the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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Thinking so much about clingy, mutually possessive, filthy sex and how much I just need that rn
The kind of sex where you and Bucky just can't feel close enough to each other. You physically can't get any closer than you are, his thick cock buried so deep inside you but you still need more of him. He has nothing left to give you and you're glad because if he was any longer, you wouldn't be able to take the rest.
You're panting against his neck, whining out your frustration each time he slides home into your warm, wet body. His own groans are low, rumbling from his throat and hanging in the humid air of the bedroom you share.
"You know I can't fucking resist you. I can't." Bucky moans, grasping one of your wrists, guiding it between your bodies, encouraging you to play with yourself while he fucks you.
"I can't say no to you. Fuck, I'm yours." You hardly hear what he's saying over the obscene, wet sounds of your body accommodating his.
Your fingertips rub against your slick clit and the sensation is almost too much. "You're mine." You whine against his neck, using your free hand to claw at his back, driving him impossibly closer to you.
There's something reassuring about the feeling of his skin on yours. It's hot and sweaty but it's so comforting being naked with him, enjoying the pleasure of each others' bodies. You don't feel vulnerable communicating your pleasure to him; you feel understood.
"I am." He groans, eyes fluttering shut, lost in the way your body clings to him. "All yours. And you're mine, aren't you? My good girl."
It's a relentless build up, each stroke taking you a little further than the last and at some point, the band just has to snap.
"I am." You whine, barely able to manage any more words than that.
"You feel like Heaven. You were made for me. This warm, tight little pussy fits me perfectly." His body still isn't close enough to you, not that there's any way you could physically feel more of him.
"You take me so well, you know that? You take every drop of cum and you still beg me for more. Fuckin' love it." Just the very mention of Bucky pumping his release into you makes your walls flutter, dreaming of the feeling of his thick load shooting into you.
"I can't last like this." You hear him mutter and you're almost glad because you're not far off either. "Can't last when I can see that pretty face." His eyes meet yours and he pulls you in for a kiss that stifles your moans for a few seconds.
"Bucky, please." You groan when he pulls back, rubbing yourself just a little too quickly now that you've gotten desperate.
"Go on sweetheart, let me feel you cum for me." It only takes a few more strokes for your high to take over, pleasure rippling through you in a way that leaves your legs shaking.
You almost miss the start of Bucky's release, given how distracted you are by your own but the unmistakable throbbing of him inside you tells you he's reached his own peak if his moans didn't give it away.
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twitter stop fucking up for one second challenge (impossible)
well,
here’s the thing. it feels like social media is changing lately. every social media site seems to be fucking up or getting worse in its own special little way. i recently read and thought a lot about this article which coins the term “enshittification” and describes the process by which every social media platform eventually becomes so greedy as to become unusable. it makes me wonder if the social internet is due for a big shift in the near future.
for a long time, twitter was the best place for me. for all its issues, it had the audience that i could reach the easiest, that was the most invested in my art. i got (still get) a lot of awesome replies and really great analysis of my work on twitter, which i didn’t receive on any other platform. i was able to encourage those readers by retweeting their comments and theories to show that i liked hearing their thoughts. i could use the Moments feature to organize my art and make my comic easily readable in order. and anyone could look at my twitter, account or no.
ever since the site was bought out, twitter is getting worse. i can’t use the app on mobile anymore because every reply section is drowned out by blue checks and choked with ads. the Moments feature was disabled and people couldn’t easily read my comics in order anymore. and this is without even touching on the bigger/more serious issues the buyout has brought to the app. these are just the ways it has made my personal experience of being an artist on there worse. and now, apparently, you can’t even look at my work unless you have an account.
it’s been pretty common in the past year for the new management to implement a bad feature and then undo it after backlash, and maybe this too will be reversed. but even if it is unimplemented, the platform will continue to get worse. all platforms are getting worse right now. all of them are becoming untenable to use without 7 bespoke browser extensions to block ads, hide specific unwanted content, force chronological order, and so on. on mobile i don’t even bother. apps are unusable.
on top of that, i have the personal issue of not being the type of creator who is particularly good at staying on top of more than one or two platforms daily. twitter has been my main for years now, so i’m pretty good about updating it very regularly. instagram is trailing behind, i usually remember to post there daily (especially as i’m remaking mine right now and posting my entire backlog) but sometimes i forget. and that’s kind of my limit. every other site falls by the wayside because i just don’t want to spend my whole day or life updating platforms. i know there are tools that can do it automatically for you but i don’t want to do it that way and then i’d have to figure out a new tool and get yet another account on yet another app and install yet another extension to use it.
i just want to draw. i don’t know how we arrived at this place where we need to be 700 other things when we are just artists. i draw and write, isn’t that enough? if i wanted a presence on tiktok i’d also have to be a video editor who pays close attention to trends and makes sure to transform my artwork into something people on that app are interested in. even if i just wanted to have a strong presence on say, twitter/instagram/tumblr/tapas/webtoon i’d have to take on another (unpaid) job as my own social media manager, meticulously managing my uploads across 5+ apps and making sure everything is up to date and tailored to what “works” on each particular platform. i already have a day job—i’m a storyboard artist. the art i post online is supposed to be made and given freely for my own enrichment first and foremost, and for the joy of sharing with others as a close second.
i wonder if we’re due for a mass rejection of this increasingly draining cable-wars-style model of spreading ourselves thin across multiple platforms just to reach the exclusive audience each one provides. i’m starting to feel done with that concept, but i still want to share my art. i want to hear my readers’ thoughts. i want to create things that connect with others. i want to do it without these ever-mounting obstacles.
what i’m doing about it is creating my own website at my own domain that belongs to me. i doubt i’ll be quitting social media when it’s done. social media is still where the audience i cherish lives. but you can bet that when that website is ready to be shared, i’ll be talking about it on every social media account i own. i’ll be telling everyone there’s a place to look at my art where you don’t need an account, you don’t have to struggle through a morass of ads, and you don’t have to line the pockets of a billionaire who bought a social media app on a whim. it’ll just be you and my art. alone together.
by the way, to @whatthehelljake i apologize for writing a fucking SAT essay on a screenshot of your reply. any exasperated tone here is not directed at you at all. it’s directed at this sea of obstacles that disrupt the simple concept of “i made art and i want to share it with you.” your reply is how i found out today that twitter made this change. i cherish the fact that you want to connect with my art so much that you alerted me to this. i wish that wasn’t necessary. i want to make my work on my own terms—and want you to be able to experience it on YOUR own terms.
all that to say, i think the website is going to be the main answer to this issue. i don’t see myself having the energy to update tumblr that much more often than i already do, though maybe i’ll try to pick up the pace a little now. we’ll see. holy shit if you read all this go drink a glass of water or something get up and stretch. ok thank you bye <3
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Sorry About Your Window - starter for @xluciifer
Roughly a week and a half ago, Rick Sanchez's beach day vacation was ruined. All he wanted to do was GO out, relax, maybe fuck around with some of the locals in a totally different dimension, on a completely different planet.
Only to get the dimension number wrong and end up in the wrong place, at the wrong time--with that dimension being Hell, specifically. And to also get held up there against his will like a stupid hostage for like what, 10, 15 minutes? All to answer some stupid questions like an interview by the proclaimed 'King' of Hell himself.
Goddamn Lucifer--who, by THE way, was NOTHING like his own dimension's Devil, but STILL managed to similarly be a thorn in his side all the same.
He was pleasant enough. Didn't try to hurt him. And if the King of Hell wasn't so bad... SURELY the rest of the inhabitants wouldn't be, right? Perhaps there would be something worth plundering and pilfering for the interplanetary trading posts throughout the dimensions he hits up.
Big fucking mistake, he found out, as when he pretty much landed in the Pride Ring, specifically Pentagram City, all eyes were on him. They could smell him a mile away. Which wouldn't have been an issue if there weren't so many of them, and they weren't so fucking... rabid. The crowd of eight turned to maybe roughly twenty to twenty-five strong.
In the midst of portaling out and trying to bail on this mission, he'd been socked in the face by a demon four times his size, easily knocking him on the ground. He remembers ringing in his ears, but most of all, he remembers the CRUNCH of the portal device underneath the feet of the lawless mob all surrounding him.
A quick press of a button on his person creates a shockwave blasting everyone back to stun them works like a charm, giving him the time he needs to gather the scraps of his gun and book it.
Rick could hold his own decently well, and does, killing a handful of Sinners that just didn't know how the FUCK to keep their goddamn hands to themselves by the use of his gadgets and weapons while simultaneously being on the run, with no other option looking to be somewhere OUTSIDE of the city.
About maybe roughly thirty minutes of being chased by some of the flying types of demons (and a generous number of non-fliers on foot), through various methods of extended arms and legs, go-go gadget rocket ski shoes, and his own cybernetically enhanced limbs carrying him across this clearly godforsaken city, he catches glimpse of an unmistakable structure--A mansion.
It's absolutely nothing like what he's seen throughout this Circle of Hell thus far.
Call it intuition, call it instincts, call it thinking on his feet, call it whatever you want, but the scientist makes the absolute executive decision that he's going to jump through one of those nice pretty stained glass windows on the first floor.
And he does.
When he gets within a few feet, he immediately covers the gap, taking to the air and covering himself protectively in such a way that only a FEW fragments of the glass stick in him when he makes contact with a loud, unmistakable
CRASH!
and finally, a
THUD!
of his body hitting the floor.
Rick can only groan as he winces, face twisting in pain. It fucking hurts.
He's going to for SURE feel that on his back tomorrow. He has yet to open his eyes. And a part of him doesn't want to, under the potential premise that he's not entirely free yet of the mob chasing him.
But he knows he has to.
So he does.
Hopefully the person owning this place isn't here. But if he has to deal with them too, then so fucking be it.
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