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[mansijn97]

Driving School Calgary

We provide professional driver education, training, knowledge and skills necessary to become capable, proactive and responsible drivers throughout their driving careers. Our aim to reduce the risk of collision by anticipating potential hazardous situation & teach the student driver to be alert well in advance. Taking the Novice course from the Driving School Calgary is the easiest and most flexible way to complete your basic driving course. Our Driving Schools in Calgary has certified instructors, approved by Alberta Transportation, with a diversified & enhanced teaching experience, in-vehicle training as well as in-class courses. We grade you on every session and discuss your progress at frequent intervals. The purpose is to let you know what skills need more improvement and get you ready for the road test. One 2 One is the Winner of recognized Top Choice Award and Consumer Choice Award as the most favored Driving School Calgary region. We provide affordable and quality services and have proven success in Basic as well as Advance road test. If you’re looking to improve your drives skills and get your Class 5 license, call us now. We offer a variety of services & options for our clients, especially those with busy work schedules. One 2 One Driving Schools is an Alberta Government approved a driving school that provides drivers Ed to novice and experienced drivers of all ages. We ensure you have a relaxed, enjoyable and successful experience with our professional, patient and friendly instructors. We guarantee students who take driving lessons from us are on their way to become safe, responsible and confident drivers. OUR GOAL: Safe Driver, Safe roads, and Safe fellow citizens

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https://www.121driving.com/driving-school-calgary-sw.html

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Are you searching for a Driving School Calgary SW? 121 driving school  is recognized as one of the Best driving school in South West Calgary.

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How Walden Bottle Depot, Nearest Bottle Deport Works

At Walden Bottle Depot, our friendly team can work with you to organize a bottle drive in the Calgary area for your sports team, community association, children’s group, school, or non-profit organizations.

Recycling also helps cut down on the amount of trash thrown into landfills, so our garbage doesn't take up as much space. Millions of aluminum and plastic containers are consumed daily. We use them in several ways, such as food canning, tins to soda cans, etc. The good thing is, either of these aluminum and steel cans is recyclable.

You can do a few things to cut down on the number of plastic water bottles you use and how Calgary bottle depot hours are spent recycling them to eliminate their drawbacks.

Find a bottle depot nearby collect all your smashed cans and gently put them in large rubbish bags or a trash can. Attempt to cram as many smashed cans into the bags as feasible. Once you’ve accumulated sufficient cans, it’s a good idea to visit the Walden Bottle Depot bottle recycling depot in Calgary.

We've compiled a list of seven ways to reduce your dependency on bottled water in this article. Carrying an empty, reusable bottle is a simple first step that many people are aware of but fail to do. Metal or glass options are available and should fit in a handbag or bag without difficulty. 

Hopefully, one of these suggestions will end single-use plastic bottles forever. You can also recycle plastic bottles at the nearest bottle depot in Calgary or wherever you live.

We give exceptional customer service at our bottle return location, which is quick, efficient, and accurate. We serve the communities of SE and SW Calgary. Call 403-930-6761 or contact us today!

[shepaintsred]

One Circle

I gripped my steering wheel, as the slope took me down the winter hill to the river bottom and then up again, more momentum on the icy roads than I wanted. I did not dare to tap the brakes. I pulled into the parking space, that over years, became mine, and felt tension in my neck subside. Pushing against the door, I felt release, and headed down toward the pond. My feet are still cold, here, writing, and I am a part of the complexities of the circle, even as I have left the urban pond, sandwiched between what is now called Stoney Trail and Bishop O’Byrne High School in SW Calgary. (see fig. 1)

A murmuration of black Eastern Starlings created strong contrast against the primarily frozen landscape. The water, the circle that remained open, was of the deepest shade of Phthalo blue, and Buffleheads, both male and female, landed in great numbers as I made my way to the bush at the pond’s edge, its translucent yellow leaves, frozen. Enjoying the visit, I was reminded of how distinctly my perceptions evolved through a period of years, walking a circle at this specific place each day from 22 Sept. 2011 until 26 Jul. 2016. Kathleen Stewart, in her 2013 essay from the series, Studying Unformed Objects, addresses, in very specific ways, these experiences of place.

Fig.1. Southwest Ring Road Construction began 2016. Black dotted line to indicate one circle. Single black dot to indicate bush.  Screenshot from the cityonline.calgary.ca/GISMap/MainMap.

The social-material world as a composition is a world made of entities that are not simply present and knowable but prismatic, flickering, and gathered into lines, angles of light or motion, for people who are attuned to them, or identified with them, or hostile to their existence, or tired of them, or excited to see their outline on the horizon, or sharply excluded from them (Stewart 2010).

Digging deep into personal documentation; blog, journals, photographs, and poetry, I will begin my recollections of circling one pond in 2012.  By that time, my mother was suffering the end stages of Alzheimer’s disease.  I met her every evening, on Skype, at five o’clock, and took one screenshot some time during every conversation. These visits took place every day, without exception, for five years. I purchased my camera the summer of 2011, before my drive to visit my parents in Belleville, Ontario. While there, I took daily photographs of my mother’s hands.

Returned to Calgary, I explored the pond, as unformed object (Stewart), and thought that the act of walking this circle daily began with walking my dog, Max, a ‘prismatic’ (Stewart 2010) relationship and experience unto itself. Now I realize that, along with Max, the act of ritualistic and daily documentation of my mother’s hands over the course of two months, was leading to a transformative investigation. Something about this place provided an exploration of memory, ritual, and an almost obsessive compulsion to document.

The shape of this documentation included, daily, one poem and one photograph (see fig. 2) posted to my blog, sometimes, alongside a piece of music. In Sun Dazzle, written on 30 Jan. 2012 and in third person, initial sensory relationships are made.

Romp! Run! Go! Laughing woman and smiling dog, up to their knees, racing! Crunching through the snow’s skin, wind blown and captured in waves; the weatherman’s story from yesterday.

Muskrat, perching on pond’s edge, dark form instantly sliding into water at the burst of their movement. Energy is joy exploding!

Blue sky stretches canvas on a white sea of ice. Yellow-gold grasses etching a circle around the pond. The dog following, explores hidden places.

Sparkle. Dazzle. Squinting, tears roll down her cheeks, light echoes on everything. She cries for the beauty of it all. [1]

Fig. 2: Moors 30 Jan. 2012, Accessed 22 Oct. 2020

Rituals of walking began with very general observations of my natural surroundings, but from the beginning, I felt that this was somehow magical or just-for-me. I rarely, at this point, noticed anyone else. I noticed birds as a general category. At that time, I did not make distinctions between different species. Later, I saw sparrows, ducks and geese, a progression after months of seeing birds.

Patterns of documentation began to emerge, particularly on themes of light and atmosphere, water reflections and wind. I captured a series of photographs of clouds reflected in pond water and created my first slide show, watching with great enthusiasm, back home, at my desk, while the series scrolled past, again and again.

Years later, I would discover, not only an interest in documentation and recording, but also, the collection and creation of objects in series, series of journals, green glass vases, photo books, porcelain hotel creamers and photograph archives. Just as Kyo Maclear, in her book, Birds Art Life, refers to spark birds (113), I received new revelations (sparks) on a very regular basis while walking one circle.

The habit of writing and posting poetry, images and music was not sustained, but became intermittent. This practice saw me transition from wide-eyed observer to steward.  By February of 2012, I knew the difference between a Ruddy Duck and a Red Necked Grebe. My language around bird and plant species was becoming more specific. I poured over new birding books in the evenings. Instead of capturing vistas, I was zooming in and trying to focus and make-clear the subjects of my photographs. I was capturing strings of video and I was noticing my evolving knowledge around the camera. It became a treasured object, not merely functional.

Fig. 3 Moors, Findings: 20 Tim Horton’s drink cups, with plastic lids, 14 plastic bags of various sizes, 15 pieces of industrial insulation of the foam variety (likely blown from the construction area, an extension of the sports center), a large sized plastic bucket from the same site, burned book pages, fast-food containers and hamburger wraps, two bags of dog poop and a large purple plastic hoop. 28 Feb. 2020, Accessed 22 Oct. 2020.

What became evident through the camera lens was the fact that this was not a pristine environment. I took a photograph of a red-eyed, Black-Crowned Night Heron and arrived home to find, visible on my computer screen, the wondrous bird standing on rounded stones and a Tim Horton’s cup. I became hostile (Stewart 2010) when I noticed the human impact on my self-constructed and utopic experience. Like my growing knowledge about birds, I was noticing this negative relationship. (see fig. 3) It seemed insurmountable and a feeling of helplessness came with one circle. I decided to fill a large bag with litter while walking daily, to write about it, and archive possible shifts in the aesthetic of the place. I had conversations with people, those teaching classes in outdoor education, City of Calgary Parks Management teams, politicians, seniors participating in outdoor exercise, homeless people and business owners in big-box and fast-food outlets. I became more a citizen than a tourist. Interactions through phone calls, electronic mail and even business meetings, stretched the unformed object (Stewart), one circle, and it became both political and social, as well as spiritual in its being.

While human connection and communications were sometimes disappointing, many were incredibly positive. I met a man who was sleeping under the stars through warm weather.  Frank had plans to move to Vancouver for winter. He overlooked the flats, daily, and drank six beer while watching me pick. At the end of each circle, we exchanged pleasantries and then he passed me, each day, his six cans knotted up in a plastic bag. He always expressed his gratitude. Over time and together, we named the location, Frank’s Flats and soon, people in public positions began to refer to this location as Frank’s Flats. I was interested in how access to human connection contributed to an act of naming.

One other noteworthy human connection involved the manifestation of a constructed relationship. This construction surfaced out of the next series of investigations while circling the pond.

On 8 Oct. 2015, I began to capture an Instagram photograph of one bush, the same bush, every day. It is situated at the edge of the pond. (see figs. 1 and 4) Weather, time of day and atmosphere were impacting the appearance of the bush and so, I logged these conditions as a brief caption on my posts. Published to Instagram and then, Facebook, the bush became a familiar character until the final day, July 26, 2016. Friends ‘liked’ the bush/image and wrote comments over almost 300 days. An artist-friend in one of these forums, after some months, named the bush, Bianca. Toward the end of 2015, I noticed a young man slept on cardboard and under an evergreen tree and two sleeping bags. A shopping cart contained his possessions. We never spoke, but he was aware of me and I, him. Moving into December, I decorated the bush, adding ribbon first, then ornaments and finally, solar-powered Christmas lights. The young man would be able to see the bush from above the flats. I filled his cart with gifts, warm socks, hoodie, scarf and thick work mitts, chocolate, and candy canes. That Christmas I felt connected in a new way to this place, through sentiment. The ornaments remained, lighting up the landscape until Epiphany that year.

Fig. 4 Moors, Merry Christmas beautiful light the hawk is perched in the evergreen tree. Instagram Bush, 25 Dec. 2015 Accessed from Desktop Photo Archive 25 Oct. 2020.

My last Instagram photograph was snapped the day before my mother’s birthday and minutes before I headed for the Trans Canada highway. My mother died in May of 2013.  I did not want to circle the pond on July 27, 2016 nor did I wish to archive the bush.  I wanted to be in the van and driving toward my father.

Returned to Calgary, that autumn I hired a videographer to archive Max and I through the seasons. While filming, I struggled with the destruction of surrounding ecosystems and the impact of the Southwest Calgary Ring Road development and so, the following spring, I left this circle for another on the edge of the Bow River. I used references from the pond to create paintings in my studio and these art works continue to this day, recently taking a new direction, in the world of pandemic.

In series, I am layering reverse transfers of the Instagram bush images onto panels, in chronological order, beginning with the practice on 8 Oct., five years after the first Instagram photo was taken.  These images are placed one on top of another and create a container for memory. An Instagram account has been opened (see fig. 5) to record this progress.

Fig. 5 Moors. Instabush_bianca. 25 Oct. 2020

The pond, Frank’s Flats, the bush, all remain forms, but they have also become vivid constructs, numerous material objects that push up against my imagination and likely, always will.  Christopher Witmore, in his essay, Archaeology of the New Materialisms (221), quotes Rosemary Joyce in What Eludes Speech.

Then describe and describe some more—all this descriptive detail one can unpack later, if there is time, in a space where hesitation is possible. Dozens of hours of ambient video walks along routes of transhumance, along paths, streets, walls, or through museums; video diaries of those confounding moments of contact with weird stuff will pay off later. Still, anything we do in documentation is always a translation. We can only manifest something of the style of things; much will always remain beyond reach. There is always a trade-off. There are always gains and losses. And there is always more to be said and done (Joyce 2011).

  Works Cited

Joyce, R. 2011. “‘What Eludes Speech’: A Dialogue with Webb Keane.” Journal of Social Archaeology 11(2): 158–170. http://dx.doi.org/10.1177/1469605311403836

Maclear, Kyo. Birds, Art, Life. Toronto, Doubleday Books, 2017.

shepaintsred.com. Accessed 22 Oct. 2020.

Instabush_bianca. Accessed 22 Oct. 2020.

Stewart, Kathleen. 2010. “Afterword: Worlding Refrains”. In The Affect Theory Reader, edited by Melissa Gregg and Gregory J. Seigworth, 339–53. Durham, N.C.: Duke University Press.

Stewart, Kathleen. 2013. “Studying Unformed Objects: The Provocation of a Compositional Mode”. Member Voices, Fieldsights, June 30. culanth.org/fieldsights/studying-unformed-objects-the-provocation-of-a-compositional-mode

Witmore, Christopher. 2014. Archaeology and the New Materialisms. Journal of Contemporary Archaeology. 1. 203-246. 10.1558/jca.v1i2.16661. DOI: 10.1558/jca.v1i2.16661

[1] See shepaintsred.com, 30 Jan. 2012 et al.

[mansijn97]

Driving School Calgary

One 2 One driving school is one of the best driving schools in Calgary, Chestermere, Langdon and Strathmore, with a reputation for excellence in the area of driving education. In order to ensure that they have the requisite knowledge and skills, our well-trained workers have undergone rigorous training to teach every student who goes through our driving lessons in Calgary effectively.

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121 Driving School provides accessible driver education courses with online scheduling for classroom and behind-the-wheel instruction in southeast and southwest Calgary, a local accredited driving school. Certified driving instructors are responsible for teaching our versatile courses.

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Driving School Langdon - (FAQs)Q:- How to book the Road Test?

Ans - Road tests are generally booked through Alberta Registry but we can book your road test for you.

How to choose from the driving schools?

Ans - Most people will say that we are the best driving school Calgary region. But you can judge for yourself by the amount of information provided when you call. Take note if the receptionist is friendly and patiently answers all your questions; or conversely, if they don't answer or call you back. You can also check reviews on Google. It is always a good idea to sort the reviews with the lowest score. So if there are some good reviews, among the less positive, you can believe the good reviews.

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[delicatelysublimeforester]

Sunday June 21 is National Indigenous Peoples Day.  The Government of Canada has a compilation of activities to celebrate this occasion.  It falls on a traditional First Nations day of celebration as it rather coincides with the solstice marking the longest day of the year.  The event honours achievements of First Nation, Métis, and Inuit.

Horse Drawn Wagon, bone wagon, Red River Cart, Pioneer, Ancestors, Old Bone Trail

The Qu’Appelle, Long Lake and Saskatchewan (QLLS) railroad bridge 1890-1965

A bit of fog and hoar frost in the Richard St. Barbe Baker Afforestation Area, Saskatoon, Saskatchewan, Canada

The Richard St. Barbe Baker Afforestation Area is situated on Treaty 6 Territory and the Homeland of the Métis.  This afforestation area honours the heritage of the “Old Bone Trail” which runs through this site.  The Old Bone Trail eventually connected Saskatoon to Calgary.  When it originated, it was used by the First Nation and Métis people hauling buffalo bones from the prairies into Saskatoon.

The Old Bone Trail connected Zealandia in Goose Lake Country and Saskatoon when it was first used.  The trail ran alongside the Canadian National Railway line, and made its way north through the Richard St. Barbe Baker Afforestation Area  although the trail was used in the early 1900s and the land for Richard St. Barbe Baker Afforestation Area was not purchased until 1960, afforested as a tree nursery in 1972, and named in 1978-1979 – so the trail preceded the afforestation area.) Once the trail reached the current location of “11th Street” the trail turned east and continued to the location of the CNR rail yards.

According to the “Old Bone Trail” by Evan Davies, the trail when it left Saskatoon back toward Goose Lake Country, travelled on, and ended abruptly without connecting another large centre.  After the Old Bone Trail ceased its use to bring buffalo bones into Saskatoon’s rail station, then the trail received use from homesteaders.  These immigrants would disembark at the rail station, buy supplies, and travel out to their new homestead via the Old Bone Trail.  In time it went all the way to Calgary, Alberta.

During this era, the CNoR station was located where the Midtown Plaza now stands, and the location of the Qu’appelle, Long Lake and Saskatchewan (QLLS) Railway Bridge (The start of the GLLS bridge construction began in 1890.  In 1889, the QLLS company’s railways were leased to the Canadian Pacific Railway and finally taken over by the Canadian Northern Railway in July 1906.  Canadian Northern Railway (CNoR)  saw a 1923 merger into the Canadian National Railway. In 1964 the train station at Chappell Yards was built by Canadian National Railway as a union station).

It’s Our Time, Creating Racism Free Schools through Critical/Courageous Converstation on Race and Critical/Courageous Conversation on Race Integrating Aboriginal Perspectives into Curricula are First Nations Education Tool Kits.

For directions as to how to drive to “George Genereux” Urban Regional Park

For directions on how to drive to Richard St. Barbe Baker Afforestation Area

For more information:

Blairmore Sector Plan Report; planning for the Richard St. Barbe Baker Afforestation Area,  George Genereux Urban Regional Park and West Swale and areas around them inside of Saskatoon city limits

P4G Saskatoon North Partnership for Growth The P4G consists of the Cities of Saskatoon, Warman, and Martensville, the Town of Osler and the Rural Municipality of Corman Park; planning for areas around the afforestation area and West Swale outside of Saskatoon city limits

Richard St. Barbe Baker Afforestation Area is located in Saskatoon, Saskatchewan, Canada north of Cedar Villa Road, within city limits, in the furthest south west area of the city. 52° 06′ 106° 45′ Addresses: Part SE 23-36-6 – Afforestation Area – 241 Township Road 362-A Part SE 23-36-6 – SW Off-Leash Recreation Area (Richard St. Barbe Baker Afforestation Area ) – 355 Township Road 362-A S ½ 22-36-6 Richard St. Barbe Baker Afforestation Area (West of SW OLRA) – 467 Township Road 362-A NE 21-36-6 “George Genereux” Afforestation Area – 133 Range Road 3063 Wikimapia Map: type in Richard St. Barbe Baker Afforestation Area Google Maps South West Off Leash area location pin at parking lot Web page: https://stbarbebaker.wordpress.com Where is the Richard St. Barbe Baker Afforestation Area? with map Where is the George Genereux Urban Regional Park (Afforestation Area)? with map

Pinterest richardstbarbeb

Facebook Group Page: Users of the George Genereux Urban Regional Park

Facebook: StBarbeBaker

Facebook group page : Users of the St Barbe Baker Afforestation Area

Facebook: South West OLRA

Twitter: StBarbeBaker

Please help protect / enhance your afforestation areas, please contact the Friends of the Saskatoon Afforestation Areas Inc. (e-mail / e-transfers )

Support the afforestation areas with your donation or membership ($20.00/year).  Please donate by paypal using the e-mail friendsafforestation AT gmail.com, or by using e-transfers  Please and thank you!  Your donation and membership is greatly appreciated.  Members e-mail your contact information to be kept up to date!

Canada Helps

1./ Learn.

2./ Experience

3./ Do Something: ***

What was Richard St. Barbe Baker’s mission, that he imparted to the Watu Wa Miti, the very first forest scouts or forest guides?  To protect the native forest, plant ten native trees each year, and take care of trees everywhere.

“We stand in awe and wonder at the beauty of a single tree. Tall and graceful it stands, yet robust and sinewy with spreading arms decked with foliage that changes through the seasons, hour by hour, moment by moment as shadows pass or sunshine dapples the leaves. How much more deeply are we moved as we begin to appreciate the combined operations of the assembly of trees we call a forest.”~Richard St. Barbe Baker

    “St. Barbe’s unique capacity to pass on his enthusiasm to others. . . Many foresters all over the world found their vocations as a result of hearing ‘The Man of the Trees’ speak. I certainly did, but his impact has been much wider than that. Through his global lecture tours, St. Barbe has made millions of people aware of the importance of trees and forests to our planet.” Allan Grainger

“The science of forestry arose from the recognition of a universal need. It embodies the spirit of service to mankind in attempting to provide a means of supplying forever a necessity of life and, in addition, ministering to man’s aesthetic tastes and recreational interests. Besides, the spiritual side of human nature needs the refreshing inspiration which comes from trees and woodlands. If a nation saves its trees, the trees will save the nation. And nations as well as tribes may be brought together in this great movement, based on the ideal of beautifying the world by the cultivation of one of God’s loveliest creatures – the tree.” ~ Richard St. Barbe Baker.

  National Indigenous Peoples Day Sunday June 21 is National Indigenous Peoples Day.  The Government of Canada has a compilation of activities…

[repyyc]

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