty with “The Apprentice” and “A Different Man” (in theaters Sept. 20), in which he plays a man afflicted with a disfiguring tumor disorder who — even when presented with a fantastical treatment that makes him look like, well, Sebastian Stan — can’t be cured of ailments of the soul. For “A Different Man,” Stan won the top acting prize at the Berlin Film Festival; for “The Apprentice,” the sky’s the limit, if it can manage to get seen. (More on that later.)

One reason Stan has largely evaded being defined is that he’s never the same twice, often willing to get loopy or go dark in pursuit of his characters’ truths. That’s all the more true this year: In “The Apprentice,” he’s under the carapace of Trumpiness; in “A Different Man,” his face is hidden behind extensive prosthetics.

“In my book, if you’re the good-looking, sensitive guy 20 movies in a row, that’s not a star for me,” says Abbasi, who compares Stan to Marlon Brando — an actor eager to play against his looks. “You’re just one of the many in the factory of the Ken dolls.”

This fall represents Stan’s chance to break out of the toy store once and for all. His Winter Soldier brought a jolt of evil into Captain America’s world, and his Jeff Gillooly was the devil sitting on Tonya Harding’s shoulder. Now Stan is at the center of the frame, playing one of the most divisive characters imaginable. So he’s showing us where he can go. The spotlight is his, and so is the risk that comes with it.

Why take such a risk?

The script for “The Apprentice,” which Stan first received in 2019, but which took years to come together, made him consider the American dream, the one that Trump achieved and is redefining.

Stan emigrated with his mother, a pianist, from communist Romania as a child. “I was raised always aware of the American dream: America being the land of opportunity, where dreams come true, where you can make something of yourself.” He pushes the wings of his hair back to frame his face, a gold signet ring glinting in the late-summer sunlight, and, briefly, I can hear a hint of Trump’s directness of approach. “You can become whoever you want, if you just have a good idea.” Stan’s good idea has been to play the lead in movies while dodging the formulaic identity of a leading man, and this year will prove just how far he can take it.

“The Apprentice” seemed like it would never come together before suddenly it did. This time last year, Stan was sure it was dead in the water, and he was OK with that. “If this movie is not happening, it’s because it’s not meant to happen,” he recalls thinking. “It will not be because I’m too scared and walk away.”

Called in on short notice and filming from November 2023 to January of this year (ahead of a May premiere in Cannes), Stan lent heft and attitude to a character arc that takes Trump from local real estate developer in the 1970s to national celebrity in the 1980s. He learns the rough-and-tumble game of power from the ruthless and hedonistic political fixer Roy Cohn (Jeremy Strong), eventually cutting the closeted Cohn loose as he dies of AIDS and alienating his wife Ivana (Maria Bakalova) in the process. (In a shocking scene, Donald sexually assaults Ivana in their Trump Tower apartment.) For all its edginess, the film is about Trump’s personality — and the way it calcified into a persona — rather than his present-day politics. (Despite its title, it’s set well before the 2004 launch of the reality show that finally made Trump the superstar he longed to be.)

And despite the fact that Trump has kept America rapt since he announced his run for president in 2015, Hollywood has been terrified of “The Apprentice.” The film didn’t sell for months after Cannes, an unusual result for a major English-language competition film, partly because Trump’s legal team sent a cease-and-desist letter attempting to block the film’s release in the U.S. while the fest was still ongoing. When it finally sold, it was to Briarcliff Entertainment, a distributor so small that the production has launched a Kickstarter campaign to raise money so that it will be able to stay in theaters.

Yes, Hollywood may vote blue, but it’s not the same town that released “Fahrenheit 9/11” or even “W.,” let alone a film that depicts the once (and possibly future) president raping his wife. (The filmmakers stand behind that story. “The script is 100% backed by my own interviews and historical research,” says Gabriel Sherman, the screenwriter and a journalist who covers Trump and the American conservative movement. “And it’s important to note that it is not a documentary. It’s a work of fiction that’s inspired by history.”) Entertainment corporations from Netflix to Disney would be severely inconvenienced if the next president came into office with a grudge against them.

“I am quite shocked, to be honest,” Abbasi says. “This is not a political piece. It’s not a hit piece; it’s not a hatchet job; it’s not propaganda. The fact that it’s been so challenging is shocking.” Abbasi, born in Iran, was condemned by his government over his last film, “Holy Spider,” and cannot safely return. He sees a parallel in the response to “The Apprentice.” “OK, that’s Iran — that is unfortunately expected. But I wasn’t expecting this.”

“Everything with this film has been one day at a time,” Stan says. The actor chalks up the film’s divisiveness to a siloed online environment. “There are a lot of people who love reading the [film’s] Wikipedia page and throwing out their opinions,” he says, an edge entering his voice. “But they don’t actually know what they’re talking about. That’s a popular sport now online, apparently.”

Unprompted, Stan brings up the idea that Trump is so widely known that some might think a biographical film about him serves no purpose. “When someone says, ‘Why do we need this movie? We know all this,’ I’ll say, ‘Maybe you do, but you haven’t experienced it. The experience of those two hours is visceral. It’s something you can hopefully feel — if you still have feelings.’”

After graduating from Rutgers in 2005, Stan found his first substantial role on “Gossip Girl,” playing troubled rich kid Carter Baizen. Like teen soaps since time immemorial, “Gossip Girl” was a star-making machine. “It was the first time I was in serious love with somebody,” he says. (He dated the series’ star, Leighton Meester, from 2008 to 2010.) He feels nostalgic for that moment: “Walking around the city, seeing these same buildings and streets — life seemed simpler.”

Stan followed his “Gossip Girl” gig with roles on the 2009 NBC drama “Kings,” playing a devious gay prince in an alternate-reality modern world governed by a monarchy, and the 2012 USA miniseries “Political Animals,” playing a black-sheep prince (and once again a gay man) of a different sort — the son of a philandering former president and an ambitious former first lady.

When I ask him what lane he envisioned himself in as a young actor, he shrugs off the question. “I grew up with a single mom, and I didn’t have a lot of male role models. I was always trying to figure out what I wanted to be. And at some point, I was like, I could just be a bunch of things.”

Which might seem challenging when one is booked to play the same character, Bucky Barnes, in Marvel movie after Marvel movie. Bucky’s adventures have been wide-ranging — he’s been brainwashed and turned evil and then brought back to the home team again, all since his debut in 2011’s “Captain America: The First Avenger.” Next year, he’ll anchor the summer movie “Thunderbolts,” as the leader of a squad of quirky heroes played by, among others, Julia Louis-Dreyfus and Florence Pugh. It’s easy to wonder if this has come to feel like a cage of sorts.

Not so, says Stan. His new Marvel film “was kind of like ‘One Flew Over the Cuckoo’s Nest’ — a guy coming into this group that was chaotic and degenerate, and somehow finding a way to unite them.”

Lately, knives have been out for Marvel movies as some have disappointed at the box office, and “Thunderbolts,” which endured strike delays and last-minute cast changes, has been under scrutiny.

“It’s become really convenient to pick on [Marvel films],” Stan says. “And that’s fine. Everyone’s got an opinion. But they’re a big part of what contributes to this business and allows us to have smaller movies as well. This is an artery traveling through the system of this entire machinery that’s Hollywood. It feeds in so many more ways than people acknowledge.” He adds, “Sometimes I get protective of it because the intention is really fucking good. It’s just fucking hard to make a good movie over and over again.”

Which may account for an eagerness to try something new. “In the last couple of years,” he says, “I’ve gotten much more aggressive about pursuing things that I want, and I’m constantly looking for different ways of challenging myself.”

The challenge continued throughout the shoot of “The Apprentice,” as Stan pushed the material. “One of the most creatively rewarding parts of the process was how open Sebastian was to giving notes on the script but also wanting to go beyond the script,” says Sherman, the screenwriter. “If he was interested in a certain aspect of a scene, he was like, Can you find me a quote?” he recalls.

Building a dynamic through improvised scenes, Stan and Strong stayed in character throughout the “Apprentice” shoot. “I was doing an Ibsen play on Broadway,” says Strong, who won a Tony in June for his performance in “An Enemy of the People,” “and he came backstage afterwards. And it was like — I’d never really met Sebastian, and I don’t think he’d ever met me. So it was nice to meet him.”

Before the pair began acting together, they didn’t rehearse much — “I’m not a fan of rehearsals,” Strong says. “I think actors are best left in their cocoon, doing their work, and then trusted to walk on set and be ready.” The two didn’t touch the script together until cameras went up — though they spent a preproduction day, Strong says, playing games in character as Donald and Roy.

After filming, both have kept memories of the hold their characters had on them. They shared a flight back from Telluride — a famously bumpy trip out of the mountains. “He’s a nervous flyer, and I’m a nervous flyer,” Stan says. Both marveled at the fact that they’d contained their nerves on the first day of shooting “The Apprentice,” when their characters traveled together via helicopter. “We both go, ‘Yeah — but there was a camera.’”

Stan’s aggressive approach to research came in handy on “A Different Man,” which shot before “The Apprentice.” His character’s disorder, neurofibromatosis, is caused by a genetic mutation and presents as benign tumors growing in the nervous system. After being healed, he feels a growing envy for a fellow sufferer who seems unbothered by his disability.

Stan’s co-star, Adam Pearson, was diagnosed with neurofibromatosis in early childhood. Stan found the experience challenging to render faithfully. “I said many times, I can do all the research in the world, but am I ever going to come close to this?” Stan says. “How am I going to ever do this justice?”

Plus, he had precious little time to prepare: “He was fully on board, and the film was being made weeks later,” director Aaron Schimberg says. “Zero to 60 in a matter of weeks.”

The actor grappled for something to hold on to, and Pearson sug gested he refer to his own experience of fame. “Adam said to me, ‘You know what it’s like to be public property,’” Stan says.

Pearson recalls describing the experience to Stan this way: “While you don’t understand the invasiveness and the staring and the pointing that I’ve grown up with, you do know what it’s like to have the world think you owe them something.”

That sense of alienation becomes universal through the film’s storytelling: “A Different Man” takes its premise as the jumping-off point for a deep and often mordant investigation of who we all are underneath the skin.

The film was shot in 22 days in a New York City heat wave, and there was, Schimberg says, “no room for error. I would get four or five takes, however many I could squeeze out, but there’s no coverage.”

Through it all, Stan’s performance is utterly poised — Schimberg and Stan discussed Buster Keaton as a reference for his ability to be “completely stone-faced” amid chaos, the director says. And the days were particularly long because Oscar-nominated prosthetics artist Michael Marino was only able to apply Stan’s makeup in the early morning, before going to his job on the set of “The Marvelous Mrs. Maisel.”

“Even though I wasn’t shooting until 11 a.m., I would go at like 5 in the morning to his studio, or his apartment,” Stan recalls. The hidden advantage was that Stan had hours to kill while made up like his character, the kind of person the world looks past. “I wanted to walk around the city and see what happened,” Stan says. “On Broadway, one of the busiest streets in New York, no one’s looking at me. It’s as if I’m not even there.” The other reaction was worse: “Somebody would immediately stop and very blatantly hit their friend, point, take a picture.”

It was a study in empathy that flowed into the character. Stan had spoken to Pearson’s mother, who watched her son develop neurofibromatosis before growing into a disability advocate and, eventually, an actor. “She said to me, ‘All I ever wanted was for someone to walk in his shoes for a day,’” Stan recalls. “And I guess that was the closest I had ever come.”

“The Apprentice” forced Stan, and forces the viewer, to do the same with a figure that some 50% of the electorate would sooner forget entirely. And that lends the film its controversy. Those on the right, presupposing that the movie is an anti-Trump document, have railed against it. In a statement provided to Variety, a Trump campaign spokesman said, “This ‘film’ is pure malicious defamation, should never see the light of day and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.” The campaign threatened a lawsuit, though none has materialized.

Asked about the assault scene, Stan notes that Ivana had made the claim in a deposition, but later walked it back. “Is it closer to the truth, what she had said directly in the deposition or something that she retracted?” he asks. “They went with the first part.”

The movie depicts, too, Ivana’s carrying on with her marriage after the violation, which may be still more devastating. “How do you overcome something like this?” asks Bakalova. “Do you have to put on a mask that everything is fine? In the next scene, she’s going to play the game and pretend that we’re the glamorous, perfect couple.” The Trumps, in “The Apprentice,” live in a world of paper-thin images, one that grows so encompassing that Donald no longer feels anything for the people to whom he was once loyal. They’re props in his stage show.

“The Apprentice” will drop in the midst of the most chaotic presidential election of our lifetime. “The way it lands in this extremely polarized situation, for me as an artist, is exciting. I won’t lie to you,” says Abbasi.

When asked if he was concerned about blowback from a Trump 47 presidency, Stan says, “You can’t do this movie and not be thinking about all those things, but I really have no idea. I’m still in shock from going from an assassination attempt to the next weekend having a president step down [from a reelection bid].”

Stan’s job, as he sees it, was to synthesize everything he’d absorbed — all those videos on his phone — into a person who made sense. This Trump had to be part of a coherent story, not just the flurry of news updates to which we’ve become accustomed.

“You can take a Bach or a Beethoven, and everyone’s going to play that differently on the piano, right?” Stan says. (His pianist mother named him for Johann Sebastian Bach.) “So this is my take on what I’ve learned. I have to strip myself of expectations of being applauded for this, if people are going to like it or people are going to hate it. People are going to say whatever they want. Hopefully they should think at least before they say it.”

It’s a reality that Stan is now used to — the work is the work, and the way people interpret him is none of his business. Perhaps that’s why he has run away from ever being the same thing twice. “I could sit with you today and tell you passionately what my truth is, but it doesn’t matter,” he says. “Because people are more interested in a version of you that they want to see, rather than who you are.”

“The Apprentice” has been the subject of extreme difference of opinion by many who have yet to see it. It’s been read — and will continue to be after its release — as anti-Trump agitprop. The truth is chewier and more complicated, and, perhaps, unsuited for these times.

“Are we going to live in a world where anyone knows what the truth is anymore? Or is it just a world that everyone wants to create for themselves?” Stan asks.

His voice — the one that shares a slight accent with Trump but that is, finally, Stan’s own — is calm and clear. “People create their own truth right now,” he says. “That’s the only thing that I’ve made peace with; I don’t need to twist your arm if that’s what you want to believe. But the way to deal with something is to actually confront it.”

#Variety #Sebastian Stan #Photoshoot #A Different Man #The Apprentice #Thunderbolts*#Marvel #Interview #mrs-stans

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fans4wga · 1 year ago

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SAG-AFTRA Takes Up Bethenny Frankel’s Fight To Unionize Reality Show Contestants & End “Exploitative Practices”

August 10, 2023

"SAG-AFTRA, which covers the hosts but not the contestants on reality TV competition shows, said today that it’s working “toward the protection of the reality performers” in an effort to end “the exploitative practices that have developed in this area” and “to engage in a new path to union coverage.”

“We are tired of studios and production companies trying to circumvent the union in order to exploit the talent that they rely upon to make their product,” the guild said.

The announcement comes after Bethenny Frankel, a former star of The Real Housewives of New York City, suggested that reality performers should go on strike in order to win residuals for their work and to combat abuses in the workplace. Reality show hosts, but not contestants, are covered by the guild’s Network Code, which is not part of its strike against films and scripted TV shows.

“Why isn’t reality TV on strike?” Frankel said in a recent TikTok video. “I got paid $7,250 for my first season of reality TV, and people are still watching those episodes.” Reality stars, she said, “are the stepchildren, the losers, the mules, the pack horses. The ones that the entertainment industry is going to rely on, right now, to carry the water and do the heavy lifting when real stars, real A-list Hollywood is on strike.”

She added, “Reality television exploits affairs, bankruptcy, falling off the wagon, not really having what you say you have, something inappropriate, risking cancellation every single time the camera goes on.”

To address the alleged abuse of reality stars, she’s engaged high-powered attorneys Bryan Freedman and Mark Geragos to investigate the alleged abuse of reality stars.

In a statement today, SAG-AFTRA said that it “has engaged in discussions with Bryan Freedman at the Freedman + Taitelman, LLP law firm who has been retained by Bethenny Frankel around the subject of treatment of reality performers. SAG-AFTRA is the union that represents reality performers. Depending on the structure of the production and the performers involved, we can cover these performers under our Network Code Agreement.

“We stand ready to assist Bethenny Frankel, Bryan Freedman and Mark Geragos along with reality performers and our members in the fight and are tired of studios and production companies trying to circumvent the Union in order to exploit the talent that they rely upon to make their product.

“We encourage any reality performers and/or members to reach out to SAG-AFTRA’s Entertainment Contracts Department so that we may work together toward the protection of the reality performers ending the exploitative practices that have developed in this area and to engage in a new path to union coverage.”

“Please be advised that the day of reckoning has arrived,” Freedman, working with Geragos, said in a letter sent to NBCUniversal on Aug. 3. “While our investigation is still ongoing, we have reason to believe that cast members and crewmembers on NBC reality TV shows have been subjected to disturbing mistreatment by NBCUniversal and/or its employees, contractors, and third-party affiliates.”

Building off Frankel’s union aims, the list of such mistreatment that Freedman lays out includes:

Deliberate attempts to manufacture mental instability by plying cast members with alcohol while depriving them of food and sleep.

Denying mental health treatment to cast members displaying obvious and alarming signs of mental deterioration.

Exploiting minors for uncompensated and sometimes long-term appearances on NBC reality TV shows.

Distributing and/or condoning the distribution of nonconsensual pornography.

Covering up acts of sexual violence.

Refusing to allow cast members the freedom to leave their shows, even under dire circumstances.

In response, an NBCUniversal spokesperson told Deadline that the company is “committed to maintaining a safe and respectful workplace for cast and crew on our reality shows. At the outset, we require our third-party production partners to have appropriate workplace policies and training in place. If complaints are brought to our attention, we work with our production partners to ensure that timely, appropriate action is or has been taken, including investigations, medical and/or psychological support, and other remedial action that may be warranted such as personnel changes.”

@bethennyfrankel on Tiktok: This is a union. I’ve defined fair & reasonable terms & consider those making $0 on the bachelor to a housewife making millions. This is a 1st pass & how I’d negotiate, w/ my institutional knowledge & wisdom in this industry w/ over a decade on 8 tv, w/ 10 books, 5 podcasts, multiple businesses & what was the fastest growing spirits business in history. I know a contract. Looking into traditional TV residuals is like looking inside “a beautiful mind.” Content used later with no profit sharing & l exploitation of hard working talent is as archaic as calling empowered independent women “housewives,” a term setting back women 100 years then using them for drama.

This is the REALITY RECKONING aka THE REALITY REVOLUTION. The is the new BETHENNY CLAUSE. Reality TV has existed for decades & sustained entertainment during the last strike & exploded. This isn’t for people like me, who have thrived & succeeded and clawed their way to the top despite the odds. This is for the next generation. These are broad stroke terms subject to modification. This fight is just getting started. We’re rogue & nimble & not entangled & unwieldy. The intention here is to affect change, get things done and make history.

I’ve listed some names who have contacted me & want to get involved. People not on this list are Vanderpump rules talent & the Kardashians, ironically the most powerful entities in entertainment right now, with the most leverage. They should fight for others who paved the way & for those after them. Shows like Summer House and others in production should stand down. Viewers should not watch this content. This paves the way for nurses and teachers, essential workers, production members & glam teams that will be inspired to create a model of their own reckoning.

Change takes courage. I’ve alienated this industry & burned bridges with the entire network and streaming community in one fell swoop. This is not for the faint of heart but it’s for the greater good. This is correct. We will be sending these terms by email with the subject line: “Reality Reckoning” starting emails with: imwithbethenny Who’s with me?"

#sag-aftra strike #sag strike #reality tv #union solidarity #actors strike #bethany frankel

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fuckyeahgravityfalls · 4 months ago

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Happy Book of Bill Day! 👁️

Amazon

Barnes & Noble

BAM!

Did you miss him? Admit it, you missed him.

The demon that terrorized Gravity Falls is back from the great beyond to finally tell his side of the story in The Book of Bill, written by none other than Bill Cipher himself.

Inside, Bill sheds light on his bizarre origins, his sinister effects on human history, the Pines family’s most embarrassing secrets, and the key to overthrowing the world (laid out in a handy step-by-step guide). This chaotic and beautifully illustrated tome contains baffling riddles, uncrackable ciphers, lost Journal 3 pages, ways to cheat death, the meaning of life, and a whole chapter on Silly Straws. But most importantly, The Book of Bill is deeply, deeply cursed.

Alex Hirsch, #1 New York Times bestselling author, resuscitates this infamous villain and invites fans to a Bill’s eye view of the Gravity Falls universe. There are many who believe this book is too dangerous for human hands. But if you can’t resist, just know this: Once you make a deal with Bill, it’s not so easily undone . . .

Beware: This book travels to dimensions meant for older readers.

Alex Hirsch is a writer, animator, voice actor, and director. He is best known for creating Gravity Falls on Disney XD. He was raised in Piedmont, California, and received a BFA in Character Animation from The California Institute of the Arts. He currently lives in Los Angeles and is at work developing projects for film and television. Despite the rumors, he was NOT possessed by a demon while writing this book. We repeat: NOT DEMONICALLY POSSESSED.

#alex hirsch #bill cipher #gravity falls #*#the book of bill #merchandise

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mediamixs · 5 months ago

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Meet Frodo, the star cat from A Quiet Place: Day One

Frodo, the tuxedo cat, is a standout character in A Quiet Place: Day One, serving as a crucial narrative device and emotional anchor in the film. Played by two real cats, Nico and Schnitzel, Frodo is the service animal of the main character Samira, portrayed by Lupita Nyong'o.

Director Michael Sarnoski was adamant about using real cats instead of CGI, as he wanted to capture the unpredictable and authentic nature of felines in the high-stakes, post-apocalyptic setting.Frodo's silent movements and instinctual understanding of the need for quietness in the face of the sound-sensitive alien creatures add an extra layer of tension and suspense to the film.

Frodo's presence also facilitates the chance encounter between Samira and the British law student Eric, played by Joseph Quinn. By following Frodo, Eric is able to find and assist Samira, leading to their perilous journey together through the devastated New York City. The cat's role as a narrative device is crucial, as without Frodo, the two main human characters may have never crossed paths.

Nyong'o, who was initially fearful of cats, overcame her trepidation during filming and developed a fondness for Nico and Schnitzel, the cats portraying Frodo. This personal journey is reflected in the on-screen bond between Samira and her feline companion.

Overall, Frodo's resilience, silent presence, and emotional significance make him a standout character in A Quiet Place: Day One, subverting common post-apocalyptic tropes and adding a heartwarming element to the thrilling survival story.

#horror #movies #film premiere #frodo #cat #a quiet place day one

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gelatinlabs · 16 days ago

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Take the Right Film With the support of film development services At the Best Cost.

The process of developing and handling photographic film is relatively straightforward, employing the same methods for both color and black-and-white films. Although they may require different chemicals, the steps involved remain consistent. If you decide to take the plunge into processing your film, certain photographic tips and guidelines should be kept in mind. After that, the film needs to be loaded onto your plastic or metal reel.

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With effective support and assurance, we can come up with a better solution to design and develop the film effectively. Handle the film cautiously by its edges to avoid any harm. With scissors, you need to trim the leader at the beginning of the roll to create a flat edge. At the opposite end of the reel, you’ll find the film attached to the spool, which also requires cutting.

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You have to visit our professional photo lab, which will present you with numerous opportunities beyond what you can achieve at home or in other shops. They can offer you fantastic choices for matting and finishes, so your photographs are perfect for framing. They can also assist you with wedding photo albums, headshot printing, canvas prints, and much more.

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#photo lab New York #film developing Michigan

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onemillennia · 5 months ago

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Laewavy in New York for fashion week September 2023

Photography by Ayedatsmanny

Developed & Scanned by 1MILLENNIA

Circa September 2023

Shot on 35mm

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pedroscurls · 3 months ago

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HUGH JACKMAN MASTERLIST.

18+ only, mdni! you can find all of the pedro pascal characters i've written so far below the cut. please note that majority of the stories contain (or will eventually have) smut and all stories are fem!reader, no use of y/n.

🌶️ - smut ❤️‍🩹 - angst 🥰 - fluff

LOGAN HOWLETT

HUGH JACKMAN (real person fanfiction)

🌶️ ❤️‍🩹 🥰 training partners: you hire a new personal trainer to get you back on track, but you don't realize that she's also hugh jackman's trainer until you show up to the gym. ↳ pt 1. - pt 2. - pt. 3 - pt. 4 - pt. 5 - pt. 6 - pt. 7 - pt. 8 - pt. 9 - pt. 10 - pt. 11 - pt. 12 - pt. 13

requests:

🌶️ ❤️‍🩹 secret crushes: you've known hugh for years, having not only a personal friendship with him, but also a professional one. then, ryan decides to play matchmaker unbeknownst to you or hugh. ↳ pt. 1 (can be read as a standalone) - pt. 2 (which includes blake and ryan with reader!)

🌶️ sneak away with me: you sneak away with hugh during a party.

🌶️ welcome to broadway: it's the anniversary of oklahoma! and with it being your first broadway show, hugh takes you under his wing to show you the ropes. along the way, you realize that you've developed feelings for him.

🌶️ 🥰 baby, stay in bed: head over heels in love with hugh, you spend the night for the first time... and realize that hugh feels the same way.

🌶️ save a horse, ride a cowboy: hugh takes you to go flower picking, but all you can think about is taking him back to his car and riding him.

🥰 let the world know: you and hugh have been keeping your relationship a secret... until hugh accidentally lets millions of his followers know exactly who he's been dating.

🥰 cooking with hugh: hugh gets to see you in action... and he reaps the benefits too.

🥰 the first date: hugh takes you out for your first date.

🥰 sunday nights: sunday nights with hugh are your favorite -- movie night, cuddling, and finally some alone time with him.

🌶️ 🥰 romantic getaway: hugh takes you to greece for a romantic getaway after rumors of your relationship with him start to circulate the media... but there's no hiding it anymore.

🥰 first impressions: hugh meets your kids for the first time.

🥰 bad influence: already running late for work, hugh convinces you to call in sick.

🥰 mesmerized from afar: despite your relationship with hugh being out in the open, you both still do your best to keep it professional in the public eye... until hugh makes it very obvious during a hollywood event.

🌶️ 🥰 our little secret: ryan and blake try to set you and hugh up, but little do they know, you've already been secretly seeing each other.

🌶️ you put a spell on me: hugh attends a masquerade-themed party and you capture his attention the moment you step into the building.

🥰 seasons changing: hugh and reader get ready for fall in new york.

🌶️ late to the party: possibly already late to ryan and blake's party, hugh becomes just slightly annoyed when you can't decide what to wear... and when he realizes that you're doing it on purpose, he only knows one way to make sure you don't do it again.

❤️‍🩹 better together: after filming finishes with deadpool & wolverine, your relationship with hugh progresses... until he breaks things off with you. it isn't until ryan invites you to the press tour that you see him again and finally have a serious conversation with him.

❤️‍🩹 🥰 in the shadows: hugh's excited to see you at his premiere, but when he sees the look on your face when he's posing with one of his co-stars, he's confused because you decide to leave without a word.

#hugh jackman character #hugh jackman character fanfiction #hugh jackman characters fanfiction #logan howlett #logan howlett fanfiction #logan howlett fanfic #pedroscurls fanfiction masterlist #pedroscurls masterlist

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tippenstoepens · 5 months ago

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Prettiest Girl in the Room

Anyone would kill to play Joseph Quinn's wife on television. Anyone except you.

part 1 - part 2 - part 3

Wordcount: 1.8k

Clubs were not your thing. But you were wrapping the first season of the show that gave you your first lead role on everyone’s favorite streaming service alongside 2022’s it-guy - Joseph Quinn. So you understood why this might be a night out that you couldn’t pass on. Even if it did end in disaster, it was a memory begging to be made.

The main cast had agreed on and planned this night out for the past three weeks in the group chat. The destination was a popular speakeasy in New York, the kind you needed a password for and entered through an inconspicuous door hidden behind a dumpster.

There you sat at the table, forcing the coolest attitude you could conjure sitting across from your TV husband, Joe. In the six months you spent as his TV wife, you couldn’t imagine why everyone was so head over heels for this guy. Sure, he’s handsome and good with fans, but is that all it took? Was the bar truly that low? Your heart cried for women everywhere.

He could also be kind of cocky and a bit of a smartass. He would make passive aggressive jokes at your expense. Maybe it was some kind of culture thing you weren’t picking up. He was British after all. He kept calling you “Mrs. Henderson” instead of your own, real name after you had asked him multiple times to stop calling you by your character’s married name when you weren’t filming. Then he just began to tease you about it.

“Good morning, Mrs. Henderson.”

“Sorry, Mrs. Henderson.”

“Good to see you, Mrs. Henderson.”

Holly Vanguard made sure to get the seat to Joe’s right, laughing too loudly at all of his dry humor. She even laughed when he wasn’t making jokes. Maybe she was just stuck in character. She played Joe’s secretary on the show. “We’re both British,” she took care to remind you often. “We get each other.” Why Holly excluded your very British TV father from this covenant, you’ll never know. David sat to your left.

Every so often he would reach over and squeeze your hand in reassurance. When you looked over to him, he’d be smiling softly with encouragement in his eyes. You had developed a negative reputation throughout filming the season because you preferred not to agitate your social anxiety by leaving your trailer. David was the only one you had confided in about it after a particularly stressful day on set. You’d heard whispers of your “stuck up attitude” after passing on a previous night out with the cast (which you suspected was started by Holly). You were sure your bickering with Joe when the cameras weren’t rolling hadn’t helped.

This was your first real gig and the circus of it all drove you crazy. There were a lot of politics involved in being part of a cast of public figures. Apparently, people weren’t supposed to disagree with anyone who had more public recognition than you did - especially if that one was GQ’s Man of the Year. You suspected Joe liked your attitude at least a little bit, but you couldn’t be sure.

“Why don’t we play Spin the Bottle?” Holly suggested to the table, giving Joe eyes.

Groans of opposition came from the older cast members and they excused themselves to the dancefloor after everyone had a laugh. And then there were five. You silently wept at the loss of your emotional support TV father.

“In the middle of a pandemic? No,” Jackson shut it down and made a different proposal. “Let’s play a good old-fashioned game of Truth or Dare. But you don’t get to choose either or - the person asking chooses for you. If you refuse a dare or question, you’ve gotta take a shot of tequila.”

“Every 20 minutes, I’ll refuse a question,” Joe declared and slapped a palm onto the table. His dirty martini shook next to the point of impact.

The group made rounds around the table and when it came to you, you asked Jackson what it was like to be the most fashionable person in the room at all times.

“Oh my god, finally someone acknowledges my plight. It’s exhausting. I spend all this time planning outfits and looking amazing, but do I get invited to the Met Gala? No. I don’t even get to look at myself all day, everyone else gets to see my color coordination and I have to look at everyone else’s sweatpants and Wallabees. No offense, Joseph,” Jackson said with no remorse.

“That’s fair,” Joe shrugged and smirked.

In the few rounds you all had, you noticed Joe always dared people to do absurd things like pose with the statues in the back of the club and “stay in character” for a full five minutes or take the fish skeleton off of the plate of the table next to them and cuddle it for a full round.

You thought it was sweet that he only came up with dares that wouldn’t inconvenience the staff and other club go-ers or violate anyone’s boundaries while still managing to be funny. He could easily be obnoxious if he wanted to. He’s not so bad, you guessed.

When his fourth turn came around, he broke the pattern. Joe said your name and you prepared to fully commit to whatever zany bit he’d come up with this time, but he said:

“Truth: why don’t you come out with us more often?”

“O-oh,” you blubbered, caught off guard. “I just… I’m not good with crowds.”

“Oh, come on. I want a real answer.”

“That is my real answer. I’d just make a fool of myself. I’m not…”

“You seem to be doing just fine so far.”

“Well, that’s because David-” You turned to look for him and found him attempting a very bad vogue in a small group of younger people. They cheered and let all sorts of onomatopoeia in encouragement. “...was helping.”

“Alright, alright, but if you don’t come out with us next time, I’ll be wounded.” Joe pressed both hands to his pectoral over his heart.

“Next!” Jackson jeered.

“Oh! Would you look at that, it’s my turn!” Holly squealed. You didn’t have the highest opinion of Holly, but the feminist in you refused to dislike her until she committed an actual crime like vehicular manslaughter. Being annoying wasn’t a serious enough offense.

Holly dramatically adjusted herself in her seat to face Joe.

“I dare you to kiss the prettiest girl in the room,” Holly slurred and puckered her glossy lips, tilting forward a bit to display her cleavage. Your stomach dropped. Everyone at the table exchanged glances, wondering if Joe was drunk enough to entertain it.

Joe’s eyelids fluttered and his head tilted as he processed what had been said. Had she really just done that? It was only after his eyes flicked over to you that you became aware of the jealousy on your face. Your recovery was quick, but not quick enough. Hopefully he took it as concern or judgement. He knit his brow and chuckled. Shit.

“You got me,” he surrendered. He grabbed a tequila shot from the tray and chucked the liquor down his throat. He didn’t even make a face. It was kind of sexy. No! It wasn’t. It was most definitely not sexy.

Holly exhaggerated a pout to play off the embarrassment.

The rest of the night went smoothly. The game had got you loosened up enough to make your way to the dancefloor. Everyone whooped and hollered when you did.

You couldn’t decide if it was just the liquid courage or if you were actually dancing very well. Your movements felt so fluid and you hit every beat - an uphill battle when you were sober. Judging by everyone’s surprise and the circle that formed around you in the middle of the dancefloor, you’d say your theory was accurate. Who knew the shyest cast member could be such a party animal?

After a verse of the 90s R&B song that was playing, you pointed to the first co-worker you laid eyes on and joined the circle as they took your place.

…

The group stumbled through the hallways of the hotel at four in the morning, trying to keep the volume at a minimum and failing miserably. Your ears must’ve still been ringing from the club. Everyone was giggling and “SHHHH”-ing and repeating their room number.

“25D… 25, 25, 25…” Alex repeated.

“Shhhhh! We’re still in the under 20s! That’s 12D!” Jackson shouted.

“Both of you shut the fuck up! People are trying to sleep!” David whisper-shouted.

Joe shushed all three of them.

When all the oversized toddlers were dropped off at their respective rooms, there was only yourself and Joe left. You’d wished you had booked a room further away just to talk to Joe a little longer. He was giggly and flushed from the drinks and you had never seen him so… cute.

Before you knew it, you had arrived at your hotel room door.

“Have you got your key?”

“Yeah,” you reached into your bag and retrieved the plastic card, holding it in your hands for a bit too long before looking up at Joe. You didn’t want the night to end. His eyes were glossy and full of - dare you say it - admiration.

“Well, I guess-“ “I think you’re-“

“Oh, sorry.”

“No, no,” you said. “I, um…”

There was another long pause of sustained eye contact. It should have felt awkward or uncomfortable, but it didn’t. A smile spread across his face. You huffed a smaller laugh and found your own lips spreading.

“Good night,” he said softly.

“Good night,” you barely whispered.

Joe walked down the hall as you swiped your key and turned the handle.

“Oh,” He muttered and snapped his fingers once.

“I’ve almost forgotten,” Joe called. He jogged back to your door and took your head into his hands. “I owe you.”

He pressed a gentle kiss into your lips. Then another. And another. Before you knew it, you were both nibbling on each others lips and swirling tongues into the other’s mouth. Which should have been raunchy and drunken and a huge mistake, but it didn’t feel like any of those things. He was so gentle and soft with you in a way that no other man had been before. Before you knew it, you were standing there: eyes blissfully closed and lips still slightly parted as Joe floated away from you.

“Good night, Mrs. Henderson,” he purred in that deep, chocolatey voice of his and walked back down the hall, disappearing into the elevator.

You stood there in front of your door for a good thirty seconds before coming back down from your high and slipping into your hotel room, dreaming of the next kiss Joe had in store for Mrs. Henderson.

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