#David McHugh

[bradgeigerbillboardmusicawards]

[thena0315]

TV Actors Actors attending Epic Cons Chicago 2 on Sep. 15, 2024

📷 epiccons

Website

[camyfilms]

ETERNALS 2021

I've watched humans destroy each other when I could stop it all in a heartbeat. Do you know what that does to someone after centuries? Could our mission have been a mistake? Are we really helping these people build a better world? We're just like the soldiers down there: pawns to their leaders, blinded by loyalty.

[chicinsilk]

US Vogue June 1986

Patty McHugh wears a star-studded Vivienne Westwood top over a Jimmy'Z skirt. Both in cotton. Sanford Hutton sunglasses for Color in Optics, Tulla Booth bracelet, Joan & David mules.

Patty McHugh porte un top étoilé de Vivienne Westwood sur une jupe de Jimmy'Z. Les deux en coton. Lunettes de soleil Sanford Hutton pour Color in Optics, bracelet Tulla Booth, mules Joan & David.

Photo Wayne Maser

vogue archive

[letterboxd-loggd]

Street Scene (1931) King Vidor

July 29th 2024

[ginge1962]

PSI-Judge Anderson: The Candidate (collection of some Judge Anderson strips from the pages of 2000AD), cover by Fay Dalton.

Free with an issue of the Judge Dredd Magazine and featuring the talents of Alan Grant, Emma Beeby, Darren Douglas, David Roach, Emma Vieceli, Maura McHugh & Nick Dyer.

[theambitiouswoman]

hiya, please can we also have ted talk recommendations like your book recs post? :) for the categories you mentioned ♡ thank you

Here you go angel ♡

Business:

The Single Biggest Reason Why Startups Succeed - Bill Gross

The Surprising Habits of Original Thinkers - Adam Grant

The Art of Stress-Free Productivity - David Allen

How to Pitch to a VC - David S. Rose

The Future of Money - Neha Narula

Personal Development:

The Art of Being Yourself - Caroline McHugh

Grit: The Power of Passion and Perseverance - Angela Lee Duckworth

The Power of Believing That You Can Improve - Carol Dweck

How to Stop Screwing Yourself Over - Mel Robbins

Try Something New for 30 Days - Matt Cutts

Mental Health:

The Gift and Power of Emotional Courage - Susan David

Why We All Need to Practice Emotional First Aid - Guy Winch

Depression, the Secret We Share - Andrew Solomon

All it Takes is 10 Mindful Minutes - Andy Puddicombe

The Art of Stillness - Pico Iyer

Relationships:

The Secret to Desire in a Long-Term Relationship - Esther Perel

The Power of Vulnerability in Relationships - Tracy McMillan

Rethinking Infidelity... a Talk for Anyone Who Has Ever Loved - Esther Perel

The Mathematics of Love - Hannah Fry

The Hidden Influence of Social Networks - Nicholas Christakis

Success:

The Happy Secret to Better Work - Shawn Achor

Embrace the Near Win - Sarah Lewis

Why We Do What We Do - Tony Robbins

Keep Your Goals to Yourself - Derek Sivers

Why You Will Fail to Have a Great Career - Larry Smith

Goals:

The Power of Setting Goals - John Doerr

The Puzzle of Motivation - Dan Pink

Smash Fear, Learn Anything - Tim Ferriss

Why We Do What We Do - Tony Robbins

The Skill of Self-Confidence - Dr. Ivan Joseph

Self Love:

The Art of Being Yourself - Caroline McHugh

The Power of Vulnerability - Brené Brown

Your Elusive Creative Genius - Elizabeth Gilbert

The Psychology of Your Future Self - Dan Gilbert

The Surprising Science of Happiness - Dan Gilbert

Confidence:

Your Body Language May Shape Who You Are - Amy Cuddy

The Art of Self-Confidence - Dr. Ivan Joseph

Dare to Lead - Brené Brown

The Hidden Influence of Social Networks - Nicholas Christakis

The Confidence Gap - Katty Kay and Claire Shipman

Health & Wellness:

The Brain-Changing Benefits of Exercise - Wendy Suzuki

How to Make Stress Your Friend - Kelly McGonigal

The Science of Cells That Never Get Old - Elizabeth Blackburn

Why Dieting Doesn't Usually Work - Sandra Aamodt

The Art of Stillness - Pico Iyer

[911bts]

6x11 "In Another Life" Synopsis

AS BUCK'S LIFE HANGS IN THE BALANCE, HE IMAGINES A WORLD WHERE HE WAS NEVER A FIREFIGHTER ON AN ALL-NEW 9-1-1 MONDAY, MARCH 13, ON FOX

As Buck's life hangs in the balance, he dreams of a world where he never became a firefighter, for better and worse, in the all-new "In Another Life" episode of 9-1-1 airing Monday, March 13 (8:00-9:01 PM ET/PT) on FOX. (NIN-611) (TV-14 L, V)

Cast: Angela Bassett as Athena Grant; Peter Krause as Bobby Nash; Jennifer Love Hewitt as Maddie Buckley; Oliver Stark as Evan "Buck" Buckley; Kenneth Choi as Howie "Chimney" Han; Aisha Hinds as Henrietta "Hen" Wilson; Ryan Guzman as Eddie Diaz; Corinne Massiah as May Grant; Gavin McHugh as Christopher Diaz

Guest cast: John Harlan Kim as Albert; Gregory Harrison as Phillip Buckley; Dee Wallace as Margaret Buckley; David Young Lee as Sang; Jennie Baek as Myung;

[savingthrcw]

Some helpful links so we can interact more easily: we are mutuals? GO FOR IT. Want to let me know/help me remember which characters I can throw at you? Go to the 'like if interested' post and hit the heart!

navi with wanted connections is HERE.

memes, permission to ship call (permission to have my muse interested), plotting call, reverse meme call

Muses: Kate Austen (Lost) [Open to: canon and canon div. characters I already know // crossovers: yes]: starter calls / Opens - like if interested Sarah Walker (Chuck) [Open to: canon, canon divergent and oc characters // crossovers: yes]: starter calls // opens // threads - like if interested Jenny II, regenerated Doctor's daughter (Doctor Who) [open to: canon, canon divergent and oc characters // crossovers: yes] starter calls - like if interested

Neria Surana, elf mage Hero of Ferelden / potential follower (Dragon Age) [Open to: canon, canon divergent and oc characters // crossovers: yes]: starter calls / Opens - like if interested Lily Tabris, elf warrior Hero of Ferelden / potential follower (Dragon Age) [Open to: canon, canon divergent and oc characters // crossovers: yes]: starter calls / Opens - like if interested Clarke Griffin (the 100, s1-s6) [Open to: a few canon and canon div. characters from the 100 // crossovers: no]: starter calls / Opens - like if interested Alien Jemma Simmons (AoS, s1-s4) [Open to: some canon and div. characters - some ocs // crossovers: yes (selectively)]: starter calls / Opens - like if interested Alex McHugh (Chuck) [Open to: canon, canon divergent and oc characters // crossovers: maybe]: starter calls // open // - like if interested Terra Branford (ff6) [Open to: canon, canon divergent and oc characters // crossovers: yes]: starter calls // opens - like if interested

Testing: Book!Alina Starkov (Grishaverse) [open to: canon, canon divergent and oc characters // crossovers: no]: starter calls // interest checker Show!Alina Starkov (Shadow and Bone) [open to: canon, canon divergent and oc characters // crossovers: not yet]: starter calls // like if interested

Ana Lucia Cortez (Lost) [Open to: a few Lost characters // crossovers: no]: starter calls // opens - like if interested Ellie Bartowski (Chuck) [Open to: canon, canon divergent and oc characters // crossovers: maybe]: starter calls - like if interested Shale (Dao) [Open to: some canon and div. characters - some ocs // crossovers: yes (selectively)]: starter calls - like if interested Cassandra Cillian (the Librarians) [Open to: a few canon and canon div. characters // crossovers: no]: starter calls - like if interested Tauriel (The Hobbit) [open to: canon, canon divergent and oc characters // crossovers: not yet]: starter calls - like if interested

Under request (I won't answer your open starters with them unless given permission!) Ellana Lavellan, elf mage / inquisitor, never follower (DAI) [Open to: canon, canon divergent and oc characters // crossovers: no] - starter calls // threads - like if interested Solona Amell, human mage (??) Eldritch horror / hero or follower (DAO) [Open to: canon, canon divergent and oc characters // crossovers: no] - starter calls // threads - like if interested Emma Swan (OUAT) [open to: Killian, Snow and David // crossovers: no]: starter calls -like if interested

[twittercomfrnklin2001-blog]

Spree

Manically energetic, Eugene Kotlyarenko’s SPREE (2020, Hulu but not for long) covers up its flaws with some exciting filmmaking and a charismatic performance by Joe Keery. He stars as Kurt, a would be social-media titan stuck in a job as a rideshare driver. To go viral, he decides to launch “#thelesson,” a livestream tutorial on how to use his job to kill people. Kotlyarenko and co-writer Gene McHugh wisely make the victims utterly obnoxious. They’re hardly deserving of death, but it’s still fun to see Keery take out racists, misogynists and wannabe fashion mavens. And the writers keep the one sympathetic character, an aspiring comic played very well by Sasheer Zamata, as a background figure until she’s needed at the end to generate suspense. Kotlyarenko is committed to being as outrageous as possible, which makes for some funny, slapstick murder scenes. But the film also goes off the rails at times and even tips the scales into ugliness before bouncing back for an energetic, funny finale. The real horror, of course is in the comments urging Keery to kill more and the rising viewer numbers as his spree escalates. David Arquette is on-hand briefly as Keery’s father, with Jessalyn Gilsig, John DeLuca, Mischa Barton and Frankie Grande among the victims. It may be too much for some — and social media is rather an easy target — but I had a lot of fun watching the film take potshots at our hyper-connected, fame-obsessed culture.

[andrew-buchan-fansite]

Update from the Mod: Annual Report of the ABF (Oct2023)

Somewhat late, but it’s that time of year when we look back and note all that Andrew has been doing over the last twelve months.

It’s fair to say that since  update22 Andrew has had a tumultuous year, with his personal exploits often overshadowing his screenwork, as far as the tabloid newspapers are concerned. 

At this time last year, we were looking forward to:

Carnival Row s2

Intrigo: Samaria     [6 years on, still waiting]

Better 

COBRA Rebellion (s3)

At the beginning of 2023 yet another series of In the Doghouse appeared on Channel 4, with Andrew narrating.

As far as we fans were concerned, everything happened in February: 

BBC drama Better premiered in Leeds with extensive TV and press interviews and we finally met Col McHugh with his Irish brogue.

In the same week filming for ‘darkly comic’ Passenger, written by Andrew, got underway in Lancashire, starring Wunmi Mosaku and David Threlfall.

Then just days later Carnival Row s2 finally aired with Andrew in the central role of Mikulas Vir

At the end of the month we were shocked when revelations about the break up of Andrew’s marriage started to appear in various tabloids. These have continued at regular intervals throughout the year, usually regurgitating the same story, reportedly from friends. This undoubtedly unwanted attention has spawned some dodgy paparazzi photos too.

In October Cobra Rebellion aired on Sky/NOW. We haven’t yet spotted Andrew though….?!

This year's fanpic:

Finally, just this week, Andrew’s new project - thriller Black Doves -was announced by Netflix. That'll keep us going through the winter!

Meanwhile…..

….. ABF now has an archive of over 5,000 different posts, 26 themed pages and 380 followers.

Thank you to all Andrew fans – especially to @madandi  @geminigmo @llywela13 and @theknittycritter ​and the many other new regular fans this year.

Best wishes to Andrew and his family for the coming year. 

Cheers – demurely1

[littlequeenies]

Davinia Taylor, Flora Evans and Lee starkey at the Loire Valley White Wines Pampering party at the Soho Hotel in London, March 17, 2005. David McHugh / Avalon

[byneddiedingo]

Estelle Taylor, Beulah Bondi, and Eleanor Wesselhoeft in Street Scene (King Vidor, 1931) Cast: Sylvia Sidney, William Collier Jr., Estelle Taylor, Beulah Bondi, David Landau, Frank McHugh, Russell Hopton, Greta Granstedt, Eleanor Wesselhoeft, Walter Miller, Max Montor, Ann Kostant, Allen Fox, John Qualen, Lambert Rogers, George Humbert, Helen Lovett, Nora Cecil. Screenplay: Elmer Rice, based on his play. Cinematography: George Barnes. Production design: Richard Day. Film editing: Hugh Bennett. Music: Alfred Newman. Ninety-one years later, King Vidor's Street Scene remains one of the best translations ever made of a stage play into a movie. I think it's largely because Vidor and screenwriter Elmer Rice, adapting his Pulitzer Prize-winning play, avoided the temptation to "open out" the play. The focus of both play and film has to be the façade of the tenement house in which the characters live. Director and writer resist the temptation to go inside, even to show the double murder that forms the climax of the drama. Vidor does give the setting a little more context, with shots of the street and the city rooftops, and there's a scene inside a taxicab arriving at the brownstone, as well as a swish-pan montage of faces popping into windows along the street as people hear the gunshots. But virtually all of the action takes place where it should: on the front steps and in the flanking and upper-story windows of the tenement. What keeps Street Scene from bogging down as one-set films tend to do is the constant mobility of the camera, seeking out a variety of angles on the characters as they come and go. Several of the actors, including Beulah Bondi, John Qualen, Eleanor Wesselhoeft, George Humbert, and Ann Kostant, had performed their roles on Broadway, so they were already keyed into the kind of ensemble playing that Street Scene demands. This was Bondi's film debut, and she's a standout in the key role of the malicious gossip Emma Jones, a hypocrite whose son is a bully and whose daughter behaves like what Emma would call a tramp if she were someone else's daughter. The newcomers to the play also handle themselves admirably, especially Sylvia Sidney and Estelle Taylor as Rose Maurrant and her mother, Anna. The weak link in the cast is William Collier Jr. as Sam Kaplan, who comes across as something of a wuss, unable to defend himself against the bullying Vincent Jones, and a sap in his love scenes with Sidney's Rose, making us wonder what she sees in him. Street Scene also trades a little heavily in stereotypes: the Italians who love music, the Irishman who's a drunk, the Jews who are somewhat isolated from the rest of the tenants, and even the Swede with a comic accent -- one of John Qualen's specialties. Like most of the films produced by Sam Goldwyn, Street Scene has high production values, particularly Richard Day's set, which was modeled on Jo Mielziner's Broadway set; the cinematography by George Barnes with some uncredited assistance from Gregg Toland; and Alfred Newman's score, which features a bluesy Gershwinesque theme that he would re-use in half a dozen other movies even after he left Goldwyn for 20th Century Fox.

[stefaniaperinelli]

Cani ai margini

Questo libro (a cura di Luciana Licitra e Davide Majocchi)[1] si rivolge a tutti coloro che hanno aperto le loro menti ad una visione del posizionamento dell’umano diversa dagli schemi piramidali di sapore cartesiano. Così come è un prezioso strumento per comprendere quale sia la realtà italiana della vita del cane nella convivenza con gli umani, squarciando gli edulcorati veli del ‘migliore amico dell’uomo’.

I contributi[2] raccolti dai curatori nel volume forniscono un approccio multidisciplinare alla presenza del Cane negli spazi abitati (e abusati) dagli umani in una visione prospettica di confronto. Si tratta di Storie di umani e cani uniti nella ricerca comune della libertà, fisica, di espressione, di autodeterminazione e riflessioni sulla questione del randagismo, dell’addestramento e l’industria del pet.

I cani “di proprietà” nelle società degli umani svolgono principalmente la funzione di compagnia, nella falsa convinzione che la condizione che essa comporta assicuri un soddisfacente equilibrio fra garanzie e libertà individuali.

Questo libro, attraverso vari contributi teorici ed esperienziali, problematizza gli effetti di decenni di selezione razziale, commercio e protezionismo, individuando alcuni significativi campi di sfruttamento resi invisibili dalla cultura dominante. Solo una radicale trasformazione sociale può perseguire la loro liberazione. I cani e le cagne non hanno mai smesso di resistere, dimostrando “a occhi attenti e solidali” di percorrere le molteplici strade dell’autonomia.

La citazione in apertura ad uno dei capitoli di Majocchi ben illustra quale sia il cambio di paradigma suggerito dagli autori:

Nessuno educa nessuno, nessuno si educa da solo, al massimo ci si educa insieme. Nella mediazione con il mondo. (Paulo Freire – La pedagogia degli oppressi)

Non vogliamo metodi addestrativi innovativi o gentili, l’obiettivo è comprendere che gli umani devono imparare a coesistere su un piano di parità grazie al quale la relazione si basa sul confronto fra Animali di specie diverse.

Gli autori offrono una panoramica sulle diverse forme di oppressione agite in nome del “bene del cane” affrontando temi quali le numerose ed affollate prigioni istituzionalizzate (i canili, di qualsiasi tipo esse siano), i bisogni egocentrici di tutti i volontari e volontarie che soddisfano bisogni emotivi e psicologici personali perdendo di vista le reali esigenze dei cani. Ripercorrono le tappe che hanno portato alla pet economy: l’esorbitante giro d’affari che sforna cuccioli di razza senza curarsi di quale sia l’impatto genetico di tale selezione o la creazione di falsi bisogni che alimenta ed arricchisce l’industria del pet (dagli alimenti agli accessori, dagli integratori ai servizi).

Un viaggio nel mondo dei cani che abbandona la strada tanto finta quanto di facciata per inoltrarsi in sentieri scomodi percorrendo i quali le vite dei cani emergono nella loro dura realtà. Uno sguardo ampio ed articolato su cosa significhi, oggi, essere Cane: una triste prigionia.

Ringrazio coloro che hanno contribuito a questo volume perché quasi tutti loro mi hanno offerto il piacere della condivisione e del confronto su tematiche che da anni mi appartengono. Quasi tutti perché trovo che uno dei contributi non risulti in linea con la filosofia del libro e che l’autore non abbia realmente effettuato un cambio radicale della visione della convivenza con i cani. Ma questa è solo la mia opinione…..

[1] Luciana Licitra si occupa di comunicazione e scrittura. Ha lavorato per molti anni nell’editoria e in canile.

Davide Majocchi è un attivista antiautoritario per la liberazione animale e operatore di canile. Ha girato il docufilm No Pet e ha pubblicato diversi contributi su riviste e volumi antispecisti.

[2] Benedetta Ciotoli, Davide Cosentino, Luciana Licitra, Davide Majocchi, Susan McHugh, Michele Minunno, Rebecca Porrari, Massimo Raviola, Luca Spennacchio, Francesca Suppini, Federica Timeto.

[ulkaralakbarova]

A teen winds up in over his head while dealing drugs with a rebellious partner in Cape Cod, Mass. Credits: TheMovieDb. Film Cast: Daniel Middleton: Timothée Chalamet McKayla Strawberry: Maika Monroe Hunter Strawberry: Alex Roe Amy Calhoun: Maia Mitchell Sergeant Calhoun: Thomas Jane Dex: Emory Cohen Shep: William Fichtner Ponytail: Jack Kesy Taylor: Thomas Blake Jr. Vice Principle Finney: Kimberly Battista Football Player: Christian James Wife at Beach House: Catherine Dyer Beach House Girl: Caroline Arapoglou Aunt Barb: Rebecca Koon Daniel’s Mom: Jeanine Serralles Summerbird Dad: Fred Galle Summerbird Brother: Flynn McHugh McKayla’s Father: Brian Kurlander Boss Man’s Lady: Kate Forbes Amy’s Friend #3: Rebecca Ray Amy’s Friend #2: Rebecca Weil Amy’s Friend #1: Hannah Kraar Blair: Alexander Biglane Okie: Reece Ennis Kendall: Holly Wingler Rollerskating Waitress: Kristina Arjona Teenage Girl #1: Sara Antonio Summerbird Sister: Lia McHugh Police Officer: Chris Hlozek Teenage Boy #1: Myles Moore Summerbird Wife: Sandra Elise Williams Preppy Summerbird: James Robinson Jr. Summerbird Girl: Anniston Howell Drunk College Guy: Josh Weikel Chester: Ezra Bynum Dishwashing Boy #1: Zack Shires Weather Reporter: Rick Chambers Stoner Guy: Cody Pressley Beach House Guy: Michael Steedley Annoying College Guy: Tyler Carden Young Boy: Rawann Gracie Dishwashing Boy #2: Logan McHugh Daniel’s Father: John Herkenrath BBQ Neighbor: Chris J. Beatrice Narrator: Shane Epstein Petrullo Trashy Girl: Lisa Marie Kart Ice Cream Parlor Girl: Raegan-Alexis Santucci Partier: David London Stoner Girl: Julaine Tackett Drive-In Attendant: Tyler Bilyeu Lobster Shack Patron: Augie Buttinelli Blair Buddy: Adrian Papa Sketchy Guy: Jonathan Robert Martin Daisy: Jessie Andrews Film Crew: Writer: Elijah Bynum Cinematography: Javier Julia Production Design: Kay Lee Hair Department Head: Carol Cutshall Original Music Composer: Will Bates Producer: Bradley Thomas Producer: Ryan Friedkin Producer: Dan Friedkin Casting: Courtney Bright Casting: Nicole Daniels Executive Producer: Jasmine Daghighian Unit Production Manager: Nathan Kelly Executive Producer: Casey Wilder Mott Art Direction: Evan Maddalena Set Decoration: Kim Leoleis Makeup Department Head: Sheila Trujillo-Gomez Production Supervisor: Erin Charles Executive Producer: Peter Farrelly Executive Producer: Allyn Stewart Executive Producer: Kipp Nelson Editor: Jeff Castelluccio Editor: Dan Zimmerman Co-Producer: Tom Costantino Music Supervisor: Liz Gallacher Visual Effects Supervisor: Chris Wells First Assistant Director: Rip Murray Second Assistant Director: Stephen W. Moore Stunt Coordinator: Jennifer Badger Stunt Coordinator: Johnny Cooper Stunt Coordinator: David Brian Martin Stunt Double: Niko Dalman Stunt Double: Jeremy Conner Stunt Double: Noah Bain Garret Stunt Double: T. Ryan Mooney Leadman: Nelson Hagood Construction Coordinator: Jay Womer “A” Camera Operator: Matías Mesa First Assistant “A” Camera: Jackson McDonald Second Assistant “A” Camera: Aaron Willis “B” Camera Operator: Danny Eckler First Assistant “B” Camera: Ryan Weisen First Assistant “B” Camera: Dan Turek Still Photographer: Curtis Bonds Baker Still Photographer: Guy D’Alema Boom Operator: Thomas Doolittle Costume Supervisor: Caryn Frankenfield Makeup Artist: Micah Laine Makeup Artist: Donna Martin Makeup Artist: Ashley Pleger Makeup Artist: Tracy Ewell Hairstylist: Jennifer Santiago Gaffer: Mike Pearce Production Coordinator: Shanti Delsarte Post Production Supervisor: Todd Gilbert Sound Re-Recording Mixer: Craig Mann Supervising Sound Editor: Bruce Barris Sound Effects Editor: Bruce Tanis Sound Effects Editor: Bill R. Dean Dialogue Editor: Chase Keehn Foley Mixer: Randy Wilson Foley Mixer: Ron Mellegers Foley Artist: John Sievert Foley Artist: Stefan Fraticelli Foley Artist: Jason Charbonneau Sound Re-Recording Mixer: Laura Wiest Sound Re-Recording Mixer: Adam Sawelson Sound Re-Recording Mixer: Kurt Kassulke Movie Reviews: Jacob: (79/100) There should be more films made that take place in ...

[wahwealth]

🏙️Sylvia Sydney, Estelle Taylor, David Landau | Street Scene (1931) | 

Street Scene is a 1931 US drama produced by Samuel Goldwyn and directed by King Vidor.  Except for one scene (inside a taxi), the film takes place on one set of a city block in old New York.   Estelle Taylor, David Landau, Sylvia Sidney, William Collier Jr., and Beulah Bondi are the stars. CAST Sylvia Sidney as Rose Maurrant William Collier Jr. as Sam Kaplan Estelle Taylor as Mrs. Anna Maurrant Beulah Bondi as Emma Jones David Landau as Frank Maurrant Matt McHugh as Vincent Jones Russell Hopton as Steve Sankey Greta Grandstedt as Mae Jones Eleanor Wesselhoeft as Marguerite "Greta" Fiorentino Allan Fox as Dick McGann Nora Cecil as Alice Simpson (welfare worker) Margaret Robertson in a minor role Walter James as Marshal James Henry Max Montor as Abe Kaplan Walter Miller as Bert Easter (Rose's boss) T.H. Manning as George Jones Conway Washburne as Danny Buchanan John M. Qualen as Karl Olsen Ann Kostant as Shirley Kaplan Adele Watson as Olga Olsen Lambert Rogers as Willie Maurrant George Humbert as Filippo Fiorentino Helen Lovett as Laura Hildebrand Richard Powell as Officer Harry Murphy Jane Mercer in a minor role Monti Carter as Monti Carter Harry Wallace as Fred Cullen Never miss a video. Join the channel so that Mr. P can notify you when new videos are uploaded: https://www.youtube.com/@nrpsmovieclassics