#David Fanshawe

[ozkar-krapo]

[rec. David FANSHAWE]

"Africa : Witchcraft & ritual Music"

(LP. Nonesuch. 1975) [KE/TZ]

[kwebtv]

TV Guide -  October 24 - 30, 1964

Robert Francis Vaughn (November 22, 1932 – November 11, 2016) Actor noted for his stage, film and television work. His television roles include the spy Napoleon Solo in the 1960s series The Man from U.N.C.L.E.; the detective Harry Rule in the 1970s series The Protectors; Morgan Wendell in the 1978–1979 miniseries Centennial; General Hunt Stockwell in the fifth season of the 1980s series The A-Team; and grifter and card sharp Albert Stroller in the British television drama series Hustle (2004–2012), for all but one of its 48 episodes. He also appeared in the British soap opera Coronation Street as Milton Fanshaw from January until February 2012. 

Vaughn made his television debut on the November 21, 1955, "Black Friday" episode of the American television series Medic, the first of more than two hundred episodic roles through mid-2000.

In 1956, Vaughn made his first guest appearance on Gunsmoke in the episode entitled “Cooter.” The following year, he made his second guest appearance on Gunsmoke opposite Barbara Eden in a Romeo-Juliet role, in the episode "Romeo", which turned out okay for the bride and groom.

In 1963 Vaughn appeared in an episode of The Dick Van Dyke Show as Jim Darling, a successful businessman and an old flame of Laura Petrie in the episode "It's A Shame She Married Me". During the 1963–64 season of The Lieutenant, Vaughn appeared as Captain Raymond Rambridge alongside Gary Lockwood, who played a Marine second lieutenant at Camp Pendleton. Vaughn had guest-starred on Lockwood's 1961–62 series Follow the Sun.

From 1964 to 1968, Vaughn played Solo with Scottish co-star David McCallum playing his fellow agent, Illya Kuryakin. This production spawned a spinoff show, large amounts of merchandising, overseas theatrical movies of re-edited episodes, and a sequel, The Return of the Man from U.N.C.L.E.: The Fifteen-Years-Later Affair.  (Wikipedia)

IMDb listing

[gendzl]

Jane Austen & Emma (the name)

David M. Shapard's first annotation to the text of Emma discusses Jane Austen's affection for the name:

her fondness for it appears in several letters in which she expresses a wish that someone had the name, disgust that a person with it married someone with an unattractive name, or special indignation that a young lady deprived of sufficient dancing partners should be an Emma (Nov. 30, 1800; April 21, 1805; Dec. 9, 1808).

I have a copy of Jane Austen's Letters (editor Deirdre Le Faye), so I looked up the exact quotes!

The letter of November 30th, 1800, makes reference to something talked about in previous letters, so I'll backtrack a little for context.

On the 12th of November, Austen relays news that a Sir T. Williams is getting married—the "no no, for real this time" is terrific: she writes that "It has been reported indeed twenty times before".

There are letters missing between that snippet and the next (on the 20th), when she corrects the identity of Sir Thomas' new bride from a rumored "Fanshawe" to someone she elaborates on a bit more & who is apparently named "Miss Emma Wabshaw".

There are additional missing letters between this and when we arrive at a more established identity on the cited Nov. 30th letter.

November 30, 1800

The Endless Debaries are of course very well acquainted with the lady who is to marry Sir Thomas, & all her family. I pardon them however, as their description of her is favourable.—Mrs Wapshire is a widow, with several sons & daughters, a good fortune, & a house in Salisbury; where Miss Wapshire has been for many years a distinguished beauty.—She is now seven or eight & twenty, & tho' still handsome less handsome than she has been.—This promises better, than the bloom of seventeen; & in addition to this, they say that she has always been remarkable for the propriety of her behaviour, distinguishing her far above the general class of Town Misses, & rendering her of course very unpopular among them.—I hope I have now gained the real truth, & that my letters may in future go on without conveying any farther contradictions of what was last asserted about Sir Thomas Williams & Miss Wapshire—I wish I could be certain that her name were Emma; but her being the Eldest daughter leaves that circumstance doubtful.

Interestingly, when she first introduces "Emma" on the 20th, Austen writes that she "is handsome, accomplished, amiable, & everything but rich."

I find that to sound very delightfully like "handsome, clever, and rich, with [...] a happy disposition". Or maybe I just have Emma brainrot.

And then there are the other two incidents Shapard mentions in his note, which are much more concise:

April 21, 1805

The papers announce the Marriage of the Rev: Edward Bather, Rector of some place in Shropshire to a Miss Emma Halifax—a Wretch!—he does not deserve an Emma Halifax's maid Betty.

December 9, 1808

There were only 4 dances, & it went to my heart that the Miss Lances (one of them too named Emma!) should have partners only for two.

[abwwia]

What a treasure! - with a special dedication to @dinahvaginaart

Women Painters of the World, from the time of Caterina Vigri, 1413–1463, to Rosa Bonheur and the present day, assembled and edited by #WalterShawSparrow, lists an overview of prominent #womenpainters up to 1905, the year of publication.

How is this NOT ?! a compulsory book at the each and every #artcourse?! #artherstory

Here's the list of the painters (this will keep me busy for some time :)

Louise Abbéma

Madame Abran (Marthe Abran, 1866-1908)

Georges Achille-Fould

Helen Allingham

Anna Alma-Tadema

Laura Theresa Alma-Tadema

Sophie Gengembre Anderson

Helen Cordelia Angell

Sofonisba Anguissola

Christine Angus

Berthe Art

Gerardina Jacoba van de Sande Bakhuyzen

Antonia de Bañuelos

Rose Maynard Barton

Marie Bashkirtseff

Jeanna Bauck

Amalie Bauerlë

Mary Beale

Lady Diana Beauclerk

Cecilia Beaux

Ana Bešlić

Marie-Guillemine Benoist

Marie Bilders-van Bosse

Lily Blatherwick

Tina Blau

Nelly Bodenheim

Kossa Bokchan

Rosa Bonheur

Mlle. Bouillier

Madame Bovi[2]

Olga Boznanska

Louise Breslau

Elena Brockmann

Jennie Augusta Brownscombe

Anne Frances Byrne

Katharine Cameron

Margaret Cameron (Mary Margaret Cameron)

Marie Gabrielle Capet

Margaret Sarah Carpenter

Madeleine Carpentier

Rosalba Carriera

Mary Cassatt

Marie Cazin

Francine Charderon

Marian Emma Chase

Zoé-Laure de Chatillon

Jeanne-Elisabeth Chaudet

Lilian Cheviot

Mlle. Claudie

Christabel Cockerell

Marie Amélie Cogniet

Uranie Alphonsine Colin-Libour

Jacqueline Comerre-Paton

Cornelia Conant

Delphine Arnould de Cool-Fortin

Diana Coomans

Maria Cosway

Amelia Curran

Louise Danse

Héléna Arsène Darmesteter

Maria Davids

Césarine Davin-Mirvault

Evelyn De Morgan

Jane Mary Dealy

Virginie Demont-Breton

Marie Destrée-Danse

Margaret Isabel Dicksee

Agnese Dolci

Angèle Dubos

Victoria Dubourg

Clémentine-Hélène Dufau

Mary Elizabeth Duffield-Rosenberg

Maud Earl

Marie Ellenrieder

Alix-Louise Enault

Alice Maud Fanner

Catherine Maria Fanshawe

Jeanne Fichel

Author

Walter Shaw Sparrow

Country

United Kingdom

Language

English language

Genre

Art history

Publisher

Hodder & Stoughton, Frederick A. Stokes

Publication date

1905

Pages

331

The purpose of the book was to prove wrong the statement that "the achievements of women painters have been second-rate."[1] The book includes well over 300 images of paintings by over 200 painters, most of whom were born in the 19th century and won medals at various international exhibitions. The book is a useful reference work for anyone studying women's art of the late 19th century

Louise Abbéma

Madame Abran (Marthe Abran, 1866-1908)

Georges Achille-Fould

Helen Allingham

Anna Alma-Tadema

Laura Theresa Alma-Tadema

Sophie Gengembre Anderson

Helen Cordelia Angell

Sofonisba Anguissola

Christine Angus

Berthe Art

Gerardina Jacoba van de Sande Bakhuyzen

Antonia de Bañuelos

Rose Maynard Barton

Marie Bashkirtseff

Jeanna Bauck

Amalie Bauerlë

Mary Beale

Lady Diana Beauclerk

Cecilia Beaux

Ana Bešlić

Marie-Guillemine Benoist

Marie Bilders-van Bosse

Lily Blatherwick

Tina Blau

Nelly Bodenheim

Kossa Bokchan

Rosa Bonheur

Mlle. Bouillier

Madame Bovi[2]

Olga Boznanska

Louise Breslau

Elena Brockmann

Jennie Augusta Brownscombe

Anne Frances Byrne

Katharine Cameron

Margaret Cameron (Mary Margaret Cameron)

Marie Gabrielle Capet

Margaret Sarah Carpenter

Madeleine Carpentier

Rosalba Carriera

Mary Cassatt

Marie Cazin

Francine Charderon

Marian Emma Chase

Zoé-Laure de Chatillon

Jeanne-Elisabeth Chaudet

Lilian Cheviot

Mlle. Claudie

Christabel Cockerell

Marie Amélie Cogniet

Uranie Alphonsine Colin-Libour

Jacqueline Comerre-Paton

Cornelia Conant

Delphine Arnould de Cool-Fortin

Diana Coomans

Maria Cosway

Amelia Curran

Louise Danse

Héléna Arsène Darmesteter

Maria Davids

Césarine Davin-Mirvault

Evelyn De Morgan

Jane Mary Dealy

Virginie Demont-Breton

Marie Destrée-Danse

Margaret Isabel Dicksee

Agnese Dolci

Angèle Dubos

Victoria Dubourg

Clémentine-Hélène Dufau

Mary Elizabeth Duffield-Rosenberg

Maud Earl

Marie Ellenrieder

Alix-Louise Enault

Alice Maud Fanner

Catherine Maria Fanshawe

Jeanne Fichel

Rosalie Filleul

Fanny Fleury

Julia Bracewell Folkard

Lavinia Fontana

Elizabeth Adela Forbes

Eleanor Fortescue-Brickdale

Consuélo Fould

Empress Frederick of Germany

Elizabeth Jane Gardner

Artemisia Gentileschi[3]

Diana Ghisi

Ketty Gilsoul-Hoppe

Marie-Éléonore Godefroid

Eva Gonzalès

Maude Goodman

Mary L. Gow

Kate Greenaway

Rosina Mantovani Gutti

Gertrude Demain Hammond

Emily Hart

Hortense Haudebourt-Lescot

Alice Havers

Ivy Heitland

Catharina van Hemessen

Matilda Heming

Mrs. John Herford

Emma Herland

E. Baily Hilda

Dora Hitz

A. M. Hobson

Adrienne van Hogendorp-s' Jacob

Lady Holroyd

Amelia Hotham

M. J. A. Houdon

Joséphine Houssaye

Barbara Elisabeth van Houten

Sina Mesdag van Houten

Julia Beatrice How

Mary Young Hunter

Helen Hyde

Katarina Ivanović

Infanta María de la Paz of Spain

Olga Jančić

Blanche Jenkins

Marie Jensen

Olga Jevrić

Louisa Jopling

Ljubinka Jovanović

Mina Karadžić

Angelica Kauffman

Irena Kazazić

Lucy E. Kemp-Welch

Jessie M. King

Elisa Koch

Käthe Kollwitz

Adélaïde Labille-Guiard

Ethel Larcombe

Hermine Laucota

Madame Le Roy

Louise-Émilie Leleux-Giraud

Judith Leyster

Barbara Longhi

Princess Louise, Duchess of Argyll

Marie Seymour Lucas

Marie Lucas Robiquet

Vilma Lwoff-Parlaghy

Ann Macbeth

Biddie Macdonald

Jessie Macgregor

Violet Manners, Duchess of Rutland

E. Marcotte

Ana Marinković

Madeline Marrable

Edith Martineau

Caroline de Maupeou

Constance Mayer

Anne Mee

Margaret Meen

Maria S. Merian

Anna Lea Merritt

Georgette Meunier

Eulalie Morin

Berthe Morisot

Mary Moser

Marie Nicolas

Beatrice Offor

Adeline Oppenheim Guimard

Blanche Paymal-Amouroux

Marie Petiet

Nadežda Petrović

Zora Petrović

Constance Phillott

Maria Katharina Prestel

Henrietta Rae

Suor Barbara Ragnoni

Catharine Read

Marie Magdeleine Real del Sarte

Flora Macdonald Reid

Maria G. Silva Reis

Mrs. J. Robertson

Suze Robertson

Ottilie Roederstein

Juana Romani

Adèle Romany

Jeanne Rongier

Henriëtte Ronner-Knip

Baroness Lambert de Rothschild

Sophie Rude

Rachel Ruysch

Eugénie Salanson

Adelaïde Salles-Wagner

Amy Sawyer

Helene Schjerfbeck

Félicie Schneider

Anna Maria Schurman

Thérèse Schwartze

Doña Stuart Sindici

Elisabetta Sirani

Sienese Nun Sister A

Sienese Nun Sister B

Minnie Smythe

Élisabeth Sonrel

Lavinia, Countess Spencer

M. E. Edwards Staples

Louisa Starr

Marianne Stokes

Elizabeth Strong

Mary Ann Rankin (Mrs. J. M. Swan)

Annie Louise Swynnerton

E. De Tavernier

Elizabeth Upton, Baroness Templetown

Ellen Thesleff

Elizabeth Thompson

Maria Tibaldi m. Subleyras

Frédérique Vallet-Bisson

Caroline de Valory

Mlle. de Vanteuil[4]

Elisabeth Vigée-Lebrun

Caterina Vigri

Vukosava Velimirović

Ana Vidjen

Draginja Vlasic

Beta Vukanović

Louisa Lady Waterford

Hermine Waternau

Caroline Watson

Cecilia Wentworth

E. Wesmael

Florence White

Maria Wiik

Julie Wolfthorn

Juliette Wytsman

Annie Marie Youngman

Jenny Zillhardt.

#womensart #artbywomen #palianshow #womeninarts #greatfemaleartist

#greatfemalepainters #herstory #forgottenartists #mustread

[newmusickarl]

Top 50 Albums of 2022

5. angel in realtime. by Gang of Youths

One of the personal highlights of this year has been getting to write reviews and features for Gigwise. Since joining the team in January, I've been introduced to some great new artists and projects throughout the year that may well have slipped my radar otherwise. Back in February in one of my first reviews for the publication, I was introduced to an Australian indie rock outfit on their third album who had somehow escaped me till then.

The more I researched for the review and delved into the story behind the album, the more I became intrigued by it. Then when I eventually hit play on the record itself, I was simply blown away with what I heard – that album was angel in realtime by Gang of Youths, one of my Top 5 Albums of 2022.

Although angel in realtime is ultimately a personal story centred on frontman David Le’aupepe’s late father, the themes and emotions that course through the record are those with which anyone can relate. Not only does angel in realtime succeed in being a poignant and emotional tribute to Le’aupepe’s own family heritage, but it also delivers a richly composed, beautifully orchestrated indie rock record that flourishes in its examination of the complete human experience. Here's what I said in my review back in February:

“In the five years since their highly-acclaimed sophomore album Go Farther In Lightness, there’s been a lot of change for Australian alt-rock group Gang of Youths. In late 2019 founding member Joji Malani left the band, before being replaced shortly after by multi-instrumentalist (and Noah and The Whale alumnus) Tom Hobden. More importantly though: in 2018, frontman Dave Le’aupepe lost his father, whose life and legacy serves as the primary inspiration for their sensational new album, angel in realtime.

Sonically it is dazzling, with Gang of Youths remaining a rock band at their core but bringing in elements of classical, dance and folk music, helping this collection of songs to really soar. There are also more than a few nods to Le’aupepe’s heritage found within the eclectic sounds on display too, with contributions from Pasifika and Māori vocalists, as well as samples of composer David Fanshawe’s recordings of indigenous music from the Polynesian Islands and wider South Pacific region.

All of this is evident almost immediately too, as 'You In Everything' is a spellbinding, hugely orchestral opener where Le’aupepe intricately describes the final moments with his father. It is the perfect scene-setter, with widescreen instrumentation as Le’aupepe goes through each sense on the heartbreaking refrain of “I will (need/see/hear/feel) you in everything.” It’s an emotional hook that pulls you into the record, with 'In the Wake of Your Leave' continuing the story, as backing harmonies are provided courtesy of the Auckland Gospel Choir and percussion by several drummers from the Cook Islands. Lead single 'Angel of 8th Ave.' is then where you can really start to hear Tom Hobden’s influence coming into the fold—a hugely anthemic love song set in London, buoyed by strings, synths and a big singalong refrain of “there’s heaven in you now.”

Oddly, despite the wealth of instrumental splendour, it is probably the album’s most stripped-back song that offers the finest moment. Le’aupepe never knew the full extent of his father’s life and ancestry until after he had passed away, which is where he also learned he had two older half-brothers. After tracking them down and meeting them for the first time, he wrote 'Brothers', a raw piano ballad that pays tribute to his father’s legacy whilst outlining the highs and lows of the relationships he has with his siblings. It is exquisitely written and makes for a devastatingly stunning piece of songwriting.

For Dave Le’aupepe and Gang of Youths, the goal for this new record was clear: “I hope the record stands as a monument to the man my father was and remains long after I’m gone myself. He deserved it.” Whilst time will tell whether they have ultimately met their target, one thing for now is certain—this is a beautiful and moving tribute that extends beyond Le’aupepe’s own experiences and allows the listener to connect with the human stories they find at the heart. With gorgeous writing, an emotional resonance, as well as magnificent, diverse compositions throughout, you can’t help but get completely swept away.”

Best tracks: brothers, the angel of 8th ave., in the wake of your leave

Read my full review for Gigwise here

Listen here

[laguaridadelnagual]

La leyenda viva del rock, Mick Jagger, festeja sus 80 años

El vocalista de los Rolling Stones organizó una multitudinaria fiesta donde familiares y celebridades se reunieron para desearle un feliz cumpleaños   La leyenda del rock Mick Jagger sigue sorprendiendo a propios y extraños por la gran vitalidad que desprende arriba y abajo del escenario a sus flamantes 80 años. Como era de esperarse, el músico celebró su natalicio como es debido: una fiesta en el club Embargo Republica, ubicado en el barrio de Chelsea en Londres, donde familiares y celebridades se reunieron para desearle un feliz cumpleaños al vocalista de The Rolling Stones. Jagger nació el 26 de julio de 1943 en Dartford, Kent. Su madre Eva Ensley Mary era peluquera, su padre Basil Fanshawe ‘Joe’ Jagger compitió en gimnasia y el hermano menor de Mick, Chris, también es músico. La cuenta oficial de los Rolling Stones compartió en sus redes un mensaje para el británico deseándole un muy feliz cumpleaños junto a un video que recorre la vida del cantante. Acudieron sus ocho hijos, cinco nietos y tres bisnietos al evento privado y también Melanie Hamrick, la exbailarina del American Ballet Theatre y actual novia, 44 años más joven con quien lleva nueve años en pareja. El gran ausente de la jornada fue el guitarrista de The Rolling Stones, Keith Richards, quien de todas maneras le dejó un sentido mensaje en un comunicado: “Espero que podamos seguir diciéndonos esto el uno al otro por mucho tiempo ¡Feliz cumpleaños, Mick!”. A las 3 de la mañana, Mick salió del lugar; no se sabe si fue el alcohol o el cansancio, pero el músico fue visto sujetándose de un miembro de seguridad que se encargó de subirlo a un auto y llevarlo a casa sano y salvo. Jagger junto a su banda planean lanzar un nuevo álbum donde aparecerá el fallecido baterista Charlie Watts. Quien confirmó la noticia fue uno de los guitarristas de la banda, Ronnie Wood, de 75 años, asegurando que podremos escucharlo en algunas canciones del nuevo disco. Ronnie dio a conocer la noticia al portal de noticias The Sun. “Estamos grabando el nuevo álbum ahora y nos vamos a Los Ángeles en unas pocas semanas para continuarlo y terminarlo. Charlie está en algunas de las pistas, y el baterista Steve Jordan”, dijo. Por fortuna para los fanáticos de la banda, Charlie Watts que tendrá participación una vez más en las canciones de la banda que lo acompañó por más de 60 años. El baterista cumplió 80 años en junio de 2021 y llevaba tocando con los Stones desde 1963. Junto con el cantante Mick Jagger y el guitarrista Keith Richards, Charlie Watts era uno de los miembros más antiguos de la famosa banda de rock, en la que también han participado Mick Taylor, Ron Wood y Bill Wyman. Mick y su compañero de banda Keith Richards se hicieron amigos en la escuela primaria, cuando compartían el amor por el ritmo y el blues. Los Rolling Stones debutaron en 1962 y desde entonces han lanzado más de 20 álbumes de estudio, vendido más de 200 millones de discos y cientos de conciertos alrededor del mundo. Su música marcó generaciones e influyó a muchos otros artistas.   Un hombre polifacético Mick estudió administración de empresas en la London School of Economics antes de decidir formar la banda que lo haría famoso. Además de ser cantante, compositor y productor musical, Mick Jagger también incursionó en otras áreas como el cine, la literatura y la moda. Actuó en varias películas como Ned Kelly (1970), Performance (1970) y Freejack (1992), entre otras. Escribió canciones para bandas sonoras como Alfie (2004) y The Departed (2006). Colaboró con otros músicos como David Bowie, Peter Tosh y Lenny Kravitz. También fue un ícono de la moda por su forma de vestir y su actitud rebelde. Lanzó su propia línea de ropa llamada Jagged Edge y ha sido modelo para marcas como Burberry y Dior. Y apoyó causas sociales y ambientales como Live Aid, Live 8 y Global Cool. Read the full article

[celticfranciscanmonk-blog]

The Lord's Prayer from AFRICAN SANCTUS by David Fanshawe (2015) Feb 11th: Saturday Morning Prayer Brother shares A gift 4 your heart: The Lord's Prayer from AFRICAN SANCTUS by David Fanshawe (2015) https://youtu.be/0UuK7YEu-Fc

[mariocki]

Three Men in a Boat (BBC, 1975)

"Medmenham Abbey once sheltered the notorious Hellfire Club. It stands on the site of a Cistercian monastery of the 13th century. The monks wore rough tunics; ate no fish, meat, or eggs; rose at midnight for Mass; and passed the day in total silence, a mode of life which might, if not overdone, be a benefit to some of us - especially Harris, who not only eats fish, meat, and eggs at every opportunity, but often talks at the same time."

[hellocanticle]

Everything You Wanted to Know About Javanese Gamelan But Were Afraid to Ask: John Pitts' "Extreme Heterophony"

Everything You Wanted to Know About Javanese Gamelan But Were Afraid to Ask: John Pitts’ “Extreme Heterophony”

This is John Pitts‘ second incursion into adapting non-western music for the conventional piano. In doing so he follows a long tradition of fascination with non-western musics by western composers. Listeners will likely be familiar with Beethoven or Mozart who imitated Turkish music to add an exotic dimension to their compositions (Beethoven with his Turkish March sequence in the finale of the…

[sheltiechicago]

Ballet West rehearses for its New York City debut of African Sanctus, by British composer-explorer David Fanshawe, in March 1980. The ballet is based on Mr. Fanshawe's 2,000-mile odyssey through Africa and combines field recordings of more than 50 African tribes within a musical setting of the traditional Mass. The composer said, "Wherever I went people were praising things -- that is what African music is all about. It could be Christ or Muhammad, or something like love, creation or cattle." 

RNS archive photo by Paul Kolnik. Photo courtesy of the Presbyterian Historical Society

[zef-zef]

Music takes on the power of medicine, and medicine becomes associated with the healing sound of drums, interwoven with beautiful threads of melody. [liner notes]

(full album youtube)

[lavenderbudds]

Chapter 25:

If she knew the room was going to break out into another round of applause as she took to the dance floor, Julia would have parked herself at her table for the whole night, but the dance floor was in full view of her seat and she had watched all the dancing with envy long enough. The moment she heard the trumpet blares of “Come Fly With Me,” Julia helped herself up and walked over to the next table where the Marquess of Beauchamp was well invested in his conversation with Stephanie Parks. While she waited for her old friend to reluctantly pry himself away, Julia had let her eyes scan the room to see David without locking her eyes onto him. She had gotten quite good at seeing him without looking at him.

[kwebtv]

Frankenstein: The True Story  -  NBC  -  November 30 - December 1, 1973

Horror (2 episodes)

Running Time:  182 minutes

Stars:

James Mason as Dr. Polidori

Leonard Whiting as Dr. Victor Frankenstein

David McCallum as Dr. Henry Clerval

Jane Seymour as Agatha/Prima

Nicola Pagett as Elizabeth Fanshawe

Michael Sarrazin as the Creature

Michael Wilding as Sir Richard Fanshawe

Clarissa Kaye-Mason as Lady Fanshawe

Agnes Moorehead as Mrs. Blair

Margaret Leighton as Francoise DuVal

Ralph Richardson as Mr. Lacey

John Gielgud as Chief Constable (Police)

Tom Baker as Sea Captain

Julian Barnes as Young Man

Arnold Diamond as Passenger in Coach

Yootha Joyce as Hospital Matron

Peter Sallis as Priest

Dallas Adams as Felix

[daisydoctor13]

Fleur will be back again!

From David's Instagram (x)

[folkmusicplus]

DISCOVER MUSIC FROM THE PACIFIC WITH ARC MUSIC (CD) Compilation

Song listing:

1. Tonga: The Singing Reef - Field rec. David Fanshawe

2. Marquesas Islands: Mave (Welcome Rite) - Voix de Iles (trad.)

3. Fiji: Orchid island Group - Field rec. David Fanshawe (trad.)

4. Chuuk, Micronesia: Romonum I - Field rec. David Fanshawe (trad.)

5. New Zealand: E Ko Te Te Kautoki - Kahurangi Maori (trad., arr. Kahurangi)

6. Tahiti: Aparima Te Maeva - Field rec. David Fanshawe (Coco Hotahota)

7. Hawaii: Na Po - Halau Hula Ka No’eau (trad.)

8. Tokelau: Te namo - Te Vaka (Opetaia Foa’i)

9. Tahiti: Haere mai - Tahiti Here (trad.)

10. Tonga: The Nobleman Ve’ehala - Field rec. David Fanshawe (trad.)

11. Tonga: Old Timers’ Dateline Hotel - Field rec. David Fanshawe (trad.)

12. Solomon Islands: Gilo Stones - Field rec. David Fanshawe (trad.)

13. Easter Island: Himno, Moto Nui, Kia Kia - Conjunto Folclorico “Danzamerica” de Chile (trad.)

14. Fiji: Bula - Nawaka Entertainment Group (trad.)

15. Kiribati: Te Kamei Batere - Field rec. David Fanshawe (trad.)

16. Tokelau: Ki mua - Te Vaka (Opetaia Foa’i)

17. Hawaii: Hawaiian Lullaby - Harry Kalapana (Hougassian/Robinot)

18. Society Islands: Himene Tarava Anau - Field rec. David Fanshawe (trad.)

19. West Samoa: Fiafia at Aggie Grey’s - Field rec. David Fanshawe (trad.)

20. Cook Islands: Reureu Drum Dance - Field rec. David Fanshawe (trad.)

21. New Zealand: Haka hou Kahurangi Maori (trad., arr. Kahurangi)

22. Cook Islands: The Singing Reef 1 - Field rec. David Fanshawe

[welcome-to-the-end-of-eras]

Okay bc this has been a thought in my brain for a while, twofs/tlfop characters and their music tastes:

Thaniel: anything and everything. This man’s playlists are disgusting. I’ve never met a good musician who didn’t have the most buck wild taste in music and I refuse to believe it’s any different for him. Shit goes from Ice Nine Kills to Megan Thee Stallion to Tchaikovsky to the Big Time Rush soundtrack, it’s a mess. Though I firmly believe his favourite artists are like Elton John and David Bowie and all them.

Mori: he gives me Måneskin vibes for absolutely no reason, but also he seems like the kind of person who would pretend to have a very sophisticated and high-brow taste in music when really he’s in the top 0.05% of Nicki Minaj’s listeners on Spotify. Can’t blame him tho shit smacks-

Grace: fuckin indie hipster bullshit, and she’s very annoying about it. “Oh idk if you’d like this, it’s very underground *plays Sweater Weather*”. That kind of shit.

Matsumoto: he listens to whatever’s popular when he’s around people, but this man fucking l o v e s musicals and listens to them constantly in his free time. He’s gone to auditions for shows he likes without rehearsing in the slightest and has gotten callbacks because he knows the songs that well.

Six: I’ve said this before but I really feel like she’d like metal and rock songs. Like just picture this small, sweet looking kid with lil purple cat ear headphones listening to Rob Zombie on the highest volume while making naval weapons. Truly her father’s daughter.

Takiko: she also listens to indie music but she’s cool enough to get away with it and isn’t annoying about it. If you ask her for music recommendations she’ll actually give you music you’ll like instead of just forcing you to listen to the stereotypical indie songs everyone knows. Actually does know cool underground artists and brings people to their shows and it’s always a blast.

Midori: …girl in red-

Vaulker: his playlists are full of the stereotypical Masculine™️ bands and artists like Van Halen, Alice Cooper, Aerosmith, yknow the kinds of bands/artists who base their entire aesthetic off the queer community’s popular aesthetic of the 60s and 70s but nooo of course it isn’t gay what are you talking about-

Kuroda: he listens to podcasts. Not just any podcasts tho, centrist political podcasts. And he calls in daily.

Fanshaw: if you had a computer that generates playlists for people and you typed the word “gay” into it, Fanshaw’s playlist is what you would get.

Pringle: definitely listens to Yung Gravy, Toji, and any artist that has a “I <3 Milfs/Dilfs” vibe (but all his playlists kinda smack — nobody wants to give him the satisfaction of telling him tho)

Tanaka: like Thaniel he also has a very diverse music taste, but he uses it for evil. And by evil I mean he’ll figure out what kind of music just gets under your skin like no other and blasts it whenever you’re around. This man can stand in a room with the most god awful music blaring at the highest volume and he’ll start headbanging.

Choshu: exclusively listens to classical music and jazz and stuff like that, the kind of music you’d expect a person with a high quality leather arm chair and fancy whiskey decanter set to listen to.