#But the idea of telling the truth and then telling a better truth has been percolating for at least a month now and so I must now test

[sasheemo]

When we collide

Chapter 11

Read on AO3

Fic masterlist

Chapter Summary: Agatha sneaks into your house, and an already risky plan takes an unexpected, and even riskier, turn.

Word Count: 3.4k

A/N: I know this update took forever and I am so sorry, work and life in general have been crazy lately. Writing has been such a slow process, and finding the time to sit down and focus has been hella hard.

That said, I’m so grateful for your patience and support—it truly means the world to me. Every comment, like, and bit of encouragement keeps me motivated to push through, even when things feel overwhelming. I hope this chapter was worth the wait and that you enjoy reading it as much as I enjoyed crafting it.

Thank you for sticking with me through this journey. Your love for this story keeps me going 💜

It feels like you’ve been hiding in the shadows of your garden for hours. You have no idea how much time has passed or how long Agatha has been inside.

Seconds stretch into minutes, and you can’t shake the feeling that you’ve been waiting an eternity.

The night grows colder and heavier with each passing second, the chill creeps through your dress, your eyes fixed on the darkened windows above. The faint glow of the kitchen light spills onto the ground, a subtle but constant reminder of your mother’s presence inside.

You clench your hands into fists at your sides, trying to still the growing unease coiling in your chest. The plan had seemed straightforward at the time: get Agatha inside, have her pretend to be you, and wait for her to open the window. But now, as you stand in the biting cold, the enormity of the risks begins to gnaw at you.

Agatha doesn’t know your mother. Not the way you do. 

She doesn’t know the sharp edge to her voice, the way her words cut deeper than her glares. She doesn’t know the little tells, the moments when her mood shifts and it’s better to stay quiet than risk provoking her. And most importantly, Agatha doesn’t know the intricate, tense dance you’ve perfected over years of enduring her.

The weight of it all suddenly feels crushing. You shift uneasily, your breathing shallow as your thoughts spiral. What if your mother notices something’s off? What if Agatha hesitates or says the wrong thing? What if she tries to talk her way out of something and slips up? 

You bite down on your lip, forcing yourself to breathe slower, deeper. But the thoughts don’t stop. 

What if your mother catches her before she even reaches your room? What if she figures out the truth? What would she do - to Agatha, to you - if she realized the extent of this betrayal? Your mind conjures up a dozen worst-case scenarios, each one more terrifying than the last.

A sharp gust of wind pulls you from your spiraling thoughts, and you glance down instinctively at the small bundle of fur near your feet. The rabbit, Agatha’s rabbit, sits quietly in the shadows beside you, its nose twitching as it sniffs the night air. Its presence is steady, calm, almost indifferent to the storm raging in your head.

You crouch down slightly, your fingers brushing against the creature’s soft fur. It doesn’t flinch, simply shifts closer as if it senses your unease. There’s something grounding about the animal, something simple and reassuring. Agatha had brought it here with her, and for some reason, the thought that something she clearly cares for is by your side soothes the sharp edges of your panic.

You take another breath, steadier this time. The faint glow from the kitchen is still there, unchanging, and the stillness of the house seems both unnerving and hopeful. 

She’s inside. She’ll make it.

And then, finally, you hear the faint creak of the window above. 

Your head snaps up, your pulse quickening as you watch it ease open. Your own face peers out from the shadowed wooden frame, tense and searching the garden below. It takes you a second to remember that it’s actually Agatha.

The sight pulls at something strange in your chest. You know the spell you cast has served its purpose, that she’s safe now. That realization settles over you like a wave, and you exhale slowly, steadying yourself.

Closing your eyes, you draw on the lingering energy of the spell, your magic buzzing faintly under your skin. You picture her, not as a reflection of yourself, but as she truly is: darker, undeniably powerful, magnetic. With a flick of your wrist and a soft breath, you send the magic out, releasing it.

When you open your eyes, the figure leaning out of the window has changed. Her true form has returned: wild, dark hair framing her face, sharp cheekbones catching the faintest glow of the night.

Agatha’s gaze catches yours, steady and knowing, as if she’s fully aware of what you’ve just done. She tilts her head slightly in acknowledgment, a silent signal to come up. 

The tension in your chest doesn’t fully ease, but you let yourself glance at the towering tree at the center of the garden, its ancient branches stretching out in every direction like a great, unmoving sentinel. The bark is thick and weathered, furrowed with deep grooves that speak of countless seasons endured. 

Its lowest branches bow slightly under their own weight, but higher up, the limbs grow stronger, sprawling outward with a defiant strength. One of its largest branches curves close to your window, not enough to block the view from your room but near enough to serve as your path inside.

The tree has always been there, a quiet companion through your childhood. Back then, its lower limbs had felt like a sanctuary, their rough surfaces welcoming and steady beneath your hands. You’d scramble up effortlessly, laughing as you dangled your legs and let the world blur into your own imagined wilderness. 

But tonight, the tree looms above you, its branches no longer inviting but daunting, like a puzzle demanding perfect precision. Your gaze fixes on the thick branch that leads toward your window, and doubt creeps in uninvited.

You exhale, trying to calm the knot of nerves twisting in your stomach. The branches look sturdy, thicker than they seemed when you were younger, but you know they’ll need to hold more than they ever have before.

You step closer to the tree as you prepare to hoist yourself up. But as you look upward, plotting your path, reality snaps into focus. 

One of your hands is clutching the rabbit, its small body shifting slightly against your palm, leaving the other useless for climbing. Both hands will be needed to grip the bark and the branches, to steady yourself as you ascend.

You can’t climb like this.

Your jaw tightens as you glance down at the animal, then over your shoulder at the satchel pulling against your back. The weight of both feels suddenly oppressive, a barrier between you and the safety of the window above.

Your breath is clouding in the cold air as you glance up at the towering tree again. For a moment, you stand frozen, your mind racing for a solution.

Then, an idea comes to you. Maybe it’s reckless, maybe it’s not perfect, but it’s all you’ve got, and it’ll have to do.

Kneeling carefully, you place the rabbit gently on the ground beneath the tree. 

“Stay.” you whisper softly, as the small creature sniffs the grass, its twitching nose brushing against a fallen leaf. You shrug the satchel off your back, unfastening the flap with fingers that tremble slightly from the cold.

You glance down at the contents of the bag and let out a soft sigh of relief. Agatha, it seems, is a light packer. There’s enough space, you think, and without hesitation, you scoop up the rabbit again, cradling its small body close for a moment. 

“Alright, you’re going in.” you whisper, angling the bag carefully to create a safe, snug space.

The rabbit shifts, its ears flicking in mild protest, but it doesn’t wriggle too much as you tuck it in among the folds of Agatha’s clothing. You adjust the fabric gently, making sure it’s secure, and offer a quiet, almost reassuring murmur. “See? Not so bad.”

You hope the familiar scent will keep it calm during the climb. For a moment, the faint smell reaches you as well - earthy yet sweet, rich and layered - and it stops you in your tracks. The briefest flicker of distraction pulls at you before you shake it off, focusing on closing the satchel and readying yourself for the climb.

You glance up at the window to check for any sign from Agatha, but what you see halts you. She’s leaning out of the darkened window, her features clear despite the shadows, and her expression… well, if looks could kill, you’d be flat on the ground.

Her glare is direct and unmistakable, her lips pressed into a thin, irritated line. It doesn’t take much to realize why. 

She’s staring straight at the satchel slung over your shoulder and the rabbit inside it. You’re frozen, caught mid-motion, her piercing gaze making you feel oddly small, like a child caught red-handed. Your irritation flares before you can stop it, the sharp edge of it cutting through your nerves. 

‘What exactly does she expect me to do?’ you think, sarcasm practically spilling over. ‘Carry it in my teeth?!’

You bite back a laugh at your own thoughts, the absurdity of the situation tugging at the corners of your mouth. You glance away from the window, shaking your head with a mix of annoyance and amusement. 

“As if she’d have a better idea.” you mutter quietly to yourself, the words more a release of tension than anything else.

The bark digs into your palms as you grip the trunk, pulling yourself up onto the first branch. It creaks faintly under your weight, but it holds, as it always has. Your breath comes slow and deliberate, each movement measured as you reach for the next handhold.

Even so, the awareness of Agatha’s eyes on you gnaws at the edge of your focus. Her gaze feels like a weight on your back, amplifying every misstep and every slight tremble in your limbs. The idea of her judging your clumsy climb, silently critiquing each slip of your footing, sends another wave of irritation coursing through you.

And yet… there’s something oddly reassuring about it too. As if her presence, no matter how frustrating, guarantees that someone will catch you if you fall. Not literally, of course, but the thought lingers, steadying you more than you’d care to admit.

You shift your weight carefully, reaching for the next branch. The satchel presses against your back, its weight a constant reminder of your responsibility, and of the sharp eyes above you. You resist the urge to glance up briefly, focusing instead on the climb.

You move cautiously, gripping the bark tightly as you climb higher. The tree groans faintly under your weight, and you freeze, holding your breath. 

The sound seems impossibly loud in the stillness of the night, a sharp contrast to the quiet hum of crickets and the faint rustle of leaves in the breeze. For a moment, you glance toward the kitchen window, half-expecting to see your mother’s silhouette appear, but the glow remains steady, undisturbed.

You grit your teeth, focusing on your balance, careful to distribute your weight evenly. Every move feels agonizingly slow, the need for silence making each step a deliberate act of precision.

As you near the branch that curves toward your window, you reach out with one hand, your fingers brushing the rough bark. It’s close, close enough that you can almost imagine the feel of the window frame beneath your palm. 

But as you shift your weight to make the final stretch, your foot slips against the trunk, the bark giving way beneath your boot.

Your stomach lurches as your balance wavers, your free hand scrabbling desperately for a hold. The satchel shifts sharply, throwing you further off balance, and for a terrifying moment, you’re certain you’ll fall. Your breath catches in your throat, panic blooming in your chest.

From her vantage point at the window, Agatha tenses instantly. Her eyes widen, and for a split second, she shifts forward slightly in a reflexive, almost involuntary motion, as if she could somehow close the unbridgeable distance and reach you. Concern flickers across her face as her hands grip the windowsill tightly, knuckles paling with the pressure.

But then your hand finds purchase, gripping a knot in the bark just in time to steady yourself. 

You hang there for a moment, your heart pounding in your ears, your body frozen as the satchel settles back into place. The rabbit stirs faintly inside, and you murmur a soft reassurance under your breath, though it’s as much for yourself as for the animal.

The faint creak of the tree subsides, and the night seems to hold its breath along with you. You force yourself to exhale slowly, the tension in your chest loosening as you steady your footing once more. Carefully, you reach out again, this time gripping the branch firmly before pulling yourself up onto it.

The window is finally within reach, a threshold to safety. 

As you glance up, Agatha is there, her figure sharp and still against the faint shadows of the room. She’s waiting, her presence a silent promise that the plan is almost complete. The sight steadies you and, for the first time since the climb began, relief flickers at the edges of your thoughts, fragile but real.

As you near the window, Agatha leans out further, her gaze flicking to the satchel slung over your shoulder. She lifts a hand, gesturing for it with a slight wave of her fingers, her expression calm and maddeningly smug.

You pause, blinking at her. 

“Really?” you mutter under your breath, incredulity practically dripping from your tone. 

She tilts her head slightly, arching a single brow, her smugness somehow amplifying as she gestures again, clearly waiting.

For a moment, you consider ignoring her, but then you glance at the satchel. She has a point, giving her the bag would mean the rabbit is safer, and, without the extra weight on your back, you’ll have an easier time pulling yourself through the window.

With a dramatic sigh, you shrug the satchel off your shoulder, the strap sliding down your arm before you lift it toward her. She stretches downward, her fingers brushing the edge of the leather before she grips it firmly and pulls it from your grasp. 

For a moment, you watch her, half expecting her to disappear entirely now that the bag is secure in her hands.

And that’s exactly what she does. Agatha retreats, vanishing from the window’s edge with the satchel in tow. You roll your eyes, your mind instantly jumping to the conclusion that she’s probably fussing over the rabbit. 

The thought irritates and amuses you in equal measure, but you shake your head and steady yourself for the final push. 

The ledge is close, and with the satchel gone, the climb feels marginally easier. You stretch your arms upward, gripping the edge of the window frame as you shift your weight onto the thick branch beneath you. 

Carefully, you pull yourself higher, your knees brushing the frame as you begin to hoist yourself inside.

For a moment, it seems like you’ve done it. Your body halfway through the window, balance steady enough to keep going.

And then your foot catches on the edge of the frame.

The jolt sends you stumbling forward, your grip slipping as the momentum drags you into a clumsy, uncontrolled tumble.

Agatha moves instantly, appearing as if out of nowhere, her reflexes instinctive and precise.

You barely register the sudden shift before her silhouette is in front of you. One of her hands darts out, gripping your arm with surprising strength, but it’s not enough to counter the force of your fall. Her other hand slides to your waist, firm and steady, trying to catch you, but the momentum is too much.

There’s no time for either of you to adjust. The pull of gravity drags you forward, and you both tumble into the room in a chaotic, ungraceful heap. The impact knocks the breath from your lungs, and you land tangled together. 

Agatha is half-sprawled over you, her weight pinning you to the floor, grounding and overwhelming all at once. The world seems to fade, narrowing to the soft rustle of leaves in the night and the rhythm of her breathing. 

Her face is unbearably close, so close that her breath brushes against your cheek, warm and uneven. Untamed hair spilling over her shoulder and grazing your arm, strands scattered haphazardly from the fall.

There’s a stillness to her expression, but the faint parting of her lips reveals a hitch in her breathing, as though the shock of the tumble hasn’t fully left her.

Both of her hands remain where they caught you, one curled tightly around your arm, the other pressed firmly against your waist. The heat of her touch burns through the fabric of your dress, rooting you in place even as your pulse races wildly.

Those sharp blue eyes, piercing even in the dim light, are locked on yours. The intensity of her gaze makes your breath catch, as if she’s not only seeing through you but searching for something at the same time.

For a moment, nothing else exists. Your chest tightens and your pulse hammers in your ears as the space between you feels impossibly thin, a fragile thread stretched taut and trembling. 

And then, fleetingly - so quickly you almost think you imagined it - her gaze drops, flickering to your lips. The motion is so subtle, so brief, that it vanishes almost as soon as it happens. But the imprint of it remains, sharp and electric, making you shudder.

Your mind scrambles for something, anything, to say, but the words won’t come. All you can do is stare back at her, your chest rising and falling as you struggle to make sense of the moment.

The silence stretches, thick and almost suffocating, until Agatha breaks it. Her voice is low, threaded with dry amusement but carrying an almost daring undertone that sets your nerves alight. 

“Are you always this dramatic,” she murmurs, “or am I just special?”

The words pull you out of your daze, and your cheeks burn instantly, the heat rushing to your face. 

“I— I didn’t—” you stammer, scrambling to find words, but every coherent thought scatters.

Agatha exhales sharply, her lips twitching as if she’s about to say something else, but instead, she pushes herself up abruptly. 

The cool night air rushes in as her warmth leaves, and you’re left on the floor, heart still pounding in your ears.

She brushes off her skirts with deliberate ease, her expression once again smug and composed, though there’s a flicker of tension in her movements. She extends a hand to you, her sharp gaze watching you carefully.

“Come on, get up.” she whispers, her tone calm but firm. “Your mother might have heard that.”

You glare up at her, your pride stinging, but you take her hand anyway, letting her pull you to your feet. Her grip is firm, steady, and as she helps you up, her fingers linger just a second too long before she steps back.

The sensation is fleeting but familiar, a ghost of what had happened only hours earlier by the lake. She’d done the same after you healed her burns, offering her hand with that same deliberate calm, as though her touch carried no weight. But it had lingered then too, just like now, and the memory ignites a warm spark in your chest. 

As you rise to your feet, your balance feels oddly unsteady, not from the fall but from the moment itself. You linger there, caught between embarrassment and something heavier. Your fingers twitch at your sides, as though still feeling the echo of her grip, and your gaze follows her as she moves away.

She crosses the room, moving toward the satchel she’d placed on the floor earlier and crouching down. 

You turn toward the window, reaching for the frame to shut it. The cool night air still drifts into the room, carrying the faint scent of the garden below. Your fingers curl around the wood, and just as you push it closed, a sound freezes you in place.

A creak. Faint, but unmistakable.

Your heart stops, and you glance at Agatha, who has gone still beside the satchel, her hand hovering over the flap. Her sharp eyes meet yours, and for a moment, neither of you breathes.

Another creak follows, heavier this time, accompanied by the low groan of the wooden stairs shifting.

Panic flashes between you in a silent exchange, the weight of the moment sinking in with brutal clarity. Agatha straightens slowly, her hand dropping from the satchel as her gaze darts toward the door.

Well, shit. Your mother definitely heard.

[coriphallus]

DA: The Veilguard Spoiler Review pt3 - Politiks

oh my little void in this world wide web, we are really in it now.

a little PSA before you read this word vomit, i am from westernmost middle east, and that will inform much of what i know about the topics i discuss. i wont know about race politics of america or the intricacies of it beyond what i can see online but as an immigrant i do have some perspective on western experience. so when i talk about heavy topics it will come from a foreign place. i do understand and admit that i cannot ignore that BW is a north american studio and that colours every theme they touch.

so there are two angles to approach this, 1st is to assess DAV on its own and 2nd is to assess it as a part of a whole and continuation of a franchise.

lets get 1st out of the way, its safely uncontroversial beyond taash's story. and eff-plays voiced my feeling verbatim on that subject more succinctly than anything i can possibly write.

2nd is very, very grim.

every DA game that came before had been interlaced with politics of its world so severely that its absence is disorienting. every game you were given the choice to change the political landscape of the countries youre playing in, for better or for worse. even the 2nd game with its vastly smaller scale sees hawke trying to navigate through their life as an immigrant, even at the games climax you are given a choice to drastically alter how this uprising will be remembered and it tells hawke that there are no half measures, they need to pick a side.

"Slavery or no, flesh is always for sale."

in my very first DAV playthrough i picked a shadow dragon elf, i didnt give her any backstory as i though being an elf in minrathous would shape her world view regardless.

first scene i got when organising my room rook pulls out the SHACKLES of a slave shes freed as she reminisces about how much good shes done, and puts them on her bedside. then proceeds to talk to a book and say "everybody looks down on elves but we were here first >:c"

(at this point i rerolled my character so i dont yet know how shadow dragon background plays out.)

at the very beginning of the game we see similar shackles and varric informs us that solas hates slavery, hes been freeing them.

when we make it to minrathous we learn that these people in neves circle have been freeing slaves.

alright so, the heavy handed deliveries aside, what purpose do all these scenes/expositions serve?

well, it makes these people look good. we know theres slavery in this part of thedas and these people are fighting against it not by any elaborate means but dont worry kitten <3.

[i had to look up the english for some of these terms so feel free to correct me if im wrong] patterson describes slavery as "one of the most extreme forms of the relation of domination, approaching the limits of total power from the viewpoint of the master, and of total powerlessness from the viewpoint of the slave". death of the soul, death of what makes one human -and for the purposes of this section- death in the eyes of state. slavery has such a long history that predates early modern colonization of africa by thousands of years. it is a staple of human history and where we have come from shapes what we are now. we can shun it, call it abhorrent but we cant pretend it never happened. theres always been people dead in the eyes of state.

heres the uncomfortable truth, there aint never been enough steel in the world to hold every hittite or mittani slave. to assume slavery is people getting abducted and put to irons is as naïve as human trafficking being a rando ruffying you and hauling you across the sea in a crate. yea, it could happen but 99% of the time its just a waste of time to physically hold someone against their will by force. and this idea makes us think its this far off thing that happened thousands of years ago by bad individuals doing very comically bad things, which is a very deliberate choice, because to depict period accurate slavery would be to portray social and economical classes, and that would be confronting how little we've changed in certain aspects.

people were born into that caste, shaped by it, worn down by it, and abused by it systematically.

in DAI Dorian says something -apparently- very controversial that i dont think this fandom has fully unpacked, and i aint gonna do that here either because im not remotely qualified. he likens the working class of south to slavery of north, theres no way to engage with this argument in any meaningful way, even as an elf, and in general people brush it off as dorians pro-slavery rhetorics.

try as DAV might to disregard, we actually did meet an ex-slave and trafficking victims on three separate occasions, and the games have set a premise already. we got to talk about their unique circumstances, and they were handled with some measure of dept. maybe you liked them, maybe you didnt, but you knew them and that makes a difference. they had agency in their own stories. a far cry from DAVs nameless faceless props for righteous gentiles to circle jerk about.

but, sure, lets tell ourselves showing them would be too gratuitous.

can you imagine how batshit insane it would look if zevran kept the belt her husband used to beat isabela with as a trinket, to display in his tent? that scene with rook disturbed me more than most anything in this entire franchise and coming from an anders supporter, thats saying something.

this is how little the writers were willing to engage with their source material. this is how little they are willing to engage with the world around them.

which makes the next blunder inevitable.

alot has been said about the absurdity of elves feeling responsible for the events of DAV, but maybe this hasnt been said enough; this is a blatant fascist rhetoric.

i will spell it out though, even though i never thought it needed to be said, the social performance of accountability indicates that the party who has done harm has benefited and continues to benefit from that harm, this is why reparations are paid, and thats what "check your priviledge" means. elves in DA have never benefited in any way from the warmongering of evanuris, they were enslaved by them.

to say that these people should feel some sort of responsibility towards what befell dwarves is a fascist rhetoric used irl to offload responsibility and divide and alienate the opposition further from eachother.

i cant tell you if this mouth piece is same everywhere but i know a few people who have clocked it immediately so im gonna assume it was obvious. and truthfully, i wouldnt even be annoyed if i thought it was intentional. genuinely, one of my favourite games is an unapologetic military propaganda whos protagonist would make ayn rand write sonnets about, and the game knows what it is. but no, i fully believe the studio tried to address the criticism they got about their lackluster handling of elves and either completely misunderstood or willfully disregarded the experiences of marginalised peoples that the games drew inspiration from.

the writing is so hollow beyond horrible dialogue that when writing an enby character whos also multicultural they didnt even notice the parallel theyve created. i know this because after an entire plotline about their struggle with binaries their story concludes with a binary decision on their culture. this just confirms to me that any dept this game has is completely accidental.

imma level with yall i dont subscribe to the belief that you need to have some type of experiences to write some type of characters and i find that "ofc a white person wrote it so..." response very tired because yea we should be allowed to expect more from white people. i too had OCs of different cultures that i wasnt very familiar with and handled poorly, but unlike me, a company can afford a consultant.

i played greedfall recently, and sure the maori tattoos were a shit decision, and im disappointed that after all the criticism they still stuck with it, and yes maybe its story was not sensitive enough but you know what? as the person whos recommended it to me said, i rather have a story who boldly engages with its own themes than one whos terrified of them. say what you will about its shortcomings but at least at the end of that game you can have an ending where the colonizers leave for good, and yes their plague is not healed but the narrative doesnt punish the natives for their isolationism. i am glad that the game allows that catharsis to its players.

DAV could have had 300 well thought-out endings and still not please everyone, but the endings they chose to include directly implicates the group theyre trying to appease and its literally just people who either want to punch or kiss solas, thats how fucking deep they think their fanbase it. not the people who wanted to end slavery, or achieve equilibrium with beings no matter how alien they are. or people who wanted to see a culture connect with its roots etc etc.

and maybe they were right, many people have been enjoying this game immensely and i am just, so fucking jealous. i wish i liked this game and enjoyed it and didnt want to tear out my hair every second i spent in treviso. i wish i wasnt seething white knuckling my sink like an insane person when a little kid wrote to crow rook that hes recruiting orphans now. i wish i had any belief in this game to read that as satire.

at least i wish i felt any form of vindication when i immediately realised this game was going to be a soulless cashgrab that unashamedly uses the name of a popular IP to push a sub-par product earlier this year, i just spend 80+ hours watching a company parade the carcass of a franchise i loved and beat it like a pinata as it continuously slapped me on the face with a botched wax figure of it.

i just feel this profound sense of sadness. i wish this game didnt exist. and no i dont feel any kind of brand loyalty, even when i actively enjoyed their work i didnt but i definitely dont now, not after 3 consecutive games that theyve delivered with more or less the same problems. as the company is today, i dont care whether bw survives or not, its been made clear time and again that the bw i liked is long gone and bw today is clearly not interested in making games for me.

even as i write this i dont feel fuelled by my anger for DAV but by the love a have for what came before. i still think the story deserved better, the fans deserved better, the people who contributed into making DA universe what it was before DAV deserved better. and, as rook told harding, our anger is justified.

but, hey. hair looks really good.

[vienna-fiore]

I’m putting on a smile, but inside, I feel like I’m unraveling. I can’t sleep, not really. Every time I try, my mind races with every “what if” imaginable. What if Sunny’s blanket shifts? What if she stops breathing and I don’t notice? So instead of sleeping, I watch her. I sit by her bassinet in the dead of night, straining to hear every little sound she makes, barely blinking just to make sure her tiny chest keeps rising and falling.

It’s like I’ve forgotten how to eat, too. Food feels pointless when all I can think about is Sunny — when she’s awake, when she’s asleep, if she’s okay, if I’m doing enough. I nibble here and there, but nothing feels appetizing. It’s like my body is in a constant state of tension, like I’m holding my breath all day long.

I haven’t left the house since her newborn check-up, and even that felt like stepping into a minefield. Every cough, every stranger who got too close — it all felt like a threat. The idea of taking her out again is unbearable. What if something happens? What if someone touches her, or if the world outside is just too much for her tiny, fragile body?

My roots are growing in, and I can’t bring myself to care. I used to take such pride in how I looked, in keeping myself together. Now, I barely recognize myself when I catch a glimpse in the mirror. My hair’s a mess, my skin looks dull, and I’m still in the same sweats I’ve been wearing for days. I know I should care—I know this isn’t me—but the thought of doing anything for myself feels impossible.

And yet, I can’t let anyone see this. What would they think of me? A bad mom? Weak? Ungrateful? Lorenzo’s been so good, so supportive, and I smile and tell him I’m just tired, but the truth is, I feel like I’m going insane. I can’t tell Nicola or Gemma or Chiara. I can’t tell anyone. They’d say I need help, but all I need is to get through this.

I just have to survive the newborn stage, right? It’ll get better. She’ll get bigger, and I’ll sleep again, and I’ll remember how to be me. It has to get better. Until then, I’ll just keep watching her, making sure she’s okay. If I can keep her safe, then I can handle this. I have to.

[lady-merian]

Maybe a Christian fiction writer just needs to tell the truth. Then tell a better truth.

[dutybcrne]

Thinking abt Kae’s Fatui verse,,,,

[dangoulains-devotion]

yuffie has many interesting elements to her but people refuse to move past "i find energetic kids annoying" and it makes me sad

[demetrius-haggarty]

The lion, brave and might,

What is it that he sees,

When walking in the candle light,

Under the beautiful Christmas trees?

I am... sorry, what?

*Meech has to read the poem twice, thrown aback by the format. Somebody spent time writing poetry? For him? About... Christmas presents?*

We all know that it's the family members and sometimes friends that lay gifts under a Christmas tree. Uh, not lay, why did I say lay, you're not ducks or chickens...

*He groans and frowns.*

You get the idea. I don't have many friends and my family is rather small. Perhaps my parent will come visit but the kind of jobs they have are especially difficult this time of year. So if there's anything I'd wish to see under a tree this year, it'll be something practical. New robes, socks, sweater, shirt... Writing supplies, I am so short on parchment and ink... Listen. I don't even have a wand of my own, this one was just given to me by... er, my great aunt.

I don't have much. But I also do not need much. Do not worry about it.

[raeofgayshine]

Wish there was a way to begin to explain what happened tonight during stream because there’s some kind of gold in Jim thinking that Riddler is fairy (like tinkerbell) but everyone else just thinks he’s calling Ed a slur and the pipeline it leads down, connecting to Bruce thinking babies come from kissing, all the way to Jim asking Ed and Oswald if Tim was “their fairy baby and Tim telling Steph “I think Jim just called me a fairy.” Steph: “sorry you had to find out this way, but we all kind of knew.”

[sage-nebula]

All these years later and I'm struck by the idea of a TSME AU on my way home from work. Sometimes the characters never really leave us, huh

[satoruxx]

you're sweating when you wake up, skin sticking painfully to your bedsheets as your bleary eyes dart around, attempting to make focus of your surroundings. the room is still dark, barely touched by the slight bit of moonlight that attempts to peak through the closed windows—defiant. it takes a minute to realize that the sounds that are breaking the silence are actually coming from your own throat—breathy, wheezing gasps of terror.

your stomach drops when your fingers grip cold and empty fabric. he's gone he's gone he's go—

"what are you doing up, pretty?"

your head snaps to the doorway. satoru stands there, sweats hanging low on his hips even as his hand remains curled around a glass of water. his hair is tousled with sleep, but his cerulean eyes are sharp and lively.

as soon as he sees the panic lacing your expression, his eyes widen, long legs practically tripping over themselves as he stumbles towards you.

"what happened?" he asks sharply, frantically placing the cup on the bedside table to take your face into his palms. shades of blue dart back and forth across your features as he perches one knee on the mattress and peers down at you. "are you okay?"

his touch sends electricity through your veins—a splash of ice water pulling you away from that painful reverie.

your heart both clenches and soars, the idea of what you saw being terrifying, and yet finding out it wasn't true being that much more relieving.

"i just—" your voice comes out choked, and satoru's fingers twitch against your skin imperceptibly. "had a bad dream."

you think your brain must be cruel for conjuring up a dream in which satoru could suffer to such abhorrent extents.

"oh sweets." satoru's sigh is sympathetically soft, thumb brushing over the apple of your cheek just barely. "it was just a nightmare."

"i know," you swallow, voice shaking. there's an uncharacteristic wetness pooling at your waterline. "i-it just felt so real."

"baby..." satoru immediately pulls you against the steady planes of his chest, thick arms snaking around your waist to eliminate any measly amount of distance between you two. you prop your chin on his shoulder, sighing as you feel his snowy hair tickling at your cheek.

"it wasn't real, sweetheart," he says, pulling back just slightly to push a piece of hair from your face. his thumb then drags under your eyes, wiping away the unshed tears. "see. you're here, i'm here. everything's all good."

"yeah." you're nodding, unable to take your eyes off of him because he's real and alive and so breathtakingly perfect. "yeah, you're right."

he gives you a lopsided smile, eyes bright and glowing. "i don't like to brag, but i usually am."

you snort out a laugh, missing the way his expression turns pleased at the sound. "hilarious. you love to brag."

"you got me there," he shrugs, grinning as you stick your tongue out at him. the lighthearted banter solidifies the fact that satoru is fine and unharmed and completely yours, but you can still feel the apprehension coursing through your veins. chills run up your spine—you try not to show it.

but of course, satoru has always been able to see right through you.

his teasing smile goes soft, and he inhales deeply.

"was it about me?" he asks, climbing into bed next you. you lay back down carefully.

"yeah," you mumble, watching him tug the blankets over your body and tuck you both under a cocoon of warmth.

"hm." something in his tone tells you he's not unfamiliar with the feelings you seem to be experiencing—his body shifts closer to yours. ocean eyes carefully asses you, deep and calculating and so concerned even as he smoothes a warm palm over your shoulder blades. "wanna tell me what happened?"

the truth is you do want to, because satoru has always understood you better than you've ever understood yourself—you have no doubt he'd be able to comfort you just as well as he normally does.

and yet...

"no," you answer, pressing your nose into his neck. a deep breath in, the lively scent that is so inherently your gojo satoru filling your very soul. "it's okay. i think i'll be fine."

when you shut your eyes, images flash behind them—of bloodied bodies and stitches and swapped souls. yet a chaste kiss to your forehead pulls you back to where you're supposed to be, warm and grounding.

"i know you'll be fine," satoru murmurs, lips tickling your brow as he speaks. you think you can hear the gentle smile as he says it, and your grip on him tightens—never letting go. "i'm right here after all."

[nebulaafterdark]

The Rats Pt. 2

Aegon Targaryen ii x Velaryon(Strong)!Reader

Summary: Aegon attempts to make peace with Rhaenyra after being forced to usurp her throne. Lucerys’ death complicates things.

18+ ONLY, MDNI

Part 1

“Princess Y/N of house Velaryon.” The guard announces.

Rhaenyra’s heart skips a beat, surely he is mistaken.

��Mother,” Y/N says, racing toward her. “Your grace,” she corrects herself.

Rhaenyra wraps her eldest child in her arms. “Mother will do just fine.”

Y/N buries her face in Rhaenyra’s shoulder.

“How did you get here?” Aegon would never let her go of his own free will.

“Daemon,” Y/N breathes. Knowing that her stepfather will owe her for the half truth.

“Where are the children?”

“In King’s Landing.” Y/N tells her, “to keep Aegon’s wits about him in my absence. He wants to come to an agreement, he’s more than willing to bend the knee. I only ask that he and Helaena be spared…as for Aemond Targaryen, he is a murderer.” Y/N’s voice breaks, “we will avenge the murder of my brother.”

Rhaenyra’s strokes a hand over her hair, feeling the dark waves that remind her of Lucerys. “Aegon and Helaena will receive full pardons based on your testimony. Rest assured I appreciate what you have done on my behalf.”

“Thank you.” Y/N pulls back marginally, realizing her mother’s pregnant belly should be between them. “Where is the babe?”

Rhaenyra shakes her head.

Y/N covers her mouth with her hand, “I am terribly sorry.”

“It is no fault of yours, darling girl.”

“I should have been here with you.”

“When I offered your hand in marriage, I had no idea Aegon was capable of love. It has complicated all of this.”

Y/N nods, “speaking of my husband. I should send word that I am well, lest he take out his frustration on Dragonstone.”

Rhaenyra taps her chin, affectionately. “I will fetch a scroll.”

————————————————————————-

Aegon’s youngest son is the only one of his children to share Y/N’s dark locks. His wife insisted they name him Aegon. After my dearest love. She said.

Aegon agreed of course as he can deny her nothing. The child wails nonstop, in the absence of his mother. At all of four months old, Aegon is the only one who can quiet him besides Y/N. As such, the King is now attending the small council meeting with a babe in his arms.

Their daughter, Dahlia, the eldest of the twins will sit the iron throne one day, through his line of succession and Rhaenyra’s. At all of six, she is sitting at the table. His other children Visera and Laenor have not been properly protected under the guard, they too must stay in his sightline.

“Gods be good.” Alicent frowns at her son.

“What is it?” Aegon huffs, arching a brow at her.

“The small council is no place for children, your grace.” Alicent explains. “They would be better tended by their maids.”

Aegon nods, “right. As you all know, two nights ago, the Princess Helaena was attacked in the children’s chambers. Our heirs were threatened and Queen Y/N was taken from us. During which time, not a single guard could be found on the entirety of the royal floor! Because you were-”

Aegon looks to his children in turn, “cover your ears my darlings.” He smiles, waiting until they have done as they’re told, holding his own hand over his infant’s ear. “Where were we, mother? Oh, that’s right, no one was guarding my children because you were fucking the royal guard.”

The council members lower their heads in acknowledgement.

“The men who carried out this attack, entered under the guise of rat catching. I want them found and swiftly executed.” Aegon demands, patting his sleeping son’s leg.

“We have been interrogating rat catchers for days, thus far we have no leads.” Otto explains.

A slow smile spreads over the King’s face. “Then hang them all.”

Alicent blanches.

“Anything else?” Aegon asks, watching Visera begin toying with Otto’s chair.

“A letter arrived from Dragonstone, your grace.” Lord Tyland informs him.

“Oh?” Aegon says, “from Rhaenyra?”

“From Queen Y/N.”

Aegon swallows, “did you read it?”

“No, my King.”

“Good,” Aegon reaches for the rolled parchment.

‘My dearest Aegon,

Please know that I am well. We would like to begin negotiations to end the blockade and create a peaceful transfer of power. This will require your cooperation, I hope you will meet me at Dragonstone to discuss this matter farther.

Forever yours,

Y/N’

Aegon exhales, sharply.

“What is it, your grace?”

“The children and I are off to Dragonstone.”

“Whatever for?”

“To negotiate the terms of Y/N’s return.”

“My King…”

“And if you cannot agree on said terms?” Alicent asks.

Aegon frowns, lifting a shoulder. “To war then.”

“He is unhinged,” Otto whispers to his daughter.

“As I warned he would be.” Alicent rises from her seat. “He is quite…devoted to her.”

————————————————————————

“It has been three days since you sent word to King’s Landing. We must assume Aegon’s silence is his response.” Daemon seethes, around the drawing table.

“Give it time.” Y/N insists, “you owe me that.”

Daemon smirks, “I owe you nothing, spoiled thing.”

“Mmm,” Y/N hums. “My mother does not yet know how I came to be here.”

“And you are not going to tell her. Otherwise, my distaste for your usurping cunt of a husband will be demonstrated at length.”

Sunfyre roars, calling their attention to the nearest window.

Daemon huffs, “I’ll be damned.”

“And he’s brought the children.” Y/N rejoices, running out to join her family.

Jacaerys is already helping to unload her children from the makeshift carriage on the dragon’s saddle.

“Mother!” Dahlia and Visera charge Y/N nearly knocking her backwards.

Laenor runs after them with his little legs as Aegon the fourth, stares at her, babbling in his father’s arms.

Y/N is moved to tears, “you came.”

“You didn’t think I would?” Aegon cocks his head to the side.

“It’s a rather large ask,” Y/N explains.

“For you, the world.” He replies, with a kiss to her temple. “Now, where is Rhaenyra? We have much to discuss.”

“Her grace will join us soon.”

Aegon nods, “I request a small audience, before the council.”

“That can be arranged.”

“After which your brother might tend the children whilst you show me your quarters.” Aegon whispers.

Y/N smirks, “of course.”

Part 3

Taglist: @minttea07 @callsignwidow @fallout-girl219 @syraxnyra @vickynephilim @jeondeluxe111 @geeksareunique @arya-brooke @7minutes-tomidnight

[ckret2]

Chapter 51 of human Bill Cipher is once more the Mystery Shack's prisoner: Dipper and Mabel try to figure out what the Axolotl's poem means; Dipper gets the hang of astral projection; and... whatever's going on up there happens.

####

Ford and Dipper came back into the shack through the gift shop; Ford didn't want to risk crossing paths with Bill. While Dipper went into the house, Ford went down—returning to the safety of his subterranean study.

Once Ford had put on the old black trench coat he'd worn during his multiversal travels and gotten comfortable at his desk, he pulled out Journal 5 to document the events of the last few days. In a cheap ballpoint pen, he wrote, I've lost my #1 Grunkle pen (and favorite coat) to the waters of Lake Gravity Falls. And then, deciding this didn't adequately express his feelings, he drew a small frown. That coat had served him well for decades, and he'd really liked that pen. It did write excellently, and it had reminded him of his gniece and gnephew.

He spent three pages documenting the eclipse—what happened, what readings he'd taken, what he and Dipper observed—and then another four pages talking about Bill. What he'd told them, why Ford had dismissed it; his claims about a trans-dimensional axolotl distorting gravity with its migration; the statue, the rescue, the breakdown.

The act of writing always helped Ford clarify his thoughts and untangle mysteries; it wasn't until he was writing that he realized the limbs Bill had said he couldn't feel were the ones that had broken off the statue.

He listed the rules of the chess variants he could remember Bill inventing. He drew Bill huddled in front of the board, grim, tear-streaked, exhausted; and then scratched out his face, embarrassed at the thought of immortalizing such a raw moment for his private viewing.

He wrote, There's still a slim possibility that the entire "eclipse," start to finish, was Bill's masterfully-orchestrated scheme to make us pity and trust him; but it's unlikely. Although Bill is fiendish enough, he isn't currently powerful enough, and his lies certainly aren't elaborate enough. If he could pull off such a byzantine ruse, then he could just as easily escape—and if he can escape, why hasn't he? Bill may be insane, but he's never been THAT irrational.

And so, even as twisted as Bill's idea of "friendship" is... for the very first time, I'm convinced that he was telling the truth all along when he said he wants me as his friend. It's not an act. He risked his life to save someone who's an active threat to him.

And at the end of it all—though I'm grateful to be alive in spite of my own stubbornness—do I like him any better for it?

Ford leaned back and shut his eyes, sifting through the inner tumult of anger and old hurt that defined most of his memories of Bill, looking to see if anything had changed.

There was a sore, tender spot in his emotions, a place beginning to rot with remorse; when he prodded at those emotions, he found that it was shame over his own harsh conduct of the last couple of days. But he was only ashamed of how cruelly he'd acted; he wasn't ashamed that Bill was the one he'd done it to.

Outside of that tender spot—regret over his own behavior—nothing else had changed.

No. I still hate him. I'm grateful to be alive, but I hate him. He hasn't undone anything he did to my family and me, and he never will. Forgiveness can't be purchased with favors.

I'm only relieved at the certainty of it. Bill has committed an act that can't possibly be a lie. I know, beyond a shadow of a doubt, that he's shown me the truth; and the truth is he'd rather see me alive than dead. Whatever other lies he may tell, I can hold on to that fact.

Bill's miserable eyes peered out at Ford between the scribbles he'd drawn across his face. It was truly a pity that Ford had to hate him. Pity that Bill hadn't been somebody better. He could have been better.

Ford couldn't find it in himself to be embarrassed that he'd filled four pages talking about the monster he'd already wasted so many more on. Bill had been right about him: You might hate me to my face, but behind my back you're as obsessed with me as ever. The only thing Bill didn't understand was that hatred and obsession weren't mutually incompatible.

####

"Hey, Dipper," Mabel said, unfolding the living room sofa bed. 

"Hey, Mabel," Dipper said, passing through living room on his way to the stairs. He climbed up to the attic.

He came back down from the attic. "Mabel. Why's Bill asleep in your bed."

"He really needed a nap," Mabel said.

"Okay but why on your bed?"

Mabel pouted. "Dipper, do you realize he's never slept on a real bed? Ever?"

Dipper tried to imagine sleeping on a couple couch cushions on the floor every night. "Yeah, okay, that does kinda suck." Even if it was Bill's own fault he wouldn't sleep in the living room.

By unspoken mutual agreement, having a Bill in the bedroom followed the same law as finding a centipede in the bathroom. The law was "that's the centipede's bathroom now." So once the folding bed was set up, they sat on it to serve as their hang-out spot for the evening and caught each other up on what they'd done the last couple of days.

After Dipper & Co. had left, Grenda had come over to take advantage of the low gravity to retrieve the kite that had been stuck in a tree near the Mystery Shack since last summer (it was, tragically, too tattered to salvage), and then they'd gone over to Candy's house to photograph each other performing feats of impossible strength. (Mabel would be sending some pictures to their parents to confuse them, and adding the rest to her summer scrapbook.) She'd spent the next day breaking the trampoline world record until Soos came outside and said gravity was probably too low for it to be safe to be up in the air anymore, if Bill's warnings about being off the ground when gravity hit zero were true; at which point Mabel had hung around inside air-swimming until she suddenly slammed against the ceiling, and then the ground. She was fine. She just had a couple of bruises. She showed Dipper her bruises.

In return, Dipper told Mabel about how their quest had gone: the checks for micro-rips, Bill's increasingly frantic warnings, the lake—

("You got to see a bajillion magical axolotls and I didn't?!")

—the cliff, the Axolotl, Dipper's near-death experience, and what he now knew about his out-of-body dreams.

"Seriously?" Mabel hissed, eyes bugging out. "And he had us looking up lucid dreaming books! What a jerk!"

"I know! He could have just ignored the whole thing, we didn't even think it was anything but dreams."

"And I'd thought he was being so helpful, too! Like he was really trying to make up for giving you 'nightmares'!" Mabel laughed in disbelief and flopped down on the flimsy mattress. "All that because he just didn't want us to know how it was really his fault? Biiill, ugh."

His fault. Dipper hesitated, wondering whether he should tell Mabel what Bill had said about Mabel's Fault; then decided against it. Bill had probably been telling the truth when he'd said he only wanted all the credit for Weirdmageddon.

But—Dipper did tell her about Bill saving their lives. He would have felt like a liar if he hadn't—like he was trying to trick his sister into thinking Bill was worse than he already was. He hoped Ford wouldn't mind; but how could he not tell Mabel?

"He could have just let you die and didn't?" Mabel turned that over in her head, processing this sudden shift in Bill's behavior. "Wow. I'm impressed."

He also told her about their previous encounter with the Axolotl. Considering the other lies Bill had told recently, anything he said about them meeting the Axolotl was dubious at best; but Dipper could remember the Axolotl, so maybe some of it was true, even if Bill had twisted as much as he could. ("The Axolotl said hi, by the way." "Aww. Tell him hi back!" "Yeah, I... don't know how to do that.")

Dipper laid out his journal between them on the folding bed, and Mabel read over the couplet a few times. "'Sixty degrees that come in threes, watches from within birch trees'..."

"It's got to be talking about Bill," Dipper said. "Equilateral triangles have three sixty-degree angles. I just don't know why the Axolotl wanted to talk to us about him."

Mabel frowned at the lines. "I think... I remember meeting him too," she said.

"You do?"

"Kinda. Like in a dream," she said. "We were in some kind of futury space race car. And he had a really comfortable beanbag chair."

"Yes! I remembered the beanbag chair, too!" And he hadn't mentioned it in his journal. "This is great! Talking about it must... must cause us to remember, somehow. Maybe since the universe where we met the Axolotl doesn't exist anymore, our memories of it are... detached or something? Psychically floating around between dimensions until we try to remember them?" He took in Mabel's skeptical frown and shrugged. "I don't know!"

She scrunched up her face. "Ugh. Last summer's first-grader time travel was complicated enough. This is like college-level time travel. Maybe we can ask Bill how it works?"

She said it so easily, like she thought it was actually a good idea. Right after she'd heard about the lucid dreaming thing, too. "I don't think he'd help." Dipper lowered his voice. "He really didn't want Grunkle Ford and me to find out about the Axolotl—and he kept telling me not to think about what the Axolotl told me. He's trying to cover something up."

"Oo-oo-ooh." Voice dropped to a whisper, Mabel said, "Do you think it's some kind of Space Axolotl conspiracy?"

"It could be," Dipper said. "All I know is he was trying to tell us something important about Bill. Some kind of prophecy, or... maybe a warning...?"

He trailed off. Mabel had stopped listening to Dipper. She was rereading the couplet Dipper had written, moving her lips like she was murmuring under her breath—but whatever she was saying, it was much longer than the couplet Dipper had written down. Distractedly, she said, "Do you have a pen?"

"Yeah, here." Dipper quickly handed over the pen he kept in his vest.

Mabel clicked it, went to the bottom of the page, and wrote: A different form, a different time.

Dipper sucked in a sharp breath as the words snapped into place in his mind. "That's it! That was the last line! What else do you remember?"

"That's it," Mabel said. "It was free form poetry with a bunch of rhyme pairs."

"I don't think free form poetry rhymes."

"Pbbbt." Mabel blew a raspberry and shoved Dipper's face. "Whatever! You know what I mean." She pointed at the last line. "Do you think the poem's about why Bill's here? He time traveled to the Mystery Shack in a new body..."

"Exactly! Bill must be back here for a reason. He's got all those powers—or, used to, anyway—and he knows more about the multiverse than anybody on Earth... Maybe there's some kind of big threat coming, and Bill's the only one who can stop it, and—and the Axolotl wanted us to know...?"

"I like the sound of that," Mabel said. "That'd basically make him a hero, right?"

Dipper grimaced. "I mean. I guess? But we're talking about Bill. If he does help us stop a threat, it'd be like if a serial killer picked up a hitchhiker and killed him, and then it turned out the hitchhiker was an even worse serial killer."

"That still sounds kinda heroic to me."

"Pfff, okay." He looked at his journal. "But... what is he here to do?"

Mabel considered what they'd already written. "Maybe we can use him to spy on our enemies through birch trees!"

"Thaaat's probably not it."

"No, I think I'm on to something. I can feel it."

There was a lot of empty space between his couplet and Mabel's line. "There's more we're missing, though. Maybe the rest of the poem describes the threat? Or what we need to get Bill to do?"

"I can't remember anything else, though."

"Me neither."

They stared at the page together, waiting for something to come to their blank minds. Mabel looked at the fish tank. "Hey, Primrose! Do you know anything?"

The pet axolotl in the tank ignored her serenely.

Dipper said, "'Primrose'?"

"Yeah, last summer Grunkle Stan said her name is Freakface, but I thought she deserved a cuter name. She's primrose color!"

"Ford says he originally named him Nikola."

Mabel gasped. "Nikki..."

Dipper twisted around to look at the axolotl. "Do you know anything? Do you... get messages from the Axolotl's heralds, or anything...?"

Nikola slowly opened his mouth, and slowly closed it.

Mabel said, "Hey. The Axolotl's one of those dimension-crossy time-travely guys, right? He probably wouldn't have given us a prophecy in the wrong timeline and then made us forget it unless he knew we'd remember it in time in the rightdimension!"

"I guess," Dipper said uncertainly.

"So we don't need to worry about it! We'll remember it when we need to."

"Unless this timeline's going to branch, and the only one where we survive is the one where we put all our effort into trying to remembering—"

"Shhh!" Mabel put a finger over Dipper's mouth. "Uh-uh. No college time travel. We'll be fine!"

Dipper pushed her over. "Okay, but we should at least try a little to remember what the Axolotl told us."

"What if we work on it separately?" Mabel propped herself up on an elbow. "Instead of just sitting around thinking about it. And whenever we remember a line, we can tell each other and see if it makes anything click."

"That might be faster," Dipper said, stroking his chin. "We're already remembering different lines."

"Yeah! And that lucid dreaming book said something about focusing on a problem before you sleep so you can figure it out in your dreams! We can just work on it in our sleep and we'll remember it all in no time!"

Dipper laughed. "What? No way, I think lucid dreaming is just one of those made up pop psychology things. I didn't get it to work at all." Either it didn't work or Bill had deliberately recommended a terrible book.

"I did! I can remember like... eighty percent more dreams. And I can tell when I'm dreaming a lot more often!"

"Huh." Or, maybe Dipper just wasn't doing it right. "Maybe I need to start over from step one. Do you know where the book we were using went?"

"Over here!" Mabel had set a couple library books on the end table next to the sofa bed; she pulled out the second one, which had a glittery pink bookmark with a cat on it stuck two-thirds of the way through. "Just don't lose my bookmark."

"Thanks." He'd reread the first step before bed. "We should probably be getting ready for bed anyway, huh?"

"Seriously?! It's barely bedtime!" And when the adults weren't watching, official bedtime was an hour and a half before Actual Bedtime.

"I'm exhausted. I just hiked up and down a mountain and faced down death."

Mabel pointed at Nikola. "You faced down a big salamander."

"Close enough."

They went upstairs, brushed their teeth, went to their bedroom...

And stopped in the door. Bill was still asleep. "Oh. Right," Dipper said.

He was curled into a ball on his left side, facing the wall, covered with only the zodiac blanket and his borrowed/stolen top hat sitting on the side of his head. He didn't use a pillow; he'd pushed Mabel's pillows and dolls behind himself to form a squishy makeshift fortress.

"Please don't wake him up," Mabel whispered. (She'd already set up the folding bed for herself; she'd clearly planned on this.) "He's had a really really hard time the last couple of days, and I think he needs as much sleep in a real bed as he can get, and it's just for one night, and I'm sure he'd rather sleep than do anything evil—"

"He said something, didn't he?"

Mabel paused. "Yeah. I think seeing his body really messed him up."

Dipper sighed. "We were trying to keep him away from it." He didn't want Mabel to think they'd forced him to stare his own death in the face. "But he did that... eye thing and looked through the trees, and..."

Mabel nodded.

Well. Dipper couldn't kick him out now. For Mabel's sake.

As children, occasionally when they got hotel rooms with a bed too few, their parents would stick them in one bed with a barrier of pillows in between them. At age thirteen and without two crabby parents trying to get them to just go to bed after a long plane flight, they unanimously vetoed that plan. Dipper decided against asking Stan if he could sleep in Ford's unoccupied bed, both because he suspected Stan would just go upstairs and drag Bill out of the room and because he didn't want Stan to think he was scared of Bill. He wasn't scared of Bill. Not anymore. He could handle one measly night in the same room as him. Anyway, somebody had to make sure he wasn't unsupervised in their bedroom all night, right?

Dipper and Mabel quietly set a floor mirror and old lamp next to Mabel's bed, draped a sheet between them, taped on a pink poster that said "WARNING! TRIANGLE ZONE!" and was covered in stickers of triangular objects, and decided Dipper was adequately shielded. If Bill did get up during the night, he'd probably trip through the sheet and wake half the house before he got anywhere near Dipper.

Dipper went to sleep with a baseball bat in his hands.

####

"Okay," Bill said, hands on his sides, "what am I looking at here?"

The feral band members of Sev'ral Timez turned toward Bill, eyes reflecting in the dim light. They were squatting around Bill's petrified corpse like a pack of apes examining a sleek black monolith.

"Hey girl," Creggy G. said.

"Hey," Bill said. He looked down at himself. His onyx black feet hovered over the ground and the yellow glow from his exoskeleton illuminated the clearing. "Lemme cut to the chase, is this gonna turn into a raunchy dream? My corporeal love life is about as cold and dry as Antarctica, I keep hoping one of my dreams will get a little hotter and wetter—"

"Nah, G," Deep Chris said. "Mr. Bratsman got us fixed."

"Aw."

"We're here to pay you reverence for freeing our minds from the chains of the conventional," Greggy C said, gesturing to Bill's corpse. Leggy P was kneeling and bowing to it and Chubby Z was posing for it. "We want to help free you like you tried to help free humanity."

Bill's eye narrowed. He tapped a finger against the edge of one brick as he considered this offer. Finally, skeptically, he said, "Fine. I'll bite. Why should I think you can help me?"

"Because we can give you the understanding your heart's been missing, girl. You're just like us," Chubby Z said. "A horror never meant to exist, born of a dream to construct the perfect golden idol, forced to dwell within an unnaturally-fabricated human shell."

Bill tilted his head thoughtfully. "I'm with you so far."

"We want you to join us," Deep Chris said. "Cavort with us in the silvan night, G. Shun the harsh light of the spotlight for the healing salve of moonbeams. We'll get drunk on the sweet fermented summer berries, uncaring of how the brambles prick our flesh. We'll dance in a frenzy of ecstasy and only sleep when the morning sun lifts the dew from the flowers and the sweat from our skin. It'll be straight Dionysian, boo."

"We can kiss the hot trees," Creggy G said.

Bill grabbed his shoulder. "Oh, you're the human that keeps making out with birch trees! I knew your face was familiar!" He paused. "So... are there any eligible ones around here?"

"Sure, girl, just downstream."

"If I'd known, I would've polished myself first."

"Say you'll join us, Bill girl," Deep Chris said. The band crowded around Bill to either side, posing around him—the backup dancers for the star singer. "You'd be one of us."

"We're already exactly the same," Creggy G said, holding up a mirror so that it reflected his and Bill's faces beside each other. In Bill's human face were two empty white eyes with pinprick pupils and pale blue irises, exactly the same as the eyes of the Sev'ral Timez boys.

He sat up with a gasp, hands flying to his face. There were still green boughs at the edges of his dreaming vision, blending into the wooden boards of the Mystery Shack's attic. Before sleep had fully fled his mind, he seized up the zodiac blanket draped over his body and stared into his embroidered eye.

The eye stared back at him. Through it, he could see his horrified sleepy face, and his normal slitted yellow eyes. His connection to the blanket's eye disappeared as he finished waking up.

He heaved a sigh of relief and flopped back down. He'd been lucid, but he hadn't been in control of that dream. He still needed practice.

He rolled toward the light of the window, groped around beneath it until he found his journal, grabbed up his crayons, and flipped pages blearily until he found the first blank one. He started writing down his dream, pausing only briefly as he tried to figure out how to translate "Sev'ral Timez" before settling on a sufficiently goofy way to misspell "several times" in Plaintext.

He made it halfway down the page before he stopped. Hold on. This wasn't his beautiful journal. These were not his beautiful crayons. He checked the cover and grimaced in displeasure when he saw a pine tree rather than a hand. Dipper's journal. Bill ripped out the page, ate it, and set the journal and Mabel's crayons back on the table  under the bedroom window.

"What was that," Dipper asked, "some kind of Morse code?"

Bill yelped and twisted around. Dipper's soul was hovering above Mabel's headboard, watching over Bill's shoulder.

"Hey! Back, foul ghost!" Bill snatched up Mabel's pillow and swung it at Dipper.

"Ow—Hey! How did you hit me, I'm in the mindscape—"

"I said back!" Bill swung again, chasing Dipper off the bed. "Back into your fleshy tomb!" He climbed off the bed, stumbled into Dipper and Mabel's trap, tripped through the sheet and probably woke up half the house.

He yanked the sheet off and flung the pillow at Dipper by its corner. "Now get back in your body, go to sleep, and leave me alone."

"I don't know how to get back in it. I just wait until it happens by itself," Dipper said, floating irritably over his sleeping body, arms crossed. "Why do you think I just wander around every time I have this dream?" He paused. "Right—it's not a dream, is it."

Bill sighed heavily. "Try putting your body on like..." He almost said like an exoskeleton, remembered his audience, and amended himself: "Like it's clothing. I usually start with the hands. Just like putting on gloves!"

Dipper looked at the cold fingers wrapped tightly around the baseball bat. "How do I put hands on like gloves? There's no opening or—"

"Just try it, would you?" Bill sat tiredly on the edge of Mabel's bed.

Dipper shot him an irritated look, but pressed his ghostly hands against his fleshly ones, passing through the skin until one set of fingers rested inside the other. A fingertip twitched. 

Bill gestured with one hand, continue. "Now the sleeves."

"I know how to get dressed." Dipper laid down in his body, forearm into forearm, shoulder into shoulder—until he was wholly back inside. He sat up, awake. "Huh."

"There, see?" Bill said. "And if you want to take it back off, just do the same thing in reverse. Like degloving your body from your soul!"

"Did you have to phrase it like that?" Still, Dipper tried it, peeling out of his body from the fingertips up. He left his body sitting upright as he hovered over it.

Bill chuckled tiredly. "Lookit your face, staring at nothing. Stupid looking."

"Shut up." He slid back into his body, more quickly now that he knew what he was doing.

"Great," Bill said. "Now that you know how to get back in your body, never do that again." He flopped back onto Mabel's bed and rolled over to face the wall. "It's a pain in my base having you wander around all night."

"Then you should've thought of that before you ripped my soul out of my body," Dipper grumbled. "Can you reattach me to my body?"

"Sure, easy." He lifted a hand to point down at his regrettably human form. "Not like this, though. Wanna help reattach me to my body?"

"Never in a million years."

"Then come back in a million years. There's nothing I can do for you until then." Bill dragged Mabel's zodiac blanket back over himself. "So sorry. Go to sleep. Leave me alone."

Dipper bet Bill could do it and was only saying he couldn't to try to trick Dipper into helping him. But he lay back down—clutching his bat again—and shut his eyes.

After a moment, Bill asked, "Where's Mabel? Sleepover?"

"Sofa bed in the living room."

"Right."

And then there was silence.

Several minutes passed. Dipper nearly fell back asleep. He heard Bill climbing out of bed and creeping across the room; but the footsteps didn't approach Dipper's bed, so he didn't open his eyes.

A few minutes after that, Dipper heard him come back, walking more heavily. He cracked open an eye to see what Bill was up to.

He was carrying Mabel, who was still asleep; his arms were trembling from her weight, but even at that Dipper hadn't known Bill was that strong. With a quiet grunt, he set her on her bed, then haphazardly tossed her sheet and zodiac blanket over her. He picked up his top hat from the bed and put it on; and then he wandered off, footsteps quiet as a ghost, and Dipper heard the creak of the door as he left the bedroom.

That was a lot nicer than Dipper had expected from Bill. Maybe he did care about Mabel in his own way.

Mabel rolled over and latched on to one of her dolls. Dipper shut his eye and fell back asleep.

####

(My favorite part of writing this was Bill dreaming about Sev'ral Timez saying the most absurdly flowery things imaginable. Anyway, let me know what y'all think about this week's chapter! And reminder that I MIGHT skip next week or the week after because the next couple chapters need heavier editing than usual.)

[coffeebanana]

some things i've been thinking about (this was supposed to be separate ideas but now i guess it's a rough fic outline in bullet points kasdbfksbjd):

marinette telling adrien the truth YEARS later, after everything's settled down and the butterfly's been recovered and their identities are revealed

maybe they live together. maybe he was getting ready to propose

after his initial shock, anger, time he needs to process, mostly he just wants to understand WHY she lied

when she tells him the she just couldn't bear to hurt him any more than she already had to by telling him his father died, and some part of adrien sees that as his own failing--surely if he'd been stronger, if he'd been the kind of person she thought could handle the truth, then she would have given it

maybe they go to couple's therapy. one of the exercises they're given is to practice honesty with each other and marinette goes... a little overboard

adrien thinks it's sweet, at first. until he realizes she's scared to leave a single second of her day unaccounted for. she's stressing out because she forgot to tell him something minor and he doesn't want him to think she just decided not to tell him something again

he realizes just how much she's been beating herself up about this all these years. just how much she's always loved him despite her mistakes

he remembers the ring he has stashed upstairs

and maybe it's not the time for proposals. but all he can think is that even at their worst, he still wants forever with her

of course, he's never been one for keeping his affections to himself. so he tells her.

it's not a question, it's not an offer. it's a fact: I want to spend the rest of my life with you. i want to marry you. she looks at him like he's crazy, so he pulls out his ultimatum. but i need you to forgive yourself first

all these years, marinette's been secretly awaiting her punishment. secretly awaiting having to pay for what she's done. forgiving herself was never on the table

do you forgive me, she asks in a quiet voice

i don't know, he says, and marinette's heart sinks until he adds, but i know i want to

and in the end, it's not so hard for him to get there. for him to forgive one decision she made under the worst possible circumstances. one mistake in the midst of all the ways she's made him feel safe and wanted and loved. all the times she's held his hand or helped wipe his tears, all the times she's let him do the same for her

when it comes time to exchange vows, for better or worse is already something they've agreed to

[charlesoberonn]

Phineas and Ferb episode idea: After Candace shows her photos of all of her brothers’ creations, Linda thinks that her daughter is a talented graphic artist and signs her up for a competition. Candace is frustrated and about to tell her mom the truth but then Jeremy shows up and he’s like “Wow, Candace, I didn’t know you were a graphic designer. That’s so cool. Btw, my little sister is also gonna be at the graphic design competition.”

Long story short, Candace asks her brothers to help her become a graphic artist for real so she could beat Suzie.

Meanwhile, Doofenshmirtz has gotten tired of designing -Inators so he designed the Comes-Up-With-Inators-Inator to design them for him. The Inator’s creation are a hit among other Evil Scientists who buy them in droves. Doofenshmirtz is then signed by Vanessa to an Evil Contracption Designing competition (held in the same building at the same time as the graphic design competition, of course).

Desperate, he asks Perry the Platypus to help him get his mojo back so he could design -Inators again.

Cue musical montage of Doof and Candace training to learn/relearn their respective art form.

It’s the competition(s). Candace is a nervous wreck, but Jeremy believes in her. Doof is all self-assured and ego-boosted by everyone thinking he’ll win, but then he sees his Comes-Up-With-Inators-Inator (who looks like a robotic him) also signed up for the competition.

While getting ready for the competition, Perry is accidentally almost spotted by Phineas and Ferb. He sneaks behind the curtain to the behind the scenes. That’s when he discovers that the goal of the competition is to design a doomsday weapon. Nervous, he swaps the cards with those of the graphic design competition.

The competition begins. The graphic artists are assigned to design a doomsday weapon while the Evil Scientists are assigned to design a cool band poster.

The scientists are baffled, but they do their best. The Comes-Up-With-Inators-Inator is stuck because it’s physically incapable of drawing anything but Inators.

Meanwhile in the graphic design competition Candace does her best but her brain goes blank. Suzie meanwhile is trying to sabotage her by switching her card back with the card from the other tournament. Unfortunately it’s the card of the Comes-Up-With-Inators-Inator, who now goes to task designing a Doomsday weapon.

The competition is finished. Candace’s work is mediocre, but she wins by technicality for being the only one who drew the correct thing.

Meanwhile at the Evil Scientists competition, the scientists all drew terrible posters except Doof whose poster is beautiful. He’s about to be declared the winner but then the Comes-Up-With-Inators-Inator reveals what it’s been working on, a doomsday machine. Everyone panics, and Perry the Platypus tries to stop the machine, but fails. Then the machine ticks down to 0, and nothing happens.

Turns out the Comes-Up-With-Inators-Inator is terrible at coming up with machines. All of its Inators don’t work. Which unfortunately for Doof results in all of his previously happy customers showing up to complain because their Inators didn’t work either. He asks Perry to help him again, but Perry is already gone.

“There you are, Perry.” “Curse you, Perry the Platypus!”

Despite winning, Candace feels hollow because she only won by technicality and all of the other designers were much better than her. She feels like a fraud. But then Jeremy shows up and asks to buy the rights for her poster, because he thinks it’s really cool. Candace is happy.

The End.

[multimilfs]

Agatha Harkness x Fem!Reader x Rio Vidal: The Prize

Summary: Agatha has been fighting to reclaim her prize from Rio for a long time.

AO3

Included: dark themes, lesbian drama & yearning, near-death experiences, smut; biting, orgasm denial, praise kink, degradation, s&m, blood, fingering, cunnilingus, use of pet names, begging

Words: 9.7k

Tag List: @multifandomfix @ghostsunderstoodmysoul @escapetodreamworld @white--lillies @imtrashinflames

1750

Glowing hands press over the seeping wound, magic swirling around them, diving inside. There’s no satisfaction of watching the flesh knit itself back together. Instead, your magic drifts right back out like smoke. 

Oh Goddess. 

“Do take your time.” Agatha snaps, voice strained, “I have absolutely no plans.” 

Five types of poison are immune to tangible magic. You know antidotes for three. Staring hard at the wound, you look for the blackened edges consistent with Nightrot, finding the flesh as red and irritated as to be expected. Is it swelling or screaming that goes with Alewife’s Revenge? A glance up at her face finds it normal. Her lips are pursed. 

Your hands shake, one hovering over the open wound in her middle, the other clutching your head. Remembering has never mattered more so why is your mind empty? Pieces of information slip through your fingers like sand. Dozens of cadavers, hundreds of hours of study; useless. 

Unable to rely on your memory, you scramble across the floor for the dagger that’d flown from the wall. The little light coming from the boarded windows prompts the metal to glint. The edge of the blade is sticky with blood, beneath it a metallic sheen that can only be a witches poison. You hold it up to the slant of light to see the color. 

“Are you out of your mind? Heal me!” 

You drop the dagger the second the poison glints purple. You slap your hand over your mouth, panic beginning to course through your veins; the body’s own special brand of poison. 

How are you going to tell her?

“I’m trying!” You snap, voice breaking. 

It’s a cruel joke that the poison should be so well matched to the witch bearing its effects. You stare at the edge as it rocks from being dropped, your stomach turning when the color doesn’t change. If only you could be wrong this once. 

Were you a lesser witch, you’d curl in a little ball and quail under the weight of your failures. The idea is seductive. Yet, you turn to Agatha where she lies, pale and sweating on the floorboards. The pallor of her skin makes you whimper. 

“Agatha,” You start, your voice holding just enough, “it’s Saura’s Dread.” 

Things click into place behind her eyes despite the glazed-over look to them. She fights to find a way out of this, but you know well that the reality cannot be avoided. 

“Give it to me. You’re wrong.” 

“I know poisons better than most.” You hand the dagger over anyway. 

“That’s not saying much.” 

The comment stings, but you let it slide off you. You cannot give into petty squabbles now. With so little time to find a solution, you have to focus. 

She stares hard at the blade as if willing it to change. 

“Brew the antidote.” 

“I can’t.” You whisper. 

There’s a flicker of something in her gaze that looks suspiciously like rage. Your own internal fire leaps to meet it; of all the emotions to look upon you with—rage? As if this is your fault? You’re not the one that dragged her into this old cabin, intent on sifting through the contents. 

It’s not your fault. You know that as the truth. Yet, shame floods you. 

“You’re a healer.” Agatha spits, “What good are you if you don’t know the antidote?” 

“Someone didn’t let me stay with my coven long enough to learn it!” 

“The next time someone tries to keep you from me, I’ll let them.” 

The fire in your chest ebbs. An old argument at an inconvenient time. There will be no rough makeup sex following this argument, no unspoken apologies in Agatha’s kisses. All the time, all the bodies; they cannot be for nothing. They mean too much. 

Fleetingly, you feel pity for your old coven. In their minds they had attempted to do the right thing. Keeping you from Agatha must have seemed reasonable. But you remember how many bodies they made, how pleased it made Her. 

Saura’s Dread takes its victim within six hours. This, you know confidently. The demise is slow and painful, a poison intended for torture. You can’t stand to see Agatha in this kind of pain. You’re not ready for her to be just another body.

“I’m calling Her.” You say. 

“No.” Agatha counters, “She’ll never let me live it down.” 

“You won’t live down anything if you’re dead, Agatha.” 

“I won’t die.” 

She’s an idiot. 

Magic flowing into your fingertips, you trace familiar symbols on the floor. They glow bright and then dim as they wait. Around your neck sits an old, jagged bone, tied by a thread; you use the end of said bone to split your palm and drip blood over the symbols. 

Agatha’s mouth is moving, but you don’t listen. You mutter the incantation in latin under your breath. The words—old and comforting—curl your tongue in ways that you’ve only known between two pairs of legs. You end the incantation with the key that gets you around the waiting list; Her name, Her true name. 

There’s a blinding flash of light and a puff of fog, but the symbols contain it. You catch the glint of white teeth. 

“You rang?” 

Rio smiles, clad in darkness and bone and that same beauty that always stops you in your tracks. Upon seeing her, you breathe easier.

“We need your help.” 

“You wouldn’t have called so formally if it was quality time you wanted.” Amusement dances in her eyes. 

She eyes the symbols on the floor. They no longer glow, but still they contain her. She scuffs a foot along them. 

You smudge the symbols and the containment drops. Stepping over the magic as it sinks down into the earth, she catches you by the waist and devours you; lips and teeth and tongue dominating your own, leaving you helpless to do anything but give in. And you’re all too willing to do so. 

When she pulls back, you’re breathless. Somewhere in the fray your lip has begun to bleed. Rio soothes her tongue over the wound and you feel it close. 

“Hand.” 

You offer the demanded appendage, palm up. She places a kiss in the center and licks the blood from her lips. 

Rio turns her head to where Agatha has dragged herself to sit against the wall. The rise and fall of her chest is slow, but there. She glares at the two of you. You flush while Rio grins. 

“Hi, sweetheart. You look like shit.” Rio says, delighted. 

“A side effect.” Agatha grits out, “The same can’t be said for you.” 

Rio tilts her head back and laughs. It’s deep and rich and fills you with thoughts that are not appropriate for this situation. The hand on your waist squeezes as if she knows. Then, she releases you. 

She crosses to crouch before Agatha, devious smile shifting to something softer. One of her hands works through a lock of Agatha’s hair, brushing it out of her face. 

“What did you get yourself into?” 

Agatha’s eyes drop to Rio’s lips, but she stays silent. 

“Saura’s Dread.” You choke out, shame winding itself tight inside you, “I don’t—I can’t brew the antidote.” 

You should have done more to push off Agatha’s agenda; just so you would have finished your research. A few extra days wouldn’t have hurt. They would’ve infuriated Agatha—and Rio by extension—but then you would know the solution instead of watching her slowly wither away. 

Rio doesn’t look away from Agatha, but you know the soothing tone is for you, “It’s okay.” 

Something passes between the two that you miss. One moment, Rio holds Agatha’s face in her hand, while Agatha—hesitantly—leans into the contact. The next Rio is standing between the two of you, toying with her knife, all business. 

You feel a chill pass through you at the unfamiliar territory; staring into Rio’s eyes and finding the affection buried away. It stings more than knowing how you’ve failed. 

“You’re asking me for life in a bottle.” Rio says, grinning, “What do I get in return?”

Short of knowing that Rio would fix it should you ask, you find yourself shamefully bereft of anything with value. You search the space for anything to bargain with. Agatha’s eyes should be looking at you with knowing, but her gaze doesn’t leave Rio. 

When Agatha tilts her head and grins, turning on the bedroom eyes, you pause. 

“What you’ve wanted for years.” Agatha says, “Brew me a little potion and you can have her all to yourself.” 

Rio’s brows shoot sky high. You tilt your head, then freeze. It’s you. Agatha’s bargaining you.

There should be a sweetness in knowing you’re the only thing of value she has to offer, yet the taste is sour on your tongue. The words feel like a punishment, a reprimand—and not the kind you’ve begged at her feet for. That awful part of you would rather Agatha die than ever willingly give you up and Rio eyes you as if she knows it. Does it please her to know how they’ve twisted you?

One mistake, you think bitterly, and Agatha throws in the towel. Despite all the near-death experiences you’ve endured at her side. Despite the years you’ve spent together. You never expected a punishment of this proportion. 

You bite your tongue. At your sides, your fists clench and unclench. They glow with the anger you can’t keep hidden. 

Pride rears its unhelpful head and you speak before you can stop to think, “My life for Agatha’s.” 

Rio’s full attention is on you, then. Her eyes are bright. 

You speak directly to her, “I’m bound to you and The Road until such time as Agatha traverses it to collect me.” 

Had you not been so focused on Rio, you would have noticed Agatha flinch at your suggestion. Her wide, glassy eyes stare at you. You do not give her the satisfaction of your attention. If she is going to be cruel, so can you. 

Your terms are a challenge; and Agatha doesn’t turn down a challenge. 

Her devious, wicked mask clicks back into place. Rio’s expression is pensive. Despite the poison working through her system, Agatha almost looks as powerful as her best day. 

“You’d let me steal her away, O Death?” Agatha teases. 

The comment is salt in your open wound. You glare, wishing more than anything that you could wrap your hands around her pretty neck and squeeze. You want her not only to beg—but to apologize. 

But Rio’s eyes haven’t left you for a second. 

“Alright, sweetheart.” Rio says, “Your life, bound to mine, until Agatha comes to get you.” 

In it you understand the desire you both share; to have Agatha, one way or another. You wonder if the desire for possession is your own or something you’ve learned from her. 

From her pocket comes a small glass vial. She tosses it to Agatha, who only barely catches it. She cradles it like something precious. 

“Drink up.” Rio orders. 

Then Rio is there, arm around your waist, holding all your pieces together. You lean into her comfort as color returns to Agatha’s cheeks. 

“Te veo.” 

--

1754

“She waits for you.”

Agatha whips around, purple crackling at her fingertips. At the edge of the clearing, Rio leans her weight against a gnarled tree, eyeing the withered husks of once-witches in the grass with interest. She looks almost predatory. 

“Does she?” 

Rio nods, eyes shifting to Agatha, “Like a puppy. It’s almost pathetic.” 

It is pathetic, is what she should say. Time and affection have curbed her tongue on this small thing at least. On you. Agatha’s smile is knowing. 

Rio has pulled her punches toward you since the beginning. Agatha’s never minded. It’s almost sweet watching the oldest force in the multiverse tiptoe around a witch barely into her second century. Is it that craving for ancient knowledge in your veins that renders Rio down, or is it simply your pretty face? 

Does it matter? 

“I don’t have what I need yet.” Agatha rolls her eyes, “Witches these days don’t have the power they used to.” 

“Or maybe you’re leveling the population before they have time to strengthen.” Rio raises a brow. 

Agatha thinks, deliberately dramatic, then shrugs, “No, that’s not it.” 

With a shake of her head, Rio steps out from the treeline, and closes the distance across the clearing. Agatha watches every step with dark eyes. The stench of death and magic sends a chill down Rio’s spine; there’s nothing more delicious than a life snuffed out. 

The wind slows in the trees as if sensing her. Birds silence their sweet tunes. There is frantic rustling in the trees somewhere as creatures do all they can to get away. 

Yet Agatha stands, waiting, and allows Death to pull her into her embrace. 

One of Rio’s great loves is watching skin split so she can lap up the blood at her own pace. Yet, when her hands settle on Agatha’s hips, they’re gentle. She doesn’t open wounds with her teeth. Rather, she moves her lips over Agatha’s until she can’t breathe. Agatha is wary when she pulls back. 

Rio shrugs, “A message from her.” 

“I see. Forgiven me, has she?” A slow, taunting grin, “Anything from you?” 

“Have you earned it?” 

“These bodies didn’t make themselves.”

A tilt of her head, as if considering, “Maybe you’ve earned something small, then.” 

And they meet in a clash of lips and teeth. Rio’s hands are everywhere, leaving behind deep claw marks that make Agatha moan into her mouth. Agatha’s own nails pierce through cloth and skin at her hips but draw no blood. She tries to push Rio backward toward one of the trees, she just needs a little leverage and Rio’s thigh to—

Rio pulls back. She grins something wicked at the flash of Agatha’s purple.

“Something small.”

Agatha makes a face, batting her lashes. Rio doesn’t give in. 

“You’re awful.”

“You love it.” Rio says, then her face takes on something more serious, “Don’t keep her waiting, Agatha.”

Then she’s gone as if she was never there; the only evidence being the bleeding marks on her skin. Agatha stares at where she stood for a long time before moving on.

--

1801

The Road changes, you’ve seen, as the covens come along. Small cottages, ancient ruins—the most interesting was an old system of catacombs, though it lacked the remains you’d been intent on studying.

Your favorite, though, is the bower, absent of any illusions or spells.

Beneath a canopy of purple leaves upon a seat of grass, you watch the events unfold from afar. An old curved trunk sits at your back keeping you upright. The animals—lost familiars, mostly—wander up to you here, nibbling at fallen leaves and taking up residence in your lap.

From outside it could be mistaken for a simple tree. Yet, beneath it, the world is at your fingertips. The position of your place presents the underside of millions of glowing leaves to your view; lives, Rio said, witch and non-witch alike.

You find the one you love best among the foliage. You trace your finger down the purple veins, hoping she feels you, thinks of you, misses you. The veins seem to glow a little brighter at your touch.

Rio doesn’t enjoy you toying with them; worried a wrong move on your part will take a life too soon, upsetting the greater balance she’s beholden to. But she taught you how to handle Agatha’s. Trace, never prod. Caress, but never pluck.

A black cat settles in your lap and you sit straighter.

Soothing a hand down her back, she purrs. Her little body presses against your stomach and basks in your warmth.

“You really are too predictable.” Rio says.

She stands a few feet away, clad in dirt and muck, yet still beautiful. Always beautiful.

“I like it here. It’s comforting.”

“You like being close to Agatha.” She corrects.

The leaf in question glows brighter as if sensing the mention. You trace a finger along the edge, willing all your love into it.

“This is all I have of her.” You admit.

Something like softness creeps into Rio’s face. As soon as it appears, it recedes. She joins you under the canopy. The cat in your lap startles and leaps from your lap, darting back into the underbrush.

You had never thought to secure some token of Agatha’s, then. Now, with nothing of her’s to hold close, you settle for her life-line, begging it to tell you her whereabouts and if she’s safe; it is always silent. Rio is, too. She doesn’t mention much when you ask, though you know she knows the actions of every life tied to her.

The Road is a wonderful home. Rio is an attentive partner. But you ache, still, for the other set of hands you knew; those who were predictable in their firmness, balancing the sudden changes of Rio’s own.

“You’re crying.” Rio says.

Her face is dark, but fury lingers around the edges. Something like worry flutters in and out of her eyes. You have nothing to say, so you only nod.

Then you’re in her lap. Rio’s bunching up your dress to your waist, canines embedded in your neck. Her nails dig into your hips and the blood warms you. You whimper.

Lips kiss down your neck while a hand hovers between your legs. You bear down, desperate for any friction to dull the ache. And she gives it to you. Her hand is exactly where you want it, fingers rubbing and pressing, and you grind your hips hard, harder until you’re right there.

And then her hand is gone.

You whine. Your hips move of their own volition, searching for that pressure to send you right over the edge. Rio’s lips catch your own in a bruising kiss and you whimper into her mouth.

Needy, desperate, you can almost hear her say.

But when she pulls away and digs her nails in harder, she whispers, “Cry for me, sweetheart.”

She alternates between giving you what you crave and rescinding it for hours. You whimper, moan, and beg. She laughs and repeats herself—cry for me. You lose count of how many almost-orgasms tighten your body just to go unfulfilled. You do cry. You sob and she’s there, tongue licking up your tears and knuckle deep inside you, thumbing over your clit until you have what you want.

You’re not sure how long you lay there, after, crying against her.

--

1833

Rio’s arm is warm where you’re wrapped around it. She leads you through the winding stone streets, around grand buildings with stained-glass windows. Some of the scenes depicted in the glass are beautiful, simple; but the majority are Catholic in nature, dripping with sadness and guilt. You shake your head.

Passersby nod or tilt their hats, but don’t seem to see you. Their eyes go especially glassy when they look at Rio.

Whereas you’re clad in a dress of rich layered fabric, Rio has opted for more masculine attire. The low heels of her dress shoes click upon the stone. The unwrinkled fabric of her suit smells of smoke.

Your heels don’t quite agree with the stone. After the fifth time of a near-twisted ankle, you huff, “Could I not have worn flat shoes?”

“The heels compliment your legs.”

“You can’t even see them.”

“Yet.” She winks.

You roll your eyes, ignoring the heat suffusing your cheeks. Another nod to a passing couple and Rio makes a sharp turn. You’re led into a damp, dim alleyway.

The ground is made from rough slabs of uneven stone. You curse when your heel slips and only Rio’s strength keeps you standing. Water slides down the walls on either side, thick moss growing in the cracks. You reach out to feel it only for your hand to come away red.

If not for Rio pulling you along, you’d have screamed. Blood cascades down the walls. From it grow dark, twisted plants you’ve studied beside The Road. Beneath the plants and out of them come bones; most have yellowed with age, but there is the occasional bright-white specimen.

Surprise aside, you lean toward the bones with interest. Still, Rio presses on.

The alleyway is growing slimmer by the second. Should it continue to do so, you’ll be forced to walk behind Rio, and the thought makes you tense.

Rio squeezes your hand, “Relax, sweetheart.”

“I’d relax more if I knew what we were doing here.”

“Where’s the fun in that?”

Before you’re forced to walk single-file, you come to the end. Rio traces a counter-sigil upon the stone. With a shudder, a door is revealed. Above the silver knocker, embedded in the door, sits an unblinking eyeball. The blue pierces you.

Rio pulls and slams the knocker. The eyeball falls from the door and hits the ground with a sickening pop. You nearly shriek while Rio makes noises of delight.

“Ooh,” She chuckles, “we’re not the first to arrive.”

You try not to think about what the eye must look like now, “Can I go home?”

“Why so squeamish all of a sudden? You handle the cadavers I bring you just fine.”

“That’s different. That’s research.”

“Who says this isn’t, sweetheart?”

The door opens soundlessly. Inside, the scene is much the same; another dark, slim space, though notably absent of plants and body parts. The owner of this place must be allergic to candles, the lighting situation is just pathetic.

Rio waits. When you make no move to walk inside, she sighs, nudging you with a hand on your lower back, “Ladies first.”

You’re not sure if being first or last is the worst. If anything is to jump from the walls now, you’ll take the brunt of it; you’re reminded of that day with Agatha all those years ago. Rio’s warmth at your back offers the strength you need to continue. Though, you do cling to her hand the whole way.

The hallway empties into a full room. Dark shelves match the height of the walls, on them jars full of ingredients. There are tables boasting dozens of drawers, though none sit open. Glasses and tools and cauldrons line the tabletops. In the center of it all are two figures; well, one figure and one corpse.

You can’t catch your breath. She’s as beautiful as the day you lost her.

“Agatha.” You whisper.

Agatha turns and smirks. She doesn’t look nearly as surprised to see you as you do her. Upon seeing you, her expression softens, eyes full of affection and longing. It hardens a bit when she glances behind you.

“You ruined the surprise.” Rio says, arms crossed, though one motions to the corpse, “We needed her.”

“What could you possibly need with a poison witch?”

“Our darling healer wanted to study with her.”

Something like regret turns Agatha’s face when she regards you. With a wave, she produces a thick book full of yellowing pages. You tilt your head when she offers it to you.

“Her life’s work. I’m sure there’s more here somewhere.” Agatha shrugs.

You take it and hold it to your chest reverently. All this time you thought Rio was putting you off about finding a competent poison witch and yet here you are, standing in her apothecary. She lies dead on the floor but you couldn’t care less when the real gift stands before you.

You long for her. You ache to feel the gentle caress of her hands on your face, the threat of her nails on your scalp.

A look at Rio tells you she isn’t entirely pleased with the turn of events. Yet when she sees your excitement some of her ire dissipates. The yearning in your eyes must be plain, since she gives you a single nod.

Book of poisons tossed onto the tabletop, you throw yourself into Agatha’s arms. She’s as steady as you remember. Her hand grips your chin and forces your lips to hers. Her hands are predictably firm wherever they land. She grips you as if afraid you’ll slip away. But her kiss, oh gods her kiss; soft lips and taunting, sharp tongue. The length of her body pressed against your own and so warm.

There are hands in your hair and this is all you’ve wanted—all you’ve craved for years. Why, then, do you feel the urge to cry? To rip the heart from your chest and banish it to where it won’t hurt?

Agatha is warm and steady. You bury your face in her neck and her in yours. Your hands shake with the force of clinging to her.

The feeling is bliss. Yet, it isn’t complete.

You glance over Agatha’s shoulder to Rio. She stands in the doorway, watching the scene with dark-eyed interest; but there’s a weariness in the set of her shoulders.

“Beloved.” You call, holding one of your hands out to her.

Rio raises a brow. Her eyes don’t stray from your outstretched hand.

“This is your gift, sweetheart.”

“And it’s incomplete without you.”

Her eyes stray to Agatha, who has taken to watching her, too. This time, Agatha’s eyes don’t harden. They maintain that soft look you melt for.

Agatha extends her own hand alongside yours.

“Come on.” Agatha urges, soft.

You watch the resolve break moments before she wedges her way into your embrace. Her fingers lace through yours, but her face is pressed into Agatha’s neck. She pushes and nuzzles like she wants to become part of her. It reminds you of the cat that visits the bower—Ebony—but you don’t dare say so.

Agatha’s hands leave you to caress Rio’s face. A thumb rubs along her cheekbone. You press yourself against Rio’s back, unable to glimpse her face but sure of the longing in her expression.

In a perfect world, there would be no separation between the three of you. No clothes, no emotional barriers, not even flesh to keep your hearts from mingling into one. You settle for Rio’s hand in your own and Agatha’s blue eyes locked on you.

You lean over Rio’s shoulder and kiss Agatha, your free hand fumbling with getting into the former’s pants. She chuckles darkly in your ear. It ignites a spark in your chest; a dangerous longing for this to remain, to be always. You try to push it away and focus on how Rio moans in your ear instead.

--

1869

“Will you walk with me?”

Rio nods, smiles grandly, “Of course.”

You laugh. She holds out her arm, ever the picture of a gentleman, but you lace your fingers through hers instead.

As a rare treat, you lead. You pull her along the road. The leaves change beneath your feet, from silver and black to the hues of autumn and then to pure green. The Road opens its arms into a clearing bathed in the color. Only the stone building in the center stands apart.

Upon your approach, flowers grow in the flattened grass where you step; honeysuckle and heliotrope, baby’s breath and red chrysanthemum. Rio glances over her shoulder as the blooms spring forth.

Ivy grows up the walls of the building. You brush a gentle hand over the leaves.

Crumbling, worn headstones en masse wait behind the building. 

Rio tilts her head, “What is this?”

The door is unlocked. You knew it would be. The Road cannot keep you from this place. 

Inside is warm and hazy. Papers with elegant scrawl cover every surface, books half-open litter any free spaces. Shelves line the walls, jars bearing various specimens. Plush couches overflow with deep, red cushions, begging you to sit and stay. A fire cracks in the fireplace.

Rio turns this way and that. She wanders around the room, flipping through books. A fingernail taps against a jar full of eyes. An errant paper is plucked from where it sits haphazardly atop the mantle. She stops.

You know the paper the second she comes into contact with it; can remember the way you wax poetic about how beautiful she is, how safe you feel in her arms. She picks another, then another, so on, and you know every word the second she touches them; the way she unwinds in Agatha’s arms, her face twisted in perfect fury, the lightless turn of her eyes when she teeters on the edge of wickedness.

She looks at you, vulnerable and unsure, “What is this?”

“My heart.”

“That… then why is all of this here?”

Her hand shakes the papers for emphasis. You resist the urge to laugh, lest she think you’re making light of her. Death can be cruel, but you try not to be.

You step close. Gently, the papers are extracted and returned to their places. Rio stares and hardly breathes as you take your face in her hands.

“You pulled away after that night.” You whisper, finger tracing her cupids-bow, “Do you think I touch you only because it is convenient?”

Rio’s lip curls. Fists bunch at her side, crackling with green light. You feel the rumble of her anger working through her chest. She tries to pull from your hold, but you don’t let her.

“Do you think I kiss you and pretend it’s her?”

Rio snarls, “I will kill you if you don’t stop talking.”

You smile. The threat is a real one, but you don’t fear it; the outcome is remaining by her side. With one hand you reach and pull one of her fists between you. You unravel it, trying not to flinch against the bursts of power over her skin. You press the palm of her hand over where your heart resides inside your chest.

The snarl fades just so. Fury still lingers in her eyes. You press your hand over hers and will her to see, to know.

“Look at the walls.” You order.

Upon the walls, plain and dark, shimmering scrawl appears. Agatha Harkness, it reads in shaky lettering; like a name carved into a tree. One signature turns into ten and ten into countless. Purple and shimmering is Agatha’s brand upon you. Rio yanks and reaches for the dagger she keeps handy.

Rio’s true name appears in shimmering green letters, then. Same as Agatha’s, there are countless signatures. They conjoin and overlap until the walls of your heart look like nothing more than a child’s colorful scribbles.

She stares at the walls in disbelief. The knife in her hand clatters to the ground.

“I’ve carved your names upon my heart so I’ll never forget who it belongs to.” You whisper.

“Sweetheart…”

You bend and collect her blade, pressing it into her hand, “Now do it yourself.”

Her hand wraps around the handle reflexively. Rio’s hand doesn’t leave the spot over your heart, feeling the steady, truthful beat.

“It’ll hurt you.” Rio says. She doesn’t bother hiding the desire in her voice.

You urge, “Make me hurt.”

Each artful stroke of her blade is slow. You whimper, but grip her wrist and push the blade deeper into your flesh. She scoffs when tears flood your eyes. The tears run down your cheeks while you smile, filled with bliss and ache in equal measure.

It’s a gift to love so deeply it wounds you. You never want her to stop; who, aside from your shared scar, holds such power? Who else in the world could touch your heart truly enough to carve into it?

There’s delight in her every movement. She consumes the pain of millions and yet, none of it is of her own making. She can only relish in what others have done; torture for a being who remains eternally intimate with the greatest methods of drawing out agony. Death has no free will but that you offer her—and she takes what none else would give, ravenously.

Is it enough?

Not forever, something tells you, you think it might be her, but for now.

--

1925 

“You called?” Rio asks. 

“If I didn’t know any better I’d say you’re avoiding me.” 

Agatha leans against the wall beside a small window. The pane has been slid upward, letting in the sounds of the city below, releasing the smoke of Agatha’s cigarette into the air outside. 

The cigarette is clutched in gloved hands. Her expression is amused as she draws in and releases the smoke, watching it form the shapes she wills. Though it has no effect on such a witch, Rio admires the object’s capability of bringing Agatha infinitesimally closer to her. 

“We’ve been busy.” 

“Busy or not, I’d say twelve bodies earns me a visit. And with the bulk of good booze I just removed from the market, I’d say I’ve earned a little more.” 

An obvious lure with paltry bait, still Rio bites, “What do you have in mind?”

“Let me see her.” 

She should. You’ve come to accept Agatha’s absence in your life, but she sees how much time you spend in the bower, and how you flinch when her name comes up. Rio hadn’t expected the frequency of Agatha’s name on the lips of covens walking the road to be so overwhelming, but it always drives you right into her arms; that she will relish. 

But Death is not giving. She takes. Taking is, in fact, her favorite hobby. Twelve bodies is not enough to make up for the haunted look in your eyes. She wants more—will have it. Agatha has to earn you. 

“I’ll need a little more from you.” Rio drawls. 

“Do you have any idea how hard it is to kill that many witches here with the nightlife?” Agatha throws her hands up. Ash flies from the forgotten cigarette. 

The sounds of Chicago seem to grow louder, as if to aid her point. Rio grins. She crosses the small space and takes the cigarette, snuffing it out on the back of Agatha’s hand. The action prompts a quiet moan. 

“It shouldn’t be a problem. What I want, you have an abundance of.” Rio’s smile widens as she manipulates Agatha’s hand, removing the glove, pushing and prodding until purple flashes along the flesh. 

A cooling breeze sneaks in the window and rustles the fringe along Agatha’s dress. It’s a beautiful thing, short and decadent. Rio knows you’ve enjoyed the few sightings of the period fashion you’ve glimpsed, but like her, you’d enjoy this specific dress in a pile on the floor. 

Agatha’s eyes stare at where Rio’s flesh meets her own. Her eyes are contemplative, calculating. She hesitates. And that is her fatal mistake. 

Rio throws her across the room with a shove. Agatha’s side hits one of the walls and she falls, face-first, onto the mattress she’s been sleeping on. The springs shriek at the sudden weight. Agatha snarls, throwing out a blast of purple that slams into Rio’s chest. Rio moans something filthy. 

There’s a brief struggle where Rio does her best to keep Agatha pinned; to the bed, to the wall, wherever there’s a surface. Yet Agatha is slippery. Her magic whisks her right out of the hold Rio puts her in and wherever Agatha wills it; which currently, is behind the other witch so Agatha can kick the back of her knees. Rio kneels not of her own volition. 

She braces to stand, only to find the blade of her own dagger at her throat. 

Rio’s gaze has lost any warmth. Her affection is buried deep, beneath layers and layers of earth she craves to bury Agatha in right this second, “You’re breaking her heart.” 

“That shouldn’t be a problem, you like seeing her cry.” 

“When I’m the one responsible.” 

Agatha rolls her eyes. She maintains a carefully ambivalent expression. Rio knows better; knows, under all that forced emotion, that Agatha’s heart is waging against her head, warring over her selfish desire to keep every bit of power. 

Then, something shifts. Rio feels it. Agatha has made her choice and it isn’t you. And it ignites a rage in her chest unlike anything she’s felt in centuries. 

She snatches the dagger back from Agatha’s grasp and only just barely resists the urge to bury it in her chest. If she has to drag Agatha back to you kicking and screaming, she will. You would like that, wouldn’t you?

“I’ll kill you.” Rio vows, and means it. Agatha can’t run away from the two of you if her soul is Rio’s to keep. 

Agatha’s eyes flash with fear. Then, she grins around it, “If you can catch me.” 

Latin words roll off Agatha’s tongue faster than Rio can comprehend. She recognizes the words and what they mean, where they’ve come from. Rio reaches out with her magic for the Darkhold too late; it, and Agatha, have completely vanished from her awareness. 

When she returns to The Road and finds you pacing before the bower, she stops short. 

“Did you—is she dead?” You ask, worrying your lip. Though your eyes dart every which way, looking for whatever manifestation of Agatha you believe she’s brought you. 

“Sweetheart…” 

--

1937

“Do you think if I cut you open you would heal too fast for me to do any research?” 

Rio tilts her head, considering. She’s sprawled out on the plush couch inside the physical manifestation of your heart, toying with her knife, having a staring contest with the unblinking jar of eyes while you jot down thoughts into notebook number… well, she’s lost count. 

“Probably.” She answers, “I’m also not sure I have organs.” 

You pause, “How is that even possible?” 

“Magic, sweetheart.”

Leaning back, your mind begins to race; given how old she is, it would only make sense that the organs the body came with are gone, rotted away—but would the flesh not go with it? You massage your temples. Life magic is no easier to understand than Death magic. 

There’s only one way to test your hypothesis. You stand from your place at the table and cross to her, straddling her hips where she lay on the couch. 

“I want to see.” You say, holding out a hand. 

Rio hands over her dagger and sinks further into the couch, as if that is possible. She grins up at you with no shortage of delight. You do your best to tamp down on your own grin. 

The flesh beneath your hands is warm and smells of damp earth where you peel away her shirt. Her eyes darken with every inch of flesh revealed to you. Firm and unafraid, you press the tip of the dagger down against her sternum. The action earns you an exaggerated moan. 

You rip the dagger away, glaring, “Behave.” 

“Or what?” Rio taunts, tongue pressing against the inside of her cheek. 

“Or I stop letting you watch my dissections.” 

She tenses, “You wouldn’t.” 

“Wouldn’t I, beloved?” 

“Get on with it.” 

You lean down and steal a quick kiss. It melts away the darling little pout on her lips. 

When you press the dagger back down, the flesh bends, but doesn’t open. You tilt your head and press harder. Rio watches, unphased. There is absolutely no give to her flesh. It gets to a point where you’re pressing your entire body weight behind the dagger, but Rio only laughs, squirming as if the action tickles. 

You whine and sigh. The dagger is dropped unceremoniously onto her chest while you lean an elbow against the back of the couch, sinking somewhat into the cushion. 

“If you want live specimens, we can collect some.” She soothes. 

The idea isn’t intolerable, but you shake your head. 

“They scream too much.” 

“Anesthetic exists, sweetheart.” 

“I suppose that’s true.” 

You look away, tracing the walls and their offerings with your eyes. Upon them hang paintings of your own making; scenes of life, death, love, fear—mostly fear. 

The human condition fascinates you, always has. Of the emotions to study, fear is the hardest; it is always fleeting in your wake; your face is too kind, too trustworthy, wiping away any sense of the unease you seek to study. You stare at your paintings and feel only distaste, knowing they’re not quite right. 

You can’t claim to have always had such taste. No, a cultivation for the finer flavors of life and death takes time. You can pinpoint where the itch started, however; that day in your childhood village when a dying soul reached out to you—scarcely were you a day older than four—and found no assistance. 

How beautiful it was; grisly, messy, but beautiful. You did not flinch away. Rather, you found yourself drawn in, eager to see more. And being of a coven of healers, your desire was fulfilled. Death was yours before you knew her name. 

Looking down at her, she stares back, unashamed to be caught. The heart in your chest—which has felt so stagnant in recent years—warms toward something almost pure. 

Rio will one day claim your soul. This, you know, and accept; your soul belonged to her the second you watched that woman die. You fear the when. What becomes of you when she claims your soul? What if you have yet to conduct all the research you desire? There is so much still to learn and you know she’ll abandon it for the chance to keep you. 

You love her, but you’ll never forgive her the knowledge you’ll one day lose. The warmth in your chest doesn’t ebb. 

Her top is still splayed open from your attempt at dissection. A healthy amount of flesh is bared to your eyes. You trace one finger from her neck to the center of her chest and tap, just above where a heart should be. 

“When you come for me,” You say, “I want to hold your heart in my hand.” 

“You already do.” She utters. 

“Will you let me study it, then, when I’m but a soul?” 

“You can study whatever you wish as long as it leads to me.”

--

1989

Agatha dwells on mistakes, often. She just doesn’t allow them to distract from her purpose. She is ruthless, to her very core. 

She spends an embarrassing amount of time trying to open the damned door to The Road. One coven after another, all failures. There is an obscene beauty in claiming a reward for what would otherwise be failure on her part. 

Time passes, enemies made, promises broken. She shrugs them all off. Yet she can’t shake the feeling of your hands in her hair, on her face. The lingering whisper of your kisses haunts her. The Darkhold whispers to her, oftentimes in language she shouldn’t comprehend, and it offers her the solution, should she just be patient; 

The Scarlet Witch

--

2026

The power that floats before you is biting and all too familiar. 

It fights against your hold, twisting and writhing like a wild animal, desperate to return to its mistress. But you’re stronger for now. The Scarlet Witch threw this power into the ether in her attempt at playing Death, and now it is yours to hold until Agatha comes for it. 

Anger rubs against the heart in your chest like a cat. You lean into it, feeling your own power respond to subdue that which isn’t yours. 

Rio watches beside you. She runs her fingers through the purple electricity contained in your palms, laughing when it fights her. Lips press against your temple. 

“Not long now.” She assures you. 

You feel longing and fury in equal measure. 

“I want her soul, Rio.” You whisper. 

A small chuckle, low beside your ear. It sends shivers down your spine. Her hand grasps your chin and turns you to face her, her lips meeting your own. The kiss is soft. You melt into it. 

She pulls back, tone careful, “You didn’t walk The Road, sweetheart.” 

You have not earned what The Road promises to grant. 

--

2026

Agatha doesn’t expect the end of The Road to look like Agnes’ Westview home, nor does she expect to see Rio perched on the roof, leaning back, as if waiting. But every step closer to the front yard makes her more furious. 

She is owed her prize. 

Upon her first step in Agnes’ yard, the front door opens, and she is blasted with something so strong that it knocks her back to The Road, on her back. She groans. Yet, she feels more alive than she has in centuries. Her body shudders with its missing piece; her power curling up in her veins, pleased to be home. 

She sits up, wincing at the ache in her bones that continues despite the gift she’s received. Leaves stick to the back of her arms, little pieces having crunched beneath her weight and adhered to her skin. She does her best to brush them away while getting to her feet. 

Rio remains on the roof, grinning. 

There, on the porch of Agnes’ house, is you. All the glory of you. 

Agatha’s heart leaps in her chest despite the scowl on your face. To her, you haven’t aged a day; still the young, fresh-faced witch following at her heels, dizzy on knowledge and the thrumming power inside. Time has not erased the love she has—so great it threatens to bring her to her knees. 

“Dearest…” Agatha murmurs, taking a half-step forward. 

“You have your prize.” You sneer. 

Your heart aches, begging you to go to her; hasn’t it been centuries? But your pride holds you back. She left you here while she gallivanted around the world getting what she wanted. 

There’s a brief flash of hurt on Agatha’s face, before it morphs into a wicked grin. Her posture changes, too, to something more proud, as she slinks across the yard toward the porch. You resist the urge to take a step back. 

“No, I don’t.” She drawls, “Are you going to be a good pet and come home willingly, or do I have to put you on a leash?” 

Something inside you burns for her. You ache for her touch, for her to force you to do what she wants. It creeps through the cracks of your pride and turns it into something else. You stick out your chin. Agatha snickers. 

Magic pulses in your palms, pulling various items from around you to throw—not fast enough. Agatha has you kneeling with your hands bound in a blink. 

“That’s not very nice, dear. And after all I’ve done to get here.” 

You regain some of your fight, snarling, “You left me here.” 

Agatha hums. 

“Into the deal you stumbled your way into. I’m not the one who tied herself to The Road in a fit of pride.” 

“You were leaving me regardless. If I was going to be handed off, I was going to do it on my own terms.” 

“Did I specify a length of time in my proposal? Was there any explicit mention of how long She could have you before I came back?” Agatha asks, mean-spirited joy in her eyes upon watching the realization dawn in your own. All that time you spent agonizing… when you had shackled yourself, “Years lost because you wanted to be a self-righteous brat.” 

There’s a lilt to her voice that clues you in to everything you’d once seen instinctually; Agatha has been in just as much anguish as you have, left to walk the world alone. You see the pain in her eyes. Just like then, you try to get to her now, eager to fix it, to wipe it away. 

The binding around your arms keeps you stationary. You whine and pull against it. 

“Agatha,” You whine, “I’m sorry.” 

“You will be.” She says. Then she turns to your left, finger poised and accusing, “And you—you kept her away from me.” 

Rio shrugs, smiling, “I couldn’t just make it easy on you.” 

Agatha waves a hand and Rio is kneeling on the porch at your side, similarly bound. Yet where you look pained, she is delighted. 

“I’m sorry.” You repeat, “I didn’t mean to be bad.” 

“That doesn’t change that you were.” 

A cloud of purple smoke announces your arrival to the inner bedroom of Agnes’ house. It doesn’t look like what you’ve seen from Rio, though. Where Agnes had been bland and cookie-cutter, this is rich fabrics and deep wood. It is Agatha through and through. 

You and Rio kneel side-by-side at the foot of the bed, where Agatha perches. Her beautiful blue eyes don’t miss the slightest movement you make. She’s clad in a dark robe with snakes and flowers that has Rio leaning forward in interest. 

Agatha’s eyes lock on you, “You’re going to apologize. Properly.” 

“I’m sorry—” 

“With your tongue.” 

Leaning back on her forearms, Agatha spreads her legs, and you feel the desire in your body rush through you. It’s so strong you feel your head begin to pound. She’s pink and dripping and all you want is to do a good job for her. 

Yet, ever the brat, you lean forward and start with kissing her inner thighs. With every press of your lips to the delicate flesh you murmur an apology. She sighs. 

A hand weaves into your hair and yanks you back. Her eyes are dark. Her face is set in a punishing expression but you see the yearning in her that matches your own. She yanks again, lighter, and you moan. 

“What did I say?” She asks, before directing you where she wants you. 

Witches don’t subscribe to the idea of what a human would call heaven, but upon tasting her, you think you could get behind it. She’s warm and sweet. You flatten your tongue and drag it along her slit just to collect a better taste of her. Agatha’s hand presses you in harder as she moans. 

Without the use of your fingers, you have to use your tongue well. You stiffen it as much as you’re able when you delve inside her and hope it is even slightly close enough to satisfy. The pathetic sounds reaching your ears—breathy moans, sweet whimpers—tell you that you’re doing fine. 

“Good girl.” Agatha breathes out. 

You clench around nothing. You’re sure that you’ve ruined your undergarments thoroughly from how wet you are. 

Eager for more praise, you direct your attention to that small, fleshy bundle of nerves begging for your attention. You swirl your tongue around her clit and her hips stutter, before they grind against your face with a renewed sense of purpose. You smile. 

“Yes—there, more—” Agatha stutters. 

You were born to do as she commands. All you want is to make her happy. Following her directions is as easy as breathing. 

The tip of your tongue alternates between circling her clit and flicking it. Every flick earns you a high-pitched oh! and a firm grinding of her hips. Her thighs are tightening around your head, but she’s putting up a good fight. Her legs quiver. 

“There—there—I’m going to—” Is all the warning you’re given before Agatha shrieks and comes while rutting against your mouth. You lap up every drop of her wetness you can get with glee. You did this, you brought her this pleasure; the knowledge sends a happy jolt through you. 

Agatha’s grip on your hair releases and you lean back, taking in big lungfuls of air. She stares down at you with a thoroughly fucked-out expression that makes you preen. 

Then she leans over and pulls your lips to hers. She moans against the taste of herself on your lips, tongue collecting the flavor from your lips. You throw every ounce of love you possess into the kiss—willing her to understand the longing you felt, the thousands of hours you spent watching her lifeline just to make sure she was safe. 

“Good girl.” Agatha murmurs, pressing little kisses all over your face, “My good girl.” 

“All yours.” You agree.

She laughs, low and smooth, “That’s not quite the truth, is it?” 

The two of you turn to regard Rio in unison. She remains in the position Agatha left her in, kneeling and bound. You admire her restraint at not breaking the bindings. Though you guess Agatha wouldn’t take kindly to that. 

Rio’s eyes are black with desire. They dart between the two of you. She takes in the wetness on your face, licking her lips. You can feel her eagerness for a taste. 

She’s writhing a bit in her restraints, pressing her thighs together and wiggling, looking for any source of friction she can find. Agatha tuts and she stops. If it were up to you, your face would be between her thighs, ears enjoying every sound she makes. But it isn’t up to you. 

Agatha scoots back up the bed until she’s sitting against the headboard. That’s when you feel the restraints on you fall away. She beckons the two of you with a finger and you both follow the command, eager. 

“Come here.” Agatha urges you specifically, patting her bare thigh. 

You obey and straddle the appendage, shuddering against the feeling against your throbbing clit. There’s a split second where you think of just grinding down and taking what you want. But you don’t—you have to be good. 

Words pass between Agatha and Rio during your silent struggle. When you look, she’s lying along the length of the bed, legs bunched up and spread wide next to you. 

“What am I going to do with you both?” Agatha muses. 

“Fuck us?” Rio drawls. 

“You, my good girl,” Agatha says, ignoring Rio as she soothes a hand through your hair, “are going to use me until you come. And my bad girl isn’t going to come until I tell her she can.” 

You shudder, whimpering, while Rio whines next to you. Agatha kisses your forehead while dealing a slap to Rio that makes her groan. 

A hand settles onto your hip and begins to guide you through the motions of grinding against her. The friction is difficult to attain with how wet you are, but you do what you can, crying out everytime the pressure is just enough to make your toes curl. It won’t take long for you to finish. 

Your face is buried in Agatha’s neck, where you press loving little kisses to the flesh. As a result you cannot see Rio. But you hear her; every movement of Agatha’s deft fingers through her wetness, every growl and keen of desire, every slap of Agatha’s hand when she gets a bit too eager. She won’t last long either, from what you can tell. 

The image of Rio and Agatha in your mind is enough to push you toward that delightful little taste of death. Your hands tighten over Agatha’s shoulders. 

“Agatha, can I—please?” You plead. 

“So obedient, asking for permission even when you don’t need to.” Agatha praises, “Go on, darling.” 

With her hand guiding you and her voice in your ear, you come so hard you see stars behind your eyes. You’re not sure what sound leaves your lips, only that your throat aches afterward. 

You tune back in to hear a brutal slap of flesh on flesh. Rio snarls. 

“Beg.” Agatha’s voice commands in your ear, though you know it isn’t for you. 

Rio stays stubbornly silent. 

The sounds of Agatha toying with her come to an abrupt halt. You don’t have the strength to lift your face from your refuge, but you can imagine that stubborn, yet pleading look in Rio’s face; wanting so deeply but not willing to give up what is required. 

“If you don’t want to behave, she can have your pleasure instead.” 

“No! I’ll—” You hear Rio grit her teeth, “Please, Agatha. Please let me come.” 

Agatha laughs. 

“That wasn’t so hard, was it?” She coos. 

Seconds—or maybe minutes—before Rio wails. There’s something primordial and animalistic wrapped inside it, almost like a growl. It makes you shudder. Then all that's left in the room is the sound of breathing. 

You spent so long aching for something just like this. It’s beautiful, though you know it can’t stay; all three of you are far too ambitious to live a domestic existence, but it’s nice for now. You missed them. The heart in your chest feels complete again, filling to the brim with affection. 

Tears seep from your eyes and you pull back before Agatha can question it, though you do feel her stiffen. You press kisses to her neck, her sternum, the inside of her wrist; then you grab Rio’s hand and press kisses to every pad of her fingers. 

With every kiss, you murmur I love you. 

--

2027 

“If you don’t sedate him at least a little bit, his heart is going to give out.” 

Rio’s sudden voice next to you isn’t surprising. You’ve grown used to her coming and going—Death waits for no one, after all. Her lips press to your cheek and you accept the affection. 

“She did sedate him. Three times.” Agatha’s voice calls from the next room. 

“Oh, I see.” 

Rio leans over to examine the man on your table with no shortage of interest. He stares back, eyes impossibly wide. His heart rate picks up. 

“What is he?” She asks. 

“Not sure. Rapid regeneration, odd capabilities. Mutant, maybe?” 

“He’s certainly not a witch.” Agatha’s leaning against the doorway now, arms folded over her chest, “Though it is taking a fair amount of magic to keep him subdued.” 

“He’s no match for you, naturally.” You compliment. 

Both Agatha and Rio grin at that. The former comes up behind you, hands settling on your hips. Her lips press against your neck. Then, she leans over and steals a kiss from Rio, who is all too eager to meet her halfway.

You smile. The heart in your chest threatens to burst—not unlike the specimen in front of you. 

“Well, aren’t you sweet today.” Agatha comments. 

“Aiming for a reward?” Rio asks. 

Rio kisses her way up the flash of skin available to her eyes, making you sigh, leaning back into Agatha’s hands. Then Agatha’s lips fasten to the other side of your neck. Your head falls back and you laugh. Then you moan. 

The experiment on your table is forgotten as you’re dragged into the next room and bent into all sorts of shapes you couldn’t even imagine on your own. Oh, well; if he dies before the six hour mark, you can always just find another one. The same cannot be said of the witches bracketing you. And oh, how beautiful that is. 

[hargreeves-duncan]

Can I request five x reader (takes place in s2) where reader (five’s partner) gets sent to Dallas around a year before five comes and after he does and reader sees him, she immediately tackles him on the spot and gives him many kisses. Maybe reader manages to work at a casino too

a/n: hi, thank you so much for your request! i haven’t written in a while so i'd love to hear your thoughts, enjoy!!

summary: it's been far too long since you've seen your boyfriend - he learns that the affectionate way.

warnings: reader works at a casino but there’s no actual gambling so🤷‍♀️

word count: 1.4k

You had to hand it to yourself, for someone who’d known next to nothing about life in the 1960s, you’d adapted pretty well. In no time at all, you’d managed to land yourself a job as a waitress in a casino. A very good one. It seemed in this timeline, Jack Ruby thought a casino would be a better investment than a night club - and for your part, you couldn’t say that he was wrong, nor could you complain.

The hours were long, but the pay was good enough and the other girls had taken you in as one of their own. You quickly began to excel. Strolling between the tables and flashing smiles was easy, second nature even. You developed the wit and charisma to charm the casino’s patrons without second thought, which meant you got more drinks served, more loyal customers and bigger tips to go along with them. 

Most nights the new life you’d built for yourself was more than enough but sometimes, no matter how hard you tried, you couldn’t help but yearn for what had come before - who had come before.

There was always a dull ache in your chest whenever you caught a fleeting glimpse of a lone, brown-haired man at one of the tables. In those moments, you could never stop yourself from believing for a slither of a second that Five had made it and he’d come right back to you.

You’d waited for him in that dingy, old alley for two weeks straight, because you knew that Five would never abandon his family like that. That something must’ve gone wrong, but it was okay because he’d come back and everything would be fine. That was what you told yourself. You were so sure he’d show up and solve everything in an instant, because that was what he always did. And when he hadn’t, it had almost destroyed you.

The first few months were gruelling, taking your first steps in the new world had taken a while. Grieving Five had taken longer. The obvious truth was staring you in the face. A year without contact from him or any of the other Hargreeves siblings? The probability was that you were the only one who had survived.

It was a truth that you were reluctant to admit, even now. One that led you to where you are today, starting yet another night shift, beside the casino’s bar, to serve a particularly rowdy Friday night crowd of patrons.

As you begin to set up, Mary-Anne, one of the other waitresses on shift, sidles up to you. Her honey-blonde curls bouncing around her ears as she leans against the bar. Trying to stifle her laugh, in her southern drawl, she says, “Has he tried talking to you yet?”

You raise an eyebrow at her, tilting your head to the side, “Has who tried talking to me yet?”

Her grin grows wider as she gestures to a table on the far corner of the room, laughing, “That little boy. Haven’t I said a million times that we oughta get tighter on the security in this place?”

She sighs, resting her hands on her hips, “I went over to him - trying to tell him that we don’t allow minors in here - and what’d he do?”

Deciding to humour her, you smile, looking down at her, “I’ve got no idea, tell me.”

She scoffs, shaking her head as she smiles, “He told me that he more than knew his way around place a place like this and that I had nothing to worry about with him. Can you imagine having the nerve like that at his age?”

The thought made you laugh. It reminded you of Five. His haggard temper in the body of his younger self always seemed to shock people in the very same way. You paused. It couldn’t be him, couldn’t it? You must be jumping to conclusions. After all this time, it’d make no sense if he was here now and yet…

“He said that?” You ask, eyebrows furrowing as you glance between the table and Mary-Anne. You squint, trying to see if you could recognise him.

A part of you felt silly and girlish for still holding out hope but this kid’s description was just too similar and besides, you were a teenager again, you were allowed to be lovesick and entirely delusional. It was practically your god-given right.

Mary-Anne nodded, loading her tray up with drinks of all shapes and sizes to cover her half of the room, “He did.”

Your eyes were locked onto the distant table, practically pleading for the kid to just turn around and let your hopes down already. Still, all that greeted you was the back of his head and the green fuzz of the poker table in front of him.

When you didn’t tear your eyes away, Mary-Anne looked you up and down, her baby blue eyes swimming with concern, “You alright there?”

Looking back at her, you sigh, already pent up at the possibility of Five being so close, “Yeah, I just… What did he look like?” You ask tentatively, biting your rouge-tinted, bottom lip between your teeth.

Mary-Anne hums in thought as she loads your tray for you, “Gosh, I don’t know - he had dark hair, was wearing a suit. It had the funniest, little emblem on it.” She says, tapping her chest in place of where it would’ve been.

Your eyes widen in shock and excitement as you process her words, “An umbrella! It was an umbrella, wasn’t it?”

Mary-Anne grins, giggling, “It was… how’d you know that?”

You couldn’t even answer her. You were already starting to tremble and hyperventilate, entirely overcome with nerves and joy and pure, unbridled excitement all at once. A year of being apart and now he was no more than a few strides away. Your smile brightens up like no other.

You slip your tray from over your head and place it down on the bar as you say, “Hey, cover for me, would you? I’ll be two seconds.”

Without waiting for her answer, you dash across the room - a flurry of giddiness bubbling up inside of you the closer you get. You tousle your hair and straighten your uniform, anything to keep your anxious fingers busy and to better yourself for something you’ve waited for for far too long.

Hearing heels coming towards him again, Five sighs in frustration and turns around in his chair, “Lady, I already told you-“

The breath feels like it’s been stolen from your throat as he turns to face you. It’s really, truly him. Your boyfriend is right there in front of you and you’ve never felt more relief than in this moment.

“Y/N.”

You’re not sure if you want to cry or scream or simply just take him in for the first time all over again. As you look over him, his piercing gaze, his dark hair and the freckle on his right cheek that you can’t count the number of times you’ve kissed, your eyes can’t help but be drawn to his lips.

God, how you’ve missed the feeling of them. You barely have time to think about what you’re doing before you’re cupping his face and pressing your lips against his once more, savouring every part of him in a way you’d never thought to before.

Your hands trail over every callous in his skin, memorising him with your fingertips, and as you pull back, Five’s gaze softens like nothing else as he smirks, “Hello, you.”

His hands reach out to cup your face, gazing over you as if he’s not entirely sure that you’re real. After all your time apart, you’re not sure either. You smile, nodding, “It’s me. It’s you. You’re here, you’re really here!”

You cup his face in return and you can’t help but press another kiss to his lips. He smiles fondly as you do. And so you kiss him again… and again on his cheek… and on his freckle… his chin… his forehead. Everywhere your lips can reach, you press them.

After a moment, he laughs weakly and reaches up to pull your hands away from his face and intertwines them with his own fingers instead, “Okay, love.” He says chasteningly, “Let’s calm down there, shall we?”

Your smile grows shyer as you right yourself, “Sorry.” You say, brushing your hair away from your face.

He shakes his head, brushing your hair back for you and then guiding you by the waist to the seat beside him, “No, don’t be sorry. Don’t ever be sorry. Believe me, I’m just as happy to see you. Really.”

It’s him who initiates the kiss this time. He’s soft, delicate almost, in the way that he kisses you, as if each movement of his lips is a new way of giving all of his love to you and promising that he won’t ever let you out of his sights again.