#FUCKING SOULMATES
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apicelladonna · 7 days ago
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[clenched fists] what is with me and gay situationships either destroying or saving the world?????
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deardarlingthings · 2 years ago
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Rebecca's mom leaving a note about her father buying her a new tesla with I believe shepard's pie or something like that without physically saying good by compared to Ted's mom leaving him a note with sunflower seed bread and leaving without saying goodbye--
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nextstopwonderland · 1 year ago
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“I heard him whisper in my ear ‘now we got ‘em’. And I thought wooow, yeaaah.
That was a real moment.”
(I’ve posted a slightly longer version of this before but y e a h i’ll never be over how inherently romantic it is that Nigel’s favorite moment of his whole career is Bryan whispering in his ear as the crowd roared around them.)
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rainbowfartblaster · 7 days ago
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JAYCES HAND CUPPING VIKTORS NECK OH MY GOD I NEED TO DIE
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inhonoredglory · 1 year ago
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Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality
Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.
I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.
Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,
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We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.
I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.
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Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)
That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.
Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.
But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.
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And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.
I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)
But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.
Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).
Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.
(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)
At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.
“We could make a difference.” We could save everyone.
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Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.
Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.
But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.
Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)
Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.
Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”
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In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.
Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.
Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.
And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.
And he’s still going to do that. But it hurts him that he has to do that alone.
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murrpa · 3 months ago
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what happened in honda odyssey stays in honda odyssey💋
(bruh i struggled so much with this for no reason😭)
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amid-fandoms · 4 months ago
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dan and phil lovingly referring to themselves as phan is my hard launch cause who the fuck would date 1/2 of phan like i'd rather die
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keferon · 4 days ago
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Guess who spent two days trying to understand how to draw a kiss
Based on amazing incredible gut wrenching Mistakes on Mistakes until..
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djotye · 2 months ago
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made another gif
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theology101 · 9 months ago
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Yo forgive the fact that i recorded this on an iphone in an amc, but can we like… discuss for a second
Feyd-Rautha, if he had a single second to live, would’ve started making out with Paul. This man has never been turned on more in his fucking life then fighting his predestined Cousin-Soulmate over who gets to be the Father of the Kwisach Haderach
You know he was pissed as fuck that Jessica ruined the plan. Man would’ve been SO HYPE to make Super Messiah Babies with Paul(ine)
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dykephan · 4 months ago
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phil had a hoe phase no doubt about it but i think even then he was hoping he would find his soulmate whereas dan set out to have a hoe phase because he felt like he was unlovable and instead he found his soulmate on his first real try
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kennahjune · 9 months ago
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Thinking of Steddie Soulmates where you feel every pain your soulmate feels.
Thinking of little Steve feeling every backhand and punch from Eddie’s dad.
Thinking of little Eddie feeling Steve break his arm and the pain being so much worse because his parents refuse to take him to the hospital until the school gets involved.
Thinking of Eddie finally moving in with Wayne and sure, the paternal beating are done, but now he’s just a small town Freak that’s constantly targeted.
Thinking of Eddie and Steve in their Sophomore/Freshman years respectively, not knowing who the other is outside of rumors and (unknowingly) their shared pain.
Thinking of Eddie finally escaping pain, the bullying turning to mainly verbal shit.
Only to be thrust right back into pain because his soulmates a walking hazard.
Thinking of Eddie having no idea what’s going on when he suddenly feels like one giant bruise after Steve’s beat up by Jonathan. Eddie watching Steve fall from grace in his Junior year and not connecting the dots.
Billy coming along and smashing a fucking plate over Steve’s head while Eddie’s peacefully sleeping. Eddie jolting awake with a shout because /holy fucking shit ow—/
Neither of them connecting the dots.
Then Steve graduates, and Eddie’s held back. And the pain subsides for a bit.
And then fuck all happens in Starcourt and Eddie literally feels like he’s dying and Jesus H. Christ is his soulmate /ok/??? Like they are getting seriously fucked up.
And then that recedes and it ok for a while— Eddie will still get killer pains that seem to circulate in his chest and head, but that’s to be expected with whatever tf his poor soulmate is going through year after year.
And then the fuckery of March 1986 happens and Chrissy Cunningham is dead in his trailer— his home— and he’s wanted for fucking murder and hiding in Rick’s dingy ass boat house—
And then he’s shoving none other than Steve Harrington up against a wall with a broken bottle helps to his throat. Eddie’s so piped on adrenaline he barely feels the sting in his back, but he does feel the zing of pressure on his throat and ok /ow—/
And he’s staring at Steve Harrington, who looks kinda terrified and so pretty and Eddie’s holding a bottle to his throat and is that Dustin?—
And—
And holy shit.
Eddie’s eyes widen at the same time as Steve’s and the realization hits them both at once.
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raisedbythetv89 · 3 months ago
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We talk about what a cringe-fail lovesick loser spike is all the time (as we should) but buffy literally pulls this same face to cuddle (zero euphemisms) with spike on a twin sized cot in a basement……………GIRL’S GOT IT BAD
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regonold · 1 year ago
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Ok kinda funny/a bit angsty idea danny has a soulmate mark that shows how your soulmate is doing in the alive injured critical dead sense when the soulmate dies the mark goes black
Now Danny's mark has been through most/all the phases he was a bit worried about the dead part but they came back so he's not that worried
Danny's soulmate on the otherhand a batfam member is freaking the fuck out every single day his soulmate dies amd comes back to life what the hell if wrong with his soulmate that he can keep coming back to life
Basically when danny transforms to phantom his mark registers him as dead and the bat family are freaking out because one of their members soulmate has died like 63 times this week what the hell is up with him
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scintillatingshortgirl19 · 11 months ago
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i finally got to the "you manipulative bitch" scene and oh boy it did not disappoint
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rainbowfartblaster · 7 days ago
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VIKTORS HAND CARESSING SOOTHINGLY AROUJD JAYCES ARM I JUST DIED
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