by the way
blease do not @ me with art anymore... do you know how many of you are on-line.... i am suffering from success... my activity feed is dead... bonnie is crying under all the art that you are sending directly to me. why would you do this to bonnie (and me) (and my activity feed)
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you have to be sexy but you have to be sexy in a way that's kind of bloody. you learn this early because you are wearing a ruffled skirt and the snow around your ankles kicks little sand particles against your calves. baby's first catcall. welcome to sexiness! welcome to the eyesore of your own body!
you have to be sexy like high heels. like sculpted eyebrows. like lean stomach and highly treated hair. you have to be sexy like youth is sexy, which means you have to be sexy like boxtox and plastic. a 30 year old can be sexy but she's not going to be bloody, and they like the bloodiness of it. a 30 year old is sexy when she is a whiskey glass and a wooden desk.
but you need to be sexy like an open mouth. you need to be sexy like a bitten apple. like plucked skin and white-knuckling the waxing kit.
so sex is a performance, not an enjoyment. for a while, you just assumed everyone else was also in on the joke - nobody actually likes sex that much, right? like, some men probably do, but why would you? it is like a gender - your gender is sexy. your gender is the performance of sex. you are thigh highs and garter belts. which, to be fair, do make you feel sexy.
part of what does make sex good is that you can tell that other people want you, which means the performance of sexiness is both bloody and wanted, which is good, which means you are winning at having a body. being wanted is the prize. being wanted is the thing you are searching for, not hope. you think you are looking for a soft grave in easy loam, but that is bloody but not sexy. to be sexy you must be bloody like a red open sign. bloody like a handprint. this will make you wanted.
any wanted or unwanted body is subject to supply and demand, which is to say that the more demand, the better you are valued. you must be highly demanded to be valued. this is stated in matter-of-fact by some men. sometimes it is a priest that says it, and sometimes it is a podcaster, and sometimes it is the 45th president of the united states of america.
(if you do not have any experience with being told your value, i want you to grab the nearest bird to you and i want you to crush it into a thin paste in your hand. spit into the center, and then hold your fingers closed tight around it for days and days, long after the rot has set in. feel bones itch inside of your fist. this is only a fraction of what it actually feels like, but it will suffice for a moment.)
good sex feels like you have earned their desperation. you have earned your own value. for a while you operated under the understanding that everyone knew about the power structure, even him. that their desire to take you - the violence of it - means that you must desire to be caught. little prince, guardian fox - you would rather have cut your own arm off. you liked the secret, cunning little voice you keep tucked into a box. you think you are fucking me. i am not even here right now. you are fucking what i conned you into perceiving. this is a painting, not a person. dominion over the body before all things.
so you bend your body like a wheat shaft and learn the steps so perfectly that it almost seems graceful. (if you do not have experience faking your own connection to your body and sexuality, cut each of your articles of clothing just a little bit incorrectly. pour fishbones into each of your meals. this way, you will experience the average noon on a tuesday.)
you have to be sexy like light spilled over a desk, but not desperate. not a noose. you can't be sexy like an electric guitar, you are the acoustic. you have to be on top of the bull but you can't have control over the animal.
okay, okay. the little rabbit of your heart went to sleep so long ago that winter has ravaged your concept of the human soul. there's something very-bad inside you, something that has taken over, a little fetid and rabid animal, angry and hurting and willing to bite first.
oh but even that's a pain that's sexy. open your mouth. be careful not to let the canines show.
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The fact that my shadowpeach posts are, literally, every single day dominating the Lego Monkie Kid fandom tags still baffles me.
Like- I joined the fandom like 2 months ago, came here, and just started to draw random gay monkies. I had a JTTW copy that I never read, I just had speedrunned the series in like one day. Barely knew anything of the fandom content.
And now somehow some of you guys called me the CEO of a ship I just recently started drawing, liked my posts so much literally half of the fandom tags have them as cover, and tell me that if the sixth season of LMK isn t like my comics then you don't want it.
Can you understand how crazy you guys are making me??? (I love you all sm I'm just in disbelief)
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seriously though, Alan Becker's Animator vs. Animation series is fucking legendary and for good reason. don't let the fact that all the characters are stick figures delude you into thinking it's a joke. AvA and its spinoff series, AvM (Animation vs. Minecraft) are both well written, complex stories with well-rounded characters and complex arcs that take themselves completely seriously and are also masterclasses in 2d and later 3d animation.
both series include original soundtracks mainly composed by Scott Buckley and they now have a full team of professional animators working on them, even though the project was started by just one guy (Alan). despite having zero lines of dialogue, they clearly and masterfully characterize every single character that's involved by depicting their body language and actions alone. there is love and dedication poured into all of these projects and it shines through in every second of playtime.
also, these feature some of the most jaw dropping choreography and visual effects in fight scenes that ive ever seen in 2d animation ever. the one in AvA s2 alone is higher quality than most fight scenes in almost all modern professionally made movies, in my opinion. alan and his team consistently push the boundaries of what can be done with animation both visually and conceptually and they never fucking miss. like ever. this shit goes so hard
in conclusion: just trust me on this one
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