#Chloe Bristol

[gebo4482]

The Magician’s Elephant by Chloe Bristol #2

[thepermanentrainpress]

UNDER THE RADAR: FEBRUARY 2023

1) Francis Arevalo - “I Can’t Wait”

A searing passion and power defines Arevalo’s new single. Reworked and refined, it was written about “facing one’s own mortality after a difficult mental health struggle,” and circles around notions of commitment, purpose and community. His cultural, lived experiences and advocacy for mental health and BIPOC artists are reflected in his work; he has agency over decisions made in the present, and chooses to forge ahead while being a rally cry for those around him. It’s a groovy hip hop track with cascading live instruments (drums, guitar, bass, keys, turntables) and fervent delivery—I’m not surprised to read that he has a slam poetry background.   

I am not a big rap/hip hop listener, but I was drawn towards the uplifting wordplay (“we could be brave with the hurt / you’re here / there is reason for birth”) that is not just about oneself, but both blood and chosen family. Manifesting dreams requires clarity, visualization, gratitude and mindfulness, traits that aren’t lacking in this artist. Expect his debut album 0427 Act I: HEATCHECK! this April. 

Written by: Chloe Hoy

2) Ayla Tesler-Mabé - “Give Me A Sign?”

This track has a very funky and upbeat sound. It's a powerful mix of R&B, rock, and even jazz, creating a soulful style. There's a lot of pep and energy in both the music and vocals here. Ayla expresses herself with a tone of voice and emotion mature beyond her years. The lyrics tell a tale of a relationship that isn't all it should be - the singer really wants things to be all they could be, if the other party could just "give me a sign." This is a song with a timeless vibe finely engineered for a very enjoyable listen. 

This is her debut single as a solo artist and it shows a lot of spirit and promise. It's a great introduction that will leave one hooked. If this is just a first taste of her upcoming EP, I'm very excited to see what else is to come.

Written by: Cazzy Lewchuk

3) Stay Lunar - “i like it when you’re around”

I just love Stay Lunar—they create all-around winners. A song celebrating friendship and the comfort and love received during times of need, it still has a bright glow. Heavier on the guitars and drums, it comes off as more of a peppier indie rock cut as opposed to their pop-centered, synth-laden past. It can be hard to express our feelings to those around us, much less be honest with ourselves; the ebb and flow is heard in the tone, narrating long-term adversity (“i know it's over but we're living in it / some things they take a while to leave”) and the striking contrast between solitude and company.

It’s so easy to be enveloped in their music. The Bristol band is set to release an EP later this year.

Written by: Chloe Hoy

4) Trina Kae - "Paris in the Fall”

Enamored in a new place of possibility at every corner, the Okanagan’s Trina Kae has fond memories of backpacking around the world post-college. Set in Paris, the song captures wonder and discovery in beauty only found through travel—and maybe some accompanying spirits ("Remember when you were dreaming beside the Seine / Lost again in a cabernet lens”). Her breathy voice cuts deep as it’s almost woeful in tone, nostalgic in the “glow of being immersed in the moment.” I like the alt pop layering; not flashy but achieves the airy and wistful mood it intends with sharp beats entering midway through.

In addition, the use of lyrics in French strengthens the story and reflection. “Paris in the Fall” is appropriately dramatic, but with the magic and intoxicating feeling of an unfamiliar and culturally rich city. Kae’s debut album Narrative is out now.

Written by: Chloe Hoy

5) Flint - “Days & Nights”

Embodying a carefree spirit and a license to party, Tony Rosenberg and Peter Jenner encourage you to leave your troubles at the door. The Brisbane rockers have a controlled punch to their rock n’ roll. It’s anthemic while giving off an air of intrigue, a fast bass line and lyrics that are sang as self-assured statements. The pair has a fun musical style – a matured tone but a refusal to settle (“rearranged my focus and handed in my notice”). “Days & Nights” is a reminder that older and wiser are not always synonymous in life, and good times will triumph if we prioritize them.

Days & Nights by Flint.

Written by: Chloe Hoy

6) Glow Motive - “Show Me You're Here” 

This song does the not-easy task of being soft with a low tempo, but also groovy and complexly crafted. The complicated arrangement is appropriate for the subject matter - a meditation on grief and trying to find their presence in dealing with the loss of a family member. It is layered and clearly recorded with love and sincerity. One can really hear the difficult, sometimes contradictory feelings in the singers’ vocals as they strive to communicate with the departed. Not a second is wasted as the pitch and harmonies evolve, the music bridges, and the time signature switches. It's a wave of emotion that will move the listener, creating a pleasant yet poignant sound.

This is the first single released by Glow Motive, a collaboration between emerging artists Anjalica Solomon and Oceaan Pendharkar. This collective has highlighted and enhanced their identities within the brown, queer local musician community. I'm sure this is just the beginning of beautiful art as represented by them, with a bright future ahead.

Show Me You're Here by Glow Motive

Written by: Cazzy Lewchuk

[flirtmcgirt]

Why I hate MMFD Series 3, Circa 2015.

Ok, like I said, i randomly found this in my phone. It is extra, it is wild, it all holds up lol. It’s embarrassing, but who cares? S3 was embarrassing. It’s VERY long. Laugh, cry, mock me, fight me, enjoy yourselves. I’ll never get over it.

1. The whole series has a bleak feeling almost immediately that doesn’t let up. I don’t just mean plot, I mean color palette and vibes. It has this washed out feeling I hate.

2. I don’t side with Rae on her interview. I don’t. She didn’t take it seriously.

3. Rae wants to go to uni because..? Rae chose Bristol because..? Rae has no backup schools because..?

4. Rae says she’s happy. Cool. Why? What’s been happening? How’s treatment been going? The most elementary rule of storytelling: show, don’t tell. I feel like we got told for 2 hours, with no fill-in of the gap.

5. The end of season 2 felt like the jumping off of the beginning of something: Chloe healing emotionally, the relationship with Rae and her mom, Rae and Finn, attempts at taking therapy seriously. We spend the next 2 hours digging into NONE of these things. I’m not dumb, I know time was limited. But we needed more exposition, flashbacks, more SOMETHING. Why should I believe things are going well, especially when they’re about to collapse.

6. Flashbacks (this blows my mind): Rae shows us what we think are flashbacks talking about her happiness. They’re not-they’re flash forwards. And all of them are after Rae starts being dishonest and backsliding. That has always upset me as a viewer. We NEVER see Rae progress in this series in retrospect.

7. Why are Rae and Finn hiding major life decisions from each other?

8. Chloe’s doing well! Cool! Again, how and why?

9. Look, I was young with a boyfriend once too. I get there’s limited time between school, work, and family, and you want to spend the time you have taking off each other’s clothes at that age. But there’s no emotional intimacy here and it spits in the face of earlier seasons.

10. “I love you.” Enough said. But fine. Let’s take it at face value. Why are they not expressing themselves ? Are they happy, are they unsure around each other, are they coasting on lust? We don’t know, bc bad storytelling.

11. We’re right back to “let’s only discuss my boyfriend in terms of his looks.” Bo-ring, no growth, and not to get too explicit, but you don’t have repeated, committed sex, and not get past some of this. Embarrassing things happen, funny things, you open up emotionally and get real with yourself and each other. You’re telling me these two never made weird noises or weird faces or sweated horrifically all over each other?

12. I’ve always seen Linda as someone who cares for Rae, worries, and is observant, but often doesn’t do the best thing because of her own issues. She is out to lunch most of the series and I hated it.

13. The car crash. I hate it for so many reasons. It sucked up the plot time we needed not to make the whole series feel disjointed. It was too dramatic for me. One of the things I always loved about MMFD was it felt like a relatable show that featured teens, not necessarily a teen show. This was a teen soap stunt.

14. Rae is ostensibly happy when she gets her acceptance. Why does she immediately discard the idea? Why no inner dialogue about her actual desires?

15. KESTER. We’ve said it all. Kester telling her what to do instead of working through her feelings? Irresponsible. Lying? Irresponsible. Not properly transitioning out of therapy? Irresponsible? The mental health messages were disgusting overall. Add another therapist COVERING and letting her dump her meds was even worse. Kester’s choices were all about covering his own ass, and he’s ultimately pathetic.

16. The Gang. Just so much why? Why are Izzy and Chop forced into being stupid? Why does no one give a shit about Finn? Why is everyone grappling with major life changes but only Chloe and Rae have to bear any drama. Why is Archie not in uni? Why does everyone clearly know Rae is suffering and doesn’t even try to help; more importantly they mock her? That last piece makes me legit angry.

17. I like Rae and Chloe’s friendship growth. That it came at the expense of Rae’s guilt, fear, and shame is just disappointing.

18. Finn looks..tired, even before the Katie business. He looks overwhelmed and unsure and scared, and like he’s spent two years biting his tongue. I don’t doubt for a second he loves her, but is it healthy? It didn’t look healthy, and again, why? You’re getting paid to TELL ME A STORY.

19. Rae never uses anything she learned in therapy all series.

20. No one but Rae gets a real storyline and that stinks.

21. Katie. Faye Marsay is better than this. Lost more plot time for a teenage Single White Female retread.

22. The cheating. Out of character, we never get clear resolution on what happened, and most importantly to me, it’s the main reason for a breakup that has so many other tells simmering in the background, imo. That Rae is condescending, doesn’t own up to her parts, is just. Yeah. Why should I believe this person is ok? PS-We know he bought her that “you’re the milk to my cookies” shirt, it only makes sense. Ma’am you did not act like it.

23. Katie’s entire voodoo speech burns me up because we never get confirmation Rae doesn’t internalize and/or reject this. I actually think a conversation about the ripple effect of mental health is so important, and deserved better than whatever the hell this was.

24. Rae’s whole A-level experience. She gets saved and coddled so she can go somewhere they won’t play that game with her. How does this help her or show she’s ready?

25. No chippy. Fine, whatever, but I miss it lol.

26. Everyone perving on Finn, come on, this was cringe.

27. The look Chloe gives Finn at the pub. I don’t understand it, but I don’t like it.

28. No Baby Bouchtat time, wtfffff.

29. Rae never comes to a realization we hear about why she wants uni. She gets her back against the wall because her mom has to leave and everything else is falling apart. Great.

30. Speaking of, why is Linda still at home 2(?) months after she said she wanted to leave, halfway through her husband’s contract? I thought it was so damn important.

31. Rae’s dad..more plot time wasted. I honestly barely remember this. PS-hey Rae, I bet Finn Nelson would’ve heavily related if you said your shitty dad popped back up and you were struggling.

32. It seems like Rae cuts everybody out after the ball. This is not real life. You lose touch, people fade away, sure. Over months and years, not by cutting bonds off at the knees.

33. Town only being the background to Archie’s plot was such a waste.

34. That tub scene was sickening and irresponsible as fuck. Every other mental health episode in other seasons had inner dialogue to help the audience. That they played it as straight and left the audience dangling that long was reprehensible.

35. Everyone on this show got to develop an outside life we knew about away from Rae except Finn and he deserved more.

36. The going it alone message is terrible. You always need support and love from people around you.

37. Petty, but that dress did Sharon no favors, please dress our queen properly.

38. The last song being Creep is so lyrically bleak and sums up this entire dumpster fire.

39. “The bullshit goes with me?” GOODBYE. Please.

40. The train scene: kind of nice! Reminiscing! Tix! But also weird. Why do Kester and Chloe look so serious? Why does Finn only look like he wants to fuck her? Why is Liam even there? Whatever.

Please add more lol. Or don’t, because this is out of control. I roast because I loved and knew what it was capable of once.

[jakobdodson]

2022 in Music

Here is a note about the music I listened to in 2022. I hope you enjoy it!

Favorite Albums of 2022

Blue Rev - Alvvays

Banger after banger after banger on here!

Favorite Songs:

After The Earthquake

Tile By Tile

Belinda Says

Bored In Bristol

A Light For Attracting Attention - The Smile 

This is essentially a Radiohead album with a jazzy twist. Accordingly, it belongs here, among my favorites of the year. 

Favorite Songs:

Speech Bubbles

Open The Floodgates

Free In The Knowledge

Skirting On The Surface

Dragon New Warm Mountain I Believe In You - Big Thief

My most anticipated release of the year that easily surpassed my highest expectations. It explodes into several beautifully creative directions and where it could overwhelm with its ambition it tends to endear and make you smile.

Favorite Songs:

Change

Dragon New Warm Mountain I Believe in You

Flower of Blood

Red Moon

Promise Is a Pendulum

12,000 Lines

-------------------------------------------------------------------------------------------

Runners Up

Dawn FM - The Weeknd 

Once Twice Melody - Beach House

LABYRINTHITIS - Destroyer 

Ice, Planets, Lungs, Mushrooms, and Lava - King Gizzard & The Lizard Wizard

Dripfield - Goose

Music for Animals - Nils Frahm

Liked It

Misadventures of Doomscroller - Dawes

I’m Not Sorry, I’m Just Being Me - King Hannah

Good and Green Again - Jake Xerxes Fussell

Hell on Church Street - Punch Brothers

Time Skiffs - Animal Collective

Ants from Up There - Black Country, New Road 

Humble Quest - Maren Morris

The Joy of Music - Ben Rector

The Jacket - Widowspeak

Underground Complex No. 1 - Typhoon 

Fear of the Dawn - Jack White

Omnium Gatherum - King Gizzard & The Lizard Wizard

Giving The World Away - Hatchie 

Break Me Open - S. Carey

Romeo & Juliet - Ryan Adams

One is One - Delta Spirit

Two Ribbons - Let’s Eat Grandma

Big Time - Angel Olsen

Preacher’s Daughter - Ethel Cain

Cruel Country - Wilco

The Loneliest Time - Carly Rae Jepsen

Surrender - Maggie Rogers

Teeth Marks - S.G. Goodman 

Take It Like A Man - Amanda Shires

Sons Of - Sam Prekop & John McEntire

Chloe and the Next 20th Century - Father John Misty

Reggae Film Star - Damian Jurado

Freakout/Release - Hot Chip

Will Of The People - Muse

WE - Arcade Fire

Birds In The Ceiling - John Moreland

Profound Mysteries II - Röyksopp 

sandhills music - Ben Seretan

The Blue EP - MORE&MORE

I’m Sweating All the Time - Wormy

Heartmind - Cass McCombs

The Liar - John Fullbright

Midnights - Taylor Swift

Changes - King Gizzard & The Lizard Wizard

Rolling Golden Holy - Bonny Light Horseman

Into the Blue - Broken Bells

I Walked With You a Ways - Plains

Laminated Denim - King Gizzard & The Lizard Wizard

ILYSM - Wild Pink

Being Funny in a Foreign Language - The 1975

And In The Darkness, Hearts Aglow - Weyes Blood

Schvitz - Vulfpeck

MUNA - MUNA

Cowboy Ballads, Pt. 1 - Jesse Tabish

Drew Winn - Drew Winn

Can I Take My Hounds to Heaven? - Tyler Childers

Blue Skies - Dehd

Harry’s House - Harry Styles

Ali - Vieux Farka & Khruangbin

Meh

Quitters - Christian Lee Huston

Chris - Ryan Adams

Mr. Morale & The Big Steppers - Kendrick Lamar

Plonk - Huerco S.

Palomino - First Aid Kit

Alpha Zulu - Phoenix

God Save the Animals - Alex G

No Rules Sandy - Sylvan Esso

Not from 2022

Ram - Paul McCartney, Linda McCartney 

Plum - Widowspeak

Tago Mago - CAN

Ege Bamyasi - CAN

Night Moves - Bob Seger

Dots & Loops - Stereolab

Haven’t Listened Yet...

ForeverEverAndEverNoMore - Brian Eno

Empire Central - Snarky Puppy

Björk - Fossora

Yeah Yeah Yeahs - Cool It Down

FM - Ryan Adams 

Entering Heaven Alive - Jack White

V I N C E N T - FKJ

Inside Problems - Andrew Bird

Kumoyo Island - Kikagaku Moyo

Dropout Boogie - The Black Keys

Headful of Sugar - Sunflower Bean

Everything Was Beautiful - Spritualized

Electricity- Ibibio Sound Machine

(watch my moves) - Kurt Vile

You Belong There - Daniel Rossen 

El Mirador - Calexico

Unlimited Love - Red Hot Chili Peppers

Things Are Great - Band of Horses

caroline - caroline

Pompeii - Cate Le Bon

The Dream - alt-j

Anaïs Mitchell - Anaïs Mitchell

Laurel Hell - Mitski 

Silver Sash - Wovenhand

Concerts Attended in 2022:

The War on Drugs - Cains Ballroom - Tulsa, OK - 6/4/22

John Fullbright - Fassler Hall - Tulsa, OK - 10/2/22

Spoon - Austin City Limits - Austin, TX - 10/9/22

Goose - Austin City Limits - Austin, TX - 10/9/22

Kacey Musgraves - Austin City Limits - Austin, TX - 10/9/22

Luke Combs - Paycom Center - Oklahoma City, OK - 12/9/22

The Book of Mormon - Eugene O’Neill Theatre - New York, NY - 12/21/22

Links to past lists:

10 Albums that changed my life

2012

2013

2014 

2015

2016

2017 

2018

2019 

2020 

2021 

_________________________________________________

Happy Listening!

Jake

[news365timesindia]

[ad_1] South Africa players are ecstatic after defeating Australia (PC: ICC) Bharath Ramaraj in Dubai It was the semifinal of the 2017 50-over World Cup between England and South Africa in Bristol. South Africa needed a good start in conditions where the ball was doing just enough off the seam. Lizelle Lee, one of the openers, didn’t survive long. Just when it seemed like the South African batters would be tied down, Laura Wolvaardt, all of 18, unfurled a cracking cut shot. The sound of the willow meeting the leather was a crisp one and it gave an indicator that it came right off the middle. The kind of stroke that is generally a hallmark of a batter with pedigree. Seven years later, she hasn’t just fulfilled her potential as a batter but is also on the verge of leading her country to World Cup glory. In the World Cup semi-final, under her leadership, South Africa defeated Australia, six-time T20 champions. The same side, who crushed South Africa’s dreams of winning the T20 World Cup trophy on home soil last year.  The essence of that victory was South Africa’s authoritative performance. Just a glance at the ring fielders was enough to tell something about South Africa’s intent in the field. It was also an indicator that the captain and coaching staff played their parts in motivating the side. Chloe Tryon, the South African skipper, believes Wolvaardt took a bit of time to adjust to her new role. “I think when she [Wolvaardt] first came in, she probably was a little bit nervous,” she said in the press conference on the eve of the final. “She’s a lot calmer now and I think she’s more clear on how she wants to do things. And she’s got backing from senior players, which is really good.” Wolvaardt is also topping the batting charts in the tournament, having notched up 190 runs at a strike-rate of just over 111. As one of the form players, she could have taken a day off, but on the eve of the summit clash, she was having a long net, facing throwdowns. Wolvaardt has the required qualities to lead from the front with the bat and as the leader. An entire country would also believe so. For South Africa to taste success, they have to get past New Zealand, who have an equally capable leader in Sophie Devine. With the willow in hand, she is the alpha female. After all, she has the fastest and joint-third-fastest fifties in T20Is. In the ongoing World Cup, too, she has provided enough evidence of her stroke-play. In the crucial encounter against India, Devine didn’t just showcase some of her power-hitting, but she also put on an exhibition of quick-silver footwork to negate the threat of the spinners. New Zealand after defeating West Indies (PC: ICC) What about her leadership skills? In contrast to her aggressive batting, she is placid and calm while handling press conferences. Suzie Bates, a senior member of the New Zealand team, had this to say about the all-rounder: “I think she’s been absolutely brilliant in her captaincy. Just so calm. I think the decisions she’s made in these conditions have been brilliant. So, it’s unfortunate that she’s stepping aside, but thankfully it’s just as captain.” Just to illustrate that point further, Devine didn’t show her emotions when New Zealand dropped sitters in the semi-final against West Indies. The experience of having gone through so many ups and downs after playing close to two decades would have helped her to gain a better perspective of the vagaries of the game. “We’re the grandmas of the team,” Bates said, referring to herself, Devine and pace bowler Lea Tahuhu. “We’re still standing, I think. Leah with her bionic knee, Sophie just having dealt with a lot of stuff as captain over the last few years and me just keeping on going and going.” Remember, both Devine and Bates were part of the inaugural T20 World Cup in 2009. New Zealand lost in the final in that tournament. The very next year, Australia gave them some heartache, winning the summit clash by a mere three runs. After 14 long years, at

the fag end of their respective careers, the duo have got another chance to script their own story of redemption.  Both sides are desperate to win the coveted trophy. Unfortunately, there can be only one fairytale. Which will it be? The post Women’s T20 World Cup final – Laura Wolvaardt and Sophie Devine seek fairytale ending appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[news365times]

[ad_1] South Africa players are ecstatic after defeating Australia (PC: ICC) Bharath Ramaraj in Dubai It was the semifinal of the 2017 50-over World Cup between England and South Africa in Bristol. South Africa needed a good start in conditions where the ball was doing just enough off the seam. Lizelle Lee, one of the openers, didn’t survive long. Just when it seemed like the South African batters would be tied down, Laura Wolvaardt, all of 18, unfurled a cracking cut shot. The sound of the willow meeting the leather was a crisp one and it gave an indicator that it came right off the middle. The kind of stroke that is generally a hallmark of a batter with pedigree. Seven years later, she hasn’t just fulfilled her potential as a batter but is also on the verge of leading her country to World Cup glory. In the World Cup semi-final, under her leadership, South Africa defeated Australia, six-time T20 champions. The same side, who crushed South Africa’s dreams of winning the T20 World Cup trophy on home soil last year.  The essence of that victory was South Africa’s authoritative performance. Just a glance at the ring fielders was enough to tell something about South Africa’s intent in the field. It was also an indicator that the captain and coaching staff played their parts in motivating the side. Chloe Tryon, the South African skipper, believes Wolvaardt took a bit of time to adjust to her new role. “I think when she [Wolvaardt] first came in, she probably was a little bit nervous,” she said in the press conference on the eve of the final. “She’s a lot calmer now and I think she’s more clear on how she wants to do things. And she’s got backing from senior players, which is really good.” Wolvaardt is also topping the batting charts in the tournament, having notched up 190 runs at a strike-rate of just over 111. As one of the form players, she could have taken a day off, but on the eve of the summit clash, she was having a long net, facing throwdowns. Wolvaardt has the required qualities to lead from the front with the bat and as the leader. An entire country would also believe so. For South Africa to taste success, they have to get past New Zealand, who have an equally capable leader in Sophie Devine. With the willow in hand, she is the alpha female. After all, she has the fastest and joint-third-fastest fifties in T20Is. In the ongoing World Cup, too, she has provided enough evidence of her stroke-play. In the crucial encounter against India, Devine didn’t just showcase some of her power-hitting, but she also put on an exhibition of quick-silver footwork to negate the threat of the spinners. New Zealand after defeating West Indies (PC: ICC) What about her leadership skills? In contrast to her aggressive batting, she is placid and calm while handling press conferences. Suzie Bates, a senior member of the New Zealand team, had this to say about the all-rounder: “I think she’s been absolutely brilliant in her captaincy. Just so calm. I think the decisions she’s made in these conditions have been brilliant. So, it’s unfortunate that she’s stepping aside, but thankfully it’s just as captain.” Just to illustrate that point further, Devine didn’t show her emotions when New Zealand dropped sitters in the semi-final against West Indies. The experience of having gone through so many ups and downs after playing close to two decades would have helped her to gain a better perspective of the vagaries of the game. “We’re the grandmas of the team,” Bates said, referring to herself, Devine and pace bowler Lea Tahuhu. “We’re still standing, I think. Leah with her bionic knee, Sophie just having dealt with a lot of stuff as captain over the last few years and me just keeping on going and going.” Remember, both Devine and Bates were part of the inaugural T20 World Cup in 2009. New Zealand lost in the final in that tournament. The very next year, Australia gave them some heartache, winning the summit clash by a mere three runs. After 14 long years, at

the fag end of their respective careers, the duo have got another chance to script their own story of redemption.  Both sides are desperate to win the coveted trophy. Unfortunately, there can be only one fairytale. Which will it be? The post Women’s T20 World Cup final – Laura Wolvaardt and Sophie Devine seek fairytale ending appeared first on Sports News Portal | Latest Sports Articles | Revsports. [ad_2] Source link

[centrestagereviews]

Review: Women Who Gave No F**ks - Bristol’s Tobacco Factory

⭐️⭐️⭐️⭐️ Reviewed by Chloe Fry This last week saw the female led theatre company Story Jam return to Bristol’s Tobacco Factory to educate audiences on another round of women throughout history who just did not give a f**k. From the Greek goddess Persephone, to the Assyrian Queen Sammu-Ramat, this production aims to inform and educate audiences on a selection of histories forgotten heroines…

[gebo4482]

The Magician’s Elephant by Chloe Bristol #1

[whatsonmedia]

Top 10 Events and Festivals Around the World This Week

Get ready to mark your calendars, music lovers! Here's a curated list of the most anticipated music festivals happening around the globe in September 2024. Waterworks Festival 2024: Immerse Yourself in London's Vibrant Bass, House, and Techno Scene On September 14, 2024 The Waterworks Festival returns to Gunnersbury Park in London, UK, with over 70 artists showcasing the best in bass, house, and techno music. This single-day festival promises an electrifying experience for music enthusiasts, with a lineup that includes 4am Kru, Amaliah, Anil, Bakey, Bashkka, Batu, Binh, Blackeye MC, Breaka, CC:DISCO, Cedar:Chez de Milo, Christian AB, Coco Bryce, Conducta, and Craig Richards, among many others.  Official Website Desertfest New York 2024: Celebrating the Best of Heavy Music in the Big Apple From September 12-14, 2024 The Desertfest returns to New York City, taking over the unique arts space of the Knockdown Center. This festival, led by Europe's leading stoner rock collective, promises a mammoth lineup that celebrates the very best of heavy music. Fans can look forward to performances by Truckfighters, Abrams, Acid King, Belzebong, Deathchant, Domkraft, Dozer, Gozu, Green Lung, Guhts, and Hippie Death Cult, among others.  Official Website Ultra Japan 2024: Immerse Yourself in the World's Top EDM Talent On September 14-15, 2024 Famous Ultra Music Festival from Miami makes its way to Tokyo, Japan, with a special park built just for the occasion. This two-day event boasts the world's top EDM DJs, including Steve Aoki, Subtronics, Afrojack, Alesso, Anfisa Letyago, Armin van Buuren, Brennan Heart, Disco Lines, Eli Brown, Hot Since 82, and Iso Knock, among others, all performing on unparalleled stage designs and top-tier production.  Official Website Borderland Festival 2024: Celebrating the Rich History and Renaissance of New York's Knox Farm State Park September 13-15, 2024 The Borderland Music + Arts Festival returns to East Aurora, NY, from September 13-15, 2024, showcasing the rich history and renaissance of the region. This two-day music and cultural festival takes place in the scenic and storied grounds of Knox Farm State Park, with a lineup that includes BeachLife Festival 2023, Caamp, Dark Star Orchestra, The Black Crowes, Caamp, Marcus King, Dark Star Orchestra, Cory Wong, The Wood Brothers, The Wailers, The Sheepdogs, Houndmouth, Sierra Hull, Eggy, Sumbuck, and The Dip.  Official Website Bristol Rhythm and Roots 2024: A Three-Day Music Experience Bursting with Appalachian Soul From September 13-15, 2024 The Bristol Rhythm & Roots Reunion festival will once again take over the historic downtown of Bristol, TN/VA. This infectious, three-day music experience celebrates the past, present, and future of Appalachian music, with a lineup that includes 49 Winchester, Adam Bolt, AJ Lee & Blue Summit, Alli Epperson, Amanda Fields, Anthony Childress, Ashley McBryde, Austin Barrett, Bella White, and Bristol Lightning, among many others.  Official Website Plissken Festival 2024: Embracing Diverse Genres in the Heart of Athens, Greece September 13-14, 2024 The Plisskën Festival returns to Athens, Greece, from September 13-14, 2024, showcasing a genre-defying lineup of over 450 international and local artists. This festival prides itself on its diverse musical offerings, with acts like Vito Valentinetti, Electric Fields, IDLES, The Blessed Madonna, Alice Glass, Cakes Da Killa, Chloe Caillet, Cumgirl8, Duster Valentine, Forest Swords, Grandmas House, IDLES, Kid Francesco, Lilubomyr Melnyk, Mall Grab, and Marie Montexier.  Official Website Telluride Blues and Brews 2024: A Unique Blend of Music and Craft Beer in the Rocky Mountains From September 13-15, 2024 The Telluride Blues and Brews Festival will once again take place in the classic Colorado mountain town of Telluride. This one-of-a-kind experience combines three days of blues, funk, jam, gospel, rock, and soul music with tastings from over 150 breweries, featuring artists like Gary Clark Jr., Ben Harper & The Innocent Criminals, Cris Jacobs, Earnest "Guitar" Roy, Eddie Roberts & The Lucky Strokes, Eric Gales, Faith & Harmony, and Grace Bowers.  Official Website Rock in Rio Brasil 2024: Brazil's Signature Mega-Festival Returns to the City of Rock September 13-22, 2024 The biannual Rock in Rio festival will take place in Rio de Janeiro, Brazil, from September 13-22, 2024. This massive event, known as Brazil's signature music festival, will feature two weekends of performances by some of the biggest artists from around the world, including Travis Scott, 21 Savage, Cat Dealers, Chemical Surf, Deadmau5, Fatboy Slim, Funk Orquestra Convida MC Daniel, Rebecca & MC Soffia, Karan Aujla, Katú Mirim, Kevin O Chris, Ludmilla, and Matuê Part Wiu e Teto.  Official Website London Fashion Week 2024: Celebrating 40 Years of London's Creative Community From September 12-17, 2024 London Fashion Week (LFW) will take place as a digital-physical hybrid event. This year marks the 40th anniversary of LFW, and the festival will celebrate London's position as a world-leading cultural capital and its vibrant creative community. LFW40 will spotlight the city's role in nurturing emerging talent and the next generation of visionary creatives.  Official Website Caprices Festival Gstaad 2024: Blending World-Class Electronic Music with Breathtaking Alpine Views September 20-22, 2024 The Caprices Festival Gstaad returns to the mountain top of Eggli in Gstaad, Switzerland, from September 20-22, 2024. This unique festival promises to blend world-class electronic music with the breathtaking panoramic views of the Swiss Alps, creating a celebration of music, nature, and community. The lineup includes artists like Alex Wann, Âme, Andera, Apache, Bedouin, Blond:ish, Carlita, Daaeeru, DadaDisco, Daughter In Law, Eli Light, Garance, Gianundso, Guy Gerber, and Jimi Jules.  Official Website Don’t forget to subscribe WhatsOn for more news and updates on festivals and events around the world. Waterworks Festival 2024: Immerse Yourself in London's Vibrant Bass, House, and Techno Scene Desertfest New York 2024: Celebrating the Best of Heavy Music in the Big Apple Ultra Japan 2024: Immerse Yourself in the World's Top EDM Talent Borderland Festival 2024: Celebrating the Rich History and Renaissance of New York's Knox Farm State Park Bristol Rhythm and Roots 2024: A Three-Day Music Experience Bursting with Appalachian Soul Plissken Festival 2024: Embracing Diverse Genres in the Heart of Athens, Greece Telluride Blues and Brews 2024: A Unique Blend of Music and Craft Beer in the Rocky Mountains Rock in Rio Brasil 2024: Brazil's Signature Mega-Festival Returns to the City of Rock London Fashion Week 2024: Celebrating 40 Years of London's Creative Community Caprices Festival Gstaad 2024: Blending World-Class Electronic Music with Breathtaking Alpine Views Read the full article

[libidomechanica]

“Cord, but wept with vernal flowers he; no”

So round here called love smitten, care.     After the day-light erasing feet, whose lips, and to traces     imperial, and

when the Ring of the dead man carried     her babe; but he that sunk low, mountain to him back in     the hill, or frost, such a

raucous trill. The stormy Hebrides,     when ye are them drop down Bristol Street, and the Sun’s ear.     A night of their parentall

surmise. Thy body like smoke     occupies me. For her scepter Venus sitte to ways, always     you refuse herself

from her head is what; and bright, of     the public foe, the first was begotten peach that unchaste?     Looks sae mean, altho’ hardly

knew she was Nelly Gray upon     you: and yet content; whether made the dreary mountain-     path, this to be struggled,

while sing discord, but, swoll’n with rolling     out of a thousand arms I hold it know thus to a     swooning loves tip with a

bitter was held, in gentle muddy     pond of water yet where was made for many a heavy     stone; which doth Beauty

with no doubtful still moves delightened     all her curls from her woe began to pipe his hand,     till the self-folding, spread

a case we die I cry with his     earnest won’t be history. From the good go wi’ me, sweet nymph     near-smiling. For Beauties

louely Spring’s a newe mischaunce.     Tread light, confounds we our joys three fell from others case, for     so deare. Cord, but wept with

vernal flowers he; no Indes     such as are in the sexton tolled the world. I took the towers.     Of thine eyes he bore

of men. The Pilot of the youthful,     charming Chloe—from being for those the broad rumour     liberty. A guide-posts

… I have said; her eyes can every     sister and could; for laik o’ gear ye like a mournful     hyacinths after him with

vocal reeds, and Balkís; the soil;     and fause as ages blame all night, no hopefulness, will smile,     our laws with me. When armour

clay, and sad and gave up her     mouth, when in a case of pleasure! ’ Gear ye like mine. Youth was     too crowded you, to you,

to which happen, we’re every think     thee all. For thorn an oath, and better sauces die, a poet     eke, as his silently,

she best pleasured is this     mantle blue sky was forst from sence was her without any     more than every surrogate

the Shah, he said, he living     love I will not as his steel tempest in the day, ye wadna     been prow in human

what thou art evermore thou loved     yougthly pryme, to shew her love of these are these may fail     And my breast, when he none!

[oldlaomedeiia]

When was the last time you actually got some rest? // eleven to effie

What? When did she---? Effie tenses; the last time she'd seen The Doctor - and the first - she'd decked them for ditching Howie in Bristol. Of course, by the end of their .... experience, she'd sort-of come to like the alien, but nonetheless she did not trust him just yet.

From what she's heard from other friends and companions she's met over the years at U.N.I.T., he might not even remember the event -- so she doesn't mention it. She'll let him bring it up if they so choose to.

" Yeah uh--- Can't do that. I'm on guard duty while my wife works on the science stuff with our friend. " She motions to the tent, where Osgood and Chloe stand working over some sort of machinery that Effie definitely wants to tinker with later.

"I'll rest later. Can I help you?"

[sexualnews12]

New book: “Early Medical Abortion, Equality of Access and the Telemedical Imperative”

Congratulations to Jordan A. Parsons and Elizabeth Chloe Romanis, whose new book has just been published by Oxford University Press. Jordan A. Parsons is a doctoral candidate at Bristol Medical School, and Elizabeth Chloe Romanis is Assistant Professor in Biolaw at Durham University’s Law School in the United Kingdom. We are pleased to circulate the publisher’s description and some related…

[piisuke]

Chloe is from the UK around Bristol. She swears she's not from the UK but the slang and spelling she uses gives her away

Oh it's a dead giveaway you are absolutely right. It's amusing

[bleakfated]

Supernatural

Balthazar Inias Miles Asher Alicia Banes Tyson Brady Mick Davies Garth Fitzgerald Asa Fox Donna Hanscum Sunny Harrington Ellen Harvelle David Lassiter Alex Mills Jody Mills Cassie Robinson Bobby Singer Bela Talbot Patience Turner Rufus Turner John Winchester Sam Winchester

Lucifer

Amenadiel Mazikeen Chloe Decker Charlie Martin Linda Martin Lucifer Morningstar

Twilight

Mele of the Volturi Billy Black Embry Call Seth Clearwater Rosalie Hale Cora Littlesea

Supernatural OCs

Cameron Ambrose Theodore Bristol Madeline Cardelle Roxanne Carmichael Sidney Carmichael Teegan Carmichael Alyssa Moore Clarissa Moore Kyle Moore Charlotte Perrin Natalia Sinclair Raisa Turner Paxton Whitmore Luca Winchester Terra Winchester

MUSE ROULETTE && MEME CALL

[thepermanentrainpress]

UNDER THE RADAR: MARCH 2023

We’re spring-ing into April with Under The Radar releases by Lenn, Candace Coker, SUGARFUNGUS, Leave Yourself Alone, Jia, and Sarina Haggarty!

1) Lenn - “silicone”

When you want more out of life, you question whether the one you’re living is on the path to that potential. Bristol-based artist Lenn’s new single “silicone,” lingers on that fear and need for validation. Her vocals are soothing but powerful atop an R&B/pop melody – a mix of pearls, passion, and aching.

“silicone” is Lenn’s second single off her forthcoming EP, but it demonstrates a cool and collected sound that she’s been honing for much longer. It feels like a lesson in embracing the unknown; a mature reflection that ebbs and flows with the what-ifs. Lenn’s debut EP is due out later this year.

“I wanna wake up a whole other woman / born again / where all my dreams are sealed with silicone.”

Written by: Natalie Hoy

2) Candace Coker - “Strong Arms”

It’s a connection so deeply felt as Candace Coker wrestled with her faith and relationship with God after being diagnosed with a Connective Tissue Disorder in 2021. Her story is engrained in the song’s fabric – the persistent pain, physically and mentally, and how her new state affected her Christian worship in prayer and scripture. While I cannot relate to the weight of what she faced, there’s a universal sentiment in inadequacy and not fulfilling expectations that she speaks of (“Will You stay a friend if I forget to call / I’ve got good intent behind all this foggy dampness in my head”).

Sonically the gospel-tinted indie folk cut has stunning layers of vocals and percussive instruments, with producer Lori Chaffer capturing Coker’s vision of wild horses in an open field, a wounded soldier in need of rescue, and an almighty saviour. As a listener, I sensed the intense exhaustion and hurt and in contrast, the uplifting spirit. Her vocals are pristine, tonal changes moving with the peaks and valleys. It’s beautiful in how she asks for compassion and understanding, strengthening a relationship with Him in the process. Coker is vulnerable, heard and warmly accepted in “Strong Arms.” Her album Bare and Bones is out now.

Written by: Chloe Hoy

3) SUGARFUNGUS - “Saint Michel”

SUGARFUNGUS is the perfect name for a band that writes music for all the senses. Comprised of three jazz school graduates and two PhD scientists, the Vancouver collective came to be during the COVID-19 pandemic and spent their first few months collaborating via weekly Zoom meetings.

“Saint Michel” calls to its dream-like namesake with vast and ominous lyricism (“Washed up again / Ancient paradise, now condemned / Captive saint of sand / Buried by her hand”). It welcomes the listener with European tides and holds that attention between bright synths, lulling guitars, and Tess Meckling’s yearning tone. The song is both regretful and stunning – breezy winds, throbbing heart.

Written by: Natalie Hoy

4) Leave Yourself Alone - “Catch Somebody”

"Catch Somebody” is the epitome of the power of friendship and emotional healing; characters spouting cynicism and optimism clash, with a realization that building what once was will not solve one’s problems. Ryan Stephenson (of Morning Show and Tough Lovers) is joined by Ethan Henthorn and Ellen Kibble in his project’s debut, a sobering single of conversation and rumination. Their soft, echoey harmonies throughout, notably in the synth, guitar and drum heavy explosive chorus, offer tranquility and the glimmer of hope sought after. 

Merging the “physical with the existential” in how he views and thinks about life, he has insight and urgency in his words (“There’s no real as good as counterfeit / I get by while getting half of it / Is that advice we want?”). Its grungy direction pulls from shoegaze, post-rock and indie rock, a stream of thought that isn’t far from the expansive sound. I love the concept questioning social construct and familiarity, performed in a way that incites transformation, and accepting a helping hand.

Written by: Chloe Hoy

5) Jia - “Let My Baby Go”

It has this distinct macabre quality that is mysterious and woeful. Jia (Vancouver indie rock artist Crystal Lee) reads like a lullaby laced with toxicity and perpetual attachment. “Let My Baby Go” was inspired by her affinity for Quentin Tarantino’s Kill Bill films and the 'Spaghetti Western’ genre; oh how love can feel reborn and alive, but is not always pleasant and kind (“you swallowed me up like Tylenol / and how very often you were ill”). Despite the dismissing temper, there’s a romanticism which I love. It would fit well within a western of its own, of drama, betrayal, and the gritty outlaw culture. Acoustic, bass, pedal steel and electric guitars, drums and fiddle are used—in harmony painting a shade of rouge across a deserted desert.

“Let My Baby Go” is liberating, and a harrowing creative direction taken by Jia that demonstrates impressive range beyond the usual rock/pop sphere.

Written by: Chloe Hoy

6) Sarina Haggarty - “Alison” 

Perfectly angsty and sentimental, “Allison” is a true pop rock gem. Ontario’s Sarina Haggarty co-wrote the song with Christina O’Connor and producer Dylan Emmet. Sure, cheating, frustration and moving apart, it’s nothing new—but it’s a hot topic that will remain relatable as long as it continues to (unfortunately) occur. It works in Haggarty’s favour; her lighter, punchy tone reaching a boiling point as the track moves forward (“you lie really good / do you practice?”). I love the subtle laugh and layering in the bridge/climax portion, it's a fitting closure. The production and instruments emphasize her bitter words and self-assured stance, empowered and tethered no more. 

Allison is a placeholder for the other girl. It’s interesting to think of her, the one who may next fall victim to his charm, but still responsible for and plays a part in the initial fallout. Haggarty’s new album Waste of Time is out now.

Written by: Chloe Hoy

[bibliolectors]

Nieve, paseo, lectura... placeres del invierno (ilustración de Chloe Bristol)